A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Other aesthetic Categories
Aesthetic categories: General
A clef
Abjection
Absorption
Accuracy
Admiration
Affectation
Agreeableness
Ambiguity
Anamorphosis
Artifice, Artificiality
Authenticity
Autonomy of art
Awkwardness
Badness
Balance
Banality
Baring the device.
Bawdy
Bathos
Bliss
Brevity
Camp
Caricature
Catharsis
Chic
Clarity
Clichés. See Lit. theory. Specific. Intertextuality. Other intertextual modes.
Collage
Combinatory and generative art
Comedy
Concealment
Concreteness
Continuity
Contrast
Correction
Coyness
Cult
Decorative
Decorum
Defamiliarization. See Estrangement.
Delicacy, Grace
Delight
Detachment
Details
Difficulty
Disharmony
Disinterestedness
Disorder
Dissociation of sensibility. See Eliot, T. S.
Dissonance
Distance
Distinction
Distortions
Disturbing
Duende
Dullness
Eclecticism
Ecstasy
Effrontery
Elegance
Elevation
Emotion
Emptiness
Enchantment
Energy
Enthusiasm
Ephemerality and ephemeral art
Epiphanies
Eroticism
Escapism
Evanescence
Evocation
Excellence
Exceptional (the)
Excess
Exigence
Exoticism
Expressiveness
Extraordinary
Extravagance
Extremity
Fakes
Familiarity
Fancy
Fantasy (in art)
Fluidity
Foregrounding
Formlessness
Fragmentation
Frivolity
Fuzziness
Grace. See Delicacy
Greatness
Gusto
Harmony
Health
Hoaxes
Humanity
Illegibility
Illusion
Immanence
Immediacy
Imperfection
Impersonality
Impossibility
Improvisations
Incompleteness
Indecency
Indeterminacy
Inexpressiveness
Inspiration
Intensity
Interactivity
Interestingness
Intrinsic / Extrinsic
Intuition
Je ne sais quoi
Joy
Kitsch
Leitmotif
Length
Likeness
Liveness
Local color
Long-windedness
Macabre
MacGuffins
Marvelous
Masterpieces
Mediation. See Semiotics. Other semiotic categories.
Melodrama
Mood, atmosphere, tone
Multiplicity
Mystery
Naivety
Nastiness
Nature / art
Negative capability
Nonsense
Normality
Novelty
Numinous
Objective correlative
Obscenity
Obscurity
Ordinariness
Organicism
Parody. See Lit. theory-specific. Intertextuality. Parody.
Pastoral. See Genres. Poetry. Poetic subgenres. Pastoral.
Particularity
Pathos
Permanence
Personalization
Perspective
Picturesqueness
Plasticity
Poetic justice
Popular
Portraits
Precision
Prettiness
Proportion
Rarity
Ready-made
Real characters in fiction
Realism. See Movements, Periods, Styles.
Refinement.
Regularity
Reproductions (of art works)
Rhythm
Ridicule
Sameness.
Satire and the Satiric
Scatology
Selection
Sensationalism
Sentimentality
Sequentiality. See Semiotics. Other semiotic categories.
Simplicity
Sincerity
Singularity
Smallness
Sophistication
Specificity
Spirituality
Still Life
Stereotypes
Strangeness
Subtlety
Suggestion
Suggestiveness
Surprisingness
Sweetness
Symmetry
Sympathy
Transparence
Triviality
Truth. See Art. Specific. Art and Truth.
Ugliness
The Uncommon
Unexpectedness
Unfashionableness
Uniqueness
Unity
Universality
The Unobserved
Unreality
Unthinkable
Vagueness
Variety
Visibility
Vividness
Vulgarity and Bad Taste
Weirdness
Wonder
Aesthetic categories: General
Beardsley, Monroe C. "Aesthetic Qualities." In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. Xxviii-xxxii.*
Santayana, George. "La mutabilidad de las categorías estéticas." In Santayana, La razón en el arte y otros escritos de estética. Ed. Ricardo Miguel. Epilogue by Fernando Savater. (Verbum Mayor). Madrid: Verbum, 2008. 157-68.*
See also Aesthetic qualities.
A Clef
Rintoul, M. C. Dictionary of Real People and Places in Fiction. London: Routledge, 1993.
Abjection
Butler, Judith. "Performativity and Abjection." From Butler, Bodies that Matter. In García Landa, Vanity Fea 20 Sept. 2020.*
https://vanityfea.blogspot.com/2020/09/performativity-and-abjection.html
2020
Eco, Umberto. Construire il nemico.
Elliot, Patricia. "In the Eye of Abjection: Marie Cardinal's The Words to Say It." Mosaic 20 (Fall 1987). Rev. version in Elliot, From Mastery to Analysis: Theories of Gender in Psychoanalytic Feminism. Ithaca: Cornell UP, 1991.*
García Landa, José Angel. "Contando cómo le paramos los pies: Relatos de autoafirmación y solidaridad de grupo." In García Landa, Vanity Fea 21 Jan. 2015.*
http://vanityfea.blogspot.com.es/2015/01/contando-como-le-paramos-los-pies_21.html
2015
Kristeva, Julia. Pouvoirs de l'horreur: Essai sur l'abjection. Paris: Seuil, 1980. (Points, 1983).*
_____. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia UP, 1982.*
Mulvey-Roberts, Marie. "The Corpse in the Corpus: Frankenstein, Rewriting Wollstonecraft and the Abject." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 197-210.*
Parkin-Gounelas, Ruth. Psychoanalysis and Literature: Theories and Texts. Houndmills: Macmillan, 2000. (Hysteria, abjection, melancholy, femininity, death, the subject).
Prentice, Christine. "Nationalism vs. Internationalism? Witi Ihimaera's The Matriarch and Critical Abjection." In Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen: Stauffenburg Verlag, 1996. 549-56.*
Smith, David Livingstone. Less Than Human: Why We Demean, Enslave, and Exterminate Others. St. Martin's.
_____. Making Monsters: The Uncanny Power of Dehumanization. 2021.
Zamorano Rueda, Ana. "Our Radical Strangeness and the Space in Between: Intertextuality and Abjection." In European Intertexts: Women's Writing in English in a European Context. Ed. Patsy Stoneman and Ana María Sánchez Arce, with Angela Leighton. (European Connections Series, 13) Oxford, Frankfurt, New York: Peter Lang. 2005. 127-148.
Literature
Cardinal, Marie. Les mots pour le dire. Novel. 1975. (Marriage).
