A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Detective Fiction (Crime / Noir fiction)
Amey, Claude. "Le roman policier comme jurifiction." In Dramaxes. Ed. Denis Mellier and Luc Ruiz. Fontenay: ENS, 1995. 71-82.*
Auden, W. H. "The Guilty Vicarage: Notes on the Detective Story, by an Addict." In Auden, The Dyer's Hand and Other Essays. New York, 1962.
Boileau-Narcejac. Le Roman policier. 1975. 3rd ed. Paris: PUF, 1988.
Borges, Jorge Luis. "Tales of Detection: A New Anthology, de Dorothy L. Sayers." El Hogar 19 Feb. 1937. Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 772-73.*
_____. "Tales of Detection: A New Anthology de Dorothy L. Sayers." 1937. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*
_____. "How to Write Detective Novels, de Nigel Morland." El Hogar 6 Aug. 1937. Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 850-51.*
_____. "How to Write Detective Novels, de Nigel Morland." 1937. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*
_____. "Howard Haycraft, Murder for Pleasure. Peter Davies, London, 1942." From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 633-34.* (On detective fiction).
_____. "Roger Caillois, Le Roman policier. Éditions des Lettres Françaises, Buenos Aires, 1941." Sur 12.91 (April 1942). Rpt. in Ficcionario. (Mexico: FCE, 1985). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 616-19.*
_____. "El cuento policial." 16 June 1978. From Borges Oral. 1979. Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 231-42.*
Bravo, Maria Elena. "Literatura de la distensión: el elemento policíaco." Insula 41.472 (March 1986).
Caillois, Roger. Le Roman policier. Buenos Aires: Éditions des Lettres Françaises, Buenos Aires, 1941.
Calhoon, Kenneth S. "The Detective and the Witch: Local Knowledge and the Aesthetic Pre-History of Detection." Comparative Literature 47.4 (Fall 1995): 307-329.*
Cañadas Rodríguez, Emilio (coord.), Margarita Rigal Aragón. "El relato policiaco: Reflexiones sobre su evolución en el tiempo." In At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference, UAB/Barcelona 14-16 November 2011. Ed. Sara Martín et al. Barcelona: Departament de Filologia Anglesa i de Germanística, U Autònoma de Barcelona / AEDEAN, 2012. 206-209.*
http://www.aedean.org/pdf_atatimecrisis/AtaTimeofCrisis_AEDEAN35_portada.pdf
2012
Cavallaro, Dani. "Introduction: Cyberpunk and Science Fiction." In Cyberpunk and Cyberculture. London and New Brunswick (NJ).
_____. "La ciencia-ficción y el ciberpunk." Trans. Óscar Jiménez. In Literatura y cibercultura. Ed. Domingo Sánchez-Mesa. Madrid: Arco/Libros, 2004. 235-68.*
Chernaik, Warren, Martin Swales and Robert Vilain. The Art of Detective Fiction. Houndmills: Macmillan / Institute of English Studies, School of Advanced Studies, U of London, 2000.
Christian, Ed., ed. The Postcolonial Detective. (Crime Files). Houndmills: Macmillan, 2000.
Christianson, Scott R. "Tough Talk and Wisecracks: Language as Power in American Detective Fiction." Journal of Popular Culture 23.2 (Fall 1989).
_____. "8. Tough Talk and Wisecracks: Language as Power in American Detective Fiction." In Gender, Language, and Myth: Essays on Popular Narrative. Ed. Glenwood Irons. Toronto, Buffalo, London: U of Toronto P, 1992. 142-56.*
Clark, Urszula and Sonia Zyngier. "Women beware Women: Detective Fiction and Critical Discourse Stylistics." Language and Literature 7.2 (June 1998): 141-158.
Cobley, Paul. The American Thriller: Generic Innovation and Social Change in the 1970's. (Crime Files). Houndmills: Macmillan, 2000.
