from
A Bibliography of Literary Theory, Criticism and
Philology
http://bit.ly/abibliog
by José
Ángel García Landa
(University of Zaragoza, Spain)
Narrative theory:
Action, Agents and Narrated World (Fabula)
General
Specific
topics
Actants
Action. See Motifs. A motifs. Action.
Agency,
agents. See Semiotics. Agency.
Anagnorisis
Characters.
See Genres. Narrative. Narrative theory.
Action, Agents. Characters.
Computer
narratives
Conflict
Episodes
Events.
See Action, agents. Events.
Existents
Objects
Oppositions
(Dualism, dichotomies, binary pairs). See
Semiotics. Other topics. Dichotomies.
Peripeteia
Scripts.
See Narrative theory. Action. Action
schemes.
Setting
Situations
and states
Story
lines
Story
world
Theme
Turning
points
General
Abádi-Nagy,
Zoltán. "Fabula and Culture: Case Study of Toni Morrison's Jazz." European Journal of English Studies 8.1 (2004): 13-25.*
Bal, Mieke."1.
Fabula: Elements." In Bal, Narratology.
Toronto: U of Toronto P, 1985. 11-47.* (Events, Actors, Time, Location).
_____. Narratologie: Essais sur la signification
narrative dans quatre romans modernes. Paris: Klincksieck, 1977.*
_____. De theorie van vertellen en verhalen.
Muiderberg: Coutinho, 1978.
_____. Narratology: Introduction to the Theory of
Narrative. Trans. Christine van Boheemen.
Toronto: U of Toronto P, 1985. Trans. of De
theorie van vertellen en verhalen.*
_____. Teoría de la narrativa : una introducción a la narratología. Madrid: Cátedra, 1985.*
Bamberg, Michael. "Actions,
Events, Scenes, Plots and the Drama.: Language and the Constitution of
Part-whole Relationships." Language
Sciences 16 (1994): 39-79.
Bareis, J.
Alexander. "Faktual und fiktional erzählte Welten." In Welt(en) erzählen: Paradigmen und
Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De
Gruyter, 2019. 89-114.*
https://doi.org/10.1515/9783110626117-005
2019
Baroni, Raphaël, and Françoise Revaz. Narrative Sequence in Contemporary
Narratology. (Theory and Interpretation of Narrative). Ohio State UP, 2016.
Barthes,
Roland. "Introduction à l'analyse structurale du récit." Communications 8 (1966): 1-27.*
_____.
"Introduction à l'analyse structurale des récits." In Communications, 8: L'Analyse structurale du
récit. 1966. Paris: Seuil, 1981. 7-33.*
_____.
"Introduction à l'analyse structurale des récits." Communications 8 (1966). In Barthes, L'aventure sémiologique. Paris: Seuil,
1985. 167-206.*
_____.
"An Introduction to the Structural Analysis of Narrative". New Literary History 6 (1975): 137-72.
_____.
"Introduction to the Structural Analysis of Narratives." In The Semiotic Challenge. Trans. Richard
Howard. New York: Hill and Wang, 1988.
_____.
"Introduction to the Structural Analysis of Narratives." Trans.
Stephen Heath. In Barthes: Selected
Writings. 251-95.
_____. "Introducción al análisis
estructural de los relatos." In Análisis
estructural del relato (Communications 8). Trans. Beatriz Dorriots. México: Premiá, 1982.
_____.
"Les suites d'actions." 1969. In Barthes, L'aventure sémiologique. Paris: Seuil, 1985. 207-19. English trans.
in Patterns of Literary Style. Ed.
Joseph Strelka. University Park: Pennsylvania UP, 1971.
_____.
"The Sequences of Actions." In The
Semiotic Challenge. Trans. Richard Howard. New York: Hill and Wang, 1988.
_____. S / Z . Paris: Seuil, 1970.
_____. S/Z. Trans. Richard Miller. Preface by
Richard Howard. New York: Hill and Wang, 1974.*
_____. S/Z. Trans. Richard Miller. London:
Jonathan Cape, 1975.