_____. The Words to Say It. Trans. Pat Goodheart. Cambridge (MA): VanVactor and Goodheart, 1983.
Wilde. The Picture of Dorian Gray. In The Portable Oscar Wilde. Ed. Richard Aldington and Stanley Weintraub. Harmondsworth: Penguin, 1981. 138-391.*
Films
Fight Club. Dir. David Fincher. Cast: Brad Pitt, Edward Norton, Helena Bonham Carter, Meat Loaf, Jared Leto. USA, 1999.*
Kafka. Metamorphosis. many editions.
See also Scapegoats.
Absorption
Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley: U of California P, 1981.
See also Immersion.
Accuracy
Neisser, U., and R. Fivush, eds. The Remembering Self: Constructions and Accuracy in the Self-Narrative. Cambridge: Cambridge UP, 1994.
Wagenaar, W. "Is Memory Self-Serving?" In The Remembering Self: Constructions and Accuracy in the Self-Narrative. Ed. U. Neisser and R. Fivush. Cambridge: Cambridge UP, 1994. 191-204.
Admiration
Amorós, Andrés. "Quisiera ser…" In Amorós, Diario cultural. Madrid: Espasa-Calpe, 1983. 253-54.* (Admiration).
Armisén, Antonio. "Admiración y maravillas en El Criticón (más unas notas cervantinas." In Gracián y su época: Actas de la I Reunión de Filólogos Aragoneses [1985]. Zaragoza: Institución Fernando el Católico, 1986. 201-42.
_____. "Admiración y maravillas en El Criticón (más unas notas cervantinas)." Online at Academia.edu
https://www.academia.edu/3651649/
2014
Marías, Javier. "Veamos a quién admiras." In Marías. Cuando los tontos mandan. Barcelona: Penguin Random House - Alfaguara, 2018. 210-12.*
Affectation
Baselga Ramírez, Mariano. Concepto estético de lo cursi. Ed. José Luis Calvo Carilla. Zaragoza: Diputación de Zaragoza / Institución "Fernando El Católico" (C.S.I.C.), 2004.* (Written 1890s; unpublished until 2004).
Johnson, Samuel. "Affectation." The Rambler (20). 1750-2. London: Dent; New York: Dutton, 1953.*
Agreeableness
Johnson, J. A., J. Carroll, J. Gottschall and D. Kruger. "Portrayal of Personality in Victorian Novels Reflects Modern Research Findings but Amplifies the Significance of Agreeableness." Journal of Research in Personality (2010).
doi: 10.1016/j.jrp.2010.11.011
Kant, Immanuel. Kritik der Urteilskraft. 1790. (Beauty, Taste, Perfection, Emotion, Agreeable, Pleasure, Judgment, Universality, Sublimity, Satisfaction, Nature, Aesthetics, Objectivity, Sensations, Common sense, Art, Genius, Teleology, Antinomies, Understanding, Universe; Theology, God)
_____. Kritik der Urtheilskraft. In Kantswerke, Akademie-Textausgabe, V.
_____. Kritik der Urteilskraft. Stuttgart, 1924.
_____. Kritik der Urteilskraft. Hamburg: Felix Meiner, 1974.
_____. Kritik der Urteilskraft. In Werkausgabe vol. 10. Ed. Wilhelm Weischedel. Frankfurt a/M, 1979.
_____. Critique of Judgment. Trans. J. H. Bernard. 2nd. ed. London, 1914. 1931.
_____. Critique of Judgment. Trans. J. H. Bernard. New York: Hafner, 1951. 1966.
_____. Critique of Judgment. Trans. Werner S. Pluhar. Indianapolis: Hackett, 1987.
_____. Critique of Judgment. Excerpt. In Deconstruction in Context. Ed. Mark C. Taylor. Chicago: U of Chicago P, 1986. 35-66.*
_____. The Critique of Judgement. Trans. James Creed Meredith. Oxford: Clarendon, 1988.
_____. Critique of the Power of Judgment. Trans. and ed. Paul Guyer and Eric Matthews. Cambridge, UK and New York: Cambridge UP, 2000.
Literature
Finch, Anne (Countess of Winchilsea). "The Agreeable." In Eighteenth-Century Poetry: The Annotated Anthology. Ed. David Fairer and Christine Gerrard. 3rd ed. Chichester: Wiley-Blackwell, 2015. 39-40.*
Ambiguity
Empson, William. Seven Types of Ambiguity. London: Chatto and Windus, 1930.
_____. Seven Types of Ambiguity. Rev. ed. London: Chatto and Windus, 1947. New York: New Directions, 1947.
_____. Seven Types of Ambiguity. London: Chatto & Windus, 1953.
_____. Seven Types of Ambiguity: A Study of Its Effects on English Verse. London: Chatto & Windus, 1963.
_____. Seven Types of Ambiguity. London: Hogarth, 1984.*
_____. Seven Types of Ambiguity. Harmondsworth: Penguin, 1961.
_____. "Ambiguity of the Fourth Type." From Seven Types of Ambiguity. Rpt. in The Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 92-108.*
_____. "Ambiguity in Keats's Ode on Melancholy." 1930. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 152-55.*
Giménez Resano, Gaudioso. "La ambigüedad lingüística en la antigüedad clásica y edad media latina." In Homenaje a Gaudioso Giménez: Miscelánea de estudios lingüísticos y literarios. Ed. Túa [José Angel] Blesa and María Antonia Martín Zorraquino. Zaragoza: Institución Fernando El Católico / Departamento de Lingüística General e Hispánica, U de Zaragoza, 2003. 49-91.*
Kaplan, Abraham. "Esthetic Ambiguity." Philosophy and Phenomenological Research 8 (1948): 415-35.
Marantz, Kate. "The Work of Ambiguity: Writerly and Readerly Labor in Carol Shields's The Stone Diaries." Narrative 22.3 (Dec. 2014): 354-71.*
Anamorphosis
Baltrusaitis, Jurgis. Anamorphoses, ou perspectives curieuses. Paris: Olivier Perrin, 1955.
_____. Anamorphoses, ou magie artificielle des effets merveilleux. Paris: Perrin, 1969.
_____. Anamorphic Art. Trans. W. J. Strachan. New York: Abrams, 1977.
Clark, Stuart. Vanities of the Eye: Vision in Early Modern European Culture. Oxford: Oxford UP, 2007.* (Agrippa, Anamorphosis, Apparitions, Aristotle, Bacon, Giambattista Della Porta, Descartes, Eyes, Joseph Glanvill, Hobbes, Images, Imagination, Magic, Melancholy, Marin Mersenne, Montaigne, Optics, Paradoxes, Perspective, Vision, Witchcraft).
Leeman, Fred. Hidden Images. New York: Harry N. Abrams, 1976. (Painting).
