A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Drama: Other Topics
Acts, scenes, sections
Adaptations
Aesthetics of drama
Alternative theatre
Amateur theatricals
Analysis of drama. See Commentary guides (drama)
Asides
Attacks on drama
Anthropology and Drama
Auditors
Authorship / Playwrights / Dramatists
Avant-garde theatre
Censorship and drama
Characters in drama
Classics of the stage
Chorus
Closure in drama
Comedians
Commentary guides (drama)
Costumes
Criticism of theatre, reviewers
Decay of drama
Defenses of drama
Definition of drama
Dialogue (dramatic)
Drama and morality
Dramatic illusion
Dramatic irony
Dramatic theory
Dramatistic theories of social life. See World as a Stage.
Dramaturgy. See Staging.
Early works on drama
Economics of drama
Education and drama
Energy in drama
Ethics and drama. See Morality, Ethics, and Drama.
Evolution of drama
Future of drama
Historical distance
Ideology
Irony. See Dramatic irony.
Language in drama
Lighting
Monologue (dramatic)
Morality and drama
Music and drama
Myth and drama
Narration in drama
Origin of drama. See Drama. Ages. Origin of drama.
Novel and drama
Open forms in drama
Plays
Plot in drama
Poetry in drama
Point of view in drama
Popular drama
Protodrama
Production (theatrical)
Psychology and drama
Reading drama
Realism in drama
Rehearsals
Religion and drama
Revivals, repertory
Scenography. See Staging
Setting
Show business
Significance, meaning of drama, function of drama
Silence and drama
Society and drama
Sociology of drama
Space in drama
Spectators. See Genres. Drama. Specific. Audience.
Stage directions
Staging, Scenography, Dramaturgy
Structure. See Aesthetics of drama.
Study guides
Teaching drama
Technology and drama
Theatre / Dramatic text
Theatre festivals
Theatre-going
Theatrical terminology
Theatricality
Time in drama
Tradition (dramatic)
Translations
Writing guides (drama)
Acts, scenes, sections
MacLean, Norman. "Episode, Scene, Speech, and Word: The Madness of Lear." In Critics and Criticism: Essays in Method. Ed. R. S. Crane. 1952. Abridged ed. Chicago: U of Chicago P, 1957. 94-114.*
_____. "Episodio, escena, enunciado y palabra: La locura de Lear." In Neoaristotélicos de Chicago. Ed. Javier García Rodríguez. Madrid: Arco/Libros, 2000. 221-52.*
Adaptations
Balkin, Sarah. Squatters, Vampires, and Personalities: Staging Narration in the Late Nineteenth Century. Ph.D. Rutgers U, 2012. Online at RUcore:
https://rucore.libraries.rutgers.edu/rutgers-lib/38708/
2015
Edwards, Paul. "Adaptation: Two Theories." Text and Performance Quarterly 27.4 (2007): 369-77.
Gómez Calderón, María José, and Rafael Portillo. "¿Enmendar a los clásicos? Adaptar para la escena." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 631-34.*
Heylen, Romy. Translation, Poetics, and the Stage: Six French Hamlets. London: Routledge, 1993.
Hutcheon, Linda. "Metamorphing: Intertextuality, Adaptation, and Cultural Types." In Symbolism Vol. 5 (2005) – ("Special Focus: Intertextuality"). Brooklyn (NY): AMS Press, 2005. 61-75.*
_____. A Theory of Adaptation. Abingdon: Routledge, 2006.
Iglesias Simón, Pablo. De las tablas al celuloide: Trasvases discursivos del teatro al cine primitivo y al cine clásico de Hollywood. Barcelona: Fundamentos, 2007. (Based on his Ph.D. diss.).
Lane, David. "Chapter 6: Adaptation and Transposition—Reinterpreting the Past." In Lane, Contemporary British Drama. Edinburgh UP, 2010. 157-87.* (Filter, Punchdrunk, Kneehigh, Northern Broadsides, Headlong Theatre).
Ley, Graham. "'Discursive Embodiment': The Theatre as Adaptation." Journal of Adaptation in Film and Performance 2.3 (2009): 201-9.
Morris, Sylvia. "Sir John Davenant and Adapting Shakespeare, Restoration-style." The Shakespeare Blog 13 May 2013.*
http://theshakespeareblog.com/2013/05/sir-john-davenant-and-adapting-shakespeare-restoration-style/
2019
Morrison, Blake. "Turning Classical Plays into Contemporary Theatre." Paper at the Archive of Performances of Greek & Roma Drama, Oxford U, 26 Nov. 2007.
Ramone, Jenni. "'Downright Unsaxogrammatical?' Do Postcolonial Adaptations Contest or Reinforce Shakespeare's Canonical Status?" From Reinventing the Renaissance. Ed. Brown, Lublin and McCulloch. London: Palgrave, 2012. Online at Academia.*
https://www.academia.edu/924338/
2017
Scolnicov, Hanna, and Peter Holland, eds. The Play Out of Context: Transferring Plays from Culture to Culture. Cambridge: Cambridge UP, 1989.
Internet resources
Martín, Sara, et al. Films Based on Stage Plays. List at IMDb. 2015.*
http://www.imdb.com/list/ls076798996/
2015
See also Literature and Film: Adaptation.
Alternative theatre
Craig, Sandy, ed. Dreams and Deconstructions: Alternative Theatre in Britain. Amber Lane, 1979.
Osment, Philip, ed. The Gay Sweatshop: Four Plays and a Company. London: Methuen, 1989.
Poland, Albert, and Bruce Mailman, eds. The Off-Off-Broadway Book. Bobbs-Merrill, 1972.
See also Avant-garde theatre; Experimental drama.
Amateur theatricals
Amorós, Andrés. "Universidad y teatro." In Amorós, Diario cultural. Madrid: Espasa-Calpe, 1983. 109-11.*
Butler, Martin. "4. Private and Occasional Drama." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 2nd ed. Cambridge: Cambridge UP, 2003.*
Trussler, Simon. "18. The War and the Long Weekend 1914-1939." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 278-99.* (The First World War—and after. Expansion on Shaftesbury Avenue. Old dramatists, new dramatists—and directors. A scenographic renaissance. The 'other theatre'. Stratford and the Old Vic. Actors and vehicles. The cinema, the provinces, and the declining music hall. The coming of broadcasting. The autodidactic 'thirties. Amateur theatre and the one-act play. The Workers' Theatre Movement. Intimations of war and the theatrical response).
Literature
Austen, Jane. Mansfield Park. Novel. many editions
Dickens, Charles. "Escenas." From Sketches. In Dickens, Obras completas XII. Madrid: Santillana-Aguilar, 2005. 221-354. (I. Las calles, por la mañana; II. Las calles, por la noche; III, Tiendas y tenderos; IV, Lo que fue en tiempos Scotland Yard; V. Siete calles; VI. Meditaciones sobre la calle Monmouth; VII. Las paradas de coches de alquiler; VIII. Doctors' Commons. IX. Las diversiones londinenses; X. El río. XI. Astley's; XII. La verbena de Greenwich. XIII. Teatros de aficionados; XIV. Los jardines de Vauxhall, de día. XV. Los primeros coches del día; XVI. Los ómnibus; XVII. El cochero del último coche y el cobrador del primer ómnibus; XVIII. Un esbozo parlamentario; XIX. Banquetes públicos; XX. El primero de mayo; XXI. Casas de compraventa; XXII. Despachos de bebidas; XXIII. La casa de préstamos. XXIV. Tribunales de lo criminal. XXV. Una visita a Newgate).*
Attacks on Drama: Texts
Alley, William. Poor Man's Library. 1571.
Bucer, Martin. De ludis honestis. c. 1550.
Chrisostomus, John. Against the Games and Theatres.
Collier, Jeremy. A Short View of the Immorality and Profaneness of the English Stage. 1698.
_____. A Short View of the Immorality and Profaneness of the English Stage. New York: Garland, 1972.
_____. Dissuasive from the Play-House. 1703.
The Conduct of the Stage Consider'd, with Short Remarks upon the Original and Pernicious Consequences of Masquerades. London, 1721.
Defoe, Daniel. (On Collier and drama). The Review 20 June 1706.
_____. (On the reform of drama). The Review 26 Oct. 1706.
Denham, H. Second and Third Blast of Retreat from Plays. 1580.
The English Stage: Attack and Defense 1577-1730. New York and London, 1973.
Goody, Jack. La peur des représentations: L'ambivalence à l'égard des images, du théâtre, de la fiction, des reliques et de la sexualité. Trans. Pierre-Emmanuel Dauzat. (La Découverte Poche). Paris: La Découverte, c. 2010.
Gosson, Stephen. The School of Abuse, Conteining a Pleasaunt Invective Against Poets, Pipers, Plaiers, Iesters and Such Like Catepillers of the Commonwelth. 1579.
_____. Schoole of Abuse. Ed. Edward Arber. (English Reprints). London: Arber, 1868. ( Incl also Short Apology).
_____. The School of Abuse. Norwood (NJ): Walter J. Johnson, 1973.
_____. The Ephemerides of Phialo ... and a short Apologie of the Schoole of Abuse. 1579. In Chambers, The Elizabethan Stage. Oxford, 1923. Vol. 4.
_____. Playes Confuted in Five Actions. London, 1581-2.
_____. Playes Confuted in Five Actions. Ed. Arthur Freeman. New York: Garland, 1972.
_____. From Playes Confuted in five Actions. 1582. In The Elizabethan Stage, by E. K. Chambers. Oxford: Clarendon, 1923. 3.213-19.
'I. G.' A refutation of the Apology [J. Heywood's]. 1615.
Law, William. The Absolute Unlawfulness of the Stage Entertainment. 1726.
Munday, Anthony. A second blast of retrait from plaies and Theatres. 1580. In Chambers, The Elizabethan Stage. Oxford, 1923. 4.210.
_____. A second and third Blast of retrait from plaies and Theaters. Ed. Hazlitt.
Northbrooke, John. Treatise wherein Dicing, Dancing, vain Plays or Interludes . . . are reproved by . . . the Word of God and ancient writers. 1577.
_____. A Treatise against Dicing, Dancing, Plays and Interludes. c. 1577. (Shakespeare Society Reprint). London, 1843.
Prynne, William. Histriomastix: The Players' Scourge, or Actors' Tragedy. London: Michael Sparke, 1632 (cover date 1633).
_____. Histrio-Mastix, the Players Scourge, etc. 1633. Rpt. in The English Stage: Attack and Defense 1577-1740. Ed. Arthur Freeman. New York: Garland, 1974.
Rainoldes, John. Overthrow of Stage Plays. 1593. 1599. 1629.
Salvianus. De gubernatione Dei. 5th century.
Stubbes, Philip. (Puritan pamphleteer). The Anatomise of Abuses: Contayning A Discoverie, or Briefe Summarie of such Notable Vices and Imperfections, as now raigne in many Christian countreyes of the Worlde: but (especiallie) in a verie famous ILANDE called AILGNA: Together, with most fearefull Examples of Gods Iudgements, executed vpon the wicked for the same, aswell in AILGNA of late, as in other places, elsewhere ... Made dialogue-wise, by Phillip Stubbes. London: Printed by Richard Iones., 1583.
