A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Classicism and neo-Classicism
Abad Nebot, Francisco. Crítica literaria (Curso de adaptación). (Addenda). Madrid: UNED, 1996. 2nd ed. 1997. 3rd ed. 1998.* (History of criticism, genres, classicism, neo-classicism, Romanticism, history of ideas, comparative literature, literary language).
Aguiar e Silva, Vítor Manuel de. "Clasicismo y neoclasicismo." In Aguiar e Silva, Teoría de la literatura. Trans. Valentín García Yebra. Madrid: Gredos, 1972. 297-318.*
Alexander, William (Sir). Anacrisis: or a Censure of some Poets Ancient and Modern. c. 1634. 1st pub. in the Works of William Drummond of Hawthornden. Edinburgh: Printed by James Watson, 1711. (Renaissance Poetry; Classical literature; Genius; Inspiration; Fiction; Epic poetry; Tragedy; Sidney)
_____. Anacrisis. In Rogers, Memorials of the Earl of Stirling. Edinburgh, 1877.
_____. Anacrisis. In Critical Essays of the Seventeenth Century. Ed. Joel Elias Spingarn. Oxford: Clarendon, 1908-9.
Arnold, Matthew. On the Classical Tradition: The Complete Prose Works of Matthew Arnold, vol. I. Ed. R. H. Super. Ann Arbor: U of Michigan P, 1960.
Azorín. "Los clásicos." 1913. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 222-26.*
Baldwin, Charles Sears. Renaissance Literary Theory and Practice: Classicism in the Rhetoric and Poetic of Italy, France, and England, 1400-1600. Ed. Donald Lemen Clark. New York: Columbia UP, 1939.
_____. Renaissance Literary Theory and Practice. Gloucester (MA): Peter Smith, 1959.
Bate, Walter Jackson. From Classic To Romantic: Premises of Taste in Eighteenth-Century England. Cambridge (MA): Harvard UP, 1946.
Bennett, Arnold. "Why a Classic is a Classic." "How to Read a Classic." In Bennett, Literary Taste: How to Form It. 1909. 5th ed. London: Hodder, 1913. 18-25, 34-42.
Bolger, Robert R. The Classical Heritage and Its Beneficiaries. London: Cambridge UP, 1954.
_____. Classical Influences on European Culture. Cambridge: Cambridge UP, 1971.
Borgerhoff, E. B. O. The Freedom of French Classicism. Princeton, 1950. Rpt. Russell, 1968.
Borges, Jorge Luis. "Sobre los clásicos." In Borges, Otras inquisiciones. 1960. Madrid: Alianza, 1985. 189-91.*
_____."Sobre los clásicos." In Borges, Nueva antología personal. Barcelona: Bruguera, 1982.*
_____. "Borges y los clásicos de Grecia y Roma." In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 220-56.*
Braden, Gordon. The Classics and English Renaissance Poetry: Three Case Studies. New Haven : Yale UP, 1978.
Bredvold, Louis I. "The Beginnings of Classicism." In Bredvold, The Literature of the Restoration and the Eighteenth Century 1660-1798. London: Collier-Macmillan, 1962. 13-17.*
Brown, Jane K. "Claude's Allegories and Literary Neoclassicism." Symbolism 8 (2008).
Bush, Douglas. Classical Influences in Renaissance Literature. Cambridge (MA): Harvard UP, 1952.
Calvino, Italo. "Why Read the Classics?" In Calvino, The Literature Machine. Trans. Patrick Creagh. London: Pan/Secker & Warburg, 1987. 125-34.*
_____. Por qué leer los clásicos. Trans. Aurora Bernárdez. Barcelona: Tusquets, 1992.
Coetzee, J. M. "What Is a Classic?" In Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen: Stauffenburg Verlag, 1996. 63-76.*
Colli, Giorgio. Pour une encyclopédie des auteurs classiques. Paris: 10/18, 1999.
Compagnon, Antoine. "La valeur." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 241-74.* (Valuation, canon, classics).
Cristóbal López, Vicente. "Tradición clásica: Concepto y bibliografía." Edad de Oro 24 (2005): 27-46.
Croce, Benedetto. "Aesthetic Ideas in Graeco-Roman Antiquity." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 155-74.*
Cropsley, Joseph, ed. Ancients and Moderns. New York: Basic Books, 1964.
Culler, Jonathan. "The Authority of the Classics." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 11-28.*
Díaz Villarreal, William. "Lo clásico y la tradición en Paul Valéry, T. S. Eliot y Walter Benjamin." Literatura: Teoría, historia, crítica 18.1 (Jan.-July 2016): 121-46.*
Donà, Massimo. Epifanías admirables. Apogeo y consumación de la Antigüedad. Trans. Mar García Lozano. Madrid: Akal, 1996.
