A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Literary Characters
Abercrombie, Lascelles. "Tragic Greatness: The hero." In Abercrombie, The Idea of Great Poetry. London: Secker, 1925. 146-86.*
Alexandrescu, S. Logique du personnage. Paris: Mame, 1974.
Alsina, J., ed. Le personnage en question: Actes du Ve colloque du SEL. Toulouse: Université de Toulouse-Le Mirail, 1985.
Amorós, Andrés. "El personaje se rebela (Miguel de Unamuno, Niebla)." (El arte). In Amorós, Momentos mágicos de la literatura. Madrid: Castalia, 1999. 317-25.*
Arac, Jonathan. "Hamlet, Little Dorrit, and the History of Character." South Atlantic Quarterly 87.2 (Spring 1988).
Aristotle. Peri poietikés. Bilingual edition (Greek and English). In S. H. Butcher, Aristotle's Theory of Poetry and Fine Art. 1895. 4th. ed.: London: Macmillan, 1932. 1-111.
_____. Peri poietikés. Bilingual edition (Greek and Spanish). In Sobre lo Sublime. Poética. Ed. and trans. José Alsina Clota. Barcelona: Bosch, 1977. 208-327.
_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 29-76.
_____. The Poetics. Trans. in Gilbert 69-124.
_____. Poetics. Trans. S. H. Butcher. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 47-66.
_____. Poética. Trilingual edition (Greek, Latin and Spanish). Ed. Valentín García Yebra. Madrid: Gredos, 1972.
_____. La poétique. Ed. and trans. Rosalyne Dupont-Roc y Jean Lallot. Paris: Seuil, 1980.
_____. Poética. Ed. and trans. Juan David García Bacca. 4th. ed. Caracas: Universidad Central de Venezuela, Ediciones de la Biblioteca,1982.
_____. El arte poética. Trans. José Goya y Muniain. Madrid: Espasa-Calpe, 1948. 7th. ed., 1984. Trans. of Peri poietikés.
_____. The Poetics. Trans. W. Hamilton Fyfe. In Aristotle: The Poetics. "Longinus": On the Sublime. Demetrius: On Style. Cambridge (MA): Harvard UP, 1927.
Bakhtin, Mikhail M. "Avtor i geroi v èsteticheskoi deiatel'nosti." ("Author and hero in aesthetic activity"). c. 1922-24. In Bakhtin, Èstetika slovesnogo tvorchestva. Moscow, 1979. 7-180.
_____. "Problema otnosheniia avtora k geroiu" ("Problem of the relationship of author to hero"). Extract from "Avtor i geroi..."Voprosy Literatury 12 (1978).
_____. "Prostranstvennaia forma geroia." ("The Spatial Form of the Hero"). Extract from "Avtor i geroi..." Voprosy literatury 12 (1978).
Bal, Mieke. Teoría de la narrativa: una introducción a la narratología. Madrid: Cátedra, 1985. 87-100.* Trans. of De theorie van vertellen en verhalen. Muiderberg: Coutinho, 1978.
_____, ed. Mensen van papier: over personages in de literatuur. Assen: Van Gorcum, 1979.
Banville, John. "Making Little Monsters Walk." In The Agony and the Ego: The Art and Strategy of Fiction Writing Explored. London: Penguin, 1993. 107-12.
Bayley, John. The Characters of Love: A Study in the Literature of Personality. 1960. London: Chatto, 1968.
_____. "Character and Consciousness." New Literary History 5 (1974): 225-35.
Beebe, Maurice. Ivory Towers and Sacred Founts: The Artist as Hero in Fiction from Goethe to Joyce. New York: New York U, 1964.
Bersani, Leo. A Future for Astyanax: Character and Desire in Literature. Boston: Little, Brown, 1976.
Bertens, Hans. "Postmodern Characterization and the Intrusion of Language." In Exploring Postmodernism. Ed. Mateo Calinescu and Douwe Fokkema. Amsterdam: Benjamins, 1987. 139-59.
Blanch, A. El Hombre Imaginario: Una antropología literaria. Madrid: Universidad Pontificia de Comillas, 1995.
Bloomfield, Morton W. "The Problem of the Hero in the Late Medieval Period." In Concepts of the Hero in the Middle Ages and the Renaissance. Ed. Norman T. Burns and Christopher Reagan. Albany: State University of New York, 1975. 1-26.
Bonheim, Helmut. Literary Systematics. Cambridge: Brewer, 1990.*
Brewer, David. The Afterlife of Character, 1726-1825. U of Pennsylvania P, 2005.