_____. The Anatomie of Abuses. London, 1595.
_____. Anatomy of Abuses. Ed. Furnivall.
_____. Anatomie of Abuses. (New Shakespeare Society).
_____. Anatomy of Abuses. In Miscellaneous Tracts. Ed. J. P. Collier.
_____. The Anatomie of Abuses. In Life in Shakespeare's England. Ed. J. D. Wilson. Harmondsworth: Penguin, 1968.*
_____. "Of Stage-playes and Enterluds." In Stubbes, The Anatomie of Abuses." London: Printed by Richard Iones, 1583.
_____. "A fearfull Iudgement of GOD, shewed at the Theaters." In Stubbes, The Anatomie of Abuses. London: Printed by Richard Iones, 1583.
Tertullian. De Spectaculis. In Tertullian, Apology. De Spectaculis. Ed. and trans. T. R. Glover. London: Heinemann, 1931.
Vaughan, William. "To the Reader; Whether Stageplayes ought to be suffred in a Commonwealth? In Vaughan, The Golden-groue, moralized in three Bookes. London: Printed by Simon Stafford, 1600.
Attacks on drama: Secondary literature
Anthony, Rose (Sister). The Jeremy Collier Stage Controversy, 1698-1726. Milwaukee: Marquette UP, 1937.
Barish, Jonas. The Antitheatrical Prejudice. Berkeley: U of California P, 1981.
Fletcher, Edward G. "Defoe and the Theatre." Philological Quarterly 13 (1934): 382-89.
Freeman, Arthur, ed. The English Stage: Attack and Defense 1577-1740. New York: Garland, 1974.
Freeman, Lisa A. Antitheatricality and the Body Public: From the Renaissance to the NEA. Forthcoming 2007.
Heinemann, Margot. Puritanism and the Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts. Cambridge: Cambridge UP, 1980.
Howard, Jean E. "Renaissance Antitheatricality and the Politics of Gender and Rank in Much Ado About Nothing." In Shakespeare Reproduced: The Text in History and Ideology. Ed. Jean E. Howard and Marion F. O'Connor. New York: Methuen, 1987. 163-87.
Levine, Laura. "Men in Women's Clothing: Anti-Theatricality and Effeminization from 1579 to 1642." Criticism 28 (1986): 121-43.
_____. Men in Women's Clothing: Anti-Theatricality and Effeminization. (Cambridge Studies in Renaissance Literature and Culture 5). Cambridge: Cambridge UP, 1994.
Morgan, Edmund S. "Puritan Hostility to the Theatre." Proceedings of the American Philosophical Society 110 (1966): 340-47.
O'Connell, Michael. "The Idolatrous Eye: Iconoclasm, Anti-Theatricalism, and the Image of the Elizabethan Theatre." English Literary History 52 (1985): 279-310.
_____. "The Idolatrous Eye: Iconoclasm, Anti-Theatricalism, and the Image of the Elizabethan Theatre." In Shakespeare in the Theatre. Ed. Stephen Orgel and Sean Keilen. New York: Garland, 1999. 59-90.*
Pollard, Tanya, ed. Shakespeare's Theater: A Sourcebook. Oxford: Blackwell, 2003.
Literature
Bhatti, Gurpreet Kaur. Behud (Beyond Belief). Drama. 2010. (On dramatist scandal).
Marston, John. Histrio-Mastix. Or, THE PLAYER whipt. London: Printed [by George Eld] for Th. Thorp., 1610. Online facsimile at the Internet Archive.*
https://archive.org/details/histriomastixorp00mars
2021
Anthropology and Drama
Bibliography
Müller, Klaus Peter. "Anthropological Perspectives in/on Contemporary Theatre and Drama in English." European English Messenger 6.2 (1997): 81-82.*
Asides
Tardieu, Jean. "Osvaldo y Zenaida o Los apartes." Drama. In Antología de piezas cortas de teatro. Ed. Nicolás González Ruiz. Barcelona: Labor, 1965. 2.911-12.*
Auditors
Worth, Catharine J. "Beckett's Auditors: Not I to Ohio Impromptu". In Beckett at 80. Ed. Enoch Brater. New York: Oxford UP, 1986. 168-192.*
Avant-garde theatre
Barthes, Roland. "A l'avant-garde de quel théâtre?" 1956. In Barthes, Essais Critiques. Paris: Seuil, 1964, 1971. 80-3.*
Esslin, Martin. The Theatre of the Absurd. 1961. Rev. ed. Harmondsworth: Penguin, 1968.*
_____. The Theatre of the Absurd. New York: Anchor Books, 1969.
_____. "Modernist Drama: Wedekind to Brecht." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 527-60.*
García Templado, José. La función poética y el teatro de vanguardia. Murcia: Ediciones 23-27/Cátedra de Teatro de la Universidad de Murcia, 1978.*
Hayman, Ronald. British Theatre since 1955: A Reassessment. Oxford: Oxford UP, 1979.
_____. Samuel Beckett. 1968. 3rd ed. London: Heinemann, 1980.*
_____. Artaud and After. Oxford: Oxford UP, 1977.
Krutch, Joseph Wood. 'Modernism' in Modern Drama: A Definition and an Estimate. Ithaca: Cornell UP, 1953.
Roose-Evans, James. Experimental Theatre. London: Routledge, 1984.
Vanden Heuvel, Michael. "The Avant-Garde Urge and the Margins of Performance." In Vanden Heuvel, Performing Drama / Dramatizing Performance. Ann Arbor: U of Michigan P, 1991. 25-66.*
See also Experimental drama.
Censorship and Drama
Clare, J. 'Art Made Tongue-tied by Authority': Elizabethan and Jacobean Dramatic Censorship. Manchester: Manchester UP, 1990.
Dutton, Richard. Mastering the Revels: The Regulation and Censorship of English Renaissance Drama. 1991.
Johnson, Samuel. A Complete Vindication of the Licensers of the Stage from the Aspersions of Mr Brooke, by an Important Hand. 1739.
Navajas, Santiago. "Titiriteros, jueces, terroristas, y unos niños que pasaban por allí." Vozpópuli 9 Feb. 2016.*
2016
See also Censorship; Attacks against drama.
Classics of the stage
Adair, Gilbert. "The Theatre and Its Backlist." In Adair, The Postmodernist Always Rings Twice. London: Fourth Estate, 1992. 174-77.
Children's drama
Bennett, Stuart, ed. Theatre for Children and Young People. Twickenham: Aurora Metro, 2005.
Bond, Edward. "Young Civilization." Essay for Big Brum's 25th Anniversary.
http://www.bigbrum.org.uk/archives/cat_events.html
_____. Keynote lecture at "The Quality of Children's Theatre" conference. Birmingham Rep, 9 July 2002. Pub. by the Arts Council, Nov. 2003.
"Children's Theatre: Theatrevoice Forum. A Discussion with John Retallack, David Wooe and Annie Wood." Theatre Museuk, 11 Feb. 20015.
http://www.theatrevoice.com/tran_script/detail/?roundUpID=20
Kell, Thomas. "Theatre Centre and New Writing." In Theatre for Children and Young People. Ed. Stuart Bennett. Twickenham: Aurora Metro, 2005. 131-9.
Lane, David. "Chapter 5: Theatre for Young People—Audiences of Today." In Lane, Contemporary British Drama. Edinburgh UP, 2010. 133-56.*
Wallis, Richard. "Louder than Words: Making and Performing Theatre Cross-Culturally with Young People. The Caedmon Project 2003." Studies in Theatre and Performance 25.2 (2005): 145-51.
Wood, David. Theatre for Children: A Guide to Writing, Directing, and Acting. London: Faber and Faber, 1997.
Internet resources
Big Brum. (Birmingham). YouTube (Big Brum)
https://www.youtube.com/channel/UC4a4ktaj4COAjxym0McUk5g
2015
See also Drama and Education.
Chorus
Klein, Friedrich. Der Chor in den wichtingsten Tragödien der französischer Renaissance. Münchener Beiträge zur romanischen und Englischen Philologie 12.
Closure in drama
Hodgdon, Barbara. The End Crowns All: Closure and Contradiction in Shakespeare's History. Princeton: Princeton UP, 1990. 1991.
See also Closure (Narrative).
Comedians
Literature
Chekhov, Anton (Antón P. Chéjov). "El cómico." 1884. In Chéjov, Cuentos completos (1880-1885). Ed. Paul Viejo. 3rd ed. Madrid: Páginas de Espuma, 2014. 755-56.*
Osborne, John. The Entertainer. Drama. 1957. (Music-hall performer).
Commentary handbooks and guides (drama)
Coles, Chris. How to Study a Renaissance Play: Marlowe, Jonson, Webster. (How to Study series). Houndmills: Macmillan, 1988.
Dowling: Drama and Poetry. (Brodie's Notes). Houndmills: Macmillan.
Nünning, Vera, and Ansgar Nünning. "4. An Introduction to the Analysis of Drama." In Nünning and Nünning, An Introduction to the Study of English and American Literature. Trans. Jane Dewhurst. (Uni-Wissen: Anglistik-Amerikanistik). Stuttgart: Klett, 2004. 76-100.*
Wallis, Mick, and Simon Shepherd. Studying Plays. London: Arnold, 1998.
See also Commentary handbooks; Semiotics of drama.
Costumes
Barthes, Roland. "Les maladies du costume de théâtre." Théâtre populaire (1955). In Barthes, Essais critiques. Paris: Seuil, 1964. 53-62.
Bogatyrev, Petr. "Kroj jako znak." Slovo a sovesnost 2 (1936): 43-47.
_____. "Costume as a Sign." Trans. Y. Lockwood. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 13-19.
Chekhov, Anton. (Antón P. Chéjov). "Disfraces." 1883. In Chéjov, Cuentos completos (1880-1885). Ed. Paul Viejo. 3rd ed. Madrid: Páginas de Espuma, 2014. 399-402.*
Ferris, Lesley. Crossing the Stage: Controversies on Cross-Dressing. London: Routledge, 1993.
Howard, Jean E. "Power and Eros: Crossdressing in Dramatic Representation and Theatrical Practice."In Howard, The Stage and Social Struggle in Early Modern England. London: Routledge, 1994. 93-128, 159-62.
_____. "Power and Eros: Crossdressing in Dramatic Representation and Theatrical Practice." In Shakespeare and History. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 361-400.*
Linthicum, M. C. Costume in the Drama of Shakespeare and His Contemporaries. Oxford, 1936.
Southern, Richard. "The Costumed Player." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 64-90.*
Wilde, Oscar. "The Truth of Masks." In Wilde, Intentions. 1891. First published under a different title in The Nineteenth Century (May 1885).
_____. "The Truth of Masks." The Works of Oscar Wilde. Ed. B. Foreman. London: Collins, 1948. 1060-1104.
_____. "The Truth of Masks: A Note on Illusion." In The Works of Oscar Wilde. Ed. G. F. Maine. London and Glasgow: Collins, 1938. 1957. 999-1017.*
_____. "The Truth of Masks: A Note on Illusion." In Complete Works of Oscar Wilde. London: Collins, 1966. 1060-78.*
_____. "La verdad de las máscaras (apuntes sobre la ilusión)." In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 1009-28.* Rpt.. Santillana-Aguilar, 2003. 1.695-714.*
_____. "La verdad de las máscaras (un estudio sobre la ilusión)." In Wilde, El crítico como artista: Ensayos. (Colección Austral). Madrid: Espasa-Calpe, 1968. 103-34.*
Criticism of theatre, reviewers
Butler, Samuel. "Upon Critics who Judge of Modern Plays Precisely by the Rules of the Antients." In Spingarn, Critical Essays 2.278-81.