Eliot, T. S. "Modern Education and the Classics." 1932. In Eliot, Selected Essays. 3rd. ed. London: Faber, 1951. 507-16.
_____. "What is a Classic?" 1944. In Eliot, On Poetry and Poets. London: Faber, 1956. 53-71.
Fontenelle, Bernard le Bouvier de. "Digression sur les anciens et les modernes." In Fontenelle, Oeuvres. Paris, 1767. 4:170-200.
Fry, Paul H. "Classical Standards in the Romantic Period." In Romanticism. Ed. Marshall Brown. Vol. 5 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 2000.*
García, Mariano. "Irene Vallejo: 'Los clásicos no nos dan lecciones, pero son el kilómetro cero de nuestra cultura'." Heraldo 9 May 2029.*
2024
García Gual, Carlos. "Sobre clásicos y traductores." In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 100-03.*
_____. "Los clásicos nos hacen críticos." In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 104-08.*
_____. "Leer a los clásicos y elegirlos." In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 189-98.*
_____. "Sobre el 'canon' de los clásicos antiguos." In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 199-205.
García Landa, José Ángel. "What Makes a Classic a Classic?—We Do." In García Landa, Vanity Fea 20 Feb. 2009.
http://garciala.blogia.com/2009/022001-what-makes-a-classic-a-classic-we-do.php
2009
Gjertsen, Derek. The Classics of Science: A Study of Twelve Enduring Scientific Works. New York: Lilian Barber Press, 1984.
Goethe, J. W. von. (On romanticism and classicism). From Conversations with Eckermann. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 537.*
González-Rivas Fernández, Ana. (U Complutense de Madrid, anagonfer27@telefonica.net). "Lo clásico y lo gótico: Origen estético y conceptual de una tensión literaria." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 54-60.*
Gordon, G. S. English Literature and the Classics.
Grierson, H. J. C. "Classical and Romantic: A Point of View." 1923. In Grierson, The Background of English Literature and Other Collected Essays and Addresses. London: Chatto, 1925. 256-90.
Hall, Edith. "Navigating the Realms of Gold: Translation as an Access Route to the Classics." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 315-40.*
Hardwick, Lorna. "Translated Classics Around the Millennium: Vibrant Hybrids or Shattered Icons?" In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 341-66.*
Hauser, Arnold. "VIII. Rococó, clasicismo y romanticismo." In Hauser, Historia social de la literatura y el arte. II: Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004. 9-244.* (1. La disolución del arte cortesano. 2. El nuevo público lector. 3. El origen del drama burgués. 4. Alemania y la Ilustración. 5. Revolución y arte. 6. El romanticismo alemán y el de Europa occidental).
Hegel, G. W. F. Vorlesungen über die Aesthetik. 1835.
_____. Ästhetik. Berlin, 1965.
_____. Vorlesungen über die Aesthetik. 1835. In Hegel, Werke in zwanzig Bänden. Ed. E. Moldenhauer and K. M. Michel. Frankfurt a/M, 1970. Vol. 13.
_____. The Introduction to Hegel's Philosophy of Fine Art. Trans. Bernard Bosanquet. London, 1886.
_____. The Philosophy of Fine Art. Trans. F. P. B. Osmaston. London: G. Bell and Sons, 1920.
_____. Esthetics. Trans. T. M. Knox. Oxford: Clarendon, 1975.
_____. Aesthetics: Lectures on Fine Art. Trans. T. M. Knox. New York, 1975.
_____. Esthétique. Trans. S. Jankélévitch. Paris: Aubier, 1954.
_____. Estética. 1835. Buenos Aires: El Ateneo, 1954.
_____. Introducción a la estética. Trans. Ricardo Mazo. Barcelona: Península, 1985.
_____. Introducción a la estética. Ediciones de Bolsillo.
_____. De lo bello y sus formas. Buenos Aires: Espasa-Calpe, 1958.
_____. Filosofía del arte o Estética [verano de 1826]. Apuntes de Friedrich Carl Hermann Victor von Kehler. Ed. Annemarie Gethmann-Siefert and Bernadette Collenberg-Plotnikov. With Francesca Ianelli and Karsten Berr. Trans. Domingo Hernández Sánchez. (Lecturas de Filosofía). Madrid: Abada / UAM, 2006.* (Aesthetics, Beauty, Function of art, Symbols, Classicism, Romanticism, Ideal, Unity, Subjectivity, Art and spirituality, Architecture, Sculpture, Painting, Music, Poetry).