Colin, Jean-Paul. Le Roman policier français archaïque, un essai de lecture groupée. Bern: Peter Lang, 1984.
Couégnas, Daniel. "Du Voleur de visage (1904) au Mystérieux docteur Cornélius (1912-13). Ecriture, réécriture, édition et lectured'une série romanesque populaire." Protée 17.2.
_____. "Les rivaux malheureux de Lupin; lecture de l'aventure policière dans la revue Je Sais Tout (1905-1914)." In Dramaxes. Ed. Denis Mellier and Luc Ruiz. Fontenay: ENS, 1995. 197-214.*
Couturier, Maurice. "Récits d'enquête." In Couturier, Nabokov, ou la tyrannie de l'auteur. Paris: Seuil, 1993. 155-200.*
Delamater, Jerome H., and Ruth Prigozy, eds. Theory and Practice of Classic Detective Fiction. (Contributions to the Study of Popular Culture, 62). Westport (CT): Greenwood P, 1997.*
Dilley, Kimberly J. Busybodies, Meddlers, and Snoops: The Female Hero in Contemporary Women's Mysteries. (Contributions in Women's Studies, 166). Westport (CT): Greenwood Press, 1998.*
Eco, Umberto, and Thomas A. Sebeok, eds. The Sign of Three: Dupin, Holmes, Peirce. Bloomington: Indiana UP, 1983.
Eisenzweig, Uri. Le Récit impossible: Forme et sens du Roman Policier. Paris: Bourgois, 1986.
Franco Aixelá, Javier, and Carlos Abio Villarig. "Manipulación ideológica y traducción: Atenuación e intensificación moral en la traducción de la novela negra norteamericana al español (1933-2001)." Hermeneus 11 (2009): 109-44.*
Forshaw, Barry, ed. Crime Uncovered: Detective. (Crime Uncovered). Bristol and Chicago: Intellect, 2016.
Frank, Lawrence (Emeritus Prof. of English, U of Oklahoma). Victorian Detective Fiction and the Nature of Evidence. (Palgrave Studies in Nineteenth-Century Writing and Culture). Oxford: Oxford UP, 2003.
Giddey, E. Crime et détection: Essai sur les structures du roman policier de langue anglaise. 1990.
Gillis, Stacy. Crime Fiction. (Edinburgh Critical Guides to Literature). Edinburgh: Edinburgh UP, forthcoming 2010.
Gillis, Stacy, and Philippa Gates, eds. The Devil Himself: Villainy in Detective Fiction and Film. (Contributions to the Study of Popular Culture, 73). Westport (CT): Greenwood Press, 2002.*
Gladfelder, Hal. "4. Defoe and Criminal Fiction." In The Cambridge Companion to Daniel Defoe. Ed. John Richetti. Cambridge: Cambridge UP, 2008. 64-83.*
González-Moreno, Beatriz. "Approaching the Dupin-Holmes (or Poe-Doyle) Controversy." In A Descent into Edgar Allan Poe and His Works: The Bicentennial. Ed. Beatriz González Moreno and Margarita Rigal Aragón. Bern: Peter Lang, 2010. 59-78.*
Greene, Hugh. The Rivals of Sherlock Holmes. Essay. 1970.
_____. Los rivales de Sherlock Holmes. 2 vols. Ediciones de Bolsillo.
Haycraft, Howard. Murder for Pleasure: The Life and Times of the Detective Story. New York: Appleton, 1941.
_____. Murder for Pleasure. London: Peter Davies, 1942.
Henríquez Jiménez, Santiago J. Géneros en contacto. Viajes, crimen, novela femenina y humor. Miscelánea de literatura inglesa y norteamericana. Las Palmas de Gran Canaria: Servicio de Publicaciones de la Universidad de Las Palmas de Gran Canaria / La Caja de Canarias, 2004.