Crane, Ronald S. "Variedades de la crítica dramática." In Neoaristotélicos de Chicago. Ed. Javier García Rodríguez. Madrid: Arco/Libros, 2000. 147-72.*
Dennis, John. The Causes of Decay and Defects of Dramatick Poetry. (Vs. Welsted). Unpublished.
Karasek, Hellmuth. "Cinco respuestas a cinco preguntas sobre la crítica teatral." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971. Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 59-67.
Rincón, M. E. "Tragedia y drama en el Romanticismo: la crítica teatral en la revista No Me Olvides." In El Modo Trágico en la Cultura Hispánica. Ed. R. de la Fuente Ballesteros and J. Pérez Magallón. Valladolid: McGill University / Universitas Castellae, 2008. 249-259.
Spingarn, Joel Elias. "Notes on Dramatic Criticism." English Association Essays and Studies 4 (1913). Rpt. in Spingarn, Creative Criticism. 1917.
Walcott, F. G. "John Dryden's Answer to Thomas Rymer's The Tragedies of the Last Age." Philological Quarterly 15 (1936): 194-214.
Anthologies
Murphy, Brenda, ed. Twentieth Century American Drama. 4 vols. (Critical Conceps in Literary and Cultural Studies). London: Routledge, 2006. (Forthcoming 2005).
Audio
Bassett, Kate, et al. "Leading London Theatre Critics in the Spotlight." Audio debate. Backdoor Broadcasting Company 26 Feb. 2010.* (Kate Bassett, Lyn Gardner, Mark Shenton, Ian Shuttleworth).
http://backdoorbroadcasting.net/2010/02/leading-london-theatre-critics-in-the-spotlight/
2014
Video
Philoctetes Center. "The Critic as Thinker." Video panel. YouTube (philoctetesctr) 26 Nov. 2007.* (Eric Bentley, Robert Brustein, Stanley Kauffmann).
2023
Decay of Drama
Dennis, John. The Causes of Decay and Defects of Dramatick Poetry. (Vs. Welsted). Unpublished.
Defenses of drama
The Actors' Remonstrance . . . for the Silencing of the Profession. 1643.
Bucer, Martin. De ludis honestis. c. 1550.
Dennis, John. Usefulness of the Stage, to the Happiness of Mankind, to Government, and to Religion. 1698.
_____. The Person of Quality's Answer to Mr. Collier's . . . Disswasive from the Play-House. 1704.
_____. The Stage Defended. (vs. W. Law). 1726.
Heywood, Thomas. An Apology for Actors. London, 1612. Select. in Literary Criticism from Plato to Dryden. Ed. Gilbert. 553-64.
_____. An Apology for Actors. In The English Stage: Attack and Defense 1577-1730. New York and London, 1973.
_____. An Apology for Actors. London: Shakespeare Society, 1841.
Lodge, Thomas. Defense of Poetry, Musik and Stage Plays. 1579.
Johnson, Samuel. A Complete Vindication of the Licensers of the Stage from the Aspersions of Mr Brooke, by an Important Hand.. 1739.
Nashe, Thomas. From Pierce Penniless, His Supplication to the Devil. (The defense of plays). 1592. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1202-4.*
Nipho, Francisco Mariano. Escritos sobre Teatro: con el sainete El Tribunal de la Poesía Dramática. Ed. Mª Dolores Royo Latorre. Teruel: Instituto de Estudios Turolenses / Ayuntamiento de Alcañiz / Centro de Estudios Bajoaragoneses, 1996.* (Defense of drama).
"Order of the Privy Council." 22 June 1600. In E. K. Chambers, The Elizabethan Stage. Oxford, 1923. 4.329-31.
Pollard, Tanya, ed. Shakespeare's Theater: A Sourcebook. Oxford: Blackwell, 2003.
Definition of drama
Aristotle. Poetics. many editions
Styan, J. L. "1. Actor and Audience: The Nature of Drama." In Styan, Drama: A Guide to the Study of Plays. New York: Peter Lang, 2000. 2003. 2004. 1-10.*
Dialogue (dramatic)
Albaladejo, Tomás. "Pragmática y sintaxis pragmática del diálogo literario: sobre un texto dramático del Duque de Rivas." Anales de Literatura Española 1 (1982): 225-47.
Aston, Elaine, et al., eds. Interazione dialogo convenzione: il caso del testo dramatico. Bologna: CLUEB, 1983.
Burton, Deirdre. Dialogue and Discourse: A Sociolinguistic Approach to Modern Drama Dialogue and Naturally Occurring Conversation. London: Routledge and Kegan Paul, 1980.
Davis, Rib. Writing Dialogue for Scripts. 2nd ed. London: A&C Black, 2003.
Gómez Gómez, Jesús. "Diálogo, texto dramático y teatro (siglo XVI)." In Estado actual de los estudios sobre el Siglo de Oro. Ed. Manuel García Martín et al. Salamanca: Ediciones Universidad de Salamanca, 1993. 447-52.*
Guillén Nieto, Victoria. "Dramatic Dialogue: A Pragma-Linguistic Approach to the Study of Overlap and Interruption in Caryl Churchill's Top Girls." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 255-62.*
_____. El diálogo dramático y la representación escénica. Alicante: Diputación Provincial / Instituto de Cultura Juan Gil-Albert, 1994.
Herman, Vimala. Dramatic Discourse: Dialogue as Interaction in Plays. London: Routledge, 1998.
Herrero Martín, Rosana. The Doing of Telling on the Irish Stage: A Study of Language Performativity in Modern and Contemporary Irish Theatre. Frankfurt: Peter Lang, 2008.
Ingarden, Roman. "Von den Funktionen der Sprache im Theatherschauspiel." 1958. Appendix to Das Literarische Kunstwerk. Tübingen: Max Niemeyer Verlag, 1965. 403-425.
_____. "The Functions of Language in the Theater". In The Literary Work of Art . Evanston: Northwestern UP, 1973. 375-396. Trans. of "Von den Funktionen der Sprache im Theaterschauspiel". Zagazdenia rodzajów literackich 1 (Lodz, 1958): 65-91.
Krysinsky, Wladimir. "The Pragmatics of Dialogue in the Theatre of St. I. Witkiewicz." Modern Drama 27 (1984): 64-79.
Lorés Sanz, Rosa. "Power and Solidarity in the Translation of Dramatic Dialogue: A Sociopragmatic Intepretation from a Cognitive Perspective." In Interaction and Cognition in Linguistics. Ed. Carlos Inchaurralde and Celia Florén. (Duisburg Papers on Research in Language and Culture, 50). Hamburg: Peter Lang, 2003. 145-57.
Nicoll, Allardyce. "Dramatic Dialogue." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 339-71.*
Porter, J. A. The Drama of Speech Acts. Berkeley: U of California P, 1979.
Simpson, Paul. "Dialogue and Drama: An Introduction to Discourse Analysis." In Simpson, Language through Literature: An Introduction. (Interface). London: Routledge, 1997. 129-78.*
Styan, J. L. "1. Dramatic Dialogue Is More Than Conversation - Rosmersholm, The Importance of Being Earnest." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 11-26.* (Ibsen).
Veltrusky, Jirí. "Drama jako básnické dílo." Ctení o jazyce a poesii. Ed. B. Havránek and J. Muka®ovskÿ. Prague, 1942. 414-23.
_____. "Basic Features of Dramatic Dialogue." In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 128-33.
Vogt, Beate. "Die Enden des Dialogs: Dialogizität als strukturbildendes Verfahren in den Dramen von Elfriede Jelinek, Heiner Müller und Thomas Bernhard." Dissertation U of Freiburg, 1995.
Drama and Morality
Baudelaire, Charles. "Of Virtuous Plays and Novels." 1851. In Baudelaire, Selected Writings on Art and Literature. London: Penguin, 1992. 108-14.
Gerard, Albert S. The Phaedra Syndrome: Of Shame and Guilt in Drama. Amsterdam: Rodopi, 1993.
Drama and TV
Bull, John. "10. "'Being Taken No Notice of in Ten Million Homes': David Hare's Adventures in Television." In The Cambridge Companion to David Hare. Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 153-68.*
Dramatic Illusion
Corneille, Pierre. The Cid. Cinna. The Theatrical Illusion. (Penguin Classics). Harmondsworth: Penguin.
Johnson, Samuel. From "The Preface to Shakespeare." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2725-36..*
Koestler, Arthur. "Illusion." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 237-46.*
Lamb, Charles. "Stage Illusion." In Lamb, The Essays of Elia. London: Dent, 1906. 191-4.
Langer, Susanne. "The Dramatic Illusion." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 251-69.*
Reiss, Timothy J. Toward Dramatic Illusion: Theatrical Technique and Meaning from Hardy to Horace. New Haven: Yale UP, 1971.
Righter, Anne. "The Power of Illusion." In Righter, Shakespeare and the Idea of the Play. 1962. Harmondsworth: Penguin, 1967. 125-47.* (The Voice of the Play. Comic Deceit. Hamlet and the Contemporary Stage).
Wilde, Oscar. "The Truth of Masks." In Wilde, Intentions. 1891. First published under a different title in The Nineteenth Century (May 1885).
_____. "The Truth of Masks." The Works of Oscar Wilde. Ed. B. Foreman. London: Collins, 1948. 1060-1104.
_____. "The Truth of Masks: A Note on Illusion." In The Works of Oscar Wilde. Ed. G. F. Maine. London and Glasgow: Collins, 1938. 1957. 999-1017.*
_____. "The Truth of Masks: A Note on Illusion." In Complete Works of Oscar Wilde. London: Collins, 1966. 1060-78.*
_____. "La verdad de las máscaras (apuntes sobre la ilusión)." In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 1009-28.* Rpt.. Santillana-Aguilar, 2003. 1.695-714.*
_____. "La verdad de las máscaras (un estudio sobre la ilusión)." In Wilde, El crítico como artista: Ensayos. (Colección Austral). Madrid: Espasa-Calpe, 1968. 103-34.*
_____. "La verdad de las máscaras." In Ensayos. Artículos. Trans. Julio Gómez de la Serna. (Jorge Luis Borges: Biblioteca Personal, 3). Barcelona: Orbis, 1986. 168-200.*
Williams, Tennessee. "The Timeless World of a Play." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 247-50.*
See also Illusion; Immersion.
Dramatic Irony
Diehl, H. "Inversion, Parody and Irony: The Visual Rhetoric of Renaissance English Tragedy." Studies in English Literature 22 (1982): 197-209.
Scholes, Robert. "A Semiotic Approach to Irony in Drama and Fiction." In Scholes, Semiotics and Interpretation. New Haven: Yale UP, 1982. 73-86.
Sedgwick, G. G. Of Irony, Especially in Drama. 1935. Toronto: U of Toronto P, 1948.
Sharper. Irony in the Drama: An Essay on Impersonation, Shock and Catharsis. Chapel Hill: U of North Carolina P, 1959.
States, B. O. Irony and Drama: A Poetics. Ithaca (NY): Cornell UP, 1971.
Thompson, A. R. The Dry Mock: A Study of Irony in Drama. Berkeley: U of California P, 1948.
Thirlwall, C. "On the Irony of Sophocles." The Philological Museum 2 (1833): 483-537.
See also Irony.
