sábado, 31 de agosto de 2024

Poesía: Épocas

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Poetry: Ages

 

 

 

Primitive poetry

 

Herder, Johann Gottfried. "Extracto de un intercambio de cartas sobre Ossian y las canciones de los pueblos antiguos." In Herder, Obra selecta: Ed. and trans. Pedro Ribas. Madrid: Alfaguara, 1982. 233-48.*

Veselovsky, A. N.  "I.6. Tres capítulos de poética histórica." 1899. In Veselovsky, Poética histórica. Madrid: Akal, 2014. 265-473.* (I. El sincretismo de la poesía antigua y los orígenes de la diferenciación de los géneros poéticos; II. Del cantor al poeta. El desgajamiento de la idea de poesía; III. La lengua de la poesía y la lengua de la prosa).

 

 

 

Classical Poetry

 

Cairns, Francis J. Generic Composition in Greek and Roman Poetry. Edinburgh: Edinburgh UP, 1972.

Foley, John Miles, ed. A Companion to Ancient Epic. (Blackwell Companions to the Ancient World). Oxford: Blackwell, 2004.

Fränkel, H. Early Greek Poetry. Oxford, 1975.

Frenk, M. Estudios sobre lírica antigua. Madrid: Castalia, 1977.

Melero, Antonio. "Los orígenes de la poesía europea." In Miscel-lània homenatge Enrique García Díez. Valencia: Universitat de Valencia / Consellería de Cultura, Educació i Ciència de la Generalitat Valenciana, 1991. 169-84.

Murray, Gilbert. The Classical Tradition in Poetry. Cambridge (MA): Harvard UP, 1927.

Nisard, Désiré. Etudes de mœurs et de critique sur les poètes latins de la décadence. 1834.

Raven, D. S. Latin Metre: An Introduction. London, 1965.

Rodríguez Adrados, F. La lírica en el mundo griego. Madrid: CUPSA, 1979.

Spence, Joseph. Polymetis.  (Aesthetics, poetry and sculpture). 1747.

Webbe, William. A Discourse of English Poetrie. London: R. Walley, 1586.

Williams, G. Tradition and Originality in Roman Poetry. Oxford: Oxford UP, 1968.

 

 

Anthologies

 

Baehrens, E., ed. Poetae Latini minores. Leipzig, 1881.

The Oxford Book of Classical Verse in Translation. Oxford: Oxford UP, 1996.

 

 

Medieval poetry

 

Alvar, Manuel. Cantares de gesta medievales. México: Porrúa, 1972.

Beattie, James. "On Fable and Romance." In Beattie, Dissertations. 1783.

Caie, Graham. "I do not wish to be called auctour, but the pore compilatour': The Plight of the Medieval Vernacular Poet." Miscelánea 29 (2004): 9-22.*

Curne de Saint-Palaye, Jean-Baptiste de la. Historie des Troubadours 1774. (English trans. by Susannah Dobson, 1779).

Dronke, Peter. La lirica en la Edad Media. Barcelona: Seix-Barral,1978.

_____. The Medieval Poet and His World. (Storia e letteratura, Studi e testi 164). Rome, 1984.

García Jiménez, Emilia. "La poesía elegíaca medieval: un discurso epidíctico." Cuadernos de Investigación Filológica 19/20 (1993/94): 7-26.*

Infantes, Víctor. Las danzas de la muerte: génesis y desarrollo de un género medieval (siglos XIII-XVII). Salamanca: Ediciones Universidad de Salamanca, 1997.*

Jager, Eric. "The Book of the Heart: Reading and Writing the Medieval Subject." Speculum 17.1 (1996): 1-26.*

Menéndez Pidal, Ramón. Poesía juglaresca y orígenes de las literaturas románicas. 1957.

Ortega, A. El despertar de la lírica en Europa. Salamanca: autor, 1974.

Paris, Gaston. La Poésie au Moyen Age. 1885, 1895.

Ramoneda, A. La lírica medieval. Madrid: La Muralla, 1973.

Richthofen, E. von. Estudios épicos medievales. Madrid: Gredos, 1954.

_____. "Analogías histórico-legendarias inadvertidas en las tradiciones épicas medievales de España, Francia y los países germánicos." In von Richthofen, Límites de la crítica literaria y Analectas de filología comparada. Barcelona: Planeta, 1976. 123-94.

Riquer, Martín de. Los trovadores. Barcelona, 1975.

Roy, B., and Paul Zumthor, eds. Jeux de mémoire: Aspects de la mnémotechnie médiévale. 1985.

Ryding, William M. Structure in Medieval Narrative. The Hague: Mouton, 1971.

Spearing, A. C.  Medieval Dream-Poetry. 1976. (Chaucer, 49-73).

_____. The Medieval Poet as Voyeur. 1993.

Waddell, Helen. "Poetry in the Dark Ages." W. P. Ker Memorial Lecture. Glasgow University, 1947.

Windeatt, Barry A. Chaucer's Dream-Poetry: Sources and Analogues. 1982.

Zumthor, Paul. Essai de poétique médiévale. Paris: Seuil, 1972.

_____. La Poésie et la voix dans la civilisation médiévale. (Essais et Conférences, Collège de France). Paris: PUF, 1984.

_____. "La poesía y la voz en la civilización medieval." In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura Española, gen. ed. Francisco Rico. Barcelona: Crítica, 1991. 21-26* (From La poésie et la voix dans la civilisation médiévale, Paris: PUF, 1985).

 

 

 

Anthologies

 

 

Masoliver, Juan Ramón, ed. Dolce Stil Nuovo. Barcelona: Seix Barral, 1983.

 

 

 

 

 

Renaissance Poetry

 

Allen, D. C. Image and Meaning: Metaphoric Traditions in Renaissance Poetry. Baltimore, 1960.

Buyze, Jean. The Tenth Muse: Women Poets before 1806. Berkeley, 1980.

Clark, Donald L. Rhetoric and Poetry in the Renaissance. 1922.

Cooper, Helen. Pastoral: Medieval into Renaissance. Ipswich: Brewer; Totowa (NJ): Rowman and Littlefield, 1977.

de Mourges, Odette. Metaphysical, Baroque & Précieux Poetry. Oxford: Oxford UP, 1953.

Dubrow, Heather. Echoes of Desire: Petrarchism and Its Counterdiscourse. 1995.

Greene, Roland. "The Lyric." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 216-28.*

Hardison, Osborn B., Jr. The Enduring Monument: A Study of the Idea of Praise in Renaissance Literary Theory and Practice. Chapel Hill: U of Norht Carolina P, 1962.

Hedley, J. Power in Verse: Metaphor and Metonymy in the Renaissance. University Park (PA): Pennsylvania State UP, 1988.

Lewalksi, Barbara Kiefer, ed. Renaissance Genres. Cambridge (MA): Harvard University Press, 1986.

Miller, J. T. Poetic License: Authority and Authorship in Medieval and Renaissance Contexts. 1986.

Moss, Ann. "Theories of Poetry: Latin Writers." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 98-105.*

Naïs, Hélène. "Tradition et imitation chez quelques poètes du XVIe siècle." Revue des sciences humaines 180 (1984): 33-49.

Pater, Walter. The Renaissance: Studies in Art and Poetry. 1873, 1877, 1888. Ed. Donald L. Hill. Berkeley: U of California P, 1980.

Raymond, Marcel.  Baroque et renaissance poétique. Paris: José Corti, 1955.

Rostvig, Maren-Sofie. Configurations: A Topomorphical Approach to Renaissance Poetry. Oslo, Copenhagen and Stockholm: Scandinavian UP, 1994.

Sloan, T. O., and R. B. Waddington, eds. The Rhetoric of Renaissance Poetry. Berkeley: U of California P, 1974.

Wallerstein, Ruth C. Studies in Seventeenth-Century Poetic. Madison: U of Wisconsin P, 1950.

Webbe, William. A Discourse of English Poetrie. London: R. Walley, 1586.

 

 

 

Neoclassical and 18th-century

 

Buyze, Jean. The Tenth Muse: Women Poets before 1806. Berkeley, 1980.

Dennis, John. The Advancement and Reformation of Modern Poetry. 1701. In Critical Works. Vol. 1. Baltimore, 1939.

_____. The Advancement and Reformation of Modern Poetry. Select. in Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 273-275.

_____. Critical Works. Ed. E. N. Hooker. Baltimore, 1939-43.

Green, F. C. "Poetry." In Green, Minuet: A Critical Survey of French and English Literary Ideas in the Eighteenth Century. London: Dent, 1935. 192-301.*

Haferkorn, Reinhard. Gothik und Ruine in der Dichtung des 18. Jahrhunderts. Leipzig: Tuchnitz, 1924.

Mantz, Harold E. "Non-Dramatic Pastoral in Europe in the Eighteenth Century." PMLA 31 (1916): 421-47.

Martin, Abbott C. "The Love of Solitude in Eighteenth Century Poetry." South Atlantic Quarterly 29 (1930): 48-59.

 

 

Internet resources

 

 

 

Eighteenth-Century Poetry Archive

         http://www.eighteenthcenturypoetry.org/resources/

         2016

 

 

 

 

 

 

19th century

 

Crawford, Robert. The Modern Poet: Poetry, Academia, and Knowledge since the 1750s. Oxford: Oxford UP, 2004.

Paz, Octavio. Los hijos del limo: Del romanticismo a la vanguardia.  Barcelona: Seix Barral, 1987.

_____. Children of the Mire: Modern Poetry from Romanticism to the Avant-Garde. Cambridge: Harvard UP, 1974.

Priestley, J. B. "The Poets." (19th). In Priestley, Literature and Western Man. 1960. London: Readers Union / Heinemann, 1960. 164-76.

Spengemann, William C. Nineteenth Century Poetry. 1997.

 

 

Romantic poetry

 

Bengoechea, Mercedes. "3. La perturbadora mirada del deseo en la poesía romántica." In El sustrato cultural de la violencia de género: Literatura, arte, cine y videojuegos. Ed. Ángeles de la Concha. (Perspectiva feminista). Madrid: Síntesis, 2010.

Braida, Antonella. Dante and the Romantics. Oxford: Oxford UP, 2004.

Chayes, Irene H. "Rhetoric as Drama: an Approach to the Romantic Ode." PMLA 79 (1964).

Constable, John. "Romantic Women's Poetry—Is It Any Good?" The Cambridge Quarterly 29.2 (2000): 133-44.

Hamlyn, Cyrus. Hermeneutics of Form: Romantic Poetics in Theory and Practice. New Haven (CT): Schwab, 1998.

Ker, W. P. "Romantic Fallacies." In Ker, The Art of Poetry. Oxford: Clarendon, 1923. 73-92.*

Lussier, Mark. Romantic Dynamics: The Poetics of Physicality. (Romanticism in Perspective: Texts, Cultures, Histories). Houndmills: Macmillan, 1999.