Leeman, Fred, Joost Elffers, and Michael Schuyt. Anamorphoses: Games of Perception and Illusion in Art. New York: Abrams, 1976.
Internet resources
Virtual Street Reality. (On Julian Beever, anamorphic street painter).
http://rense.com/general67/street.htm
2006-02-11
Appreciation
Wyatt, David. "Awkwardness and Appreciation in Death in the Afternoon." Hemingway Review 33.2 (Spring 2014): 81-98.*
See also Criticism.
Artifice, Artificiality
Ackerman, Diane. The Human Age: The World Shaped by Us. New York: Norton, 2014.*
Gargano, Antonio. "Bécquer entre naturaleza y artificio (lectura de la Rima XXIX)." In Gargano, La sombra de la teoría: ensayos de literatura hispánica del Cid a Cien Años de Soledad. Salamanca: Ediciones U de Salamanca, 2007. 201-14.*
Stevenson, Robert Louis. "A Humble Remonstrance." Longman's Magazine (December 1884). (Novel; Henry James; Characterisation; Emotion; Mimesis; Artifice)
_____. "A Humble Remonstrance." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 232-46.
_____. "A Humble Remonstrance." In Victorian Criticism of the Novel. Ed. Edwin M. Eigner and George J. Worth. Cambridge: Cambridge UP, 1985. 213-22.*
Literature
Marvell, Andrew. "The Mower against Gardens." Poem. Early 1650s?
_____. "The Mower Against Gardens." From Miscellaneous Poems. 1681. In The Norton Anthology of English Literature. Ed. M. H. Abrams, Stephen Greenblatt, et al. New York: Norton, 1999. 1684-1724.* (With "The Garden").
_____. "The Mower, against Gardens." The Poems of Andrew Marvell. Ed. G. A. Aitken. London: Lawrence & Bullen, 1892. 83-84. Online at Luminarium:
http://www.luminarium.org/sevenlit/marvell/mowagainst.htm
2013
_____. "The Mower Against Gardens." Bartleby.com
http://www.bartleby.com/332/10.html
2015
_____. "The Mower against Gardens." Poetry Foundation.*
https://www.poetryfoundation.org/poems-and-poets/poems/detail/48333
2016
Piercy, Marge. "A Work of Artifice." Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 1077.*
See also Illusion; Technique.
Authenticity
Adorno, T. W. La ideología como lenguaje: La jerga de la autenticidad. Madrid: Taurus, 1982.
Berman, Marshall. The Politics of Authenticity: Radical Individualism and the Emergence of Modern Society. New York: Athenaeum; London: George Allen and Unwin, 1970.
Chardin, J. J., ed. The Déjà-vu and the Authentic: Reprise, Recycling, Recuperating in Anglophone Literature and Culture. Newcastle: Cambridge Scholars, 2012.
Crew, S. R., and J. E. Sims. "Locating Authenticity: Fragments of Dialogue." In Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington, DC: Smithsonian Institution Press, 1991.
Curnutt, Kirk. "Inside and Outside: Gertrude Stein on Identity, Celebrity, and Authenticity." Journal of Modern Literature 23.2 (2000): 291-308.
Derrida, Jacques. La Vérité en Peinture. Paris: Flammarion, 1978.*
_____. The Truth in Painting. Trans. Geoff Bennington and Ian McLeod. Chicago: U of Chicago P, 1987.
Docherty, Thomas. On Modern Authority: The Theory and Condition of Writing, 1500 to the Present Day. Brighton: Harvester; New York: St. Martin's, 1987.*
Funk, Wolfgang. "Reziproker Realismus: Versuch einer Ästhetik der Authentizität." In Authentisches Erzählen: Produktion, Narration, Rezeption. Ed. Antonius Weixler. Berlin and Boston: De Gruyter, 2012. 121-43.*
Griffiths, Gareth. "The Myth of Authenticity." In The Post-Colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge, 1995. 237-41.*
Huck, Christian. "Authentizität im Dokumentarfilm: Das Prinzip des falschen Umkehrschlusses als Erzählstrategie zur Beglaubigung massenmedialen Wissens." In Authentisches Erzählen: Produktion, Narration, Rezeption. Ed. Antonius Weixler. Berlin and Boston: De Gruyter, 2012. 239-64.*
Hutchins, Michael. "Intent to Mislead: W. G. Sebald's Notion of Authenticity." In Authentisches Erzählen: Produktion, Narration, Rezeption. Ed. Antonius Weixler. Berlin and Boston: De Gruyter, 2012. 79-93.*
Lesic-Thomas, Andrea. "Memory, Narratology, and the Problem of Authenticity: A Story of Pain." In Interpretations: European Research Project for Politics and Hermeneutics. Vol. 2: Memory and Art. Ed. Kata Kulavkova. Skopje: Macedonian Academy of Sciences and Arts, 2008. 101-18. Online at Academia.*
https://www.academia.edu/11350641/
2021
_____. "Trauma, intimna sjecanja, problem autenticnosti i fotografije Milomira Kovacevica, Sarajevo dans le coeur de Paris." Sarajevo Sveske 29/30 (2017).*
http://sveske.ba/en/content/o-prirodi-nostalgije
2020
Online at Academia.*
https://www.academia.edu/11140122/
2020
Margolin, Uri. "Authentication." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 32-33.*
Ochs, Elinor, and Lisa Capps. "Narrative Authenticity." Journal of Narrative and Life History 7 (1997): 83-89.
Sell, Roger D. "Wordsworth's Genuineness." In Sell, Communicational Criticism: Studies in Literature as Dialogue. Amsterdam and Philadelphia: John Benjamins, 2011. 151-94.*
Simons, Sascha. "'Ich bin Neda': Zur Authentizität ästhetischer Brüche und ihrer sozialen Resonanz im Web 2.0." In Authentisches Erzählen: Produktion, Narration, Rezeption. Ed. Antonius Weixler. Berlin and Boston: De Gruyter, 2012. 291-319.*
Spanke, Kai. "Authentizität als Entdifferenzierung in Hugo von Hofmannsthals Die Briefe des Zurückgekehrten." In Authentisches Erzählen: Produktion, Narration, Rezeption. Ed. Antonius Weixler. Berlin and Boston: De Gruyter, 2012. 55-78.*
Taylor. The Ethics of Authenticity. 1991.
Trilling, Lionel. Sincerity and Authenticity. Cambridge (MA): Harvard UP, 1972.
