A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Comedy
Early works
Miscellaneous
Early works
Aristotle. Poetics. many editions
_____. (On comedy). Problemata (965a)
Donatus, Aelius. On Comedy. Trans. O. B. Hardison. In Hardison 45-49.
Dryden, John. "Of Comedy, Farce, and Tragedy: Preface to An Evening's Love; or, The Mock Astrologer." 1680. In Dryden's Essays. London: Dent; New York: Dutton, 1912. 77-86.*
Evanthius. De Comoedia et Tragoedia. In Commentum Terenti. Ed. Paul Wessner. Vol. 1. Leipzig: Teubner, 1969.
_____. On Drama. Trans. O. B. Hardison. In Hardison 39-44.
Farquhar, George. "A Discourse upon Comedy, in Reference to the English Stage." 1702.
_____. Love and Business in a Collection of Occasional Verse and Epistolary Prose. A Discourse Likewise upon Comedy. 1702.
Gascoigne, George. Prologue to his The Glass of Government. 1575.
Giraldi, Giambattista, "Cynthius". Discorso delle comedie e delle tragedie. In Giraldi, Scritti Estetici: De' Romanzi, delle Comedie e delle Tragedie. Ed. Giulio Antimaco. 1864.(On the unity of time, etc.).
_____. "On the Composition of Comedies and Tragedies." 1543. Select. and trans. Allan H. Gilbert. In Literary Criticism: Plato to Dryden. Ed. Allan H. Gilbert 1940. Detroit: Wayne State UP, 1962. 252-62.*
Goldsmith, Oliver. "Essay on the Theatre: A Comparison between Sentimental and Laughing Comedy." Westminster Magazine (January 1773).
_____. "A Comparison between Laughing and Sentimental Comedy." In Goldsmith, Works. Ed. J. W. M. Gibbs. 1.398-402.
Heinsius, Daniel. Ad Horatium de Plauto et Terentio judicium. 1635.
Isidore of Seville (St). Etymologiarum sive Originum Libri XX. Ed. W. M. Lindsay. 2 vols. Oxford: Clarendon, 1911.
_____. Etimologías. Bilingual ed. 2 vols. Ed. José Oroz Reta and Manuel-A. Marcos Casquero. Introd. Manuel C. Díaz y Díaz. 2nd ed. Madrid: BAC, 1993.*
Jonson, Ben. Prologue to Every Man in his Humour. Folio ed., 1616.
_____. "Dedication to Volpone." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 234-37.*
Lamb, Charles. "On the Artificial Comedy of the Last Century." In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 72-79.
_____. "Restoration Comedy." In Lamb's Criticism. Cambridge: Cambridge UP, 1923. 74-7.
López Pinciano, Alonso. "Epístola nona. De la comedia." In López Pinciano, Philosophia antigua poetica. 1596. Madrid: CSIC, 1973. 3.5-88.*
Luzán, Ignacio de. "De la tragedia y comedia y otras poesías dramáticas." In Luzán, La Poética. Book 3.
Lyly, John. Prologue to Sapho and Phao. c. 1582.
_____. Prologue to Endimion. 1579.
_____. Prologue to Midas. 1592.
_____. Prologue to the Woman in the Moon. 1597.
Meredith, George. On the Idea of Comedy and the Uses of the Comic Spirit. 1877, 1897.
Mora, María José, ed. Restoration Comedy, 1670-1682: A Catalogue. Teneo Press, 2018.
Nicole, Pierre. Of Comedy. 1671. Trans. Clara W. Crane. Select. in Gilbert 597-99.
Udall, Nicholas. Prologue to his Ralph Roister Doister. 1553.
_____. "The Prologue." 1553. In Udall, Ralph Roister Doiste. London, 1567. (Humour; Morality; Comedy)
Vega Carpio, Félix Lope de. Arte nuevo de hacer comedias en este tiempo. 1607.
Voltaire. "Sobre la comedia." In Voltaire, Cartas filosóficas. 1734. Madrid: Editora Nacional, 1976. 19th letter.
_____. "Decimonovena carta. Sobre la comedia." In Voltaire, Cartas filosóficas. Diccionario filosófico. Memorias para servir a la vida de Voltaire escritas por él mismo. Prologue by Fernando Savater. Introd. Martí Domínguez. (Grandes Pensadores Gredos; Voltaire, I). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014. 87-90.*
Walpole, Horace. Letter to the Countess of Upper Ossory, on tragedy and comedy. In The Letters of Horace Walpole. Ed. Paget Toynbee. Oxfod, 1903-5.
