jueves, 28 de diciembre de 2023

Acción, Agentes y Mundo Narrado

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Narrative theory:

Action, Agents and Narrated World  (Fabula)

 

General

Specific topics

Actants

Action. See Motifs. A motifs. Action.

Agency, agents. See Semiotics. Agency.

Anagnorisis

Characters. See Genres. Narrative. Narrative theory. Action, Agents. Characters.

Computer narratives

Conflict

Episodes

Events. See Action, agents. Events.

Existents

Objects

Oppositions (Dualism, dichotomies, binary pairs). See Semiotics. Other topics. Dichotomies.

Peripeteia

Scripts. See Narrative theory. Action. Action schemes.

Setting

Situations and states

Story lines

Story world

Theme

Turning points

 

 

 

 

General

 

Abádi-Nagy, Zoltán. "Fabula and Culture: Case Study of Toni Morrison's Jazz." European Journal of English Studies 8.1 (2004): 13-25.*

Bal, Mieke."1. Fabula: Elements." In Bal, Narratology. Toronto: U of Toronto P, 1985. 11-47.* (Events, Actors, Time, Location).

_____. Narratologie: Essais sur la signification narrative dans quatre romans modernes. Paris: Klincksieck, 1977.*

_____. De theorie van vertellen en verhalen. Muiderberg: Coutinho, 1978.

_____. Narratology: Introduction to the Theory of Narrative. Trans. Christine van Boheemen. Toronto: U of Toronto P, 1985. Trans. of De theorie van vertellen en verhalen.*

_____. Teoría de la narrativa : una introducción a la narratología. Madrid: Cátedra, 1985.*

Bamberg, Michael. "Actions, Events, Scenes, Plots and the Drama.: Language and the Constitution of Part-whole Relationships." Language Sciences 16 (1994): 39-79.

Bareis, J. Alexander. "Faktual und fiktional erzählte Welten." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 89-114.*

         https://doi.org/10.1515/9783110626117-005

         2019

Baroni, Raphaël, and Françoise Revaz. Narrative Sequence in Contemporary Narratology. (Theory and Interpretation of Narrative). Ohio State UP, 2016.

Barthes, Roland. "Introduction à l'analyse structurale du récit." Communications 8 (1966): 1-27.*

_____. "Introduction à l'analyse structurale des récits." In Communications, 8: L'Analyse structurale du récit. 1966. Paris: Seuil, 1981. 7-33.*

_____. "Introduction à l'analyse structurale des récits." Communications 8 (1966). In Barthes, L'aventure sémiologique. Paris: Seuil, 1985. 167-206.*

_____. "An Introduction to the Structural Analysis of Narrative". New Literary History 6 (1975): 137-72.

_____. "Introduction to the Structural Analysis of Narratives." In The Semiotic Challenge. Trans. Richard Howard. New York: Hill and Wang, 1988.

_____. "Introduction to the Structural Analysis of Narratives." Trans. Stephen Heath. In Barthes: Selected Writings. 251-95.

_____. "Introducción al análisis estructural de los relatos." In Análisis estructural del relato (Communications 8).  Trans. Beatriz Dorriots. México: Premiá, 1982.

_____. "Les suites d'actions." 1969. In Barthes, L'aventure sémiologique. Paris: Seuil, 1985. 207-19. English trans. in Patterns of Literary Style. Ed. Joseph Strelka. University Park: Pennsylvania UP, 1971.

_____. "The Sequences of Actions." In The Semiotic Challenge. Trans. Richard Howard. New York: Hill and Wang, 1988.

_____. S / Z . Paris: Seuil, 1970.

_____. S/Z. Trans. Richard Miller. Preface by Richard Howard. New York: Hill and Wang, 1974.*

_____. S/Z. Trans. Richard Miller. London: Jonathan Cape, 1975.

_____. S/Z. 1970. Oxford: Blackwell, 1990.

_____. S/Z. Trans. Nicolás Rosa. Madrid: Siglo XXI, 1980.

_____. et al. Poétique du récit . Paris: Seuil, 1977.

Bartsch, Christoph, and Frauke Bode. "Systematisches Vorwort." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 1-4.*

         https://doi.org/10.1515/9783110626117-001

         2019

_____. "Erzählte Welt(en) als Kategorie: Ein kritischer Querschnitt der narratologischen Begriffsbildung." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 7-42.*

         https://doi.org/10.1515/9783110626117-002

         2019

_____, eds. Welt(en) erzählen: Paradigmen und Perspektiven. (Narratologia, 65). Berlin and Boston: De Gruyter, 2019.* (Erzählte Welte: Theoretische und (inter-)disziplingäre Zugriffe; Paradigma I: Faktual und fictional erzählte Welten; Paradigma II: Unnnatürliche erzählte Welten; Paradigma III: Raum und erzählte Welten).

Bratosevich, Nicolás. "Sobre sintaxis estructural de contenidos narrativos: cuento, relato, estampa (de Juan Manuel a Juan Rulfo)." In Bratosevich, Métodos de análisis literario aplicados a textos hispánicos. Buenos Aires: Hachette, 1985. 1: 155-66.*

Bremond, Claude. "Le message narratif." Communications 4 (1964): 4-32.

_____. "El mensaje narrativo." Comunicaciones 4 (1970): 87-109.

_____. "La logique des possibles narratifs." Communications 8 (1966): 60-76.

_____. "La logique des possibles narratifs." In Communications, 8: L'Analyse structurale du récit. 1966. Paris: Seuil, 1981. 66-82.

_____. "The Logic of Narrative Possibilities." Trans. Elaine D. Cancalon. With a postface. New Literary History 11 (1980): 387-411.*

_____. "The Logic of Narrative Possibilities." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996.61-75.*

_____. "La lógica de los posibles narrativos." Comunicaciones, 8. Buenos Aires: Tiempo Contemporáneo, 1974. 155-92.

_____. "Morphology of the French Folktale." Semiotica 2 (1970): 347-75.

_____. Logique du récit.  Paris: Seuil, 1973.

Burke, Kenneth. A Grammar of Motives. 1945.

_____. A Grammar of Motives. In Burke, A Grammar of Motives and A Rhetoric of Motives. Cleveland: World, 1962.

_____. A Grammar of Motives. Berkeley: U of California P, 1969.

_____. "Kinds of Criticism." Poetry 68: (1946): 278-9.

_____. A Rhetoric of Motives. 1950.

_____. A Rhetoric of Motives. New York: Braziller, 1955.

_____. A Rhetoric of Motives. In Burke, A Grammar of Motives and A Rhetoric of Motives. Cleveland: World, 1962.

Calvino, Italo. "Notes Toward a Definition of the Narrative Form as a Combinative Process." Twentieth Century Studies 3 (1970).