Dramatic Theory
Bagher-Ghahremani, Muhammad, Behrouz Mahmoodi-Bakhtiari and Parasto Mohebi. "(The Progressive Development of the Theoretical Studies on the Narratology of Drama) [in Persian]." Online at Academia.*
https://www.academia.edu/9547049/
2020
Bionda, Romain, and Aurélien Maignant. Les Études théâtrales à l'intersection des disciplines. (Acta Fabula, Dossier 58). Online at Fabula 21.6 (June 2020).*
https://www.fabula.org/revue/sommaire12836.php
2020
Meyrick, Julian. "The Limits of Theory: Academic versus Professional Understanding of Theatre Problems." New Theatre Quarterly 19.3 (2003): 230-42.
Early works on drama
The Actors' Remonstrance. Pamphlet. London, 1643.
Aristotle. Poetics. many editions
Dryden, John. Of Dramatic Poesy: An Essay. 1668.
_____. An Essay of Dramatic Poesy. Rev. ed. 1684.
_____. An Essay on Dramatic Poesy. Ed. Thomas Arnold. Oxford: Oxford UP, 1889.
_____. Essay of Dramatic Poesy. Ed. Thomas Arnold, rev. W. T. Arnold. Oxford, 1903.*
_____. An Essay of Dramatic Poesy. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 255-310.*
_____. An Essay of Dramatic Poesy. In Literary Criticism: From Plato to Dryden. Ed. Gilbert. 601-58.*
_____. Of Dramatic Poesie. In Of Dramatic Poesie and Other Critical Essays. Ed. George Watson. 2 vols. London: Dent, 1962.*
_____. Of Dramatic Poesie. Ed. James T. Boulton. Oxford, 1964.
_____. Of Dramatic Poesy: An Essay. In Dryden, Selected Criticism. Ed. James Kinsley and George Parfitt. Oxford: Oxford UP, 1970. 17-76.*
_____ An Essay of Dramatic Poesy. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 249-89.*
_____. An Essay of Dramatic Poesy. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. "An Essay of Dramatic Poesy." Poetry Foundation.*
http://www.poetryfoundation.org/learning/essay/237822
2015
_____. From An Essay of Dramatic Poesy. In The Norton Anthology of English Literature. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2114-18.*
_____. "A Defense of an Essay of Dramatic Poesy." In Dryden's Essays. London: Dent; New York: Dutton, 1912. 60-76.*
_____. "A Defence of an Essay on Dramatic Poesy." 1668. In Dryden, Selected Criticism. Ed. James Kinsley and George Parfitt. Oxford: Oxford UP, 1970. 77-93.*
Isidore of Seville. "San Isidoro sobre el teatro." In García Landa, Vanity Fea 3 Nov. 2015.*
http://vanityfea.blogspot.com.es/2015/11/san-isidoro-sobre-el-teatro.html
2015
Larra, Mariano José de. "Una primera representación." In Larra, Artículos. Ed. Enrique Rubio. Madrid: Cátedra, 1992. 296-308.*
Webster, John. "To the Reader in, The White Divel . . . Written by Iohn Webster. London: Printed by N. O. for Thomas Archer, 1612.
_____. "To the Reader of The White Devil." 1612. Select. in Literary Criticism from Plato to Dryden. Ed. Gilbert. 551.*
_____. "To the Reader." From The White Devil. In Writing and the English Renaissance. Ed. William Zunder and Suzanne Trill. Harlow (Essex): Longman, 1996. 266-67.*
Whetstone, George. "To His Worshipfvll friende, and Kinseman, William Fleetewoode Esquier, Recorder of London." In Whetstone, The Right Excellent and famous Historye of Promos and Cassandra ... The worke of George Whetstones . . . 1578. (Comedy; Morality)
Economics of Drama
Agnew, Jean-Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge UP, 1986.
Bruster, Douglas. Drama and the Market in the Age of Shakespeare. (Cambridge Studies in Renaissance Literature and Culture 1). Cambridge: Cambridge UP, 1992.
Fuchs, Elinor. "Theater as Shopping." In Fuchs, The Death of Character: Perspectives on Theater after Modernism. Bloomington: Indiana UP, 1996. 128-43.*
Hemmings, F. W. J. The Theatre Industry in Nineteenth-Century France. 1993.
Pye, Christopher. "The Theater, the Market, and the Subject of History." English Literary History 55 (1988): 501-22.
_____. "The Theater, the Market, and the Subject of History." In Shakespeare and History. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 339-60.*
Education and drama
Bardavío, José María. "Introducción al hecho teatral." In Didáctica de la lengua y literatura inglesas I. Huesca: Colegio Universitario de Huesca, Departamento de Inglés, 1984. 77-92.*
Bennett, Stuart, ed. Theatre for Children and Young People in the UK: 50 Years of Professional Theatre in the UK. Twickenham: Aurora Metro Publications, 2005.
Bond, Edward. Theatre & Education. Houndmills: Palgrave Macmillan, 2009.
Davis, David. "Edward Bond and Drama in Education." In Edward Bond and the Dramatic Child. Ed. David Davis. Staffordshire: Trentham Books, 2005. 163-80.
_____, ed. Edward Bond and the Dramatic Child. Staffordshire: Trentham Books, 2005.
Elwell, Chris. "Theatre and Education." In Practical Theatre: A Post-16 Approach. Ed. Stuart Mackey. Cheltentham: Stanley Thornes, 1997. 239-77.
Heathcote, Dorothy, and Gavin Bolton. Drama for Learning: Dorothy Heathcote's Mantle of the Expert Approach to Education. Portsmouth (NH): Heinemann, 1995.
Jackson, Anthony. (Tony Jackson). Learning through Theatre: Essays and Casebooks on Theatre in Education. London: Routledge, 1993.
_____. Theatre, Education and the Making of Meanings: Art or Instrument? Manchester: Manchester UP, 2007.
Kappe, Gerhard. Neue Möglichkeiten der Drameninterpretation: Zeitgenössische Dramen als Aufführungsmedien in schüler-aktivierenden Arbeitsweisen. (Kieler Beiträge zur Anglistik und Amerikanistik, neue Folge, 2). Würzburg: Verlag Königshausen & Neumann.
Mackey, Stuart, ed. Practical Theatre: A Post-16 Approach. Cheltentham: Stanley Thornes, 1997.
Marsella, Stacy C. "Experiences Authoring Interactive Pedagogical Drama." International Journal of Continuing Education and Life-Long Learning 18.2 (2008). Online at Inderscience.*
https://www.inderscience.com/offer.php?id=17374
Online ref. at Semantic Scholar.*
http://pdfs.semanticscholar.org/8dd1/9957298985f6bbd33065560f3cd836c73985.pdf
2021
Scullion, Adrienne. "The Citizenship Debate and Theatre for Young People in Contemporary Scotland." New Theatre Quarterly 24.4 (2008): 379-93.
Sextou, Persephone. "Theatre in Education in Britain: Current Practice and Future Potential." New Theatre Quarterly 19.2 (2003): 177-88.
Torres Núñez, Juan José. Nuevos horizontes para el teatro en la enseñanza de idiomas. Servicio de Publicaciones de la Universidad de Almería, 1996.
Urian, Dan. "Drama in Education: From Theory to 'Study Cases'." Contemporary Theatre Review 10.2 (2000): 1-9.
Whiteson, Valerie, ed. New Ways of Using Drama and Literature in Language Teaching. (New Ways in TESOL, series II). Alexandria (VA): TESOL, 1996.
Wooster, Roger. Contemporary Theatre in Education. Chicago: U of Chicago P, forthcoming 2010.
See also Children's drama.
Energy in drama
Goldman, Michael. Shakespeare and the Energies of Drama. 1972.
Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley (CA): U of California P; Oxford: Clarendon, 1988.* 1990.
Evolution of Drama
Fergusson, Francis. The Idea of a Theater: A Study of Ten Plays—The Art of Drama in A Changing Perspective. Princeton: Princeton UP, 1949.
_____. The Idea of a Theater. Garden City (NY): Doubleday, 1954.
Experience and perception of drama
Styan, J. L. The Elements of Drama. Cambridge: Cambridge UP, 1960.* (Part I: The Dramatic Score; Part II: Orchestration; Part III: Values).
_____. "6. Building the Sequence of Impressions - King Oedipus, Deirdre of the Sorrows, Murder in the Cathedral." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 121-40.* (Synge).
_____. The Dramatic Experience.
_____. "3. Thy Eyes Shall Be Thy Judge: Seeing and Perceiving." In Styan, Drama: A Guide to the Study of Plays. New York: Peter Lang, 2000. 2003. 2004. 23-34.*
See also Spectators; Dramatic illusion.
Future of Drama
Amorós, Andrés. "El futuro del teatro." In Amorós, Diario cultural. Madrid: Espasa-Calpe, 1983. 211-15.*
Buero Vallejo, A. El futuro del teatro y otros ensayos. 1999.
Eastman, Max. "Are Poetry and Drama Dying?" In Eastman, The Literary Mind: Its Place in an Age of Science. London: Scribner's, 1931. 209-24.*
Gestures and movement
Styan, J. L. "5. The Behaviour of the Words on the Stage - Voice, Pause, and Meaning, Pygmalion; Voice and Verse, The Confidential Clerk; Gesture and Meaning, Arms and the Man, The Apple Cart; Words and Movement, King Lear." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960.* (Eliot, Shaw).
See also Gestures; Proxemics, Kinesics.
Historical Distance
Barthes, Roland. "Comment représenter l'antique." 1955. In Barthes, Essais Critiques. Paris: Seuil, 1964, 1971. 71-9.*
Fortier, Mark. "Speculations on 2 Henry IV, Theatre Historiography, The Strait Gate of History, and Kenneth Branagh." Journal of Dramatic Theory and Criticism 7.1 (1992): 45-69.
Ideology & Drama
Bentley, Eric. The Playwright as Thinker.
Boal, Augusto. Theatre of the Oppressed. London: Pluto Press, 1979.
Bravo Vega, Julián "Los 'dramas bíblicos' de Tirso y algunas de sus implicaciones ideológicas." Cuadernos de Investigación Filológica 26 (2000): 221-34.*
Brecht, Bertolt. Dialectics in the Theatre. In Brecht on Theatre, ed. Willett. 252-65.
_____. "Über die Theatralik des Faschismus." In Politik auf dem Theatre. Ed. W. Hecht. 1983.
Cadden, Michael. The Body Politic / The Body Theatrical. New York: Routledge, forthcoming 1990.
Freeman, Lisa A. Character's Theater: Genre and Ideology on the Eighteenth-Century English Stage. U of Pennsylvania P, 2002.
_____. Antitheatricality and the Body Public: From the Renaissance to the NEA. Forthcoming 2007.
_____. "5. The Social Life of Eighteenth-century Comedy." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 73-86.*
Goodblatt, Chanita. Jewish and Christian Voices in English Reformation Biblical Drama: Enacting Family and Monarchy. (Routledge Studies in Renaissance Literature and Culture). London and New York: Taylor and Francis-Routledge, 2018.*
https://books.google.es/books?id=tClKDwAAQBAJ
2018
Rossi-Landi, Ferruccio. "Acción social y procedimiento dialéctico en el teatro." In Rossi-Landi, Semiótica y estética. Buenos Aires: Nueva Vision, 1976. 39-52.*
Orgel, Stephen. The Illusion of Power: Political Theatre in the English Renaissance. Berkeley: U of California P, 1975.