Brock, Stuart. "Fictionalism about Fictional Characters." Nous 36 (2002): 1-21.
Brownstein, Rachel M. "On Jane Austen's Heroines." 1982. In Issues in Contemporary Literary Theory. Ed. Peter Barry. Houndmills: Macmillan, 1987. 131-37.*
Brunel, Pierre. Companion to Literary Myths, Heroes, and Archetypes. London: Routledge, 1993.
Burns, Norman T., and Christopher Reagan, eds. Concepts of the Hero in the Middle Ages and the Renaissance. London: Hodder, 1976.
Campbell, Joseph. The Hero with a Thousand Faces. 1949. Princeton: Princeton UP, 1968.*
_____. El héroe de las mil caras. México: FCE, 1984.
Champion, Margrét Gunnarsdóttir. Dwelling in Language: Character, Psychoanalysis and Literary Consolations. Bern: Peter Lang, 2013.
2013
Changing Views of Character New Literary History 5.2 (1974).
Chatman, Seymour. "On the Formalist-Structuralist Theory of Character." Journal of Literary Semantics 1 (1972): 57-79.
_____. "3. Character and Setting." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 58-89.* (Character: A Definition; Characterization; Setting: Isaac Bashevis Singer, 'Short Friday'; Isaac Babel, 'How It was Done in Odessa'; Virginia Woolf, 'Kew Gardens').
Cixous, Hélène. "The Character of 'Character'." Trans. Keith Cohen. New Literary History 5.2 (Winter 1974): 383-404.
Coleman, Patrick. "Character in an Eighteenth-Century Context." The Eighteenth Century: Theory and Interpretation 24 (1983): 51-63.
Collado, Francisco. "The Hero and His Quest: An Approach to Myth Criticism." In Didáctica de la lengua y literatura inglesas II. Huesca: Colegio Universitario de Huesca, Departamento de Inglés, 1985. 69-76.*
Cornillon, Susan Koppelman, ed. Images of Women in Fiction: Feminist Perspectives. Bowling Green (OH): Bowling Green University Popular Press, 1972.
Crawford, Joseph. "Old-World Heroes and New-World Heroines in Post-Millennial Anglophone Romance Media." In Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction. Ed. Irene Pérez Fernández and Carmen Pérez Ríu. Bern: Peter Lang, 2022. 29-54.*
Culpeper, Jonathan. "A Cognitive Approach to Characterization: Katherina in Shakespeare's The Taming of the Shrew." Language and Literature 9.4 (2000).
_____. Language and Characterisation: People in Plays and Other Texts. Harlow: Longman, 2001.
_____. "A Cognitive Stylistic Approach to Characterisation." In Cognitive Stylistics. Ed. Elena Semino and Jonathan Culpeper. Amsterdam: Benjamins, 2002. 251-78.*
Delft, Louis van. Littérature et anthropologie: Nature humaine et caractère à l'âge classique. Paris, 1993.
D'Israeli, I. "Characters described by musical notes." In D'Israeli, Curiosities of Literature. London: Moxon, 1834. 1.219-21.*
Docherty, Thomas. Reading (Absent) Character. 1983.
_____. "The Ethics of Alterity: Postmodern Character." In Docherty, Alterities. Oxford: Clarendon Press, 1996. 36-68.*
Dodd, William. "Metalanguage and Character in Drama." Lingua e Stile 14 (1979): 135-50.
Donohue, Joseph W. Dramatic Character in the English Romantic Age. Princeton (NJ): Princeton UP, 1970.
Ducrot, O., and T. Todorov. "Personnage." Dictionnaire encyclopédique des sciences du langage. Paris: Seuil, 1972.
Eco, Umberto. "L'uso pratico del personaggio artistico." In Eco, Apocalittici e integrati. Milan: Bompiani, 1964. (Typicality, stereotypes).
_____. "Uso práctico del personaje." In Eco, Apocalípticos e integrados. Barcelona: Penguin Random House, 2013. 2015. 223-56.*
_____. Apocalittici e integrati: Comunicazioni di massa e teorie della cultura di massa. Milan: Bompiani, 1964.
_____. Apocalípticos e integrados. Trans. Andrés Boglar. (Palabra en el Tiempo, 39). Barcelona: Lumen, 1968.
Eder, Jens, Fotis Jannidis, and Ralf Schneider, eds. Characters in Fictional Worlds. Understanding Imaginary Beings in Literature, Film, and Other Media. Berlin, 2010.