Werner, Lukas. "Authentic Life: Ein Paradigma des biographischen Films im Spannungsfeld von Hybridität, Relationalität und Narration." In Authentisches Erzählen: Produktion, Narration, Rezeption. Ed. Antonius Weixler. Berlin and Boston: De Gruyter, 2012. 265-90.*
Worth, Sarah E. "Narration, Representation, Memoir, Truth, and Lies: How We Diminish the Art of Narrative with Simple Truths." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 95-112.*
Literature
Griffiths, Trevor. Comedians. Drama. Premiere at Nottingham and London, 1975. (Art and commerce, art and authenticity).
James, Henry. "The Real Thing." In James, Complete Stories (IV) 1892-1898. (The Library of America). New York: Literary Classics of the United States, c. 1999.
_____. "The Real Right Thing." In James, Complete Stories (V) 1898-1910. (The Library of America). New York: Literary Classics of the United States, c. 1999.
Madden, Deirdre. Authenticity. Novel. 2002.
See also Fictionality; Artificiality; Truth.
Autonomy of art
Hohendahl, Peter Uwe. "Autonomy of Art: Looking Back at Adorno's Aesthetische Theorie." In Hohendahl, Reappraisals: Shifting Alignments in Postwar Critical Theory. Ithaca: Cornell UP, 1991. 75-98.*
Reiss, Timothy J. Against Autonomy: Global Dialectics of Cultural Exchange. Stanford UP, 2002.
Awareness
de Botton, Alain. "How to Open Your Eyes." In de Botton, How Proust can Change Your Life. London: Picador, 1997. 1998. 145-72.*
Awkwardness
Goffman, Erving. "Alienation from Interaction." In Goffman, Interaction Ritual.
Wyatt, David. "Awkwardness and Appreciation in Death in the Afternoon." Hemingway Review 33.2 (Spring 2014): 81-98.*
Badness
Bayard, Pierre. Comment améliorer les oeuvres ratées? (Paradoxe). Paris: Minuit, 2000.*
Boland, Eavan. "The Wrong Way." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 215-18.*
Boyd, Brian. "Even Homais Nods: Nabokov's Fallibility; Or, How to Revise Lolita." 1995. In Boyd, Stalking Nabokov: Selected Essays. New York: Columbia UP, 2011. 297-319.*
Brooks, Cleanth. "The Pernicious Effects of Bad Art." Et Veritas (1949).
Charney, Maurice, ed. 'Bad' Shakespeare: Revaluations of the Shakespeare Canon. Rutherford: Fairleigh Dickinson UP; London: Associated UPs, 1988.
Davydov, Sergej. "Poshlost'." In The Garland Companion to Vladimir Nabokov. Ed. Vladimir Alexandrov. New York: Garland, 1995. 628-33.*
Eco, Umberto. Apocalittici e integrati. Milan: Bompiani, 1964.
_____. Apocalittici e integrati: Comunicazioni di massa e teorie della cultura di massa. Milan: Bompiani, 1964.
_____. Apocalípticos e integrados. Trans. Andrés Boglar. (Palabra en el Tiempo, 39). Barcelona: Lumen, 1968. 1998.
_____. Apocalípticos e integrados. Trans. Andrés Boglar. Barcelona: Penguin Random House-Debols!llo, 2013.*
_____. "Estructura del mal gusto." In Eco, Apocalípticos e integrados. Barcelona: Penguin Random House, 2013. 2015. 95-163.* (Kitsch).
_____. "The Structure of Bad Taste." In Eco, The Open Work. Trans. A. Cangogni. Cambridge (MA): Harvard UP. 180- 216.
Hughes, Langston. "How to Be a Bad Writer." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 127-28.*
Pope, Alexander. Peri Bathous or, The Art of Sinking in Poetry. In Pope, Miscellanies. 1727.
_____. Peri Bathous. In Selected Prose of Alexander Pope 170-212.
Mainer, José-Carlos. "Antropología cultural y mala literatura: El entretenido (1673) de Antonio Sánchez Tórtoles." In Estudios en Homenaje al Dr. Antonio Beltrán Martínez. Zaragoza: Facultad de Filosofía y Letras, Universidad de Zaragoza, 1986. 1133-52.*
Moreno Hernández, Carlos. Literatura y cursilería. Valladolid: Universidad de Valladolid, 1996.
Richards, I. A. Principles of Literary Criticism. 1924.
_____. Principles of Literary Criticism. New York: Harcourt, 1959.
_____. Principles of Literary Criticism. London: Routledge, 1967.*
Richardson, Brian. "Bad Joyce: Anti-Aesthetic Practices in Ulysses." Hypermedia Joyce Studies 7.1 (Feb. 2006):
http://www.geocities.com/hypermedia.joyce
2008-02-20
Schwab, Katharine. "For the Love of Bad Art?" The Atlantic 4 April 2016.*
http://www.theatlantic.com/entertainment/archive/2016/04/why-do-we-love-bad-art/476502/
2016
Wilde, Oscar. "Hay que leer o no leer." Essay. In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 1124-25.*
Video
Hernández García, Paloma. "Corrupción ideológica en las artes." Lecture at Fundación Gustavo Bueno. Video. YouTube (fgbuenotv) 3 Dec. 2018.*
2019
Balance
Pérez de Ayala, Ramón. "VI. Armonía y equilibrio" ABC (Madrid) 10 Sept. 1959. Rpt. in "Humanidades." In Pérez de Ayala, Más divagaciones literarias. Madrid: Biblioteca Nueva, 1960. 256-62.*
Banality
Danto, Arthur C. La Transfiguration du banal. (Poétique). Paris: Seuil, 1989.
Lehtimäki, Markku, Laura Karttunen and Maria Mäkelä, eds. Narrative, Interrupted: The Plotless, the Disturbing and the Trivial in Literature. Google eBook, 2012.
http://books.google.es/books?id=NKXualYUt3IC
2014
Morris, Meaghan. "Banality in Cultural Studies." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 642-66.*
Baring the Device
Merivale, Patricia. "The Flaunting of Artifice in Vladimir Nabokov and Jorge Luis Borges." In Nabokov: The Man and His Work. Ed. L. S. Dembo. Madison: U of Wisconsin P, 1967.
See also Estrangement; Frame-breaking.
Bathos
Concanen, Matthew. A Supplement to the Profound. 1728.
Pope, Alexander. Peri Bathous or, The Art of Sinking in Poetry. In Pope, Miscellanies. 1727.
_____. Peri Bathous. In Selected Prose of Alexander Pope 170-212.
Bawdy
Cook, A. J. "'Bargaines of Incontinencie': Bawdy Behavior in the Playhouses." Shakespeare Studies 10 (1977): 271-90.
_____. The Privileged Players of Shakespeare's London, 1576-1642. Princeton: Princeton UP, 1981.
López Rueda, José. "Procacidad y erudición: Marcial en González Salas." In Hominem pagina nostra sapit. Ed. J. J. Iso et al. Zaragoza: Institución Fernando El Católico, 2004. 387-413.*
Partridge, Eric. Shakespeare's Bawdy. 1949. 1955.
