García Landa, José Angel "Coronavirus / Covid-19 Pandemic Scare: A Bibliography." From A Bibliography of Literary Theory, Criticism and Philology. Online PDF at Net Sight de José Angel García Landa 5 Jan. 2023. 2024.*
https://personal.unizar.es/garciala/publicaciones/Coronavirus.pdf
2024
from
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Acocella, Joan. "Slaying Monsters: Tolkien's Beowulf." The New Yorker 2 June 2014.*
https://www.newyorker.com/magazine/2014/06/02/slaying-monsters
2023
Aguilera Linde, Mauricio D. "Dickens' Serpents, Dragons and Other Monsters: Notes on Ideological Point of View." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*
Asma, Stephen T. On Monsters: An Unnatural History of Our Worst Fears. Oxford UP.
Audeguy, Stéphane. Les monstres: Si loin et si proches. (Découvertes Gallimard – Culture et Société, 520). Paris: Gallimard, 2007.*
Bahar, Saba. "Monstrosity, Historicity, and Frankenstein." European English Messenger 4.2 (1995): 12-15.*
Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Clarendon, 1987.
Ballesteros, Antonio. "Deformed, unfinished, sent before my time: Monstrosity in Richard III and Mary Shelley's Frankenstein." In SEDERI VII. Ed. S. González Fernández-Corugedo et al. Coruña: SEDERI, 1996. 243-48.*
Ballesteros González, Antonio, and Ana Manzanas Calvo. "Monsters on the Island: Caliban's and Prospero's Hideous Progeny." Atlantis 19.1 (June 1997 [issued February 1999]): 15-20.*
Bann, Stephen. Frankenstein, Creation and Monstrosity. London: Reaktion, 1994.*
Botting, Fred. "Frankenstein's French Revolutions: The Dangerous Necessity of Monsters." In Botting, Making Monstrous: Frankenstein, Criticism, Theory. Manchester: Manchester UP. 139-63.
_____. Making Monstrous: Frankenstein, Criticism, Theory. Manchester: Manchester UP.
Botting, Fred. Gothic. London: Routledge, 1996.*
Brooks, Peter. "'Godlike Science/Unhallowed Arts': Language, Nature, and Monstrosity." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 205-20.*
_____. "What Is a Monster? (According to Frankenstein)" In Brooks, Body Work. Cambridge (MA): Harvard UP, 1993. 199-220.*
Burnett, Mark Thornton. Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture. (Early Modern Literature in History). Basingstoke: Palgrave Macmillan, 2002. (Shakespeare, Marlowe, Jonson).
Calvo González, José. "La femme et le monstre dans l'imaginaire médiéval et renaissance. (Analyses narratives et idéographiques d'une allégorie)." In La femme dans l'histoire et la société méridionales (IXe -XIXe siècles), Actes du LXVIe Congrès de la Fédération Historique du Languedoc Méditerranéen et du Roussillon. Montpellier: Presses. de la ville de Narbonne et du Conseil général de l' Aude, 1995. 231-241.
Céard, Jean. La Nature et les prodiges: l'Insolite au 16e siècle en France. (Travaux d'Humanisme et de Renaissance 158). Geneva: Droz, 1977. (Monsters).
Clasen, Mathias. "11. Terrifying Monsters, Malevolent Ghosts, and Evolved Danger Management Architecture: A Consilient Approach to Horror Fiction." In Darwin's Bridge: Uniting the Humanities and Sciences. Ed. Joseph Carroll, Dan P. McAdams and E. O. Wilson. Oxford: Oxford UP, 2016. 183-94.*
Cohen, Derek. "The Woman and the Monster: Foe, Friday, and Caliban." In Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen: Stauffenburg Verlag, 1996. 281-86.*
Cohen, Jeffrey J. "The Use of Monsters and the Middle Ages." Selim 2 (1992): 47-69.
Creed, Barbara. The Monstrous Feminine: Film, Feminism, and Psychoanalysis. London: Routledge, 1993.*
Eco, Umberto. "Los nihilistas flamantes: De Patmos a Salamanca. Sobre la ciencia ficción. Estrategia del deseo. Nuestro monstruo cotidiano." In Eco, Apocalípticos e integrados. Barcelona: Penguin Random House, 2013. 2015. 417-26.*
Freeman, Barbara. "Frankenstein with Kant: A Theory of Monstrosity, or the Monstrosity of Theory." Sub-Stance 16.1 (1987).