Campbell, Joseph. The Hero with a Thousand Faces. New York: Pantheon Books, 1949.

_____. The Hero with a Thousand Faces. Princeton: Princeton UP, 1968.

_____. The Hero with a Thousand Faces. London: Paladin-Grafton, 1988.*

_____. El héroe de las mil caras. México: FCE, 1984.

Caserio, Robert L. "Story, Discourse, and Anglo-American Philosophy of Action." The Journal of Narrative Technique 17.1 (1987): 1-11.*

Chambers, Ross. Story and Situation: Narrative Seduction and the Power of Fiction. Manchester UP, 1984.

Chatman, Seymour. "New Ways of Analyzing Narrative Structure, with an Example from Joyce's Dubliners."   Language and Style 2 (1969): 3-36.

_____. "3. Character and Setting." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 58-89.* (Character: A Definition; Characterization; Setting: Isaac Bashevis Singer, 'Short Friday'; Isaac Babel, 'How It was Done in Odessa'; Virginia Woolf, 'Kew Gardens').

_____. "Narrative Limits: Experimental and Postmodern Fiction." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993.* (Undermining Conventions; Questioning the Discourse; Attacks on the Discourse by the Story; Filter at Odds with Itself).

Crosman, John D., ed. Narrative Syntax: Traditions and Reviews. Athens: Scholars Press,

Culler, Jonathan. "Defining Narrative Units." In Style and Structure in Literature. Ed. R. Fowler. Ithaca: Cornell UP, 1975. 123-42.*

_____. "Fabula and Sjuzhet in the Analysis of Narrative: Some American Discussions." Poetics Today 1.3 (1980): 27-37.

Davidson, Donald. Essays on Actions and Events. Oxford: Clarendon, 1980.

Dehn, Natalie. "Story Generation after TALE-SPIN." Proceedings of the Seventh IJCAI. 1981. 16-18.

Dembowski, Peter F. "Interpretation des mobiles chez les héros de la chanson de geste." Actele celui de-al XII-lea Congres international de lingvistica si filologie romanica. Bucarest, 1971. 19-28.

Diacritics 7 (Spring 1977). Issue on Bremond and Greimas.

"Diégesis." Educalingo.*

         https://educalingo.com/es/dic-es/diegesis

         2018

Dijk, Teun A. van. "Action, Action Description, and Narrative." New Literary History 6.2 (1975): 273-94.

_____. "Narrative Macro-Structures: Logical and Cognitive Foundations." PTL 1 (1976): 547-68.

_____. "Philosophy of Action and Theory of Narrative." Poetics 5 (1976): 287-338.

_____. Macrostructures. Hillsdale (NJ): Erlbaum, 1980.*

Dipple, Elizabeth. Plot. London: Methuen, 1970.

Dolezel, Lubomír. "Towards a Structural Theory of Content in Prose Fiction." In Literary Style. Ed. Seymour Chatman. Oxford: Oxford UP, 1971. 95-110.*

_____. "Narrative Worlds." In Sound, Sign, and Meaning. Ed. L. Matejka. Ann Arbor: U of Michigan P, 1976. 524-33.

_____. "Narrative Semantics." PTL 1 (1976): 129-151. Rpt. in Matejka, Sound, Sign, and Meaning 542-52.

_____. "Extensional and Intensional Narrative Worlds." Poetics 8 (1978): 193-211.

_____. "Narrative Semantics and Motif Theory." Studia Poetica 2. Ed. Karol Csúri. Szeged: Josef Attila Tudomanyegyetem, 1980.

_____.  Heterocosmica: Fiction and Possible Worlds. (Parallax: Re-Visions of Culture and Society). Baltimore: Johns Hopkins UP, 1998.* (Kafka, fictionality, action, narrative levels, reference, reading narrative, context, intention, literary pragmatics).

Dundes, Alan. The Morphology of North American Indian Folktales. Helsinki: Suomalainen Tiedeakatemia, 1964.

Elsbree, Langdon. The Rituals of Life: Patterns in Narratives. Assoc. Faculty Pr., 1982.

Frankenberg, Hartwig. "Ein Beitrag zur Strukturalen Narrativik: Sprache - Märchen - Mythos." In Vandeweghe and Van de Velde 351-359.

Füger, Wilhelm. "Zur Tiefenstruktur des Narrativen. Prolegomena zu einer generativen 'Grammatik' des Erzählens". Poetica 5 (1972): 268-292.

Galván, Luis. "Acción y narración: Problemas y orientaciones para la fundamentación de la narratología." From Teoría y comparatismo: Tradición y nuevos espacios. (Actas del I Congreso Internacional de ASETEL). Ed. Domingo Sánchez-Mesa, José Manuel Ruiz Martínez, and Azucena González Blanco. Granada: Universidad de Granada, 2014. Online at Academia.*

         https://www.academia.edu/12138505/

         2017

García Landa, José Ángel. "The Structure of the Fabula, I: Aristotle's Poetics." In García Landa, Narrative Theory. 1990. Internet edition (2005):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/narrativetheory/1.Fabula.Aristotle.htm

         2005-04-16

_____. "The Structure of the Fabula, 1: Aristotle's Poetics (Narrative Theory, 1)." In García Landa, Vanity Fea 3 Jan. 2016.*

         http://vanityfea.blogspot.com.es/2016/01/the-structure-of-fabula-i-aristotles.html

         2016

_____. "The Structure of the Fabula, 1: Aristotle's Poetics (Narrative Theory, 1)." Academia 13 June 2017.*

         https://www.academia.edu/33439753/

         2017

_____. "The Structure of the Fabula, 1: Aristotle's Poetics (Narrative Theory, 1)." ResearchGate 14 June 2017.*

         https://www.researchgate.net/publication/314514739

         2017

_____. "The Structure of the Fabula, II: Boris Tomashevsky, 'Thematics'; Mieke Bal, Narratology." In García Landa, Narrative Theory. 1990. Internet edition (2005):

        http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/narrativetheory/2.Fabula.Tomashevsky.htm

         2005-04-16

_____. "Action." In García Landa, Structural Narratology. 1994. Online edition (2005):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/structuralnarratology/