Sinfield, Alan. "Royal Shakespeare: Theatre and the Making of Ideology." In Political Shakespeare: New Essays in Cultural Materialism. Ed. Jonathan Dollimore and Alan Sinfield. Manchester: Manchester UP, 1985. 158-81.*
Tambling, Jeremy. Opera, Ideology and Film. 1987.
Williams, Raymond. "Tragedy and Revolution." In Williams, Modern Tragedy. London: Chatto and Windus, 1966.
See also Shakespeare and Ideology.
Language in drama
Ball, Robert H., and W. P. Bowman. Theatre Language. 1961.
Birch, David. The Language of Drama: Critical Theory and Practice. London: Macmillan, 1991.
Castagno, Paul. New Playwriting Strategies: A Language-Based Approach to Playwriting. London: Routledge, 2001.
Culpeper, Jonathan. Language and Characterisation: People in Plays and Other Texts. Harlow: Addison Wesley Longman, 2001.
Culpeper, Jonathan, Mick Short and Peter Verdonk, eds. Exploring the Language of Drama: From Text to Context. (Interface). London: Routledge, 1998.
Downer, Alan S. "The Life of Our Design." (Imagery in drama). In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 406-24.*
Ellis-Fermor, Una. "The Functions of Imagery in the Drama." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 388-405.*
Evans, Gareth Lloyd. The Language of Modern Drama. London: Dent, 1977.
Kennedy, Andrew K. Dramatic Dialogue: The Duologue of Personal Encounter. Cambridge: Cambridge UP, 1983.
Elam, Keir. "Language in the Theatre." Sub-Stance (1977): 139-72.
Evans, Gareth Lloyd. The Language of Modern Drama. London: Dent, 1977.
Ingarden, Roman. "Von den Funktionen der Sprache im Theatherschauspiel." 1958. Appendix to Das Literarische Kunstwerk. Tübingen: Max Niemeyer Verlag, 1965. 403-425.
_____. "The Functions of Language in the Theater". In The Literary Work of Art . Evanston: Northwestern UP, 1973. 375-396. Trans. of "Von den Funktionen der Sprache im Theaterschauspiel". Zagazdenia rodzajów literackich 1 (Lodz, 1958): 65-91.
Larthomas, Pierre. Le Langage dramatique. Paris: Colin, 1972.
Prior, Moody E. "The Nature of the Problem." (Dramatic language). In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 372-87.*
Rader, Ralph. "The Dramatic Monologue and Related Lyrical Forms." Critical Inquiry 3.1 (1976): 131-51.
Sanger, Keith. The Language of Drama. (Intertext). London: Routledge, 2000.
Selden, S. "Stage Speech." Theatre Arts (July 1945).
Stapele, Peter van. "The Analysis of Deixis as a Basis for Discourse Analysis of Dramatic Texts." In Learning, Keeping and Using Language. Ed. Ed. M. A. K. Halliday, John Gibbons and Howard Nichols. Amsterdam: Benjamins, 1990. 333-48.
Styan, J. L. "5. The Behaviour of the Words on the Stage - Voice, Pause, and Meaning, Pygmalion; Voice and Verse, The Confidential Clerk; Gesture and Meaning, Arms and the Man, The Apple Cart; Words and Movement, King Lear." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960.* (Eliot, Shaw).
_____. "2. Look with Thine Ears: The Elements of Speech." In Styan, Drama: A Guide to the Study of Plays. New York: Peter Lang, 2000. 2003. 2004. 11-22.*
Veltrusky, Jirí. "Drama jako básnické dílo." Çtení o jazyce a poesii. Ed. B. Havránek and J. Mukarovsky. Prague, 1942. 414-23.
_____. "Basic Features of Dramatic Dialogue." In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 128-33.
See also Dialogue (dramatic); Monologue (dramatic).
Lighting
Pilbrow, Richard. Stage Lighting. London: Studio Vista, 1970.
Monologue (Dramatic)
Culler, A. Dwight. "Monodrama and the Dramatic Monologue." PMLA 90 (1975): 366-85.
Hillman, Richard. Self-Speaking in Medieval and Early Modern English Drama. Basingstoke: Macmillan, 1996.
Müller, Wolfgang G. "Charlotte Lennox' The Female Quixote und die Geschichte des englischen Romans." Poetica 11 (1979): 369-93.
_____. "Das Ich im Dialog mit sich selbst. Bemerkungen zur Struktur des dramatischen Monologs von Shakespeare bis zu Samuel Beckett." Deutsche Vierteljahrsschrift 56.2 (1982): 314-33.
Rader, Ralph. "The Dramatic Monologue and Related Lyrical Forms." Critical Inquiry 3.1 (1976): 131-51.
Rose, Margaret, ed. Monologue Plays for Female Voices: An Introductory Study. Torino: Tirrenia Stampatori, 1995.
Morality, Ethics, and drama
Ewbank, Inga-Stina. "Realism and Morality in Women Beware Women." Essays and Studies ns 22 (1969).
Jeffers, Alison. "Refugee Perspectives: The Practice and Ethics of Verbatim Theatre and Refugee Stories." Platform 1.1 (2006): 1-17.
Luckhurst, Mary. "Verbatim Theatre, Media Relations and Ethics." In A Concise Companion to Contemporary British and Irish Drama. Ed. Nadine Holdsworth and Mary Luckhurst. Oxford: Blackwell, 2008. 200-22.
Pendery, David. "They Go! The Urgency of Aesthetic/Moral Incitement in American Drama: The Work of Sam Shepard and Neil Simon." Spectrum: Studies in Language, Literature, Translation and Interpretation 13.1: 119-34.*
https://www.academia.edu/25102716/
2019
https://www.academia.edu/25072364/
2020
Reading, Anna. "14. Transformative Tales: Theater Storytelling, Ethics and Restitution." In Storytelling and Ethics: Literature, Visual Arts and the Power of Nature. Ed. Hanna Meretoja and Colin Davis. New York and London: Routledge, 2018. 219-36.*
Ridout, Nicholas. Theatre and Ethics. Houndmills: Palgrave Macmillan, 2009.
Wade, Les. "4. Hare's Trilogy at the National: Private Moralities and the Public Good." In The Cambridge Companion to David Hare. Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 74-78.*
Whetstone, George. "To His Worshipfvll friende, and Kinseman, William Fleetewoode Esquier, Recorder of London." In Whetstone, The Right Excellent and famous Historye of Promos and Cassandra ... The worke of George Whetstones . . . 1578. (Comedy; Morality)
Wright, James. Country Conversations. London: Henry Bonwicke, 1694.
See also Attacks on drama.
Music and drama
Auden, W. H. "Music in Shakespeare: Its Dramatic Use in His Plays." Encounter (December 1957). In Shakespeare Criticism 1935-60. Ed. Anne Ridler. London: Oxford UP, 1963. 306-28.*
See also Opera; Musical drama.
Myth and Drama
Brown, John Russell. "The Woods, the Tempest, and Icarus's Mother: Myth in the Contemporary American Theatre." Connotations 5.2-3 (1995-96): 339-54.*
Fergusson, Francis. The Idea of a Theater: A Study of Ten Plays—The Art of Drama in A Changing Perspective. Princeton: Princeton UP, 1949.
_____. The Idea of a Theater. Garden City (NY): Doubleday, 1954.
Innes, Christopher D. "Myth and Theatre Laboratories." (Brook). In Innes, Avant Garde Theatre 1892-1992. London: Routledge, 1993. 125-48.*
Narration and Narrative in drama
Böhm, Elisabeth. "Spannungsfeld Erzähltheater: Analytische und didaktische Herausforderungen einer Aktuellen Theaterform." In Vielfalt im Theater. Ed. Gabriela Paule and Ralph Olsen. Hohengehren: Schneider, 2015. 118-32. Online at Academia.*
https://www.academia.edu/11255936/
2017
Corneille, Pierre. "Discourse on the Three Unities." Trans. Clara W. Crane. Select. in Gilbert 57-89. Trans. of "Discours des trois unités." 1660.
_____. "Of the Three Unities of Action, Time and Place." In Adams 218-227.
de Jong, Irene J. F. "8. Narratology and Drama: Euripides, Bacchae 1043-1152." In de Jong, Narratology and Classics: A Practical Guide. Oxford: Oxford UP, 2014. 197-224.*
Hennaut, Benoît. "Narratologie et écritures théâtrales: Quel dialogue possible?" Cahiers de narratologie 24 (2013):
http://narratologie.revues.org/6669
2014
_____. "4. Narrator on Stage: Not a Condition but a Component for a Postdramatic Narrative Discourse." In Contemporary French and Francophone Narratology. Ed. John Pier. Columbus: Ohio State UP, 2020. 70-91.*
Holloway, O. "The Teller and the Told." Listener 18 Feb. 1945.
Hühn, Peter, and Roy Sommer. "Narration in Poetry and Drama." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 228-41.*
Martens, Gunther, and Helena Elshout. "Narratorial Strategies in Drama and Theatre: A Contribution to Transmedial Narratology." In Beyond Classical Narration: Transmedial and Unnatural Challenges. Ed. Jan Alber and Per Krogh Hansen. Berlin and Boston: De Gruyter, 2014. 81-96.*
Morrison, Kristin. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter. Chicago: U of Chicago P, 1983.
Nünning, Ansgar, and Roy Sommer. "The Performative Power of Narrative in Drama: On the Forms and Functions of Dramatic Storytelling in Shakespeare's Plays." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 200-31.*
Richardson, Brian. "Point of View in the Drama: Diegetic Monologue, Unreliable Narrators, and the Author's Voice on Stage." Comparative Drama 22.3 (1988): 193-214.
_____. "Pinter's Landscape and the Boundaries of Narrative." Essays in Literature 18 (1991): 37-45.
_____. "6. Unnatural Narration in Contemporary Drama." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 106-13.*
Schwanecke, Christine. "8. From Stories in Drama to the Drama of (Performed) Stories: Late-Twentieth and Early-Twentieth-First-Century Dissolutions of Established Generic Traditions." In Schwanecke, A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 304-57.* (Peter Shaffer, Amadeus; debbie tucker green, stoning mary; Lucy Prebble, Enron; Intermediality).
https://doi.org/10.1515/9783110724110
https://www.degruyter.com/document/doi/10.1515/9783110724110/html
2022
Swettenham, Neal. The Role and Status of Narrative in Contemporary Theatre. Ph.D. diss., De Montfort U, 2003. Online at
https://www.dora.dmu.ac.uk/bitstream/handle/2086/4317/271923.pdf
2013
Werling, Susanne. Handlung im Drama: Versuch einer Neubestimmung des Handlungsbegriffs ald Beitrag zur Dramenanalyse. Frankfurt: Lang, 1989.
See also Interdisciplinary narratology.
Novel and drama
Morrison, Mary G. Tragedies of G. B. Giraldi Cinthio: The Transformation of Narrative Source into Stage Play. 1997.
Ripoll, Roger. "Du feuilleton au théâtre." Europe 643-44 (Nov.-Dec. 1982).
Open forms in drama
Klotz, W. Geschlossene und offene Form im Drama. Munich: Hanser, 1960.
Plays
Video
Bradley, Robert. "Introduction to Theatre and Drama Arts: Lecture 9 —The Play." YouTube (Missouri State University) 8 Feb. 2013.*
2015
See also Drama: General; Theatre, performance; Dramatic structure; Plot.
Poetry in Drama
Abercrombie, Lascelles. "The Function of Poetry in the Drama." Poetry Review (March 1912). Rpt. in English Critical Essays: Twentieth Century. 1st. series. Ed. Phyllis M. Jones. London: Oxford UP, 1933. 252-72.