Whetstone, George. "To His Worshipfvll friende, and Kinseman, William Fleetewoode Esquier, Recorder of London." In Whetstone, The Right Excellent and famous Historye of Promos and Cassandra ... The worke of George Whetstones . . . 1578. (Comedy; Morality)
Wright, James. Country Conversations. London: Henry Bonwicke, 1694.
Miscellaneous
Alonso Alonso, María. "Humour and Comic Devices in 18th Century Plays: Some Parallels between Oliver Goldsmith's She Stoops to Conquer and Tomás de Iriarte's El señorito mimado." In At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference, UAB/Barcelona 14-16 November 2011. Ed. Sara Martín et al. Barcelona: Departament de Filologia Anglesa i de Germanística, U Autònoma de Barcelona / AEDEAN, 2012. 25-28.*
http://www.aedean.org/pdf_atatimecrisis/AtaTimeofCrisis_AEDEAN35_portada.pdf
2012
Andrews, Richard. Scripts and Scenarios: The Performance of Comedy in Renaissance Italy. 1993.
Arellano, Ignacio. "La comedia de capa y espada: El género y su interpretación." In Francisco de Rojas Zorrilla: Obligados y ofendidos. Madrid: Fundamentos / RESAD, 1999. 12-35. Online at Academia.*
https://www.academia.edu/3311326/
2021
Arp, Thomas R., and Greg Johnson. "Tragedy and Comedy." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*
Aubrun, Charles V[incent]. La Comédie espagnole (1600-1680). Paris: PUF, 1966.
_____. La comedia española (1600-1680). Trans. Julio Lago Alonso. (Persiles, 36). Madrid: Taurus, 1968.* (Conventions, theatres, actors, authorship, Guillén de Castro, Lope de Vega, Juan Ruiz de Alarcón, Tirso de Molina, Antonio Mira de Amescua, Luis Vélez de Guevara, Juan Pérez de Montalbán, Antonio Hurtado de Mendoza, Francisco de Rojas Zorrilla, Agustín Moreto, Pedro Calderón de la Barca, Faith, social order, love, honour, justice).
Banks, Morwenna, and Amanda Swift. The Joke's On Us: Women in Comedy from Music Hall to the Present. Pandora, 1987.
Barber, C. L. "Introduction: The Saturnalian Pattern." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.
_____. "The Saturnalian Pattern." In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford: Blackwell, 2003.*
_____. "Misrule as Comedy, Comedy as Misrule." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.
Barreca, Regina, ed. Last Laughs: Perspectives on Women and Comedy. Gordon and Breach, 1988.
Bateson, F. W. English Comic Drama, 1700-1750. Oxford, 1929. Rpt. New York, 1963.*
Berry, E. Shakespeare's Comic Rites. Cambridge: Cambridge UP, 1984.
Bevis, Richard W. "Mask and Veil: Comedy." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 71-97.*
_____. "Anything Goes: The Diversity of Comic Drama." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 146-78.*
_____. "The Confused Muse: Georgian Comedy and Farce." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 212-36.*
Blau, Herbert. "Comedy since the Absurd." Modern Drama 25.4 (December 1982).
Boas, F. S. "5. Early English Comedy." In The Drama to 1642, Part One. Ed. A. W. Ward and A. R. Waller. Vol. 5 (English) of The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. Online at Bartleby.com (John Heywood, Nicholas Udall, Textor, Edwards, Whetstone).
http://www.bartleby.com/215/index.html
2012-07-26
Bobes, Carmen, et al. "Primeras teorías sobre la comedia." In Bobes, et al. Historia de la Teoría Literaria, II: Transmisores. Edad Media. Poéticas clasicistas. Madrid: Gredos, 1998. (I.II). 31-36.* (Evanthius, Donatus).
_____. "Poética clasicista en Italia." In Bobes, et al. Historia de la Teoría Literaria, II: Transmisores. Edad Media. Poéticas clasicistas. Madrid: Gredos, 1998. (III.I). (Humanism, mimesis, Aristotle, genres, novella, comedy, lyric, dramatic unities).
_____. "Poéticas clasicistas en España." In Bobes, et al. Historia de la Teoría Literaria, II: Transmisores. Edad Media. Poéticas clasicistas. Madrid: Gredos, 1998. (III.III). 329-402.* (Cascales, Lope, comedy, Carrillo y Sotomayor, Góngora, Gracián).
