A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Other movements and styles
(Literature, Art and Aesthetics)
Arts and Crafts
Automatic art
Conceptism
Conceptual art
Constructivism
Cubism
Dada
Decadentism
Existentialism
Expressionism
Fauvism
Futurism
Gothic (gothicism; gothic in plastic arts)
Imagism. See Pound, Ezra; See also Ultraism.
Impressionism
Manierism
Medieval aesthetics. See Medieval criticism.
Minimalism
Nabis
Naïf
Naturalism
Neo—
Neobaroque
Neoclassicism. See Classicism.
New Age
Pop Art
Pre-Raphaelites
Punk
Psychedelic art
Retro
Romanic art
Sensualism
Situationism
Socialist realism
Steampunk
Symbolism (Plastic arts)
Ultraism, Vorticism, Imagism, Creationism, etc.
Underground culture and art
Arts and Crafts
Kinsella, Karl. "'A Preference for Round Windows': Hobbits and the Arts and Crafts Movement." In J.R.R. Tolkien: the Forest and the City. Ed. Helen Conrad-O'Briain and Gerard Hynes. Dublin: Four Courts Press, 2013. 87-97.*
Internet resources
"Arts and Crafts." Wikipedia: The Free Encyclopedia.*
https://es.wikipedia.org/wiki/Arts_and_Crafts
2015
Automatic art
Nalbantian, Suzanne. "6. Apollinaire, Breton and the Surrealists: Automatism and Aleatory Memory." In Nalbantian, Memory in Literature: From Rousseau to Neuroscience. Houndmills: Palgrave Macmillan, 2003. 100-16.*
Peters, John. Artificial Versifying: A New Way to Make Latin Verses. 1678.
Conceptism
Blanco, M. Les rhétoriques de la pointe: Baltasar Gracián et le conceptisme en Europe. Champions: París-Ginebra, 1992.
See also Metaphysical poetry.
Conceptual Art
Baltcock, Gregory, ed. La idea como arte: Documentos sobre el arte conceptual. (Colección Punto y Línea).
Cantillo, Jorge. "Un artista vendió una escultura invisible por 18.300 dólares." Infobae 28 May 2021.* (Salvatore Garau).
2021
Combalía Dexeus, Victoria. La poética de lo neutro: análisis y crítica del arte conceptual. (Cuadernos Anagrama, 93). Barcelona: Anagrama.
Kosuth, Joseph. "Sobre el arte conceptual." Revista de Occidente 165 (1995): 55-68.*
LeWitt, Sol. "Paragraphs on Conceptual Art." In On Art: Artists' Writings on the Changed Notion of Art After 1965. Ed. Gerd de Vries. Köln, 1974.
Video
Hernández García, Paloma. "Idea de arte conceptual desde el materialismo filosófico." Lecture, XVII Curso de Filosofía de Santo Domingo de la Calzada. YouTube (fgbuenotv) 22 July 2021.*
2024
Constructivism
Lodder, Christina. Russian Constructivism. New Haven: Yale UP, 1983.
Cubism
Apollinaire. Les Peintres cubistes. 1913.
Cassou, Jean. "XII. Philosophie du cubisme." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 171-85.*
_____. "XIII. Les Cubistes: Survage, Gleizes, Lhote, Gris, Marcoussis, Delaunay." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 186-220.*
Cooper, Douglas. The Cubist Epoch. London: Phaidon, 1971.
Gleizes, A., and J. Metzinger. Sobre el cubismo. Trans. Francisco Torres. Arquilectura 21 (Murcia, 1987).
Golding, John. Cubism: A History and Analysis, 1907-1914. London: Faber, 1968.
Lyotard, Jean-François. "Being Done with Narrative by Cubism and André Malraux." In Centuries' Ends, Narrative Means. Ed. Robert Newman. Stanford (CA): Stanford UP, 1996. 79-88.*
Reverdy, Pierre. "Sur le cubisme." Essay. Nord-Sud (1917).
Vondrak, Amy. "'The Sequence of Motion and Fact': Cubist Collage and Filmic Montage in Death in the Afternoon." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY): Boydell & Brewer-Camden House, 2004. 257-79.*
Weixler, Antonius. "Zeit in der Malerei. 'Ein Pferd hat zwanzig Beine'—über Simultaneität in Futurismus und Kubismus." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 205-30.*
Dada
Ball, Hugo. Dios tras Dadá. Essays. Trans. Fernando González Viñas. Berenice.
Barr, Alfred H., Jr., ed. Fantastic Art, Dada, Surrealism. New York: Museum of Modern Art, 1936. 3rd ed., rev., 1947.
Breton, André. Los pasos perdidos. Madrid: Alianza, 1972. 55-8; 63-70.