_____. Shakespeare's Bawdy. London: Routledge, 1990.*
_____. Shakespeare's Bawdy. In Arden Shakespeare on CD-Rom: Text and Sources for Shakespeare Studies. Ed. Jonathan Bate. Walton-on-Thames: Nelson, 1998.
Bliss
White, Edmund. "The Esthetics of Bliss." Saturday Review of the Arts 1 (Jan. 1973): 33-34.
Brevity
Kesseler, Angela, and Alexander Bergs. "Literacy and the New Media: vita brevis, lingua brevis." In New Media Language. Ed. Jean Aitchison and Diana M. Lewis. Abingdon and New York: Routledge, 2003. 75-84.*
Luque Moreno, Jesús. "Epigrammata longa: La brevedad como norma." In Hominem pagina nostra sapit. Ed. J. J. Iso et al. Zaragoza: Institución Fernando El Católico, 2004. 75-114.*
Miguel, Amando de. "Q. Quintaesencias y fárragos." In de Miguel, La perversión del lenguaje. Madrid: Espasa-Calpe, 1994. 123-27.*
Penas Ibáñez, Azucena. "Dô o caimino de búsqueda hacia la brevedad del instante mediante la concisión conceptual y procedimental en Haiku y microrrelato: Análisis contrastivo." In Japón y Occidente: Estudios comparados. Ed. Carmen Tirado Robles. Zaragoza: Prensas Universitarias de Zaragoza, 2014. 219-39.*
Pérez de Ayala, Ramón. "Enunciados escuetos." La Prensa (Buenos Aires) 20 Dec. 1922. Rpt. In "Eça de Queiroz." In Pérez de Ayala, Más divagaciones literarias. Madrid: Biblioteca Nueva, 1960.*
See also Brevitas.
Camp
Core, Philip. Camp: The Lie that Tells the Truth. New York: Delilah Books, 1984.
Meyer, Moe, ed. The Politics and Poetics of Camp. London: Routledge, 1994.
Sontag, Susan. "Notes on 'Camp'." 1964. In Sontag, Against Interpretation. New York: Farrar Straus & Giroux, 1966. 275-292.
_____. "Notes on 'Camp'." 1964. In Sontag, Against Interpretation and Other Essays. London: Deutsch, 1987. 275-92.*
Caricature
Fuchs, E. Das erotische Element in der karikatur. 1904.
Internet resources
La Web de los famosos
http://usuarios.lycos.es/antxon/faker.htm
2008
Catharsis
Burke, Kenneth. "The Thinking of the Body (Comments on the Imagery of Catharsis in Literature)." In Burke, Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: U of California P, 1966. pbk. 1968. 308-43.*
Eliade, Mircea. "XXXVIII. Religión, magia y tradiciones herméticas antes y después de las Reformas." In Eliade, Historia de las creencias y de las ideas religiosas III. Barcelona: RBA, 2005. 283-330.* (Folk traditions; catharsis, witch hunting, Luther, Erasmus, Zwingli, Calvin, neoplatonism, hermeticism, humanism, alchemy, Paracelsus, Newton).
Golden, Leon. "Catharsis." Proceedings of the American Philological Association. 42 (1962): 51-60.
Goldstein, H. D. "Mimesis and Catharsis Reexamined." Journal of Aesthetics and Art Criticism 24 (1966): 567-77.
Keesey, D. "On Some Recent Interpretations of Catharsis". The Classical World 72 (1978-79) 192-205.
Nuttall, A. D. Why Does Tragedy Give Pleasure?
Petro del Barrio, Antonia. La legitimación de la violencia en la comedia española del siglo XVII. (Acta Salmanticensia; Estudios Filológicos, 315). Salamanca: Ediciones U de Salamanca, 2006.* (Fuenteovejuna, Numancia, Alarcón, El dueño de las estrellas, El médico de su honra, El castigo sin venganza, Lope, La fianza satisfecha, catharsis).
Ryan, E. E. "Robortello and Maggi on Aristotle's Theory of Catharsis". Rinascimento 22 (1982): 263-273.
Ryan, Marie-Laure. "Catharsis." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 47-48.*
Sánchez Ferlosio, Rafael. "Catarsis." ABC 14 Jan. 2001. In Sánchez Ferlosio, Ensayos III: Babel contra Babel - Asuntos internacionales - Sobre la guerra - Apuntes de polemología. Ed. Ignacio Echevarría. Madrid: Penguin Random House - Debate, 2016. 308-10.*
Sharper. Irony in the Drama: An Essay on Impersonation, Shock and Catharsis. Chapel Hill: U of North Carolina P, 1959.
Sorci, Antonino. "Mélancolie ou Catharsis? Une question éthique." Recherches & Travaux 94 (2019).* (Aristotle, Nietzsche, Kertész).
http://journals.openedition.org/recherchestravaux/1610
2020
Zaugg, Gary Louis. "The Trial of Alice Clifton: Judicial Catharsis in Institutional Bias." Ph.D. Diss. North Dakota State U of Agriculture and Applied Science. Fargo, 2017.* (1787 infanticide trial of a slave and rape victim).
https://library.ndsu.edu/ir/bitstream/handle/10365/27457/
2022
See also Aristotle (criticism); Scapegoats.
Chic
Wolfe, Tom. Radical Chic. Non-fiction novel. (On Leonard Bernstein, radicals, etc.).
Clarity
Rodríguez, Gudelia. "Sobre claridad y opacidad." In Actas del IV Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al 21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984. 175-81.*
Collage
Cran, Rona. Collage in Twentieth-Century Art, Literature and Culture. 2014.
González Rodríguez, Luisa María. "Intertextuality and Collage in Barthelme’s Short Fiction." In Short Story Theories: A Twenty-First-Century Perspective. Ed. Viorica Patea. Amsterdam and New York: Rodopi, 2012.
Pujals, Esteban. "On Reading Considered as One of the Fine Arts: Collage and Modern Writing." In Modernity, Modernism, Postmodernism. Ed. Manuel Barbeito. Santiago de Compostela: U de Santiago de Compostela, 2000. 165-74.*
Combinatory and generative art
Aarseth, Espen J. Cybertext: Perspectives on Ergodic Literature. Baltimore: Johns Hopkins UP, 1997.* (Based on his Ph.D. diss.).
