Retropost, 2014:
Ben Jonson (1572-1637)
(English dramatist and poet,
b. Westminster, orphaned son of a Protestant minister, st. Westminster School,
left Cambridge without a degree, apprenticed as bricklayer to father-in-law; volonteer
in Flanders army 1592, killed enemy in single combat, actor in London c. 1594,
imprisoned for manslaughter, converted to Catholicism for some time, married
1594, children died; returned to Anglicanism 1606; pensioned by the King 1616;
honorary MA Oxford 1619; poet for aristocratic patrons, apologist of Stuart
royalty; neoclassical theorist and literary authority, overweight and hard
drinker)
Works
1590s
Jonson, Ben. Every Man
in his Humour. Comedy. Acted 1596, rev. version acted at Blackfriars, 1598.
_____. Every Man In
His Humour. London: Walter Burre, 1601.
_____. Every Man in His Humour. In Jonson, Works. 1616.
_____. Every Man in
his Humour. Ed. Herford and Simpson.
_____. Every Man in
His Humour. (Revels series). Ed. Robert S. Miola.
_____. The Case Is
Altered. Comedy. 1598. (Vs Munday, "Don Antonio Ballendino").
_____. Prologue to Every
Man in his Humour. Folio ed., 1616.
_____. ? The Scottes
Tragedy. Drama. 1599. (Lost).
Jonson, Ben, Thomas Dekker, and Henry Chettle. Robert the Second, King of Scottes.
Drama. c. 1599. (Lost).
Chettle, Henry, Henry Porter and Ben Jonson. Hot Anger soon Cold. Drama. August 1598.
Not printed.
Nashe, Thomas, Ben Jonson, et al. The Isle of Dogs. Drama. 1597. (Lost).
1600s
Jonson, Ben. Cynthia's
Revels. Drama. Acted at Whitehall and Blackfriars, 1600.
_____. Cynthia's
Revels. Ed. C. H. Herford and Percy Simpson. Oxford: Clarendon Press, 1932.
_____. Every Man Out
of His Humour. Comedy. Staged Globe theatre, 1600.
_____. Every Man Out
of His Humour. Online at Project
Gutenberg.*
2012
_____. Prologue to Every
Man Out of His Humour. 1600. Select. in Literary
Criticism from Plato to Dryden. Ed. Gilbert. 537-38.
_____. "Queen and
Huntress." Poem. 1600. In The Norton Anthology of English Literature.
7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999.
1.1413-14.
_____. "Slow, Slow, Fresh
Fount." Poem. 1600. In The Norton Anthology of English Literature.
7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999.
1.1413.*
_____. The Poetaster.
Comedy. Acted at Blackfriars, 1601.
_____. Poetaster. Ed
Tom Cain. Manchester: Manchester UP, 1995. 1996.
_____. Rev. version of Jeronymo
for Henslowe. 1601.
_____. Richard
Crook-Back. Tragedy. 1602. (Lost).
_____. Sejanus His
Fall. Tragedy (in collaboration with anon. author). Produced by the King's
Men, Globe theatre, 1603. Rev. version by Ben Jonson 1605. (Political play, in
support of the Earl of Essex).
_____. "To the Readers of Sejanus." 1605. In Criticism
from Plato to Dryden. Ed. Gilbert. 538-49.*
_____. "To
the Readers." In Sejanus, His Fall.
1605. In Writing and the English
Renaissance. Ed. William Zunder and Suzanne Trill. Harlow (Essex): Longman,
1996. 265-66.*
_____. Panegyric on
the First Meeting of Parliament. c. 1604.
_____. The Masque of Blackness. Acted 1605. In The Norton Anthology of English Literature. 7th ed. Ed. M. H.
Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1294-1303.*
_____. Hymenaei.
Masque. First performed 1606.
_____. Volpone.
Comedy. First performed King's Men, Globe Theatre, 1606. Acted 1606 at Oxford
and Cambridge.
_____. Volpone.
Quarto, 1607.
_____. Volpone. In
Works, 1616.
_____. Volpone. Ed. Jonas Barish. Arlington Heights (IL): AHM, 1958.
_____. Volpone or the
Fox /Volpone o el zorro. Bilingual ed. Ed. and trans. A. Sarabia Santander.
Barcelona: Bosch, 1980.
_____. Volpone. In Jonson,Volpone
and Other Plays. Ed. Lorna Hutson. (Renaissance Dramatists). Harmondsworth:
Penguin, 1998.
_____. Volpone. In The Norton Anthology of English Literature.
7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999.
1.1303-93.*
_____. Volpone, or the
Fox. Online at Project Gutenberg.
2012
_____. Volpone. In
English Renaissance Drama: A Norton
Anthology. Ed. David Bevington et al. New York and London: Norton, 2002.
673-64.*
_____. Volpone.
Ed. and trans. Purificación Ribes. (Letras Universales). Madrid: Cátedra, 2002.
_____. Dedicatory Epistle of Volpone. 1606. In The
Personal Note. Ed. H. J. C. Grierson and S. Wason. London: Chatto, 1946. 38-41.
_____. "Dedication to Volpone." In Literary
Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 234-37.*
_____. The Masque of
Whiteness. c. 1607.
_____. Masque of
Beauty. 1608.
_____. "Still to Be
Neat." Poem. 1609. In The Norton Anthology of English Literature.
7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999.
1.1414.*
_____.
Britain's Burse. Drama. 1609.
_____.
Speeches at Prince Henry's Barriers.
1609. (Allegorical
tournament-entertainment).
_____. Epicoene: Or,
The Silent Woman. Comedy.
1609-10.
_____. Epicene. In
English Renaissance Drama: A Norton
Anthology. Ed. David Bevington et al. New York and London: Norton, 2002.
775-860.*
_____. The Key Keeper:
An Entertainment at Britain's Burse. Masque. 1609. Ed. John Knowles.
Forthcoming 1997.
_____. The Entertainment at Britain's Burse. Masque. Written 1609. 1st ed.
in Re-Presenting Ben Jonson: Text,
Performance, History. Ed. Martin Butler. Houndmills: Macmillan, 1999.