Cassou, Jean. "XXIII. Dada et le surréalisme: Duchamp, Picabia, Chirico, Dalí, Miró, Ernst, Tanguy, Masson." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 550-605.*
Codrescu, A. The Postmodern Dada Guide.
Dada - Surrealismo: Precursores, marginales y heterodoxos. Cadiz symposium 1985. Servicio de Publicaciones de la Universidad de Cádiz, 1986.
Fijalkowski, Krzysztof. "Dada and the Machine." Journal of European Studies 17.4 (December 1987).
Hugnet, Georges. L'Aventure Dada, 1916-1922. Introd. Tristan Tzara. Paris: Seghers, 1971.
Short, Robert. "Dada and Surrealism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 292-310.*
Tzara, Tristan. Seven Dada Manifestos and Lampisteries. Trans. Barbara Wright. London: Calder, 1977.
_____. From "Memoirs of Dadaism." In A Critical and Cultural Theory Reader. Ed. Antony Easthope and Kate McGowan. Buckingham: Open UP, 1992. 233-36.*
Wellek, René. "Dada and Surrealism." In Wellek, A History of Modern Criticism: 1750-1950. Volume 8: French, Italian, and Spanish Criticism, 1900-1950. New Haven: Yale UP, 1992. 91-93.*
Young, Alan. Dada and After. Manchester: Manchester UP, 1983.
Decadentism
Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham (NC): Duke UP, 1987.
Collins, Richard. "&c... Reticence in the Decadence." BAS (1997): 9-19.*
Darío, Rubén. Los raros. 1896, 2nd ed. 1905.
_____. Los raros. Prologue by Juan Ramón Jiménez. Zaragoza: Libros del Innombrable, 1998.
Dowling, Linda. "The Decadent and the New Woman in the 1890s." Nineteenth-Century Fiction 33 (1979).
_____. "The Decadent and the New Woman in the 1890s." In Reading Fin de Siècle Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York: Longman, 1996.
_____. Language and Decadence in the Victorian Fin de Siècle. Princeton (NJ): Princeton UP, 1986.
_____. Hellenism and Homosexuality in Victorian Oxford. Ithaca: Cornell UP, 1994.
Fernbach, Amanda. Fantasies of Fetishism: From Decadence to the Post-Human. Edinburgh: Edinburgh UP, 2002.
Fletcher, Ian, ed. Decadence and the 1890s. New York: Holmes and Meier, 1980.
Gelpi, Barbara Charlesworth. (Stanford U). Dark Passages: The Decadent Consciousness in Victorian Literature. 1965.
Nalbantian, Suzanne. Seeds of Decadence in the Late Nineteenth-Century Novel.
Paglia, Camille. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. New Haven: Yale UP, 1990.
_____. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale UP, 2001.*
_____. "19 Apollo Daemonized: Decadent Art." In Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale UP, 2001.*
_____. "20. The Beautiful Boy as Destroyer: Wilde's The Picture of Dorian Gray." In Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale UP, 2001.*
_____. "21. The English Epicene: Wilde's The Importance of Being Earnest." In Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale UP, 2001.*
_____. "22. American Decadents: Poe, Hawthorne, Melville." In Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale UP, 2001.*
_____. "23. American Decadents: Emerson, Whitman, James." In Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale UP, 2001.*
_____. "24. Amherst's Madame de Sade: Emily Dickinson." In Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. (Yale Nota Bene). London and New Haven: Yale UP, 2001.*
Pierrot, J. L' Imaginaire décadent. Paris: PUF, 1963.
Sánchez Espinosa, Adelina. "Los dioses en el exilio de Heinrich Heine como subtexto de los Retratos imaginarios de Walter Pater. ¿Retrato del artista decadente?" In El cuento en red: Revista electrónica de teoría de la ficción breve 10 (Fall 2004): El cuento en lengua inglesa.
http://www.cuentoenred.org/cer/numeros/no_10/no10_index.html
Sanguily, Manuel. "Literatura de decadencia (notas sobre el último libro de Max Nordau)." In Sanguily, Literatura universal: Páginas de crítica. Madrid: América, n. d. 171-208.*
Scott, Clive. "Symbolism, Decadence and Impressionism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 206-27.*
Stead, Evanghélia. Le Monstre, le singe et le fœtus: Tératogonie et Décadence dans l’Europe fin-de-siècle. Geneva: Droz, 2004.
Swinburne, Algernon Charles. Notes on Poems and Reviews. London: John Camden Hotten, 1866. (Poetry and morality; Decadence; Aestheticism; PreRaphaelites)
Symons, Arthur. "The Decadent Movement in Literature." 1893.
Villena, Luis Antonio de. "Alvaro Retama, en el abanico de la 'Novela Galante-Decadente'." Epos 8 (1992): 317-28.*
Winters, Yvor. "Primitivism and Decadence." In Winters, Primitivism and Decadence. 1937. Rpt. in In Defense of Reason. 1947. Athens (OH): Ohio UP-Swallow Press, 1987. 90-102.*
Literature
Huysmans, Joris-Karl. A Rebours. Novel. Paris: Charpentier, 1884.