Brooks, Cleanth. "Tragedy and Comedy: The Internal Focus." In Wimsatt and Brooks, Literary Criticism: A Short History. New York: Knopf, 1957. 555-82.*
Burckhardt, Jacob. Historia de la cultura griega II. Trans. Antonio Tovar and Germán J. Fons. (Grandes obras de la cultura). Barcelona: RBA Coleccionables, 2005.* (Greek art: sculpture, painting, architecture, philosophy of art; poetry and music, Homer, presocratic philosophers, epigrams, elegies, lyric, tragedy, comedy, Aristophanes, oratory, sophists, Greek philosophy, science, history, Greek character and culture, agonism, politics).
Cafarelli, Annette W. "What Will Mrs. Grundy say? Women and Comedy." Criticism 38.1 (Winter 1996): 69-84.*
Calderwood, James L., and Harold E. Toliver. "Introduction to Comedy." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 163-76.*
Carlson, Susan. Women and Comedy: Rewriting the British Theatrical Tradition. 1991. Ann Arbor: Michigan UP, 1994.
Cascales, Francisco de. "De la comedia." In Cascales, Tablas poéticas. Madrid: Espasa-Calpe, 1975. 203-29.
Chambers, E. K. "Plays of the First Folio." In Chambers, William Shakespeare: A Study of Facts and Problems. Oxford: Clarendon Press, 1930. 1.275-498.*
Collins, P. A. W. "Restoration Comedy." From Dryden to Johnson. Vol. 4 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1991. 118-34.*
Comedy: New Perspectives. Special issue of New York Literary Forum (Spring 1978).
Cook, Albert. The Dark Voyage and the Golden Mean. Cambridge (MA), 1949.
Cooper, Lane. An Aristotelian Theory of Comedy, with an Adaptation of the Poetics and A Translation of the ‘Tractatus Coislinianus.’ New York: Harcourt, Brace, 1922.
_____. An Aristotelian Theory of Comedy. New York: Kraus, 1969.
Cordner, Michael, Peter Holland and John Kerrigan, eds. English Comedy. Cambridge, Cambridge UP, 1994.
Corrigan, Robert W, ed. Comedy: Meaning and Form. 2nd. ed. New York: Harper and Row, 1981.
Croissant, DeWitt C. "Early Sentimental Comedy." Parrott Presentation Volume. Princeton, 1935. 47-71.
Dobrée, Bonamy. Restoration Comedy. Oxford: Clarendon Press, 1924.
_____. Restoration Comedy. 2nd ed. 1962.
_____. Restoration Comedy. Greenwood Press.
Donaldson, Ian. The World Upside Down: Comedy from Jonson to Fielding. Oxford: Clarendon Press, 1970.
Draper, R. P., ed. Tragedy: Developments in Criticism. (Casebooks series). Basingstoke: Macmillan.
Ellis, Frank H. Sentimental Comedy: Theory and Practice. Cambridge: Cambridge UP, 1991.*
Enright, D. J. "Elizabethan and Jacobean Comedy." In The Age of Shakespeare. Ed. Boris Ford. Vol. 2 of The Pelican Guide to English Literature. Harmondsworth: Penguin-Pelican, 1955. 1971. 416-28.*
_____. "Elizabethan and Jacobean Comedy." In The Age of Shakespeare. Vol. 2 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1982. Rev. 1993. 471-83.*
Escohotado, Antonio. El espíritu de la comedia. (Premio Anagrama de Ensayo 1992).
Escudero Martínez, Mª Carmen. "De la evasión en nuestro teatro de humor contemporáneo." In Estudios literarios dedicados al profesor Mariano Baquero Goyanes. Murcia, 1974. 91-98.*
Freeman, Lisa A. "5. The Social Life of Eighteenth-century Comedy." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 73-86.*
Frye, Northrop. "The Mythos of Spring: Comedy." In Frye, Anatomy of Criticism. Princeton: Princeton UP, 1957.*
_____. "The Mythos of Spring: Comedy." In Comedy: Meaning and Form. Ed. Robert Corrigan. 2nd ed. New York: Harper and Row, 1981. 84-99.
_____. "The Argument of Comedy." In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford: Blackwell, 2003.*
Gilbert, A. H., ed. Literary Criticism: Plato to Dryden. 1940. Detroit: Wayne State UP, 1962.