Fitch, Brian T. Dimensions, structures et textualité dans la trilogie romanesque de Beckett. Paris: Minard, 1977.*
García Landa, José Ángel. "77 millones de cuadros." In García Landa, Vanity Fea 25 May 2007. (Eno, Blish, combinatory art).
http://garciala.blogia.com/2007/052501-77-millones-de-cuadros.php
2007-05-31
_____. "La perspectiva dominante sobre el sistema combinatorio—y la angustia de saberse copia." In García Landa, Vanity Fea 3 Dec. 2015.*
http://vanityfea.blogspot.com.es/2015/12/la-perspectiva-dominante-sobre-el.html
2015
O'Donnell, T. D. "Thematic Generation in Robbe-Grillet's Projet pour une révolution à New York." In Twentieth Century French Fiction: Essays for Germaine Brée. Ed. G. Stambolian. New Brunswick (NJ): Rutgers UP, 1975. 184-97.
Sherzer, Dina. "Serial Constructs in the Nouveau Roman." Poetics Today 13 (1980): 87-106.
Comedy
Calvino, Italo. "Definitions of Territories: Comedy." In Calvino, The Literature Machine. Trans. Patrick Creagh. London: Pan/Secker & Warburg, 1987. 62-64.*
Frye, Northrop. "Comic Fictional Modes." In Frye, Anatomy of Criticism. Princeton: Princeton UP, 1957. 43-52.
_____. "The Mythos of Spring: Comedy." In Frye, Anatomy of Criticism 163-86.
Horton, Andrew S., ed. Comedy / Cinema / Theory. Berkeley: U of California P, 1991.
Koch, Walter A. The Wells of Tears: A Bio-Semiotic Essay on the Roots of Horror, Comic and Pathos. Bochum: Norbert Brockmeyer, 1989.
Nelson, T. G. A. Comedy: The Theory of Comedy in Literature, Drama, and Cinema. Oxford: Oxford UP, 1990.
Cf. also Humour; Comedy (dramatic).
Concealment
Leeman, Fred. Hidden Images. New York: Harry N. Abrams, 1976.
Mortimer, Armine Kotin. "Second Stories." In Short Story Theory at the Crossroads. Ed. Susan Lohafer and Jo Ellyn Clarey. Baton Rouge: Louisiana State UP, 1989.
Concreteness
Wimsatt, W. K., Jr. "The Concrete Universal." 1947. In Wimsatt, The Verbal Icon. 1954. New York: Noonday, 1958. 69-84.*
_____. "The Structure of the 'Concrete Universal' in Literature." In Criticism: The Foundations of Modern Literary Judgment. Ed. Mark Schorer, Josephine Miles, and Gordon McKenzie. Rev. ed. New York: Harcourt, Brace, and World, 1958.
_____. "The Structure of the Concrete Universal." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
Continuity
Janik, Christina. "Zur Chronologie Episodizität, Deflexion und Kontinuität." In Hodel, Lehmann, et al., Textkohärenz und Narration: Untersuchungen russischer Texte des Realismus und der Moderne. (Narratologia, 15). Berlin and New York: Walter de Gruyter, 2008. 275-306.*
Contrast
Ogden, H. V. S. "The Principles of Variety and Contrast in Seventeenth Century Aesthetics, and Milton's Poetry." Journal of the History of Ideas 10 (1949): 159-82.
Correction
Fowke, Martha. "On Being Charged with Writing Incorrectly." In Eighteenth-Century Poetry: The Annotated Anthology. Ed. David Fairer and Christine Gerrard. 3rd ed. Chichester: Wiley-Blackwell, 2015. 241-42.*
Coyness
Miguel, Amando de. "Ñ. Ñoñerías." In de Miguel, La perversión del lenguaje. Madrid: Espasa-Calpe, 1994. 108-14.*
Cult
Appadurai, A., ed. The Social Life of Things: Commodities in Cult Perspective. Cambridge: Cambridge UP, 1990.
Eco, Umberto. "Casablanca: Cult Movies and Intertextual Collage." 1984. In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 446-55.*
Zschirnt, Christiane. "12. Libros de culto. Johann Wolfgang Goethe: Las desventuras del joven Werther. Jerome D. Salinger: El guardián entre el centeno. Jack Kerouac: En el camino. Hermann Hesse: El lobo estepario. Douglas Coupland: Generación X." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 249-60.*
Decorative
Gadamer, Hans-Georg. "5. Conclusiones estéticas y hermenéuticas." In Gadamer, Verdad y método: Fundamentos de una hermenéutica filosófica. Trans. Ana Agud Aparicio and Rafael de Agapito. (Trans. of 4th ed.). Salamanca: Sígueme, 1977.* (La violencia óntica de la imagen. El fundamento ontológico de lo ocasional y lo decorativo. La posición límite de la literatura. La reconstrucción y la integración como tareas hermenéuticas).
Decorum
Cousins, A. D., and Dani Napton. "Indecorum, Compromised Authority and the Sovereign Body Politic in The Fortunes of Nigel and The Heart of Mid-Lothian." Journal of English Studies 16 (2018): 27-46.
Goldstein, Harvey D. "Discordia Concors, Decorum, and Cowley." English Studies 49.6 (December 1968): 481–89. Rpt. in Literature Criticism: From 1400 To 1800, Vol. 43.
http://www.geocities.com/hargrange/cowleygoldstein.html
2004-06-12
Horace. Epistola ad Pisones. Barcelona: Bosch, 1966.
_____. The Epistle to the Pisos, or Art of Poetry. In Saintsbury, Loci Critici. 54-8.
_____. The Art of Poetry. Trans. Edward H. Blakeney. In Gilbert 128-43.
_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 77-96.
_____. The Art of Poetry. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 92-102.*
_____. Arte Poetica. Ed. A. Rostagni. Torino: Loescher, 1972.
_____. Arte poética de Quinto Horacio Flacco. Epistola a los Pisones. Trans. Dolores de Gortázar Serantes. 4th ed. Madrid: Juan Pueyo, 1923.
_____. "Epistola II". In Obras completas. Ed. Alfonso Cuatrecasas. Barcelona: Planeta, 1986.
_____. Satires, Epistles, and Ars Poetica. New York: Loeb Classics, 1926.
McAlindon, T. "Indecorum in Hamlet." Shakespeare Studies 5 (1969): 70-96.
_____. Shakespeare and Decorum. London: Macmillan, 1973.
Moriarty, Michael. "Principles of Judgement: Probability, Decorum, Taste, and the je ne sais quoi." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 522-28.*
Delicacy, Grace
Bouhours, Dominique. "Le Je ne sais quoi." In Bouhours, Entretiens d'Ariste et d'Eugène. 1671. Ed. René Radouant. Paris, 1920.
Farré, Luis. "Lo gracioso." In Farré, Categorías estéticas. Madrid: Aguilar, 1967. 46-59.