_____. A Rebours. 1884. Paris: UGE, 1975.
_____. A Rebours. Ed. Marc Fumaroli. Paris: Gallimard, 1977.
_____. Against the Grain (A Rebours). New York: Dover.
_____. Against Nature (A Rebours). Trans. Margaret Mauldon. Ed. Nicholas White. (World's Classics). Oxford: Oxford UP, 1998.*
_____. A contrapelo. Ed. Juan Herrero. Madrid: Cátedra.
James, Henry. "The Author of Beltraffio." Story. English Illustrated Magazine (June/July 1884).
_____. "The Author of Beltraffio." New York ed. . Rpt. in The Figure in the Carpet and Other Stories. Ed. Frank Kermode. Harmondsworth: Penguin, 1986. 57-112.*
_____. "The Author of 'Beltraffio'." In James, Complete Stories (II) 1874-1884. (The Library of America). New York: Literary Classics of the United States, c. 1999.
Pérez de Ayala, Ramón. Troteras y danzaderas. Roman à clef. 1913.
Villiers de L'Isle-Adam. Axel. 1885.
See also Fin de siècle.
Existentialism
Nadeau, Maurice. "L'existentialisme et ses à-côtés." In Nadeau, Le roman français depuis la guerre. Paris: Gallimard, 1963. 113-24.
Torre, Guillermo de. Ultraísmo, existencialismo... en literatura. Barcelona: Guadarrama.
See also Motifs. E motifs. Existentialism.
Expressionism
Borges, Jorge Luis. "Acerca del expresionismo." In Borges, Inquisiciones. Barcelona: Seix Barral, 1994. 155-62.*
Cassou, Jean. "XXIII. L'Expressionisme allemand: La Brücke, Le Blaue Reiter." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 411-22.*
Corrigan, Mary Ann. "Beyond Verisimilitude: Echoes of Expressionism in Williams' Plays." In Tennessee Williams: A Tribute. Ed. Jac Tharpe. Jackson: University Press of Mississippi, 1977. 375-412.
Furness, R. S. Expressionism. (The Critical Idiom, 29). London, 1973.
Gassin, Alexia. "L'Œuvre de Vladimir Nabokov dans le contexte de la culture et de l'art allemands à l'époque de l'expressionisme." Ph.D. U of Paris-Sorbonne.
Innes, Christopher D. "Therapy and Subliminal Theatre." (Expressionism, psychodrama). In Innes, Avant Garde Theatre 1892-1992. London: Routledge, 1993. 36-58.*
Muschg, W. Expresionismo, literatura y panfleto. Barcelona: Guadarrama.
Nelken, Margarita. El expresionismo en la Plástica Mexicana de hoy. Mexico: Inba, 1964.
Sheppard, Richard. "German Expressionism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 274-91.*
Willett, John. Expressionism. London, 1968.
Anthologies
Talens, Jeanro, and E. E. Keil, ed. and trans. (Spanish anthology of German expressionism). 1972.
Fauvism
Cassou, Jean. "VIII. Le Fauvisme." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 111-14.*
Futurism
Cassou, Jean. "XXVI. Le Futurisme italien." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 455-63.*
Hyde, G. M. "Russian Futurism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 259-73.*
Ilnytzkyj, Oleh S. Ukrainian Futurism, 1914-1930: A Historical and Critical Study. Cambridge (MA): Harvard UP, 1995.
Jakobson, Roman. ("Futurism.") Iskusstvo (Moscow) 2 August 1919.
Marinetti, Filippo Tommaso. "The Founding and Manifesto of Futurism." In From Modernism to Postmodernism: An Anthology. Ed. Lawrence E. Cahoone. Oxford: Blackwell, 1996. 185-90.*
Nicholls, Peter. "Futurism, Gender, and Theories of Postmodernity." Textual Practice 3.2 (1989): 202-21.
Perloff, Marjorie. The Futurist Moment: Avant-Garde, Avant-Guerre and the Language of Rupture. Chicago: U of Chicago P, 1986.
Rawson, Judy. "Italian Futurism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 243-58.*
Weixler, Antonius. "Zeit in der Malerei. 'Ein Pferd hat zwanzig Beine'—über Simultaneität in Futurismus und Kubismus." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 205-30.*
Wellek, René. "Futurism." (Russian). In Wellek, A History of Modern Criticism, 1750-1950. Vol. 7: German, Russian and East European Criticism, 1900-1950. New Haven: Yale UP, 1991. 261-64.*
White, John J. Literary Futurism: Aspects of the First Avant-Garde. Oxford: Clarendon, 1990.
