from
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
US Drama
General
Bordman, Gerald. The American Theatre: A Chronicle of Comedy and Drama, 3 vols. 1869-1914, 1914-1930, 1930-1969. New York: Oxford UP, 1994, 1996, 1997.
Deegan, Mary Jo. American Ritual Dramas: Social Rites and Cultural Meanings. Greenwood Press, 1989.
Olavson, Judith. The American Woman Playwright: A View of Criticism and Characterization. Whitson Publishing Co., 1981.
Wilmeth, Don B., and Tice L. Miller, eds. The Cambridge Guide to the American Theatre. Cambridge: Cambridge UP, 1996.
Miscellaneous
Bentley, Eric. The Dramatic Event: An American Chronicle. New York: Horizon, 1954.
Murphy, Brenda. The Cambridge Companion to American Women Playwrights. 1999.
Narbona, M. Dolores, and Bárbara Ozieblo, eds. Otros escenarios: la aportación de las dramaturgas al teatro norteamericano. Barcelona: Icaria, 2005.
Ozieblo, Barbara, and Maria Dolores Narbona-Carrión, eds. Codifying the National Self: Spectators, Actors and the American Dramatic Text. Brussels: P.I.E. Peter Lang, 2006.
Pérez L. De Heredia, María. "Inventario de las traducciones censuradas de teatro norteamericano en la España de Franco (1939-1963)." In Trasvases culturales: Literatura – Cine – Traducción. Ed. Raquel Merino, J. M. Santamaría, and Eterio Pajares. Bilbao: Servicio editorial de la Universidad del País Vasco, 2005. 97-112.*
Anthologies and collections
America's Lost Plays. 20 vols. Princeton: Princeton UP, 1939-1942.
France, Rachel, ed. A Century of Plays by American Women. Richards Rose Press, 1989.
Dictionaries
Robinson, Alice M., et al., eds. Notable Women in the American Theatre: A Biographical Dictionary. Greenwood Press, 1989.
Journals
American Drama
Ed.Norma Jenckes
American Drama Institute.
Department of English
University of Cincinnati
Cincinnati, Ohio 45221-0069
USA
Vol. 5.1 (Fall 1995).
The Journal of American Drama and Theatre
CASTA, 33 West 42nd Street
New York, NY 10036
Vol. 6.2-3 (Spring/Fall 1994):
US Drama: Ages
18th century
Górriz Villarroya, Manuel. "The Contrast, o la primera comedia norteamericana." In Actas del X Congreso Nacional AEDEAN. Zaragoza: AEDEAN, 1988. 339-46.* (Royall Tyler).
Siebert, Donald T. "Royall Tyler's 'Bold Example': The Contrast and the English Comedy of Manners." Early American Literature 13 (1980): 3-11.
19th century
Poe, Edgar Allan. "The American Drama (Excerpts)." In Selected Writings of Edgar Allan Poe. Ed. David Galloway. Harmondsworth: Penguin, 1985. 448-77.*
Murphy, Brenda. American Realism and American Drama: 1800-1940. (Cambridge Studies in American Literature and Culture, 22). Cambridge: Cambridge UP.
Anthologies and collections
Columbia Readex Microprint of Early American Plays, 1831-1900.
Alberola Crespo, Nieves, and Yvonne Shafer, eds. ¿Nimiedades para la eternidad? Pioneras en la escena estadounidense. Castellón: Eliago Ediciones, 2006.
20th century
Antón-Pacheco, Ana. "Words Like Weapons: The American Political Theatre of the 1930's." Atlantis 4.1-2 (June-Nov. 1982): 21-30.*
Berkowitz, Gerald M. American Drama of the Twentieth Century. (Longman Literature in English Series). Harlow: Longman, 1992.
Bigsby, Christopher W. E. Confrontation and Commitment: A Study of Contemporary American Drama. 1967.
_____. A Critical Introduction to Twentieth-Century American Drama (1900-1940). Vol. 1. Cambridge: Cambridge UP, 1982.*
_____. A Critical Introduction to Twentieth-Century American Drama: Williams/Miller/Albee. Cambridge: Cambridge UP, 1984. 1987.*
_____. A Critical Introduction to 20th-Century American Drama 3: Broadway and Beyond. 1985.
_____. Contemporary American Playwrights. Cambridge: Cambridge UP, 1999.
Broussard, Louis. American Drama: Contemporary Allegory from Eugene O'Neill to Tennessee Williams. Norman: U of Oklahoma P, 1962.
Brown, John Russell. "The Woods, the Tempest, and Icarus's Mother: Myth in the Contemporary American Theatre." Connotations 5.2-3 (1995-96): 339-54.*
Chinoy, Helen Krich, and Linda Walsh Jenkins. Women in American Theatre. Crown Publishers, 1981. 2nd ed. Theatre Comunications, 1987.