Freud, Sigmund. "Mytologische Parallele zu einer Plastischen Zwangsvorstellung." Int. Z. Psychoanal. 4.2 (1916): 110.
_____. "Un paralelo mitológico a una imagen obsesiva plástica." (Face in belly). In Freud, Obras completas. Madrid: Orbis, 1988. 13.2429-30.
Fried, Michael. "Impressionist Monsters: H. G. Wells's The Island of Dr Moreau." In Frankenstein, Creation and Monstrosity. Ed. Stephen Bann. London: Reaktion, 1994. 95-112.*
Friedman, John B. The Monstrous Races in Medieval Art and Thought. Cambridge (MA): Harvard UP, 1981.
García Landa, José Ángel. "m/f/s/z: transexualas y hermafroditos, monstruas y prodigios." In García Landa, Vanity Fea 1 June 2006.
2006-07-02
Gil Calvo, Enrique. Máscaras masculinas: Héroes, patriarcas y monstruos. (Colección Argumentos, 344). Barcelona: Anagrama, 2006.*
Gilmore, David D. Monsters. Philadelphia: U of Pennsylvania P, 2003.
Goncalves, Demetrius. "Racism, Monstrosity, and Labeling: Crane's 'The Monster' and Shelley's Frankenstein." Grin (2017).*
2017
Gubar, Susan. "The Female Monster in Augustan Satire." Signs: A Journal of Women in Culture and Society 3 (1977): 380-94.
Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham (NC): Duke UP, 1995.*
Hughes. "Monstruo." (Televerité). ABC 2 Nov. 2021. Online at Twitter.*
https://twitter.com/generaldescono/status/1455592349510377479/photo/2
2021
Jancovich, Mark. "Beasts of the Late-Victorian Imagination." In Jankovich, Horror. London: Batsford, 1992. 44-52.*
Johnson, Barbara. "My Monster / My Self." Diacritics 12.2 (1982): 2-10.
_____. "My Monster / My Self." (M. Shelley). 1982. In Johnson, A World of Difference. 1987. Baltimore: Johns Hopkins UP, 1989. 144-54.
Leroi, Armand-Marie. Mutants. New York: Viking Penguin, 2003. (Guardian First Book Prize 2004).
_____. Mutantes: De la variedad genética y el cuerpo humano. (Argumentos, 360). Barcelona: Anagrama, 2007.*
Liber Monstrorum.
López-Ríos Moreno, Santiago. Salvajes y razas monstruosas en la literatura castellana medieval. Madrid: Fundación Universitaria Española, 1999.
Malchow, H. L. "Frankenstein's Monster and Images of Race in Nineteenth-century Britain." In Mary Shelley's Frankenstein: Updated Edition. (Bloom's Modern Critical Interpretations). New York: Inforbase-Chelsea House, 2007. 61-94.*
Martín, Sara. "More Human than Human: Aspects of Monstrosity in the Films and the Novels in English of the 1980s and 1990s." Ph.D. diss. Universitat Autònoma de Barcelona, 1996.