Anthologies
Pike, Christopher, ed. The Futurists, the Formalists, and the Marxist Critique. London: Ink Links, 1979. 1989. (Anthology).
Gothic (Plastic arts and architecture, medieval and neo-Gothic)
Brough, Sonja. The Goths and the Concept of Gothic in Germany, 1500-1750. Basel: Lang, 1985.
Hurd, Richard. Letters on Chivalry and Romance. 1763.
_____. Letters on Chivalry and Romance: With the Third Elizabethan Dialogue. Ed. Edith J. Morley. London: Frowde, 1911.
Liaño Martínez, Emma. "Las iglesias góticas con cubierta de madera en la provincia de Zaragoza." In Francisco Abbad Ríos: A su memoria. Zaragoza: Departamento de Historia del Arte, Facultad de Filosofía y Letras, Universidad de Zaragoza, 1973. 141-44.*
Mañas Ballestín, Fabién. "Un taller de orfebrería gótico-renacentista." In Francisco Abbad Ríos: A su memoria. Zaragoza: Departamento de Historia del Arte, Facultad de Filosofía y Letras, Universidad de Zaragoza, 1973. 145-54.*
Ruskin, John. The Stones of Venice. 3 vols. 1851-3.
_____. "The Nature of Gothic." In Ruskin, The Stones of Venice.
_____. "Characteristics of Gothic Architecture." In The Portable Victorian Reader. Ed. Gordon Haight. New York: Penguin USA, 1981. 586-595.
_____. [The Savageness of Gothic Architecture]. From The Stones of Venice. 1851-53. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1432-42.*
_____. The Stones of Venice. Volume II. 1853. Selection in The Victorian Age: An Anthology of Sources and Documents. Ed. Josephine Guy. London: Routledge, 1998. Pbk. 2002. 325-50.*
González-Rivas Fernández, Ana. (U Complutense de Madrid, anagonfer27@telefonica.net). "Lo clásico y lo gótico: Origen estético y conceptual de una tensión literaria." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 54-60.*
Warton, Thomas (Jr.). Observations on the Fairy Queen of Spenser. 1754.
_____. Observations on the Fairy Queen of Spenser: The Second Edition: Corrected and Enlarged. 2 vols. London and Oxford: R. & J. Dodsley and J. Fletcher, 1762.
Impressionism
Armstrong, Nancy. "Character, Closure, and Impressionist Fiction." Criticism 19.4 (Fall 1977).
Baroja, Pío. "Filosofía impresionista." In Pío Baroja: Obras Completas XVI: Obra dispersa y epistolario: Textos dispersos - Páginas de autocrítica - Prólogo a textos ajenos - Artículos - Epistolario selecto. Ed. José-Carlos Mainer. Rev. Juan Carlos Ara Torralba. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2000. 1451-54.
Busch, Frieder. "Katherine Mansfield and Literary Impressionism in France and Germany." Arcadia 4 (1970): 58-76.
Cutting, James. Impressionism and Its Canon. 2006.
Gunsteren, Julia van. Katherine Mansfield and Literary Impressionism. Amsterdam: Rodopi, 1990.
Hamann, Richard. Der Impressionismus in Leben und Kunst. Köln, 1907.
Hauser, Arnold. "IX. Naturalismo e impresionismo." In Hauser, Historia social de la literatura y el arte. II: Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004. 247-482.* (1. La generación de 1830. 2. El Segundo Imperio. 3. La novela social en Inglaterra y Rusia. 4. El impresionismo).
Kullmann, Dorothea, ed. Erlebte Rede und impressionistischer Stil. Europäische Erzählprosa im Vergleich mit ihren deutschen Übersetzungen. Göttingen: Wallstein, 1995.
Spengler, Oswald. "IV. Música y plástica." In Spengler, La Decadencia de Occidente. Madrid: Espasa Calpe, 2002. 391-514.* (I. Las artes plásticas; II. El desnudo y el retrato; Aesthetics; Painting, Leonardo, Raphael, Michelangelo; Wagner, Impressionism, music).
Manierism
Edgerton, Samuel Y., Jr. "Maniera and the Mannaia: Decorum and Decapitation in the Sixteenth Century." In The Meaning of Mannerism. Ed. Franklin W. Robinson and Stephen G. Nichols, Jr. Hanover (NH): UP of New England, 1972. 67-103. (Executions).
Hauser, Arnold. "VI. El manierismo." In Hauser, Historia social de la literatura y el arte. I. Desde la prehistoria hasta el barroco. Barcelona: DeBols!llo, 2004. 415-93.*
_____. El manierismo. 1965.
_____. Origen de la literatura y el arte modernos. 3 vols: I. Literatura y manierismo. II. El manierismo, crisis del Renacimiento. III. Pintura y manierismo. Barcelona: Guadarrama.