Clurman, Harold. The Fervent Years: The Story of the Group Theatre and the Thirties.
Davis, Mac. Get the Guests: Psychoanalysis, Modern American Drama and The Audience. U of Wisconsin, 1994.
Demastes, William W. "Preface: American Dramatic Realisms, Viable Frames of Thought." In Realism and the American Dramatic Tradition. Ed. William Demastes. Tuscaloosa: U of Alabama P, 1996. ix-xvii.
_____, ed. Realism and the American Dramatic Tradition. Tuscaloosa: U of Alabama P, 1996.
García Essig, Daniel. "Echo-Chamber of the American Stage." Revista de Estudios Norteamericanos (U of Sevilla) 3 (1994): 75-96.*
Goetsch, Paul Bauformen des modernen englischen und amerikanischen Dramas. Darmstadt: Wissenschaftliche Buchgesellschaft, 1992.
Górriz Villarroya, Manuel. "Ilusión vs. realidad en el teatro norteamericano moderno." Actas de los V Encuentros de Literatura Norteamericana. Ed. Manuel Górriz Villarroya. Teruel: Colegio Universitario de Teruel, Departamento de Inglés, 1986. 81-92.*
Grabes, Herbert. Das amerikanische Drama des 20. Jahrhunderts. (Uni Wissen—Anglistik/Amerikanistik). Stuttgart: Klett, 1998.
Heller, Adele and Lois Rudnick, eds. 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art, and the New Theatre in America. Newark: Rutgers UP, 1991.
Jotterand, Franck. Le Nouveau Théâtre américain.
Keyssar, Helene. Feminist Theatre. London: Macmillan, 1984.
_____. Feminist Theatre: An Introduction to Plays of Contemporary British and American Women. New York: Grove Press, 1985.
Kostelanetz, Richard. "Audio Comedy in America: 1950 to the Present." American Drama 7.2 (Spring 1998): 24-32
Krasner, David, ed. A Companion to Twentieth-Century American Drama. (Blackwell Companions to Literature and Culture). Oxford: Blackwell, 2004. (Williams, Miller, O'Neill, Gertrude Stein, etc.).
Kubiak, Anthony. Agitated States: Performance in the American Theatre of Cruelty. Ann Arbor: Michigan UP, 2002.
Krasner, David, ed. Method Acting Reconsidered: Theory, Practice, Future. Houndmills: Macmillan, 2000.
Levin, David. In Defense of Historical Literature: Essays on American History, Autobiography, Drama, and Fiction. New York: Hill, 1967.
López Rodríguez, Miriam Esther, Marta Fernández Morales and Inmaculada Pineda Hernández. "Victims of Gender Violence as Presented by Contemporary American Women Playwrights." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*
Mateo, Leopoldo. "Teatro." In Literatura norteamericana actual. By Cándido Pérez Gállego, Félix Martín and Leopoldo Mateo. Madrid: Cátedra, 1986. 254-387.*
Murphy, Brenda. The Provincetown Players and the Culture of Modernity. 2005.
_____. American Realism and American Drama: 1800-1940. (Cambridge Studies in American Literature and Culture, 22). Cambridge: Cambridge UP.
_____. Congressional Theatre: Dramatizing McCarthysm on Stage, Film, and Television. 1999.
Pérez Gállego, Cándido. El héroe del teatro norteamericano actual. Madrid: Cuadernos Hispanoamericanos, 1987.
Poland, Albert, and Bruce Mailman, eds. The Off-Off-Broadway Book. Bobbs-Merrill, 1972.
Porter, T. El mito y el teatro norteamericano moderno. Buenos Aires: Juan Goyanarte, 1972.*
Schlueter, June, ed. Feminist Rereadings of Modern American Drama. London: Associated UPs, 1989.
_____. Modern American Drama: The Female Canon. Associated UPs, 1990.
Schulman, Sarah. Stagestruck: Theater, AIDS, and the Marketing of Gay America. Durham (NC): Duke UP, c. 1999.
Simard, Rodney. Postmodern Drama: Contemporary Playwrights in America and Britain. Landham (MD): UP of America/American Theatre Association, 1984.
Singh, Abha. Contemporary American Drama: A Study in the Plays of Tennesse Williams, Arthur Miller, and Edward Albee. London: Sangam, 1998.
Styan, J. L. "Chekhov and American Drama in the Early Twentieth Century." American Drama 4.1 (Fall 1994): 3-20.
Vorlicky, Robert. America's Power Plays. (Drama and gender). Forthcoming 1990.
Williams, Tennessee. Where I Live: Selected Essays. New York: New Directions, 1978.