Massey, Irving. The Uncreating Word: Romanticism and the Object. Bloomington: Indiana UP, 1970.

Metzger, Lore. One Foot in Eden: Modes of Pastoral in Romantic Poetry. 1986.

Nalbantian, Suzanne. The Symbol of the Soul from Holderlin to Yeats.

Perry, Seamus. "What the Poem 'Knows'." Rev. of Romanticism and the Self-Conscious Poem. By Seamus Perry. TLS 22 May 1998: 32.*

Pujol Russell, Sara. "Romanticismo: La naturaleza y el poeta." Universitas Tarraconensis 4 (1983): 95-110.*

Raleigh, Walter. "On the Decline and Fall of Romanticism in Nineteenth-Century Poetry." In Raleigh, On Writing and Writers. London: Arnold, 1926. 187-214.*

Richter, Jean Paul. "Sobre la Poesía Romántica." In Richter, Introducción a la estética. 1804. Madrid: Verbum, 1991. 73-92.*

Rosen, Charles. Romantic Poets, Critics, and Other Madmen. Cambridge (MA): Harvard UP, 1998.

Wimsatt, W. K. "The Structure of Romantic Nature Imagery." In The Age of Johnson: Essays Presented to Chauncey Brewster Tinker. New Haven: Yale UP, 1949. Rev. version in Wimsatt, The Verbal Icon. 103-18.*

 

 

Anthologies

 

Miguel A. García and Juan P. Monferrer, eds. Poetas románticos universales: Antología bilingüe. Introd. Bernd Dietz. (Colección Nuevos Horizontes. Serie Poesía). Cordoba : Universidad de Córdoba, 1998.

 

 

Literature

 

Goethe, J. W. Die romantische Poesie. Masquerade. 1810.

_____. La poesía romántica: Estancias para ilustración de una mascarada. In  Goethe, Obras completas. Ed., trans. and introd. Rafael Cansinos Asséns. Madrid: Aguilar, 1957. Facsimile rpt: Madrid: Santillana, 2004. 2.39-50.*

 

 

 

 

Symbolism

 

Brooks, Cleanth. "A Note on Symbol and Conceit." American Review 3 (1934). Rpt. in Brooks, Modern Poetry and the Tradition. Chapel Hill: U of North Carolina P, 1939.

Jackson, J. E. "Poetry: The Birth of Modernism." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 472-76.*

Mallarmé, Stéphane. "Crise de vers." 1896. In Mallarmé, Œuvres complètes. Paris: Gallimard, 1945.

_____. "Crise de vers." 1896. In Poésies. Anecdotes ou poèmes. Pages diverses. Ed. Daniel Leuwers. Paris: LGF, 1977. 195-208.*

_____. "Crisis in Verse." In Symbolism: An Anthology. Ed. T. G. West. London: Methuen, 1980. 1-12.*

_____. "Crisis in Poetry." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Symons, Arthur. The Symbolist Movement in Literature. 1899.

"Symbolist Poets." Textetc.com

         http://www.textetc.com/modernist/symbolism.html

         2013

Wilson, Edmund. "Modern Literature: Between the Whirlpool and the Rock." New Republic 48 (2 Nov. 1926).

 

 

Anthologies

 

López Folgado, Vicente, and Juan Pedro Monferrrer Sala, eds. La poesía simbolista: Antología bilingüe. In Hikma 3 (anejo). Córdoba: Servicio de Publicaciones de la Universidad de Córdoba, 2004.

 

 

 

 

 

1890s

 

Perkins, David. A History of Modern Poetry from the 1890s to the High Modernist Mode. Cambridge (MA) and London: Belknap/Harvard UP, 1976.

Scott, Clive. "The Prose Poem and Free Verse." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 349-68.*

 

 

 

20th century

 

Aiken, Conrad. "Poetry and the Mind of Modern Man." In Contemporary American Poetry. Ed. Howard Nemerov. Washington: Voice of America, 1965. 1-10.*

Altieri, Charles. "Objective Image and Act of Mind in Modern Poetry." PMLA 91.1 (January 1976).

Brooks, Cleanth. Modern Poetry and the Tradition. Chapel Hill: U of North Carolina P, 1939.

Crawford, Robert. The Modern Poet: Poetry, Academia, and Knowledge since the 1750s. Oxford: Oxford UP, 2004.

Curtis, Tony. How to Study Modern Poetry. (How to Study series). Houndmills: Macmillan, 1990.

Forrest-Thompson, V. Poetic Artifice: A Theory of Twentieth Century Poetry. Manchester, 1978.

Geddes, Gary, ed. 20th Century Poetry and Poetics. 4th ed. Canada: Oxford UP, 1996.

Glaysher, Frederick. "Poetry in the Nuclear Age."

         http://www.fglaysher.com/NuclearA.htm

         2008

Hallberg, Robert von. "The Significance of Lyricism: 1945-1950." In History and Post-War Writing. Ed. Theo d'Haen and Hans Bertens. Amsterdam: Rodopi, 1990. 125-46.

Hamilton, Ian. Oxford Companion to Twentieth Century Poetry.

Herbert, W. N., and Matthew Hollis, eds. Strong Words: Modern Poets on Modern Poetry. Tarset (Northumberland): Bloodaxe Books, 2000.* (Introd., "Writing into the Dark", 11-16).

Larrissy, Edward. (U of Keele). Reading Twentieth-Century Poetry: The Language of Gender and Objects. 1990.

Martin, Alex, and Robert Hill. Modern Poetry. London: Cassell, 1991.

Matthiessen, F. O. The Achievement of T. S. Eliot, an Essay on the Nature of Poetry. Boston and New York: Houghton Mifflin, 1935. Online at Hathitrust.*

         http://catalog.hathitrust.org/Record/000540602

Paz, Octavio. Children of the Mire: Modern Poetry from Romanticism to the Avant-Garde. Cambridge: Harvard UP, 1974.

Perloff, Marjorie. Radical Artifice: Writing Poetry in the Age of Media. Chicago: U of Chicago P, 1991.

Prado, Javier del. Teoría y práctica de la función poética: Poesía del siglo XX. Madrid, 1993.

Richards, I. A. "A Background for Contemporary poetry." in Twentieth Century Poets. Ed. Graham Martin and P. N. Furbank. 1975. London: Open UP, 1979.

Roberts, Neil. A Companion to Twentieth-Century Poetry. (Blackwell Companions to Literature and Culture). Oxford: Blackwell, 2001. pbk 2003.

Silkin, Jon.The Life of Metrical and Free Verse in Twentieth-Century Poetry. Basingstoke: Macmillan; New York: St. Martin's, 1997.*

Smith, S. Inviolable Voice: History and 20th Century Poetry. 1984.

Spender, Stephen. The Struggle of the Modern. 1963. London: Methuen, 1965.

Taggart, John. Songs of Degrees: Essays on Contemporary Poetry and Poetics.  U of Alabama P, 1994.

Valente, José Ángel. "Del simbolismo a nuestros días: En torno a un libro de J. M. Cohen." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 1104-7.*

Vendler, Helen. Part of Nature, Part of Us. (Modern poetry).

Verdonk, Peter, ed. The Literary Stylistic Criticism of 20th Century Poetry. London: Routledge, 1993.

_____, ed. Twentieth-Century Poetry: From Text to Context. London: Routledge, 1993.

Weiss, Theodore. "Towards a Classical Modernity and a Modern Classicism." In Contemporary American Poetry. Ed. Howard Nemerov. Washington: Voice of America, 1965. 267-82*

Wilder, Amos. The Spiritual Aspects of the New Poetry. New York, 1940.

_____. Modern Poetry and the Christian Spirit. New York, 1952.

 

 

Anthologies

 

Alvarez, A. ed. The Faber Book of Modern European Poetry. Anthology.

Carlisle, Olga, ed. Poets on Street Corners. Anthology of world poetry. New York: Random House, 1968.

Ellmann, Richard, and Robert O'Clair, eds. The Norton Anthology of Modern Poetry. New York: Norton.

 

 

 

Modernist

 

Aguirre Oteiza, Daniel. El salto a lo desconocido: Yo lírico y negatividad dialéctica en la poesía de la modernidad. (Publicaciones Académicas; Biblioteca de Escrituras Profanas, 39). Salamanca: Editorial Academia del Hispanismo, 2013.*

Auden, W. H. From "The Virgin and the Dynamo." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 67-71.*

Bunting, Basil. "The Poet's Point of View." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 80-82.*

Coste, Didier. "Lyrique, modernités, corporéité." In  Lyrisme et énonciation lyrique. Ed. Nathalie Watteyne. Québec: Nota bene; Bordeaux, Presses Universitaires de Bordeaux, 2006.

Crane, Hart. "General Aims and Theories." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 47-51.*

Cummings, E. E. Foreword from is 5. In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 52-53.*

Eliot, T. S. "Tradition and the Individual Talent." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 31-38.*

Emig, Rainer. Modernism in Poetry: Motivations, Structures and Limits. (Studies in 20th Century Literature). Harlow (Essex): Longman, 1995.*

Frost, Robert. "The Figure a Poem Makes." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000.  44-46.*

Graves, Robert. From "Observations on Poetry 1922-1925." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 39-43.*

Graves, Robert, and Laura Riding. A Survey of Modernist Poetry. 1927. Michigan: Scholarly Press, 1972.

Hamburger, Michael. The Truth of Poetry: Tensions in Modernist Poetry since Baudelaire. 1968. London: Anvil, 1996.* (Baudelaire, Laforgue, Rimbaud, Mallarmé, Apollinaire, Yeats, Rilke, Valéry, Benn, Pound, Vallejo, Eliot, Stevens, Williams, Bonnefoy, Lorca, Celan, Montale, Pessoa, Brecht, Neruda, Rózewicz).

Hough, Graham. "The Modernist Lyric." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 312-22.*

Hyde, G. M. "The Poetry of the City." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 337-48.*

MacDiarmid, Hugh. From "A Theory of Scots Letters." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 74-79.*

MacNeice, Louis. "A Statement." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 72-73.*

Olson, Charles. From "Projective Verse." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 92-99.*

Perkins, David. History of Modern Poetry. 2 vols.

_____. A History of Modern Poetry from the 1890s to the High Modernist Mode. Cambridge (MA) and London: Belknap/Harvard UP, 1976.

Pound, Ezra. From "A Retrospect." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 17-25.*

Stein, Gertrude. "Explaining 'a Rose is a Rose is a Rose." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 54-55.*

Stevens, Wallace. From Adagia. In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 56-66.*

Williams, William Carlos. "On Measure—Statement for Cid Corman." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 83-86.*

Yeats, W. B. From "A General Introduction for my Work." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 26-30.*

Zukofsky, Louis. "A Statement for Poetry." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 87-91.*

 

 

1930s

 

MacNeice, Louis. Modern Poetry. c. 1939.