         2005-05-21

_____. "Acción." Part I of Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 17-115.*

_____. "Acción." Part I of Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009.

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/1.Accion.html

         2009

_____. "Acción: El concepto y su historia (Acción, Relato, Discurso 1.1.)." Social Science Research Network 20 Feb. 2014.*

         http://ssrn.com/abstract=2398331

         2014

         Linguistic Anthropology eJournal 20 Feb. 2014.*

         http://www.ssrn.com/link/Linguistic-Anthropology.html

         2014

         Cognition & the Arts eJournal 20 Feb. 2014.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2014

         Literary Theory & Criticism eJournal 20 Feb. 2014.*

         http://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2014

         Philosophy of Action eJournal 20 Feb. 2014.*

         http://www.ssrn.com/link/Philosophy-Action.html

         2014

         History of Western Philosophy eJournal 20 Feb. 2014.*

         http://www.ssrn.com/link/History-of-Western-Philosophy.html

         2014

         Continental Philosophy eJournal 20 Feb. 2014.*

         http://www.ssrn.com/link/Continental-Philosophy.html

         2014

_____. "Acción: El concepto y su historia." In García Landa, Vanity Fea 28 Feb. 2014.*

         http://vanityfea.blogspot.com.es/2014/02/accion-el-concepto-y-su-historia.html

         2014

_____. "Acción, Relato, Discurso, 1.1." In García Landa, Vanity Fea 8 Sept. 2014.*

         http://vanityfea.blogspot.com.es/2014/09/accion-relato-discurso-11.html

         2014

_____. "Los niveles del texto narrativo: la acción." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 19-22. (Definition of narrative, narrativity).

         2009

_____. "Origen aristotélico de los conceptos de acción y relato." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 22-32.*

_____. "Modelos de la acción en el formalismo ruso: el par fabula / siuzhet." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 32-48.*

_____. "Novela y análisis funcional." From Acción, Relato, Discurso. In Diaporía 19 Jan. 2012.*

         http://diaporia.wordpress.com/2012/01/19/novela-y-analisis-funcional/

         2012

_____. "Modelos de la acción en la crítica anglonorteamericana: story / plot versus fabula / siuzhet." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 48-60.*

_____. "La acción en la narratología estructuralista." Section 1.2. of Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009.*

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/1.2.Accion.html

         2009

_____. "La Acción en la narratología estructuralista (Acción, Relato, Discurso 1.2)." Social Science Research Network 24 Feb. 2014.*

         http://ssrn.com/abstract=2400285

         2014

         Linguistic Anthropology eJournal 24 Feb. 2014.*

         http://www.ssrn.com/link/Linguistic-Anthropology.html

         2014

         Cognition & the Arts eJournal 24 Feb. 2014.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2014

         Rhetorical Analysis eJournal 24 Feb. 2014.*

         http://www.ssrn.com/link/Rhetorical-Analysis.html

         2014

Literary Theory & Criticism eJournal 25 Feb. 2014.*

         http://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2014

_____. "La Acción en la narratología estructuralista." From Acción, Relato, Discurso (1.2). Scribd (Andrés Mora) 12 Aug. 2014.*

         http://es.scribd.com/doc/236602514/

         2014

_____. Acción, Relato, Discurso: Estructura de la ficción narrativa. Online edition at the author's website, U of Zaragoza.

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/

         2009

_____. "Los niveles del texto narrativo: la acción." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 19-22. (Definition of narrative, narrativity).

_____. "Modelos de la acción en el formalismo ruso: el par fabula / siuzhet." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 32-48.*

_____. "El punto de vista en la acción." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 86-88.*

_____. "La acción como macroestructura discursiva." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 88-95.*

_____. "Concretización de la acción en la lectura." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 106-13.*

_____. "Las transformaciones de la acción." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 113-15.*

_____. "La acción en la narratología estructuralista." Section 1.2. of Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009.*

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/1.2.Accion.html

_____. "La Acción en la narratología estructuralista (Acción, Relato, Discurso 1.2)." Social Science Research Network 24 Feb. 2014.*

         http://ssrn.com/abstract=2400285

         2014

_____. "Introduction to the Levels of Structural Analysis of the Narrative Text." In García Landa, Narrative Theory. 1990. Online edition (2005):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/narrativetheory/0.Introduction.htm

2005

_____. "Introduction to the Levels of Structural Analysis of the Narrative Text (Narrative Theory, 0)." Social Science Research Network 11 Nov. 2015.*

         http://ssrn.com/abstract=2688570

         2015

_____. "Introduction to the Levels of Structural Analysis of the Narrative Text (Narrative Theory, 0)." ResearchGate 7 Dec. 2015.*

         DOI: 10.13140/RG.2.1.3431.3049

         https://www.researchgate.net/publication/286077888

         2015

_____. "Introduction to the Levels of Structural Analysis of the Narrative Text (Narrative Theory, 0)." Academia 12 June 2017.*

         https://www.academia.edu/33426132/

         2017

_____. "Introduction to the Levels of Structural Analysis of the Narrative Text (Narrative Theory, 0)." Humanities Commons 19 April 2018.*

         http://dx.doi.org/10.17613/M6HW14

         https://hcommons.org/deposits/item/hc:18947/

         2018

_____. "The Structure of the Fabula, I: Aristotle's Poetics." In García Landa, Narrative Theory. 1990. Online edition (2005):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/narrativetheory/1.Fabula.Aristotle.htm

2005

_____. "The Structure of the Fabula (I): Aristotle's Poetics (Narrative Theory, 1)." Social Science Research Network 19 Nov. 2015.*

         DOI: 10.2139/ssrn.2689058

         http://ssrn.com/abstract=2689058

         2015

         Cognition & the Arts eJournal 19 Nov. 2015.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2015

         Ancient Philosophical and Scientific Texts eJournal 19 Nov. 2015.*

         http://www.ssrn.com/link/Ancient-Philosophical-Scientific-Texts.html

         2015

         Ancient Greek & Roman Linguistics eJournal 19 Nov. 2015.*

         http://www.ssrn.com/link/Ancient-Greek-Roman-Linguistics.html

         2015

         Literary Theory & Criticism eJournal 19 Nov. 2015.*

         http://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2015

         History of Western Philosophy eJournal 19 Nov. 2015.*

         http://www.ssrn.com/link/History-of-Western-Philosophy.html

         2015

_____. "The Structure of the Fabula, 1: Aristotle's Poetics (Narrative Theory, 1)." In García Landa, Vanity Fea 3 Jan. 2016.*

         http://vanityfea.blogspot.com.es/2016/01/the-structure-of-fabula-i-aristotles.html