Herald, Diana Tixier. Genreflecting: A Guide to Reading Interests in Genre Fiction. Englewood (Colorado): Libraries Unlimited, 1982. 5th ed. 2000.* (Historical novel, Westerns, Detective fiction, adventure, SF, fantasy, romance, horror).
Holquist, Michael. "Whodunnit and Other Questions: Metaphysical Detective Stories in Post-War Fiction." New Literary History 3.1 (1971): 135-56.
Hughes, Winifred. The Maniac in the Cellar. Princeton (NJ), 1980.
Hühn, Peter. "Zu den Gründen für die Popularität des Detektivromans: Eine Untersuchung von Thesen über die Motive seiner Rezeption." Arcadia 12 (1977): 273-296.
_____. "The Detective as Reader: Narrativity and Reading Concepts in Detective Fiction." Modern Fiction Studies 33 (1987): 451-466.
_____. "Der Detektiv als Leser. Narrativität und Lesekonzepte in der Detektivliteratur." In Der Kriminalroman: Poetik - Theorie – Geschichte. Ed. Jochen Vogt. München: Fink, 1998. 239-254 [Trans. of "The Detective as Reader", MFS 1987]
_____. "The Politics of Secrecy and Publicity: The Functions of Hidden Stories in Recent British Mystery Fiction." In Theory and Practice of Classic Detective Fiction. Ed. Jerome H. Delamater and Ruth Prigozy. Westport, CT: Greenwood Press, 1997. 39-50.
_____. "The Crime Novels of Patricia Highsmith and Ruth Rendell: Reflections on a Genre." Literatur in Wissenschaft und Unterricht 33 (2000): 17-30.
_____. "Mimetic Desire: An Attempt to Explain the Plot Structure of Detective Fiction." Literaturwissenschaftliches Jahrbuch 44 (2003): 337-352.
Humm, Maggie. "Legal Aliens: Feminist Detective Fiction." In Humm, Border Traffic. Manchester: Manchester UP, 1991. 185-211.*
Hutcheon, Linda. "Actualizing Narrative Structures: Detective Plot, Fantasy, Games, and the Erotic." In Hutcheon, Narcissistic Narrative. London: Routledge, 1984. 71-86.
Irons, Glenwood. "7. New Women Detectives: G Is for Gender-Bending." In Gender, Language, and Myth: Essays on Popular Narrative. Ed. Glenwood Irons. Toronto, Buffalo, London: U of Toronto P, 1992. 127-41.*
James, P. D. Talking about Detective Fiction. Oxford: Bodleian Library, 2009.*
_____. Todo lo que sé sobre novela negra. Barcelona: Ediciones B.
_____. "1. What Are We Talking About and How Did It All Begin?" In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 11-30.*
_____. "2. The Tenant of 211B Baker Street and the Parish Priest from Cobhole in Essex." In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 31-46.*
_____. "3. The Golden Age." In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 47-68.*
_____. "4. Soft-centred and Hard-boiled." In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 69-82.*
_____. "5. Four formidable women." In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 83-108.* (Christie, Sayers, Allingham, Ngaio Marsh).
_____. "6. Telling the Story: Setting, Viewpoint, People." In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 109-30.*
_____. "7. Critics and Aficionados: Why Some Don't Enjoy Them and Why Others Do." In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 131-42.*
_____. "8. Today and a Glimpse of Tomorrow." In James, Talking about Detective Fiction. Oxford: Bodleian Library, 2009. 143-58.*
James, P. D., and Joan Smith. "A Question of Crime." Interview. In New Writing 2. Ed. Malcolm Bradbury and Andrew Motion. London: Mandarin, 1993.*
John, Juliet., ed. Cult Criminals: The Newgate Novels. 1998.
Keating, H. R. F. Writing Crime Fiction. London: Black.