 

 

Late 20th c.

 

Adcock, Fleur. "Not Quite a Statement." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 198-200.*

Alsina, J. "La lírica contemporánea." Revista de Occidente 1 (1980): 147-62.

Armitage, Simon. "Re-Writing the Bood Book." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 252-55.*

Baraka, Amiri (Leroi Jones). "'How You Sound??'" In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 135-36.*

Bishop, Elizabeth. "Letter to Miss Pierson." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 104-105.*

Boland, Eavan. "The Wrong Way." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 215-18.*

Burnside, John. "Strong Words." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 259-61.*

Carson, Ciaran. "The Other." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 234-35.*

Chaudhuri, Amit. D. H. Lawrence and 'Difference': Postcoloniality and the Poetry of the Present. Foreword by Tom Paulin (Hertford College, Oxford). Oxford: Oxford UP, 2003.

Constantine, David. "Common and Peculiar." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 226-28.*

Crawford, Robert. "Cosmopolibackofbeyondism." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 262-64.*

Creeley, Robert. "To Define." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 100-101.*

Curtis, Toni. How to Study Modern Poetry. London: Macmillan, 1990.

D'Aguiar, Fred. "Further Adventures in the Skin Trade." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 270-73.*

Donaghy, Michael. "My Report Card." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 243-44.*

Douglas, Keith. "Poetry Is Like a Man." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 113-14.*

Dunn, Douglas. "A Difficult Simple Art." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 163-66.*

Fanthorpe, U. A. "War, Poetry, the Child." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 208-10.*

Feinstein, Elaine. "A Question of Voice." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 188-89.*

Gifford, Terry. Green Voices: Understanding Contemporary Nature Poetry. (Reviewed by Neil Griffiths). English 45.182 (1996): 181-85.*

Ginsberg, Allen. From "When the Mode of the Music Changes the Walls of the City Shake." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 129-31.*

Graham, W. S. "Notes on a Poetry of Release." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 117-21.*

Greenlaw, Lavinia. "Interior with Extension Cord." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 274-76.*

Gregson, Ian. Contemporary Poetry and Postmodernism: Dialogue and Estrangement. Basingstoke: Macmillan, 1996.

Gunn, Thom. "Writing a Poem." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 143-44.*

Harrison, Tony. "Poetry Is All I Write." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 161-62.*

Heaney, Seamus. "Craft and Technique." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 158-60.*

Hill, Selima. "Racoons—or, Can Art Be Evil?" In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 245-47.*

Hoffmann, Michael. "'I Happen to Believe'." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 241-42.*

Holden, Jonathan.The Rhetoric of the Contemporary Lyric. Bloomington: Indiana UP, 1980.

Hughes, Langston. "How to Be a Bad Writer." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 127-28.*

Hughes, Ted. "Words and Experience." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 152-57.*

Jamie, Kathleen. "Holding Fast—Truth and Change in Poetry." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 277-81.*

Jarrell, Randall. "Answers to Questions." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 110-12.*

Kavanagh, Patrick. From "Self Portrait." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 122-26.*

Kennelly, Brendan. "Voices." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 213-14.*

Kinsella, John. "Almost a Dialogue with Lyn Hejinian: Quotations and Phantom Limbs…" In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 203-7.*

Larkin, Philip. "Statement." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 150-51.*

Leonard, Tom. From the Introduction to Radical Renfrew. In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 195-97.*

Levertov, Denise. "I Believe Poets Are Instruments." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 102.*

Lorde, Audre."Poetry Is Not a Luxury." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 137-40.*

Lowell, Robert. "On 'Skunk Hour'." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 106-9.*

Lucas, John. "Value and Validity in Contemporary Poetry." Critical Survey 10.1 (1998): 4-16

Maguire, Sarah. "Poetry Makes Nothing Happen." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 248-51.*

Martínez Fernández, José Enrique. El fragmentarismo poético contemporáneo (fundamentos teórico-críticos). Secretariado de Publicaciones de la Universidad de León, 1996.

Maxwell, Glyn. "Strictures." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 256-58.*

McGuckian, Medbh. "And Cry Jesus to the Mice." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 219-21.*

Moore, Marianne. "I Tend to Write in a Patterned Arrangement." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 103.*

Morgan, Edwin. "Roof of Fireflies." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 190-94.*

Morgan, Edwin. East European Poets. Essay.

Motion, Andrew. "Yes and No." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 233.*

Muldoon, Paul. "Go Figure." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 172.*

Murray, Les. "The Instrument." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 201-202.*

Nichols, Grace. "The Poetry I Feel Closest to." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 211-12.*

O'Brien, Sean. "Proceedings in Palmersville." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 236-40.*

O'Donoghue, Bernard. "Poetry's Concern." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 222-25.*

O'Hara, Frank. "Personism: A Manifesto." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 132-34.*

Paterson, Don. "Aphorisms." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 282-86.*

Paulin, Tom. "Tracking The Wind Dog." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 173-76.*

Plath, Sylvia. "A Comparison." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 145-47.*

Raine, Craig. "Babylonish Dialects." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 177-80.*

Rich, Adrienne. "Poetry and Experience: Statement at a Poetry Reading." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 141-42.*

Smith, Stevie. "My Muse." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 148-49.*

Stevenson, Anne. "A Few Words for the New Century." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 181-83.*

Thomas, Dylan. From "Notes on the Art of Poetry." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 115-16.*

Walcott, Derek. "In Conversation." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 168-71.*

Williams, C. K. "Contexts: An Essay on Intentions." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 184-87.*

Williams, Hugo. "Leaping Versus Blabbing." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 229-32.*

Williams, John Hartley. "A Manifesto." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 287-88.*

 

 

 

Anthologies

 

Allott, Kenneth, ed. The Penguin Book of Contemporary Verse 1918-1960. Harmondsworth: Penguin Books, 1962.

George, Emery, ed. Contemporary East European Poetry: An Anthology. Oxford: Oxford UP, 1994.

Macbeth, George, , ed. Poetry, 1900-1975.

_____, ed. Poetry for Today.

Ratcliffe, Eric, and Wolfgang Gortschacher, eds. Veins of Gold Ore 1954-1995. Poetry. Salzburg UP, 1998.

Rothenberg, Jerome and Pierre Joris, eds. Poems for the Millennium, vol. 2: From Postwar to Millennium. U of California P, 1998.

 

 

 

 

Blogs

 

 

Modern Poetry. Blog. (Leonardo Flores).

         https://sites.google.com/a/upr.edu/modernpoetry/

         2020

 

 

 

 

 

Internet resources

 

Password distribution. (Information on electronic poetry). http://www.poptel.org.uk/password/home.html

 

 

 

 

21st century poetry

 

Glazier, Loss Pequeño. Digital Poetics: The Making of e-poetries. Tuscaloosa: U of Alabama P, 2001.

         http://epc.buffalo.edu/authors/glazier/dp/

Perloff, Marjorie. Unoriginal Genius: Poetry By Other Means in the New Century. Chicago: U of Chicago P, 2010.

Sánchez-Pardo, Esther. "Between East and West: Transculturation, Mobility, and Identities-in-Transit in Poetries for a Global Europe." In Homenaje a Francisco Gutiérrez Díez. Ed. Rafael Monroy. Murcia: Edit.um, 2013.  239-62.

Vuillemin, Alain. "Poesía, informática y creación: Las nuevas aproximaciones." In Textualidades electrónicas. Ed. Laura Borràs. Barcelona: UOC, 2005. 163-76.*

 

 

 

Blogs

 

Silliman's Blog: A Weblog Focused on Contemporary Poetry and Poetics

         http://ronsilliman.blogspot.com/

         2008

 

Rima interna. Blog at El Mundo. (Martín López-Vega).

         http://www.elcultural.es/blogs/rima-interna/

         2013

 

viernes, 30 de agosto de 2024

Otros géneros poéticos

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Other Poetic Subgenres

 

Poetic subgenres: general

Abstract poetry / Language poetry

Automatic poetry

Ballads

Blues. See Songs.

Cante flamenco. See Songs.

Carols. See Songs.

Children's poetry / nursery rhymes

Comic and burlesque verse

Concrete poetry

Coplas. See Songs.

Corrido. See Songs.

Couplets

Descriptive poetry

Dithyramb

Eclogue. See Pastoral.

Elegy

Emblems

Epigram

Ethical poetry

Experimental poetry

Fables

Fragmentary poems

Georgic. See Descriptive poetry.

Gothic poetry

Haiku

Historical poetry

Horror poetry

Hymns. See Songs

Idyll

Jarchas

Improvised poetry

Language poetry. See Abstract poetry.

Lied. See Songs.

Light verse

Long poems

Love poetry. See Poetry-Specific. Poetry and Other.

Madrigal. See Songs.

Narrative verse

Ode

Oral poetry

Panegyric

Philosophical poetry. See Poetry-Specific. Poetry and Other.

Political poetry. See Poetry-Specific. Poetry and Other.

Poetic prose

Popular poetry. See Poetry-Specific. Poetry and Other. Popular culture and poetry.

Prose poem

Rap. See Songs.

Romance (metrical romance). See Genres. Narrative. Fiction. Fictional gernes.

Romance (Spanish ballad)

Science poem

Sequences

Sestinas

Short poetry

Songs. See Poetic subgenres. Songs.

Song (classical). See Songs.

Song (folk). See

Song (military)

Song (pop)

Street poetry

Surrealist poetry

Tales in verse

Travel poetry

Urban poetry

Vocal poetry

Waka

War poetry

 

 

 

 

 

Poetic subgenres: general

 

Bethell, S. L. The Three Voices of Poetry. 11th Annual Lecture of the Book League. 1953.

Cairns, F. J. Generic Composition in Greek and Roman Poetry. Edinburgh, 1972.

Lewalksi, Barbara Kiefer, ed. Renaissance Genres. Cambridge (MA): Harvard University Press, 1986.

Olson, Elder. General Criticism and the Shorter Forms of Poetry. Forthcoming 1957.

Race, William H. Classical Genres and English Poetry. London: Croom Helm, 1988.