         2016

_____. "The Structure of the Fabula, 1: Aristotle's Poetics (Narrative Theory, 1)." Academia 13 June 2017.*

         https://www.academia.edu/33439753/

         2017

_____. "The Structure of the Fabula, 1: Aristotle's Poetics (Narrative Theory, 1)." ResearchGate 14 June 2017.*

         https://www.researchgate.net/publication/314514739

         2017

_____. "The Structure of the Fabula, 1: Aristotle's Poetics (Narrative Theory, 1)." Humanities Commons 30 April 2018.*

         http://dx.doi.org/10.17613/M6R860

         https://hcommons.org/deposits/item/hc:19053/

         2018

_____. "The Structure of the Fabula, II: Boris Tomashevski, 'Thematics'; Mieke Bal, Narratology (Narrative Theory, 2)." Social Science Research Network 21 Nov. 2015.*

         DOI: 10.2139/ssrn.2693261

         http://ssrn.com/abstract=2693261

         2015

         Cognition & the Arts eJournal 21 Nov. 2015.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2015

         Literary Theory & Criticism eJournal 21 Nov. 2015.*

         http://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2015

_____."The Structure of the Fabula, 2: Boris Tomashevski, 'Thematics'; Mieke Bal, 'Narratology' (Narrative Theory, 2)." In García Landa, Vanity Fea 24 Nov. 2015.*

         http://vanityfea.blogspot.com.es/2015/11/the-structure-of-fabula-ii-boris.html

         2015

_____. "The Structure of the Fabula, 2: Boris Tomashevski, 'Thematics'; Mieke Bal, 'Narratology' (Narrative Theory, 2)." Academia 18 June 2017.*       

         http://www.academia.edu/33533924/Narrative.Theory.2.pdf

         2017

_____. "The Structure of the Fabula, 2: Boris Tomashevski, 'Thematics'; Mieke Bal, 'Narratology' (Narrative Theory, 2)." ResearchGate 19 June 2017.*

         https://www.researchgate.net/publication/314513422

         2017

Garrido Domínguez, Antonio. "La descripción de los acontecimientos." In Garrido, El texto narrativo. Madrid: Síntesis, 1993. 27-66.*

Gelley, Alexander. "The Represented World: Towards a Phenomenological Theory of Description in the Novel." Journal of Aesthetics and Art Criticism 37 (1979): 415-22.

Gervais, Bertrand. Récits et actions. Québec: Le Préambule, 1990.

Greimas, A. J. Sémantique structurale: Recherche de méthode. Paris: Larousse, 1966. 1976.*

_____. Structural Semantics: An Attempt at a Method. 1966. Trans. Daniele McDowell, Ronald Schleifer, and Alan Velie. Introd. Roland Schleifer. Lincoln: U of Nebraska P, 1983.*

_____. Semántica estructural: Investigación metodológica. Trans. Alfredo de la Fuente. Madrid: Gredos, 1966.*

_____. "Reflections on Actantial Models." Selection, from Structural Semantics. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 76-89.*

_____. "Eléments pour une théorie de l'interprétation du récit mythique." Communications 8 (1966): 28-59.

_____. "Eléments pour une théorie de l'interprétation du récit mythique." In Communications, 8: L'Analyse structurale du récit. 1966. Paris: Seuil, 1981. 34-65.

_____. "Eléments pour une théorie de l'interprétation du récit mythique." In Greimas, Du sens. Paris: Seuil, 1970. English trans. in Structural Analysis and Oral Tradition. Ed. Pierre Maranda and Elie Maranda. Philadelphia: U of Pennsylvania P, 1971.

_____. "Approche générative de l'analyse des actants." Word 23.1-2-3 (1967). Rpt. in Greimas, Du sens. Paris: Seuil, 1970.

_____. "Elements d'une grammaire narrative." l'Homme 9.3 (1969): 71-92.

_____. "Eléments d'une grammaire narrative." In Greimas, Du sens. Paris: Seuil, 1970.

_____. "Elements of a Narrative Grammar." Diacritics 7.1 (1977): 23-40.

_____. "Elements of a Narrative Grammar." In Twentieth Century Literary Theory. Ed. Vassilis Lambropoulos and David Neal Miller. Albany: State U of New York P, 1987. 304-30.*

_____. "Narrative Grammar: Units and Levels". Modern Language Notes 86 (1971): 793-806.

_____. "Les actants, les acteurs et les figures." In Sémiotique narrative et textuelle.  Ed. Claude Chabrol. Paris: Larousse, 1973.

_____. "Les actants, les acteurs et les figures." In Greimas, Du Sens II. Paris: Seuil, 1983. 49-66.*

_____. "Un problème de sémiotique narrative: Les objets de valeur." Languages 31 (1973).

_____. Maupassant: La sémiotique du texte: Exercises pratiques. Paris: Seuil, 1976.

_____. "Elements of a Narrative Grammar". Diacritics 7 (1977): 23-40.

Greimas, A. J., and J. Courtés. "The Cognitive Dimension of Narrative Discourse." New Literary History  7.3 (1976): 433-47.

_____. "The Cognitive Dimension of Narrative Discourse." Greimassian Semiotics. New Literary History 20 (Spring 1989): 563-79.

_____. Sémiotique: Dictionnaire raisonné de la théorie du langage. Paris: Hachette, 1979.*

Hendricks, William O. Essays on Semiolinguistics and Verbal Art. The Hague: Mouton, 1973.*

_____. Semiología del discurso literario. Introd. María del Carmen Bobes Naves. (Crítica y Estudios Literarios). Madrid: Cátedra.

Herman, David. "Story Logic in Conversational and Literary Narratives." Narrative 9.2 (2001): 130-37.

_____. "States, Events, and Actions." In Herman, Story Logic: Problems and Possibilities of Narrative. Lincoln and London: U of Nebraska P, 2002. 27-52.*

_____. "Action Representations." In Herman, Story Logic: Problems and Possibilities of Narrative. Lincoln and London: U of Nebraska P, 2002. 53-84.*

_____. "Action Theory." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 2-3.*

Herman, David, et al., eds. "Fabula." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 157.*

Hoffmann, Gerhard. Raum, Situation, erzählte Wirklichkeit. Stuttgart: Metzler, 1978.

Husson, Didier. "Logique des possibles narratifs: Etude des compatibilités entre les variables du récit.' Poétique 22.87 (1991): 289-313.

Ihwe, J. F. "On the Foundations of a General Theory of Narrative Structure." Poetics 3 (1972): 5-14.