_____. More human than human: aspects of monstrosity in the films and novels in english of the 1980s and 1990s. Ph.D. diss. U Autónoma de Barcelona, 1996. Online at Tesis Doctorales en Red
http://www.tdx.cat/handle/10803/4915
2014
_____. "Nightmares of Childhood: The Child and the Monster in Four Novels by Stephen King." Atlantis 23.1 (June 2001): 105-14.*
Mellor, Anne K. "Making a Monster." In Mary Shelley's Frankenstein: Updated Edition. (Bloom's Modern Critical Interpretations). New York: Inforbase-Chelsea House, 2007. 43-60.*
Montaigne, Michel de. "D'un enfant monstrueux." In Essais II. (Folio). 480-81.*
_____. "II.xxx. De un niño monstruoso." In Montaigne, Ensayos completos. Madrid: Cátedra, 2003. 2010. 704-5.*
Muñoz Valdivieso, Sofía. "'He Hourly Humanizes': Transformations and Appropriations of Shakespeare's Caliban." In SEDERI VII. Ed. S. González Fernández-Corugedo et al. Coruña: SEDERI, 1996. 269-72.*
Nicolay, Theresa Freda. "7. Postmodern Monsters and Providential Plans." In Nicolay, Tolkien and the Modernists: Literary Responses to the Dark New Ways of the 20th Century. Jefferson (NC): McFarland, 2014. 162-86.*
Olorenshaw, Robert. "Narrating the Monster: From Mary Shelley to Bram Stoker." In Frankenstein, Creation and Monstrosity. Ed. Stephen Bann. London: Reaktion, 1994. 158-76.*
Orchard, Andy. Pride and Prodigies: Studies in the Monsters of the Beowulf Manuscript. Toronto: U of Toronto Press, 2003.
Paré, Ambroise. Des Monstres et prodiges. 1573.
_____. Des Monstres et prodiges. Introd. Gisèle Mathieu-Castellani. (Fleuron). Paris: Slatkine, 1996.*
_____. On Monsters and Marvels. Trans. Janis L. Pallister. Chicago: U of Chicago P, 1982.
Pascual, Arturo, and Alejandro Montiel. "El ABC de los monstruos: manual de teratología." Quimera 120 (1993): 46-53.
Quammen, David. Monster of God. New York: Norton, 2003. 2004.
Saint-Hilaire, Geoffroy. Histoire des anomalies de l'organisation. Paris, 1836.
Santaularia, Isabel. El monstruo humano: una introduccion a la ficcion de los asesinos en serie. Barcelona: Laertes, 2009.
Skal, David J. The Monster Show. Rev. ed. New York: Faber and Faber, 2001.
Smith, David Livingstone. Making Monsters: The Uncanny Power of Dehumanization. 2021.
Stead, Evanghélia. Le Monstre, le singe et le fœtus: Tératogonie et Décadence dans l’Europe fin-de-siècle. Geneva: Droz, 2004.
Tarrat, Margaret. "Monsters from the Id." In Film Genre Reader. Ed. Barry Keith Grant. Austin: U of Texas P, 1986.
Todd, Dennis. Imagining Monsters: Miscreations of the Self in Eighteenth-Century England. Chicago: U of Chicago P, 1995.
Tropp, Martin. "The Monster." In Mary Shelley's Frankenstein: Updated Edition. (Bloom's Modern Critical Interpretations). New York: Inforbase-Chelsea House, 2007. 13-28.*
Twitchell, James. "A Modern Bestiary." (Monsters). In Twitchell, Dreadful Pleasures: An Anatomy of Modern Horror. New York: Oxford UP, 1985. 258-302.*
Vallejo, Irene. "Benditos monstruos." La Tercera 20 July 2024.*
https://www.latercera.com/culto/2024/07/20/benditos-monstruos-una-columna-de-irene-vallejo/
2024
Varchius, Benedictus. Benedict. Varchius de Monstris. lingua vernacula.
Waller, Gregory A. The Living and the Undead: From Stoker's Dracula to Romero's Dawn of the Dead. Urbana: U of Illinois P, 1986.
Films
Monster. Writer and dir. Patty Jenkins. Cast: Charlize Theron, Christina Ricci, Bruce Dern, Lee Tergesen, Annie Corley, Scott Wilson. Musc by BT and Howard Paar. Coprod. Brent Morris. Prod. des. Edward T. McAvoy. Ed. Jane Kurson and Arthur Coburn. Photog. Steven Bernstein. Exec. prod. Sammy Lee, Meagan Riley-Grant, Stewart Hall, Andreas Grosch, Andreas Schmid. Prod. Charlize Theron, Mark Damon, Clark Peterson, Donald Kushner, Brad Wyman. Media 8 Entertainment / DEJ Productions / KW Productions / Denver & Delilah Films, 2003. DVD: Prism Leisure, 2005.* (Woman serial killer).