Sidney, Philip (Sir). An Apologie for Poetry or The Defence of Poetry. Discourse. Written 1579-80, 1st pub. 1595. (History; Philosophy; Ethics; Genre; Nature of poetry; Poet)

_____. The Defence of Poesie. London: Printed for William Ponsorby, 1595.

_____. An Apologie for Poetrie. 1595.

_____. The Defense of Poesy. Ed. A. S. Cook. Boston, 1890.

_____. An Apology for Poetry. In Elizabethan Critical Essays. Ed. G. Gregory Smith. London: Oxford UP, 1904. Vol. 1.

_____. An Apology for Poetrie. Ed. Evelyn S. Shuckburgh. Cambridge: Cambridge UP, 1912.

_____. An Apologie for Poetrie. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 143-87.*

_____. A Defence of Poetry. Ed. J. A. Van Dorsten. Oxford: Oxford UP, 1956. 1966. 1989.

_____. The Defense of Poesie. In Literary Criticism: Plato to Dryden. Ed. Gilbert. 406-62.

_____. An Apology for Poetry or The Defense of Poesy. Ed. Geoffrey Shepherd. London: Nelson, 1965. Rpt. Manchester: Manchester UP, 1973.*

_____. The Defence of Poetry. In Miscellaneous Prose of Sir Philip Sidney. Ed. K. Duncan-Jones and Jan Van Dorsten. Oxford: Clarendon, 1973.

_____. An Apology for Poetry. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 197-227.*

_____. From The Defense of Poesy. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.933-54.*

Tate, Allen. "The Types of Poetry." 1934.

Trapp, Joseph. Lectures on Poetry. (In Latin, 1711, 1715, 1719; English trans. 1742). (Nature of poetry; Poetic language; Genre; Poetic drama; Sublime; Classical literature)

_____. Lectures on Poetry; Read in the Schools of Natural Philosophy At Oxford. By Joseph Trapp. Translated from the Latin, with additional Notes. London: Printed for C. Hitch and C. Davis, 1742.

_____. Lectures on Poetry Read in the Schools of Natural Philosophy at Oxford. 1742. London: Routledge, 1994.

 

 

 

Automatic poetry

 

Adell, Joan-Elies. "Les paraules i les màquines: Una aproximació a la creació poètica digital." In Cartografies de l'hipertext. Ed. Laura Borràs. Barcelona: Editorial UOC, forthcoming 2004.

_____. "Las palabras y las máquinas: Una aproximación a la creación poética digital." In Literatura y cibercultura. Ed. Domingo Sánchez-Mesa. Madrid: Arco/Libros, 2004.

García Landa, José Ángel. "Poesía basura." In García Landa, Vanity Fea 6 July 2005.

http://garciala.blogia.com/2005/070803-poesia-basura.php

Peters, John. Artificial Versifying: A New Way to Make Latin Verses. 1678.

 

 

 

 

Ballads

 

Addison, Joseph. "The Ballad." In Addison, Critical Essays from the Spectator: With Four Essays by Richard Steele. Ed. Donald F. Bond. Oxford: Oxford UP, 1970. 36-48.*

Buchan, David. The Ballad and the Folk. London, 1972.

Dugaw, Diane. "Balladry's Female Warriors: Women, Warfare, and Disguise in the Eighteenth Century." Eighteenth-Century Life 9 (1985): 1-20.

_____. Warrior Women and Popular Balladry 1650-1850. Cambridge: Cambridge UP, 1989.

Fumerton, Patricia, and Anita Guerrini, eds. Ballads and Broadsides in Britain, 1500-1800. With Kris McAbee. Farnham: Ashgate, 2010. 35-56.

Gummere, Francis B. "17. Ballads." In The End of the Middle Ages. Vol. 2 (English) of The Cambridge History of English and American Literature. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com

         http://www.bartleby.com/212/

         2013

Hamburger, Käte. "La balada y su relación con el poema icónico y el poema dramático." In Hamburger, La lógica de la literatura. (2nd ed., 1977). Madrid: Visor, 1995. 197-208.*

Herrera-Sobek, Maria. Gender and Print Culture: New Perspectives on International Ballad Studies. Irvine: Société Internationale d'ethnologie et de folklore, 1991.

Hirsh, John C., ed. Medieval Lyric: Middle English Lyrics, Ballads and Carols. Oxford: Blackwell, 2004.

Hustvedt, Sigurd B. Ballad Criticism . . . during the Eighteenth Century. Cambridge (MA), 1916.

Huth, Henry, ed. Ancient Ballads and Broadsides. 1867.

Justice, Hilary Kovar. "'Somewhat Rough Withal': Hemingway's Personal Copy of Old English Ballads  (English I. Oak Park High School)." Hemingway Review 33.2 (Spring 2014): 126-35.*

Ker, W. P. "Spanish and English Ballads." 1918. In Ker, Collected Essays. London: Macmillan, 1925. 2.11-27.

McDowell, Paula. "'The Art of Printing Was Fatal': Print Commerce and the Idea of Oral Tradition in Eighteenth-Century Ballad Discourse." In Ballads and Broadsides in Britain, 1500-1800. Ed. Patricia Fumerton and Anita Guerrini. With Kris McAbee. Farnham: Ashgate, 2010. 35-56.

Niles, John D. "Ballad." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 39-40.*

Olivares Rivera, Carmen. "Rasgos de humor en las baladas irlandesas." In Literary and Linguistic Aspects of Humour:VIth AEDEAN Conference Proceedings. Barcelona: Departamento de Lengua y Literatura Inglesa de la Universidad de Barcelona, 1984. 179-82.*

Routh, Harold V., "XVI. The Advent of Modern Thought in Popular Literature. The Witch Controversy. Pamphleteers." In Cavalier and Puritan. 1911. Ed. A. W. Ward and A. R. Waller. Vol. VII of The Cambridge History of English and American Literature. An Encyclopedia in Eighteen Volumes. Ed. A. W. Ward et al. New York: Putnam's; Cambridge, England: Cambridge UP, 1907–21. Electronic edition (Bartleby.com).* (1. Demonology in the Middle Ages; 2. Belief in witchcraft; 3. George Gifford's Dialogues of Witches; 4. King James's Daemonologie; 5. William Perkin's Art of Witch craft; 6. Witch-hunting; 7. Astrological treatises; 8. Rosicrucianism; 9. The history of the broadside; 10. The street ballad and other forms of popular literature. 11. Cavalier and Roundhead satires; 12. Social pamphlets; 13. Coffee-houses; 14. Letter writing; 15. Romances of chivalry; 16. The essay; 17. Humanists; 18. John Wagstaffe's Question of Witchcraft).

http://www.bartleby.com/217/

2018

Tazón Salces, Juan. "Comentario breve sobre las baladas y su papel en Irlanda." Homenaje a Esteban Pujals Fontrodona. Oviedo: U de Oviedo / AEDEAN, 1982.*

Yeats, W. B. "A Ballad Singer." 1891. In Yeats, Letters to the New Island. Cambridge (MA): Harvard UP, 1934. 137-41.

Watts-Dunton, Theodore. "The Ballad and Other Forms of Verse." In Watts-Dunton, Poetry and The Renascence of Wonder. London: Herbert Jenkins, 1916. 189-215.

Würzbach, Natascha. The Rise of the English Street Ballad 1550-1650. Trans. Gayna Walls. (European Studies in English Literature). 1990.

 

 

Anthologies

 

Campbell, J. F., ed. Leabhar na Feinne. 1872. (Collection of Gaelic ballads).

A Collection of Old Ballads. 3 vols. 1723-25. 3rd ed. 1727.

Child, Francis James, ed. English and Scottish Popular Ballads. 1857-58. London: Harrap, 1904.

Johnson, R. Brimley, ed. A Book of British Ballads. (Everyman's Library, 572). London: Dent; New York: Dutton.

Kinsley, James, ed. The Oxford Book of Ballads. Oxford: Oxford UP.

The Penguin Book of Ballads. Harmondsworth: Penguin.

"Popular ballads." ["Lord Randall," "Bonny Barbara Allan," "The Wife of Usher's Well," "The Three Ravens," "Sir Patrick Spens," "The Bonny Earl of Murray"] In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2882-88.*

 

 

 

 

 

 

 

 

 

Carols

 

Frenk, Margit. "La configuración del villancico." From Frenk, "Configuración del villancico popular renacentista." Actas VI AIH (1980) 1.281-84. In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura Española, gen. ed. Francisco Rico. Barcelona: Crítica, 1991. 47-51.*

 

 

Children's poetry

 

Miscellaneous

 

Hazlitt, William. "My First Acquaintance with Poets." 1823. In Hazlitt, Selected Writings. Harmondsworth: Penguin, 1970. 43-65.

 

Anthologies

 

Elledge, Scott. Wider than the Sky: Poems Selected for Young Readers.

Heaney, Seamus, and Ted Hughes, eds. The Rattle Bag. Children's poetry anthology. London: Faber and Faber, 1982. 1983. 1984.*

_____, eds. The School Bag. Children's poetry anthology. London: Faber and Faber, 1997.

Philip, Neil, ed. The New Oxford Book of Children's Verse. Oxford: Oxford UP, 1996.

The Random House Book of Poetry for Children. 1983.

 

Music

 

Janáçek, Leoß. Âíkadla ('Children's rhymes') for chamber choir and ten instruments. 1925, 1927.

_____. Âíkadla. London Sinfonietta Chorus (Clive Wearing). Members of the London Sinfonietta / David Atherton. Rec. 1978. With CD 2 of Janáçek, From the House of the Dead. London: Decca, 1991.*

 

 

 

Nursery rhymes

 

Farjeon, Eleanor. Nursery Rhymes of London Town. 1916, 1917. Facsimile ed. London: Cassell, 1996.*

 

 

Music

 

Janáçek, Leoß. Rikadla. ('Nursery Rhymes'). In Janacek, Sedmdesát tisíc ('The 70,000'). Ave Maria. Rikadla ('Nursery Rhymes'). Otcenás ('Our Father'). Elegy on the Death of My Daughter Olga. Vlcí stopa ('The Wolf's Trail'). Kaspar rucky. Hradcanské Písnikcy ('Songs of Hardcany'). New London Chamber Choir / James Wood.. CD. Hyperion.

 

 

 

 

 

 

 

 

 

Comic and burlesque verse

 

Bond, Richmond P. English Burlesque Poetry, 1700-1750. Cambridge (MA), 1932.

Farley-Hills, David. The Benevolence of Laughter: Comic Poetry of the Commonwealth and Restoration. Macmillan, 1974.

Richter, Jean Paul. "Sobre la Poesía Humorística." In Richter, Introducción a la estética. 1804. Madrid: Verbum, 1991. 93-111.

 

 

 

Anthologies

 

A Choice of Comic and Curious Verse. Harmondsworth: Penguin.

Green, Roger Lancelyn ed. A Century of Humorous Verse, 1850-1950. (Everyman's Library, 813). London: Dent; New York: Dutton.

The Penguin Book of Light Verse. Harmondsworth: Penguin.

The Penguin Book of Unrespectable Verse. Harmondsworth: Penguin.