_____. The Masque of
Queens. 1609.
Jonson, Ben, John Marston and George Chapman. Eastward Ho! Comedy. 1605.
_____. Eastward Ho!
Edited by C. G. Petter. (The New
Mermaids). Benn, 1973.
1610s
_____. Barriers.
1610.
_____. The Alchemist.
Comedy. c. 1610.
_____. The Alchemist. Ed. F. H. Mares. London: Methuen.
_____. The Alchemist. Ed.
Peter Bement. London: Routledge,
1987.
_____. The Alchemist. In The Alchemist and Other Plays. Ed.
Gordon Campbell. Oxford: Oxford UP, 1995.
_____. The Alchemist. In
English Renaissance Drama: A Norton Anthology.
Ed. David Bevington et al. New York and London: Norton, 2002. 861-960.*
_____. Preface to The
Alchemist. 1612.
_____. Oberon the
Fairy Prince. Masque. 1611.
_____. Catiline His
Conspiracy. Tragedy. Pub. 1611.
_____. Love Restored.
Masque. 1612.
_____.
A Challenge at Tilt. Drama. 1613.
_____. "Induction" to Bartholomew Fair. 1614.
_____. "Ben Jonson on The Tempest (and Titus
Andronicus) (1614)." In The
Norton Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997.
3341.*
_____. The Devil is an
Ass. Drama. 1616.
_____. Lovers Made
Men. Masque. 1617.
_____. Bartholomew
Fair. Comedy. 1614.
_____. Bartholomew
Fair. Ed. Maurice Hussey. London: Benn, 1964.
_____. Bartholomew
Fair. In English Renaissance Drama: A
Norton Anthology. Ed. David Bevington et al. New York and London: Norton,
2002. 961-1066.*
_____. The Devil's an
Ass. Comedy. 1616.
_____. Mercury
Vindicated from the Alchemists in Court. Masque. 1616.
_____. The Workes of
Beniamin Jonson. Imprinted at London: By Will Stansby, 1616. (Folio; Contains: Comedies, Tragedies,
Masques, Epigrams, and The Forest poems).
_____. "On My First Son." Poem. In Perrine's Literature: Structure, Sound, and
Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson
Learning-Heinle & Heinle, 2002. 764.*
_____. From Epigrams. 1616. ("To My Book", "On Something, That
Walks Somewhere," "To William Camden," "On My Fist
Daughter," "To John Donne," "On Don Surly," "On
Giles and Joan," "On My First Son," "On Lucy, Countess of
Bedford," "To Lucy, Countess of Bedford, with Mr. Donne's
Satires," "Inviting a Friend to Supper," "Epitaph on S.P.,
a Child of Queen's Elizabeth Chapel."). In The Norton
Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen
Greenblatt et al. New York: Norton, 1999. 1.393-99.*
_____. From The Forest. 1616. ("To Penshurst," "Song: To
Celia," "To Heaven").
In The Norton Anthology of English
Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York:
Norton, 1999. 1.1399-1403.*
_____. "Song: To Celia." In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp
and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle,
2002. 1064-65.*
_____. Pleasure
Reconciled to Virtue. Masque. 1618.
_____. Conversations
with Drummond. 1619.
_____, ed. History of
the World. By Sir Walter Ralegh. 1614.
Jonson, Ben, and Inigo Jones. Oberon. Masque. 1611.
1620s
Jonson, Ben. Conversations
with William Drummond of Hawthornden. In Ben Jonson (The Oxford Authors) 595-612.
_____. The Gipsies
Metamorphosed. Masque. 1621.
_____. Time
Vindicated. 1623.
_____. "To the Reader." Prefatory poem to the
First Folio of Shakespeare's plays. 1623. Facsimile. In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York:
Norton, 1997. 3346.*
_____. "To the Memory of my Beloved, The Author, Mr.
William Shakespeare, and What He Hath Left Us." In Mr. William Shakespeares
Comedies, Histories, & Tragedies. (First Folio). London,1623.
_____. "To the memory of my beloued, the avthor Mr. William Shakespeare: And what
he hat left vs." Prefatory poem to the First Folio of Shakespeare's plays.
1623. Facsimile. In The Norton
Shakespeare. Ed. Stephen Greenblatt et al. New York: Norton, 1997.
3351-52.*
_____. "To the memory of my beloved, the author, Mr.
William Shakespeare, and what he hath left us." In The Works of Ben Jonson, vol. 3. London: Chatto & Windus, 1910.
287-9. Luminarium
2013
_____. "To the Memory of My Beloved, the Author."
1623. In Shakespeare Criticism: A
Selection 1623-1840. London: Oxford UP, 1946. 3-5.
_____. "To the Memory of my
Beloved, The Author, Mr. William Shakespeare, and What He Hath Left
Us." 1623. In The Norton Anthology of English Literature.
7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999.
1.1414-16.*
_____. Neptune's
Triumph for the Return of Albion. Masque. 1624.
_____. The Fortunate
Isles. 1625.
_____. The Staple of
Newes. Comedy. 1626.
_____. Anti-Masque of
Jophiel. 1627.
_____. "To the Immortal Memory
and Friendship of that Noble Pair, Sir Lucius Cary and Sir H. Morison."
Ode. 1629, pub. 1640-41. In The Norton Anthology of English Literature.
7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999.
1.1.1609-13.*
Heminge, John, Henry Condell, Ben Jonson, et al. "Front
Matter from the First Folio of Shakespeare's Plays (1623)." Facsimiles. In
The Norton Shakespeare. Ed. Stephen
Greenblatt et al. New York: Norton, 1997. 3345-57.*
1630s
Jonson, Ben. The New
Inn. Comedy. 1630. Printed in 1631 octavo; omitted from the 1640 folio.
Included in 1692 folio.
_____. "Ode (To Himself)." The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson
and G. Bullough. Oxford: Clarendon Press, 1934. 179-180.