Johansen, Jørgen Dines, and Svend Erik Larsen. "Action: Interaction Becomes Narration." In Johansen and Larsen, Signs in Use: An Introduction to Semiotics.  London: Routledge, 2002. 87-109.*

Johnson, Nancy S., and Jean M. Mandler. "A Tale of Two Structures: Underlying and Surface Forms in Stories." Poetics 9 (1980): 51-86.

Jolles, André. Einfache Formen: Legende, Sage, Mythe, Rätsel, Spruch, Kasus, Memorabile, Märchen, Witz. 1929. 2nd. ed. Halle: Niemeyer, 1956.

Kibedi Varga, A. "L'invention de la fable. Forme et contenu selon la poétique du classicisme." Poétique 25 (1976): 107-15.

Kristeva, Julia. Le texte du roman. The Hague: Mouton, 1970.

_____. El texto de la novela. Trans. Jordi Lloret. Barcelona: Lumen, 1974.*

Kyndrup, Morten. "Optics and Horizon: The Toldness of the Told World." In Kyndrup, Framing and Fiction.  Aarhus: Aarhus UP, 1992. 107-16.*

Leeuwen, Theo van. "The Representation of Social Actors." In Texts and Practices: Readings in Critical Discourse Analysis. Ed. Carmen Rosa Caldas-Coulthard and Malcolm Coulthard. London: Routledge, 1996. 32-70.*

_____. "The Representation of Social Actors." In Critical Discourse Analysis: Critical Concepts in Linguistics. Ed. Michael Toolan. London: Routledge, 2002. 302-39.*

Lévi-Strauss, Claude. "Structure and Form: Reflections on a Work by Vladimir Propp." In Lévi-Strauss, Structural Anthropology, volume 2. Trans. Monique Layton. Harmondsworth: Penguin, 1994. 115-45.*

_____. "La estructura y la forma: reflexiones sobre una obra de Vladimir J. Propp." In Polémica Claude Lévi-Strauss-Vladimir Propp. Madrid: Fundamentos, 1972. 7-46.

Lotman, Iuri. "The Origin of Plot in the Light of Typology." 1973. Trans. Julian Graffy. Poetics Today 1.1/2 (1979): 161-84.

Markovits, Stefanie. The Crisis of Action in Nineteenth-Century English Literature.

Martin, Wallace, and Nick Conrad. "Formal Analysis of Traditional Fictions." Papers on Language and Literature 17.1 (1981): 3-22.

Martínez, María Ángeles. Storyworld Possible Selves. Berlin and Boston: Walter de Gruyter, 2018. Online preview at Google Books.*

         https://books.google.es/books?id=UwNPDwAAQBAJ

         2018

Mathieu, Michel. "Analyse du récit (I). La structure des histoires." Poétique 30 (1977): 226-42. (Bibliography).

Meister, Jan-Christoph. "Concepts of Action." In Meister, Computing Action: A Narratological Approach. Berlin: de Gruyter, 2003. 1-198.*

_____. "The computer-Aided Analysis of Narrated Action." In Meister, Computing Action: A Narratological Approach. Berlin: de Gruyter, 2003. 199-256.*

_____. "An Experiment in Action: Conversations of German Refugees." In Meister, Computing Action: A Narratological Approach. Trans. Alastair Matthews. Foreword by Marie-Laure Ryan. (Narratologia, 2). Berlin: de Gruyter, 2003. 257-305.* (Goethe, Conversations of German Refugees, 1795).

Miller, J. Hillis. "Two: Narrative Lines." In Miller, Reading Narrative. Norman: U of Oklahoma P, 1998. 46-51.*

_____. "Eight: Multiplications of the Line." In Miller, Reading Narrative. Norman: U of Oklahoma P, 1998. 107-22.*

Miller, J. Hillis. "Ariachne's Broken Woof." Georgia Review 31.1 (1977): 44-60.

_____. "Ten: Ariachne's Broken Woof." In Miller, Reading Narrative. Norman: U of Oklahoma P, 1998. 129-45.*

Pavel, Thomas G. "Remarks on Narrative Grammars." Poetics 8 (1973): 5-30.

_____. "Narrative Domains." Poetics Today 1.4 (1980).

_____. The Poetics of Plot: The Case of English Renaissance Drama. Minneapolis: U of Minnesota P, 1985.

_____. Fictional Worlds. Cambridge (MA): Harvard UP, 1986.

_____. Univers de la fiction. 1986. Paris: Seuil, 1988.

Pérez Gállego, Cándido. Circuitos narrativos. Zaragoza: Universidad de Zaragoza, Departamento de lengua y literatura inglesas, 1975.*

Perlmutter, Ruth. "Multiple Strands and Possible Worlds." Canadian Journal of Film Studies 11.2 (2002).

Phelan, James. Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative. Chicago: U of Chicago P, 1989.

Pier, John. "Diegesis." In Encyclopedic Dictionary of Semiotics. Ed. T. A. Sebeok et al. Berlin: Mouton, 1986. 2nd ed Berlin/New-York/Amsterdam, Mouton de Gruyter, 1994. 1.209-211.

_____. "Diegesis." In Encyclopedic Dictionary of Semiotics. Ed. Th. A. Sebeok et al. Berlin, New York, Amsterdam: Mouton de Gruyter, 1986. 2nd ed. 1994. 3rd ed., rev. 2009. 1.217-219.

Planalp, Sally. "Scripts, Story Grammars, and Casual Schemas." In Contemporary Issues in Language and Discourse Processes. Ed. Donald G. Ellis and William A. Donohue. Hillsdale (NJ): Erlbaum, 1986.

Prince, Gerald. A Grammar of Stories: An Introduction. The Hague: Mouton, 1973.

_____. "Le discours attributif et le récit." Poétique 35 (1978): 305-16.

_____. "Aspects of a Grammar of Narrative." Poetics Today 1 (1980): 49-63.

_____. "What is the Story in Narratology?" James Joyce Quarterly 18(1981): 277-85.

Propp, Vladimir. Morfologija skazky. 2nd ed. Leningrad: Nauka, 1968.

_____. Morphology of the Folktale. 1st. ed., trans. Laurence Scott, introd. Svatava Pirkova-Jakobson. Bloomington: Indiana UP, 1958.

_____. Morphology of the Folk Tale. Trans. Laurence Scott. 2nd. ed., rev. and ed. Louis A. Wagner, introd. Alan Dundes. Austin: U of Texas P, 1968. 1988. 