Foenkinos, David. La délicatesse. 2009.
Goldsmith, Oliver. "The Preference of Grace to Beauty: An Allegory." In Essays of Oliver Goldsmith. London: Macmillan, 1904. 146-50.
Hume. Of the Delicacy of Taste and Passion. Essay.
Jiménez, Juan Ramón. "'Ánjel' y 'duende'." From Poesía cerrada y poesía abierta. 1954. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 564-69.*
Martha, C. La Délicatesse dans l'art. Paris: Hachette, 1884.
Monk, Samuel H. "A Grace Beyond the Reach of Art." Journal of the History of Ideas 5 (1944): 131-50.
Pitt-Rivers, J., and J. G. Peristany. Honor y gracia. Madrid: Alianza, 1993.
Delight
Ackerman, Diane. Cultivating Delight.
Barthes, Roland. Le plaisir du texte. many editions.
Feijoo, Benito Jerónimo (Fray). "El deleite de la música hace de la tierra el noviciado del cielo." From Cartas eruditas y curiosas. In Feijoo, Antología popular. Ed. Eduardo Blanco-Amor. Buenos Aires: Ediciones Galicia, 1966. 257-59.*
Pettersson, Bo. "8. Why Literature Matters." In Pettersson, How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination. Berlin and Boston: Walter de Gruyter, 2016. 235-52.* (Delight, Wonder).
Priestley, J. B. Delight. Essay. 1949.
Wagensberg, Jorge. El gozo intelectual: teoría y práctica sobre la inteligibilidad y la belleza.
_____. "El gozo intelectual y la tristeza del pensamiento." 2007. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 995-97.*
See also Pleasure.
Detachment
Elias, Norbert. Involvement and Detachment. Oxford: Blackwell, 1987.
_____. Engagement et distantiation. Trans. Michèle Hulin. Foreword by Roger Chartier. Paris: Fayard, 1993.
_____. Compromiso y Distanciamiento: Ensayos de sociología del conocimiento. Barcelona, Península, 1990.
Mooney, Stephen L. "Poe's Detachment." From "Poe's Gothic Wasteland." Sewanee Review 70 (1962): 278-81. In Twentieth Century Interpretations of Poe's Tales. Ed. William L. Howarth. Englewood Cliffs (NJ): Prentice-Hall, 1971. 26-28.*
Neely, Carol Thomas. "Detachment and Engagement in Shakespeare's Sonnets 94, 116, and 129." PMLA 92 (1977): 83-95.
Details
Hily-Mane, Geneviève. "Le détail." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 117-36.*
See also Composition.
Difficulty
Christie, William. "A Recent History of Poetic Difficulty." ELH 67.2 (2000): 539-64.
Kugelmass, Joseph. "Derrida's Obituary, or, Is Literary Theory Too Abstruse?" The Valve 2 Nov. 2008.
http://www.thevalve.org/go/valve/article/derridas_obituary_or_is_literary_theory_too_abstruse/
2008-11-11
Purves, Alan C., ed. The Idea of Difficulty in Literature. Buffalo: SUNY Press, 1991.
Sell, Roger D. "The Difficult Style of The Waste Land: A Literary-Pragmatic Perspective on Modernist Poetry." In Twentieth-Century Poetry: From Text to Context. Ed. Peter Verdonk. London: Routledge, 1993. 134-58.
Solar, Milivoj. Laka i teska knjizevnost. [Literature: Easy and Difficult]. Zagreb, 1995.
Steiner, George. On Difficulty. Oxford: Oxford UP, 1978.*
Disharmony
Bayley, John. The Uses of Division: Unity and Disharmony in Literature. London: Chatto and Windus, 1976.
Disinterestedness
Pope, Alesander. Essay on Criticism. many editions
Raphael, D. D. "1. Two Versions." In Raphael, The Impartial Spectator: Adam Smith's Moral Philosophy. Oxford: Clarendon Press, 2007. 1-11.*
Scott, Paul Gordon. "Disinterested Selves: Clarissa and the Tactics of Sentiment." ELH 64 (1997): 473–502.
Stolnitz, Jerome. "On the Origins of 'Aesthetic Disinterestedness'." Journal of Aesthetics and Art Criticism 20 (1961-62): 131-43.
Dissonance
Amorós, Andrés. "Elogio de la disonancia (Ramón del Valle-Inclán: Luces de Bohemia)." (El arte). In Amorós, Momentos mágicos de la literatura. Madrid: Castalia, 1999. 327-36.*
Disorder
Literature
Herrick, Robert. "Delight in Disorder." In Herrick, Hesperides. 1648.
_____. "Delight in Disorder." In British Literature 1640-1789: An Anthology. Ed. Robert DeMaria. Oxford: Blackwell, 1996. 19.*
_____. "Delight in Disorder." In Works of Robert Herrick. Ed. Alfred Pollard. London: Lawrence & Bullen, 1891. 1.32.
_____. "Delight in Disorder." In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 979.*
_____. "Delight in Disorder." Luminarium: Robert Herrick.*
http://www.luminarium.org/sevenlit/herrick/disorder.htm
2011
Distance
Bullough, Edward. "'Psychical Distance' as a Factor in Art and an Aesthetic Principle." British Journal of Psychology 6.2 (1910). Rpt. in Critical Theory since Plat. Ed. Hazard Adams. San Diego: Harcourt, 755-765.*
Ginzburg, Carlo. Occhiacci di legno: Nove rifelssioni sulla distanza. Milan: Feltrinelli, 1999.
Hazlitt, William. "Why Distant Objects Please." 1821. In Hazlitt, Selected Writings. Harmondsworth: Penguin, 1970. 148-60.*
Hily-Mane, Geneviève. "Qui parle? Techniques de distanciation." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 225-45.*
Poulaki, Maria. "12. Between Distancing and Immersion: The Body in Complex Narrative." In Narrative Complexity: Cognition, Embodiment, Evolution. Ed. Marina Grishakova and Maria Poulaki. Lincoln: U of Nebraska P, 2019. 291-313.*
Distinction
Bouhours, Dominique. "Le Bel esprit." In Bouhours, Entretiens d'Ariste et d'Eugène.
_____. Manière de bien penser dans les ouvrages d'esprit. 1687. English trans. 1705, 1728.
Bourdieu, Pierre. La Distinction: Critique sociale du jugement. Paris: Minuit, 1979.