Highet, Gilbert. The Classical Tradition: Greek and Roman Influence on Western Literature. 1949. Oxford: Oxford UP, 1985.
_____. La tradición clásica: Influencias griegas y romanas en la literatura occidental. 1949. Mexico: FCE, 1954. 1978.
Hulme, T. E. "Romanticism and Classicism." 1914. In Speculations: Essays on Humanism and the Philosophy of Art. London: Kegan Paul, Trench, Trubner & Co., 1936.
_____. "Romanticism and Classicism." From Speculations. Rpt. in Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 767-774.*
_____. "Romanticism and Classicism." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 93-104.*
_____. Speculations: Essays on Humanism and the Philosophy of Art. London: Routledge, 1977.
In the Mirror of the Classical. Thesis Eleven 40 (February 1995). Journal. MIT Press Journals. 55 Hayward Street. Cambridge, MA 02142-1399 USA. Journals-orders@mit.edu
Irwin, David. Neoclassicism. (Arts and Ideas series). Phaidon Press, 1997.
Ker, W. P. "On the Value of the Terms 'Classical' and 'Romantic' as Applied to Literature." In Ker, Collected Essays. London: Macmillan, 1925. 2.327-38.*
Kermode, Frank. The Classic. New York: Viking; London: Faber and Faber, 1975.
_____. The Classic. Cambridge (MA): Harvard UP, 1983.
Knox, Bernard. The Oldest Dead White European Males and Other Reflections on the Classics. New York: Norton, 1993.
Kresic, S., ed. Contemporary Literary History and Interpretation of Classical Texts. 1981.
Lianeri, Alexandra, and Vanda Zajko, eds. Translation and the Classic: Identity as Change in the History of Culture. (Classical Presences). Oxford: Oxford UP, 2008.* (I. Theorizing Translation and the Classic. II. The survival of the Classic: Tracing the History of Translations. III. Contesting the Classic: The Politics of Translation Practice).
_____. "Still Being Read after so Many Years: Rethinking the Classic through Translation." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008.*
Maronitis, Dimitris N. "Intralingual Translation: Genuine and False Dilemmas." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 367-86.*
Martindale, Charles. "Dryden's Ovid: Aesthetic Translation and the Idea of the Classic." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 83-109.*
Martindale, Charles, and A. B. Taylor. Shakespeare and the Classics. Cambridge: Cambridge UP, 2004.
Maurras, Charles. L'Avenir de l'Intelligence. 1905.
Parker, Fred. "Classic Simplicity." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 227-42.*
Pechter, Edward. Dryden's Classical Theory of Literature. Cambridge: Cambridge UP, 1975.
Pérez de Ayala, Ramón. "VI. Armonía y equilibrio" ABC (Madrid) 10 Sept. 1959. Rpt. in "Humanidades." In Pérez de Ayala, Más divagaciones literarias. Madrid: Biblioteca Nueva, 1960. 256-62.*
Racionero, Luis. "En torno al clasicismo: Leonardo, Shakespeare y Mozart." Quimera 103/104 (1991): 127-33.
Rivers, Isabel. Classical and Christian Ideas in English Renaissance Poetry: A Student's Guide. London and Boston: Allen & Unwin, 1979.
Roberts, Deborah H., M. Dunn and Don Fowler, eds. Classical Closure: Reading the End in Greek and Latin Literature. Princeton (NJ): Princeton UP, 1997.
Sainte-Beuve, Charles-Augustin. "What Is a Classic?" Selection. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton. 1932. 545-46.*
_____. "What Is a Classic?" In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971.
Sánchez Meca, Diego. "De Goethe a Nietzsche: Clasicismo, romanticismo, dionisismo." In Hans-Georg Gadamer: Ontología estética y hermenéutica. Ed. Teresa Oñate y Zubía et al. Madrid: Dykinson, 2005. 569-79.*
Schelling, F. E. "Ben Jonson and the Classical School." PMLA 13 (1898): 221-49. Rpt. in Schelling, Shakespeare and Demi-Science. Philadelphia, 1927.
Sebold, Russell P. La perduración de la modalidad clásica: Poesía y prosa españolas de los siglos XVII a XIX. (Acta Salmanticensia; Estudios Filológicos, 288). Salamanca: Ediciones Universidad de Salamanca, 2001.*
Steiner, George. Lecciones de los Maestros. Madrid: Siruela.
Temple, William (Sir). Miscellanea, The Third Part. Ed. Jonathan Swift. Benjamin Tooke, 1701. (On Popular Discontents, Health and Long Life, Ancient and Modern Learning, On Conversation, etc.).