_____. Morphologie du conte. Paris: Seuil, 1970. (Rpt.: Points).

_____. Morfologia della fiaba. With an answer to Lévi-Strauss. Trans. Gian Luigi Bravo. Turin: Einaudi, 1966.

_____. Morforlogía del cuento. In Propp, Morfología del cuento: Seguida de Las transformaciones de los cuentos maravillosos. E. Mélétinski El estudio estructural y tipológico del cuento.  Trans. (from the French versions) Lourdes Ortiz .3rd ed. Madrid: Fundamentos, 1977.*

_____."Morphology of the Folktale." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

_____. "Estructura e historia en el estudio de los cuentos". Polémica Claude Lévi-Strauss - Vladimir Propp. Madrid: Fundamentos, 1971.

Revaz, Françoise. Les textes d'action. (Recherches textuelles, 1). Metz: Université de Metz, 1997.

_____. Introduction à la narratologie: Action et narration. Preface by Gerald Prince. (Collection Champs linguistiques). Louvain-la-Neuve: De Boeck / Duculot, 2009.

Ricœur, Paul. "The Model of the Text: Meaningful Action Considered as a Text." Social Research 38.3 (1971): 529-62.

_____. "The Model of the Text: Meaningful Action Considered as a Text". New Literary History 5.1 (1973).

_____. "The Model of the Text: Meaningful Action Considered as a Text." In Ricœur, Hermeneutics and the Human Sciences: Essays on Language, Action, and Interpretation. Ed. and trans. John B. Thompson. Cambridge: Cambridge UP, Paris: Editions de la Maison des Sciences de l'Homme, 1981. 1998. 197-221.*

_____. "The Model of the Text: Meaningful Action Considered as a Text." In Interpretive Social Science. Ed. Rabinow and Sullivan.

_____. "Le modèle du texte: L'action sensée considérée comme un texte." In Ricœur, Du texte à l'action. Paris: Seuil, 1986. Rpt. (Points). 1998. 205-36.*

_____. Temps et récit I. Paris: Seuil, 1983.

_____. Time and Narrative, vol. 1. Trans. Kathleen McLaughlin and David Pellauer. Chicago: U of Chicago P, 1984.

_____. Temps et récit II. La configuration dans le récit de fiction.  Paris: Seuil, 1984.

_____. Time and Narrative, vol. 2. Trans. Kathleen McLaughlin and David Pellauer. Chicago: U of Chicago P, 1986.

_____. Temps et récit III. Paris: Seuil, 1985.

_____. Time and Narrative, vol. 3. Trans. Kathleen Blamey and David Pellauer. Chicago: U of Chicago P, 1988.

Rumelhart, David. "Notes on a Schema for Stories." In Representation and Understanding. Ed. Daniel Bobrow and A. Collins. New York: Academic Press, 1975. 211-36.

Ryan, Marie-Laure. Possible Worlds, Artificial Intelligence and Narrative Theory.  Bloomington: Indiana UP, 1991.*

Schmid, Wolf. "Die narrativen Ebenen 'Geschehen,' 'Geschichte,' 'Erzählung' und 'Präsentation der Erzählung'." Wiener Slawistischer Almanach 9 (1982): 83–110.

_____. "V. Die narrativen Transformationen: Geschehen – Geschichte – Erzählung – Präsentation der Erzählung." In Schmid, Elemente der Narratologie. Berlin and New York: Walter de Gruyter, 2005. 223-72.* (1. 'Fabel' und 'Sujet' im russischen Formalismus. 2. Die Überwindung des formalistischen Reduktionismus. 3. Die vier narrativen Ebenen).

_____. "La constitution narrative: les événements—l'histoire—le récit—la présentation du récit." In Théorie du récit: L'apport de la recherche allemande. Villeuneve d'Ascq: Presses Universitaires du Septentrion, 2007. 153-88.*

_____. "1. Assembling." In Schmid, The Nonnarrated. Berlin and Boston: De Gruyter, 2023. 3-9.*

         https://doi.org/10.1515/9783111242637-001

         2023

Singer, Alan. The Subject as Action: Transformation and Totality in Narrative Aesthetics. Ann Arbor: U of Michigan P, 1993.*

Sommer, Roy. "Making Narrative Worlds: A Cross-Disciplinary Approach to Literary Storytelling." In Narratology in the Age of Cross-Disciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009. 88-108.*

Todorov, Tzvetan. Gramática del Decamerón. Madrid: Betancor, 1973. Trans. of Grammaire du Décaméron. The Hague: Mouton, 1969.

Veselovski, Aleksandr N. Poetika siuzhetov. In A. N. Veselovski, Sobranie Sochinenii 2:1 (Petersburg, 1913): 1-133.

_____.  "III.5. Poética de los argumentos (1895-1906)." In Veselovsky, Poética histórica. Madrid: Akal, 2014. 607-722.*

_____. "Poetik der Sujets." Extracts. Ed and trans. Matthias Aumüller. In Russische Proto-Narratologie: Texte  in kommentierten Übersetzungen. Ed. Wolf Schmid. Berlin and New York: Walter de Gruyter, 2009. 1-13.*

Weixler, Antonius, and Lukas Werner, eds. Zeiten Erzälen: Ansätze - Aspekte - Analysen. (Narratologia, 48). Berlin and Boston: De Gruyter, 2015.* (I. Methodische Zugänge; II. Mediale und generische Differenzen; III. Zeit als relationale Kategorie - a. Diegetische Dimension: Elemente und Struktur der erzählten Welt. - b. Erzählerische Dimension: Vermittulngsinstanzen und Perspektivierung. - c. Semantische Dimension: Verfahren und Effekte; Anhang).

Wood, Allen G. "Attractors, Trajectors, and Agents in Racine’s 'Récit de Théramène'." In Theory of Mind and Literature. Ed. Paula Leverage et al. Purdue UP, 2011. 165-74.

Wright, Georg Henrik von. Norm and Action. London: Routledge, 1963.

_____ . An Essay in Deontic Logic and the General Theory of Action. Amsterdam: North Holland, 1968.

 

 

 

Specific topics

 

 

 

 

 

 

Actants

 

García Landa, José Angel. "La competencia modal del narrador: Hacer." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 298-99.*

Greimas, A. J. Semántica estructural: Investigación metodológica. Trans. Alfredo de la Fuente. Madrid: Gredos, 1970.*

_____. "Reflections on Actantial Models." Selection, from Structural Semantics. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 76-89.*

Herman, David. "Actant." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 1-2.*

 

 

 

 

Anagnorisis

 

Aristotle. Poetics. Trans. S. H. Butcher. In Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 1971. 47-66.*

Cave, Terence. Recognitions: A Study in Poetics. Oxford: Clarendon Press, 1990.

