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Literatura e Ideología



A Bibliography of Literary Theory, Criticism and Philology


by José Ángel García Landa

(University of Zaragoza, Spain)



Literature and Ideology



Abrams, M. H., ed. Literature and Belief: English Institute Essays. 1957.

Ahmad, Aijaz. In Theory: Classes, Nations, Literatures. London: Verso, 1992.

Althusser, Louis. "A Letter on Art." in Lenin and Philosophy. London: New Left Books, 1977. 203-8.

_____. "A Letter on Art in Reply to André Daspre." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.

_____. Para una crítica del fetichismo literario. Madrid: Akal, 1975.

Ambrogio, I. Ideologías y técnicas literarias. Madrid: Akal, 1975.

Anchor, Robert. "Realism and Ideology: The Question of Order." History and Theory 22.2 (1983).

Angenot, Marc and Darko Suvin. "Not only but Also: Reflections on Cognition and Ideology in Science Fiction and SF Criticism." Science Fiction Studies 6.2 (18) (July 1979).

Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Empire Writes Back: Theory and Practice in Post-Colonial Literature. (New Accents). London: Routledge, 1989.* 2nd ed. 2002. 2010. (Available in electronic edition).

Asher, Kenneth. T. S. Eliot and Ideology. (Cambridge Studies in American Literature and Culture 86). Cambridge: Cambridge UP, 1998.

Balibar, Etienne, and Pierre Macherey. "On Literature as an Ideological Form." 1974. Trans. Ian McLeod, John Whitehead and Ann Wordsworth. In Young, Untying the Text 79-99.

_____. From "Literature as an Ideological Form." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 61-68.*

Barker, Francis. The Tremulous Private Body: Essays on Subjection. London: Methuen, 1984.

Barthes, Roland. Le degré zéro de l'écriture. 1953. New ed. with Nouveaux essais critiques. Paris: Seuil, 1972.*

_____. Writing Degree Zero. Trans. Annette Lavers and Colin Smith. Boston: Beacon Press, 1967. 1970.

_____. El grado cero de la escritura. Buenos Aires: J. Alvarez, 1967.

_____. El grado cero de la escritura. Buenos Aires: Siglo XXI, 1973.

_____. El grado cero de la escritura. Nuevos ensayos críticos. Buenos Aires: Siglo XXI, 1973.

Baumback, Sibylle, Herbert Grabes, and Ansgar Nünning, eds. Literature and Values: Literature as a Medium for Representing, Disseminating and Constructing Norms and Values. Wissenschaftlicher Verlag Trier, 2009.

Belsey, Catherine. Critical Practice. London: Methuen, 1980.*

_____. "Literature, History, Politics." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 399-410.*

Benda, Julien. La Trahison des Clercs. Essay. 1927.

_____. La Trahison des Clercs. With a new preface by the author. 1946.

_____. La traición de los clérigos. Trans. Rodolfo Berraquero. Introd. Norberto Bobbio. (Biblioteca Universal; Ensayo Contemporáneo). Barcelona: Círculo de Lectores, 2000.*

Bennett, T., et al., eds. Culture, Ideology, and Social Process: A Reader.  London: Batsford, 1981.

Bercovitch, Sacvan. "The Problem of Ideology in American Literary History." Critical Inquiry (Summer 1986).

Bercovitch, Sacvan, and Myra Jehlen, eds. Ideology and Classic American Literature. Cambridge: Cambridge University Press, 1986.

Beverley, John. "Ideología/Deseo/Literatura." Revista de Crítica Literaria Latinoamericana  14.27 (1988).

Blamires, Alcuin. "Chaucer the Reactionary: Ideology and the General Prologue to The Canterbury Tales." Review of English Studies 51.204 (2000): 523-40.

Bosch, Marta, Mercedes Cuenca Raya, and M. Isabel Seguro. "'All You Need Is Love', or How to Counteract Social Prejudice in American Literature (1945-present)." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*

Bourdieu, Pierre. Les Règles de l'art: Genèse et structure du champ littéraire. (Libre Examen). Paris: Seuil, 1992. (Literary theory; ideology; social semiotics; sociology of literature; Flaubert; 19th-century French literature; authorship; aestheticism; perspective; reading).

_____. Les Règles de l'art: Genèse et structure du champ littéraire. (Points; Essais, 370). Paris: Seuil, 1998.*

_____. The Rules of Art: Genesis and Structure of the Literary Field. 1992. Trans. Susan Emanuel. Stanford (CA), 1995.  1996.

