domingo, 21 de enero de 2024

Tiempo narrativo

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Narrative Time

 

General

Miscellaneous

 

 

General

 

A Contrario 13.1 (2010). Monograph issue on "La temporalité du récit: fiction, médias et histoire."

         http://www.cairn.info/revue-a-contrario-2010-1.htm

         2010

Bakhtin, M. M. "Fromy vremeni i khronotopa v romane." ("Forms of time and of chronotopos in the novel."). 1937-38. In Bakhtin, Voprosy literatury i èstitiki. Moscow, 1975. 84-258.

_____. Extract from "Formy vremeni i khronotopa v romane." Voprosy Literatury 3 (1974).

_____. "Forms of Time and the Chronotope in the Novel." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 84-258.*

_____. "Forms of Time and of the Chronotope in the Novel: Notes toward a historical Poetics." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 15-24.*

_____. "Formes du temps et du chronotope dans le roman." In Bakhtin, Esthétique et théorie du roman. Paris: Gallimard, 1978. 235-398.

Birkets, Sven. The Art of Time in Memoir. 2008.

Chafe, Wallace L. Discourse, Consciousness and Time. Chicago: U of Chicago P, 1994.

Chevalier, Jean-Claude. "Architecture temporelle du 'romancero tradicional'." Bulletin Hispanique 73 (1971): 50-103.

Chihaia, Matei, and Birte Fritsch. "Zeit und Stimme. Zeitliche Verankerung des Erzählens in À la recherche du temps perdu." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 369-406.*

Clark, S. H. "Time and Narrative." In Clark, Paul Ricœur. London: Routledge, 1990. 152-98.*

Crites, Stephen. "Storytime: Recollecting the Past and Projecting the Future." In Narrative Psychology: The Storied Nature of Human Conduct. Ed. T. R. Sarbin. New York: Praeger, 1986. 152-73.*

Dolezel, Lubomír. "A Scheme of Narrative Time." In Slavic Poetics: Essays in Honor of K. Taranovsky. The Hague, 1973. 92-98.

_____. "A Scheme of Narrative Time." In Semiotics of Art: Prague School Contributions. Ed. L. Matejka and I. Titunik. Cambridge: MIT Press, 1976. 209-17.

Dumézil, Georges. "Temps et mythe." Recherches Philosophiques 5 (1935-36): 235-51.

Fludernik, Monika. "Narrative Schemata and Temporal Anchoring." Journal of Literary Semantics 21 (1992): 118-53.

_____. "Narrative Schemata and Temporal Anchoring." Journal of Literary Semantics 21 (1992): 118-53. Online at Academia.*

         https://www.academia.edu/10262521/

         2018

Fritz, K. von. "The So-Called Historical Present in Early Greek." Word 5 (1949): 186-201.

Genette, Gérard. "Time and Narrative in A la Recherche du temps perdu." From Aspects of Narrative: Selected Papers from the English Institute. Ed. J. Hillis Miller. New York: Columbia UP, 1971. 93-118.

_____. "Time and Narrative in A la recherche du temps perdu." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 277-98.*

_____. "Time and Narrative in A la Recherche du temps perdu." From Aspects of Narrative: Selected Papers from the English Institute. New York: Columbia UP, 1971. 93-118. In Structuralism: Critical Concepts in Literary and Cultural Studies. Ed. Jonathan Culler. London: Routledge, 2006. Vol. 2.

_____.  Figures III. Paris: Seuil, 1972.*

_____. "Discours du récit." In Genette, Figures III. Paris: Seuil, 1972. 67-282.*

_____. "Order, Duration, and Frequency." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 25-34.*

_____. Narrative Discourse. Trans. Jane E. Lewin. Ithaca: Cornell UP, 1980.*

_____. "1. Order." In Genette, Narrative Discourse. Ithaca (NY): Cornell UP, 1980. 1995. 33-85.*

_____. "2. Duration." In Genette, Narrative Discourse. Ithaca (NY): Cornell UP, 1980. 1995. 86-112.*

_____. "3. Frequency." In Genette, Narrative Discourse. Ithaca (NY): Cornell UP, 1980. 1995. 113-60.*

_____. Nouveau discours du récit. Paris: Seuil, 1983.*

_____. Narrative Discourse Revisited. Trans. Jane E. Lewin. Ithaca: Cornell UP, 1988.*

Gomel, Elana. Narrative Space and Time. Routledge.

González García, Javier. "New Technologies of Time Manipulation." Rupkhata Journal on Interdisciplinary Studies in Humanities 10.2 (2018): 1-16.*

         https://dx.doi.org/10.21659/rupkatha.v10n2.01

         http://rupkatha.com/V10/n2/v10n201.pdf

         2018

Holquist, Michael. "The Role of Chronotope in Dialog." Indiana Slavic Studies 18 (2012): 65-79. (Special issue 'From Petersburg to Bloomington: Essays in Honor of Nina Perlina', ed. John Bartle, Michael C. Finke and Vadim Lupianov).

Kerby, Anthony Paul. "Time and Memory." ("The Time of Our Lives," "Memory and Recollection"). In Kerby, Narrative and the Self. Bloomington: Indiana UP, 1991.*

Linhares-Dias, Rui. "4. Tense." In Linhares-Dias, How to Show Things with Words: A Study on Logic, Language and Literature. Berlin/New York: Mouton de Gruyter, 2006. 157-210. (Reichenbach, tense).

Lloyd, Genevieve. Being in Time: Selves and Narrators in Philosophy and Literature. (Ideas). London: Routledge, 1993.*

Margolin, Uri. "Of What Is Past, Is Passing, or to Come: Temporality, Aspectuality, Modality, and the Nature of Literary Narrative." In Narratologies. Ed. David Herman. Columbus: Ohio State UP, 1999. 142-66.*

Matz, Jesse. "The Art of Time, Theory to Practice." Narrative 19.3 (Oct. 2011): 273-94.*

Meister, Jan Christoph, and Wilhelm Schernus, eds. Time: From Concept to Narrative Construct: A Reader. (Narratologia, 29). Berlin and Boston: De Gruyter, 2011.*

_____. Time: From Concept to Narrative Construct: A Reader. (Narratologia, 29). Online at Scribd 2 May 2014.*

         http://es.scribd.com/doc/221489619/

         2014

_____, eds.  Time. In García Landa, Vanity Fea 19 July 2014.*

         http://vanityfea.blogspot.com.es/2014/07/time.html

         2014

Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. New Haven: Yale UP, 1994.*

Müller, Günther.  Die Bedeutung der Zeit in der Erzählkunst. Bonn: Universitäts-Verlag, 1947.

_____. "The Significance of Time in Narrative Art." In Time: From Concept to Narrative Construct: A Reader. Ed. Jan Christoph Meister and Wilhelm Schernus. Berlin and New York: De Gruyter, 2011. 67-83.*

_____. "Erzählzeit und Erzählte Zeit." In Festschrift Paul Kluckhorn und Hermann Schneider gewidmet zu ihrem 60. Geburtstag. Tübingen: Mohr, 1948.

_____. "Erzählzeit und erzählte Zeit". In Müller, Morphologische Poetik. Tübingen: Niemeyer, 1968. 195-212.

Pier, John. "Chronotope." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 64-65.*

Pozuelo Yvancos, José María. "1. Luis Mateo Díez y la memoria del tiempo: el reino de Celama." In Pozuelo, Novela española del siglo XXI. (Crítica y Estudios Literarios). Madrid: Anaya-Cátedra, 2017. 15-36.*

Pouillon, Jean. Temps et roman. (NRF; La jeune philosophie, 3). 7th ed. Paris: Gallimard, 1946.*

_____. Tiempo y novela. Buenos Aires: Paidos, 1970.*

Ricœur, Paul. "Narrative Time." Critical Inquiry 7.1 (1980): 169-90.

_____. "Narrative Time." In On Narrative. Ed. W. J. T. Mitchell. Chicago: U of Chicago P, 1981. 165-86.*

_____. "Narrative Time." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 35-46.*

_____. "The Hermeneutical Function of Distantiation." In Hermeneutics and the Human Sciences: Essays on Language, Action, and Interpretation. Ed. and trans. John B. Thompson. Cambridge, 1982.