Handley, E. W. "XII. Comedia – (1) Introducción. (2) Modelos estructurales en la Comedia Antigua. (3) El primer teatro cómico. (4) Epicarmo y otros. (5) Mitos y elaboración del mito. (6) La comedia política. (7) Aventura y fantasía. (8) La vida de la mente. (9) La escena social. (10) De Aristófanes a Menandro. (11) Menandro y la Comedia Nueva." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 390-464.*
Hardison, O. B., Jr. et al, ed. Medieval Literary Criticism: Translations and Interpretations. New York: Ungar, 1974.
Harwood, J. T. Critics, Values, and Restoration Comedy. Carbondale: Southern Illinois UP, 1982.*
Hirst, David L. Comedy of Manners. Bristol: Methuen, 1979.
Holland, Norman N. The First Modern Comedies: The Significance of Etherege, Wycherley, and Congreve. Cambridge (MA) and London, 1959.
_____. The First Modern Comedies: The Significance of Etherege, Wycherley, and Congreve. Online at Norman Holland's website, U of Florida. 2007.
http://ufdc.ufl.edu/UF00002862/00001
2012
Horton, Andrew, ed. Comedy / Cinema / Theory. Berkeley (CA): U of California P, 1991.
Hunter, G. K. "4. Early Comedy." In English Drama 1586-1642: The Age of Shakespeare. Vol. VI of The Oxford History of English Literature. Oxford: Clarendon Press, 1997. 2008. 93-154.*
_____. "8. Later Comedy." In English Drama 1586-1642: The Age of Shakespeare. Vol. VI of The Oxford History of English Literature. Oxford: Clarendon Press, 1997. 2008. 359-418.*
James, D. G. The Romantic Comedy.
Jekels, Ludwig. "On the Psychology of Comedy." 1926. In Jekels, Selected Papers. New York, 1952.
King and Paulus, eds. Slapstick Comedy. New York and London: Routledge, 2010.
Knights, L. C. "Restoration Comedy: The Reality and the Myth." Scrutiny 6 (1937). Rpt. in Comedy, Meaning and Form. Ed. Robert W. Corrigan. New York: Harper & Row, 1981.
Kolek, L. S. "Towards a Poetics of Comic Narratives." Semiotica 55.1/2 (1985).
Kronenberger, Louis. The Thread of Laughter: Chapters on English Stage Comedy from Jonson to Maugham. New York: Knopf, 1952.
Krutch, Joseph Wood. Comedy and Conscience after the Restoration. New York, 1924.
Landay, Lori. Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture. Philadelphia: U of Pennsylvania P, 1998.
Leggatt, Alexander. English Stage Comedy 1490-1990: Five Centuries of a Genre. London: Routledge, 1998. (Book/eBook).
Levenson, Jill L. "8. Comedy." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 2nd ed. Cambridge: Cambridge UP, 2003. 254-91.*
Levin, Harry. Playboys and Killjoys: An Essay on the Theory and Practice of Comedy.
Leyburn, Ellen Douglass. "Comedy and Tragedy Transposed." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 177-85.*
Lynch, Kathleen M. The Social Mode of Restoration Comedy. New York, 1926.
Mallinson, G. J. "Defining Comedy in the Seventeenth Century: Moral Sense and Theatrical Sensibility." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 259-64.*
Mast, Gerald. The Comic Mind: Comedy and the Movies. Chicago: U of Chicago P, 1973. 2nd. ed. Chicago: U Of Chicago P, 1979.
Mauron, Charles. Psychocritique du genre comique. Paris: Corti, 1964.
McMillin, Scott, ed. Restoration and Eighteenth-Century Comedy. (Norton Critical Edition). New York: Norton, 1973.
_____. Restoration and Eighteenth-Century Comedy. 2nd ed. Ed. Scott McMillin. (Norton Critical Edition). New York: Norton, 1997.
McMahon, A. P. "Seven Questions on Aristotelian Definitions of Tragedy and Comedy." Harvard Studies in Classical Philology 11 (1929): 97-198.
Meeker, Joseph W. "The Comic Mode." In The Ecocriticism Reader: Landmarks in Literary Ecology. Ed. Cheryll Glotfelty and Harold Fromm. Athens (GA): U of Georgia P, 1996. 155-69.
Moore, Frank Harper. The Nobler Pleasure: Dryden's Comedy in Theory and Practice. Chapel Hill: U of North Carolina P, 1963.
Mortimer, Claire. Romantic Comedy. New York: Routledge, 2010.
Nelson, T. G. A. Comedy: The Theory of Comedy in Literature, Drama, and Cinema. Oxford: Oxford UP, 1990.