Eliot, T. S. "'Rhetoric' and Poetic Drama / La 'retórica' y el teatro poético." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 277-90.*
_____. "'Rhetoric' and Poetic Drama." In Eliot, Selected Essays. 1934.
_____. "'Rhetoric' and Poetic Drama." 1919. Rpt. in Eliot, Selected Essays. 3rd ed. 37-42.
_____. "A Dialogue of Dramatic Poetry." 1928. In Eliot, Selected Essays. 1934.
_____. "A Dialogue on Dramatic Poetry." In Eliot, Selected Essays. 3rd. ed. London: Faber, 1951. 43-58.*
_____. "Poetry and Drama." 1951. In Eliot, On Poetry and Poets. London: Faber, 1956. 72-88.
Granville-Barker, Harley. On Poetry in Drama. 1937.
See also Poetic drama.
Point of view and Perspective in drama
Evans, Bertrand. Shakespeare's Tragic Practice. Oxford: Clarendon Press; New York: Oxford UP, 1979.* (Point of view).
Fuchs, Elinor. "Waiting for Recognition: An Aristotle for Non-Aristotelian Drama." Modern Drama 50.4 (2007): 532-44.
García Landa, José Angel. "Neurología de la intencionalidad y Perspectiva Dominante." In García Landa, Vanity Fea 4 August 2010.*
http://vanityfea.blogspot.com/2010/08/neurologia-de-la-intencionalidad-y.html
2010
_____. "Neurología de la intencionalidad y perspectiva dominante." Ibercampus (Vanity Fea) 13 Sept. 2010.*
http://www.ibercampus.es/articulos.asp?idarticulo=13262
2010
_____. "Neurología de la intencionalidad y Perspectiva Dominante." Social Science Research Network 20 Jan. 2015.*
http://papers.ssrn.com/abstract=2552377
2015
Psychological Anthropology eJournal 20 Jan. 2015.*
http://www.ssrn.com/link/Psychological-Anthropology.html
2015
Biological Anthropology eJournal 20 Jan. 2015.*
http://www.ssrn.com/link/Biological-Anthropology.html
2015
Cognitive Social Science eJournal 20 Jan. 2015.*
http://www.ssrn.com/link/Cognitive-Social-Science.html
2015
Philosophy of Mind eJournal 20 Jan. 2015.*
http://www.ssrn.com/link/Philosophy-Mind.html
2015
Philosophy of Action eJournal 20 Jan. 2015.*
http://www.ssrn.com/link/Philosophy-Action.html
2015
_____. "Glass Prospective." In García Landa, Vanity Fea 29 Aug. 2014.*
http://vanityfea.blogspot.com.es/2014/08/glass-prospective.html
2014
_____. "Glass Prospective: La televisión medieval en el teatro isabelino." Ibercampus 6 Sept. 2014.*
http://www.ibercampus.info/la-television-medieval-en-el-teatro-isabelino-28484.htm
2014
_____. "Glass Prospective: La televisión medieval en el teatro isabelino." Social Science Research Network 9 Jan. 2015.*
http://papers.ssrn.com/abstract=2546429
2015
Cognition & the Arts eJournal 9 Jan. 2015.*
http://www.ssrn.com/link/Cognition-Arts.html
2015
English & Commonwealth Literature eJournal 9 Jan. 2015.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2015
McIntyre, Dan. "Point of View in Drama: A Socio-Pragmatic Analysis of Dennis Potter's Brimstone and Treacle." Language and Literature 13.2 (2004): 139-60.*
_____. "Point of View in Drama: An Analysis of Brimstone and Treacle." In The Language and Literature Reader. Ed. Ronald Carter and Peter Stockwell. Abingdon (UK) Routledge, 2008.*
Richardson, Brian. "Point of View in the Drama: Diegetic Monologue, Unreliable Narrators, and the Author's Voice on Stage." Comparative Drama 22.3 (1988): 193-214.
Schroder, Norman E. "Memory Plays: Historical and Narrative Analysis of Mediacy in First-Person Focalized Drama" (Williams, Tennessee; Shaffer, Peter; Friel, Brian). Diss. Bowling Green State U, 1994.
Teodorescu-Brinzeu, P. "Focalization in Drama." Revue Roumaine de Linguistique 29 (1984): 91-95.
Weidle, Roland. "Organizing the Perspectives: Focalization and the Superordinate Narrative System in Drama and Theater." In Point of View, Perspective, and Focalization: Modeling Mediation in Narrative. Ed. Peter Hühn, Wolf Schmid and Jörg Schönert. Berlin and New York: Walter de Gruyter, 2009. 221-42.*
Popular drama
Bethell, S. L. Shakespeare and the Popular Dramatic Tradition. London: King, 1944.
Bradby, David, Louis James and Bernard Sharratt, eds. Performance and Politics in Popular Drama: Aspects of Popular Entertainment in Theatre, Film and Television, 1800-1976. 1981.
Bristol, Michael. Carnival and Theatre: Plebeian Culture and the Structure of Authority in Reanissance Britain. London: Routledge, 1990.
Child, Harold H. "2. Secular Influences on the Early English Drama: Minstrels. Village Festivals. Folk-plays." In The Drama to 1642, Part One. Ed. A. W. Ward and A. R. Waller. Vol. 5 (English) of The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. Online at Bartleby.com
http://www.bartleby.com/215/index.html
2012-07-26
See also Carnival; Farces; Pantomimes; Proto-drama.
Production (theatrical)
Appia, Adolphe. "The Future of Production." Trans. Ralph Roder. Theatre Arts Monthly 16 (August 1932): 649-66.
Bassnett, Susan. Theatre Audiences: A Theory of Production and Reception. Routledge, 1991.
Bettetini, G. Producción significante y puesta en escena. Barcelona: Gili, 1977.
Hornby, Richard. Script into Performance: A Structuralist View of Play Production. Austin: U of Texas P, 1977.
_____. Script into Performance: A Structuralist Approach. New York: Paragon, 1987.
Nagler, A M. Misdirection: Open Production in the Twentieth Century. Hamden (CT): Archon Books, 1981.
Powell, Jocelyn. Restoration Theatre Production. c. 1986.
Protodrama
Piaget, Jean.. Play, Dreams and Imitation in Childhood. London, 1951.
_____. Play, Dreams, and Imitation in Childhood. Oxford: Routledge, 2000.
Rodríguez Adrados. El origen del teatro: Fiesta, comedia y tragedia.
See also Origins of drama; Dramatistic theories of social life.
Psychology and Drama
Abrantes, Ana Margarida. "The Mind on Stage: On the Relation between Theater and Cognition." (April 15, 2009). Available at SSRN:
http://ssrn.com/abstract=1409391 or http://dx.doi.org/10.2139/ssrn.1409391
2015
Favorini, Attilio. Memory in Play from Aeschylus to Sam Shepard. Palgrave Macmillan, 2009.
Nettle, Daniel. "What Happens in Hamlet? Exploring the Psychological Foundations of Drama." In The Literary Animal: Evolution and the Nature of Narrative. Ed. Jonathan Gottschall and David Sloan Wilson. Evanston (IL): Northwestern UP, 2005. 56-75.*
Mages, Wendy K. "Drama and Imagination: A Cognitive Theory of Drama's Effect on Narrative Comprehension and Narrative Production." Research in Drama Education 11.3 (2006): 329-40.
Reading drama
Cuyàs, Marc F. "¿Para qué leer teatro?" Lletraferits 4 May 2018.*
http://www.lletraferits.cat/index.php/es/2018/05/04/para-que-leer-teatro/
2018
Meisel, Martin. How Plays Work: Reading and Performance. Oxford: Oxford UP, 2007.
Mulrooney, Jonathan. "17. Reading Theatre, 1730-1830." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007.
Realism in drama
Arp, Thomas R., and Greg Johnson. "Realistic and Nonrealistic Drama." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*
Brater, Enoch. "After the Absurd: Rethinking Realism and a Few Other Isms." In Around the Absurd. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 293-302.*
Corrigan, Mary Ann. "Beyond Verisimilitude: Echoes of Expressionism in Williams' Plays." In Tennessee Williams: A Tribute. Ed. Jac Tharpe. Jackson: University Press of Mississippi, 1977. 375-412.
Demastes, William W., ed., Realism and the American Dramatic Tradition. Tuscaloosa: U of Alabama P, 1996.
_____. "Preface: American Dramatic Realisms, Viable Frames of Thought." In Realism and the American Dramatic Tradition. Ed. William Demastes. Tuscaloosa: U of Alabama P, 1996. ix-xvii.
Farr, Dorothy M. Thomas Middleton and the Drama of Realism. Edinburgh: Oliver and Boyd, 1973.
Hawkins, Harriet. Likenesses of Truth in Elizabethan and Restoration Drama. Oxford: Clarendon, 1972.
Hormigón, Juan Antonio. Teatro, realismo y cultura de masas. Ediciones de Bolsillo.
Richardson, Brian. "Introduction: The Struggle for the Real—Interpretive Conflict, Dramatic Method, and the Paradox of Realism." In Realism and the American Dramatic Tradition. Ed. William Demastes. Tuscaloosa: U of Alabama P, 1996. 1-17.
Shaw, G. B. The Quintessence of Ibsenism. 1891, rev. 1913. In Shaw, Major Critical Essays. London: Constable, 1932. 1-150.*
See also Mimetic illusion.
Rehearsals
Drabble, Margaret. "The Rehearsal." In García Landa, Vanity Fea Nov. 2015.*
http://vanityfea.blogspot.com.es/2015/11/the-rehearsal.html
2015
Literature
Austen, Jane. Mansfield Park. Novel. 1814.
Buckingham. The Rehearsal.
Shakespeare. A Midsummer Night's Dream.
Religion and drama
Innes, Christopher D. "Secular Religions and Physical Spirituality." (Grotowsky, therapy). In Innes, Avant Garde Theatre 1892-1992. London: Routledge, 1993. 149-66.*
Lake, Peter, and Michael Questier. The Antichrist's Lewd Hat: Protestants, Papists and Players in Post-Reformation England. New Haven: Yale UP, 2002.
Revivals, Repertory
Miller, Jonathan. Subsequent Performances. London: Faber and Faber, 1986. (1978 Eliot Lectures, U of Kent, orig. "The After Life of Plays).
See also Classics of the Stage.
Science and drama
Brody, Alan. "Operation Epsilon: Science, History, and Theatrical Narrative." Narrative 19.2 (May 2011): 253-57.*
Setting
Carlson, Marvin. Places of Performance: The Semiotics of Theatre Architecture. Ithaca: Cornell UP, 1989.
Wilkie, Fiona. "The Production of 'Site': Site-Specific Theatre." In A Concise Companion to Contemporary British and Irish Drama. Ed. Nadine Holdsworth and Mary Luckhurst. Oxford: Blackwell, 2008. 87-106.
See also Theatres; Staging; Space in drama.
Sexuality, Gender, and Theatre
Show Business
Adair, Gilbert. "Show Business." In Adair, The Postmodernist Always Rings Twice. London: Fourth Estate, 1992. 159-62.*
Music
Pink Floyd. The Wall. 2 LPs/MCs.*
_____. The Wall. Online at YouTube (Reaperman418)
2012
_____. The Wall (Remastered 2011). Online at YouTube (Music Changelives) 30 Aug. 2014.*
2014
See also Theatrical production; Spectacles; Shows.