_____. S/Z. 1970. Oxford: Blackwell, 1990.
_____. S/Z. Trans. Nicolás
Rosa. Madrid: Siglo XXI, 1980.
_____. et al. Poétique du récit . Paris: Seuil, 1977.
Bartsch,
Christoph, and Frauke Bode. "Systematisches Vorwort." In Welt(en) erzählen: Paradigmen und
Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De
Gruyter, 2019. 1-4.*
https://doi.org/10.1515/9783110626117-001
2019
_____.
"Erzählte Welt(en) als Kategorie: Ein kritischer Querschnitt der
narratologischen Begriffsbildung." In Welt(en)
erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke
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2019
_____, eds.
Welt(en) erzählen: Paradigmen und
Perspektiven. (Narratologia, 65). Berlin and Boston: De Gruyter, 2019.*
(Erzählte Welte: Theoretische und (inter-)disziplingäre Zugriffe; Paradigma I:
Faktual und fictional erzählte Welten; Paradigma II: Unnnatürliche erzählte
Welten; Paradigma III: Raum und erzählte Welten).
Bratosevich, Nicolás. "Sobre
sintaxis estructural de contenidos narrativos: cuento, relato, estampa (de Juan
Manuel a Juan Rulfo)." In Bratosevich, Métodos
de análisis literario aplicados a textos hispánicos. Buenos Aires:
Hachette, 1985. 1: 155-66.*
Bremond, Claude. "Le message
narratif." Communications 4
(1964): 4-32.
_____. "El mensaje narrativo." Comunicaciones 4 (1970): 87-109.
_____. "La logique des possibles
narratifs." Communications 8 (1966): 60-76.
_____.
"La logique des possibles narratifs." In Communications, 8: L'Analyse structurale du récit. 1966. Paris:
Seuil, 1981. 66-82.
_____.
"The Logic of Narrative Possibilities." Trans. Elaine D. Cancalon.
With a postface. New Literary History
11 (1980): 387-411.*
_____.
"The Logic of Narrative Possibilities." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman,
1996.61-75.*
_____. "La lógica de los posibles narrativos." Comunicaciones, 8. Buenos Aires: Tiempo
Contemporáneo, 1974. 155-92.
_____.
"Morphology of the French Folktale." Semiotica 2 (1970): 347-75.
_____. Logique du récit. Paris: Seuil,
1973.
Burke,
Kenneth. A Grammar of Motives. 1945.
_____. A Grammar of Motives. In Burke, A Grammar of Motives and A Rhetoric of
Motives. Cleveland: World, 1962.
_____. A Grammar of Motives. Berkeley: U of
California P, 1969.
_____.
"Kinds of Criticism." Poetry
68: (1946): 278-9.
_____. A Rhetoric of Motives. 1950.
_____. A Rhetoric of Motives. New York:
Braziller, 1955.
_____. A Rhetoric of Motives. In Burke, A Grammar of Motives and A Rhetoric of
Motives. Cleveland: World, 1962.
Calvino,
Italo. "Notes Toward a Definition of the Narrative Form as a Combinative
Process." Twentieth Century Studies
3 (1970).
Campbell,
Joseph. The Hero with a Thousand Faces.
New York: Pantheon Books, 1949.
_____. The Hero with a Thousand Faces. Princeton:
Princeton UP, 1968.
_____. The Hero with a Thousand Faces. London: Paladin-Grafton, 1988.*
_____. El héroe de las mil caras. México: FCE, 1984.
Caserio,
Robert L. "Story, Discourse, and Anglo-American Philosophy of
Action." The Journal of Narrative
Technique 17.1 (1987): 1-11.*
Chambers,
Ross. Story and Situation: Narrative
Seduction and the Power of Fiction. Manchester UP, 1984.
Chatman,
Seymour. "New Ways of Analyzing Narrative Structure, with an Example from
Joyce's Dubliners." Language
and Style 2 (1969): 3-36.