 

 

Literature

 

 

Cotton, Charles. Burlesque upon Burlesque: or the Scoffer Scoff'd. London: Henry Brome, 1675.

 

 

 

 

 

 

 

Concrete poetry

 

"Concrete poetry" In Wikipedia: The Free Encyclopedia

         http://en.wikipedia.org/wiki/Concrete_poetry

         2008

 

 

 

See also Experimental poetry.

 

 

 

 

Couplets

 

Thompson, A. Hamilton. "III. Writers of the Couplet." In Cavalier and Puritan. Ed. A. W. Ward and A. R. Waller. 1911. Vol. VII of The Cambridge History of English and American Literature. An Encyclopedia in Eighteen Volumes. Ed. A. W. Ward et al. New York: Putnam's; Cambridge, England: Cambridge UP, 1907–21. Electronic edition (Bartleby.com).*  (Couplets, Sir John Beaumont, George Sandys, Edmund Waller, Denham, Cowley, D'Avenant)

http://www.bartleby.com/217/

2018

 

 

 

 

Descriptive poetry

 

Aubin, Robert A. Topographical Poetry in XVIII-Century England. 1936.

Cameron, Margaret M. L'Influence des Saisons de Thomson sur la poésie descriptive en France, 1759-1810. Paris, 1927.

Chalker, John. The English Georgic. London: Routledge; Baltimore: Johns Hopkins UP, 1969.

Deane, Cecil V. Aspects of Eighteenth Century Nature Poetry. Oxford, 1935.

Durling, Dwight L. The Georgic Tradition in English Poetry. New York: Columbia UP, 1935.

Engel, Claire-Eliane. La Littérature alpestre en France et en Angleterre au XVIIIme et au XIXme siècle. Chambéry, 1930.

Fowler, Alastair. "The Beginnings of English Georgic." In Renaissance Genres. Ed. Barbara Kiefer Lewalski. Cambridge (MA): Harvard University Press, 1986. 105-25.

Lilly, Marie L. The Georgic. Baltimore, 1919.

Low, Anthony. The Georgic Revolution. Princeton (NJ): Princeton UP, 1985.

Riffaterre, Michael. "Interpretation and Descriptive Poetry: A Reading of Wordsworth's 'Yew-Trees'." New Literary History 4.2 (1973): 229-57. Rpt. in Untying the Text. Ed. Robert Young. London: Routledge, 1981. 103-32.

Wilkinson, L. P. "The Intention of Virgil's Georgics." Greece and Rome 18 (1950).

_____. "XVII. Las 'Geórgicas'." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 358-71.*

Wilson, D. B. Descriptive Poetry in France from Blason to Baroque. Manchester: Manchester UP, 1967.

 

 

Anthologies

 

Thomas, R. S, ed. The Batsford Book of Country Verse. 1961.

 

 

 

 

 

 

 

 

 

 

 

Dithyramb

 

López Pinciano, Alonso. "Epístola décima. De la especie de poética dicha dithirámbica." In López Pinciano, Philosophia antigua poetica. 1596. Madrid: CSIC, 1973. 3.89-141.*

 

 

 

 

 

 

 

Eclogue. See Pastoral.

 

 

 

 

 

 

 

 

 

 

Elegies

 

Barbaud, Th. "La sentence élégiaque entre opinion et sensation?" Latomus 64 (2005): 352-61.

Barron, J. P., and P. E. Easterling. "V. Elegía y yambo – (2) Elegía griega temprana: Calino, Tirteo, Mimnermo." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 146-54.*

Bueno Alonso, Jorge Luis. El discurso poético elegíaco del inglés antiguo. Vigo: Universidade de Vigo (Servicio de Publicacións), 2001.

Burckhardt, Jacob. Historia de la cultura griega II. Trans. Antonio Tovar and Germán J. Fons. (Grandes obras de la cultura). Barcelona: RBA Coleccionables, 2005.* (Greek art: sculpture, painting, architecture, philosophy of art; poetry and music, Homer, presocratic philosophers, epigrams, elegies, lyric, tragedy, comedy, Aristophanes, oratory, sophists, Greek philosophy, science, history, Greek character and culture, agonism, politics).

Cascales, Francisco de. "De la elegía." In Cascales, Tablas poéticas. Madrid: Espasa-Calpe, 1975. 177-9.

Daiches, David "The Anglo-Saxon Elegiac Poems." From A Critical History of English Literature. In García Landa, Vanity Fea 29 Sept. 2014.*

         http://vanityfea.blogspot.com.es/2014/09/david-daiches-anglo-saxon-elegiac-poems.html

         2014

Díez de Revenga, Francisco Javier. "Sánchez Rosillo y la elegía." In Los nuevos nombres: 1975-1990. Ed. Darío Villanueva et al. Vol. 9 of Historia y crítica de la literatura española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 191-97.*

Díez Taboada, Mª Paz. La elegía romántica española. Madid: CSIC, 1977.

Draper, John W. The Funeral Elegy and the Rise of English Romanticism. 1929.

Gold, Barbara K., ed. A Companion to Roman Love Elegy. John Wiley & Sons, 2012.

         http://books.google.es/books?id=vMvBMPB5Pd8C&lpg=PA410&ots=8R6xPovqd8&lr&pg=PP1#v=onepage&q=Landa&f=false

         2013

Knox, B. M. W. "V. Elegía y yambo – (3) Teognis." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 155-65.*

_____. "V. Elegía y yambo – (4) Solón." "In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 166-74.*

Liveley, Genevieve, and Patricia Salzman-Mitchell, eds. Latin Elegy and Narratology: Fragments of Story. Columbus: Ohio State UP, 2008. Online at Academia.*

         https://www.academia.edu/8981138/

         2019

Luck, Georg. "XX. La elegía amorosa." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 448-63. (Cornelius Gallus, Tibullus, Propertius, Ovid).

_____. La elegía erótica latina. Seville, 1993.

Murphy, Avon Jack. "The Critical Elegy of Earlier Seventeenth-Century England." Genre 5 (1972): 75-105.

Pigman, G. W., III. Grief and English Renaissance Elegy. Cambridge: Cambridge UP, 1985.

Vicente Sánchez, Ana. "Los hermanos Argensola y la elegía erótica latina: Algunas notas." In Otivm cvm dignitate: Estudios en homenaje al profesor José Javier Iso Echegoyen. Ed. J. A. Beltrán et al. (Monografías de Filología Latina, 16). Zaragoza: Universidad de Zaragoza, 2013. 619-26.*

Watts-Dunton, Theodore. "The Song and the Elegy." In Watts-Dunton, Poetry and The Renascence of Wonder. London: Herbert Jenkins, 1916. 224-35.

 

 

 

 

 

 

 

 

 

 

 

 

Emblems

 

Bath, Michael. (U of Strathclyde). Speaking Pictures: English Emblem Books and Renaissance Culture. London and New York: Longman, 1994.

Bertonasco, Marc F. "Crashaw and the Emblem." English Studies (Dec. 1968): 530-34. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1587-88.*

Caldwell, Dorigen. The Sixteenth-Century Italian Impresa in Theoy and Practice. (AMS Studies in the Emblem, 17). Brooklyn (NY): AMS Press, c. 2005.

Clements, R. J. Picta Poesis: Literary and Humanistic Theory in Renaissance Emblem Books. Rome, 1960.

Daly, Peter M., ed. Companion to Emblem Studies. (AMS Studies on the Emblem). Brooklyn (NY): AMS Press, 2008.

Dimler, G. Richard, S.J. Studies in the Jesuit Emblem. (AMS Studies in the Emblem, 18). Brooklyn (NY): AMS Press, c. 2005.

Dixon, Víctor. "Los Emblemas Morales de Sebastián de Covarrubias y las comedias de Lope." In Estado actual de los estudios sobre el Siglo de Oro. Ed. Manuel García Martín et al. Salamanca: Ediciones Universidad de Salamanca, 1993. 299-306.*

Fabiny, Tibor, ed. Shakespeare and the Emblem. Szeged: JATE, 1984.

Gómez Lara, Manuel José. "Emblemas dramáticos: el caso de Gorboduc." Actas del I Simposio de Literatura Emblemática Hispánica. Universidad de La Coruña, 1994.

Höltgen, K. J. Aspects of the Emblem: Studies in the English Emblem Tradition and the European Context. 1986.

Hunt, John Dixon. "Pictura, Scriptura, and Theatrum: Shakespeare and the Emblem." Poetics Today 10 (1989): 155-71. (Duke UP).

_____. "Pictura, Scriptura, and Theatrum: Shakespeare and the Emblem." In Shakespeare and the Arts. Ed. Stephen Orgel and Sean Keilen. (Shakespeare: The Critical Complex, 1). New York and London: Garland, 1999. 335-52.*

Hunter, J. Paul. The Reluctant Pilgrim: Defoe's Emblematic Method and Quest for Form in Robinson Crusoe. Baltimore: Johns Hopkins UP, 1966.

Russell, Daniel. "The Genres of Epigram and Emblem." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 278-83.*

Sánchez Pérez, Aquilino. La literatura emblemática española en los ss. XVI y XVII. Madrid: SGEL, 1977.

Solórcano, J. de. Emblemata centum regio politica.

 

 

 

 

 

 

Bibliography

 

Dimler, G. Richard, S.J. The Jesuit Emblem: Bibliography of Secondary Literature with Select Commentary and Descriptions. (AMS Studies in the Emblem, 19). Brooklyn (NY): AMS Press, c. 2005.

 

 

 

Journals

 

 

Emblemata: Revista Aragonesa de Emblemática

Institución Fernando El Católico.

23 nos. to 2018

http://www.ifc.es

2018

 

 

 

 

Literature

 

Alciato, Andrea. Emblematum Liber.

Kreihing, Johann. Emblemata Ethico-Politica. Antwerp, 1661.

 

 

 

 

Series

 

(AMS Studies in the Emblem, 19). Brooklyn (NY): AMS Press, c. 2005.

 

 

 

 

 

 

 

Epigrams

 

Burckhardt, Jacob. Historia de la cultura griega II. Trans. Antonio Tovar and Germán J. Fons. (Grandes obras de la cultura). Barcelona: RBA Coleccionables, 2005.* (Greek art: sculpture, painting, architecture, philosophy of art; poetry and music, Homer, presocratic philosophers, epigrams, elegies, lyric, tragedy, comedy, Aristophanes, oratory, sophists, Greek philosophy, science, history, Greek character and culture, agonism, politics).