Kemp, Simon. "Unmasking the Detective-Murderer in the Novels of Alain Robbe-Grillet." From Exposure: Revealing Bodies, Unveiling Representations. Bern: Peter Lang, 2004. 96-106. Online at Academia.*
https://www.academia.edu/6291032/
2020
Kern, Stephen. A Cultural History of Causality: Science, Murder Novels, and Systems of Thought. Princeton (NJ): Princeton UP, 2004. Pbk. 2006.* (1. Ancestry. 2. Childhood. 3. Language. 4. Sexuality. 5. Emotion. 6. Mind. 7. Society. 8. Ideas).
Kestner, Joseph A. Sherlock's Men. Masculinity, Conan Doyle and Cultural History. Ashgate, 1997
Lacey, Nick. "Film Noir and 'Hard-boiled' Crime Novels: The Repertoire of Elements." In Lacey, Narrative and Genre. Houndmills: Macmillan, 2000. 143-63.*
Lavagetto, Mario. Lavorare con piccoli indizi. Turin: Bollati Boringhieri, 2003. (Detectives and psychoanalysis).
Lebrun, Michel, and Jean-Paul Schweighaeuser. Le Guide du Polar: Histoire du roman policier. Paris: Syros, 1987.
Liu, Li-Hsion Amanda. "Take the Law into Your Own Hands: Modernist and Detective Fiction in William Faulkner's Intruder in the Dust and Light in August." Miscelánea 54 (2016): 69-91.*
Liuyi, Zheng. "La novela policíaca española actual: José María Guelbenzu." Ph.D. diss. Dir. Epicteto José Díaz Navarro. Madrid: U Complutense de Madrid, 2016. Online at Academia.*
https://www.academia.edu/93132465/
2023
López Fernández, María Deseada. "'Walking with a Thesis': Detective Fiction as a Sub-Text in Iain Sinclair's White Chapell, Scarlet Tracings." In Proceedings of the 29th AEDEAN Conference: Universidad de Jaén 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de Jaén, 2006. 393-99.*
Lous, Alexandre. "Dames noires." Magazine littéraire 286 (1991): 83.
Lutas, Liviu. "Narrative Metalepsis in Detective Fiction." In Metalepsis in Popular Culture. Ed. Karin Kukkonen and Sonja Klimek. Berlin and New York: Walter de Gruyter, 2011. 41-64.*
Malmgren, Carl D. Anatomy of Murder: Mystery, Detective, and Crime fiction. 2001.
Mandel, Ernest. Delightful Murder: A Social History of the Crime Story. Bristol: Pluto Press, 1984.
Marling, William. (Case Western Reserve U). "Detective Novels: An Overview."
2011
Martínez Alfaro, María Jesús. "'When the Notebook Ran Out of Pages': Postmodernism and the Metaphysical Detective Story." In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. Ed. Constanza del Río-Álvaro and Luis Miguel García-Mainar. Heidelberg: Winter, 2004. 221-30.*
Mellier, Denis. "L'énigmatique contemporaine du récit policier." In Dramaxes. Ed. Denis Mellier and Luc Ruiz. Fontenay: ENS, 1995. 97-112.*
Melling, John Kennedy. Murder Done to Death: Parody and Pastiche in Detective Fiction. Lanham, MD: Scarecrow, 1996.*
Merivale, Patricia, and Susan Elizabeth Sweeney, eds. Detecting Texts: The Metaphysical Detective Story from Poe to Postmodernism. Philadelphia: U of Pennsylvania P, 1999.*
Miller, Kristine A. "Case Closed: Scapegoating in British Women's Wartime Detective Fiction." In The Devil Himself: Villainy in Detective Fiction and Film. Ed. Stacy Gillis and Philippa Gates. Westport (CT): Greenwood Press, 2002. 91-106.*
Morland, Nigel. How to Write Detective Novels. 1937.
Munt, Sally Rowena. Murder by the Book? Feminism and the Crime Novel. London: Routledge, 1994.