Internet resources
The Human Marvels
http://www.thehumanmarvels.com/
2008
Literature
Beowulf. many editions
_____. Beowulf. A New Translation with an Introduction by Burton Raffel. Afterword by Robert P. Creed. (Mentor Books, 1807). New York: New American Library-Mentor Books, 1963.*
Crane, Stephen. The Monster. many editions.
Doyle, A. C. The Terror of Blue John Gap. SF novel.
Gardner, John. Grendel. Novel. 1971. (Rewriting of Beowulf).
_____. Grendel. London: Pan/Picador, 1972. 1973.
_____. Grendel. London: Robin Clark, 1991.
_____. Grendel. (Destinolibro, 134). Barcelona: Destino.
McCabe, Brian. "The Host." Story. In Damage land: New Scottish Gothic Fiction. Ed Alan Bissett. Edinburgh: Polygon, 2001. 9-19.*
Oates, Joyce Carol. "Secret Observations of the Goat-Girl." 1988. In The Oxford Book of Gothic Tales. Ed. Chris Baldick. Oxford: Oxford UP, 1992. 1993. 498-501.*
Shelley, Mary. Frankenstein. Many editions.
Sturgeon, Theodore. "El monstruo." In Relatos que me asustaron. Ed. Alfred Hitchcock. Barcelona: Círculo de Lectores, 1988. 133-58.* (Stories that Scared Even Me, Random House, 1967).
Video
Asma, Stephen T. "Monsterology: A Philosophical History of Monsters." Lecture at Columbia College, Chicago. YouTube 1 Feb. 2016.*
2016
Keenleyside, Heather. "Frankenstein: Defining the Monster." Video. Lecture at the U of Chicago. YouTube (U of Chicago Division of the Humanities) 26 Nov. 2013.*
2017
See also Female monsters; Siamese monsters; Vampires; Werewolves; Serial killers; Disfigurement; Shelley, Mary (Frankenstein).
Bibliografía sobre la CORRUPCIÓN: https://personal.unizar.es/garciala/publicaciones/Corruption.Biblio.pdf
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Early works
Miscellaneous
Aristotle. Poetics. many editions
Arteaga, Esteban de. Investigaciones filosóficas sobre la belleza ideal considerada como objeto de todas las artes de imitación. Madrid: Antonio de Sancha, 1789. In Obra completa castellana: La belleza Ideal. Escritos Menores. Ed. Miguel Battlori. 3rd ed. Madrid: Espasa-Calpe, 1972. 3-156.*
Batteux (Abbé). Traité des beaux-arts réduits à un même principe. Paris, 1747.
Jones, William (Sir). "Essay on the Arts Commonly Called Imitative." In Jones, Poems Consisting Chiefly of Translations from the Asiatick Languages. London, 1772.
Lessing, Gotthold Ephraim. Laokoon. 1766. In Lessing, Schriften über antike Kunst. Vol. 4 of Lessings Werke. 6 vols. Ed. R. Riemann. Leipzig: Philipp Reklam [n.d.]. 7-161.
_____. Laokoon. Ed. W. G. Howard. New York, 1910.
_____. Laocoon. Trans. Sir Robert Phillimore. Selection. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 420-26.*
_____. Laocoön: An Essay on the Limits of Poetry and Painting. Trans. Edward Allen McCormick. Baltimore: Johns Hopkins UP, 1984.
_____. From Laocoön (From Preface; Chs. 1-3, 9, 10, 12, 15, 16-18, 21). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. Laocoonte, o sobre los límites de la poesía y la pintura. Trans. Enrique Palau. Barcelona: Orbis, 1985.*
_____. Laocoonte. Trans. E. Barjau. Madrid: Editora Nacional, 1984.
Plato. Ion. Ed. and trans. Monique Canto. Paris: Flammarion, 1989.
_____. From Republic. Trans. B. Jowett. Selection from books II, III and X. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 19-41.*
_____. The Republic. Selection from Book II.9. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 44-59.*
_____. From Republic. (From Books II, III, VII; Book X). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
Shelley, Percy Bysshe. "Preface" In Prometheus Unbound. London: C. and J. Ollier, 1820.