Breight, Curtis. Elizabethan World Pictures. Forthcoming 1998.

Brooks, Cleanth. Community, Religion, and Literature: Essays. 1995.

Brown, Laura. Ends of Empire: Women and Ideology in Early Eighteenth-Century English Literature. Itaca (NY): Cornell UP, 1993.

Bygrave, Stephen. Kenneth Burke: Rhetoric and Ideology. London: Routledge, 1993.*

Castellet, Josep Maria. Literatura, ideología y política. Barcelona: Anagrama, 1976

Chambers, Ross. Room for Maneuver: Reading (the) Oppositional (in) Narrative. Chicago: U of Chicago P, 1991.

Chatman, Seymour. "8. Theme and Ideology." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 273-303.* (The Definition of 'Theme'; Thesis; How to Formulate a Theme; Ideology; The Invisibility of Ideology; Dealing with the Ideologies of Fictions: William Faulkner, 'Delta Autumn'; Ernest Hemingway, 'Indian Camp'; Ama Ata Aidoo, 'Certain Winds from the South').

Compagnon, Antoine. "Le lecteur." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 147-76.* (genre, resistance, implied reader, open works).

Cornut-Gentille D'Arcy, Chantal, and José Angel García Landa, eds. Gender, I-deology: Essays on Theory, Fiction and Film. Amsterdam: Rodopi, 1996.*

Corradi, Juan E. "Textures: Approaching Society, Ideology, Literature." Ideologies & Literature 1.2 (February-April 1977).

Curs Metamorfosi del Nihilisme. Fundació Caixa de Pensions, 1989.

Dalmaroni, Miguel. "La morale de l'histoire." In Vox Poetica.



Davies, Tony. "Education, Ideology and Literature." Red Letters 7 (1978): 4-15.

_____. Rewriting English. 1985.

Davis, Lennard J. Resisting Novels: Ideology and Fiction. New York and London: Methuen, 1987.

Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. Brighton: Harvester, 1984; Hemel Hempstead: Harvester Wheatsheaf, 1989.

During, Simon. "Literature: Nationalism's Other?" In Nation and Narration. Ed. Homi K. Bhabha. Lonodn: Routledge, 1990.

Eagleton, Terry. Criticism and Ideology: A Study in Marxist Literary Theory. London: New Left Books; Atlantic Highlands (NJ): Humanities Press, 1976.*

_____. Criticism and Ideology: A Study in Marxist Literary Theory. 1975. London: Verso-New Left Books, 1978.*

_____. "T. S. Eliot."  In Debating Texts. Ed. Rick Rylance. 229-33. From Criticism and Ideology.*

_____. From Criticism and Ideology. In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 69-72.*

_____. The Ideology of the Aesthetic. Oxford: Blackwell, 1990.

_____. Ideology: An Introduction. London: Verso, 1991.

_____, ed. Ideology. (Longman Critical Readers). London: Longman, 1994.

Easthope, Antony. "Jokes and Ideology: 'The Frogs' and 'Earnest'." New Comparison: Comedy 3 (1987):117-132.

Elliot, Emory. "The Culture Wars and the Revenge of the Aesthetics." In Power and Culture in America: Forms of Interaction and Renewal. Actas del V Congreso SAAS (Salamanca, 2001). Salamanca: Almar, 2002. 37-49.*

Ezensberger, Christian. Literatur und Interesse: Eine politische Ästhetik. 2 vols. Munich, 1977.

Fludernik, Monika. "Natural Narratology." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 311-75.* (Narratology, def. of narrative, narrative and ideology).

Fowler, Roger. Linguistic Criticism. Oxford: Oxford UP, 1986.*

Freedman, Carl. "Writing Ideology, and Politics: Orwell's 'Politics and the English Language' and English Composition." College English 43.4 (April 1981).

Galligan, Edward L. The Truth of Uncertainty: Beyond Ideology in Science and Literature. U of Missouri P, 1998.

Galván, Fernando, Julio Cañero Serrano, and José Santiago Fernández Vázquez, eds. (Mis)representations: Intersections of Culture and Power. Bern: Peter Lang, 2003.