_____. "Temps et récit: La triple mimèsis." In Temps et récit Tome I: L'intrigue et le récit historique. Paris: Seuil, 1983. Rpt. (Points) 2001. 105-62.*

_____. Temps et récit I. Paris: Seuil, 1983.

_____. Temps et récit Tome I: L'intrigue et le récit historique. (Points; Essais, 227). Paris: Seuil, 2001.*

_____. Time and Narrative, vol. 1. Trans. Kathleen McLaughlin and David Pellauer. Chicago: U of Chicago P, 1984.*

_____. Tiempo y Narración, vol. 1. Trans. Agustín Neiral. Madrid: Ediciones Cristiandad, 1987.

_____. "Les jeux avec le temps." In Ricœur, Temps et récit: Tome II: La configuration dans le récit de fiction. 1984. Paris: Seuil, 1991. 115-88.* (1. Les temps du verbe et l'énonciation. Temps du raconter et temps raconté. Énonciation-énoncé-objet dans le 'discours du récit'. 4. Point de vue et voix narrative).

_____. Temps et récit II. La configuration dans le récit de fiction.  Paris: Seuil, 1984.

_____. Temps et récit: Tome II: La configuration dans le récit de fiction. (Points; Essais, 228). Paris: Seuil, 1991. 2001.*

_____. Time and Narrative, vol. 2. Trans. Kathleen McLaughlin and David Pellauer. Chicago: U of Chicago P, 1986.

_____. Tiempo y narración II: Configuración del tiempo en el relato de ficción. Madrid: Cristiandad, 1987.

_____. "The Time of Narrating (Erzählzeit) and Narrated Time (Erzählte Zeit)." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 129-42.*

_____. "La fiction et les variations imaginatives sur le temps." In Ricœur, Temps et récit: Tome III: Le temps raconté. 1985. Paris: Seuil, 1991. Rpt. 2001. 229-51.* (1. La neutralisation du temps historique. 2. Variations sur la faille entre le temps vécu et le temps du monde. 3. Vairations sur les apories internes de la phénoménologie. 4. Variations imaginatives et idéal-types).

_____.  "Fiction and Its Imaginative Variations on Time." In Ricœur, Time and Narrative vol. 3. Chicago: U of Chicago P, 1988. 127-41.*

_____. "L'entrecroisement de l'histoire et de la fiction." In Ricœur, Temps et récit: Tome III: Le temps raconté. 1985. Paris: Seuil, 1991. Rpt. 2001. 329-48.* (1. La fictionalisation de l'histoire. 2. L'historisation de la fiction).

_____. "The Interweaving of History and Fiction." In Ricœur, Time and Narrative vol. 3. Chicago: U of Chicago P, 1988. 180-92.*

_____. "Conclusions." In Ricœur, Temps et récit: Tome III: Le temps raconté. 1985. Paris: Seuil, 1991. Rpt. 2001. 435-90.* (1. La première aporie de la temporalité: l'identité narrative. 2. La seconde aporie de la temporalité: totalité et totalisation. 3. L'aporie de l'inscrutabilité du temps et les limites du récit)

_____. Temps et récit III. Paris: Seuil, 1985. (Introduction. IV. Le temps raconté: i. L'aporetique de la temporalité. ii. Poétique du récit: histoire, fiction, temps. Conclusions).

_____. Temps et récit: Tome III: Le temps raconté. (Points; Essais, 229). Paris: Seuil, 1991. Rpt. 2001.*

_____. Time and Narrative, vol. 3. Trans. Kathleen Blamey and David Pellauer. Chicago: U of Chicago P, 1988.*

_____. Tiempo y narración. Trans. Agustín Neira. Madrid: Cristiandad, 1987.

Rindova, Violina P., and Luis L. Martins. "Futurescapes: Imagination and Temporal Reorganization in the Design of Strategic Narratives." Strategic Organization 20.1 (2021): 1-25. Special issue: Temporal Work: The Strategic Organization of Time.*

         DOI: 10.1177/1476127021989787

         https://journals.sagepub.com/doi/10.1177/1476127021989787

         Online at Academia.*

         https://www.academia.edu/111156177/

         2023

Rodemeyer, K. Th. Das Präsens Historicum bei Herodot und Thukydides. Leipzit: G. Fock, 1889.

Sternberg, Meir. "Retardatory Structure, Narrative Interest and the Detective Story." Ha-Sifruy 18-19 (1974): 164-80.

_____. "What is Exposition? An Essay in Temporal Delimitation." In The Theory of the Novel: New Essays. Ed. John Halperin. New York: Oxford UP, 1974. 25-70.

_____. "Temporal Ordering, Modes of Expositional Distribution, and Three Models of Rhetorical Control in the Narrative Text." PTL 1 (1976): 295-316.

_____. Expositional Modes and Temporal Ordering in Fiction. Baltimore: Johns Hopkins UP, 1978.

_____. Expositional Modes and Temporal Ordering in Fiction. Bloomington: Indiana UP, 1993.

_____. "What Is Exposition? An Essay in Temporal Delimitation." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 103-14.*

_____. "Ordering / Unordered: Time, Space, and Descriptive Coherence." Yale French Studies 61 (1981).

_____. "Telling in Time (I): Chronology and Narrative Theory." Poetics Today 11 (Winter 1990): 901-48.

_____. "Telling in Time (II): Chronology, Teleology, Narrativity." Poetics Today 13.3 (1992): 463-540.

 

 

 

 

 

 

 

Miscellaneous

 

Adams, Jon-K. "Order and Narrative." In Recent Trends in Narratological Research: Papers form the Narratology Round Table ESSE-4, September 1997, Debrecen, Hungary, and Other Contributions. Ed. John Pier. (GRAAT 21). Tours: Publications des Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours, 1999. 111-28.*

Alexander, Lily. "Storytelling in Time and Space: Studies in the Chronotope and Narrative Logic on Screen." Journal of Narrative Theory 37.1 (2007).

Alkon, Paul. Defoe and Fictional Time. Athens (GA): U of Georgia P, 1979.

Aumüller, Matthias. "Zeit und Ereignis. Zum Zusammenhang von Ereigniskonfiguration und Textkohärenz in deutschsprachigen Reiseberichten über die frühe Sowjetunion." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 233-58.*

Avanessian, Armen, and Anke Hennig. "Die Evolution des Präsens als Romantempus." In Der Präsensroman. Ed. Armen Avanessian and Anke Hennig. Berlin and Boston: de Gruyter, 2013. 139-80.*

_____. "Tempus—Fiktion—Narration. Kevin Vennemanns Erzählen im Präsens." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 319-42.*

_____, eds. Der Präsensroman. (Narratologia, 36). Berlin and Boston: de Gruyter, 2013. (Introd., 1-24; Zusammenfassung, 269-81.).*

Azcona Montoliú, M. Mar. "A Time to Love and a Time to Die: Desire and Narrative Structure in 21 Grams." Atlantis 31.2 (Dec. 2009): 111-23.* (González Iñárritu)

Azuar Carmen, Rafael. "Tiempo-ritmo en la novela." In Azuar, Teoría del personaje literario y otros estudios sobre la novela. Alicante: Instituto de Estudios Juan Gil-Albert, 1987. 105-8.*

Baetens, Jan and Katherine Hume.  "Speed, Rhythm, Movement: A Dialogue on K. Hume's Article 'Narrative Speed.'"  Narrative 14 (2006): 349-55.

Baquero Goyanes, Mariano. "Tiempo y 'tempo' en la novela." In Teoría de la novela. Ed. Agnes Gullón and Germán Gullón. Madrid: Taurus, 1974. 231-42.*

Bal, Mieke. "1. Fabula: Elements." In Bal, Narratology. Toronto: U of Toronto P, 1985. 11-47.* (Events, Actors, Time, Location).

Banfield. Ann. "Zeit vergeht. Virginia Woolf, Postimpressionismus und Cambridge-Zeit." In Der Präsensroman. Ed. Armen Avanessian and Anke Hennig. Berlin and Boston: de Gruyter, 2013. 27-78.*

Baroni, Raphaël. L’Œuvre du temps: Poétique de la discordance narrative. (Poétique). Paris: Seuil, 2009.

Baynham, Mike. "6. Narrative and Space/Time." In The Handbook of Narrative Analysis. Ed. Anna De Fina and Alexandra Georgakopoulou. Chichester: Wiley, 2015. 119-39.*

Bellos, David. "The Narrative Absolute Tense." Language and Style 11 (1978): 231-37.

Benson, Larry D. "Chaucer's Historical Present, Its Meaning and Uses." English Studies 42 (1961): 65-77.

Bertinetto, Pier Marco. "Structure and Origin of the 'Narrative' Imperfect." In Papers from the Seventh International Conference on Historical Linguistics (Pavia, September 1985). Ed. A. G. Ramat et al. Amsterdam: John Benjamins, 1987. 71-85.