Doane, Mary Ann. "Misrecognition and Identity." Cine-Tracts 11 (Fall 1980).

Fuchs, Elinor. "Waiting for Recognition: An Aristotle for Non-Aristotelian Drama." Modern Drama 50.4 (2007): 532-44.

García Landa, José Ángel. "Secretos, anagnórisis, retrospección, realidad." In García Landa, Vanity Fea 1 Oct. 2008.

         http://garciala.blogia.com/2008/100101-secretos-anagnorisis-retrospeccion-realidad.php

         2008

Halliburton, David. "Concealing Revealing: A Perspective on Greek Tragedy." In Post-Structuralist Classics. Ed. Andrew Benjamin. London: Routledge, 1988. 245-67.*

Newton, Adam Zachary. "Telling Others: Secrecy and Recognition in Dickens, Barnes, and Ishiguro." In Newton, Narrative Ethics. Cambridge (MA): Harvard UP, 1995. 241-86.*

 

 

See also Secrets.

 

 

 

 

 

 

Computer narratives

 

Meehan, James. "Tale-Spin." In Inside Computer Understanding: Five Programs Plus Miniatures. Hillsdale (NJ): Erlbaum, 1981. 197-226.

Peinado, F., B. Díaz-Agudo, and P. Gervás. "A Case Based Reasoning Approach to Story Plot Generation." In Advances in Case-Based Reasoning. Proceedings of the 7th European Conference on Case Based Reasoning. Lecture Notes in Artificial Intelligence, 30th August - 2nd September, Madrid, Spain. Springer, 2004. 142-56. (PDF in Federico Peinado's website, http://www.fdi.ucm.es/profesor/fpeinado/).

_____. "A Description Logic Ontology for Fairy Tale Generation". In 4th International Conference on Language Resources and Evaluation, Proceedings of the Workshop on Language Resources for Linguistic Creativity, LREC'04. 29th May, Lisbon, Portugal. LREA, 2004. Ed. T. Veale, A. Cardoso, F. Camara Pereira and P. Gervás. 56-61. (PDF in Federico Peinado's website, http://www.fdi.ucm.es/profesor/fpeinado/).

 

 

 

 

Conflict

 

Carroll, Joseph. "8. Agonistic Structure in Victorian Novels: Doing the Math." In Carroll, Reading Human Nature: Literary Darwinism in Theory and Practice. Albany: SUNY Press, 2011. 151-76.*

_____. "9. Quantifying Agonistic Structure in The Mayor of Casterbridge." In Carroll, Reading Human Nature: Literary Darwinism in Theory and Practice. Albany: SUNY Press, 2011. 177-94.*

Greimas, Algirdas Julien. "Des accidents dans les sciences dites humaines: analyse d'un texte de Georges Dumézil." Introduction à l'analyse du discourse en sciences sociales. By A. J. Greimas and E. Landowski. Paris: Hachette, 1979.

_____. "Des accidents dans les sciences dites humaines: analyse d'un texte de Georges Dumézil." In Greimas, Du Sens II. Paris: Seuil, 1983. 171-212.*

Uzzell, Thomas H. Narrative Technique: A Practical Course in Literary Psychology. In collab. with Camelia Waite Uzzell. New York: Harcourt, Brace, 1923. 2nd ed. 1929. 3rd ed. 1934.*

 

See also Conflicts.

 

 

 

Episodes

 

Bower, Gordon H. "Plans and Goals in Understanding Episodes." In Discourse Processing. Ed. A. Flammer and Walter Kintsch. Amsterdam: North-Holland, 1982.

Glenn, C. G. "The Role of Episodic Structure and Story Length in Children's Recall of Simple Stories." Journal of Verbal Learning and Verbal Behavior 17 (1977): 229-47.

Haberlandt, K., C. Berian, and J. Sandson. "The Episode Schema in Story Processing." Journal of Verbal Learning and Verbal Behavior 19 (1980): 635-50.

Herman, David, et al., eds. "Episode." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 140.*

Janik, Christina. "Zur Chronologie Episodizität, Deflexion und Kontinuität." In Hodel, Lehmann, et al., Textkohärenz und Narration: Untersuchungen russischer Texte des Realismus und der Moderne. (Narratologia, 15). Berlin and New York: Walter de Gruyter, 2008. 275-306.*

Tulving, Endel. "Episodic and Semantic Memory." In Organization of Memory. Ed. E. Tulving and W. Donaldson. New York, 1972.

_____. "Episodic Memory: From Mind to Brain." Annual Review of Psychology 53 (Feb. 2002): 1-25.

http://arjournals.annualreviews.org/doi/abs/10.1146%2Fannurev.psych.53.100901.135114

2007

Strawson, Galen. "Episodic Ethics." In Narrative and Understanding Persons. Ed. D. Hutto. Cambridge: Cambridge UP, 2007. 85-115.

 

 

 

 

Existents

 

Herman, David. "Existent." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 154-55.*

 

 

 

 

 

Objects

 

Greimas, A. J. "Un problème de sémiologie narrative: Les objets de valeur." Langages 31 (1973). Paris: Larousse.

_____. "Un problème de sémiotique narrative: Les objets de valeur." In Greimas, Du Sens II. Paris: Seuil, 1983. 19-48.*

 

 

 

 

Peripeteia

 

Singer, Alan. "Thinking Peripeteia / Peripetic Thinking." In Singer, The Subject as Action. Ann Arbor: U of Michigan P, 1993. 227-62.*

 

 

 

Setting

 

Azuar Carmen, Rafael. "Función del paisaje en la novela." In Azuar, Teoría del personaje literario y otros estudios sobre la novela. Alicante: Instituto de Estudios Juan Gil-Albert, 1987. 89-104.*

Chatman, Seymour. "3. Character and Setting." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 58-89.* (Character: A Definition; Characterization; Setting: Isaac Bashevis Singer, 'Short Friday'; Isaac Babel, 'How It was Done in Odessa'; Virginia Woolf, 'Kew Gardens').