Navajas, Gonzalo. "Género y contragénero policíaco en La rosa de Alejandría de Manuel Vázquez Montalbán." In Navajas, Teoría y práctica de la novela española posmoderna. Barcelona: Edicions del Mall, 1987. 153-70.*
Pardo, Pedro Javier. "The Hermeneutic Code in Classical Detective Fiction: Doyle, Chesterton, Christie." XVI Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Valladolid: Secretariado de Publicaciones de la Universidad de Valladolid, 1994. 335-46.
Peters, Fiona, and Rebecca Stewart, eds. Crime Uncovered: Antihero. (Crime Uncovered). Bristol and Chicago: Intellect, 2016.
Phillips, Bill. "Religious Belief in Recent Detective Fiction." Atlantis 36.1 (2014): 139-51.*
_____. Rev. of Crime Uncovered: Detective, ed. Barry Forshaw, and Crime Uncovered: Antihero, ed. Fiona Peters and Rebecca Stewart. Atlantis 39.1 (June 2017): 259-66.*
Priestman, Martin. Detective Fiction and Literature: The Figure on the Carpet. 1990.
_____. Crime Fiction from Poe to the Present. (Writers and Their Work). Plymouth: Northcote House / British Council, 1998.*
Pyrhönen, Heta. "Detective Fiction." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 103-4.*
Quiller-Couch, A. T. "The Poor Little Penny Dreadful." (Crime Fiction). In Quiller-Couch, Adventures in Criticism. London: Cassell, 1896. 288-94.
Rafferty, Terrence. "Why Women Are Writing the Best Crime Novels." The Atlantic (July-Aug. 2016).*
http://www.theatlantic.com/magazine/archive/2016/07/women-are-writing-the-best-crime-novels/485576/
2016
Richter, David. "Murder in Jest: Serial Killing in the Post-Modern Detective Story." The Journal of Narrative Technique 19.1 (1989): 106-115.*
Rowland, Susan. Six Queens of Crime. (Crime Files). Houndmills: Macmillan, 2000. (Christie, Sayers, Margery Allingham, Ngaio Marsh, P. D. James, Ruth Rendell).
Saint-Gelais, R. "Rudiments de lecture policière." Revue Belge de philologie et d'histoire 75.3 (1997): 789-804.
Santaulària, Isabel. "Un estudio en negro: la ficción de detectives anglosajona, de sus orígenes a la actualidad." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008.
Sayers, Dorothy L. Introd. to Tales of Detection. (Everyman's Library, 928). London: Dent; New York: Dutton.
Schmid, Wolf. "4. Inverting the Detective Script: Karel Capek's 'Case of Dr. Mejzlik'." In Schmid, The Nonnarrated. Berlin and Boston: De Gruyter, 2023. 32-35.*
https://doi.org/10.1515/9783111242637-004
2023
Seltzer, Mark. True Crime.
Serafini, Stefano. "The Gothic Side of Golden Age Detective Fiction." In Gothic Metamorphoses Across the Centuries: Contexts, Legacies, Media. Ed. Maurizio Ascari et al. Bern, Berlin, Brussels, New York, Oxford: Peter Lang, 2020. 117-30.*
Shaw Fairman, Patricia. "Characteristics and Conventions of the English Detective Novel." Estudios de Filología Inglesa 6 (Universidad de Cordoba, 1984): 125-34.
Smith, Erin A. Hard-Boiled: Working Class Readers and Pulp Magazines. Philadelphia: Temple UP, 2000.*
Spanos, William V. "The Detective and the Boundary: Some Notes on the Postmodern Literary Imagination." boundary 2 2.1 (1972): 147-68.
_____. "The Detective and the Boundary: Some Notes on the Postmodern Literary Imagination." Rpt. as Ch. 1 of Spanos, Repetitions: The Postmodern Occasion in Literature and Culture. 13-49.*
_____. From "The Detective and the Boundary: Some Notes on the Postmodern Literary Imagination." In Postmodernism: A Reader. Ed. Patricia Waugh. London: Routledge, 1992. 79-86.*
Spécial Polar: Vingt ans de littérature policière. Magazine Littéraire 194 (1983).