Hocke, G. R. El mundo como laberinto: El manierismo en el arte. Madrid: Guadarrama, 1961.
Lange, K. P. Theoretiker der literarischen Manierismus. Munich: Fink, 1968.
Macrí, O. Manierismo, Barocco e Rococó: concetti e termini. Roma: Academia Naz dei Lincei.
Marquelot, Jean-Pierre. Shakespeare and the Mannerist Tradition: a Reading of Five Problem Plays. Rev. by Rowland Wymer in British Journal of Aesthetics 37.1 (January 1997):100-102.*
Orozco Díaz, Emilio. Manierismo y barroco. 2nd ed. (Crítica y Estudios Literarios). Madrid: Cátedra.
Robinson, Franklin W., and Stephen G. Nichols, Jr., eds. The Meaning of Mannerism. Hanover (NH): UP of New England, 1972.
Weise, G. Il manierismo: Bilancio critico del problema stilistico e culturale. Florence: Olschki, 1978.
Minimalism
Beckett, Samuel. "Three Dialogues." Transition (December 1949).
_____. "Three Dialogues." In Martin Esslin, ed., Samuel Beckett 16-22.
_____. "Three Dialogues." In Beckett, Proust and Three Dialogues with Georges Duthuit.
_____. "Three Dialogues." In Beckett, Disjecta 138-145.
_____. "Three Dialogues." In Bram van Velde. By Samuel Beckett, Georges Duthuit, J. Putman. (Le musée de poche). Paris, 1958.
_____. "Three Dialogues." In Bram van Velde. English trans. by O. Classe and Samuel Beckett. (Evergreen Gallery Book, 5). New York, 1960.
_____. "Tres conversaciones con Georges Duthuit." Spanish trans. by Jenaro Talens. In Detritus 87-103.
_____. "Bram Van Velde." Select. and trans. of "Three Dialogues." Trans. Ana Torrent. El Urogallo 47 (April 1990): 29-30.*
García Landa, José Ángel. "'Unnullable Least': La metaficción y el vacío en el Beckett de los ochenta." Paper presented at the 10th AEDEAN Conference (Zaragoza, 1986). Online edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/unnullable.html
2015
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." In Actas del X Congreso Nacional A.E.D.E.A.N.: Zaragoza, 16-19 de diciembre de 1986: Conmemorativo de su fundación. Zaragoza: A.E.D.E.A.N. (Asociación Española de Estudios Anglo-Norteamericanos), 1988: 321-330.*
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." iPaper at Academia.edu 2 May 2010.*
https://www.academia.edu/232873/
2014
_____. "'Unnullable Least': Beckett's Minimalism and Metafiction in the 80s / 'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." Online PDF at Social Science Research Network 2 May 2010.*
http://ssrn.com/abstract=1599243
2010
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." Online PDF at Zaguán 3 May 2010.*
http://zaguan.unizar.es/record/4575
2010
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." ResearchGate 2 July 2013.*
https://www.researchgate.net/publication/243972217
2013
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." Humanities Commons 28 Dec. 2017.*
https://hcommons.org/deposits/item/hc:17189/
2017
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." In García Landa, Vanity Fea 28 Dec. 2017.*
https://vanityfea.blogspot.com.es/2017/12/unnullable-least-vacio-y-metaficcion-en.html
2018
Rojas C., Sergio. "La escritura del detritus en Samuel Beckett: Al final no se habrá dicho nada, aún." Revista Chilena de Literatura 95 (April 2017): 177-202.*
https://scielo.conicyt.cl/pdf/rchilite/n95/0718-2295-rchilite-95-00177.pdf
2021
Valente, José Ángel. "Sobre la unidad simple." From Elogio del calígrafo. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 498-502.* (Cristina Iglesias, sculptor; minimalism).
Anthologies
Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York, 1968.
Nabis
Cassou, Jean. "IV. Les Nabis: Vuillard et Bonnard, Maurice Denis et l'art sacré." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 53-69.*
Naïf
Cassou, Jean. "XXIV. Les Naïfs." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 606-19.*
Schiller, Johann Cristoph Friedrich von. Über naive und sentimentalische dichtung. In Werke. Leipzig, 1910.
Naturalism
Barker, Howard. "On Naturalism and Its Pretensions." Studies in Theatre and Performance 27.3 (2007): 289-93.
Brunetière, Ferdinand. Le Roman naturaliste. 1883. 2nd ed. Paris, 1892.