Smith, Adam. "Of the Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts." Lecture, 1772. Pub. with an appendix on the affinity between music, dance and poetry, in Essays on Philosophical Subjects. With a Life by Dugald Stewart. 1795.
_____. "Of the Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts." In Smith, Essays Philosophical and Literary. London, n.d.
_____. "De la naturaleza de la imitación que tiene lugar en las llamadas artes imitativas." In Smith, Ensayos filosóficos. Madrid: Pirámide, 1998. 173-212.*
_____. Essays on Philosophical Subjects. With a Life by Dugald Stewart. 1795.
_____. Essays: On Moral Sentiments, Astronomical Inquiries, Formation of Languages, Ancient Physics and Logic, Imitative Arts, etc. Murray, 1872.
Twardowski, Kasimir. Zur Lehre vom Inhalt und Gegenstand der Vorstellungen: Eine Psychologische Untersuchungen. 1894. Munich and Vienna: Philosophia Verlag, 1977.
_____. On the Content and Object of Presentations. Trans. R. Grossmann. The Hague: Martinus Nijhoff, 1977.
Twining, Thomas. Aristotle's Treatise on Poetry. Two Dissertations on Poetic and Numerical Imitation. London, 1789.
Wilde, Oscar. "The Decay of Lying." The Nineteenth Century (January 1889). (Aestheticism; Decadence; Mimesis; Nature; Realism; Imagination and fancy)
_____. "The Decay of Lying." In Wilde, Intentions. London: James R. Osgood McIlvaine & Co, London, 1891.
_____. "The Decay of Lying." In The Works of Oscar Wilde. Ed. B. Foreman. London: Collins, 1948. 970-1016.
_____. "The Decay of Lying." In Complete Works of Oscar Wilde. London: Collins, 1966. 970-92.*
_____. "The Decay of Lying." In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 673-686.*
_____. "The Decay of Lying." In Wilde, De Profundis and Other Writings. Harmondsworth: Penguin, 1986. 55-88.*
_____. "The Decay of Lying: A Dialogue." 1889. Selection in The Victorian Age: An Anthology of Sources and Documents. Ed. Josephine Guy. London: Routledge, 1998. Pbk. 2002. 390-409.*
_____. "La decadencia de la mentira." In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 967-90.*
_____. "La decadencia de la mentira." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968. 407-44.*
Young, Edward. Conjectures on Original Composition in a Letter to the Author of Sir Charles Grandison. London: Printed for A. Millar and R. and J. Dodsley, 1759. (Originality; Mimesis; Classical literature; Genius; Rhyme; Addison)
_____. Conjectures on Original Composition. Ed. M. W. Steinke. Philadelphia, 1917.
_____. Conjectures on Original Composition. Ed. Edith J. Morley. Manchester, 1918.
_____. "Conjectures on Original Composition." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 353-88.*
_____. "Conjectures on Original Composition: In a letter to the author of Sir Charles Grandison." In Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 1971. 338-347.*
Miscellaneous
Affergan, F., S. Borutti, C. Calame, U. Fabietti, M.Kilani, F. Remotti. Figures de l’humain: Les représentations de l’anthropologie. Paris: EHESS, 2003.
Alter, Robert. "Mimesis and the Motive for Fiction." Tri Quarterly 42 (Spring 1978).
Auerbach, Erich. Mimesis. Bern: Francke, 1946.
_____. Mimesis: The Representation of Reality in Western Literature. Trans. Willard Trask. Garden City (NY): Doubleday-Anchor, 1957.*
_____. Mimesis. Princeton: Princeton UP, 1991.
_____. Mímesis: La representación de la realidad en la literatura occidental. México: FCE, 1979.
Baudrillard, Jean. Simulations. Trans. Paul Foss, Paul Patton and Philip Beitchman. New York: Semiotext(e), 1983.
Barthes, Roland. "L'effet de réel." 1968. Communications 11 (1968): 84-9. Rpt. in Barthes, Le Bruissement de la langue. Paris: Seuil, 1984. 167-74.
_____. "The Reality Effect." In French Literary Theory Today: A Reader. Ed. Tzvetan Todorov. Trans. R. Carter. Cambridge: Cambridge UP, 1982. 1-17.