Tani, Stefano. The Doomed Detective: The Contribution of the Detective Novel to Postmodern American and Italian Fiction. Carbondale: Southern Illinois UP, 1984.
Todorov, Tzvetan. "Typologie du roman policier." In Todorov, Poétique de la prose. Paris, Seuil, 1971. 55-65.
_____. "The Typology of Detective Fiction." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 157-65.*
_____. "The Typology of Detective Fiction." In Modern Criticism and Theory: A Reader, 2nd ed. Ed. D. Lodge and N. Wood. London and New York: Longman, 2000.
_____. Poétique de la prose. (Poétique). Paris: Seuil, 1971.
_____. Poétique de la prose (choix), suivi de Nouvelles Recherches sur le récit. (Points: Littérature, 120). Paris: Seuil, 1978.*
_____. The Poetics of Prose. Trans. Richard Howard. Ithaca: Cornell UP; Oxford: Blackwell, 1977.
_____. Poétique de la prose (choix), suivi de Nouvelles Recherches sur le récit. (Points: Littérature, 120). Paris: Seuil, 1978.*
_____. The Poetics of Prose. Trans. Richard Howard. Ithaca: Cornell UP; Oxford: Blackwell, 1977.
Thomas, Ronald R.. "The Fingerprint of the Foreigner: Colonizing the Criminal Body in 1890s. Detective Fiction and Criminal Anthropology." ELH (1994).*
_____. Detective Fiction and the Rise of Forensic Science. (Cambridge Studies in Nineteenth Century Literature and Culture 26). Cambridge: Cambridge UP, 1999.*
Valles Calatrava, José R. "Sobre algunas cuestiones transductivas y transdiscursivas en la ficción criminal: La novela y el cine policial en relación con la modernidad y la posmodernidad (A propósito de Los crímenes de la calle Morgue, El Halcón Maltés y El nombre de la rosa)." In La arquitectura del sentido: La producción y reproducción en las prácticas semiótico-discursivas. Ed. Julieta Haidar. (Cuerpo Académico 'Análisis del Discurso y Semiótica de la Cultura'). Mexico: Conacula-INAH, Escuela Nacional de Antropología e Historia, 2005. 55-76. Online preview at Academia.*
https://www.academia.edu/75263121/
2022
Van Herp, Jacques. Harry Dickson. (Ides... et autres, Essais). Bruxelles: Recto-Verso, 1981.
Vázquez de Parga, Salvador. La novela policiaca en España. Barcelona, 1993.
Vogt, Jochen. Der Kriminalroman: Poetik - Theorie – Geschichte. Ed. Jochen Vogt. München: Fink, 1998.
Walker, Ronald G., and June M. Frazer, eds. The Cunning Craft: Original Essays on Detective Fiction and Contemporary Literary Theory.
Wark, Wesley K., ed. Spy Fiction, Spy Films and Real Intelligence. London: Frank Cass, 1991.
Xanthos, Nicolas. "Raconter dans le crépuscule du héros. Fragilités narratives dans le roman d'enquête contemporain." In La transmission narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier and Andrée Mercier. Canada: Nota Bene, 2011. 111-26.*
Yates, Donald A. "Introducción." In El cuento policial latinoamericano. Mexico: Eds. de Andrea, 1964.
_____. "El cuento policial latino americano." En Teoría cuentística del siglo XX. (Aproximaciones hispánicas). Ed. Catharina de Vallejo. Barcelona: Editorial Vosgos,1989. 205-12.
Anthologies
Cox, Michael, ed. Victorian Tales of Mystery and Detection. Oxford: Oxford UP, 1992.