Cabezas Coca, Francisco. "La visita indeseable: Bosquejo histórico-literario de la llegada del naturalismo a los Estados Unidos." Atlantis 3.1 (Dec. 1981): 37-43.*
Campbell, Donna M. "Naturalism in American Literature." Washington State University (Donna M. Campbell) 3 Aug. 2017.*
https://public.wsu.edu/~campbelld/amlit/natural.htm
2018
Cowley, Malcolm. "A Natural History of American Naturalism." 1947, rev. 1970. Excerpts. In The Portable Malcolm Cowley. New York: Viking Penguin, 1990. 176-90.*
Eby, Clare. "Domesticating Naturalism: The Example of The Pit." (Norris). Studies in American Fiction 22.2 (1994): 149-68.
García Landa, José Angel. "Criticism after Romanticism: 6. Realism and Naturalism." 1987. Social Science Research Network 30 June 2016.*
http://ssrn.com/abstract=2802060
http://dx.doi.org/10.2139/ssrn.2802060
2016
Cultural Anthropology eJournal 30 June 2016.*
http://www.ssrn.com/link/Cultural-Anthropology.html
2016
Literary Theory & Criticism eJournal 30 June 2016.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2016
Continental Philosophy eJournal 30 June 2016.*
http://www.ssrn.com/link/Continental-Philosophy.html
2016
_____. "Criticism after Romanticism, 6: Realism and Naturalism." In García Landa, Vanity Fea 20 July 2016.*
http://vanityfea.blogspot.com.es/2016/07/criticism-after-romanticism-6-realism.html
2016
_____. "Criticism after Romanticism: (6) Realism and Naturalism." Academia 30 Aug. 2017.*
https://www.academia.edu/34408460/
2017
_____. "Criticism after Romanticism: (6) Realism and Naturalism." ResearchGate 24 Jan. 2018.*
https://www.researchgate.net/publication/318007124
2018
_____. "Criticism after Romanticism: (6) Realism and Naturalism." Humanities Commons 24 Jan. 2018.*
https://hcommons.org/deposits/item/hc:17937/
http://dx.doi.org/10.17613/M6655M
2018
Hauser, Arnold. "IX. Naturalismo e impresionismo." In Hauser, Historia social de la literatura y el arte. II: Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004. 247-482.* (1. La generación de 1830. 2. El Segundo Imperio. 3. La novela social en Inglaterra y Rusia. 4. El impresionismo).
Kazin, Alfred. On Native Grounds: An Interpretation of Modern American Prose Literature. Garden City (NY): Doubleday, 1942.
_____. On Native Grounds. New York: Harcourt Brace, 1982.
_____. En tierra nativa: Interpretación de medio siglo de literatura norteamericana. Trans. Juan José Utrilla. (Lengua y Estudios Literarios). Mexico: FCE, 1993.*
Leander, Folke. Humanism and Naturalism: A Comparative Study of Ernest Seillière, Irving Babbitt and Paul Elmer More. 1937.
Miterrand, H. Le regard et le signe: Poétique du roman réaliste et naturaliste. 1987.
Pizer, Donald, ed. The Cambridge Companion to American Realism and Naturalism: Howells to London. Cambridge: Cambridge UP, 1995.*
Styan, J. L. Modern Drama in Theory and Practice Volume I: Realism and Naturalism. Cambridge: Cambridge UP, 1981.
Urrutia, Jorge. La pasión del desánimo: La renovación narrativa de 1902. 2002.
Valentin, Veit. Der Naturalismus und seine Stellung in der Kunstentwicklung. Kiel, 1891.
Young, Thomas Daniel. Jack London and the Era of Social Protest. Nashville: Joint University Libraries, 1950.
Zola, Emile. Le roman expérimental. 1880. Paris: Garnier, 1971.
_____. "The Experimental Novel." 1880. In Critical Theory Since Plato. Ed. Hazard Adams. 647-659. Select. and trans. of Le Roman expérimental.
_____. The Experimental Novel and Other Essays. Trans. Bella M. Sherman. New York, 1893.
_____. El naturalismo. Ediciones de Bolsillo.
Audio
Rebellato, Dan. "Theatre, Sex, and Zombies: The Strange Case of the Naturalist Stage." Lecture at Royal Holloway, U of London, 4 Feb. 2014. Online at Backdoor Broadcasting Company:
2014
See also Realism and naturalism (critical schools); Zola, Emile, Maupassant, Guy de; Bennett, Arnold; Dreiser, Thomas; Crane, Stephen; Sinclair, Upton; London, Jack.
Neo-
Baroja, Pío. "Los neos." In Pío Baroja: Obras Completas XVI: Obra dispersa y epistolario: Textos dispersos - Páginas de autocrítica - Prólogo a textos ajenos - Artículos - Epistolario selecto. Ed. José-Carlos Mainer. Rev. Juan Carlos Ara Torralba. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2000. 929-31.
Neobaroque
Degli-Esposti, Cristina. "Sally Potter's Orlando and the Neo-Baroque Scopic Regime." Cinema Journal 36.1 (Fall 1996): 75-93.*
See also Postmodernism.