_____. ""The Realistic Effect." Trans. Gerald Mead. Film Reader 3 (1978): 131-5.
_____. "The Reality Effect." In The Rustle of Language. Trans. Richard Howard. New York: Hill and Wang, 1986.
_____. "El efecto de lo real." In Polémica sobre realismo . Ed. Ricardo Piglia. 139-155. Barcelona: Buenos Aires.
_____. Littérature et réalité. Paris: Seuil, 1982.
Beardsley, Monroe C. "Representation." In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. Xxxvi-xl.*
_____. "Representation in the Visual Arts." (16. Representation and Abstraction. 17. The Relation of Design to Subject). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 267-317.*
Ben-Porat, Z. "Represented Reality and Literary Models." Poetics Today 7.1 (1986): 29-58.
Berlatsky, Eric L. The Real, The True and the Told: Postmodern Historical Narrative and the Ethics of Representation. Ohio State UP, 2011.
Bersani, Leo. "Representation and Its Discontents." In Allegory and Representation. Ed. Stephen Greenblatt. Baltimore: Johns Hopkins UP, 1981. 145-62.
Bessiere, Jean. "Dire la Mimesis aujourd'hui." Neohelicon 13.2 (1986).
Blumenberg, Hans. "Nachahmung der Natur! Zur vorgeschichte der schöpferischer Menschen." Studium Generale 10 (1957): 266-83.
Bobes Naves, Carmen, et al. "Poética clasicista en Italia." In Bobes, et al. Historia de la Teoría Literaria, II: Transmisores. Edad Media. Poéticas clasicistas. Madrid: Gredos, 1998. (III.I). (Humanism, mimesis, Aristotle, genres, novella, comedy, lyric, dramatic unities).
Bobrow, Daniel G., and Alan M. Collins. Representation and Understanding: Studies in Cognitive Science. New York: Academic Press, 1975.
Bolter, Jay David, and Richard Grusin. "Immediacy, Hypermediacy, and Remediation." In Bolter and Grusin, Remediation: Understanding New Media. Cambridge (MA): MIT Press, 1999. 2000. 20-51.*
Boyd, Brian. "The Evolution of Stories: From Mimesis to Language, from Fact to Fiction." Wiley Interdisciplinary Reviews - Cognitive Science 9.1 (May 2017). DOI: 10.1002/wcs.1444
Online at ResearchGate.*
2019
Boyd, John D.. The Function of Mimesis and its Decline. London: Oxford Up, 1968.
Boyd, Michael. "The Mimetic Fallacy." In Boyd, The Reflexive Novel. London: Associated UPs, 1983. 168-78.*
Bozal, V. Mímesis: Las imágenes y las cosas. Madrid: Visor, 1987.
Bruck, J. "From Aristotelian Mimesis to 'Bourgeois' Realism." Poetics 11.3 (1982): 189-202.
Bruns, Gerald L. "A Question of the Truth of Mimesis." Renascence 37.3 (Spring 1985).
Burnyeat, M. F. "Art and Mimesis in Plato's Republic." London Review of Books 21 May 1998: 3-9.*
Calinescu, Matei. "Postmodernism, the Mimetic and Theatrical Fallacies." In Exploring Post-modernism. Ed. Matei Calinescu and Douwe Fokkema. Amsterdam: Benjamins, 1987.
Caner, Robert. "El decir griego y el sentido de la mímesis según Martínez Marzoa." Lecture at the Seminario de Investigaciones Culturales "Tropelías" (SIC), Facultad de Filosofía y Letras, Universidad de Zaragoza, 30 Oct. 2013.
Carey, Benedict. "Can One Suicide Lead to Others?" New York Times 8 June 2018.*
https://www.nytimes.com/2018/06/08/health/suicide-bourdain-spade.html
2018
Carroll, David. "Mimesis Reconsidered: Literature, History, Ideology." Diacritics 5 (1975): 5-12.