_____. Essays on Ancient and Modern Learning and upon Poetry. Ed. Joel E. Spingarn. Oxford, 1909.
Thomson, J. A. K. The Classical Background of English Literature . London: Allen & Unwin, 1948.
_____. Classical Influences on English Poetry . London: Allen & Unwin, 1951.
_____. Shakespeare and the Classics. 1952.
_____. Classical Influences on English Prose. London: Allen & Unwin, 1956.
Thoreau, Henry David. "Reading." In Thoreau, Walden or Life in the Woods. Boston: Ticknor and Fields, 1854. (Education; Classical literature; Agrarianism; Transcendentalism)
Tickell, Thomas. The Guardian No. 30 (Wednesday, April 15, 1714). (Pastoral poetry; Neoclassicism; Nature; Mimesis)
Trapp, Joseph. Lectures on Poetry. (In Latin, 1711, 1715, 1719; English trans. 1742). (Nature of poetry; Poetic language; Genre; Poetic drama; Sublime; Classical literature)
_____. Lectures on Poetry; Read in the Schools of Natural Philosophy At Oxford. By Joseph Trapp. Translated from the Latin, with additional Notes. London: Printed for C. Hitch and C. Davis, 1742.
_____. Lectures on Poetry Read in the Schools of Natural Philosophy at Oxford. 1742. London: Routledge, 1994.
Turner, Frederick. "The Birth of Natural Classicism." Wilson Quarterly (Winter 1996): 26-32. (On postmodernism).
_____. Natural Classicism: Essays on Literature and Science. New York: Paragon House, 1985.
_____. The Culture of Hope: A New Birth of the Classical Spirit. New York: Free Press, 1995.
Vines, Sherard. The Course of English Classicism. 1930.
Voigt, Georg. Die Wiederbelebung des klassischen Altertums. 2nd ed. 2 vols. Berlin: Reimer, 1880-1881.
Wellek, René. "The Term and Concept of 'Classicism' in Literary History." In Aspects of the Eighteenth Century. Ed. Earl R. Wasserman. Baltimore, 1965.
Weiss, Theodore. "Towards a Classical Modernity and a Modern Classicism." In Contemporary American Poetry. Ed. Howard Nemerov. Washington: Voice of America, 1965. 267-82*
Ynduráin Hernández, Francisco. Clásicos modernos. 1969.
_____. Relección de clásicos. 1969.
Zamora Vicente, Alonso. Presencia de los clásicos. Madrid, 1951.
Dictionaries
Colli, Giorgio, dir. L'Encyclopedie des auteurs classiques. Seireis.
Smith, Eric. A Dictionary of Classical Reference in English Poetry. Totowa (NJ): Barnes & Noble Books; London: Boydell & Brewer, 1984.
Journals
Classical Tradition eJournal
SSRN
http://www.ssrn.com/link/Classical-Tradition.html
2013
Traditio 2 (1944).
Literature
Swift, Jonathan. A Tale of a Tub. Written for the Universal Improvement of Mankind. To which is added, An Account of a Battel between the Antient and Modern Books in St. James's Library... The Fifth Edition, with the Author's Apology and Explanatory Notes. By W. W--tt--n, B. D. and others. London: Printed for John Nutt, 1710.
_____. A Full and True Account of the Battel Fought last Friday, Between the Antient and the Modern Books in St. James's Library. 1710 ed. with A Tale of a Tub. 1710.
_____. The Battel of the Books. In The Writings of Jonathan Swift. Ed. Robert A. Greenberg and William Bowman Piper. (Norton Critical Edition). New York: Norton, 1973. 272-96.
Series
(Bibliotheca Avrea). Madrid: Cátedra, c. 2003.
(Clásicos en el presente, 8). Barcelona: Erasmus Ediciones, 2009.*
(Clásicos Europeos). Pozuelo de Alarcón (Madrid): Plaza y Valdés, c. 2013.*
(Clásicos y Modernos, 25). Barcelona: Crítica, 2009.*
(Classiques Garnier). Paris: Garnier, c. 2017.*
(Le Club des Classiques). Editions Rombaldi, c. 1972.*
(Folio Classique, 3234). Paris: Gallimard, 1999.*
(Lire et Voir les Classiques). Series ed. Claude Aziza. N.p.: Presses Pocket, c. 1991.*
(Nouveaux Classiques Larousse). Series ed. Félix Guirand (1933-1948), Léon Lejealle (1949-1968) and Jean-Pol Caput (1969-1972), agrégés des Lettres. Paris: Larousse.
See also Canon.
Video
Rushdie, Salman. "My Great Books." Lecture at Emory U, 18 Feb. 2015. Video. YouTube (Emory University) 2015.*
2022
See also: Classical criticism; Neoclassical criticism; Canon.
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