Nettle, Daniel. "26. The Wheel on Fire and the Mating Game: Explaining the Origin of Tragedy and Comedy." 2005. In Evolution, Literature and Film: A Reader. Ed. Brian Boyd, Joseph Carroll and Jonathan Gottschall. New York: Columbia UP, 2010. 316-32.*
Neumann, Michael. Die fünf Ströme des Erzählens: Eine Anthropologie der Narration. (Narratologia, 35). Berlin: De Gruyter, 2013.* (Genre theory, literature and anthropology, Folk tale, legends, myth, religion, comedy; Heliodorus, Goethe, Audrey Hepburn, Conan Doyle, witches, artists, Wackenroder, Hoffman, Shakespeare, As You Like It, Céline, chinese novel Shuihu zhuan, Propp).
Nevison, H. W. "The Master of Comedy: Mr Rogers's Aristophanes." In Nevison, Books and Personalities. London: Lane, 1905. 123-8.*
Olson, Elder. The Theory of Comedy. Bloomington: Indiana UP, 1968.
Paine, Clarence S. The Comedy of Manners (1660-1700): A Reference Guide to the Comedy of the Restoration. Boston, 1941.
Palmer, D. J., ed. Comedy: Developments in Criticism. (Casebooks series). Basingstoke: Macmillan, 1984.
Palmer, John. The Comedy of Manners. 1913.
Pérez de Ayala, Ramón. "Las comedias modernas de Oscar Wilde." In Las Máscaras. Madrid: Calleja. Vol. 1. 1919.
_____. "Las comedias modernas de Wilde." In Las máscaras. Essays on drama. 4th ed. In Obras selectas de Ramón Pérez de Ayala. Barcelona: AHR, 1957. 1348-53.*
Perry, Henry T. E. The Comic Spirit in Restoration Drama. 1925.
Potts, L. J. Comedy. London: Hutchinson's University Library, 1950.
_____. "The Subject Matter of Comedy." In Potts, Comedy. London: Hutchinson's University Library, 1950. Rpt. in Comedy, Meaning and Form. Ed. Robert W. Corrigan. 2nd ed. New York: Harper & Row, 1981.
Powell, Jocelyn. "George Etherege and the Form of Comedy." In Restoration Theatre. Ed. J. R. Brown and Bernard Harris. (Stratford-upon-Avon Studies). London, 1965.
Purdie, Susan. Comedy: The Mastery of Discourse. Toronto: U of Toronto P; Hemel Hempstead: Harvester Wheatsheaf, 1993.*
Reiss, Timothy J. "Comedy." in The New Princeton Encyclopedia of Poetry and Poetics. Ed. Alex Preminger and T. V. F. Brogan. Princeton: Princeton UP, 1993. 224-28.*
_____. "Comedy." From The Princeton Encyclopedia of Poetry and Poetics. In García Landa, Vanity Fea 26 Nov. 2013.*
http://vanityfea.blogspot.com.es/2013/11/comedy-timothy-j-reiss.html
2013
Righter, Anne. "The Period of Transition: Classical Comedy and the Hybrid Plays." In Righter, Shakespeare and the Idea of the Play. 1962. Harmondsworth: Penguin, 1967. 41-58.* (The Comedy of the Ancient World. The Impact of Classical Tradition. The Play as Illusion).
Rodríguez Adrados. El origen del teatro: Fiesta, comedia y tragedia.
Rodway, Allan. "Terms for Comedy." Renaissance and Modern Studies 6 (1962): 102-25.
_____. "Terms for Comedy." In Rodway, The Truths of Fiction. London: Chatto, 1970. 129-51.*
Ruiz, Manuela. "Trouble in Paradise: The Hollywood Romantic Comedy of the Fifties." Ph.D. diss. Zaragoza: Facultad de Filosofía y Letras, 2005.
_____. Hollywood Romantic Comedy of the Fifties: A Critical Study of a Film Genre. Lewinston: Edwin Mellen, 2013.
Salingar, Leo. Shakespeare and the Traditions of Comedy. Cambridge: Cambridge UP, 1974.*
Scouten, Arthur H., and Robert D. Hume. "Restoration Comedy and Its Audiences." In The Rakish Stage. Ed. Robert D. Hume. Carbondale (IL), 1983.
Sharma, R. C. Themes and Conventions in the Comedy of Manners. 1965.
Shershow, Scott Cutler. Laughing Matters: The Paradox of Comedy. Amherst: U of Massachusetts P, 1986.