_____. "Due tipi di presente 'storico' nella prosa letteraria." Omaggio a Gianfranco Filena. Ed. M. A. Cortelazzo et al. Padua: Programma, 1993. 2327-44.

Bieri, Peter. "Time Experience and Personhood." In Time: From Concept to Narrative Construct: A Reader. Ed. Jan Christoph Meister and Wilhelm Schernus. Berlin and Boston: De Gruyter, 2011. 13-29.*

Blanc, Michel H. A. "The Use of Narrative Tenses in Thirteenth-century French Prose." Diss. U of London, 1961.

_____. "Time and Tense in Old French Narrative." Archivum Linguisticum 16.2 (1964): 96-124.

_____. "Le Présent épique dans la Chanson de Roland." Actes du Xe Congrès International de Linguistique et Philologie Romanes (Strasbourg, 1961). Paris: Gallimard, 1965. 565-78.

Bloch-Michel, Jean. Le Présent de l'indicatif. Paris: Gallimard, 1963.

_____. Le Présent de l'indicatif: Essai sur le nouveau roman. Paris: Klincksieck, 1963.

_____. La 'nueva novela'. Barcelona: Guadarrama.

Bode, Christoph, and Rainer Dietrich. Future Narratives: Theory, Poetics and Media-Historical Environment. Berlin: De Gruyter 2013.

Bode, Frauke. "Zeit in der Lyrik. 'Zäsuriertes Erzählen' als intermittentes Narrativ der Lyrik." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 129-52.*

Бозрикова С. А. (Svetlana Aleksyeyevna Bozrikova).  "Журналистская криминальная история: специфика нарративной темпоральности" ("Criminal Story in Journalism: The Typical Traits of Narrative Temporality.") In СЕМИОСФЕРА НАРРАТОЛОГИИ: ДИАЛОГ ЯЗЫКОВ И КУЛЬТУР / Semiosphere of Narratology: A Dialogue of Languages and Cultures. Ed. Ludmila Tataru and José Angel García Landa. Balashov: Nikolayev, 2013. 84-93.*

Boyer, Henri. "L'Opposition passé simple / passé composé dans le système verbal de la langue française." La Français Moderne 47.2 (1979): 121-29.

_____. "L'Économie des temps verbaux dans le discours narratif." Le Français Moderne 53.1/2 (1985): 52-64.

_____. "Le Temps dans la mise en scène du récit de vie comme écriture." Pratiques 45 (1985): 52-64.

Bronzwaer, W. J. M. Tense in the Novel: An Investigation of Some Potentialities of Linguistic Criticism. Groningen: Walters-Noordhof, 1970.

Brandenberg, Erna. "El tiempo." In Teoría cuentística del siglo XX. (Aproximaciones hispánicas). Ed. Catharina de Vallejo. Barcelona: Editorial Vosgos, 1989. 182-89.

Blanco Barros, M. Lidia, and Pilar Rubio Montaner. "Temporalidad en el texto narrativo: sus relaciones con el punto de vista." Tropelías 7/8 (1996/97 [Issued 1999]): 45-54.*

Brinton, Laurel J. "The Historical Present in Charlotte Brontë's Novels: Some Discourse Functions." Style 26.2 (1992): 221-44.

Borg, Ruben. The Measureless Time of Joyce, Deleuze and Derrida. 2007.

Brössel, Stephan. "Zeit und Film. 'Zeitkreise' in Christopher Nolans Memento." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 179-204.*

Burbelo, V. B. "Pro deyaki osoblivosti aktualizatsii kategorii chasu v epichonomu teskti." [On Certain Peculiarities of Tense Category Actualization in Epic Text]. Movoznavstvo 20.2 (1986): 45-49.

Burton, Stacy. "Bakhtin, Temporality, and Modern Narrative: Writing 'the Whole Triumphant Murderous Unstoppable Chute'." Comparative Literature 48.1 (Winter 1996): 39-64.*

Calame, Claude. "Temps du récit et temps du rituel dans la poétique grecque: Bacchylide entre mythe, histoire et culte." In Constructions du temps dans le monde grec ancien. Ed. C. Darbo-Peschanski. Paris: CNRS Éditions, 2000. 395-412.

Carr, David. Time, Narrative, and History. Bloomington: Indiana UP, 1986.

Casparis, Christian Paul. Tense Without Time: The Present Tense in Narration. (Schweizer Anglistische Arbeiten 84). Berne: Francke, 1975.

Chatelain, Danièle. "Itération interne et scène classique." Poétique 51 (1982): 369-81.

Chatman, Seymour. "2. Plot." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 20-57.* (Definition of Plot; Closed and Open Plots; Story-Time and Discourse-Time; Narrative Order and Duration: Carson McCullers, 'A Tree- A Rock - A Cloud'; Margaret Atwood, 'The Sin Eater'; Joyce Carol Oates, 'Four Summers').

_____. "Backwards." Narrative 17.1 (2009): 31-55.*

Chávez Pozo, Juliana Gisela, Jhuliana Yahaira Gutiérrez Díaz, and Marvelly Susana Pilco Gonzales. "La temporalidad diegética en la novela Cien años de soledad de Gabriel García Márquez." Diss. U Nacional de Trujillo, Perú, 2018. Online at Repositorio Institucional UNITRU.*

         http://www.dspace.unitru.edu.pe/bitstream/handle/UNITRU/10324/CHAVEZ%20POZO-GUTIERREZ%20DIAZ-PILCO%20GONZALES.pdf

         2018

Ci, Jiwei. "An Alternative to Genette’s Theory of Order." Style 22.1 (1988): 18-41.

Coetzee, J. M. "Zeit, Tempus und Aktionsart in Kafkas Der Bau." In Der Präsensroman. Ed. Armen Avanessian and Anke Hennig. Berlin and Boston: de Gruyter, 2013. 79-100.*

Cohn, Dorrit. "'I Doze and I Wake': The Deviance of Simultaneous Narration." Tales and 'their telling difference': Zur Theorie und Geschichte der Narrativik. Festschrift zum 70. Geburtstag von Franz K. Stanzel. Ed. Herbert Foltinek, Wolfgang Riehle and Waldemar Zacharasiewicz. Heidelberg: Winter, 1993. 9-23.

_____. "'Ich döse und wache'. Die Normabweichung gleichzeitigen Erzählens." In Der Präsensroman. Ed. Armen Avanessian and Anke Hennig. Berlin and Boston: de Gruyter, 2013. 125-38.*

Couper-Kuhlen, Elizabeth. "On the Temporal Interpretation of Postposed When- Clauses in Narrative Discourse." In Papers on Language and Mediaeval Studies Presented to Alfred Schopf. Eds. Richard Matthews and Joachim Schmole-Rostosky. (Neue Studien zur Anglistik und Amerikanistik, 37). Frankfurt: Lang, 1988. 363-72.

Couturier, Maurice. "L'inscription du présent." In Couturier, Nabokov, ou la tyrannie de l'auteur. Paris: Seuil, 1993. 109-54.* (Time)

Crowder, Bo. "Rocking the Reader: A Close Study of Anachrony in Girls of Slender Means and Slaughterhouse Five." 2017. Online at Academia* (Muriel Spark, Kurt Vonnegut).

https://www.academia.edu/32560523/

         2020

Currie, Mark. The Unexpected: Narrative Temporality and the Philosophy of Surprise. Edinburgh: Edinburgh UP, 2015.

Dannenberg, Hilary P. "Ontological Plotting: Narrative as a Multiplicity of Temporal Dimensions." In The Dynamics of Narrative Form: Studies in Anglo-American Narratology. Ed. John Pier. (Narratologia: Contributions to Narrative Theory / Beiträge zur Erzähltheorie, 4). Berlin and New York: Walter de Gruyter, 2005. 159-89.*

_____. Coincidence and Counterfactuality: Plotting Space and Time in Narrative Fiction. Lincoln: U of Nebraska Press, 2008. (2009 Perkins Prize).

Dancygier, Barbara. "Narrative Time, Sequence, and Memory: A Blending Analysis." In Blending and the Study of Narrative: Approaches and Applications. Ed. Ralf Schneider and Marcus Hartner. Berlin and Boston: De Gruyter,  2012. 31-55.*

Daros, Philippe. "Effets de cadre et anachronie de la représentation." In Métalepses: Entorses au pacte de la représentation. Ed. John Pier and Jean-Marie Schaeffer. Paris: Éditions de l'École des Hautes Études en Sciences Sociales, 2005.  311-22.*

De Jong, Irene J. F. "In Medias Res." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 242.*

_____. "4. Time." In de Jong, Narratology and Classics: A Practical Guide. Oxford: Oxford UP, 2014. 73-104.*

Dry, Helen Aristar. "Sentence Aspect and the Movement of Narrative Time." Text 1.3 (1981): 233-40.