_____. "Ode (To Himself)." Luminarium.*
2011
_____. "Expostulation with Inigo Jones." 1631.
_____. Love's Triumph
Through Callipolis. Masque. Acted 1631..
_____. Chloridia.
Masque. 1631.
_____. "Ode to Himself." 1631, 1640-41.
_____. "An Ode to Himself." In The
Songs and Poems of Ben Jonson.
London: Philip Allan & Co., 1924. 59-60.
_____. "Ode to Himself."
In The Norton Anthology of English
Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York:
Norton, 1999. 1.1416-18.*
_____. "An Ode to Himself." Luminarium
2012
_____. The Magnetic
Lady. Comedy. 1632.
_____. Tale of a Tub.
Drama. 1633.
_____. "Induction" to The Magnetic Lady. 1635.
_____. The Sad
Shepherd. Pastoral drama. c. 1637.
_____. The Sad
Shepherd: Or, A Tale of Robin Hood. Online facsimile at The Internet Archive
2012
_____. The Second Book
of the English Grammar. c. 1637.
Fletcher, John, George Chapman, Ben Jonson and Philip
Massinger (?). Rollo: or the Bloody
Brother. Oxford, 1638.
1640s
Jonson, Ben. The
English Grammar. Ed. James Howell. 1640.
_____. The English
Grammar. In Jonson, Works. 1640.
_____. English
Grammar. Rev. ed. in Jonson's 1692 Folio.
_____. The Underwood.
In Jonson, (Works, Second folio).
1640.
_____. From Underwood. 1640-41. (From "A Celebration of Charis in Ten
Lyric Pieces," "A Sonnet, to the Noble Lady, the Lady Mary
Wroth," "My Picture Left in Scotland,"). In The
Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen
Greenblatt et al. New York: Norton, 1999. 1.1403-9.*
_____. An Execration
against Vulcan. 1640.
_____. Works. 2nd
ed. 1640.
_____. Timber: Or,
Discoveries. Criticism. 1st ed. in Workes.
Vol. 2. 1640.
_____. Timber. In
1692 folio.
_____. Discoveries.
Ed. Maurice Castelain. Paris, 1906.
_____. Timber: Or,
Discoveries. Selection. In The Great
Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 212-21.*
_____. Discoveries. Ed. G. B. Harrison. (Bodley Head Quartos).
_____. Timber: Or,
Discoveries. Ed. Ralph S. Walker. London: Greenwood Press, 1976.
_____. Timber or
discoveries. In Jonson, The Complete
Poems. Ed. G. Parfitt. Harmondsworth: Penguin, 1980.
_____. Timber, or,
Discoveries. In Ben Jonson (The
Oxford Authors) 521-94.*
_____. From Timber, or Discoveries. 1640-41. (Style). In The Norton Anthology of English Literature. 7th ed. Ed. M. H.
Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1616-18.*
_____. "De Shakespeare Nostrati." 1641. In Shakespeare Criticism: A Selection
1623-1840. London: Oxford UP, 1946. 6.
_____. "Ben Jonson on Shakespeare (1623-37)." From
Timber. In The Norton Shakespeare. Ed. Stephen Greenblatt et al. New York:
Norton, 1997. 3360-61.*
_____, trans. The Art
of Poetry. By Horace. In Works.
Ed. 1640.
_____, trans. The Art
of Poetry. By Horace. In The Great
Critics. Ed. James Harry Smith and Edd Winfield Parks. New York: Norton,
1932. 88-105.*
Other works
Jonson, Ben.The Masque
of Augurs.
_____. Commentary on
the Poetics. (Lost).
_____. Journey into
Scotland. (Lost).
_____. May Lord.
Drama. (Lost).
_____. Life of Henry
V. (Unfinished and lost).
_____. Rape of
Proserpine. Poem. (Lost).
_____. Epitaph on the
Countess of Pembroke.
Jonson, Ben, and Inigo Jones. Love's Triumph Through Callipolis. Masque.
Collected works
Jonson, Ben. Works. 1616. (Folio).
_____. Works. 2nd
ed. 1640.
_____. (Works).
1692 (Folio).
_____. (Works of Ben
Jonson). Octavo, 6 vols. Illustrated. Jacob Tonson, 1716.
_____. Jonson
Anthology (1617-1637). Ed. E. Arber. (British Anthologies 5). Frowde, 1899.
_____. The Works of
Ben Jonson. Ed. C. H. Herford, Percy Simpson, and Evelyn Simpson. 11 vols.
Oxford: Clarendon, 1925-52. 1971.
_____. The Complete
Poetry of Ben Jonson. Ed. W. B. Hunter, Jr. New York: New York UP, 1963.
_____. The Complete
Poetry of Ben Jonson. Ed. William B. Hunter, Jr. Garden City (NY):
Doubleday-Anchor, 1963.
_____. The Complete
Poetry of Ben Jonson. Ed. William B. Hunter, Jr. New York: Norton, 1978.
_____. Ben Jonson. Ed.
Thom Gunn. (Poet to Poet). Harmondsworth: Penguin.
_____. Ben Jonson and
the Cavalier Poets. Ed. Hugh Maclean. (Norton Critical Edition). New York:
Norton, 1975.
_____. Ben Jonson's
Plays and Masques. Ed. Robert M. Adams. (Norton Critical Edition). New
York: Norton, 1979.
_____. The Complete
Poems. Ed. George Parfitt. Harmondsworth: Penguin, 1975. 1980.
_____. Three Comedies
(Volpone, The Alchemist, Bartholomew Fair). Harmondsworth: Penguin.*
_____. Five
Plays. Ed. G. A. Wilkes. Oxford: Oxford UP.
_____. Ben Jonson
(The Oxford Authors). Ed. Ian Donaldson. Oxford: Oxford UP, 1985.*
_____. "On My First Son." "My Picture left in
Scotland." "To Penshurst." From Volpone. In The Arnold
Anthology of British and Irish Literature in English. Ed. Robert Clark and
Thomas Healy. London: Hodder Headline-Arnold, 1997. 303-15.*
_____. The Selected Plays of Ben Jonson. Ed. Johanna Procter. (Plays By Renaissance
and Restoration Dramatists). 1989.