García Landa, José Ángel. "The Chains of Semiosis: Semiotics, Marxism, and the Female Sterotypes in The Mill on the Floss." Papers on Language and Literature 27.1 (Edwardsville, Illinois, 1991): 32-50.* http://www.siue.edu/PLL/

_____. "The Chains of Semiosis: Semiotics, Marxism, and the Female Stereotypes in The Mill on the Floss." iPaper at Academia.edu 19 July 2010.*



_____. "The Chains of Semiosis: Semiotics, Marxism, and the Female Stereotypes in The Mill on the Floss." Online PDF at Social Science Research Network 19 July 2010.*



Gardiner, Michael. The Dialogics of Critique: M. M. Bakhtin and the Theory of Ideology. London: Routledge, 1992.

Godschalk, W. L. The Marlovian World Picture. The Hague and Paris: Mouton, 1974.

González Maestro, Jesús, and Inger Enkvist, eds. Contra los mitos y sofismas de las «teorías literarias» posmodernas (Identidad, Género, Ideología, Relativismo, Americocentrismo, Minoría, Otredad). Vigo: Academia del Hispanismo,  2010.

Graff, Gerald. "Textual Leftism." Partisan Review 49 (1982): 558-75.

Hamon, Philippe. Texte et idéologie. Paris: PUF, 1984.

Handwerk, Gary. "Of Caleb's Guilt and Godwin's Truth: Ideology and Ethics in Caleb Williams." ELH 60.4 (1993): 939-60.*

         DOI: 10.1353/elh.1993.0003

         Online at Project Muse:



Haslett, Moyra. Marxist Literary and Cultural Studies. (Transitions). Houndmills: Macmillan, 1999.

Hawkes, David. Ideology. (The New Critical Idiom). London: Routledge, 1996.  2003.

Heath, Stephen, Colin MacCabe and Denise Riley, eds. The Language, Discourse, Society Reader. (Language, Discourse, Society). Houndmills: Macmillan, 1999.

Hogan, Patrick Colm. The Politics of Interpretation: Ideology, Professionalism, and the Study of Literature. Oxford: Oxford UP, 1990.

Holloway, Myles, Gwen Kane, Riana Roos, and Michael Titlestad. "Writing Worlds Apart: Representing Cultures." In Holloway et al., Selves and Others: Exploring Language and Identity. Oxford UP Southern Africa, 1999.

Hopkins, Chris. Thinking about Texts. Houndmills: Macmillan, 2000.

Ideology and Form in Eighteenth-Century Literature. Lubbock (TX): Texas Tech UP, 1999.

Iser, Wolfgang. Die Weltanschauung Henry Fieldings. 1952.

Jameson, Fredric. "Critical Response II: Ideology and Symbolic Action." Critical Inquiry 5.2 (Winter 1978): 417-22.

_____. "On Interpretation: Literature as a Socially Symbolic Act." In Jameson, The Political Unconscious. Ithaca: Cornell UP, 1981. 17-102.

_____. "On Interpretation: Literature as a Socially Symbolic Act." In Representing Kenneth Burke.  Ed. Hayden White and Margaret Brose. 1982.

_____. From The Political Unconscious (Preface; From ch. 1, "On Interpretation"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. From The Political Unconscious. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 400-13.*

_____. "Religion and Ideology: A Political Reading of Paradise Lost." In Literature, Politics and Theory. Ed. Francis Barker et al. London: Methuen, 1986. 35-56.*

Jay, Gregory S. American Literature and the Culture Wars. Madison: U of Wisconsin P, 1996.

_____. ¿American Literature and the Culture Wars. Ithaca (NY): Cornell UP, 1997.

Kamps, Ivo. "Introduction: Ideology and Its Discontents." In Shakespeare Left and Right. Ed. Ivo Kamps. London: Routledge, 1991.

Kamps, Ivo, and Deborah E. Barker, eds. Shakespeare and Gender: A History. London: Verso, 1995.*

Kavanagh, James H. "Marks of Weakness: Ideology, Science, and Textual Criticism." Praxis 5 (1980): 23-38.

_____. "To the Same Defect: Toward a Critique of the Ideology of the Aesthetic." Bucknell Review 27.1 (1982): 102-23.

Kendrick, Christopher. Milton: A Study in Ideology and Form. London: Methuen, 1986.

Landa, Ishay. "Slaves of the Ring: Tolkien's Political Unconscious." Historical Materialism 10.4 (2002): 113-34.


Leitch, Vincent B. "Analyzing Regimes." In Leitch, Cultural Criticism, Literary Theory, Poststructuralism. New York: Columbia UP, 1992. 1-18.*

Levine, George, ed. Aesthetics and Ideology. New Brunswick: Rutgers UP, 1994.