_____. "The Movement of Narrative Time." Journal of Literary Semantics 12.2 (1983): 19-53.

Erwig, Andrea. "Poetologien des Wartens. Robert Musils Die Vollendung der Liebe und der 'waiting plot' um 1900." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 499-526.*

Fash, Lydia G. American Narrative Beginnings: Time and the Nation in Antebellum Short Fiction. Ph.D. diss. C. 2012.

_____. "The Chronicle and the Reckoning: A Temporal Paradox in Hawthorne's Twice-Told Tales." Narrative 21.2 (May 2013): 221-42.*

Fleischman, Suzanne. "Discourse Functions of Tense-Aspect Oppositions in Narrative: Toward a Theory of Grounding." Linguistics 23 (1985): 851-82.

_____. "Evaluation in Narrative: The Present Tense in Medieval Performed Stories." Yale French Studies 70 (1986): 199-251.

_____. Tense and Narrativity: From Medieval Performance to Modern Fiction. London: Routledge, 1990.*

_____. "Metalinguistische Funktionen. Erzählen im PRÄSENS." In Der Präsensroman. Ed. Armen Avanessian and Anke Hennig. Berlin and Boston: de Gruyter, 2013. 101-24.*

Fludernik, Monika. "The Historical Present Tense Yet Again: Tense Switching and Narrative Dynamics in Oral and Quasi-Oral Storytelling." Text 11.3 (1991): 365-98.

_____. "The Historical Present Tense in English Literature: An Oral Pattern and Its Literary Adaptation." Language and Literature 17 (1992): 77-107.

_____. "Narrative Schemata and Temporal Anchoring." Journal of Literary Semantics 21 (1992): 118-53.

_____. "Virgin Territories: The Strategic Expansion of Deictic Options." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 222-68.* (Pronouns, person, narr. Tense).

_____. "Chronology, Time, Tense and Experiality in Narrative." Language and Literature 12.2 (2003): 117-34.* (Ondaatje, The English Patient).

Frey, John R. "The Historical Present in Narrative Literature, Particularly in Modern German Fiction." Journal of English and Germanic Philology 45 (1946): 43-67.

Fries, Udo. "Zum historischen Präsens im modernen Englischen Roman." Germanisch-Romanische Monatsschrift 51 (1970): 321-38.

García Landa, José Ángel. "Time Structure in the Story (Gérard Genette, Narrative Discourse)." In García Landa, Narrative Theory. 1990. Internet edition (2005):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/narrativetheory/3.Time.structure.htm

         2005-04-16

_____. "Time Structure in the Story: Gérard Genette, Narrative Discourse (Narrative Theory, 3)." Social Science Research Network 30 Jan. 2016.*

         http://ssrn.com/abstract=2723564

         2016

         Cognition & the Arts eJournal 30 Jan. 2016.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2016

_____. "Time Structure in the Story (Narrative Theory, 3)." In García Landa, Vanity Fea 10 Feb. 2016.*

         http://vanityfea.blogspot.com.es/2016/02/time-structure-in-story-narrative.html

         2016

_____. "Time Structure in the Story: Gérard Genette, 'Narrative Discourse' (Narrative Theory, 3)." Academia 28 June 2017.*

         https://www.academia.edu/33681995/

         2017

_____. "Time Structure in the Story: Gérard Genette, 'Narrative Discourse' (Narrative Theory, 3)." ResearchGate 30 June 2017.*

         https://www.researchgate.net/publication/318041820

         2017

_____. "Time Structure in the Story: Gérard Genette, 'Narrative Discourse' (Narrative Theory, 3)." Humanities Commons 20 May 2018.*

         http://dx.doi.org/10.17613/M6FW1H

         https://hcommons.org/deposits/item/hc:19317/

         2018

_____. "Tiempo del relato." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 133-64.* (Orden. Duración).

_____. "Tiempo del relato." Section 2.2. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa.

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/2.2.Relato.html

         2009

_____. "2.2. Tiempo del relato." Online at Scribd (gadgandini) 28 June 2011.*

         http://es.scribd.com/doc/58929507/Accion

         2013

_____. "Tiempo del relato (Acción, Relato, Discurso, 2.2) (Time Structure in the Story (Action, Story, Discourse, 2.2))." Social Science Research Network 28 Feb. 2014.*

         http://ssrn.com/abstract=2302146

         2014

         Cognition & the Arts eJournal 6.5 (17 March 2014).*

         http://hq.ssrn.com/Journals/IssueProof.cfm?abstractid=2402146&journalid=1309387&issue_number=5&volume=6&journal_type=CMBO&function=showissue

         http://www.ssrn.com/link/Cognition-Arts.html (28 Feb. 2014)

         2014

         Literary Theory and Criticism eJournal 28 Feb. 2014.*

         http://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2014

_____. "Tiempo del relato (Acción, Relato, Discurso, 2.2)." Academia 21 Dec. 2014.*

         https://www.academia.edu/9850508/

         2014

_____. "Tiempo del relato (Acción, Relato, Discurso, 2.2)." ResearchGate 11 Jan. 2015.*

         DOI: 10.13140/2.1.5018.9121

         https://www.researchgate.net/publication/270687743

         2015

_____. "El tiempo de la narración." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 368-80.* (Orden. Duración).

_____. "La narración como secuencia temporal." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 379-81.*

_____. "Hoodwinked by Aristotle." In García Landa, Vanity Fea 23 Oct. 2006.

         http://garciala.blogia.com/2006/102301-hoodwinked-by-aristotle.php

         2006-11-01

_____. "Harry Thompson, This Thing of Darkness: Narrative Anchoring / Harry Thompson, This Thing of Darkness: Anclaje narrativo." Online PDF (Spanish) at Social Science Research Network (abril 2008):

         http://ssrn.com/abstract=1121438

         2008

_____. "Harry Thompson, This Thing of Darkness: Narrative Anchoring." (English). In García Landa, Vanity Fea 1 July 2009.*

         http://vanityfea.blogspot.com/2009/07/harry-thompson-this-thing-of-darkness.html

         2009

_____. "Harry Thompson, This Thing of Darkness." Zaguán 8 Sept. 2009.*

         http://zaguan.unizar.es/record/4099

         2009

_____. "Hoodwinked by Aristotle." In García Landa, Vanity Fea 23 Oct. 2006.

         http://garciala.blogia.com/2006/102301-hoodwinked-by-aristotle.php

         2006-11-01

_____. "Hoodwinked by Aristotle." Online PDF at Social Science Research Network (7 April 2008): 

         http://ssrn.com/abstract=1117223

         2008

_____. "Hoodwinked by Aristotle." Online PDF in Zaguán 19 May 2009.*

         http://zaguan.unizar.es/record/3346

         2009

_____. "Hoodwinked by Aristotle." ResearchGate 8 April 2012.*

         http://www.researchgate.net/publication/33419967_Hoodwinked_by_Aristotle

         2012

_____. "Tecnologías de manipulación del tiempo." In García Landa, Vanity Fea 12 April 2007.

         http://garciala.blogia.com/2007/041202-tecnologias-de-manipulacion-del-tiempo.php

         2007-05-04

_____. "Technologies of Temporal Manipulation / Tecnologías de manipulación del tiempo." Online PDF at Social Science Research Network (March 2008).*

http://ssrn.com/abstract=1103788

2008

         Literary Theory & Criticism eJournal:

         http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?npage=2&form_name=journalBrowse&journal_id=949618

         2012

         Philosophy of Mind eJournal (2008):

         http://www.ssrn.com/link/Philosophy-Mind.html

         2013

         Writing Technologies eJournal (2008):

         http://www.ssrn.com/link/Writing-Technologies.html

         2013

_____. "Tecnologías de manipulación del tiempo." Online PDF at Zaguán 15 May 2009.*

         http://zaguan.unizar.es/record/3341

         2009

_____. "Tecnologías de manipulación del tiempo." iPaper at ResearchGate 28 May 2012.*

         http://www.researchgate.net/publication/33419966_Tecnologas_de_manipulacin_del_tiempo