Significance, meaning of drama, function of drama
Schwanecke, Christine. "1. 'Enter Drama!' Putting the Genre (Back) Centre Stage in the Study of Literature and Culture." A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 1-34.*
https://doi.org/10.1515/9783110724110
https://www.degruyter.com/document/doi/10.1515/9783110724110/html
2022
_____. "3. Suggestions for a Peripeteia in Drama and Narrative Theory: A Culturally Sensitive Narratology of Drama and Dramatic Narration." A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 57-94.*
https://doi.org/10.1515/9783110724110
https://www.degruyter.com/document/doi/10.1515/9783110724110/html
2022
_____. "9. Conclusion: 'The Contextual Dynamics of Dramatic Storytelling' and the 'Performative Power of Narrative in British Plays'." In Schwanecke, A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 358- 78.* (Function of drama, British drama).
https://doi.org/10.1515/9783110724110
https://www.degruyter.com/document/doi/10.1515/9783110724110/html
2022
Styan, J. L. "10. The Meaning of the Play as a Whole." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 205-30.*
_____. "7. Tempo and Meaning: The Importance of Being Earnest, Saint Joan, The Wild Duck, The School for Scandal, The Father." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 141-62.* (Ibsen, Sheridan, Strindberg).
See also Interpretation; Meaning.
Silence and drama
García Tortosa, Francisco. "El silencio en Shakespeare." Homenaje a Esteban Pujals Fontrodona. Oviedo: U de Oviedo / AEDEAN, 1982.*
Poyatos, Fernando. Nonverbal Communication Across Disciplines. 3 vols. Vol. 1: Culture, Sensory Interaction, Speech, Conversation. Vol 2: Paralanguage, Kinesics, Silence, Personal and Environmental Interaction. Vol. 3: Narrative Literature, Theater, Cinema, Translation. Amsterdam: Benjamins, 2002.
Society and Drama
Cánovas del Castillo, Antonio. "Del verdadero origen: Historia y renacimiento en el siglo presente del genuino teatro español." In Cánovas, Artes y Letras. Madrid: Imprenta de A. Pérez Dubrull, 1887. 109-264.* (Lope, Cervantes, Calderón, later drama; Moratín, drama and society).
Dillon, Janette. Theatre, Court and City, 1595-1610: Drama and Social Space in London. c. 2000.
Dromgoole, Dominic. "Reality Check." The Guardian 23 Oct. 2004. (Drama and society).
Freeman, Lisa A. Antitheatricality and the Body Public: From the Renaissance to the NEA. Forthcoming 2007.
_____. "5. The Social Life of Eighteenth-century Comedy." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 73-86.*
Gooch, Steve. All Together Now: An Alternative View of Theatre and the Community. London: Methuen, 1984.
Griffin, Gabrielle. "Theatres of Difference: The Politics of 'Redistribution' and 'Recognition' in the Plays of Contemporary Black and Asian Women Playwrights in Britain." Feminist Review 84 (2006): 10-28.
Hattaway, Michael. "3. Drama and Society." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 2nd ed. Cambridge: Cambridge UP, 2003. 93-130.*
Hidalgo, Pilar. "Social Energy and Renaissance Drama." In Hidalgo, Paradigms Found: Feminist, Gay, and New Historicist Readings of Shakespeare. Amsterdam: Rodopi, 2001. 99-126.*
Hormigón, Juan Antonio. Teatro, realismo y cultura de masas. Ediciones de Bolsillo.
Howard, Jean E. The Stage and Social Struggle in Early Modern England. London: Routledge, 1993. (Book/eBook).
Knights, L. C. Drama and Society in the Age of Jonson. London: Chatto & Windus, 1937.
_____. Drama and Society in the Age of Jonson. London: Methuen, 1977.
Miralles, Alberto. Nuevo teatro español: Una alternativa social. Madrid: Villalar, 1977.
Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Chicago: U of Chicago P, 1987.
Theater and Society in French Literature. Amsterdam: Rodopi, 1988.
Thomson, George. Aeschylus and Athens: A Study in the Social Origins of Drama. London, 1941.
Sociology of Drama
Alter, Jean. A Socio-Semiotic Theory of Theatre. Philadelphia: U of Pennsylvania P, 1990.
Díez Borque, José María. Sociología de la comedia española del Siglo de Oro. (Crítica y Estudios Literarios). Madrid: Cátedra.
Goodlad, J. S. R. A Sociology of Popular Drama. London: Heinemann, 1971.
Holderness, Graham. "Production, Reproduction, Performance: Marxism, History, Theatre." In Uses of History. Ed. Francis Barker, Peter Hulme, and Margaret Iversen. Manchester UP, 1991. 153-78.*
Hormigón, Juan Antonio. Teatro, realismo y cultura de masas. Ediciones de Bolsillo.
Howard, Jean E. The Stage and Social Struggle in Early Modern England. London: Routledge, 1993.
Lukács, Georg. "Zur Soziologie des modernen Dramas." Archiv für Sozialwissenschaft und Sozialpolitik 38 (1914): 303-45, 662-706.
Space in drama
Brook, Peter. The Empty Space. London: MacGibbon and Kee, 1968.
_____. The Empty Space. Harmondsworth: Penguin, 1973.
_____. El espacio vacío: Arte y técnica del teatro. Ediciones de Bolsillo.
Corneille, Pierre. Discours. Published with his plays, 1660.
_____. "Discours des trois unités." 1660.
_____. "A Discourse on the Three Unities." (Selection). Trans. J. H. Smith. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 530-31.*
_____. "Discourse on the Three Unities." Trans. Clara W. Crane. Select. in Literary Criticism: From Plato to Dryden. Ed. Gilbert. 57-89.*
_____. "Discourse on the Three Unities." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 210-13.*
_____. "Of the Three Unities of Action, Time and Place." In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 218-227.*
_____. "Of the Three Unities of Action, Time and Place." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 238-48.*
Ferrer, Esperanza, and Mercè Saumell. "La dilación de los confines teatrales." Rev. on La Fura del Baus. Cuadernos EP 34: 52-57. Select. In "La experimentación: El Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. By Darío Villanueva et al. Vol. 9 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*
Horstmann, Jan. Theaternarratologie. (Narratologia, 64). Berlin and Boston: de Gruyter, 2018.* (Scenery, semiotics of drama, performance, space, perspective; Roland Schimmelpfennig, Der Goldene Drache, 2009; Nicolas Stemann, Faust; Jette Steckel, Der Fremde; Bastian Kraft, Orlando).
Pericot, Iago. "Espacio continente-espacio contenido." Rev. on Els Joglars. Cuadernos EP 29: 62-65. Select. In "La experimentación: El Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. By Darío Villanueva et al. Vol. 9 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*
Redmond, James, ed. The Theatrical Space. Ed. James Redmond. (Themes in Drama 9). Cambridge: Cambridge UP, 1987.
See also Staging; Setting.
Stage directions
Dustagheer, Sarah, and Gillian Woods, eds. Stage Directions and Shakespearean Theatre. London: Blomsury, 2017.
Llácer, Eusebio V. "O'Neill's Expressionism in Stage Directions." In Proceedings of the 22nd International Conference of AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 541-44.*
Poyatos, Fernando. Nonverbal Communication Across Disciplines. 3 vols. Vol. 1: Culture, Sensory Interaction, Speech, Conversation. Vol 2: Paralanguage, Kinesics, Silence, Personal and Environmental Interaction. Vol. 3: Narrative Literature, Theater, Cinema, Translation. Amsterdam: Benjamins, 2002.
Smith, Emma. "Reading Shakespeare's Stage Directions." From Stage Directions and Shakespearean Theatre. Ed. Sarah Dustagheer and Gillian Woods. London: Blomsury, 2017. Online at Humanities Commons.*
http://dx.doi.org/10.17613/M6225B
2021
Staging, Scenery, Scenography, Dramaturgy, Stagecraft
Arias de Cossío, Ana María. Dos siglos de escenografía en Madrid. c. 1991.
Bau, G., A. Ubersfeld and B. Piers. L'Espace théâtral. Paris: CNRS, 1979.
Baugh, Christopher. Theatre, Performance and Technology. Basingstoke: Palgrave Macmillan, 2005.
_____. "3. Scenography and Technology." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 43-56.*
Bettetini, G. Producción significante y puesta en escena. Barcelona: Gili, 1977.
Bradbrook, Muriel C. Elizabethan Stage Conventions. Cambridge: Cambridge UP, 1933.
Brook, Peter. The Empty Space. London: MacGibbon and Kee, 1968.
Clay, J. H., and D. Krempel. The Theatrical Image. New York, 1967.
Gielguld, John. Stage Directions. (Staging). 1963.
Gurr, Andrew. "The Staging." In Gurr, The Shakespearean Stage, 1574-1642. 3rd ed. Cambridge: Cambridge UP, 1992. 172-211.*
Horstmann, Jan. Theaternarratologie. (Narratologia, 64). Berlin and Boston: de Gruyter, 2018.* (Scenery, semiotics of drama, performance, space, perspective; Roland Schimmelpfennig, Der Goldene Drache, 2009; Nicolas Stemann, Faust; Jette Steckel, Der Fremde; Bastian Kraft, Orlando).
Huélamo Kosma, Julio. "Alcance epistemológico del teatro filmado: un esbozo de análisis sobre algunas puestas en escena de La casa de Bernarda Alba." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.
Innes, Christopher D. "Interculturalism and Expropiating the Classics." (Shakespeare, Heiner Müller, Robert Wilson, Ariane Mnouchkine). In Innes, Avant Garde Theatre 1892-1992. London: Routledge, 1993. 193-213.*
Iser, Wolfgang. The Fictive and the Imaginary. Baltimore: Johns Hopkins UP, 1993.*
Jones, Margo. Theater-in-the-round. New York: Rinehart, 1951.
Ley, Graham, and Jane Milling. Performance and Theory from Stanislavski to Boal. Houndmills: Macmillan, 2000.
Lotman, Iuri M. "Semiótica de la escena." In Lotman, La Semiosfera, III: Semiótica de las artes y de la cultura. Madrid: Cátedra / Universitat de València, 2000. 57-84.*
MacGowan, Kenneth. "The Plastic Stage." Chap. 7 of The Theatre of Tomorrow. New York: Boni, 1921. 102-09.
Martín Gaite, Carmen. "De lo escénico. Dos siglos de escenografía en Madrid, de Ana María Arias de Cossío." Diario 16 17 Oct. 1991. Rpt. in Martín Gaite, Tirando del hilo (artículos 1949-2000). Ed. José Teruel. Madrid: Siruela, 2006. 463-64.*
Schechner, Richard. "Drama, Script, Theatre and Performance." Drama Review 17 (1973): 5-36.
Søndergaard, Karin. "Participation as Media: A Compositional System for Staging Participation with Reflective Scenography." 2010. Online reference at Semantic Scholar.*
2020
Southern, Richard. The Staging of Plays Before Shakespeare. London: Faber, 1973.
_____. "II.i. Theatres and Stages." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 61-94.*
_____. "Theatres and Scenery." In The Revels History of Drama in English. Ed. T. W. Craik and C. Leech. Vol. 5. London, 1976.
Stanislavski, Konstantin. Mise en scène d'Othello. Paris: Seuil (Points).
Styan, J. L. "3. Making Meanings in the Theatre: The Playboy of the Western World." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 86-118.* (Synge).