Forster, E. M. Aspects of the Novel. 1927. Harmondsworth: Penguin Books, 1972.
Fowler, Alastair. Literary Names: Personal Names in English Literature. Oxford: Oxford UP, 2013.
Frye, Northrop. "Dickens and the Comedy of Humours." 1968. In Frye, The Stubborn Structure. London: Methuen, 1970. 218-40.*
_____. "Dickens and the Comedy of Humours." In The Victorian Novel: Modern Essays in Criticism. Ed. Ian Watt. London: Oxford UP, 1976.
Galef, David. The Supporting Cast: A Study of Flat and Minor Characters. University Park: Pennsylvania State UP, 1993. Rev. English Literature in Transition 37.1 (1994).
García Landa, José Ángel. "Sémiologie du personnage littéraire (Philippe Hamon)." In García Landa, Vanity Fea 5 March 2011.*
http://vanityfea.blogspot.com/2011/03/semiologie-du-personnage-litteraire.html
2011
_____. "Semiología del personaje literario." In García Landa, Vanity Fea 7 May 2011.*
http://vanityfea.blogspot.com/2011/05/semiologia-del-personaje-literario.html
2011
_____. "Philippe Hamon: Pour un statut sémiologique du personnage / Hacia una constitución semiótica del personaje." Net Sight de José Angel García Landa 12 Oct. 2015.*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/HamonStatut.html
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/HamonStatut.pdf
2015 DISCONTINUED 2020
http://personal.unizar.es/garciala/publicaciones/HamonStatut.html
http://personal.unizar.es/garciala/publicaciones/HamonStatut.pdf
2020
_____. "Philippe Hamon: Pour un statut sémiologique du personnage / Hacia una constitución semiótica del personaje." Academia 6 March 2017.*
https://www.academia.edu/31740642/
2017
_____. "Philippe Hamon: Pour un statut sémiologique du personnage / Hacia una constitución semiótica del personaje." ResearchGate 7 March 2017.*
https://www.researchgate.net/publication/314278959
2017
Gelley, Alexander. "Character and Person: On the Presentation of Self in Some Eighteenth-Century Novels." In The Eighteenth Century: Theory and Interpretation 21 (1980): 109-27.
Ginsberg, W. The Cast of Character: The Representation of Personality in Ancient and Medieval Literature. 1983.
González, Marta. "El protagonista insípido." Nueva Revolución (La habitación de Clarissa) 7 July 2016.*
http://nuevarevolucion.es/del-protagonista-insipido-la-habitacion-clarissa/
2016
Greimas, A. J. Sémantique structurale. Paris: Larousse, 1966.
_____. "Les actants, les acteurs et les figures." In Sémiotique narrative et textuelle. Ed. C. Chabrol. Paris: Larousse, 1973. 161-76.
Gullón, Ricardo. Psicologías del autor y lógicas del personaje. Madrid: Taurus, 1979.
Hagberg, Garry. "19. Character." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.
Hamon, Philippe. "Pour un statut sémiologique du personnage." Littérature 6 (1972). Rev. ed. in Barthes et al., Poétique du récit. Paris: Seuil, 1977. 115-180.*
Harvey, W. J. Character and the Novel. London: Chatto and Windus; Ithaca: Cornell UP, 1965. 1968. *
Hazlitt, William. "On the Literary Character." 1817.
_____. "Sobre el carácter literario." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 63-73.*
Hawthorn, Jeremy. Multiple Personality and the Disintegration of Literary Character: From Oliver Goldsmith to Sylvia Plath. London: Edward Arnold, 1983.
Hochman, Baruch. Character in Literature. Ithaca: Cornell UP, 1985.*
Holland, Norman. "11. Characters or Persons?" In Holland, Literature and the Brain. Gainesville (FL): PsyArt Foundation, 2009. 108-23.*
Hull, Richard. "Critique of Characterisation: It Was In Not Knowing That He Loved Her." Style 26 (1992): 33-49.
Huppe, Bernard F. "The Concept of the Hero in the Early Middle Ages". In Concepts of the Hero in the Middle Ages and the Renaissance. Ed. Norman T. Burns and Christopher J. Reagan. Albany: State University of New York, 1975. 1-26.*
Jannidis, Fotis. Figur und Person: Beitrag zu einer historischen Narratologie. (Narratologia: Contributions to Narrative Theory / Beiträge zur Erzähltheorie, 3). Berlin and New York: Walter de Gruyter, 2004.*
_____. "Character." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 14-29.*
Jauss, H-R. "Levels of Identification of Hero and Audience." New Literary History 5 (1973): 283-317.