Dennerlein, Katrin. "3. Der konkrete Raum der erzählten Welt." In Dennerlein, Narratologie des Raumes. (Narratologia, 22). Berlin and New York: De Gruyter, 2009. 48-72.*

_____. "7. Raum als Element der erzählten Welt." In Dennerlein, Narratologie des Raumes. (Narratologia, 22). Berlin and New York: De Gruyter, 2009. 164-95.*

James, P. D. "6. Telling the Story: Setting, Viewpoint, People." In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 109-30.*

Quiller-Couch, A. T. "Externals." In Quiller-Couch, Adventures in Criticism. London: Cassell, 1896. 213-31.*

 

 

 

Situations and States

 

Forkel, Robert. Erfahrung aus Narration: Erinnerungskulturelle Funktionen der Enkelliteratur. (Narratologia: Contributions to Narrative Theory, 72). Berlin and Boston: de Gruyter, 2020.* (Diss. Martin-Luther Universität Halle-Wittenberg, 2019). (Inferences, Situations, Simulation, Mental representation, Experience, Grandchildren, Narrativity)

         https://doi.org/10.1515/9783110673968-202

         2020

Herman, David. "States, Events, and Actions." In Herman, Story Logic: Problems and Possibilities of Narrative. Lincoln and London: U of Nebraska P, 2002. 27-52.*

Janik, Christina. "Markierungen temporaler, kausaler und lokaler Relationen zwischen Sachverhalten." In Hodel, Lehmann, et al., Textkohärenz und Narration: Untersuchungen russischer Texte des Realismus und der Moderne. (Narratologia, 15). Berlin and New York: Walter de Gruyter, 2008. 243-58.*

Morrow, Daniel. "Situation Models and Point of View in Narrative Understanding." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. Albany: SUNY Press, 2001. 225-40.*

Polti, G. Les Trente-Six Situations dramatiques. 3rd ed. Paris: Mercure de France, 1924.

Souriau, Etienne. Les Deux cent mille situations dramatiques. Paris: Flammarion, 1950.

 

 

See also Situations (S motifs).

 

 

 

 

 

 

Story lines  / Multiplot

 

Azcona, María del Mar. The Multi-Protagonist Film. Malden and Oxford: Wiley-Blackwell, 2010.*

Garrett, Peter K. The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980.*

Levin, Richard. The Multiple Plot in English Renaissance Drama. Chicago and London: U of Chicago P, 1971.

Perlmutter, Ruth. "Multiple Strands and Possible Worlds." Canadian Journal of Film Studies 11.2 (2002).

 

 

See also Plot.

 

 

 

 

 

 

 

 

Story world

 

Alber, Jan. "Impossible Storyworlds and what to Do with Them." Storyworlds: A Journal of Narrative Studies 1.1 (2009): 79-96. Online at JSTOR.*

         https://www.jstor.org/stable/pdf/25663009.pdf

         2019

_____. "Unnatürliche erzählte Welten." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 155-76.*

         https://doi.org/10.1515/9783110626117-008

         2019

Gebauer, Carolin. Making Time: World Construction in the Present-Tense Novel. (Narratologia, 77). Boston and Berlin: De Gruyter, 2021.* (I. Mapping the Research Field on Present-Tense narration; II. A Narratological Model of Present-Tense Usage in Narrative Fiction; III. Uses and Functions of Present-Tense Narration in Contemporary Narrative Fiction; Authorial narrative, Narration, Chronotope, Tense, Deixis, Narrator, First-person narration, Figural narration, Focalization, Retrospection, Heterodiegetic narration, Narrative dynamics, Omniscience, Comment, Plot, Storyworld, Voice).

         https://www.degruyter.com/document/doi/10.1515/9783110708134/html

         2022

Kim, Maria. "Die unmögliche(n) storyworld(s) in Mark Z. Danielewskis House of Leaves." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 200-15.*

         https://doi.org/10.1515/9783110626117-010

         2019

Mahler, Andreas. "Raum und 'erzählte' Welt: Zyklik - Linearität - Proliferation." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 281-316.*

         https://doi.org/10.1515/9783110626117-014

         2019

Martínez, María Ángeles. Storyworld Possible Selves. Berlin and Boston: Walter de Gruyter, 2018. Online preview at Google Books.*

         https://books.google.es/books?id=UwNPDwAAQBAJ

         2018

Pier, John. "Monde narratif et sémiosphère." Communications 103 (2018): Le formalisme russe cent ans aprés. Ed. Catherine Depretto, John Pier and Philippe Roussin. Paris: Seuil, 2018. 265-86.*

Rüggemeier, Jan. "Ein See, zwei Ufer: Raum und erzählte Welt des Markusevangeliums." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 317-39.*

         https://doi.org/10.1515/9783110626117-015

         2019

 

 

 

See also Possible worlds; Setting; Fictionality/Possible Worlds

 

 

 

 

 

Theme

 

Chatman, Seymour. "Theme and Ideology." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 273-303.* (The Definition of 'Theme'; Thesis; How to Formulate a Theme; Ideology; The Invisibility of Ideology; Dealing with the Ideologies of Fictions).

Skaftymov, Aleksandr. "Die thematische Komposition des Romans 'Der Idiot'." Extract. Ed. and trans. Galina Potapova. In Russische Proto-Narratologie: Texte  in kommentierten Übersetzungen. Ed. Wolf Schmid. Berlin and New York: Walter de Gruyter, 2009. 91-112.*

Tomashevski, Boris. "Thematics." Select. and trans. of Teorija literatury. In Russian Formalist Criticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis Lincoln: U of Nebraska P, 1965. 61-98.*

_____. "Thematics." Selection. In Debating Texts. Ed. Rick Rylance. Milton Keynes: Open UP, 1987. 57-66.*

_____. "Thématique." In Todorov, Théorie de la littérature 263-307. Trans. from Teorija literatury.

 

 

 

 

 

 

Turning points

 

 

Currie, Mark. The Unexpected: Narrative Temporality and the Philosophy of Surprise. Edinburgh: Edinburgh UP, 2015.

García Landa, José Ángel. "Momentous Events and Turning Points." In García Landa, Vanity Fea 20 October 2009.*

         http://vanityfea.blogspot.com/2009/10/momentous-events-and-turning-points.html

         2009

Pillemer, David B. Momentous Events, Vivid Memories. Cambridge (MA): Harvard UP, 1998.*

Schiffrin, Deborah.  "'We knew that's it:' Retelling the Turning Point of a Narrative of Danger." Discourse Studies (2003): 535-561.

 

 

 

Literature

 

Dickens, Charles. "Tempestad y retrospección." From David Copperfield. Online at Vanity Fea 20 Jan. 2014.*

         http://vanityfea.blogspot.com.es/2014/01/tempestad-y-retrospeccion.html

         2014

 

 

 

 

See also Action schemes.

 

 

 

 

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Testimonios

      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...