_____. Twelve English Detective Stories. Oxford: Oxford UP, 1998.*
Hillerman, Tony, and Rosemary Herbert, eds. The Oxford Book of American Detective Stories. New York: Oxford UP, 1996.
Jesse, F. Tennyson, ed. The Baffle Book. Crime fiction. London: Hogarth, 198-?
Nolan, William F., ed. The "Black Mask" Boys: Masters in the Hard-Boiled School of Detective Fiction. New York: Morrow, 1985.
Pulp Fiction: The Crimefighters, an Omnibus. Introd. Harlan Coben. (Dashiell Hammett, Earle Stanley Gardner, Cornel Woolrich, Raymond Chandler, Frederick Nebel, Paul Cain, Carroll John Daly, George Harmon Coxe, Charles Booth, Leslie White, William Rollins, Norbert Davis, Horace McCoy, Thomas Walsh).
Queen, Ellery, ed. Literature of Crime. 1952.
Santamaría, J., and P. Alonso, eds. Antología del relato policial. Trans. by Gabriel Casas, J. L. López Muñoz, F. Torres Oliver, Helena Valentí, Javier Vico. Illust. by Tha. (Aula de Literatura, 7). Barcelona: Vicens Vives, 1991. 2nd ed. 2002.*
Sayers, Dorothy L. Introd. to Tales of Detection. (Everyman's Library, 928). London: Dent; New York: Dutton.
_____, ed. Great Short Stories of Detection, Mystery and Horror. 1928.
Thwing, Eugene, ed. The World's Best 100 Detective Stories. Vol. 2.. New York and London: Funk & Wagnalls, 1927.
Bibliography
Bisceglia, Jacques, and Roland Buret. Trésors du roman policier, de la science-fiction et du fantastique: Catalogue encyclopédique. Paris: Edition de l'Amateur, 1981.
García Landa, José Angel. "Detective Fiction." From A Bibliography of Literary Theory and Criticism. Online at Ininet.org 26 May 2017.*
http://ininet.org/a-bibliography-of-literary-theory-criticism-and-philology-v4.html
2018
Internet resources
Letras nórdicas.*
2020
Journals
Enigmatika 8 (1977).
Literature
Arranz, David Felipe, ed. Archivos secretos de Sherlock Holmes. (Grandes Clásicos Funambulista). 2020.
Chesterton, Gilbert Keith. La incredulidad del Padre Brown. Trans. Isabel Abelló de Lamarca. Foreword by F. S. R. (Colección Crisol, 341). Madrid: Aguilar, 1951. 3rd ed. 1961.*
Child, Lee. Killing Floor. Novel. 1997. (Barry Award; Anthony Award for the first noir novel).
_____. El camino difícil. Novel. (Jack Reacher series).
_____. Un disparo. Novel. (Jack Reacher series).
_____. Mala suerte. Novel. (Jack Reacher series).
_____. Personal. Novel. (Jack Reacher series, 19). 2014.
_____. Personal. Trans. V. M. García de Isusi. Barcelona: RBA, 2014.* (VIII Premio RBA de Novela Negra, 2014).
Perelman, S. J. "Hasta el final y bajando la escalera." In Antología del cuento norteamericano. Ed. Richard Ford. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2002. 540-48.* (Parody).
Poe, Edgar Allan. "The Mystery of Marie Roget." In The Complete Tales and Poems of Edgar Allan Poe. (The Modern Library). New York: Random House, 1938. 169-207.*
_____. "El misterio de Marie Roget." In Poe, Los asesinatos de la rue Morgue. El misterio de Marie Roget. Ediciones de Bolsillo.