_____. The Alchemist and Other
Plays. Ed. Gordon Campbell. Oxford: Oxford UP, 1995.
_____. Volpone and Other Plays. Ed. Lorna Hutson. (Renaissance
Dramatists). Harmondsworth: Penguin, 1998.
_____. Ben Jonson's
Plays and Masques. Ed. Richard Harp. 2nd ed. (Norton Critical Edition). New
York: Norton, 2001.
_____. (Ben Jonson's masques, ed. Stephen Orgel, for the
Yale ed. of Ben Jonson's works).
Spencer, T. J. B., and S. Wells, eds. A Book of Masques. Cambridge: Cambridge UP, 1967. Rpt. 1980.
(Jonson, Daniel, Campion, Beaumont, W. Browne, Davenant).
On Ben Jonson
Biography
Boehrer, Bruce Thomas. "Renaissance Overeating: The Sad
Case of Ben Jonson." PMLA 105
(1990): 1071-82.*
Gifford. Life of Ben
Jonson. 19th c.
Hazlitt, William. "Benjamin Jonson." In The Lives of the British Poets. London:
Nathaniel Cooke, 1854. 1.206-19.*
Riggs, David. Ben
Jonson: A Life. Cambridge (MA): Harvard University Press, 1989.
Criticism
Bamborough, J. B. Ben
Jonson. New York: Humanities Press, 1970.
Barish, Jonas A. Ben
Jonson and the Language of Prose Comedy. Cambridge (MA): Harvard UP, 1960.
_____. From "Jonson and the Loathèd Stage." From A Celebration of Ben Jonson. Ed. William
Blisset, Julian Patrick and R. W. Van Fossen. 1973. 32-46. Rpt. in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of
Literary Criticism). New York: Chelsea House, 1986. 1508.*
_____, ed. Jonson: Volpone.
(Casebooks series). Basingstoke: Macmillan, 1972.
_____, ed. Ben Jonson:
A Collection of Critical Essays. Englewood Cliffs (NJ): Prentice-Hall,
1963.*
Barton, Anne. Ben
Jonson, Dramatist. Cambridge: Cambridge UP, 1984.
Bawcutt. N. W. "New Jonson Documents." The Review of English Studies 47.185 (1996):
50-52.*
Beaurline, L. Ben
Jonson and Elizabethan Comedy: Essays in Dramatic Rhetoric. San Marino
(CA): Huntington Library, 1978.
Bentley, Gerald E. Shakespeare
and Jonson: Their Reputations in the Seventeenth Century Compared. Chicago,
1945.
Blisset, William, Julian Patrick and R. W. Van Fossen, eds. A Celebration of Ben Jonson. 1973.
Brady, Jennifer. . (On Ben Jonson). SEL 23 (1983).
Burrow, Colin. "Combative Criticism: Jonson, Milton,
and Classical Literary Criticism in England." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge
UP, 1999. 2001. 487-99.*
Butler, Martin, ed. Re-Presenting
Ben Jonson: Text, Performance, History. (Early Modern Literature in History
series). Houndmills: Macmillan, 1999..
Carvalho Homem, Rui. "Entre
o juiz e o louco: persusos da comédia de Ben Jonson de Volpone a Bartholomew Faiyre.
MA diss. U de lisboa, 1986.
_____. "Retórica do Riso:
Comédia, Sátira, e um dia na Feira com Ben Jonson." Revista da Faculdade de Letras- Lnguas e Literaturas, in Honorem Prof.
Oscar Lopes. 2nd ser. 12 (Porto, 1995): 301-47.
_____. "'A More Familiar Straine': Puppetry and
Burlesque, or, Translation as Debasement in Ben Jonson's Bartholomew Fair." In SEDERI
VII. Ed. S. González Fernández-Corugedo et al. Coruña: SEDERI, 1996.
179-86.*
Cave, Richard Allen. Ben
Jonson. (English Dramatists). Houndmills: Macmillan.
Clare, Janet. "Jonson's 'Comical Satires' and the Art
of Courtly Compliment." Refashioning
Ben Jonson: Gender, Politics and the Jonsonian Canon. Ed. Julie Sanders.
London: Macmillan, 1998. 28-44.
Coles, Chris. How to Study a Renaissance Play: Marlowe, Jonson, Webster. (How to
Study series). Houndmills: Macmillan, 1988.
Coren, Pamela. "In the
Person of Womankind: Female Persona Poems by Campion, Donne, Jonson." Studies in
Philology (Chapel Hill) 98.2 (Spring 2001): 225-51.
2004-03-28
Coronato, Rocco. "Carnival Vindicated to Himself?
Reappraising Bakhtinized Ben
Jonson." Connotations 6.2
(1996/97): 180-203.*
Craig, D. H., ed. Ben
Jonson: The Critical Heritage. London: Routledge, 1991.
Dietz, Bernd. "Los Epigramas
de Ben Jonson." In Estudios
literarios ingleses: Renacimiento y barroco. Ed. Susana Onega. Madrid:
Cátedra, 1986. 343-62.*
Dollimore, Jonathan. "8. Sejanus (1603): History and Realpolitik."
In Dollimore, Radical Tragedy.
3rd ed. Houndmills: Palgrave, 2004. 134-38.*
Donaldson, Ian. The World Upside Down: Comedy from Jonson to
Fielding. Oxford: Clarendon Press, 1970.
_____. Jonson's Magic
Houses: Essays in Interpretation. Oxford: Clarendon Press, 1997.
Dryden, John. Of
Dramatic Poesy: An Essay. 1668.
_____. Essay of
Dramatic Poesy. Ed. Thomas Arnold, rev. W. T. Arnold. Oxford, 1903.*
_____. An Essay of
Dramatic Poesy. In The Great Critics.
Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 255-310.*
_____. An Essay of
Dramatic Poesy. In Literary
Criticism: From Plato to Dryden. Ed. Gilbert. 601-58.*
_____. Of Dramatic
Poesie. In Of Dramatic Poesie and
Other Critical Essays. Ed. George Watson. 2 vols. London, 1962.