New Age
Gardner, Martin. La Nueva Era: Notas de un observador de lo marginal. Madrid: Alianza.
Gil, Juan Carlos, and José Angel Nistal. 'New Age', una religiosidad desconcertante. Barcelona: Herder, 1995.
Windrath, Helen, ed. The Women's Press Book of New Myth and Magic. London: Women's Press, 1994.
Pop art
Barthes, Roland. "Cette vieille chose, l'art..." In Pop art. (Exhibition catalogue, Venice: Electa, 1980). In Barthes, L'Obvie et l'obtus. Paris: Seuil, 1992. 181-8.*
Bracewell, Michael. England Is Mine: Pop Life in Albion from Wilde to Goldie. London: HarperCollins, 1997.
Cagle, Van M. Reconstructing Pop/Subculture. London: Sage, 1995.
Cawelti, John G. Why Pop?
Frith, Simon. "Art Ideology and Pop Practice." In Marxism and the Interpretation of Culture. Ed. Lawrence Grossberg and Cary Nelson. Urbana: U of Illinois P, 1988. 461-76.
Huyssen, Andreas. "8. The Cultural Politics of Pop." In Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986. 141-59.*
Suárez, Juan A. Pop Modernism: Noise and the Reinvention of the Everyday. U of Illinois P, 2007.
Blogs
Thaeger. Pop art blog.
2011
See also Avant-Garde.
Pre-Raphaelites
Ruskin, John. Pre-Raphaelitism. 1851.
Psychedelic art
Haining, Peter, ed. The Walls of Illusion: A Psychedelic Retro. London: Souvenir, 1998.
Punk
Literature
Stephens, Simon. Punk Rock. Drama. 2009.
Retro
Ortega y Gasset, José. "Nuevas casas antiguas." From El Espectador, vol. 6. 1927. In El Espectador: Tomo V y VI. (El Arquero): Madrid: Revista de Occidente, 1961. 217-23.*
Music
García Landa, José Ángel. "El rey del glam." In García Landa, Vanity Fea 14 May 2010.* (Song by Alaska).
http://vanityfea.blogspot.com/2010/05/el-rey-del-glam.html
2010
Romanic art
Falcón Pérez, María Isabel. "El actual despoblado de Aruej (Huesca) y su iglesia románica." In Francisco Abbad Ríos: A su memoria. Zaragoza: Departamento de Historia del Arte, Facultad de Filosofía y Letras, Universidad de Zaragoza, 1973. 63-76.*
Gómez de Valenzuela, Manuel. "Tres ermitas románicas pirenaicas." In Suma de Estudios en homenaje al Ilustrísimo Doctor Ángel Canellas López. Zaragoza: Facultad de Filosofía y Letras, Universidad de Zaragoza, 1969. 553-62.*
_____. "Las iglesias románicas de Montañana, en Ribagorza." In Francisco Abbad Ríos: A su memoria. Zaragoza: Departamento de Historia del Arte, Facultad de Filosofía y Letras, Universidad de Zaragoza, 1973. 105-18.*
Sensualism
Hernández Guerrero, José Antonio. "Estética, retórica y poética." In Teoría y análisis de los discursos literarios: Estudios en homenaje al profesor Ricardo Senabre Sempere. Ed. S. Crespo et al. Salamanca: U de Extremadura / Ediciones U de Salamanca, 2009. 197-202.* (Sensualism).
Situationism
Internet resources
"Escándalo de Notre Dame." Wikipedia: La Enciclopedia Libre.* (Michel Mourre, Serge Berna, Letrists).
https://es.wikipedia.org/wiki/Esc%C3%A1ndalo_de_Notre-Dame
2016
"Situacionismo." Wikipedia: La Enciclopedia Libre.*
https://es.wikipedia.org/wiki/Situacionismo
2016
Socialist realism
Aragon, Louis. Pour un réalisme socialiste. 1935.
Gold, Mike. "Proletarian Realism." 1930. In American Literature, American Culture. Ed. Gordon Hutner. New York: Oxford UP, 1999. 239-42.*
Gorky, Maksim. (On socialist realism). Lecture at the First All-Union Congress of Soviet Writers (Aug.-Sept. 1934).
Lukács, Georg. Realism in Our Time: Literature and the Class Struggle. 1956. Trans. John and Necke Mander. New York: Harper.
_____. From Realism in Our Time: Literature and the Class Struggle. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 759-83.* (The Ideology of Modernism. Franz Kafka or Thomas Mann? Critical Realism and Socialist Realism).
Marks, Peter. "Illusion and Reality: The Spectre of Socialist Realism in the Thirties Literature." In Rewriting the Thirties: Modernism and After. Ed. Keith Williams and Steven Matthews. Harlow: Addison Wesley Longman, 1997. 23-36.*
Posada, F. Lukács, Brecht, y la situación actual del realismo socialista. Buenos Aires: Galerna, 1969.