         2012

_____. "Backwards." In García Landa, Vanity Fea 26 June 2007.

         http://garciala.blogia.com/2007/062601-backwards.php

         2007-07-04

_____. "Back to the Beginning." In García Landa, Vanity Fea 19 Nov. 2007

         http://garciala.blogia.com/2007/111901-back-to-the-beginning.php

         2007

_____. "The Self-Begettor." In García Landa, Vanity Fea 28 July 2008.

         http://garciala.blogia.com/2008/072804-the-self-begettor.php

         2008

_____. "No Fate." In García Landa, Vanity Fea 16 Nov. 2008. (Rev. of Paul Verhoeven's Terminator 2)

         http://garciala.blogia.com/2008/111601-no-fate.php

         2008

_____. "Sin destino (No Fate)." Social Science Research Network 1 June 2015.* (Paul Verhoeven, Terminator II)

         http://ssrn.com/abstract=2612661

         2015

_____. "Sin Destino." In García Landa, Vanity Fea 5 June 2015.*

         http://vanityfea.blogspot.com.es/2015/06/sin-destino.html

         2015

_____. "Sin Destino (No Fate). Academia 6 Jan. 2017.*

         https://www.academia.edu/30779384/

         2017

_____. "Sin Destino (No Fate)." ResearchGate 8 Jan. 2017.*

         https://www.researchgate.net/publication/312147814

         2017

_____. "Temporal Analysis: From Micro to Macro." In García Landa, Vanity Fea 8 Nov. 2009.* (Eva Broman).

         http://vanityfea.blogspot.com/2009/11/temporal-analysis-from-micro-to-macro.html

         2009

_____. "Tiempo congelado." In García Landa, Vanity Fea 11 Jan. 2010.* (Narrativity, Lidia Vianu).

         http://vanityfea.blogspot.com/2010/01/tiempo-congelado.html

         2010

_____. "Tiempo congelado." Ibercampus (Vanity Fea) 4 March 2010.*

         http://www.ibercampus.es/articulos.asp?idarticulo=12197

         2010

_____. "Tiempo congelado: Vivimos en una máquina del tiempo (Frozen Time: We Live in a Time Machine)." Social Science Research Network 5 June 2015.*

         http://ssrn.com/abstract=2614032

         2015

         Psychological Anthropology eJournal 5 June 2015.*

         http://www.ssrn.com/link/Psychological-Anthropology.html

         2015                

         Cognition & the Arts eJournal 5 June 2015.*

         http://www.ssrn.com/link/Cognition-Arts.html     

         2015

_____. "Tiempo congelado: Vivimos en una máquina del tiempo." In García Landa, Vanity Fea 17 June 2015.*

         http://vanityfea.blogspot.com.es/2015/06/tiempo-congelado-vivimos-en-una-maquina.html

         2015

_____. "Tiempo congelado: Vivimos en una máquina del tiempo." Academia 9 Jan. 2017.*

         https://www.academia.edu/30830949/

         2017

_____. "Tiempo congelado: Vivimos en una máquina del tiempo." ResearchGate 10 Jan. 2017.*

         https://www.researchgate.net/publication/312187726

         2017

_____. "Triple Temporal Logic." In García Landa, Vanity Fea 29 May 2012.*

         http://vanityfea.blogspot.com.es/2012/05/triple-temporal-logic.html

         2012

_____. "El presente retrospectivo en la novela moderna." In García Landa, Vanity Fea 27 June 2013.*

         http://vanityfea.blogspot.com.es/2013/06/el-presente-retrospectivo-en-la-novela.html

         2013

_____. "Conclusion." From Time and the Novel. In García Landa, Vanity Fea 4 July 2013.*

         http://vanityfea.blogspot.com.es/2013/07/mendilow-time-and-novel.html

         2013

_____. "Pasado, presente, y futuro, ahora." In García Landa, Vanity Fea 9 May 2016.* (Peter Mendelsund)

         http://vanityfea.blogspot.com.es/2016/05/pasado-presente-y-futuro-ahora.html

         2016

_____. "The Story behind Any Story: Evolution, Historicity, and Narrative Mapping." In Emerging Vectors of Narratology. Ed. Per Krogh Hansen, John Pier, Philippe Roussin and Wolf Schmid. (Narratologia, 57). Berlin and Boston: De Gruyter, 2017. 567-91.*

         https://doi.org/10.1515/9783110555158

         https://www.degruyter.com/view/books/9783110555158/9783110555158-026/9783110555158-026.xml

         2017

_____. "The Story Behind Any Story: Evolution, Historicity, and Narrative Mapping." In García Landa, Vanity Fea 5 Sept. 2017.*

         http://vanityfea.blogspot.com.es/2017/09/the-story-behind-any-story-evolution.html

         2017

_____. "The Story Behind Any Story: Evolution, Historicity, and Narrative Mapping." SSRN 11 March 2021.*

         https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3769109

         2021

         Literary Theory & Criticism eJournal 11 March 2021.*

         https://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2021

         Amet: Environmental History & Review eJournal 11 March 2021.*

         https://www.ssrn.com/link/Amet-Environmental-History-Rev.html

         2021

         The Repository: Historiographical Journal 11 March 2021.*

         https://www.ssrn.com/link/The-Repository-Historiographical.html

         2021

         History of Western Philosophy eJournal 11 March 2021.*

         https://www.ssrn.com/link/History-of-Western-Philosophy.html

         2021

         Philosophy of Science eJournal 11 March 2021.*

         https://www.ssrn.com/link/Philosophy-Science.html

         2021

_____. "The Story Behind Any Story: Evolution, Historicity, and Narrative Mapping." Academia 31 Jan. 2021.*

         https://www.academia.edu/45020020/

         2021

_____. "The Story Behind Any Story: Evolution, Historicity, and Narrative Mapping." ResearchGate 31 Jan. 2021.*

         https://www.researchgate.net/publication/318922652

         2021

_____. "The Story Behind Any Story: Evolution, Historicity, and Narrative Mapping." Humanities Commons 31 March 2021.*

         https://hcommons.org/deposits/item/hc:38065/

         https://doi.org/10.1515/9783110555158

         2021

Gebauer, Carolin. Making Time: World Construction in the Present-Tense Novel. (Narratologia, 77). Boston and Berlin: De Gruyter, 2021.* Pbk. 2022.* (I. Mapping the Research Field on Present-Tense narration; II. A Narratological Model of Present-Tense Usage in Narrative Fiction; III. Uses and Functions of Present-Tense Narration in Contemporary Narrative Fiction; Authorial narrative, Narration, Chronotope, Tense, Deixis, Narrator, First-person narration, Figural narration, Focalization, Retrospection, Heterodiegetic narration, Narrative dynamics, Omniscience, Comment, Plot, Storyworld, Voice).

         https://www.degruyter.com/document/doi/10.1515/9783110708134/html

         2022

_____. "1. Introduction." In Gebauer, Making Time: World Construction in the Present-Tense Novel.  Boston and Berlin: De Gruyter, 2021. 1-18.*

         https://doi.org/10.1515/9873110708134-001

         2021

_____. "2. Linguistic, Narratological, and Philosophical Considerations on Tense Usage in Narrative Fiction." In Gebauer, Making Time: World Construction in the Present-Tense Novel.  Boston and Berlin: De Gruyter, 2021. 21-50.*

         https://doi.org/10.1515/9873110708134-002

         2021

_____. "3. The 'Grammatical' Fallacy, or: Why We Need a Descriptive and Analytical Model of Present-Tense Narration." In Gebauer, Making Time: World Construction in the Present-Tense Novel.  Boston and Berlin: De Gruyter, 2021. 53-63.*

         https://doi.org/10.1515/9873110708134-003

         2021

_____. "4. The Formal-Structural Dimension of Fictional (Present-)Tense Usage: Textual Distribution and Narrative Orchestration." In Gebauer, Making Time: World Construction in the Present-Tense Novel.  Boston and Berlin: De Gruyter, 2021. 64-80.*

         https://doi.org/10.1515/9873110708134-004

         2021

_____. "5. The Functional Dimension of Fictional Present-Tense Usage: Uses and Functions of Present-Tense Narration." In Gebauer, Making Time: World Construction in the Present-Tense Novel.  Boston and Berlin: De Gruyter, 2021. 81-139.*

         https://doi.org/10.1515/9873110708134-005

         2021

_____. "6. The Syntactic Dimension of Fictional Present-Tense Usage." In Gebauer, Making Time: World Construction in the Present-Tense Novel.  Boston and Berlin: De Gruyter, 2021. 140-48.*

         https://doi.org/10.1515/9873110708134-006

         2021

Gourley, James. Terrorism and Temporality in the Works of Thomas Pynchon and Don Delillo. London: Bloomsbury Academic, 2013.