_____. Of Dramatic
Poesie. Ed. James T. Boulton. Oxford, 1964.
_____. Of Dramatic
Poesy: An Essay. In Dryden, Selected
Criticism 17-76.*
_____ An Essay of
Dramatic Poesy. In Literary Criticism
and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 249-89.*
_____. From An Essay
of Dramatic Poesy. InThe Norton
Anthology of English Literature. Ed. M. H. Abrams, Stephen Greenblatt et al.
New York: Norton, 1999. 1.2114-18.*
Dutton, Richard. Ben
Jonson: To the First Folio. Cambridge: Cambridge UP, 1983.
_____. Ben Jonson:
Authority: Criticism. Basingstoke: Macmillan, 1996.
Eliot, T. S. "Ben Jonson." 1919. In Eliot, Selected Essays. 3rd. ed. London: Faber,
1951. 147-60.
_____. "Ben Jonson." 1919. In The Sacred Wood. 1920. 104-22.
_____. "Ben Jonson." In Eliot, El bosque sagrado: Edición bilingüe. San
Lorenzo de El Escorial (Madrid): Langre, 2004. 325-60.*
_____. "Ben Jonson." In The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1495-98.*
Enright, D. J. From "Poetic Satire and Satire in Verse:
A Consideration of Jonson and Massinger." Scrutiny (Winter 1951-52): 211-23. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1542-44.*
Evans, Robert C. Ben
Jonson and the Poetics of Patronage. Lewisburg (PA): Bucknell UP, 1989.
_____. "Ben Johnson Reads Daphnis and Chloe." English Language Notes. 27.4 (1990):
28-32.
Fernández López, J. "Horacio y Ben Jonson: Poetaster." In Bimilenario de Horacio. Ed. Rosario Cortés Tovar and José Carlos
Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 1994. 36-76.*
Ferry, Anne. All in
War with Time: Love Poetry of Shakespeare, Donne, Jonson, Marvell. 1975.
Fowler, Alastair. "The Silva Tradition in Jonson's The
Forrest." In Poetic Traditions
of the English Renaissance. Ed. Maynard Mack and George de Forest Lord. New
Haven: Yale UP, 1982. 163-80.
Freehafer, John. "Leonard Digges, Ben Jonson, and the
Beginning." Shakespeare Quarterly
21 (1970): 63-75.
_____. "Leonard Digges, Ben Jonson, and the
Beginning." In Shakespeare and the
Literary Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London:
Garland, 1999. 239-42.*
García
Landa, José Angel. "Jonson, Ben." In García Landa, Vanity Fea 2 Oct. 2012.*
2012
_____.
"Every Man in His Humour / Every Man
Out of His Humour." In García Landa, Vanity Fea 17 Oct. 2012.*
2012
_____.
"The Plot of Volpone." From
The Oxford Companion to English
Literature. García Landa, José Ángel. "." In García Landa, Vanity Fea 20 Nov. 2012.*
2012
García Martínez, Isabel. "Ben Jonson y Molière. Análisis
comparativo de su itinerario vital y creador." XIV Congreso de AEDEAN.
Bilbao: Servicio Editorial de la Universidad del País Vasco, 1992. 285-94.
Goldberg, Jonathan. James
I and the Politics of Literature: Jonson, Shakespeare, Donne and Their Contemporaries.
Baltimore and London, 1983.
Gómez Lara, Manuel. "Emblems of Darkness: Othello 1604 and the Masque of Blackness 1605." In SEDERI VII. Ed. S. González
Fernández-Corugedo et al. Coruña: SEDERI, 1996. 217-24.*
Gordon, D. J. "Hymenaei:
Ben Jonson's Masque of Union." In The
Renaissance Imagination. Ed. Stephen Orgel. Berkeley and London, 1975. (Masque, emblems, iconography).
Grant, Patrick. Literature
and the Discovery of Method in the English Renaissance. Athens: U of
Georgia P, 1985. (More: Richard III;
Jonson: Bartholomew Fair; Donne: Anniversaries; Browne: Religio Medici; Law: Spirit of Love ; on Digby's Annotations, 102-88).
Greene, Thomas M. "Ben Jonson and the Centered
Self." SEL 10 (1970): 325-48.
Harp, Richard, and Stanley Stewart, eds. The Cambridge Companion to Ben Jonson.
(Cambridge Companions). Cambridge: Cambridge UP, 2000.
Haynes, Jonathan. From "Festivity and the Dramatic
Economy of Jonson's Bartholomew
Fair." ELH (Winter 1984): 645-57. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1520-24.*
_____. The Social Relations of Jonson's Theatre. 1992.
Helgerson, Richard. Self-Crowned
Laureates: Spenser, Jonson, Milton, and the Literary System. Berkeley: U of
California P, 1983.
_____. "Ben Jonson." In The Cambridge Companion to English Poetry, Donne to Marvell. Ed.
Thomas N. Corns. Cambridge: Cambridge UP, 1993. 148-70.*
Holdsworth, R. V., ed. Jonson:
Every Man in His Humour and The
Alchemist. (Casebooks series). Basingstoke: Macmillan, 1979.
Hollander,
John. Vision and Resonance: Two Senses of
Poetic Form. New York: Oxford UP, 1975.
_____. "Ben Jonson and the Modality of Verse."
From Hollander, Vision and Resonance: Two
Senses of Poetic Form. 1975. 169-82. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed.
Harold Bloom. (The Chelsea House Library of Literary Criticism). New York:
Chelsea House, 1986. 1508-12.*
Ioppolo, Grace. "Author Hissed off Stage." Revs.
on Jonson. TLS 31 Jan. 1997: 23.*
Johnson, A. W. Ben
Jonson: Poetry and Architecture. c. 1996.
Jonson: Volpone. (Brodie's
Notes). Houndmills: Macmillan.
Jonson: Volpone. (Macmillan
Master Guides). Houndmills: Macmillan.