_____.
"3. Character and Setting." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 58-89.*
(Character: A Definition; Characterization; Setting: Isaac Bashevis Singer,
'Short Friday'; Isaac Babel, 'How It was Done in Odessa'; Virginia Woolf, 'Kew
Gardens').
_____.
"Narrative Limits: Experimental and Postmodern Fiction." In Chatman, Reading Narrative Fiction. New York:
Macmillan, 1993.* (Undermining Conventions; Questioning the Discourse; Attacks
on the Discourse by the Story; Filter at Odds with Itself).
Crosman,
John D., ed. Narrative Syntax: Traditions
and Reviews. Athens: Scholars Press,
Culler, Jonathan. "Defining
Narrative Units." In Style and
Structure in Literature. Ed. R. Fowler. Ithaca: Cornell UP, 1975. 123-42.*
_____.
"Fabula and Sjuzhet in the Analysis of Narrative: Some American
Discussions." Poetics Today 1.3
(1980): 27-37.
Davidson,
Donald. Essays on Actions and Events.
Oxford: Clarendon, 1980.
Dehn,
Natalie. "Story Generation after TALE-SPIN." Proceedings of the Seventh IJCAI. 1981.
16-18.
Dembowski, Peter F. "Interpretation
des mobiles chez les héros de la chanson de geste." Actele celui de-al XII-lea Congres international de lingvistica si
filologie romanica. Bucarest,
1971. 19-28.
Diacritics 7 (Spring 1977). Issue on Bremond and Greimas.
"Diégesis." Educalingo.*
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2018
Dijk, Teun
A. van. "Action, Action Description, and Narrative." New Literary History 6.2 (1975): 273-94.
_____.
"Narrative Macro-Structures: Logical and Cognitive Foundations." PTL 1 (1976): 547-68.
_____.
"Philosophy of Action and Theory of Narrative." Poetics 5 (1976): 287-338.
_____. Macrostructures. Hillsdale (NJ):
Erlbaum, 1980.*
Dipple,
Elizabeth. Plot. London: Methuen,
1970.
Dolezel, Lubomír. "Towards a
Structural Theory of Content in Prose Fiction." In Literary Style. Ed. Seymour Chatman. Oxford: Oxford UP, 1971. 95-110.*
_____. "Narrative Worlds."
In Sound, Sign, and Meaning. Ed. L.
Matejka. Ann Arbor: U of Michigan P, 1976. 524-33.
_____.
"Narrative Semantics." PTL
1 (1976): 129-151. Rpt. in Matejka, Sound,
Sign, and Meaning 542-52.
_____.
"Extensional and Intensional Narrative Worlds." Poetics 8 (1978): 193-211.
_____. "Narrative Semantics and
Motif Theory." Studia Poetica 2. Ed. Karol Csúri. Szeged: Josef Attila
Tudomanyegyetem, 1980.
_____. Heterocosmica:
Fiction and Possible Worlds. (Parallax: Re-Visions of Culture and Society).
Baltimore: Johns Hopkins UP, 1998.* (Kafka, fictionality, action, narrative
levels, reference, reading narrative, context, intention, literary pragmatics).
Dundes,
Alan. The Morphology of North American
Indian Folktales. Helsinki: Suomalainen Tiedeakatemia, 1964.
Elsbree,
Langdon. The Rituals of Life: Patterns in
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Frankenberg,
Hartwig. "Ein Beitrag zur Strukturalen Narrativik: Sprache - Märchen -
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Füger,
Wilhelm. "Zur Tiefenstruktur des Narrativen. Prolegomena zu einer
generativen 'Grammatik' des Erzählens". Poetica 5 (1972): 268-292.
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_____.
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Actants
García
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Anagnorisis
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Cave,
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David. "Concealing Revealing: A Perspective on Greek Tragedy." In Post-Structuralist Classics. Ed. Andrew
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Newton,
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See also
Secrets.
Computer narratives
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James. "Tale-Spin." In Inside
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Peinado,
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_____.