_____, ed. The Aims of Representation. New York: Columbia UP, 1987.
Cohen, Tom. (U of North Carolina at Chapel Hill). "Othello, Bakthtin and the Death(s) of Dialogue." In Cohen, Anti-Mimesis from Plato to Hitchcock. Cambridge: Cambridge UP, 1994. 11-44.*
_____. Anti-Mimesis from Plato to Hitchcock. Cambridge: Cambridge UP, 1994.*
Compagnon, Antoine. "Le monde." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 101-46.* (Mimesis, fictionality)
Cosmides, Leda, and John Tooby. "Consider the Source: The Evolution of Adaptations for Decoupling and Metarepresentation." In Metarepresentations: A Multidisciplinary Perspective. Ed. Dan Sperber. Oxford, 2000. 53-115.
Cottom, Daniel. "Frankenstein and the Monster of Representation." Sub-stance 28 (1980): 60-71.
Cowl, R. P. The Theory of Poetry in England. London: Macmillan, 1914.
Currie, Gregory. "5. Expression and Imitation." In Currie, Narratives and Narrators: A Philosophy of Stories. Oxford: Oxford UP, 2010. 86-108.* (The Framing Effect of Point of View - Conversation, Framing, and Joint Attention - Joint Attending and Guided Attending - Imitation - Imitating the Unreal - The Standard Model - Appendix: Expression and the Reliability of Signalling).
Docherty, Thomas. "The Modern Thing: Metaphor and the Event of Representation." In Docherty, Alterities. Oxford: Clarendon Press, 1996. 19-35.*
Dollimore, Jonathan. "4. Renaissance Literary Theory: Two Concepts of Mimesis." In Dollimore, Radical Tragedy. 3rd ed. Houndmills: Palgrave, 2004. 70-82.*
During, Simon. Foucault and Literature: Towards a Genealogy of Writing. London: Routledge, 1992.*
Escobar, José. "La mímesis costumbrista." Romance Quarterly 35.3 (August 1988).
Even-Zohar, Itamar. "'Reality' and Realemes in Narrative." Poetics Today 11.1 (1990): 207-218.*
Fairclough, Norman. Analysing Discourse: Textual Analysis for Social Research. Abingdon and New York: Routledge, 2003.* 2004. 2005.* (I. Social analysis, discourse analysis, text analysis; II. Genres and action; III. Discourses and representations; IV. Styles and identities).
Field, T. M., et al. "Discrimination and Imitation of Facial Expressions in Neonates." Science 218 (1982): 179-81.
Galewicz, Wladzimierz, Elisabeth Ströker, and Wladislwa Strozewski, eds. Art and Reality: Phenomenological and Ontological Approaches. Amsterdam: Rodopi, 1993.
Galván, Fernando, Julio Cañero Serrano, and José Santiago Fernández Vázquez, eds. (Mis)representations: Intersections of Culture and Power. Bern: Peter Lang, 2003.
García Landa, José Ángel. "El realismo como idolatría." In García Landa, Vanity Fea 16 March 2010.*
http://vanityfea.blogspot.com/2010/03/el-realismo-como-idolatria.html
2010
_____. "El decir griego." In García Landa, Vanity Fea 31 Oct. 2013.* (Martínez Marzoa).
http://vanityfea.blogspot.com.es/2013/10/el-decir-griego.html
2013
Gebauer, Gunther, and Christoph Wulf. Mimesis: Culture-Art-Society. Berkeley: U of California P, 1996.
Genette, Gérard. Mimologiques: voyage en Cratylie. (Poétique). Paris: Seuil, 1976.*
_____. Mimologiques: Voyage en Cratylie. (Points; Essais, 386). Paris: Seuil, 1999.
_____. Mimologics Trans. Thaïs Morgan. Foreword by Gerald Prince. U of Nebraska P, 1995.*
Girard, René. Des choses cachées depuis la fondation du monde. With Jean-Michel Oughourlian and Guy Lefort. Paris: Grasset-Fasquelle, 1978. 1991.*
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Audio
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Journals
Representations
University of California Press Journals
2120 Berkeley Way
Berkeley
C A USA 94720
Phone: 510/642
Fax: 510/643-7127
Vol. 8 (1984); 31 (1990).
Video
Gendler, Tamar. "24. Censorship." (Philosophy and the Science of Human Nature, PHIL 181). YouTube (YaleCourses) 5 April 2012.*
2016