Cortés Tovar, Rosario. "Epigrama y sátira: Relaciones entre la poética de Marcial y la de los satíricos." In Hominem pagina nostra sapit. Ed. J. J. Iso et al. Zaragoza: Institución Fernando El Católico, 2004. 35-56.*

Fowler, Alastair. "Genre and Tradition." (Epigram). In The Cambridge Companion to English Poetry, Donne to Marvell. Ed. Thomas N. Corns. Cambridge: Cambridge UP, 1993. 80-100.*

Gil, Juan. "Teoría del epigrama en el siglo XVI." In Hominem pagina nostra sapit. Ed. J. J. Iso et al. Zaragoza: Institución Fernando El Católico, 2004. 369-85.*

Hanley, Laurence. "Proverbs, Epigrams, and Urbanity in Renaissance London." English Literary Renaissance 15.3 (1985).

Hudson, Hoyt H. The Epigram in the English Renaissance. Princeton (NJ): Princeton UP, 1947.

Kimmey, John L. "Robert Herrick's Satirical Epigrams." English Studies 51 (August 1970): 312-23.

Luque Moreno, Jesús. "Epigrammata longa: La brevedad como norma." In Hominem pagina nostra sapit. Ed. J. J. Iso et al. Zaragoza: Institución Fernando El Católico, 2004. 75-114.*

Russell, Daniel. "The Genres of Epigram and Emblem." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 278-83.*

 

 

 

 

Anthologies

 

 

Antología Palatina (Epigramas helenísticos). Ed. and trans. Manuel Fernández-Galiano. (Biblioteca Clásica Gredos, 7). Madrid: Gredos, 1978.*

Goethe, J. W., and F. Schiller, eds. Xenien. Epigrams.

Pithou, P., ed. Epigrammata. 1599.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ethical poetry

 

Watts-Dunton, Theodore. "Ethical Poetry." In Watts-Dunton, Poetry and The Renascence of Wonder. London: Herbert Jenkins, 1916.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Experimental poetry

 

Adell, Joan-Elies. "Les paraules i les màquines: Una aproximació a la creació poètica digital." In Cartografies de l'hipertext. Ed. Laura Borràs. Barcelona: Editorial UOC, forthcoming 2004.

_____. "Las palabras y las máquinas. Una aproximación a la creación poética digital." In Literatura y Cibercultura. Ed. Domingo Sánchez-Mesa. Madrid: Arco/Libros, 2004. 269-96.*

Beach, Christopher, ed. Artifice and Indeterminacy: An Anthology of New Poetics. U of Alabama P, dist. Eurospan, 1998.

García Landa, José Ángel. "Poesía basura." In García Landa, Vanity Fea 6 July 2005.

http://garciala.blogia.com/2005/070803-poesia-basura.php

_____. "Node Poetry." In García Landa, Vanity Fea 23 April 2009.*

         http://vanityfea.blogspot.com/2009/04/node-poetry.html

         2009

Glazier, Loss Pequeño. Digital Poetics: The Making of e-poetries. Tuscaloosa: U of Alabama P, 2001.

         http://epc.buffalo.edu/authors/glazier/dp/

Haberer, Adolphe, and Jean-Marie Fournier, eds. La Poésie: Ecriture de la limite /Ecriture à la limite. Lyon: Presses Universitaires de Lyon, c. 1999.

Kinnahan, Linda A. "Experimental Poetics and the Lyric in British Women's Poetry: Geraldine Monk, Wendy Mulford, and Denise Riley." Contemporary Literature 37.4 (Winter 1996).*

Maeder, Beverly. Wallace Stevens' Experimental Language. Houndmills: Macmillan, 2000.

Martín González, Matilde. "Little Magazines and Experimental Poetics: Traversing National Frontiers." In Los caminos de la lengua: Estudios en homenaje a Enrique Alcaraz Varó. Ed. J. L. Cifuentes et al. San Vicente del Raspeig (Alicante): Publicaciones de la Universidad de Alicante, 2010. 1051-62.*

Russolo, Luigi. L'arte dei rumori. Milan: Edizione Futuriste di 'Poesia', 1916. Rpt. as a supplement in Alfabeta 43 (Milan, December 1982).

Scobie, Stephen. Earthquakes and Explorations: Language and Painting from Cubism to Concrete Poetry. Toronto: U of Toronto P, 1997.

Sjursen, Elin Johane. "A Comparative Analysis of Interfaces in Digital Poetry." PDF. c. 2005.

Winters, Yvor. "The Experimental School in American Poetry: An Analytical Survey of Its Structural Methods, Exclusive of Meter." In Winters, Primitivism and Decadence: A Study of American Experimental Poetry. New York: Arrow Editions, 1937. Rpt. in In Defense of Reason. 1947. Athens (OH): Ohio UP-Swallow Press, 1987. 30-74.*

 

 

 

Anthologies

 

Barbour, Douglas, and Stephen Scobie, eds. Carnivocal. CD. (Anthology of Canadian sound poetry). 1999.

 

 

 

 

Images

 

 

García Landa, José Angel. "Poema oulipiano a Fulana." In García Landa, Vanity Fea June 2014.* (Tomás Fermín de Lezaún).

         http://vanityfea.blogspot.com.es/2014/06/poema-oulipiano-fulana.html

         2014

 

 

 

 

See also Concrete poetry.

 

 

 

 

 

 

 

 

 

Fables

 

Addison, Joseph. "The Fable." In Addison, Critical Essays from the Spectator: With Four Essays by Richard Steele. Ed. Donald F. Bond. Oxford: Oxford UP, 1970. 49-54.

Beattie, James. "On Fable and Romance." In Beattie, Dissertations. 1783.

Cascales, Francisco de. "De la fábula." In Cascales, Tablas poéticas. Madrid: Espasa-Calpe, 1975. 42-72.*

Easterling, P. E. "V. La literatura en el Imperio (7) La fábula." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 752-54.*

Goossens, J., and T. Sodman, eds. Third International Beast Epic, Fable, and Fabliau Colloquium, Münster 1979, Proceedings. Cologne: Bohlau, 1981.

Hasubek, P., ed. Die Fabel: Theorie, Geschichte und Rezeption einer Gattung. 1982.

Lessing, G. E. "Abhandlungen über die Fabel." In Lessings Werke. Ed. R. Riemann. Leipzig: Reclam, n. d. 5.96-162.

Lewis, Jayne Elizabeth. The English Fable: Aesop and Literary Culture, 1651-1740. (Cambridge Studies in Eighteenth-Century English Literature and Thought 28). Cambridge: Cambridge UP, 1996.

Noel, T. Theories of the Fable in the Eighteenth Century. New York: Columbia UP, 1975.

Pisanty, Valentina. Leggere la fiaba. Milan: Bompiani, 1993.

Schopenhauer, Arthur. "31. Metáforas, parábolas y fábulas." In Schopenhauer, Parerga y Paralipómena II. Madrid: Trotta, 2009. 659-66.*

Suleiman, Susan Rubin. "A Test of the Model: The Fable." In Suleiman, Authoritarian Fictions. 1983. Princeton (NJ): Princeton UP, 1993. 45-53.*

Tate, Aaron. "Fable." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 157.*

 

 

 

Anthologies

 

Martín García, Francisco. Antología de fábulas esópicas en los autores castellanos: hasta el siglo XVIII. Ediciones de la Universidad de Castilla La Mancha, 1996.

 

 

 

Internet resources

 

 

"Animal Farm." Wikipedia: The Free Encyclopedia.*

         https://en.wikipedia.org/wiki/Animal_Farm

         2022

 

 

 

 

 

 

 

 

 

Fragmentary poem

 

Blesa, Túa. "El silencio y el tumulto." Cuadernos de Investigación Filológica 16 (19990): 89-107.

 

 

 

 

 

 

 

 

 

 

Georgic. See Descriptive poetry.

 

 

 

 

 

Gothic poetry

 

Haferkorn, Reinhard. Gothik und Ruine in der Dichtung des 18. Jahrhunderts. Leipzig: Tuchnitz, 1924.

Miles, Robert. Gothic Writing, 1750-1820: A Genealogy. London: Routledge, 1993.*

Thompson, G. R., ed. The Gothic Imagination: Essays in Dark Romanticism. Pullman (WA): Washington State UP, 1974.

Tinkler-Villani, Valeria, and Peter Davidson, eds. Exhibited by Candlelight: Sources and Developments in the Gothic Tradition. Amsterdam: Rodopi, 1995.*

 

 

See also Gothic fiction.

 

 

 

Haiku

 

Arcos Pastor, Angustias de. "Transparencia y opacidad textual: Análisis contrastivo de haikus japoneses traducidos al español por traductores profesionales y por japoneses aprendientes de español. Estudio del significado conceptual y procedimental." Ph.D. diss. U Autónoma de Madrid, 2015. Online at Biblios-eArchivo (U Autónoma de Madrid).*

         https://repositorio.uam.es/bitstream/handle/10486/670898/arcos_pastor_angustias_de.pdf?sequence=1

         2018

Imamura, Tateo. "A Japanese Aesthetic Perspective on Haiku and the Arts." In Cultural Hybrids of (Post)Modernism: Japanese and Western Literature, Art and Philosophy. Ed. Beatriz Penas-Ibáñez and Akiko Manabe. Bern: Peter Lang, 2017. 145-52.*

Penas-Ibáñez, Beatriz. "Emergent Narratological Explanatory Frames: From (non-)naturalness to (non)standardness (the case of haiku-like narratives)." Amsterdam International Electronic Journal for Cultural Narratology 7-8 (Autumn 2012-2014).*

         http://cf.hum.uva.nl/narratology/issue/7/a12_Beatriz_Penas.html

         2016

_____. "From Pound's to Hemingway's Haiku-Like Textuality: Japanese Aesthetics in Chapter 20 of Death in the Afternoon." In Cultural Hybrids of (Post)Modernism: Japanese and Western Literature, Art and Philosophy. Ed. Beatriz Penas-Ibáñez and Akiko Manabe. Bern: Peter Lang, 2017. 195-208.*

Rodríguez-Izquierdo y Gavala, Fernando. El haiku japonés: Evolución y triunfo del haikai, breve poema sensitivo. (Colección de monografías: Sección 2ª - Historia, Literatura y Filología). Madrid: Fundación Juan March / Guadarrama, 1972.* (Bashoo, Buson, Taigi, Issa, Shiki, Khoshi).