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Grishakova, Marina. The Models of Space, Time and Vision in V. Nabokov's Fiction: Narrative Strategies and Cultural Frames. (Tartu Semiotics Library, 5). Tartu: Tartu UP, 2006.* (James, The Turn of the Screw; Hitchcock, Rear Window).

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Hamilton, Craig. "The Conceptual Blending of Time and Space: Milan Kundera's Slowness." In Blending and the Study of Narrative: Approaches and Applications. Ed. Ralf Schneider and Marcus Hartner. Berlin and Boston: De Gruyter,  2012. 325-42.*

Hanebeck, Julian. "Simultaneität. Die Aporien des Jetzt und 'der unzeitliche Raum der Erzählung als Text'—eine Simultaneität von Zeiten in Laurence Sternes Tristram Shandy." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 449-72.*

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_____. (Ken Ireland). Thomas Hardy, Time and Narrative. Houndmills: Palgrave Macmillan, 2014. Online preview at Google Books:

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_____. "7. Order and Disorder." In Keen, Narrative Form. Houndmills and New York: Palgrave Macmillan, 2003. 98-107.*

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_____. Futuro pasado: Para una semántica de los tiempos históricos. Barcelona: Paidós, 1993.

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Kuhn, Markus. Filmnarratologie: Ein erzähltheoretisches Analysemodell. (Narratologia: Contributions to Narrative Theory, 26). Berlin and New York: De Gruyter, 2011.* (1. Methodische Grundlagen; 2. Von der sprachbasierten zur Transmedialen Narratologies; 3. Narrative Instanzen; 4. Fokalisierung und Perspektivierung; 5. Zeit; 6. Komplexe Kommunikations- und Ebenenstrukturen; 7. Schlussbetrachtung: Das Potenzial der Filmnarratologie).

Kuhn, Roman. "Zweite Person Singular Präsens. Überlegungen zu Ein Mann der schläft von Georges Perec." In Der Präsensroman. Ed. Armen Avanessian and Anke Hennig. Berlin and Boston: de Gruyter, 2013. 210-23.*

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_____. Aspects of Time in Medieval Literature. New York: Garland, 1985.

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_____. Time and the Novel. 2nd ed. New York: Humanities Press, 1962. 1965. 1972.

_____. "El presente retrospectivo en la novela moderna." In García Landa, Vanity Fea 27 June 2013.* (Mendilow).

         http://vanityfea.blogspot.com.es/2013/06/el-presente-retrospectivo-en-la-novela.html

         2013

_____. "Conclusion." From Time and the Novel. In García Landa, Vanity Fea 4 July 2013.*

         http://vanityfea.blogspot.com.es/2013/07/mendilow-time-and-novel.html

         2013

Meyerhof, Hans. Time in Literature. Berkeley: U of California P, 1955.

Moraru, Christian. "Time, Writing, and Ecstasy in Speak, Memory: Dramatizing the Proustian Project." Nabokov Studies 2 (1995): 173-90.

Murphet, Julian. "5. Narrative Time." In Helen Fulton et al., Narrative and Media. Cambridge: Cambridge UP, 2005. 47-59. (In film).

Nadal Blasco, Marita. "Temporality and Narrative Structure in Flannery O'Connor's Tales." Atlantis 31.1 (June 2009): 23-39.*

Nakhimovsky, Alexander. "Aspect, Aspectual Class, and the Temporal  Structure of Narrative." Computational Linguistics 14.2 (1988):  29-43.

_____. "Temporal Reasoning in Natural Language  Understanding: The Temporal Structure of the Narrative." Proceedings of  the 3rd Conference on the European Chapter of the Association for  Computational Linguistics, University of Copenhagen, Copenhagen,  Denmark, 1987. 262-269.

Nitsche, Michael. (Georgia Institute of Technology; michael.nitsche@lcc.gatech.edu) "Mapping Time in Video Games." Situated Play: Proceedings of DiGRA 2007 Conference. 145-51.* (Digital Games Research Association).

         http://s3.amazonaws.com/academia.edu.documents/30941363/Nitsche_DiGRA_07.pdf

         2016

Nylander, Lars. "Literature In and Out of Time: Temporality in Theory, Narrative and Authorship." Literature and Psychology: A Journal of Psychoanalytic and Cultural Criticism (Rhode Island College, Providence) 47.4 (2001). In Literature Online.* http://lion.chadwyck.co.uk

         5/7/04

O'Hara, Robert J. "Mapping the Space of Time: Temporal Representation in the Historical Sciences." In New Perspectives on the History of Life: Systematic Biology as Historical Narrative. Ed. M. T. Ghiselin and G. Pinna. (Memoirs of the California Academy of Sciences, 20).  7-17. Online at Social Science Research Network 5 Feb. 2015.*

         http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2559427

         2015

Orr, Leonard. "Varieties of Time in the Nonlinear, Nonteleological Novel." In De-Structing the Novel: Essays in Applied Postmodern Hermeneutics. Troy (NY): Whitston, 1982. 155-84.*

Parra Bravo, Cristian. "Aesthetics, Engagement, and Narration: Temporal Constraint as an Articulator of Ludo-Narrative Time." Games and Culture (17 Oct. 2023).*

         https://doi.org/10.1177/15554120231206429

         https://journals.sagepub.com/doi/10.1177/15554120231206429

         2023

Pascal, Roy. "Tense and the Novel." Modern Language Review 57 (1962): 1-11.

Peña Vial, Jorge. La poética del tiempo: ética y estética de la narración. Chile: Editorial Universitaria, 2002.

Pérez Esaín, Crisanto, and Susana Herrera Damas. "El orden como dimensión temporal en los reportajes radiofónicos." Anagramas 6.11 (2007): 117-38.*

Online at Academia.*

https://www.academia.edu/65809032/

2021

_____. "La duración como dimensión temporal en los reportajes radiofónicos." Área Abierta 18 (2007): 1-18.*

         https://revistas.ucm.es/index.php/ARAB/article/view/ARAB0707330001C

         2021

Pérez Esaín and Herrera Damas. "La duración como dimensión temporal en los reportajes radiofónicos." Area Abierta 18 (Nov. 2007).*

http://europa.sim.ucm.es/compludoc/AA?articuloId=693059&donde=castellano&zfr=0

Pérez Gállego, Cándido. "El orden de los acontecimientos en Shakespeare." Cuadernos de Investigación: Filología 1.1 (1975): 11-22.*

Perrino, Sabina. "7. Chronotopes: Time and Space in Oral Narrative." In The Handbook of Narrative Analysis. Ed. Anna De Fina and Alexandra Georgakopoulou. Chichester: Wiley, 2015. 140-59.*

Perry, Menakhem. "Literary Dynamics: How the Order of a Text Creates Its Meaning, with an Analysis of Faulkner's 'A Rose for Emily'." Poetics Today 1.1-2 (1979): 35-64, 311-61.

Phelan, James. "Narrative Progression." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 211-16.*

Philopowski, Katharina. "Negative Präsenz: Die gespaltene Zeit der Erzählung bei Paul Ricœur." Journal of Literary Theory 2.1 (2008): 71-99.*

         http://www.jltonline.de/index.php/articles/article/view/18/196

         2009

Pickering, Jean. "Time and the Short Story." In Rereading the Short Story. Ed. Clare Hanson. Houndmills: Macmillan, 1989.*

Pike, Burton. "Time in Autobiography." Comparative Literature 28 (Fall 1976): 326-42.

