from
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Popular fiction
Best Sellers
Altman, Meryl. "Everything They Always Wanted You to Know: The Ideology of Popular Sex Literature." In Pleasure and Danger: Exploring Female Sexuality. Ed. Carole S. Vance. London: Routledge, 1984.*
Amorós, Andrés. Sociología de una novela rosa. 1968.
_____. Subliteraturas. 1974.
Angenot, Marc. Le roman populaire: Recherches en paralittérature. Montreal: PU du Quebec, 1975.
Ashley, Bob. The Study of Popular Fiction: A Source Book. London: Pinter, 1989.
Baetens, Jan. "Cinéroman." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 65.*
Barberán, Rafael, and Àngels Gimeno. "El imperio de los superventas." In La ciencia ficción española. By Fernando Martínez de la Hidalga et al. Madrid: Ediciones Robel, 2002. 165-75.*
Beddoe, Deirdre, Pauline Young, and Stevi Jackson. Imagined Freedoms: Women and Popular Fiction in the Twentieth Century. Hemel Hempstead: Harvester Wheatsheaf, 1994.
Bennett, Tony, ed. Popular Fiction: Technology, Ideology, Production, Reading. London: Routledge, 1990.
Bleton, Paul, ed. Lecture et mauvais genres. Special issue of Protée 2.17 (Canada, Spring 1989).
Bilston, Sarah. The Awkward Age in Women's Popular Fiction, 1850-1900: Girls and the Transition to Womanhood. (Oxford English Monographs). Oxford: Oxford UP, 2004.
Bracco, Rosa Maria. Merchants of Hope: British Middlebrow Writers and the first World War. Oxford: Berg, 1993. Rev. in Focus on Robert Graves and His Contemporaries 2.3 (1995): 48-49.
Cawelti, John G. Adventure, Mystery, and Romance: Formula-Stories as Art and Popular Culture. Chicago: U of Chicago P, 1976.*
Couégnas, Daniel. "Une stratégie de l'ambivalence." (Popular fiction in Rennes newspapers, 1870-1914). Bulletin de la sociétié des amis du roman populaire 6 (1986).
_____. Introduction à la paralittérature. (Poétique). Paris: Seuil, 1992.*
Dalziel, Margaret. Popular Fiction 100 Years Ago: An Unexplored Tract of Literary History. Cohen & West, 1957.
DeForest, Tim. Storytelling in the Pulps, Comics, and Radio: How Technology Changed Popular Fiction in America. USA: McFarland, 2004.
Fowler, Bridget. The Alienated Reader: Women and Popular Romantic Literature in the Twentieth Century. Hemel Hempstead: Harvester Wheathsheaf, 1991.
Goodstone, Tony. The Pulps: Fifty Years of American Pop Culture. New York, 1970.
Guise, R., and H. J. Neuschäfer. Richesses du roman populaire. (Colloque de Ponte à Mousson, oct. 1983). (Publications du Centre de Recherches sur le roman populaire de l'université Nancy II et du Romanistisches Institut de l'université de Sarrebruck). 1986.
Harvie, Christopher. The Centre of Things: Popular Fiction in Britain from Disraeli to the Present. London: Routledge, 1991.
Hawkins, Harriet. Classics and Trash: Traditions and Taboos in High Literature and Popular Modern Genres. Hemel Hempstead: Harvester Wheatsheaf, 1990.
Herald, Diana Tixier. A Guide to Reading Interests in Genre Fiction. 5th ed. Libraries Unlimited, 2000.
Hughes, Winifred. "Silver Fork Writers and Readers: Social Contexts of a Best Seller." Novel 25.3: 328-347.*
Humm, Peter, Paul Stigant and Peter Widdowson, eds. Popular Fictions: Essays in Literature and History. London: Methuen, 1986.
Irons, Glenwood. "Introduction." In Gender, Language, and Myth: Essays on Popular Narrative. Ed. Glenwood Irons. Toronto, Buffalo, London: U of Toronto P, 1992. xiii-xxviii.*
_____, ed. Gender, Language, and Myth: Essays on Popular Narrative. Toronto, Buffalo, London: U of Toronto P, 1992.* (Romance Fiction - Western Fiction - Detective and Espionage Fiction - Science Fiction and Fantasy - Horror Fiction).
Le Grand, Cyrille. "La/une cosmologie discrète du roman populaire." In Dramaxes. Ed. Denis Mellier and Luc Ruiz. Fontenay: ENS, 1995. 163-78.*
Leavis, Q. D. "The Significance of the Best-Seller." In Leavis, Fiction and the Reading Public. 1932. London: Bellew, 1990. 205-73.