Judkins, David C. The
Nondramatic Works of Ben Jonson: A Reference Guide. Boston: Hall, 1982.
Kamholtz, Jonathan. . (On Ben Jonson). SEL 23 (1983).
Kernan, Alvin B., ed. Two
Renaissance Mythmakers: Christopher Marlowe and Ben Jonson. Baltimore:
Johns Hopkins UP, 1977.
Knights, L. C. Drama
and Society in the Age of Jonson. Harmondsworth: Penguin.
_____. "Ben Jonson, Dramatist." In The Age of Shakespeare. Vol. 2 of The New Pelican Guide to English Literature.
Ed. Boris Ford. Harmondsworth: Penguin, 1982. Rev. 1993. 404-19.*
Knowles, J. "Cecil's Shopping Centre: The Rediscovery
of a Ben Jonson Masque in Praise of Trade." TLS 7 Feb. 1997: 14-15.*
Kolbrener, William. "Man to Man: Self-Fashioning in Jonson's To William Pembroke."Texas
Studies in Literature and Language 39 (1997): 284-296.*
Lanier, Douglas. 'Better
Markes': Ben Jonson and the Institution of Authorship. Forthcoming 1998.
Lee, Jonsook. Ben
Jonson's Poesis: A Literary Dialectic of Ideal and History.
Charlottesville: UP of Virginia, 1989.
Lemley, John. "Masks and Self-Portraits in Jonson's
Later Poetry." ELH 44 (1977):
248-66.
Loewenstein, Joseph. Responsive
Readings: Versions of Echo in Pastoral, Epic, and the Jonsonian Masque. New
Haven and London: Yale UP, 1984.
_____. "The Jonsonian Corpulence, or the Poet as
Mouthpiece." ELH 53 (1986):
491-518.
Lyon, John. "Jonson and Carew on Donne: Censure into
Praise." Rice University Studies in
English Literature 37.1 (Winter 1997): 97-119.*
MacLean, Hugh. "Ben Jonson's
Poems: Notes on the Ordered Society." In Essays in English Literature from the Renaissance to the Victorian Age:
Presented to A. S. P. Woodhouse. Ed. M. MacLure and F. W. Watt. Toronto: U
of Toronto P, 1964. 43-68.*
Marotti, Arthur F. "All About Jonson's Poetry." ELH 39 (1972): 208-37.
Maus, Katharine Eisaman. Ben
Jonson and the Roman Frame of Mind. 1985.
Marcus, Leah S. The
Politics of Mirth: Jonson, Herrick, Milton, Marvell and the Defense of Old
Holiday Pastimes. Chicago: U of Chicago P, 1986.
McCanles, Michael. Jonsonian
Discriminations: The Humanist Poet and the Praise of True Nobility.
Toronto: U of Toronto P, 1992.
McClung, William A. The
Country House in English Renaissance Poetry. Berkeley: U of California P,
1977.
McDonald, Russ. Shakespeare
and Jonson: Jonson and Shakespeare. Hemel Hempstead: Harvester Wheatsheaf,
1988.
Miles, Rosalind. Ben
Jonson: His Craft and Art. London: Routledge, 1990.
Miner, Earl. The
Cavalier Mode from Jonson to Cotton. Princeton (NJ): Princeton UP, 1971.
Mora, María José, and Rafael Portillo. "'Bless Thee,
Jonson, Bless Thee! Thou Art Translated': Versiones españolas de Volpone, 1929-1994." Proceedings of the XIXth International
Conference of AEDEAN. Ed. Javier Pérez Guerra et al. Vigo: Departamento de
Filoloxía Inglesa e Alemana da Universidade de Vigo, 1996. 419-24.*
Newton, Richard C. "'Ben / Jonson': The Poet in the
Poems." In Two Renaissance
Mythmakers: Christopher Marlowe and Ben Jonson. ed. Alvin B. Kernan.
Baltimore: Johns Hopkins UP, 1977. 165-95.
_____. "'Ben./Jonson":
The Poet in the Poems." Rpt. in The
Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom.
(The Chelsea House Library of Literary Criticism). New York: Chelsea House,
1986. 1512-20.*
_____. "Jonson and the (Re-)Invention of the
Book." In Classic and Cavalier:
Essays on Jonson and the Sons of Ben. Ed. Claude J. Summers and Ted-Larry
Pebworth. Pittsburgh: U of Pittsburgh P, 1982. 31-55.
Nichols, J. G. The
Poetry of Ben Jonson. New York: Barnes and Noble, 1969.
Orgel, Stephen. The
Jonsonian Masque. Cambridge (MA): Harvard UP, 1965.
_____. "Jonson and the Amazons." In Soliciting Interpretation: Literary Theory
and Seventeenth-Century English Poetry. Ed. Elizabeth D. Harvey and
Katherine E. Maus. Chicago: U of Chicago P, 1990. 119-40.*
Orgel, Stephen, and Roy Strong. Inigo Jones: The Theatre of the Stuart Court. 2 vols. Berkeley:
Sotheby Parke Bennet; London: U of California P, 1973.
Osselton, N. E. "Ben Jonson's Status as a
Grammarian." Dutch Quarterly Review
of Anglo-American Letters 12 (1982): 205-12.
Parfitt, George. Ben
Jonson: Public Poet and Private Man. New York: Barnes and Noble, 1977.
Patterson, Annabel. "Lyric and Society in Jonson's Under-wood." In Lyric Poetry: Beyond New Criticism. Ed.
Charviva Hosek and Patricia Parker. Ithaca: Cornell UP, 1985. 148-63.
_____. "Jonson, Marvell, and Miscellaneity?" In Poems in Their Place. Ed. Neil
Fraistat. Chapel Hill: U of North Carolina P, 1986. 95-118.
Pérez Fernández, José María. "Stoicism and Plain Style
in Ben Jonson: An Analysis of Some of His Verse Epistles." Atlantis 18 (June-Dec.1996 [issued
1998]): 337-47.*
Peterson, Richard S. Imitation
and Praise in the Poems of Ben Jonson. New Haven: Yale UP, 1981.