Lukács, Georg. "The Ideology of Modernism." In Lukács, The Meaning of Contemporary Realism. London: Merlin, 1962. 17-46.

_____. "The Ideology of Modernism." From The Meaning of Contemporary Realism (1963), trans. John and Necke Mander. In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 474-87.*

_____. "The Ideology of Modernism." In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 394-412.*

_____. Marxism and Art: Writings in Aesthetics and Criticism. New York: McKay, 1972.

Macherey, P. and E. Balibar. "On Literature as an Ideological Form: Some Marxist Propositions." Oxford Literary Review 3 (1978): 4-12.

_____. "Literature as an Ideological Form: Some Marxist Hypotheses." Praxis 5 (1980): 43-58.

Marx, Karl, and Friedrich Engels. Marx/Engels on Literature and Art: A Selection of Writings Ed. L. Baxandall and Stefan Morawski. St. Louis: Telos, 1973; New York: International General, 1974.

_____. Sobre arte y literatura. Buenos Aires: Revival, 1964.

_____. Cuestiones de arte y literatura. (Ediciones de Bolsillo). Barcelona: Península, 1975.

Masoliver, Juan Ramón. "El nihilismo literario." Trans. Jesús Alegría. From Curs Metamorfosi del Nihilisme, 96-110. Fundació Caixa de Pensions, 1989. In Masoliver, Perfil de sombras. Barcelona: Destino, 1994. 396-415.*

McAdams, Dan P.  "3. Theme and Ideological Setting." In McAdams, The Stories we Live By. New York: Guilford Press, 1993. 67-90.*

Metscher, Thomas. "Literature and Art as Ideological Form." New Literary History 11 (1979).

Mitchell, W. J. T. Iconology: Image, Text, Ideology. Chicago: U of Chicago P, 1986.

Mulhern, Francis. "'Ideology and Literary Form'—A Comment." New Left Review 91 (1975): 80-7.

Newton, Judith Lowder. "Power and the Ideology of 'Women's Sphere'." From Women, Power, and Subversion: Social Strategies in British Fiction, 1778-1860. 1981. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 880-95.*

Orgel, Stephen. "Making Greatness Familiar." In The Power of Forms in the English Renaissance. Ed. Stephen Greenblatt. Oklahoma: Pilgrim Books, 1982.

Panova, O. Yu., and V. M. Tolmachev. Literatura i ideologiia: Vek dvadtsatyi. Moscow, 2016.

Pechter, Edward. "Of Ants and Grasshoppers: Two Ways (or More) to Link Texts and Power." In Pechter, What Was Shakespeare? Ithaca: Cornell UP, 1995. 87-105.*

_____. "Against 'Ideology'." In Pechter, What Was Shakespeare? Ithaca: Cornell UP, 1995. 142-66.*

Pérez Parejo, Ramón. "Modelos de mundo y tópicos literarios: la construcción ficcional al servicio de la ideología del poder." Revista de Literatura 66.131 (Jan.-June 2004): 49-76.

Phelan, James. Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus (OH): Ohio State UP, 1996.*

_____. Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Ohio State UP online open access:



Railey, Kevin, ed. Natural Aristocracy: History, Ideology, and the Production of William Faulkner. Tuscaloosa: U of Alabama P, 1999.*

Reis, Carlos. Para una semiótica de la ideología. Trans. Angel Marcos de Dios. Madrid: Taurus, 1987.*

Reynolds, Kimberley. Radical Children's Literature. Houndmills and New York: Palgrave Macmillan, 2007.

Rodríguez de la Flor, Fernando. Barroco: Representación e ideología en el mundo hispánico (1580-1680). (Crítica y Estudios Literarios). Madrid: Cátedra, 2002.

Rodríguez Puértolas, Julio. Literatura, historia, alienación. Barcelona: Labor, 1976.

Said, Edward W. Beginnings: Intention and Method. Baltimore: Johns Hopkins UP, 1975.* 1985.

_____. Culture and Imperialism. New York: Knopf, 1993.

_____. Culture and Imperialism. New York: Vintage, 1993.

_____. Culture and Imperialism. 1993. London: Vintage, 1994.*

_____. Cultura e imperialismo.  Trans. Nora Catelli. Barcelona: Anagrama, 1996.

_____. "Consolidated Vision." From Culture and Imperialism. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 691-715.*

_____. "Culture and Imperialism." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 253-57.*

_____. From Culture and Imperialism. In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 348-59.*

Saunders, Frances Stonor. Who Paid the Piper? The CIA and the Cultural Cold War.