_____. "The Outline of Popular Fiction." In Leavis, Fiction and the Reading Public 330-6.
Martín Alegre, Sara. "A Fast-Ageing Culture: New Problems in the Study of Popular Fictions." The Joys of Teaching Literature 28 Aug. 2017.*
2017
Martínez, Renato. Para una relectura del boom: Populismo y otredad. Madrid, 1990.
McCracken, Scott. Pulp: Reading Popular Fiction. Manchester: Manchester UP, 1998.
Meskin, Aaron. "10. Popular Fiction." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.
Murphy, Bernice. Key Concepts in Contemporary Popular Fiction. (Key Concepts in Literature). Edinburgh: Edinburgh UP, 2017.
Nash, Walter. Language in Popular Fiction. London: Routledge, 1991.*
Olivier-Martin, Yves. Histoire du roman populaire en France. Paris: Albin Michel, 1980.
Orel, Harold. Popular Fiction in England, 1914-1918. Hemel Hempstead: Harvester Wheatsheaf, 1992.
Radford, Jean, ed. The Progress of Romance: The Politics of Popular Fiction. London: Routledge, 1986.
Radstone, Susannah, ed. Sweet Dreams: Sexuality, Gender and Popular Fiction. London: Lawrence and Wishart, 1988.*
Radway, Janice A. Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: U of North Carolina P, 1984.
_____. Reading the Romance: Women, Patriarchy, and Popular Literature. 1984. London: Verso, 1987. 1994.
Romero Tobar, Leonardo. La novela popular española en el siglo XIX. Esplugas de Llobregat: Ariel, 1976.
Smith, Erin A. Hard-Boiled: Working Class Readers and Pulp Magazines. Philadelphia: Temple UP, 2000.*
Smith, Herbert F. The Popular American Novel 1865-1920. New York: Twayne, 1980.
Spufford, Margaret. Small Books and Pleasant Memories: Popular Fiction and Its Readership in Seventeenth-Century England. Athens: U of Georgia P, 1981.
Stevenson, R. L. "Autores populares." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.239-47.*
Stockwell, Peter. The Poetics of Science Fiction. (Textual Explorations, 3). Harlow: Pearson Education-Longman, 2000.*
Sutherland, John. Fiction and the Fiction Industry. London: Athlone, 1978.
Tompkins, J. M. S. The Popular Novel in England, 1770-1800. London, 1932.
Watt, Ian. "Elizabethan Light Reading." In The Age of Shakespeare. Ed. Boris Ford. Vol. 2 of The Pelican Guide to English Literature. Harmondsworth: Penguin-Pelican, 1955. 1971. 119-30.*
Zschirnt, Christiane. "11. Clásicos triviales. Mary Wollstonecraft Shelley: Frankenstein o el moderno Prometeo. Bram Stoker: Drácula. Arthur Conan Doyle: Sherlock Holmes. Margaret Mitchell: Lo que el viento se llevó. Karl May: Winnetou." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 237-48.*
Anthologies
Nathan, Michel, ed. Anthologie du roman populaire, 1836-1914. Paris: UGE-10/18, 1985.
Simons, John, ed. Guy of Warwick and Other Chapbook Romances: 6 Tales from the Popular Literature of Pre-Industrial England. Exeter UP, 1998.
Internet resources
Harris, James. "The Periodic Table of Storytelling." Website.
http://designthroughstorytelling.net/periodic/
2014
Journals
Bulletin de la sociétié des amis du roman populaire 6 (1986).
Literature
Bergsson, Gudbergur. Tómas Jónsson. Metsölubók. Iceland, 1966.
_____. Tomas Jonssson: Bestseller. Novel. (Alfaguara Literaturas). Trans. Enrique Bernárdez. Madrid: Altea, Taurus, Alfaguara, 1990.*
Magazines
Adventure. Popular fiction magazine (England).
Champion. Popular fiction magazine (England).
Hotspur. Popular fiction magazine (England).
Modern Boy. Popular fiction magazine (England).
Weird Tales. Popular fiction magazine. Ed. Fansworth Wright. 1923-.
Wizard. Popular fiction magazine (England).
Series: Criticism
(Critical Companions to Popular Contemporary Writers). Series ed. Kathleen Gregory Klein. Westport (CT): Greenwood Press, c. 1996.*
Series: Fiction
(Les Chefs d'œuvre illustrés). Paris: Jules Rouff. (Early 20th).
(Libros Reno). Barcelona: Ediciones G.P. / Plaza & Janés, c. 1966.*
(Le Livre Populaire). Vols. 1-100. Paris: Fayard, 1905-13. (Listed in Couégnas, Introduction á la Paralittérature).
(Oxford Popular Fiction). Oxford: Oxford UP.
(Studies in Global Genre Fiction). London: Routledge, c. 2022
See also: Best Sellers; Adventure novel; Detective novel; Mystery stories; Horror and Gothic fiction; Science fiction; Westerns; Romance.
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