Pigman, G. W., III. "Suppressed Grief in Jonson's
Funeral Poetry." English Literary
Renaissance 13 (1983): 203-20.
Post, Jonathan F. S. "Ben Jonson and the Art of
Inclusion." In Post, English Lyric
Poetry: The Early Seventeenth Century. London: Routledge, 1999. 2002.
23-53.*
Purkiss, Diane. The
Witch in History: Early Modern and Twentieth-Century Representations.
London: Routledge, 1996. (Masque of
Queens).
Riddell, James A. "The Arrangement of Ben Jonson's Epigrammes." SEL 27 (1987): 53-70.
Rivers, Isabel. The
Poetry of Conservatism 1600-1745: A Study of Poets and Public Affairs from
Jonson to Pope. Cambridge, 1973. (Marvell, 101-25).
Sackton, A. H. Rhetoric
as Dramatic Language in Ben Jonson. New York: Octagon Books, 1967.
Salomé Machado, María. "Shakespeare's The Taming of the Shrew and Jonson's Epicoene: The Women in the Stocks."
In SEDERI 9 (1998). Ed. Jesús Cora
Alonso et al. Alcalá de Henares: SEDERI / U de Alcalá, 1999. 257-63.*
Sanders, Julie. Ben Jonson's Theatrical Republics. Houndmills:
Macmillan, 1998.
Sanders, Julie, Kate Chedgzoy and Susan Wiseman, eds. Refashioning Ben Jonson: Gender, Politics,
and the Jonsonian Canon. Basingstoke: Macmillan, 1997.
Schelling, F. E. "Ben Jonson and the Classical
School." PMLA 13 (1898): 221-49.
Rpt. in Schelling, Shakespeare and
Demi-Science. Philadelphia, 1927.
Scodel, Joshua. The
English Poetic Epitaph: Commemoration and Conflict from Jonson to Wordsworth.
Ithaca: Cornell UP, 1991.
Silver, Victoria. "Totem and Taboo in the Tribe of Ben:
the Duplicity of Gender and Jonson's Satires." ELH 62.4 (Winter 1995): 729-58.*
Sinfield, Alan. "Poetaster,
The Author, and the Perils of Cultural Production." In Sinfield, Shakespeare, Authority, Sexuality:
Unfinished Business in Cultural Materialism. London and New York:
Routledge, 2006. 40-52.* (Jonson).
Slights, William W. E. Ben
Jonson and the Art of Secrecy. Toronto: U of Toronto P, 1996.
Spingarn, J. E. "The Source of Jonson's Discoveries." Modern Philology 2
(1903): 1-10.
Spurr,
Barry. "Varieties of Poetic Style." In Spurr, Studying Poetry. Melbourne: Macmillan Education Australia, 1997.
31-44.* (Marvell, "The Mower to the Glow-Worms"; Johnson, "The
Vanity of Human Wishes", Jonson, "Slow, slow, fresh fount"; Tony
Harrison, "Bookends").
_____.
"The Early Seventeenth Century—The Pilgrimage to the Kingdom of Man."
In Spurr, Studying Poetry. Melbourne:
Macmillan Education Australia, 1997. 90-133.* (Marvell, Milton, Donne,
"The Flea, "A Valediction, Forbidding Mourning." "O my
Black Soul"; "Batter My heart"; Herbert, "Jordan I",
"Jordan II, "Redemption", "Vertue" "The
Pulley"; Crashaw, "On the Wounds of Our Crucified Lord"; Jonson
"Epitaph on S. P."; Herrick, "Delight in Disorder"; Milton,
Paradise Lost).
Summers, Claude J., and Ted-Larry Pebworth, eds. Classic and Cavalier: Essays on Jonson and
the Sons of Ben. Pittsburgh: U of Pittsburgh P, 1982.
Summers, Joseph H. The
Heirs of Donne and Jonson. London: Chatto and Windus, 1970.
Swinburne, Algernon Charles. A Study of Ben Jonson. London: Chatto & Windus.
Symonds, John Addington. Ben
Jonson. Longmans, 1888.
Tillotson, Geoffrey. "Othello and The Alchemist at Oxford in 1610." In Tillotson, Essays in Criticism and Research.
Cambridge: Cambridge UP, 1942. 41-48.*
Trimpi, Wesley. Ben
Jonson's Poems: A Study in the Plain Style. Stanford (CA): Stanford UP,
1962.
_____. "Jonson and the Neo-Latin Authorities for the
Plain Style." PMLA 77 (1962).
Trussler, Simon. "5. The Era
of the Outdoor Playhouses 1572-1603." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge:
Cambridge UP, 1994. pbk 2000. 70-89.* (The decline of provincial playing.
London's 'theatre districts'. The first prominent playhouses. Techniques of
staging. Organization and development of the major companies. Actors,
repertoires, 'parts' and 'lines'. The university wits, and the triumph of blank
verse. Comedies, histories, tragedies—and jigs. Playwriting as a profession:
Shakespeare, Heywood, Jonson. Return of the children, and the 'war of the
theatres'. Theatre at court. Death of a consummate actress. Reconstructing the
theatres).
van den Berg, Sara. The
Action of Ben Jonson's Poetry. Newark: U of Delaware P, 1987.
Vélez Núñez, Rafael. "Ben Jonson's 'Decorous
Antimasques'." Actas del XXI
Congreso AEDEAN. Ed. F. Toda et al. Sevilla: U de Sevilla, 1999.
337-40.*
_____. "The Poetical Mind in Ben Jonson's
Masques." In SEDERI 9 (1998).
Ed. Jesús Cora Alonso et al. Alcalá de Henares: SEDERI / U de Alcalá, 1999. 209-14.*
_____. "Ben
Jonson y el género inexistente." In Proceedings
of the 22nd International Conference of AEDEAN (Asociación Española de Estudios
Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and
Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 421-24.*
Venuti, Lawrence. "Why Jonson Wrote Not of Love." Journal of Medieval and Renaissance Studies
12 (1982): 195-220.