Jefferson, Ann. "Realisme en retoriek: fictionaliteit en waarheidsillusie bij het personaje." In Bal 1979. 27-36.
Leverenz, David. "Men in Fiction." In Debating Masculinity. Ed. Josep M. Armengol and Angels Carabí. Harriman (TN): Men's Studies Press, 2009.
Lombardi, Chiara, ed. Il personaggio: Figure della dissolvenza e della permanenza. Alessandria: Dell'Orso, 2008.
Lukács, Georg. "The Intellectual Physiognomy in Characterization." In Lukács, Writer and Critic. London: Merlin, 1978. 149-88.
Marshall, David. "3. Reading Characters." In Marshall, The Figure of Theater: Shaftesbury, Defoe, Adam Smith and George Eliot. New York: Columbia UP, 1986. 55-70.*
Martínez, María Ángeles. Storyworld Possible Selves. Berlin and Boston: Walter de Gruyter, 2018. Online preview at Google Books.*
https://books.google.es/books?id=UwNPDwAAQBAJ
2018
Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. New Haven: Yale UP, 1994.*
Pérez Cantó, Pilar, and Elena Postigo Castellanos, eds. Autoras y Protagonistas. Madrid: Universidad Autónoma de Madrid, 2000.
Pérez Romero, Carmen, and Lourdes Bueno. "Funciones del nombre en la configuración del personaje: un estudio comparativo en la literatura contemporánea de expresión española e inglesa." Exemplaria 2.1 (1998): 83-106.
Paris, Bernard. Imagined Human Beings. New York: New York UP, 1997.
Phelan, James. "Character, Progression, and the Mimetic-Didactic Distinction." Modern Philology 89.3 (February 1987): 282-99.
Plank, Robert. The Emotional Significance of Imaginary Beings. Springfield (IL): Chas G. Thomas, 1968.
Polti, G. L'Art d'inventer les personnages. 1912. 1930.
Price, Martin. "The Other Self: Thoughts about Character in the Novel." In Imagined Worlds: Essays on Some English Novels and Novelists in Honour of John Butt. Ed. Maynard Mack and Ian Gregor. London: Methuen, 1968.
_____. Forms of Life: Character and Moral Imagination in the Novel. New Haven: Yale UP, 1983.
Prieto Pablos, Juan Antonio. "El héroe en la literatura fantástica norteamericana." In Aspectos comparativos en la lengua y literatura de habla inglesa: AEDEAN, Actas del IX Congreso Nacional. Murcia: AEDEAN-Departamento de Filología Inglesa de la Universidad de Murcia, 1986. 121-26.*
Raper, Julius Rowan. Narcissus from Rubble: Competing Models of Character in Contemporary British and American Fiction. Baton Rouge: Louisiana State UP, 1992.*
Rastier, François. "Un concept dans le discours des études littéraires." (Character). Littérature 7 (October 1972). Paris: Larousse.
Rorty, Amelie Oksenberg. "A Literary Postscript: Characters, Persons, Selves, Individuals." In The Identities of Persons. Berkeley: U of California P, 1976. 301-23.
_____. "Characters, Persons, Selves, Individuals." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 537-53.*
Russo, Joseph. "Rethinking Homeric Psychology: Snell, Dodds, and thier Critics." Quaderni Urbinati di Cultura Classica ns 101.2 (2012): 11-28.*
2016
Schneider, Ralf. "Towards a Cognitive Theory of Literary Character." Style 35.4 (2001): 607-40.
Sell, Roger D. "Projection Characters in David Copperfield." Studia Neophilologica 55 (1983). 19‑30.
Shell, Marc. "The Language of Character: An Introduction to a Poetics of Monetary Inscriptions." In Shell, The Economy of Literature. Baltimore and London, 1978. 63-88.*
Shinn, Thelma Jean. Radiant Daughters: Fictional American Women. Westport (CT): Greenwood Press, 1986.
Simonson, Martin. El Oeste recuperado: La literatura del pasado y la construcción de personajes en El Señor de los Anillos. (Critical Perspectives on English and American Literature, Communication and Culture, 22). Bern, Berlin, Bruxelles, New York, Oxford: Peter Lang, 2018.*
Smith, Stan G. 'A Sadly Contracted Hero': The Comic Self in Post-War American Fiction. (BAAS Pamphlets in American Studies, 5). British Association for American Studies, 1981.
Steele, Meili. Theorizing Textual Subjects: Agency and Oppression. Cambridge: Cambridge UP, 1997.