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Conflict
Carroll,
Joseph. "8. Agonistic Structure in Victorian Novels: Doing the Math."
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_____.
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Albany: SUNY Press, 2011. 177-94.*
Greimas,
Algirdas Julien. "Des accidents dans les sciences dites humaines: analyse
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_____.
"Des accidents dans les sciences dites humaines: analyse d'un texte de
Georges Dumézil." In Greimas, Du
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Uzzell,
Thomas H. Narrative Technique: A
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See also
Conflicts.
Episodes
Bower,
Gordon H. "Plans and Goals in Understanding Episodes." In Discourse Processing. Ed. A. Flammer and
Walter Kintsch. Amsterdam: North-Holland, 1982.
Glenn, C.
G. "The Role of Episodic Structure and Story Length in Children's Recall
of Simple Stories." Journal of
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Haberlandt,
K., C. Berian, and J. Sandson. "The Episode Schema in Story
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Herman, David, et al., eds. "Episode." In The Routledge Encyclopedia of Narrative
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Janik,
Christina. "Zur Chronologie Episodizität, Deflexion und Kontinuität."
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Tulving,
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Strawson, Galen.
"Episodic Ethics." In Narrative
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85-115.
Existents
Herman, David. "Existent." In The Routledge Encyclopedia of Narrative
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Objects
Greimas, A. J. "Un problème de
sémiologie narrative: Les objets de valeur." Langages 31 (1973). Paris: Larousse.
_____. "Un problème de sémiotique
narrative: Les objets de valeur." In Greimas, Du
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Peripeteia
Singer,
Alan. "Thinking Peripeteia / Peripetic
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Setting
Azuar
Carmen, Rafael. "Función del paisaje en la
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Chatman,
Seymour. "3. Character and Setting." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 58-89.*
(Character: A Definition; Characterization; Setting: Isaac Bashevis Singer,
'Short Friday'; Isaac Babel, 'How It was Done in Odessa'; Virginia Woolf, 'Kew
Gardens').
Dennerlein,
Katrin. "3. Der konkrete Raum der erzählten Welt." In Dennerlein, Narratologie des Raumes. (Narratologia,
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_____.
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James, P.
D. "6. Telling the Story: Setting, Viewpoint, People." In James, Talking about Detective Fiction. Oxford:
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Quiller-Couch,
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Situations and States
Forkel, Robert. Erfahrung aus Narration: Erinnerungskulturelle Funktionen der
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Berlin and Boston: de Gruyter, 2020.* (Diss. Martin-Luther Universität
Halle-Wittenberg, 2019). (Inferences, Situations, Simulation, Mental
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Herman,
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Janik,
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Morrow,
Daniel. "Situation Models and Point of View in Narrative
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Polti, G. Les Trente-Six Situations dramatiques.
3rd ed. Paris: Mercure de France, 1924.
Souriau,
Etienne. Les Deux cent mille situations
dramatiques. Paris: Flammarion, 1950.
See also
Situations (S motifs).
Story
lines / Multiplot
Azcona, María del Mar. The Multi-Protagonist Film. Malden and Oxford: Wiley-Blackwell, 2010.*
Garrett,
Peter K. The Victorian Multiplot Novel:
Studies in Dialogical Form. New Haven: Yale UP, 1980.*
Levin, Richard. The Multiple Plot in English Renaissance Drama. Chicago and London:
U of Chicago P, 1971.
Perlmutter,
Ruth. "Multiple Strands and Possible Worlds." Canadian Journal of Film Studies 11.2 (2002).
See also
Plot.
Story world
Alber,
Jan. "Impossible Storyworlds — and
what to Do with Them." Storyworlds:
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_____.
"Unnatürliche erzählte Welten." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph
Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 155-76.*
https://doi.org/10.1515/9783110626117-008
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Gebauer,
Carolin. Making Time: World Construction
in the Present-Tense Novel. (Narratologia, 77). Boston and Berlin: De
Gruyter, 2021.* (I. Mapping the Research Field on Present-Tense narration; II.