Viau, Robert O. "Conservatism Expressed Radically: The
Zeal of Jonson's and Swift's Attacks on Zeal." Journal of General Education 34 (1982): 69-83.
Wayne, Don E. "Poetry and Power in Ben Jonson's Epigrammes: The Naming of 'Facts' or the
Figuring of Social Relations?" Renaissance
and Modern Studies 23 (1979): 70-103.
_____. "Jonson's Sidney: Legacy and Legitimation in The Forest." In Sir Philip Sidney's Achievements. Ed.
M. J. B. Allen. New York: AMS, 1990. 227-50.
_____. Penshurst: The
Semiotics of Place and the Poetics of History. London, 1984; Madison: U of
Wisconsin P, 1984.
Wells, Stanley. Shakespeare
and Co.: Christopher Marlowe, Thomas Dekker, Ben
Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story. London: Penguin, 2007.
West, William N. "Public
Knowledge at Private Parties: Vives, Jonson, and the Circulation of the Circle
of Knowledge." Pre-Modern
Encyclopaedic Texts: Proceedings of the Second COMERS Congress. Ed. Peter
Binkley. E. J. Brill,199, 303-13
Williams, Weldon M. "The Influence of Ben Jonson's Catiline upon John Oldham's Satyrs upon the Jesuits." ELH 11
(1944): 38-62.
_____. [On To
Penshurst.] In Williams, The Country
and the City. New York: Oxford UP, 1973.
Wilson, Edmund. "Morose Ben Jonson." 1948. In
Wilson, The Triple Thinkers. London:
Lehmann, 1952. 203-20.
_____. "Morose Ben Jonson." From The Triple Thinkers. 1948. 213-32. Rpt.
in The Critical Perspective: Volume 3:
Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of
Literary Criticism). New York: Chelsea House, 1986. 1498-1504.*
Wiltenburg, Robert. Ben
Jonson and Self-Love: The Subtlest Maze of All. Columbia and London: U of
Missouri P, 1990.
Wimsatt, W. K. "English Neo-Classicism: Jonson and
Dryden." In Wimsatt and Brooks, Literary
Criticism: A Short History. New York: Knopf, 1957. 174-95.*
Winner, Jack D. (On Ben Jonson). SEL 23 (1983).
Womack,
Peter. Ben Jonson. Oxford: Blackwell,
1987.
Yachnin, Paul. Stage-Wrights:
Shakespeare, Jonson, Middleton and the Making of Theatrical Value. (New
Cultural Studies). U of Pennsylvania P, c. 1998.
Zender, Karl F. "The Unveiling of the Goddess in Cynthia's Revels." Journal of English
and German Philology 77 (1978): 37-52.
Films
Volpone. Dir. Maurice Tourneur. Script
by Jules Romains, based on Ben Jonson's work. Cast: Harry Baur, Louis Jouvet,
Fernand Ledoux, Marion Dorian, France: Ile de France Films, 1941.*
Online at YouTube
(elise paris)
2012
Volpone. By Ben
Jonson. Greenwich Theatre production, dir, Elizabeth Freestone, Cast: Richard
Bremmer (Volpone), Mark Hadfield (Mosca), Conrad Westmaas (Nano/Avvocato),
Harvey Virdi (Androgyno/Avvocato), Edmund Kinglsey
(Castrone/Peregrine/Avvocato), Maxwell Hutcheon (Corbaccio), Tim Steed
(Corvino), James Wallace (Sir Politic Would-Be), Aislin McGuckin (Celia), Peter
Bankole (Bonario/Corvino's Servant), Brigid Zengeni (Lady Would Be). Prod. Film
dir. Chris Cowey. DVD. London: Stage on Screen, 2010.*
Internet resources
"Ben Jonson (1572-1637)." Luminarium.*
2011
Journals
The Ben Jonson
Journal. Annual. Vol. 1 (1996).
Ed. Richard Harp and Stanley Stewart.
Department of English , UNLV,
Box 4555069, 4505 Maryland Parkway,
Las Vegas, NV 89154-5069.
E-mail: harplh@nevada.edu
Literature
Carew, Thomas. "To Ben Jonson." Poem. c. 1631,
pub. 1640. In The Norton Anthology of
English Literature. Ed. M. H. Abrams, Stephen Greenblatt, et al. New York:
Norton, 1999. 1659-60.*
Cleveland, John. Elegy on Ben Jonson.
Dekker, Thomas. Satiromastix
or the Untrussing of the Humorous Poet. Drama. Acted 1602. (vs. Ben
Jonson).
Ionsonus Virbivs: or,
The Memorie of Ben: Johnson Revived By The Friends of The Muses. London:
Henry Seile, 1638. (Elegies).
Oldham, John. "Upon the Works of Ben Jonson." Ode.
Music
Johnson, Robert. "Have You
Seen the Bright Lily Grow." From Ben Jonson, The Devil Is an Ass, 1616. In Songs from the Labyrinth: Music by John Dowland: Performed by Sting and
Edin Karamazov. CD. Hamburg: UMG-Deutsche Grammophon, 2006.*
Strauss, Richard. Die
schweigsame Frau. Comic opera in three acts. Libretto by Stefan Zweig,
based on Ben Jonson's play The Silent
Woman. 1935.
_____. Die schweigsame
Frau. Hans Hötter. Georgine von Milinkovic, Hermann Prey, Fritz Wunderlich,
Hilde Güden, Pierette Alarie, Hetty Plümacher, Josef Knapp, Karl Dönch, Alois
Pernerstorfer. Chor der Wiener Staatsoper. Wiener Philharmoniker / Karl Böhm.
(Salzburger Festspiele 1959: Festspielhaus 6. August). 2 CDs. (Festspiel
Dokumente; rec. ORF). Hamburg:
Deutsche Grammophon, 1994.* (Libretto in German and English).
Video
Sherman, Ted. "Jonson, Herbert, Herrick, Marvell
Lecture 1." YouTube (Ted Sherman)
7 May 2013.*
2013
A
Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza,
Spain)
No hay comentarios:
Publicar un comentario