_____. "The Murders in the Rue Morgue." Short story. 1841.
_____. "The Murders in the Rue Morgue." In Poe, Prose Tales of Edgar A. Poe. 1843.
_____. "The Murders in the Rue Morgue." In The Complete Tales and Poems of Edgar Allan Poe. (The Modern Library). New York: Random House, 1938. 141-68.*
_____. "The Murders in the Rue Morgue." Short story. In Selected Writings of Edgar Allan Poe. Ed. David Galloway. Harmondsworth: Penguin, 1985. 189-224.*
_____. The Murders in the Rue Morgue. (Penguin 60s Classics). Harmondsworth: Penguin.
_____. Los asesinatos de la rue Morgue. El misterio de Marie Roget. Ediciones de Bolsillo.
_____. Los crímenes de la calle Morgue. Madrid: Alianza (Alianza Cien).
_____. "Los crímenes de la calle Morgue." In Poe, Obras completas. Ed. and trans. Julio Cortázar. Madrid: Aguilar. Rpt. RBA Coleccionables, 2004. 1.402-28.*
_____. "The Purloined Letter." Short story. 1845. In The Complete Tales and Poems of Edgar Allan Poe. (The Modern Library). New York: Random House, 1938. 208-22.*
_____. "The Purloined Letter." In Poe, Selected Prose and Poetry. New York: Holt, 1966. 95-115.
_____. "The Purloined Letter". In Poe, Selected Writings. Harmondsworth: Penguin, 1967.
_____. "The Purloined Letter." Short story. In Selected Writings of Edgar Allan Poe. Ed. David Galloway. Harmondsworth: Penguin, 1985. 330-49.*
_____. "The Purloined Letter." Ed. Thomas Olive Mabbott. In The Purloined Poe: Lacan, Derrida, and Psychoanalytic Reading. Ed. John P. Muller and William J. Richardson. Baltimore: Johns Hopkins UP, 1988. 6-27.*
_____. "The Purloined Letter." In American Studies server, U of Virginia
http://xroads.virginia.edu/~HYPER/POE/purloine.html
2007
_____. "La carta robada." In Poe, Obras completas. Ed. and trans. Julio Cortázar. Madrid: Aguilar. Rpt. RBA Coleccionables, 2004. 1.466-79.*
_____. "La carta robada." In Antología del cuento norteamericano. Ed. Richard Ford. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2002. 65-83.*
Twain, Mark. Tom Sawyer, Detective. 1896.
_____. Tom Sawyer detective. (Historias Infantil, 31). Barcelona: Bruguera.
Prizes
CWA Macallan Silver Dagger for Fiction.
Edgar Award
Creasey Award
Crime Thriller Award
Crystal Key to the best crime novel
Dagger International
Grand Prix de Littérature Policière
Hammett Prize
Macavity Award
Martin Beck Award, Swedish Academy
Premio Novelpol
Premio RBA de Novela Negra.
Premio Torno Negro
Prix du Polar Européen
Prix Quercy Noir
Riverton award
Series
(Alfaguara Negra). Madrid: Alfaguara, c. 2015.*
(Alfred Hitchcock y Los Tres Investigadores, 35). Barcelona: Molino, 1985.*
(Crime Files). Series ed. Clive Bloom. Houndmills: Macmillan, 2000.
(Grands Détectives). Paris: 10/18, c. 1999.
(Maeva Noir). Madrid: Maeva, c. 2019.*
(Novela Negra). Barcelona: Bruguera, c. 1977.
(Novela Negra Actual). Series ed. Virgilio Ortega. Barcelona: Planeta DeAgostini 2006.*
(Nuevos Tiempos / Policiaca, 318). Madrid: Siruela, 2015.*
(Rojo & Negra, 1). Series ed. Rodrigo Fresán. Barcelona: Random House Mondadori, 2010.
(Serie Negra, 265). Barcelona: Ediciones B, 2013.*
(La Trama). Barcelona: Ediciones B, c. 2013.*
Societies
OULI(PO)PO (Ouvroir de Littérature Policière Potentielle).
See also: Edgar Allan Poe; Arthur Conan Doyle; Agatha Christie, G. K. Chesterton, Dashiell Hammett, Georges Simenon; Mirko Zilahy; P.D. James.
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