_____. (Fernando Rodríguez-Izquierdo). El haiku japonés: Historia y traducción. 2nd ed. (Poesía Hiperión, 221). Madrid: Hiperión, 1994. 7th ed. 2010.*

Higginson, William J. The Haiku Seasons: Poetry of the Natural World. 1996. Berkeley (CA): Stone Bridge Press, 2006.*

Penas Ibáñez, Beatriz. "Semiotic Roles of Narrative Standardness: Securing Cultural Change and Integration. Haiku-Aesthetics and the AngloAmerican Literary Semiosphere." In СЕМИОСФЕРА НАРРАТОЛОГИИ: ДИАЛОГ ЯЗЫКОВ И КУЛЬТУР / Semiosphere of Narratology: A Dialogue of Languages and Cultures. Ed. Ludmila Tataru and José Angel García Landa. Balashov: Nikolayev, 2013. 161-78.*

_____. "Imaginación haikai y haiku japonés: Su presencia en las formulaciones literarias del imaginismo anglonorteamericano." In Japón y Occidente: Estudios comparados. Ed. Carmen Tirado Robles. Zaragoza: Prensas Universitarias de Zaragoza, 2014. 173-87.*

Penas Ibáñez, Azucena. " o caimino de búsqueda hacia la brevedad del instante mediante la concisión conceptual y procedimental en Haiku y microrrelato: Análisis contrastivo." In Japón y Occidente: Estudios comparados. Ed. Carmen Tirado Robles. Zaragoza: Prensas Universitarias de Zaragoza, 2014. 219-39.*

Ueda, Makoto. "Bashô on the Art of the Haiku: Impersonality in Poetry." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 151-76.*

Yasuda, Kenneth. "'Approach to Haiku' and 'Basic Principles'." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 125-50.*

 

 

 

Anthologies

 

Cobb, David, and Martin Lucas, eds. The Iron Book of British Haiku. North Shields: Iron Press, 1998.

Fuente, Ricardo de la, ed. Haijin: Antología del jaiku. Trans. Ricardo de la Fuente and Yutaka Kawamoto. Bilingual ed. Madrid: Hiperión, 1992.*

 

 

Internet resources

 

 

"Examples of Haiku Poems." YourDictionary 27 May 2018.

         https://examples.yourdictionary.com/examples-of-haiku-poems.html

         2018

 

 

 

 

 

 

 

 

 

Historical poetry

 

Leidig, H.-D. Das Historiengedicht in der englischen Literaturtheorie: Die Rezeption von Lucans Pharsalia von der Renaissance bis zum Ausgang des achtzehnten Jahrhunderts. (Europäische Hochschulschrifgen 14.26). Frankfurt, 1975.

 

Anthologies

 

Baker, Kenneth, ed. The Faber Book of English History in Verse. London: Faber and Faber, 1988.

 

 

 

 

 

 

 

 

 

 

Horror poetry

 

Spacks, Patricia Meyer. The Insistence of Horror: Aspects of the Supernatural in Eighteenth Century Poetry. Cambridge (MA): Harvard UP, 1963.

 

 

 

 

 

 

 

 

 

 

 

 

Idyll

 

Simpson, Richard. "Idylls." 1867. In Richard Simpson as Critic. Ed. David Carroll. London: Routledge, 1977. 336-41.

 

 

 

 

 

 

 

 

 

Improvised poetry

 

Trapero, Maximiano. El libro de la décima: la poesía improvisada en el mundo hispánico. Servicio de Publicaciones, Universidad de Gran Canaria, 1996.

 

 

 

 

Jarchas

 

Deyermond, Alan. "2. Las jarchas y la lírica tradicional." In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura Española, gen. ed. Francisco Rico. Barcelona: Crítica, 1991. 36-43.* (Plus texts by Dronke and Frenk)

Dronke, Peter. "Los contextos de las jarchas." From Dronke, "Nuevas observaciones sobre las jaryas mozárabes." AFE 1 (1984): 99-114 (100-05). In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura Española, gen. ed. Francisco Rico. Barcelona: Crítica, 1991. 44-47.*

 

 

 

 

 

 

 

Light verse

 

The Penguin Book of Light Verse. Harmondsworth: Penguin.

 

 

 

 

Long poems

 

Friedman, Susan Stanford. "When a 'Long' Poem Is a 'Big' Poem: Self-Authorizing Strategies in Women's Twentieth-Century 'Long Poems'." In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 721-38.*

 

 

 

 

Madrigals

 

Works

 

Oliva, Juan Ignacio. "A Contemporary Re-reading of English Madrigals: Lyrical Motifs Regained." In Los caminos de la lengua: Estudios en homenaje a Enrique Alcaraz Varó. Ed. J. L. Cifuentes et al. San Vicente del Raspeig (Alicante): Publicaciones de la Universidad de Alicante, 2010. 1197-1206.*

 

 

 

 

 

Narrative verse

 

Miner, Earl. "Forms and Motives of Narrative Poetry." In John Dryden. Ed. Earl Miner. Athens (OH): Ohio UP, 1975.

 

Anthologies

 

Opie, Iona, and Peter Opie, eds. The Oxford Book of Narrative Verse. Oxford: Oxford UP, 1989.

 

See also Epic

 

 

 

 

Odes

 

Chayes, Irene H. "Rhetoric as Drama: an Apprach to the Romantic Ode." PMLA 79 (1964).

Congreve, William. A Pindarique Ode on the Victorious Progress of Her Majesties Arms. With a prefatory "Discourse of the Pindarique Ode." 1706.

Fry, Paul H. The Poet's Calling in the English Ode. New Haven: Yale UP, 1980. https://www.elmundo.es/internacional/2023/10/30/653f83e821efa0af658b4587.html

Lázaro Carreter, Fernando.  "Nota a la oda primera de Fray Luis de León." In Estudios sobre el Siglo de Oro: Homenaje al profesor Francisco Ynduráin. Madrid: Editora Nacional, 1984. 297-307.*

Schlüter, Kurt. Die englische Ode. Bonn: Bouvier, 1964.

Shuster, George N. The English Ode from Milton to Keats. 1940.

Sühnel, Rudolf. "Pindars Musenanruf und die englische Musikode." In Make It New. Berlin: Springer, 1987.

 

 

 

Literature

 

Mason, William. Odes. Dublin: James Rudd, 1756.

 

 

 

 

 

Oral poetry

 

Bauman, Richard. "Verbal Art as Performance." American Anthropologist 77.2 (1975): 290-311.

De Jong, Irene J. F. "Narratology and Oral Poetry: The Case of Homer." Poetics Today 12.3 (1991): 405-424.*

Felson-Rubin, Nancy. "Signposts in Oral Epic: Metapragmatic and Metasemantic Signals." In Fiction Updated: Theories of Fictionality, Narratology, and Poetics. Ed. Calin Andrei Mihailescu and Walid Hamarneh. Toronto: U of Toronto P, 1996. 175-86.*

Finnegan, Ruth. Oral Poetry: Its Nature, Significance, and Social Context. Cambridge: Cambridge UP, 1977.

Goody, Jack. The Interface between the Written and the Oral. (Studies in Literacy, Family, Culture and the State). Cambridge: Cambridge UP, 1987. Rpt. 1988, 1989, 1991, 1993. Digitalized 1999.* (Oral poetry, writing, traditional societies, Bagre, Vai, register, style).

Lord, Albert B. The Singer of Tales. New York: Atheneum, 1960.

_____. The Singer of Tales. Cambridge (MA): Harvard UP, 1964.

Rychner, Jean. La Chanson de Geste: Essai sur l'art épique des jongleurs. (Publications Romanes et Françaises, 53). Genève: Droz, 1955, 1975: Lille: Giard, 1955.

Zumthor, Paul. Introduction à la poésie orale. Paris: Seuil, 1983.

_____. Oral Poetry: An Introduction. Trans. Katryn Murphy-Judy. Minneapolis: U of Minesota P, 1990.

 

 

 

 

Panegyric

 

Hardison, Osborn B., Jr. The Enduring Monument: A Study of the Idea of Praise in Renaissance Literary Theory and Practice. Chapel Hill: U of North Carolina P, 1962.

 

 

 

 

 

 

Poetic prose

 

Coste, Didier. "De la faillite de la prosification et de la misère de la prose poétique."

 

 

 

 

Prose poem

 

Bernard, Suzanne. Le Poème en prose de Baudelaire à nos jours. Paris: Nizet, 1959.

Delville, Michel.The American Prose Poem: Poetic Form and the Boundaries of Genre. UP of Florida, 1998.

 

 

Anthologies

 

Füger, Wilhelm, ed. English Prose Lyrics: An Anthology. Heidelberg, 1976.

 

 

 

 

Romance (Verse romance). See Genres. Narrative. Fiction. Fictional genres.

 

 

 

Romance         (Spanish ballads)

 

Alborg, Juan Luis. "IX. La épica popular. El Romancero."  In Alborg, Historia de la Literatura Española (I): Edad Media y Renacimiento. 2nd ed., enlarged. Madrid: Gredos, 1970. 399-37.*

Alvar, Manuel. Granada y el romancero. Granada: Universidad de Granada, 1990.

Calvo, Raquel, ed. Romancero General de Segovia. Antología [1880]-1992. With Diego Catalán. Segovia: Fundación Menéndez Pidal, 1993.

Casado de Otaola, Luis, ed. El Romancero tradicional extremeño. (Seminario Menéndez Pidal, ed. Diego Catalán; continuation of Fuentes para el estudio del Romancero,  Tradición romanística castellana, begun by Menéndez Pidal and María Goyri). Mérida: Fundación Ramón Menández Pidal / Asamblea de Extremadura, 1995.

Catalán, Diego. "Análisis electrónico de la creación poética oral: El Programa Romancero en el Computer Center de UCSD." In Homenaje a la memoria de Don Antonio Rodríguez-Moñino: 1910-1970. Madrid: Castalia, 1975. 157-94.*

_____. Arte poética del Romancero oral.  c. 1981.

_____. El Archivo del Romancero, Patrimonio de la Humanidad. 2 vols. Madrid, 2001.

Catalán, Diego, gen. ed. Catálogo analítico del Archivo Romancístico Menéndez Pidal - Goyri. A: Romances de tema nacional. Vol. 1. (Archivo General del Romancero del Centro de Estudios Históricos Ramón Menéndez Pidal). Barcelona: Quaderns Crema / Fundación Ramón Menéndez Pidal, 1998.

Catalán, Diego, Jesús Antonio Cid, Beatriz Mariscal, Suzanne Petersen, Flor Salazar, Ana Valenciano, and Julio Camarena, eds. Tradiciones orales leonesas I. (Seminario Menéndez Pidal). Madrid: Fundación Menéndez Pidal.

Chevalier, Jean-Claude. "Architecture temporelle du 'romancero tradicional'." Bulletin Hispanique 73 (1971): 50-103.

Cid, Jesús Antonio. Primeras noticias y colecciones de romances en el x. XIX. (Silva Asturiana, 1). Madrid: Fundación Ramón Menéndez Pidal (etc.), 1999.

Deyermond, Alan. "7. El Romancero." In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura Española, gen. ed. Francisco Rico. Barcelona: Crítica, 1991. 209-19.* (Plus texts by Segre, Débax, Martínez Mata and Di Stefano).