A Narratological Model of Present-Tense Usage in Narrative Fiction; III. Uses
and Functions of Present-Tense Narration in Contemporary Narrative Fiction;
Authorial narrative, Narration, Chronotope, Tense, Deixis, Narrator,
First-person narration, Figural narration, Focalization, Retrospection,
Heterodiegetic narration, Narrative dynamics, Omniscience, Comment, Plot,
Storyworld, Voice).
https://www.degruyter.com/document/doi/10.1515/9783110708134/html
2022
Kim, Maria.
"Die unmögliche(n) storyworld(s) in
Mark Z. Danielewskis House of
Leaves." In Welt(en) erzählen:
Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin
and Boston: De Gruyter, 2019. 200-15.*
https://doi.org/10.1515/9783110626117-010
2019
Mahler,
Andreas. "Raum und 'erzählte' Welt: Zyklik - Linearität -
Proliferation." In Welt(en)
erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke
Bode. Berlin and Boston: De Gruyter, 2019. 281-316.*
https://doi.org/10.1515/9783110626117-014
2019
Martínez,
María Ángeles. Storyworld Possible
Selves. Berlin and Boston: Walter de Gruyter, 2018. Online preview at
Google Books.*
https://books.google.es/books?id=UwNPDwAAQBAJ
2018
Pier, John.
"Monde narratif et sémiosphère." Communications
103 (2018): Le formalisme russe cent
ans aprés. Ed. Catherine Depretto, John Pier and Philippe Roussin. Paris:
Seuil, 2018. 265-86.*
Rüggemeier, Jan. "Ein See, zwei Ufer: Raum und erzählte Welt des
Markusevangeliums." In Welt(en)
erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke
Bode. Berlin and Boston: De Gruyter, 2019. 317-39.*
https://doi.org/10.1515/9783110626117-015
2019
See also
Possible worlds; Setting; Fictionality/Possible Worlds
Theme
Chatman,
Seymour. "Theme and Ideology." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 273-303.*
(The Definition of 'Theme'; Thesis; How to Formulate a Theme; Ideology; The
Invisibility of Ideology; Dealing with the Ideologies of Fictions).
Skaftymov,
Aleksandr. "Die thematische Komposition des Romans 'Der Idiot'."
Extract. Ed. and trans. Galina Potapova. In Russische
Proto-Narratologie: Texte in
kommentierten Übersetzungen. Ed. Wolf Schmid. Berlin and New York: Walter
de Gruyter, 2009. 91-112.*
Tomashevski,
Boris. "Thematics." Select. and trans. of Teorija literatury. In Russian
Formalist Criticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis
Lincoln: U of Nebraska P, 1965. 61-98.*
_____.
"Thematics." Selection. In Debating
Texts. Ed. Rick Rylance. Milton Keynes: Open UP, 1987. 57-66.*
_____.
"Thématique." In Todorov,
Théorie de la littérature 263-307. Trans. from Teorija literatury.
Turning points
Currie,
Mark. The Unexpected: Narrative
Temporality and the Philosophy of Surprise. Edinburgh: Edinburgh UP, 2015.
García
Landa, José Ángel. "Momentous Events and Turning Points." In García
Landa, Vanity Fea 20 October 2009.*
http://vanityfea.blogspot.com/2009/10/momentous-events-and-turning-points.html
2009
Pillemer,
David B. Momentous Events, Vivid
Memories. Cambridge (MA): Harvard UP, 1998.*
Schiffrin, Deborah.
"'We knew that's it:' Retelling the Turning Point of a Narrative of
Danger." Discourse Studies
(2003): 535-561.
Literature
Dickens,
Charles. "Tempestad y retrospección." From David Copperfield. Online at Vanity
Fea 20 Jan. 2014.*
http://vanityfea.blogspot.com.es/2014/01/tempestad-y-retrospeccion.html
2014
See also Action schemes.