Zinman, Toby. "Performing America: Interviewing as Playwriting." In Power and Culture in America: Forms of Interaction and Renewal. Actas del V Congreso SAAS (Salamanca, 2001). Salamanca: Almar, 2002. 105-15.*
Anthologies
Barlow, Judith, ed. Plays by American Women 1900-1930. Applause, 1985.
_____. Plays by American Women 1930-1960. Applause, 1994.
Gray, Francis, ed. Second Wave Plays: Women at the Albany Empire. New York: Academic Press, 1990.
Murphy, Brenda, ed. Twentieth Century American Drama. 4 vols. (Critical Conceps in Literary and Cultural Studies). London: Routledge, 2006. (Forthcoming 2005).
Films
Cradle Will Rock. Writer and dir. Tim Robbins. Cast: Hank Azaria, Rubén Blades, Joan Cusack, John Cusack, Cary Elwes, Philip Baker Hall, Cherry Jones, Angus Macfayden, Bill Murray, Vanessa Redgrave, Susan Sarandon, Jamey Sheridan, John Turturro, Emily Watson, Bob Balaban, Jack Black, Kyle Gass, Paul Giamatti. Photog. Jean-Yves Escoffier. Music by David Robbins. Prod. des. Richard Hoover. Ed. Geraldine Peroni. USA, 1999. 130'. (Spanish title: Abajo el telón).
21st century
González, David. "La crisis del Covid-19 provoca que las luces de los teatros de Broadway se apaguen hasta mayo de 2020." El Cierre Digital 13 Oct. 2020.*
https://elcierredigital.com/cultura-y-ocio/802040469/broadway-apaga-luces-hasta-mayo-2021.html
2020
Saddik, Annette J. Contemporary American Drama. (Edinburgh Critical Guides to Literature). Edinburgh: Edinburgh UP.
Video
Parker, Robert Sean. "Contemporary American Theatre." YouTube (Robert Sean Parker) 17 Nov. 2014.*
2015
US Drama: Specific topics
Black American Drama
Barrios Herrero, Olga. The Black Theater Movement in the United States and in South Africa: A Comparative Approach. Ph.D. Dissertation, U. of California, Los Angeles. Ann Arbor (MI): University Microfilms, 1992.
_____. "Formulating the Aesthetics of African American Women Playwrights: The Resonance of the Black Liberation and Black Theater Movements." In Gender, I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D'Arcy and José Angel García Landa. Amsterdam: Rodopi, 1996. 121-30.*
_____. "A Reflection on the Similarities of the Black Theatre Movement in the USA and in South Africa." Atlantis 19.2 (December 1997, pub. December 1998): 7-14.*
Brown-Guillory, Elizabeth. Their Place on Stage: Black Women Playwrights in America. New York: Greenwood Press, 1985.
Fraden, Rena. Blueprints for a Black Federal Theatre. (Cambridge Studies in American Literature and Culture, 81). Cambridge: Cambridge UP, 1994.
George-Graves, Nadine. The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African-American Theater 1900-1940. Houndmills: Macmillan, 2000.
Hill, Errol, ed. The Theatre of Black Americans: A Collection of Critical Essays. l. New York: Applause, 1987.
Miller, Adam David. "It's a Long Way to St. Louis: Notes on the Audience for Black Drama." In The Theatre of Black Americans: A Collection of Critical Essays. Ed. Errol Hill. New York: Applause, 1987. 301-6.
Vacca, V. John. "Telling Women's Lives: African-American One-Person Plays." American Drama (Spring 1997): 58-66.*
Vyssotskaya, Natalya. "Reception of African American Theatre in the USSR." Gramma 2 (1994): 187-99.
Anthologies
Brewster, Yvonne, ed. Black Plays: Two. London: Methuen, 1989.
Perkins, Kathy, ed. Black Female Playwrights: An Anthology before 1950. Indiana UP, 1990.
Wilkerson, Margaret, ed. Nine Plays by Black Women. New York: New American Library, 1986.
Bibliographies
Williams, Dana A. Contemporary African American Female Playwrights: An Annotated Bibliography. Wesport (CT): Greenwood P, 1998.
Chicano drama
Díaz, Isabel. "La consolidación del teatro chicano: de Luis Valdés a Cherríe Moraga." In AEDEAN: Proceedings of the 23rd International Conference (León, 16-18 de diciembre, 1999). CD-ROM. León: AEDEAN, 2003.*
Pérez-Torres, Rafael. "Chicano Culture reclaiming Our America: Coyotes at the Border." American Drama 5.1(1995): 815-824.*
Native American
López, Sidoní, and Hanane Benali. "Native American Theater: A Concise History." Miscelánea 54 (2016): 93-111.*
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