_____. La literatura perdida de la Edad Media castellana: Catálogo y estudio. I. Epica y romances. Salamanca: Universidad de Salamanca, 1995.

Di Stefano, Giuseppe. "La tradizione orale e scritta dei romances. Situazioni e problemi." In Oralità e scrittura nel sistema letterario,  Rome, Bulzoni, 205-25.

_____. "La tradición impresa del Romancero: El pliego suelto." From Di Stefano, "La tradizione orale e scritta dei romances. Situazioni e problemi", in Oralità e scrittura nel sistema letterario,  Rome, Bulzoni, 205-25. In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura Española, gen. ed. Francisco Rico. Barcelona: Crítica, 1991. 230-34.*

Frenk, Margit. "Entre el romance y la letrilla." In Estado actual de los estudios sobre el Siglo de Oro. Ed. Manuel García Martín et al. Salamanca: Ediciones Universidad de Salamanca, 1993. 379-84.*

Mariscal de Rhett, Beatriz, ed. La Muerte Ocultada. (Seminario Menéndez Pidal - Romancero tradicional de las lenguas hispánicas (español, portugués, catalán, sefardí) - gen. ed. Diego Catalán). Madrid: Gredos, 1984-1985.

Menéndez Pidal, Ramón. El romancero español. 1910.

_____. Los romances de América y otros estudios. Madrid: Espasa-Calpe.

_____. De primitiva lírica española y antigua épica. 1951. 2nd ed. 1968.

_____. Romancero Hispánico: Teoría e historia. 1953.

_____. Romanceros del Rey Rodrigo y de Bernardo del Carpio. Ed. R. Lapesa, D. Catalán, A. Galmés and J. Caso. (Seminario Menéndez Pidal - Romancero tradicional de las lenguas hispánicas (español, portugués, catalán, sefardí), vol. 1). Collect. and notes by María Goyri and Ramón Menéndez Pidal. Vol. 1. Madrid: Gredos, 1957.

Powell, Brian, and Geoffrey West, eds. Al que en buena hora nació: Essays on the Spanish Epic and Ballad in Honour of Colin Smith. Liverpool: Liverpool UP, 1996.

Salazar, Flor, ed. El Romancero vulgar y nuevo. (Índice General del Romancero, series ed. Diego Catalán et al.). Madrid: Fundación Ramón Menéndez Pidal-Seminario Menéndez Pidal, 1999.

Sanz, Atilano. El Romancero y el Quijote: Breves apuntes acerca de las afinidades existentes entre ambos libros. Madrid: Imprenta del Asilo de Huérfanos, 1919.

Suárez López, Jesús, ed. Nueva colección de romances (1987-1994). With Mariola Carbajal Álvarez and Susana Asensio Llamas. (Silva Asturiana, 6). Oviedo and Madrid: Fundación Menéndez Pidal (etc.)., 1997.

Swislocki, M. "Romancero y comedia lopesca: formación de una consciencia histórica en la España áurea." In Estado actual de los estudios sobre el Siglo de Oro. Ed. Manuel García Martín et al. Salamanca: Ediciones Universidad de Salamanca, 1993. 2.977-86.*

Szaertics, Joseph. Tiempo y verbo en el Romancero Viejo. 2nd ed. (Biblioteca Románica Hispánica, 97). Madrid: Gredos, 1974.

_____. "Observaciones sobre algunas funciones estilísticas del pretérito indefinido en el romancero viejo." Explicación de Textos Literarios 2.3 (1974): 189-97.

Valenciano, Ana, et al., eds. Os romances tradicionais de Galicia: Catálogo exemplificado dos seus temas. (Romanceiro Xeral de Galicia, 1; series ed. Diego Catalán et al). Madrid and Santiao de Compostela: Fundación Ramón Menéndez Pidal (etc)., 1998.

 

 

 

Anthologies

 

 

Beltrán Llavador, Rafael, ed. Historia, reescritura y pervivencia del romancero: Estudios en honor de Amelia García-Valdecasas. Valencia: Publicacions de la Universitat de València, 2001.

Chen, Juan de. Laberinto amoroso de los mejores romances que hasta agora han salido a luz. Ed. José Manuel Blecua Teijeiro. Madrid: Castalia, 1953.

Díaz Mas, Paloma, ed. Romancero. Book and CD. Introd. Samuel G. Armstead. Barcelona, 1994.

Lozano, Modesta, ed. Romancero. Foreword by Francisco Rico. (Biblioteca de Plata de los Clásicos Españoles). Barcelona: Círculo de Lectores, 1990.*

Menéndez Pidal, Ramón. Flor nueva de romances viejos. Buenos Aires: Espasa-Calpe, 1969.

Pérez Lasheras, Antonio, ed. Romances. Illust. David Guirao. (Larumbe Chicos, 2). Zaragoza: Prensas Universitarias de Zaragoza, c. 2000.

Romancero General. 1st ed. 1600.

 

 

 

 

Series

 

 

(Índice General del Romancero, series ed. Diego Catalán et al.). Madrid: Fundación Ramón Menéndez Pidal-Seminario Menéndez Pidal, c. 1999.

 

(Seminario Menéndez Pidal - Romancero tradicional de las lenguas hispánicas (español, portugués, catalán, sefardí), vol. 1). Collect. and notes by María Goyri and Ramón Menéndez Pidal. Vol. 1. Madrid: Gredos, 1957. (Continued by Diego Catalán et al.).

 

(Silva Asturiana: Romancero general del Principado. Textos coleccionados en los archivos reunidos Menéndez Pidal; 1). Madrid: Fundación Ramón Menéndez Pidal (etc.), 1999.

 

 

 

 

 

Video

 

 

Cid, Jesús Antonio. "El romancero hispánico: tras las huellas de Menéndez Pidal." Video. YouTube (Fundación Juan March) 21 Feb. 2019.*

         https://youtu.be/q2OfeZdkwls

         2019 DISCONTINUED.

         Audio: https://www.march.es/conferencias/anteriores/voz.aspx?p1=101649&l=1

         2019

 

 

 

 

 

 

Science poems

 

The Penguin Book of Poems of Science. Harmondsworth: Penguin.

 

 

 

Sequences

 

Miner, Earl. "Some Issues for Study of Integrated Collections." In Poems in Their Place. Ed. Neil Fraistat. Chapel Hill: U of North Carolina P, 1986. 18-43.

Roche, Thomas P. Petrarch and the English Sonnet Sequence. New York: AMS, 1989.

 

See also Sonnet.

 

 

 

 

 

Sestinas

 

Romeu Figueras, José. "Una versión castellana de la sextina 'a qualunque animale alberga in terra'. de Petrarca, impresa en Barcelona, 1560-61: Para el estudio del género en las letras españolas." In Homenaje a la memoria de Don Antonio Rodríguez-Moñino: 1910-1970. Madrid: Castalia, 1975. 565-81.*

 

 

 

 

 

Short poetry

 

Dahle, Kaitlyn M. "The Recognition of Micro Poetry as a Literary Art Form Across Time and Culture." Honors thesis, East Tennessee State U (2015).

         http://dc.etsu.eu/honors/257

         2018

 

 

 

Street poetry

 

Horovitz, Michael, ed. Children of Albion: Poetry of the Underground in Britain.

 

 

 

 

Surrealist poetry

 

Fernández Cardo, José Mª. "Para una lectura de la poesía en la poesía surrealista." In Estudios humanísticos en homenaje a Luis Cortés Vázquez. Ed. Roberto Dengler Gassin. Salamanca: Ediciones Universidad de Salamanca, 1991. 1.209-18.*

 

 

 

Tales in verse

 

McKnight, George H., ed. Middle English Humorous Tales in Verse. Boston: Heath, 1913.

 

 

Travel poetry

 

Anthologies

 

Crossley-Holland, Kevin, ed. The Oxford Book of Travel Verse. Oxford: Oxford UP.

 

 

 

Visual poetry. See Genres. Poetry. Specific topics. Visual form in poetry.

 

 

 

Vocal poetry

 

Scobie, Stephen, and Douglas Barbour, eds. Carnivocal. CD. (Anthology of Canadian sound poetry).

 

 

 

 

Urban poetry

 

Simón Díaz, José. "La poesía mural, su proyección en universidades y colegios." In Estudios sobre el Siglo de Oro: Homenaje al profesor Francisco Ynduráin. Madrid: Editora Nacional, 1984. 479-97.*

 

 

 

 

 

Waka

 

Rubio, Carlos. "I.8. La clave en verso: Una semilla en el corazón." In Rubio, Claves y textos de la literatura japonesa: Una introducción. Madrid: Cátedra, 2007.* (1. Esquema de géneros y subgénerso en verso. 2. El poema de un dios. 3. Orígenes y desarrollo de la poesía. 4. El waka. 5. Waka y sociedad. 6. Tradición e imágenes. 7. Kanshi. 8. La herencia del waka).

_____. "II.2. Kokinshu: El triunfo del 'waka'." In Rubio, Claves y textos de la literatura japonesa: Una introducción. Madrid: Cátedra, 2007.* (1. El prólogo del Kokin. 2. Contexto literario y compilación. 3. Clasificación y temas. 4. Estilo y técnicas poéticas. 5. La estética del Kokin en sus tres grandes temas).

 

 

 

 

War poetry

 

Fanthorpe, U. A. "War, Poetry, the Child." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 208-10.*

Featherstone, Simon, ed. War Poetry: An Introductory Reader. (Critical Readers in Theory and Practice). London: Routledge, 1995.

Longley, Edna. "Poetry and Politics in Northern Ireland." In Poetry in the Wars. Newcastle-upon-Tyne: Bloodaxe Books, 1986. 185-211.

Sánchez-Pardo, Esther. "On Poetry, War and Trauma: A Preliminary Discussion on Memory, Transformation, and Audiences." In At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference, UAB/Barcelona 14-16 November 2011. Ed. Sara Martín et al. Barcelona: Departament de Filologia Anglesa i de Germanística, U Autònoma de Barcelona / AEDEAN, 2012. 182-187.*

http://www.aedean.org/pdf_atatimecrisis/AtaTimeofCrisis_AEDEAN35_portada.pdf

         2012

 

 

 

Anthologies

 

Dor, Moshe, and Barbara Goldberg, eds. After the Rain: Israeli Poems on War and Peace. Trans. William Mattews et al. Syracuse UP, 1998.

Kendall, Tim, ed. The Oxford Handbook Of English and Irish War Poetry. Oxford: Oxford UP.

López de Toro, José. Los poetas de Lepanto. Madrid: Instituto Histórico de la Marina, 1950.

Lyon, Philippa, ed. Twentieth-Century War Poetry.

 

 

 

Internet resources

 

War Poets Association

         http://www.warpoets.org/

         2005-04-26

 

Postmodernidad y Postmodernismo

      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...