A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Estrangement and Defamiliarization
Davidson, Michael. Concerto for the Left Hand: Disability and the Defamiliar Body.
Eagleton, Terry. "Estrangement and Irony in the Fiction of Milan Kundera." Salmagundi 73 (1987): 25-32.
Engell, James. "Estrangement: The Problem of Ethics and Aesthetics." In Engell, Forming the Critical Mind: Dryden to Coleridge. Cambridge (MA): Harvard UP, 1989. 126-50.*
Garber, Marjorie, ed. Cannibals, Witches, and Divorce: Estranging the Renaissance. Baltimore (MD), 1987.
García Landa, José Angel. "Gender, I-deology and Addictive Representation: The Film of Familiarity." In Gender, I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D'Arcy and José Angel García Landa. Amsterdam: Rodopi, 1996. 1-54.*
_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." In García Landa, Vanity Fea 15 Oct. 2008. (Links to online texts from Gender, I-deology).
http://garciala.blogia.com/2008/101502-gender-i-deology.php
2008
_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." In Gender, I-deology: Essays on Theory, Fiction and Film. Online iPaper at Academia.edu 29 Oct. 2009.*
https://www.academia.edu/194356/
2014
_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." Online PDF at Social Science Research Network 15 April 2010.*
http://ssrn.com/abstract=1590382
2011
Women, Gender and Literature eJournal 15 April 2010.*
http://www.ssrn.com/link/English-Women-Gender-Literature.html
2013
Gender, Arts, Literature & Music eJournal 15 April 2010.*
https://www.ssrn.com/link/Gender-Arts-Literature-Music.html
2017
Feminist Theory & Philosophy eJournal 15 April 2010.*
https://www.ssrn.com/link/Feminist-Theory-Philosophy.html
2017
Media, Gender & Identity eJournal 15 April 2010.*
https://www.ssrn.com/link/Media-Gender-Identity.html
2017
_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." Online PDF at Zaguán 8 March 2011.*
http://zaguan.unizar.es/record/5708
2011
_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." ResearchGate 3 May 2013.*
https://www.researchgate.net/publication/228174458
2013
_____. ""Gender, I-deology and Addictive Representation: The Film of Familiarity." Online at Google Books.*
http://books.google.es/books/reader?id=G2rZlvYeRRsC
2013
Ginzburg, Carlo. Occhiacci di legno: Nove riflessioni sulla distanza. Milan: Feltrinelli, 1999.
Goulimari, Pelagia. "7. Defamiliarization, Alienation, Dialogism and Montage." In Goulimari, Literary Criticism and Theory: From Plato to Postcolonialism. London and New York: Routledge, 2015. 148-74.*
Majumdar, Rohit. "Brechts Alienation-Effect and Its Theatrical Potency: A critique of Brecht’s Alienation technique with Shakespearean Parallels (December 20, 2021). Available at SSRN.*
https://ssrn.com/abstract=3989768
http://dx.doi.org/10.2139/ssrn.3989768
2022
Mukarovsky, Jan. Aesthetic Function, Norm and Value as Social Facts. 1936. Trans. M. E. Suino. Ann Arbor: U of Michigan P, 1970. 1979.
_____. "Aesthetic Function, Norm, and Value as Social Facts." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 35-8.
Naiman, Eric. "Shklovsky's Dog and Mulvey's Pleasure: The Secret Lie of Defamiliarization." Comparative Literature 50.4 (1998): 333-352.
Núñez García, Amanda. "Walter Benjamin: Estética y extrañamiento." In Hans-Georg Gadamer: Ontología estética y hermenéutica. Ed. Teresa Oñate y Zubía et al. Madrid: Dykinson, 2005. 581-97.*
Perloff, Marjorie. Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary. Chicago: U of Chicago P, 1996.*
Pozuelo, J. M. "Lingüística y poética: desautomatización y literariedad." Anales de la Universidad de Murcia. Letras 37.4 (1980): 91-144.
_____. "Poética formalista y desautomatización." In Pozuelo, Del formalismo a la neorretórica. Madrid: Taurus, 1988. 19-68.*
Royle, Nicholas. Veering: A Theory of Literature. Edinburgh: Edinburgh UP, 2012.
Shklovsky, V. "The Ressurection of the Word." 20th Century Studies 7/8 (1972): 41-47.
Shklovsky, Viktor. "Isskustvo kak priem." In Sborniki po teorii poeticheskogo iazyka II. Petrograd, 1917. 3-14. (Literariness; Tropes; Imagery; Foregrounding; Defamiliarization)
_____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.*
_____. "Art as Technique." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 15-30.*
_____. "Art as Technique." Selection. in Debating Texts. Ed. Rick Rylance. Milton Keynes: Open UP, 1987. 48-56.*
_____. "Art as Technique." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5.*
_____. "Art as Technique." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 260-72.*
_____. From "Art as Technique." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.*
_____. "Art as Technique." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
_____. "L'art comme procédé." In Théorie de la littérature: Textes des formalistes russes. Ed. Tzvetan Todorov. (Tel Quel). Paris: Seuil, 1965. 76-97.*
Schmid, Wolf. "Defamiliarisation." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 98.*
Stacy, Robert H. Defamiliarization in Language and Literature. Syracuse: Syracuse UP, 1977.
Suvin, Darko. "Estrangement and Recognition." In Suvin, Metamorphoses of Science Fiction. New Haven: Yale UP, 1979. 3-15.
Wilson, Tony. "Subverting the Veridical Image." In Wilson, Watching Television: Hermeneutics, Reception and Popular Culture. Cambridge: Polity Press, 1993. 153-71.*
Wolf, Werner. Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst: Theorie und Geschichte mit Schwerpunkt auf englischem illusionsstörenden Erzählen. Tübingen: Niemeyer, 1993.*
Literature
Montesquieu. Lettres Persanes. 1721.
Nabokov, Vladimir. "Time and Ebb." Story. Atlantic Monthly (January 1945). Rpt. In "Nine Stories"
_____. "Time and Ebb." Rpt. in Nabokov's Dozen. Harmondsworth: Penguin, 1960. 155-64.*
_____. "Time and Ebb." In The Stories of Vladimir Nabokov. London: Weidenfeld and Nicolson, 1996. 580-86.*
Raine, Craig. A Martian Sends a Postcard Home. Poems. Oxford: Oxford UP, 1979.
_____. "A Martian Sends a Postcard Home." In The Penguin Book of Poetry from Britain and Ireland since 1945. Ed. Simon Armitage and Robert Crawford. Harmondsworth: Penguin, c. 1998.
_____. "A Martian Sends a Postcard Home." Poem. 1979. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2840-41.*
Swift, Jonathan. Gulliver's Travels. Written 1721-25, pub. London: Benjamin Motte, 1726. many editions
See also Deviation.
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