Sell, Roger D. "What’s Literary Communication and What’s a Literary Community?" In Emergent Literatures and Globalisation: Theory, Society, Politics. Ed. Sonia Faessel and Michel Pérez. Paris: In Press Editions, 2004. 39-45.*

Sparshott, F. E. "The Case of the Unreliable Author." Philosophy and Literature 10.2 (1986): 145-67.

Sprinker, Michael. "What Is Living and What Is Dead in Chicago Criticism." Boundary 2 13 (1985): 189-212.

_____. Imaginary Relations. London: Verse, 1987.

Suleiman, Susan Rubin. Authoritarian Fictions: The Ideological Novel as a Literary Genre. 1983. Princeton (NJ): Princeton UP, 1993.*

Tambling, Jeremy. Narrative and Ideology. Milton Keynes: Open UP, 1991.

Tillyard, E. M. W. The Elizabethan World Picture. London: Chatto and Windus, 1943.*

_____. The Elizabethan World Picture. Toronto: Macmillan Canada, 1943.

_____. The Elizabethan World Picture. Harmondsworth: Penguin, 1960. 1963. 1970.* 1990.

_____. The Elizabethan World Picture. New York: Vintage, n. d.

Valente, José Ángel. "Literatura e ideología: un ejemplo de Bertolt Brecht." In Las palabras de la tribu. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 53-67.*

Walters, Tiffany L. "Not so Magical: Issues with Racism, Classism, and Ideology in Harry Potter." MA diss. Northern Michigan U, 2015.

Walton, David. Introducing Cultural Studies: Learning through Practice. London: SAGE, 2008.* (Part One: High Culture Gladiators: Some Influential Early Models of Cultural Analysis; Part Two: The Transformative Power of Working-Class Culture; Part Three: Consolidating Cultural Studies: Subcultures, the Popular, Ideology, and Hegemony; Part Four: Probing the Margins, Remembering the Forgotten: Representation, Subordination and Identity; part Five: Honing Your Skills, Conclusions and 'Begin-endings').

Weber, Jean Jacques. Critical Analysis of Fiction: Essays in Discourse Stylistics. Amsterdam: Rodopi, 1992.*

_____. "From 'Bad' to 'Worse': Pragmatic Scales and the (De)Construction of Cultural Models." Language and Literature 14.1 (Feb. 2005): 45-63. (Jamaica Kincaid, Evaluation).

Weimann, Robert. "Towards a Literary Theory of Ideology: Mimesis, Representation, Authority." In Shakespeare Reproduced. Ed. Jean E. Howard and Marion O'Connor. New York: Methuen, 1987. 265-72.

Williams, Jeffrey J., ed. PC Wars: Politics and Theory in the Academy and the Instituion of Literature.

Williams, Raymond. Keywords: A Vocabulary of Culture and Society. London: Fontana, 1976.

_____. Keywords: A Vocabulary of Culture and Society. Oxford: Oxford UP, 1983.

_____. Keywords. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 774-84.*

Wilson, Edmund. "Marxism and Literature." 1937. In Wilson, The Triple Thinkers; Ten Essays on Literature. London: Humphrey Milford, 1938.

_____. "Marxism and Literature." 1937. In Wilson, The Triple Thinkers. London: Lehmann, 1952. 188-202.*

White, George Abbott. "Ideology and Literature: American Renaissance and F. O. Matthiessen." In Literature and Revolution, ed. G. A. White and Charles Newman. 1972. 430-500.

White, Hayden. "Storytelling: Historical and Ideological." In Centuries' Ends, Narrative Means. Ed. Robert Newman. Stanford (CA): Stanford UP, 1996. 58-78.*

Woodcock, Bruce. (coauthor). Combative Styles: Romantic Prose and Ideology. 1995.

Yao, Steven G. Translation and the Languages of Modernism: Gender, Politics, Language. Houndmills: Palgrave, 2003.

Zima, Peter V. Semiotics and Dialectics: Ideology and the Text. Amsterdam: John Benjamins, 1981.







Ideologies and Literature 4.16 (May-June 1983).


Red Letters11 (1981)



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See also Ideology; Ideology and language; Marxist criticism; Literature and politics; Political criticism; Shakespeare: ideology; Ethics & literature.





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