Powell, Helen. Stop the Clocks! Time and Narrative in Cinema. London and New York: I.B. Tauris, 2012.* (A Matter of Life and Death, Donnie Darko, Interview with a Vampire, Lost Highway, Pulp Fiction)

         http://us.macmillan.com/stoptheclocks/HelenPowell

         2012

_____. "Introduction: Cinema as Time Machine." In Powell, Stop the Clocks! Time and Narrative in Cinema. London and New York: I. B. Tauris, 2012. 1-10.*

_____. "1. Real Time." In Powell, Stop the Clocks! Time and Narrative in Cinema. London and New York: I. B. Tauris, 2012. 11-32.*

_____. "2. Future Time." In Powell, Stop the Clocks! Time and Narrative in Cinema. London and New York: I. B. Tauris, 2012. 33-60.*

_____. "3. Dreaming Time." In Powell, Stop the Clocks! Time and Narrative in Cinema. London and New York: I. B. Tauris, 2012. 61-86.*

_____. "4. Consuming Time." In Powell, Stop the Clocks! Time and Narrative in Cinema. London and New York: I. B. Tauris, 2012. 87-114.*

_____. "5. Fractured Time." In Powell, Stop the Clocks! Time and Narrative in Cinema. London and New York: I. B. Tauris, 2012. 115-42.*

_____. "6. Conclusion: Time in the Digital Age." In Powell, Stop the Clocks! Time and Narrative in Cinema. London and New York: I. B. Tauris, 2012. 143-64.*

Reichenbach, Hans. "The Tenses of Verbs." In Time: From Concept to Narrative Construct: A Reader. Ed. Jan Christoph Meister and Wilhelm Schernus. Berlin and Boston: De Gruyter, 2011. 1-12.*

Ricardou, Jean. "Time of the Narration, Time of the Fiction." James Joyce Quarterly 16 (1979): 7-15.

Richardson, Brian. "Chapter Three: Temporal Sequence, Causal Connection, and the Nature of Narrative: Disjunction and Convergence in Mrs. Dalloway and Pinter's Landscape." In Unlikely Stories: Causality, Ideology and Interpretation in Modern Narrative. Manuscript.

_____.  "Narrative Poetics and Postmodern Transgression: Theorizing the Collapse of Time, Voice, and Frame." Narrative 8.1 (2000): 23-42.*

_____. "Beyond Story and Discourse: Narrative Time in Postmodern and Nonmimetic Fiction." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 47-63.*

_____, ed. Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. (The Theory and Interpretation of Narrative Series). Columbus: Ohio State UP, 2002.* (Part I: Time; Part II: Plot; Part III: Narrative Sequencing; Part IV: Beginnings and Ends; Part V: Narrative Frames).

Richter, David H. "Genre, Repetition, Temporal Order: Some Aspects of Biblical Narratology." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 285-98.*

Riffaterre, Michael. "Chronotopes in Diegesis." In Fiction Updated: Theories of Fictionality, Narratology, and Poetics. Ed. Calin Andrei Mihailescu and Walid Hamarneh. Toronto: U of Toronto P, 1996. 244-56.*

Rivas Carmona, María del Mar. "Temporal Linking and Point of View: The Pragmatic Function of Verbal Tense and Aspect in Doris Lessing's The Summer Before the Dark." In Estudios de Filología Inglesa en honor de Antonio Garnica. Ed. Francisco Garrudo and Joaquín Comesaña. Sevilla: Universidad de Sevilla, 2005. 359-72.*

Robbe-Grillet, Alain. "Temps et description dans le récit d'aujourd'hui." 1963. In Robbe-Grillet, Pour un nouveau roman. Paris: Minuit, 1963. 123-34.

Rodríguez Guerrero Strachan, Santiago, Beatriz González Moreno,and José Ramón Ibáñez Ibáñez. "El cronotopo en el cuento romántico." In Proceedings from the 31st AEDEAN Conference. Ed. M. J. Lorenzo Modia et al. CD-ROM: A Coruña: Universidade da Coruña, 2008. 791-98.*

Roggenbuck, Stefanie. "Zeit und Polyphonie. Zum Verhältnis von verdoppelter Zeit und verdoppelter 'Stimmen' in Erzähltexten von Leo Perutz und Ambrose Bierce." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 407-29.*

Ronen, Ruth. "The Semiotics of Fictional Time: Three Metaphors in the Study of Temporality in Fiction." Style 24: 22-44.

_____. "Fictional Time." In Ronen, Possible Worlds in Literary Theory. Cambridge: Cambridge UP, 1994. 197-228.*

Schiffrin, Deborah. "Tense Variation in Narrative." Language 57.1 (1981): 45-62.

Schmid, Wolf. "Zeit und Erzählsperspektive. Am Beispiel vom F. M. Dostoevskijs Roman Der Jüngling." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 343-68.*

_____. "4. Functions and Areas of Application." In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 58-123.* (Chekhov, "The Bride"; Bellow, "Looking for Mr. Green"; Chekhov, "The Student," Jurij Trifonov, The Long Goodbye; Mansfield, "The Daughters of the Late Colonel"; Dieter Wellershoff, "The Normal Life"; Hemingway, "Up in Michigan"; Dickens, Little Dorrit; Austen, Emma; Mann, "Tristan"; Dostoevsky, "A Nasty Anecdote", Crime and Punishment; Pil'njak, The Naked Year; Tolstoy, "The Forged Coupon"; Fay Weldon, "Weekend"; children's fiction; Dostoevsky, The Eternal Husband, The Double;Pushkin, "The Coffinmaker"; Shirley Jackson, "The Lottery"; Faulkner, "Elly"; Illusion, Description, Dreams, Foreshadowing, Mood, Characterization, Flashbacks).

         http://doi.org/10.1515/9783110763102-005

         2022

Schneider, Monique. "Le temps du conte." In La Narrativité. Ed. Dorian Tiffeneau. Paris: CNRS, 1980. 85-123.

Segre, Cesare. Le strutture e il tempo. Torino: Einaudi, 1976.

_____. Las estructuras y el tiempo: Narración, poesía, modelos. Trans. Milagros Arizmendi and María Hernández Esteban. Barcelona: Planeta, 1976.

Sora Domenjó, Carles. Temporalitats digitals: Aproximació a una teoria del temps cinemàtic en les obres audiovisual interactives. Ph.D. diss. U Pompeu Fabra, 2015. Online at Tesis Doctorales en Red.*

         http://www.tdx.cesca.cat/handle/10803/323896

         2016

Spanos, William V. "Leo Tolstoy's The Death of Ivan Ilych: A Temporal Interpretation." In De-Structing the Novel: Essays in Applied Postmodern Hermeneutics. Troy (NY): Whitston, 1982. 1-64.*

Spencer, Sharon.  Space, Time and Structure in the Modern Novel. New York: New York UP, 1971.

Staiger, Emil. "Time and the Poetic Imagination." TLS 27 Sept. 1963.

Szaertics, Joseph. Tiempo y verbo en el Romancero Viejo. 2nd ed. (Biblioteca Románica Hispánica, 97). Madrid: Gredos, 1974.

_____. "Observaciones sobre algunas funciones estilísticas del pretérito indefinido en el romancero viejo." Explicación de Textos Literarios 2.3 (1974): 189-97.

Temps et récit de P. Ricoeur en débat. Paris: CERF, l990

Thomas, Werner. "Historische Präsens oder Konjuktionsreduktion? Zum Problem des Tempuswechsels in der Erzählung." Sitzungsberichte der wiss. Ges. and der J. W. Goethe-Universität Frankfurt/Main. 12.2 (1974): 31-62.

Thoss, Jeff. "Deceptive Continuity: Classical Editing and Nonlinear Narrative in Nicolas Roeg's Bad Timing." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 179-97.*

         http://doi.org/10.1515/9783110566574-011

         2018

Todorov, Tzvetan. "Temps du discours." In Oswald Ducrot and Tzvetan Todorov, Dictionnaire encyclopédique des sciences du langage. Paris: Seuil, 1972. 398-405.

Tornero, Angélica. "El tiempo, la trama y la identidad del personaje a partir de la teoría de Paul Ricœur." Revista de Humanidades: Tecnológico de Monterrey 24 (2008): 51-79.

         http://www.redalyc.org/articulo.oa=id=38402403

         Academia.*

         https://www.academia.edu/en/67885463/

         2022

Toro, Alfonso de. "Time Structure in the Contemporary Novel." In Time: From Concept to Narrative Construct: A Reader. Ed. Jan Christoph Meister and Wilhelm Schernus. Berlin and Boston: De Gruyter, 2011. 109-42.*

Tristram, Hildegard L. C. Tense and Time in Early Irish Narration. (Inssbrucker Beiträge zur Sprachwissenschaft; Vorträge und kleinere Schriften, 32). Innsbruck: Institut für Sprachwissenschaft der Universität Innsbruck, 1983.

Vargas, Isabel. "La narración: Un hogar para transformarnos en el tiempo." Vinculando 12 Sept. 2014.*

         http://vinculando.org/articulos/narracion-transformarnos-tiempo.html

         2015

Vargas Llosa, Mario. "VI. El tiempo." In Vargas Llosa, Cartas a un joven novelista. 1997. Madrid: Alfaguara, 2012. 77-92.*

Vidan, Ivo. "Time Sequence in Spatial Fiction." In Spatial Form in Narrative. Ed. Jeffrey R. Smitten and Ann Daghistany. Ithaca: Cornell UP, 1981.