Thomas, Russell. "Contemporary Taste in the Stage Decorations of London Theaters, 1770-1800." Modern Philology 42 (1944): 65-78.
Turner, Cathy, and Synne Behrndt. Dramaturgy and Performance. Basingstoke: Palgrave Macmillan, 2007.
Wilde, Oscar. "Shakespeare on Scenery." The Dramatic Review 14 March 1885.
_____. "Shakespeare on Scenery." In Wilde, Selected Journalism. Ed. Anya Clayworth. (Oxford World's Classics). Oxford: Oxford UP, 2004. 44-47.*
Prizes
(Sohmer-Hall Prize for Work Published in 1996 on Early Staging).
See also Performance; Space in drama; Theatres; Shakespeare: Stagecraft.
Study guides
Peck, John, and Martin Coyle. How to Study a Shakespeare Play. 2nd ed. (Palgrave Study Guides). Basingstoke: Palgrave Macmillan, 1995.
Pickering, Kenneth. How to Study Modern Drama. (How to Study series). Houndmills: Macmillan, 1988.
Subjects, themes
Styan, J. L. "6. Ordering the Action: Story, Structure and Theme." In Styan, Drama: A Guide to the Study of Plays. New York: Peter Lang, 2000. 2003. 2004. 65-76.*
See also Archetypes.
Teaching drama
Broomer, Ramona. "Meeting Myself as a Scholarly Practitioner: A Self-Study Exploring the Process of Integrating Instructional Technology into Introductory Theater Courses." Ph.D. diss. Duquesne University, 2021. Online.*
2022
Maestro, Jesús G. Teoría y didáctica del teatro. Principado de Asturias, 1995.
Olive, David. "Possibilities of Performance: New Ways of Teaching Dramatic Literature." Links and Letters 2 (1995): 9-17.*
Technology and drama
Causey, Matthew. "The Aesthetics of Disappearance and the Politics of Visibility in the Performance of Technology." Gramma/Gramma 10 (2002): 59-72.*
Giesekam, Greg. Staging the Screen: The Use of Film and Video in Theatre. Houndmills: Palgrave Macmillan, 2007.
Palmer, Richard H. "Technology and the Playwright." Gramma/Gramma 10 (2002): 143-56.*
Romera Castillo, J. "Literatura, teatro y nuevas tecnologías: investigaciones en el SELITEN@T (España)." Epos 26 (2010): 409-420.
http://congresosdelalengua.es/valparaiso/ponencias/lengua_comunicacion/romera_jose.htm
2015
Shepherd-Barr, Kirsten. "Copenhaguen and Beyond: The 'Rich and Mentally Nourishing' Interplay of Science and Theatre." Gramma/Gramma 10 (2002): 171-82.
Theatre Festivals
Portella, Mercedes. "Biescas se prepara para subir el telón de la IX muestra de teatro amateur." Diario del Alto Aragón 20 Nov. 2021.*
2021
Sánchez Montes, María José. "El festival del actor. El II Festival Internacional de Teatro de Granada." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.
Theatre/Dramatic text
Berger, Harry, Jr. "Text against Performance in Shakespeare: The Example of Macbeth." Genre 15 (1982): 49-80.
_____. "Bodies and Texts." Representations 17 (1987).
_____. Imaginary Audition: Shakespeare on Stage and Page. Berkeley (CA), 1989.
Dawson, Anthony B. "Shakespeare, Text and Performance." Lecture at Seoul National University, Korea, May, 2002.
Holland, Peter, and Stephen Orgel, eds. From Script to Stage in Early Modern England. (Redefining British Theatre History). Houndmills: Palgrave, 2004.
Styan, J. L. The Elements of Drama. Cambridge: Cambridge UP, 1960.* (Part I: The Dramatic Score; Part II: Orchestration; Part III: Values).
Veltrusky, Jirí. "Dramaticky text jako souçást divadla." Slovo a slovesnost 7 (1941): 132-44.
_____. "Dramatic Text as a Component of Theater." Trans. J. Veltrusky. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 94-117.*
Weimann, Robert. Author's Pen and Actor's Voice: Writing and Playing in Shakespeare's Theatre. Ed. Helen Higbbee and William N. West. Cambridge UP, 2000.
See also Performance.
Theatre-going
Cook, A. J. "'Bargaines of Incontinencie': Bawdy Behavior in the Playhouses." Shakespeare Studies 10 (1977): 271-90.
Dawson, Anthony B., and Paul Yachnin. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate. Cambridge: Cambridge UP, 2001.
Gurr, Andrew. Playgoing in Shakespeare's London. Cambridge: Cambridge UP, 1987. 2nd ed. 1996.*
O'Connor, Teresa. "The Playgoing Habit in Late Sixteenth Century England." In Shakespeare: Text-Theatre-Film. Ed. Therese Fischer-Seidel and Friedrich-K. Unterweg. Düsseldorf: Droste, 2001. 93-118.*
Savran, David. Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class. Ann Arbor: U of Michigan P, 2009.
Sontag, Susan. "Going to Theater, etc." In Sontag, Against Interpretation. London: Deutsch, 1987. 140-62.*
Styan, J. L. "13. Playgoing as an Art." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 285-88.*
Literature
Bainbridge, Beryl. "Clap Hands, Here Comes Charlie." From Mum and Mrs. Armitage. In The Penguin Book of Modern Short Stories. Ed. Malcolm Bradbury. Harmondsworth: Penguin, 1988. 334-40.*
Theatrical terminology
Casado, Jesús, and Araceli Copete. "Equivalencias y diferencias entre la terminología teatral inglesa y la española." In Translation Across Cultures: La traducción entre el mundo hispánico y anglosajón: Relaciones lingüísticas, culturales y literarias. Actas XI Congreso AEDEAN. Ed. J. C. Santoyo. León: Universidad de León, 1989. 53-58.
Time in drama
Corneille, Pierre. Discours. Published with his plays, 1660.
_____. "Discours des trois unités." 1660.
_____. "A Discourse on the Three Unities." (Selection). Trans. J. H. Smith. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 530-31.*
_____. "Discourse on the Three Unities." Trans. Clara W. Crane. Select. in Literary Criticism: From Plato to Dryden. Ed. Gilbert. 57-89.*
_____. "Discourse on the Three Unities." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 210-13.*
_____. "Of the Three Unities of Action, Time and Place." In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 218-227.*
_____. "Of the Three Unities of Action, Time and Place." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 238-48.*
Dean, P. "Forms of Time: Some Elizabethan Two-Part History Plays." Renaissance Studies 4 (1990): 410-30.
Edgar, David. "Each Scene for Itself." London Review of Books 4 March 1999: 25-26.* (On Brecht, on time in drama).
Giraldi, Giambattista, "Cynthio." Discorso delle comedie e delle tragedie. In Giraldi, Scritti Estetici: De' Romanzi, delle Comedie e delle Tragedie. Ed. Giulio Antimaco. 2 vols. (Biblioteca rara da Daelli, LI-LII). Milano, 1864. 1864. (On the unity of time, etc.).
_____. "On the Composition of Comedies and Tragedies." 1543. Select. and trans. Allan H. Gilbert. In Literary Criticism: Plato to Dryden. Ed. Allan H. Gilbert 1940. Detroit: Wayne State UP, 1962. 252-62.*
Pérez Gállego, Cándido. "El orden de los acontecimientos en Shakespeare." Cuadernos de Investigación: Filología 1.1 (1975): 11-22.*
Richardson, Brian. "Time Is Out of Joint: Narrative Models and the Temporality of the Drama." Poetics Today 8.2 (1987): 299-310.
Riggs, David. "The Artificial Day and the Infinite Universe."Journal of Medieval and Renaissance Studies 5 (1975): 155-85.
_____. "The Artificial Day and the Infinite Universe." In Shakespeare and the Literary Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 1-32.* (Time in drama).
Salvador-Rabaza Ramos, Asunción. "Some Paradoxes of Time in Corpus Christi Plays." In Los caminos de la lengua: Estudios en homenaje a Enrique Alcaraz Varó. Ed. J. L. Cifuentes et al. San Vicente del Raspeig (Alicante): Publicaciones de la Universidad de Alicante, 2010. 1239-45.*
Schechner, Richard. "There's Lots of Time in Godot." In Aspects of Time. Ed. C. S. Patrides. Toronto: U of Toronto P, 1976. 217-24.
Styan, J. L. "7. Tempo and Meaning: The Importance of Being Earnest, Saint Joan, The Wild Duck, The School for Scandal, The Father." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 141-62.* (Ibsen, Sheridan, Strindberg).
Weixler, Antonius. "Zeit im Drama. Max Frichs Die Chinesische Mauer als ein Spiel mit Präzipitation, Gegenwärtigkeit, und Simultaneiät." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 153-78.*
Williams, Tennessee. "The Timeless World of a Play." Foreword to The Rose Tattoo. In Williams, The Rose Tattoo. Camino Real. Orpheus Descending. (Penguin Plays). Harmondsworth: Penguin, 1976. 11-14.*
_____. "The Timeless World of a Play." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 247-50.*
Audio
Benhamou, Anne-Françoise. "Accélérations et décélérations théâtrales." Lecture at ENS. Audio at Savoirs ENS 5 Oct. 2012.*
http://savoirs.ens.fr/expose.php?id=966
2014
See also Semiotics of drama.
Tradition
Sanders, Wilbur.The Dramatist and the Received Idea. Cambridge: Cambridge UP, 1968.
See also Tradition; Classics of the stage.
Translations
Merino Soto, Raquel. "Oh What a Lovely Mess: Reflexiones sobre la traducción de textos teatrales." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 315-24.
See also Translation (literary).
Verse drama
Styan, J. L. "2. Dramatic Verse Is More Than Dialogue in Verse - Othello; A Sleep of Prisoners." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. * (Christopher Fry).
_____. "5. The Behaviour of the Words on the Stage - Voice, Pause, and Meaning, Pygmalion; Voice and Verse, The Confidential Clerk; Gesture and Meaning, Arms and the Man, The Apple Cart; Words and Movement, King Lear." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960.* (Eliot, Shaw).
Violence and Drama
Vlasopolos, Anca. "Emotions Unpurged: Antigeneric Theatre and the Politics of Violence." In Borderwork. Ed. Margaret R. Higonnet. Ithaca (NY): Cornell UP, 1994. 120-43.*
Writing guides (drama)
Castagno, Paul. New Playwriting Strategies: A Language-Based Approach to Playwriting. London: Routledge, 2001.
Edgar, David. How Plays Work: A Practical guide to Playwriting. London: Nick Hern Books, 2009.
Foreman, Richard. "How to Write a Play." PAJ 1 (1976).
Hogarth, Basil. How to Write Plays.
Lope de Vega, Félix. Arte nuevo de hacer comedias en este tiempo. Poetic essay. 1607.
_____. The New Art of Making Comedies. Trans. Olga Marx Perlzweig. In Literary Criticism from Plato to Dryden. Ed. A. Gilbert. Detroit: Wayne State UP, 1962. 541-48.*
_____. The New Art of Writing Comedies... Selection in The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 524.*
Vogler, Christopher. The Writer's Journey: Mythic Structure for Storytellers and Screenwriters. Rev. ed. London: Boxtree, 1996.*
_____. El viaje del escritor: Las estructuras míticas para escritores, guionistas, dramaturgos y novelistas. Barcelona: Ma Non Troppo, 2002.
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