Ideología y Ficción narrativa

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Ideology and Narrative Fiction

 

 

Armstrong, Nancy. How Novels Think: The Limits of Individualism from 1719-1900. New York: Columbia University Press, 2005.

Craig, Cairns. "Conclusion: Narrative and the Space of the Nation." In Craig, The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh UP, 1999. 235-41.*

Davies, Lennard J. Resisting Novels: Ideology and Fiction. New York: Methuen, 1987.*

Fiedler, Leslie. "3. Gone with the Wind: The Feminization of the Anti-Tom Novel." In Gender, Language, and Myth: Essays on Popular Narrative. Ed. Glenwood Irons. Toronto, Buffalo, London: U of Toronto P, 1992. 46-62.*

Fludernik, Monika. "Natural Narratology." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 311-75.* (Narratology, def. of narrative, narrative and ideology).

Gunn, Daniel P. "Is Clarissa Bourgeois Art?" Eighteenth-Century Fiction 10 (Oct. 1997): 1–14.

Holquist, Michael. "Ideology, The Sacred, and the Novel." Paper presented at Moscow, June 2015.

_____. "Ideologiia, sakral'noe i roman." Ed. and trans. T. A. Pirusskaia. In Literatura i ideologiia: Vek dvadtsatyi. Ed. O. Yu. Panova and V. M. Tolmachev. Moscow, 2016.

McAdams, Dan P.  "3. Theme and Ideological Setting." In McAdams, The Stories we Live By. New York: Guilford Press, 1993. 67-90.*

Moretti, Franco. "The Novel, the Nation-State." From Atlas of the European Novel, 1800-1900. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 734-46.*

Phelan, James. (1951). Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus (OH): Ohio State UP, 1996.*

_____, ed. Reading Narrative: Form, Ethics, Ideology. Columbus (OH): Ohio State UP, 1989.

Said, Edward W. "Molestation and Authority in Narrative Fiction." In Aspects of Narrative. Ed. J. Hillis Miller. New York: Columbia UP, 1971. 47-68.

_____. "Consolidated Vision." From Culture and Imperialism. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 691-715.*

Sclippa, Norbert. Texte et idéologie: Images de la noblesse et de la bourgeoisie dans le roman français, des années 1750 à 1830. New York: Peter Lang, 1987.

Singer, Alan. "The Dis-Position of the Subject: Agency and Form in the Ideology of the Novel." In Singer, The Subject as Action. Ann Arbor: U of Michigan P, 1993. 55-78.*

Slaughter, Joseph. Human Rights, Inc. The World Novel, Narrative Form, and International Law. (René Wellek Prize 2008).

Smith, Steve. "Marxism and Ideology. Joseph Conrad, Heart of Darkness." In Literary Theory at Work: Three Texts. Ed Douglas Tallack. London: B. T. Batsford, 1987. 181-200.*

Suleiman, Susan Rubin. Le Roman à thèse ou l'Autorité fictive. (Ecriture). Paris: PUF, 1983.

_____. Authoritarian Fictions: The Ideological Novel as a Literary Genre. 1983. Princeton (NJ): Princeton UP, 1993.*

Walder, Dennis. The Nineteenth Century Novel: Identities. London: Routledge, 2001.

Wolf, Werner. "Chance in Fiction as a Privileged Index of Implied World-views: A Contribution to the Study of the World-Modelling Functions of Narrative Fiction." In Theorizing Narrativity. Ed. John Pier and José Ángel García Landa. (Narratologia, 12). Berlin and New York: Walter de Gruyter, 2008. 166-210.* (Greene, Pandosto; Hardy, Tess).

 

 

See also Ideology and literature; Ideology; Interdisciplinary narratology.