Singleton, Charles D. Commedia: Elements of Structure. Cambridge, 1965.
Stott, Andrew. Comedy: The New Critical Idiom. New York: Routledge, 2005.
_____. Comedy. (The New Critical Idiom). London: Routledge, 2015.
Styan, J. L. Restoration Comedy in Performance. Cambridge: Cambridge UP, 1986.*
Sypher, Wylie, ed. Comedy. Mew York: Doubleday, 1956.
Thorndike, Ashley H. English Comedy. 1929.
Torrente Ballester, Gonzalo. "Teatro de evasión." In Torrente, Ensayos críticos. Barcelona: Destino, 1982. 348-66.*
Tragedia, comedia y canon. Special issue of Theatralia. Ed. Jesús G. Maestro. (2000).
_____. The New Art of Making Comedies. Trans. Olga Marx Perlzweig. In Gilbert 541-48.
Waterhouse, Osborn. "The Development of English Sentimental Comedy in the Eighteenth Century." Anglia 30 (1907): 137-72, 269-315.
Watson, Cate. Comedy and Social Science: Towards a Methodology of Funny. New York and London: Routledge, 2015. Online preview at Google Books:
https://books.google.es/books?id=207eCQAAQBAJ
2018
White, Hayden. "Ranke: El realismo histórico como comedia." In White, Metahistoria: la imaginación histórica en la Europa del siglo XIX. México: FCE, 1992. Rpt. 2001. 161-86.*
Wilders, John. "4. Shakespeare: His Comedies." In English Drama to 1710. Ed. Christopher Ricks. (Sphere History of Literature in the English Language, 3). London: Sphere Books, 1971. 200-14.*
Wimsatt, W. K., and Cleanth Brooks. "Tragedy and Comedy: The Internal Focus". "Fiction and Drama: The Gross Structure." In Literary Criticism: A Short History. London: Routledge, 1957. 556-83.
Zimmermann, Susan. "Disruptive Desire: Artifice and Indeterminacy in Jacobean Comedy." In Erotic Politics: Desire on the Renaissance Stage. Ed. Susan Zimmermann. New York and London: Routledge, 1992.
See also Aesthetic Categories (the comic)
Anthologies
Kaibel, Georgius, ed. Comicorum Graecorum Fragmenta. Berlin, 1899.
Lawrence, Robert G, ed. Jacobean and Caroline Comedies. London: Dent.
Lyons, Paddy, and Fidelis Morgan, eds. Female Playwrights of the Restoration: Five Comedies. (Everyman). London: Dent, 1991.
McMillin, Scott, ed. Restoration and Eighteenth-Century Comedy. (Norton Critical Editions). New York: Norton, 1997.
Shaughnessy, Robert, ed. Four Renaissance Comedies (George Peele, The Old Wives Tale, Ben Jonson, The Alchemist, Philip Massinger, A New Way to Pay Old Debts, Thomas Dekker, The Shoemaker's Holiday). Basingstoke: Palgrave Macmillan, 2003.
Wood, Nigel, ed. She Stoops to Conquer and Other Comedies. (Oxford World's Classics.). New York: Oxford UP, 2008.
Internet resources
"Comedia de la Restauración." Wikipedia: La enciclopedia libre.*
http://es.wikipedia.org/wiki/Comedia_de_la_Restauraci%C3%B3n
2012
Literature
Spenser, Edmund. "The Teares of the Muses. By Ed. Sp." In Complaints; Containing sundrie small Poemes of the Worlds Vanitie ... By Ed. Sp. Imprinted for VVilliam Ponsonbie ..., London, 1591. (Epic poetry; Lyric poetry; Comedy; Patronage; Tragedy).
Womersley, David, ed. Restoration Comedy. (Blackwell Essential Literature). Oxford: Blackwell, 2002.
Video
Cantor, Paul. "The Merchant of Venice (1 of 3)." Video. YouTube (Shakespeare and Politics) 19 Aug. 2014.*
2020
García Romero, Fernando. "La comedia de Aristófanes." Video lecture ("Teatro Griego: Origen, autores y puesta en escena", 23 Oct. 2018. YouTube (Fundación Juan March) 20 Nov. 2018.*
2018
Maestro, Jesús G. "Los Entremeses de Cervantes: ¿Ridiculización o comprensión del ser humano?" YouTube (Jesús G. Maestro) 12 May 2015.*
2016
See also Film (comedy); Shakespeare (Comedies).
No hay comentarios:
Publicar un comentario