Storm, William. "On the Science of Dramatic Character." Narrative 19.2 (May 2011): 241-52.*
Swinden, Patrick. Unofficial Selves: Character in the Novel from Dickens to the Present Day.
Taylor, Houghton W. "'Particular Character': An Early Phase of a Literary Evolution." PMLA 60 (1945): 161-74.
Tomashevski, Boris. "Thématique." In Théorie de la littérature, ed. Tzvetan Todorov. Paris: Seuil, 1965. 263-307.* Trans. from Teorija literatury.
Tomlison, Barbara. "Characters Are Coauthors: Segmenting the Self, Integrating the Composing Process." Written Communication 13.4 (1986): 421-48.
Torrente Ballester, Gonzalo. "Esbozo de una teoría del personaje literario." In Torrente, Ensayos críticos. Barcelona: Destino, 1982. 9-34.*
Varela Zapata, Jesús. "Characterization in Journalism and Fiction: V. S. Naipaul's 'Michael X and the Black Power Killings in Trinidad' and Guerrillas." In Stvdia Patriciae Shaw oblata. Ed. Santiago González Fernández-Corugedo et al. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 3.471-80.*
Vermeule, Blakey. Why Do We Care about Literary Characters? Baltimore: Johns Hopkins UP, 2010.
Weinsheimer, Joel. "Theory of Character: Emma." Poetics Today 1.1-2 (1979): 185-211.
Zeraffa, Michel. Personne et personnage: Le romanesque des années 1920 aux années 1950. Paris: Klincksieck, 1969.
Audio
Prada, Juan Manuel de. "Máscaras y héroes: El escritor frente a sus personajes." Lecture at Fundación Juan March 29 Sept. 2009. Online audio file:
http://www.march.es/conferencias/anteriores/voz.aspx?id=2600&l=1
2012-12-26
Dictionaries
González Porto / Bompiani. Diccionario literario: Obras y personajes de todos los tiempos y de todos los países. 12 vols. Barcelona :Montaner y Simón, 1968.
_____. Diccionario de autores de todos los tiempos y de todos los países. 3 vols. Barcelona: Montaner y Simón, 1973.
Laffont-Bompiani. Dictionnaire des Personnages littéraires et dramatiques de tous les temps et de tous les pays. Paris: Laffont, 1984.
Films
Stranger than Fiction. Dir. Marc Forster. Screenplay by Zach Helm. Cast: Will Ferrell, Emma Thompson, Dustin Hoffman, Maggie Gyllenhaal, Queen Latifah. Co-prod. Aubrey Henderson, Jim Miller. Music by Britt Daniel,, Brian Reitzell. Ed. Matt Chessé. Prod. des. Kevin Thompson. Photog. Roberto Schaeffer. Exec. prod. Nathan Kahane, Joe Drake, Eric Kopeloff. Prod. Lindsay Doran. USA: Columbia Pictures / Mandate Pictures / Three Strange Angels, 2006.
_____. Más extraño que la ficción. Spanish DVD. Spain: Sony Pictures Home Entertainment, 2007.*
Internet resources
Character in 20th century literature. Electronic discussion list. Ed. Andy Igoshin. (Voronezh State U) E-mail: a@vsu.ru
Literature
Pirandello, Luigi. Six Characters in Search of an Author. Drama. 1921.
_____. Six personnages en quête d'auteur. In Pirandello, Ce soir on improvise. Chacun son idée. Six personnages en quête d'auteur. (GF 744). Paris: Garnier-Flammarion.
_____. Seis personajes en busca de autor. Trans. Roberto Raschella. Mexico: Océano/Losada, 1998.
Unamuno, Miguel de. Niebla. Novel. 1914.
_____. Niebla. Ed. Germán Gullón and Harriet S. Stevens. Madrid: Taurus, 1969. Introd. 7-38.
_____. Niebla. Ed. Mario J. Valdés. Madrid: Cátedra, 1988.
_____. Niebla. Madrid: Espasa-Calpe, 1978.
_____. Niebla. (Novelas inmortales, 3). Madrid: SARPE, 1984.*
_____. Niebla. Ed. Francisco Fernández Turienzo. Madrid: Alhambra, 1986. Estudio preliminar, 3-64.
_____. Mist. Trans. Warner Fite. New York: Knopf, 1928.
See also: Drama - Characters; Narrative - Characters; Character, Self (Motifs); Personality; Identity.
Specific characters (hero, antihero, etc.). See Motifs.
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