Vilar, Pierre. "El tiempo del Quijote." In El Quijote de Cervantes. Ed. George Haley. Madrid: Taurus, 1984. 17-29.*

Vising, Johann. "Die realen Tempora der Vergangenheit im Französischen und den übrigen romanischen Sprachen." Französischen Studien 6 (1888): 1-228; 7 (1889): 1-113.

Weinrich, Harald. Tempus: Besprochene und erzählte Welt. Stuttgart: Kohlhammer, 1964.

_____. Tempus: Besprochene und erzählte Welt. 1965. 2nd rev ed. 1971. 4th ed. Stuttgart: Kohlhammer, 1985.

_____. Le temps: Le récit et le commentaire. Trans. Michèle Lacoste. Paris: Seuil, 1973.*

_____. Estructura y función de los tiempos en el lenguaje. Madrid: Gredos, 1974.*

Werner, Lukas. "Zeit im Text—Möglichkeiten der formalen Historisierung. Zur Relation von Zeit und Ich-Erzähler in Grummelshausens Simplicissimus und Schnabels Insel Felsenburg." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 79-104.*

Schlicher, John J. "Historical Tenses and Their Functions in Latin." Classical Philology 26 (1931): 46-59.

Slowik, Mary. "Simultaneous Narration and Ethical Positionings in Three Short Animated Films." Narrative 21.1 (Jan. 2013): 46-64.*

Villa Polo, Jesús de la. "La expresión del tiempo relativo en la narración latina: Plinio el Joven VI 16." In Otivm cvm dignitate: Estudios en homenaje al profesor José Javier Iso Echegoyen. Ed. J. A. Beltrán et al. (Monografías de Filología Latina, 16). Zaragoza: Universidad de Zaragoza, 2013. 195-208.*

Villanueva, Darío. Estructura y tiempo reducido en la novela. Valencia: Bello, 1977.

Visser, F. Th. "The Historical Present in Middle English Verse Narratives." In English Studies Presented to R. W. Zandvoort on the Occasion of His Seventieth Birthday. Supplement to English Studies 45 (1964): 135-43.

Waugh, Linda R., and Monique Monville Burston. "Aspect and Discourse Function: The French Simple Past in a Newspaper Usage." Language 62 (1986): 846-77.

Weinberg, Manfred. "Erinnern / Erzählen - Literatur / Film, Mit Anmerkungen zum Film Fight Club." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 527-58.*

Weixler, Antonius. "Zeit im Drama. Max Frichs Die Chinesische Mauer als ein Spiel mit Präzipitation, Gegenwärtigkeit, und Simultaneiät." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 153-78.*

_____. "Zeit in der Malerei. 'Ein Pferd hat zwanzig Beine'—über Simultaneität in Futurismus und Kubismus." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 205-30.*

Weixler, Antonius, and Lukas Werner, eds. Zeiten Erzälen: Ansätze - Aspekte - Analysen. (Narratologia, 48). Berlin and Boston: De Gruyter, 2015.* (I. Methodische Zugänge; II. Mediale und generische Differenzen; III. Zeit als relationale Kategorie - a. Diegetische Dimension: Elemente und Struktur der erzählten Welt. - b. Erzählerische Dimension: Vermittulngsinstanzen und Perspektivierung. - c. Semantische Dimension: Verfahren und Effekte; Anhang).

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Werner, Lukas. "Zeit im Text—Möglichkeiten der formalen Historisierung. Zur Relation von Zeit und Ich-Erzähler in Grummelshausens Simplicissimus und Schnabels Insel Felsenburg." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 79-104.*

_____. Erzählte Zeiten im Roman der Frühen Neuzeit: Eine historische Narratologie der Zeit. (Narratologia, 62). Berlin and New York: De Gruyter, 2018.* (Magelona, Ritter Galmy, Johann Fausten, Insel Felsenburg; Anton Ulrich, Hans Jacob Christoffel von Grimmelshausen - Simplicissimus, Hieronymus Dyrer, Dil Ulenspiegel, Christian Friedrich Hunold, Johann Gottfried Schnabel, George Messerschmidt, Veit Warbeck, Georg Wickram, Philipp von Zesen, Heinrich Anshelm von Zigler und Kliphausen - Die Asiatische Banise, Johannes Zschorn).

Weixler, Antonius, and Lukas Werner, eds. Zeiten Erzälen: Ansätze - Aspekte - Analysen. Berlin and Boston: De Gruyter, 2015.*

Wigger, Marianne. Tempora in Chrétien's Yvain: Eine textlinguistische Untersuchung. (Studia Romanica Linguistica, 6).  Frankfurt a/M: Peter Lang, 1978.

Wilmet, Marc. "Le passé-composé narratif." In Wilmet, Études de morphosyntaxe verbale. Paris: Klincksieck 1976. 61-82.

Wolfson, Nessa. "A Feature of Performed Narrative: The Conversational Historical Present." Language in Society 7 (1978): 215-37.

_____. "The Conversational Historical Present Alternation." Language 55.1 (1979): 168-82.

_____. "Tense-Switching in Narrative." Language and Style 14 (1981): 226-31.

_____. CHP: The Conversational Historical Present in American English Narrative. Dordrecht: Foris, 1982.

_____, eds. The Conversational Historical Present in American English Narrative. (Topics in Sociolinguistics, 1). Dordrecht: Reidel; Cinnamon (NJ): Foris, 1982.

Wood, Cecil. "The So-Called Historical Present in Old Norse." In Scandinavian Studies Honoring Henry Doddard Leach. Ed. C. F. Bayernschmidt and E. J. Friis. Seattle: U of Washington P, 1965. 105-10.

Worthington, Martha Garrett. "The Compound Past Tense in Old French Narrative Poems." Romance Philology 19 (1966): 397-417.

Wyatt, Jean. "Love's Time and the Reader: Ethical Effects of Nachträglichkeit in Toni Morrison's Love." Narrative 16.2 (May 2008): 193-221.*

 

 

 

 

Audio

 

 

Dokic, Jérôme. "Voyages mentaux dans les temps." Lecture at the ENS (Les Lundis de la Philosophie) 10 Feb. 2014. Online audio at Savoirs ENS

         http://savoirs.ens.fr/expose.php?id=1655

         2014

Porée, Jérôme. "Le temps avant et après le récit?" Audio. Savoirs ENS 13 Feb. 2013.*

         http://savoirs.ens.fr/expose.php?id=1165

         2014

 

 

 

 

 

Bibliographies

 

García Landa, José Angel, et al. "Time & Temporality." Bibliography at the Project Narrative Wiki. 2008.

         http://pnbibliography.wikispaces.com/Time+%26+Temporality

         2010

_____. "Narrative Time." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (javier1000) 4 May 2011.*

         http://es.scribd.com/doc/54640831/From

         2014

 

 

 

Internet resources

 

 

"Back to Front." TV Tropes

         http://tvtropes.org/pmwiki/pmwiki.php/Main/BackToFront

         2009

 

 

 

 

Literature

 

 

Aichinger, Ilse. "Spiegelgeschichte" ("Story in a Mirror". Short story. 1949. (Inverted order story, won Group 47 literature prize, 1952). 

_____. "Spiegelgeschichte." In Aichinger, Meine Sprache und Ich: Erzählungen. Frankfurt/M: Fischer, 1978. 46-54.

_____. "Spiegelgeschichte." In Werke. Vol. 2: Der Gefesselte. Erzählungen. Frankfurt a/M: S. Fischer, 1991.

_____. "Spiegelgeschichte" / "Story in reverse", trans. Christopher Levenson. In German Short Stories / Deutsche Kurzgeschichten. Ed. Richard Newnham. Harmondsworth: Penguin, 1964. 27-51.

_____. "Story in a mirror." In Aichinger, The Bound Man and Other Stories. Trans. Eric Mosbacher. Freeport (NY): Books for Libraries Press, 1971. 58-70.

_____. "Life Story in Retrospect." Trans. J. C. Alldridge. In Ilse Aichinger. By J. C. Alldridge. Chester Springs (PA): Dufour Editions, 1969.

Amis, Martin. Time's Arrow: Or, The Nature of the Offence. Harmondsworth: Penguin, Cape, 1992.*

_____. Time's Arrow. New York: New York: Random House-Vintage International.

Proust, Marcel. À la recherche du temps perdu. many editions

 

 

 

See also Retrospection; Time; Time (in literature); Time (in film).

 

 

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          from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel Garc...