Tertz, Abram [Andrei Sinyavsky]. "On Socialist Realism." Trans. George Dennis. In The Trial Begins and On Socialist Realism. Berkeley: U of California P, 1982.
Steampunk
Internet resources
"Steampunk." Wikipedia: La enciclopedia libre.*
http://es.wikipedia.org/wiki/Steampunk
2013
Video
"Steampunk: Anacronías en la literatura del siglo XIX." YouTube (Filosofía y Letras Zaragoza) 16 April 2015.*
2015
Symbolism
Aurier, G.-Albert. Le Symbolisme en peinture. Paris: L'Echoppe, 1991.
Balakian, H. El movimiento simbolista. Barcelona: Guadarrama.
Scott, Clive. "Symbolism, Decadence and Impressionism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 206-27.*
Wilson, Edmund. "Symbolism." In Wilson, Axel's Castle.. 1931. London: Fontana, 1984. 9-27.
Ultraism, Vorticism, Imagism, Creationism, etc.
Beckett, Samuel, et al. "Poetry Is Vertical." transition 21 (1932): 148-149.
_____. "Poetry Is Vertical." In Thomas McGreevy, Collected Poems. Ed. Thomas Dillon Redshaw. Dublin, 1971. 73-74.
Borges, Jorge Luis. "Ultraísmo." In Los vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 133-39.*
Cassou, Jean. "XXX. Le Vorticisme." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 520-23.*
Crisp, Peter. "Imagism's Metaphors — a Test Case." Language and Literature 5.2 (1996): 79-92.*
Fernández Moreno, César. "El ultraísmo." In Los vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 21-40.*
Huidobro, Vicente. "El creacionismo." In Los vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 125-32.*
Leal, Luis. "El movimiento estridentista." In Los vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 105-16.*
Monsivais, Carlos. "Los estridentistas y los agoristas." In Los vanguardismos en América Latina. Ed. Oscar Collazos. Barcelona: Península, 1977. 117-24.*
Sinclair, May. "Two Notes: 1. On H. D. II. On Imagism." The Egoist 1 June 1915: 88-89.
Stapledon, Olaf. Beyond the "Isms." (Searchlight Books, 16). London: Secker and Warburg, 1942.
Penas-Ibáñez, Beatriz. "Imaginación haikai y haiku japonés: Su presencia en las formulaciones literarias del imaginismo anglonorteamericano." In Japón y Occidente: Estudios comparados. Ed. Carmen Tirado Robles. Zaragoza: Prensas Universitarias de Zaragoza, 2014. 173-87.*
Pondrom, Cyrena. "Hulme's 'A Lecture on Modern Poetry' and the Birth of Imagism." Papers on Language and Literature 5 (1969): 465-70.
Power, Kevin. "The Relationship of Ultraism and Vorticism with Futurist Practice and Theory." ES 3 (1973): 217-73.*
Torre, Guillermo de. Ultraísmo, existencialismo... en literatura. Barcelona: Guadarrama.
Wees, William C. Vorticism and the English Avant-Garde. Toronto: U of Toronto P; Manchester: U of Manchester P, 1972.
Zach, Nathan. "Imagism and Vorticism." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 228-42.*
Zamorano, Ana. "Ecos sáficos en la poesía norteamericana: Amy Lowell y la feminización del movimiento Imaginista." In Poetas estadounidenses y canadienses s. XX. Ed. Nieves Pascual and Eulalia Piñero. Asparkía, Investigació Feminista 18 (2007): 10-44.
Anthologies
Pound, Ezra, ed. Des Imagistes: An Anthology. 1914.
Internet resources
"A Brief Guide to Imagism." Poets.org.
https://www.poets.org/poetsorg/text/brief-guide-imagism
2018
Video
Hammer, Langdon. "8. Imagism." Video lecture. (Modern Poetry, ENGL 310, 8). YouTube (Yale Courses) 6 Dec. 2012.*
2019
Underground culture and art
Maffi, Mario. La cultura underground. 2 vols. (Ediciones de Bolsillo). Ba4celona: Anagrama, 1975.
Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge (MA): Harvard UP, 1989.
_____. Rastros de carmín: Una historia secreta del siglo XX. 1989. Barcelona: Anagrama, 1993.
Racionero, Luis. Filosofías del underground. 1977. Barcelona: Anagrama, 1977. 1984. (Compactos Anagrama) 1992.
Suárez Sánchez, Juan A. Bike Boys, Drag Queens, and Superstars: Avant-Garde, Mass Culture and Gay Identities in the 1960s Underground Cinema. Bloomington: Indiana UP, 1996?
Music
Monk, Thelonious. Underground. Album. 1968. Online at YouTube (Jazz Time with Jarvis X) 12 May 2018.*
2022