_____. Distinction: A Social Critique of the Judgment of Taste. Trans. Richard Nice. Cambridge (MA): Harvard UP, 1984.
_____. Distinction: A Social Critique of the Judgment of Taste. Trans. Richard Nice. London: Routledge, 1984.
_____. La Distinción: Criterio y Bases sociales del Gusto. Madrid: Taurus, 1988.
_____. From Distinction: A Social Critique of the Judgment of Taste ("Introduction"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. "Distinction." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.*
Video
Gori, Roland. "La Fabrique des Imposteurs." Video lecture. YouTube (UnivNantes) 10 Sept. 2014.*
2020
Distortions
Stevens, A., and P. Coupe. "Distortions in Judged Spatial Relations." Cognitive Psychology 10 (1978): 422-37.
Disturbing
Lehtimäki, Markku, Laura Karttunen and Maria Mäkelä, eds. Narrative, Interrupted: The Plotless, the Disturbing and the Trivial in Literature. Google eBook, 2012.
http://books.google.es/books?id=NKXualYUt3IC
2014
Duende
García Landa, José Ángel. "Hablando del duende." In García Landa, Vanity Fea 2 July 2006.
http://garciala.blogia.com/2006/070202-hablando-del-duende.php
2006
Jiménez, Juan Ramón. "'Ánjel' y 'duende'." From Poesía cerrada y poesía abierta. 1954. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 564-69.*
Richter, David F. "7. 'At Five in the Afternoon: Towards a Poetics of Duende in Bataille and Hemingway." In Hemingway's Spain: Imagining the Spanish World. Ed. Carl P. Eby and Mark Cirino. Kent (OH): Kent State UP, 2016. 113-27.*
Dullness
Literature
Dryden, John. From MacFlecknoe, 1682 (The Primacy of Dullness). In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 848.*
Eccentricity
Binswanger, Arthur. Drei Formen missglückten Daseins: Vertiegenheit, Verschrobenehit, Manieriertheit. Max Niemeyer, 1956.
_____.- Tres formas de la existencia frustrada: Exaltación, excentricidad, manierismo. Trans. Edgardo Albizu. Amorrortu Editores.
_____. Tres formas de la existencia frustrada: Exaltación, excentricidad, manierismo. Trans. Edgardo Albizu. In Binswanger Obras escogidas. (Biblioteca de Psicoanálisis). Barcelona: RBA, 2006. 713-967.*
Sheckels, Theodore F. "Chapter 8: Eccentrics. " In Sheckels, Celluloid Heroes Down Under: Australian film 1970-2000. Westport (CT) and London: Praeger, 2002. 189-220.*
Eclecticism
Wittkower, R. "Imitation, Electicism, and Genius." In Aspects of the Eighteenth Century. Ed. Earl R. Wasserman. Baltimore, 1965.
Ecstasy
Barnstone, Willis. The Poetics of Ecstasy: From Sappho to Borges.
Baudrillard, Jean. The Ecstasy of Communication. Trans. Bernard and Caroline Schutze. Ed. Sylvère Lotringer. New York: Semiotext(e), 1988.
Spitzer, Leo. "Three Poems on Ecstasy (John Donne, St. John of the Cross, Richard Wagner)." In Spitzer, A Method of Interpreting Literature. Northampton (MA): Smith College, 1949. 1-63.
_____. "Tres poemas sobre el éxtasis (John Donne, San Juan de la Cruz, Richard Wagner)." Trans. Jordi Beltran. In Spitzer, Estilo y estructura en la literatura española. Barcelona: Crítica, 1980. 213-56.*
_____. "'The Extasie'." In The Metaphysical Poets. Ed. Gerald Hammond. (Casebooks series). Houndmills: Macmillan, 1974. 116-28.*
Torgovnick, Marianna. Primitive Passions: Men, Women, and the Quest for Ecstasy. Chicago: U of Chicago P, c. 1998.
Winterson, Jeanette. Art Objects: Essays on Ecstasy and Effrontery. London: Jonathan Cape, 1995.*
Wiseman, Mary Bittner. The Ecstasies of Roland Barthes. (Critics of the Twentieth Century). London and New York: Routledge.
Effrontery
Winterson, Jeanette. Art Objects: Essays on Ecstasy and Effrontery. London: Jonathan Cape, 1995. *
Elegance
Bourdieu, Pierre. La Distinction: Critique sociale du jugement. Paris: Minuit, 1979.
_____. Distinction: A Social Critique of the Judgment of Taste. Trans. Richard Nice. Cambridge (MA): Harvard UP, 1984.
_____. Distinction: A Social Critique of the Judgment of Taste. Trans. Richard Nice. London: Routledge, 1984.
Kôshirô, Haga. "The Wabi Aesthetic through the Ages." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 245-78.* (Elegance).
Pérez-Reverte, Arturo. "Mujeres con tacones rotos." (Patente de Corso). XL Semanal 20 Jan. 2020.*
https://www.xlsemanal.com/firmas/20200119/mujeres-tacones-rotos-perez-reverte.html
2020
Purdy, Daniel L. The Tyranny of Elegance: Consumer Cosmopolitanism in the Era of Goethe. Baltimore: Johns Hopkins UP, c. 1999.
Rose, David Charles. Oscar Wilde's Elegant Republic. Cambridge Scholars, 2015.
Veblen, Thorstein. The Theory of the Leisure Class. 1899. Boston: Hougton Mifflin, 1973.
_____. Teoría de la clase ociosa. Prologue and trans. Carlos Mellizo. (El libro de bolsillo: Sociología). Madrid: Alianza Editorial, 2004. 2011.*
_____. "(Por qué es elegante ser conservador, o es conservador ser elegante)." From Teoría de la clase ociosa. In García Landa, Vanity Fea 22 May 2014.*
http://vanityfea.blogspot.com.es/2014/05/por-que-es-elegante-ser-conservador-o.html
2014
Young, Kay. "The Aesthetics of Elegance and Extravagance in Science and Art." Narrative 19.2 (May 2011): 149-70.*
Elevation
Popova, Maria. "Saul Bellow's Spectacular Nobel Prize Acceptance Speech on How Art and Literature Ennoble the Human Spirit." Brain Pickings.*
https://www.brainpickings.org/2015/06/10/saul-bellow-nobel-prize-acceptance-speech/
2018
Emotion
Koch, Walter A. The Wells of Tears: A Bio-Semiotic Essay on the Roots of Horror, Comic and Pathos. Bochum: Norbert Brockmeyer, 1989.
Levinson, Jerrold. "The Place of Real Emotion in Response to Fictions." Journal of Aesthetics and Art Criticism 48 (Winter 1990): 79-80.
See also Emotions; Emotion and literature.
Emptiness
Valente, José Ángel. "Sobre la desaparición de los signos." In Valente, La experiencia abisal. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2004. 31-32.* (Literature and the sacred).
_____. "Sobre la desaparición de los signos." From La experiencia abisal. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 622-23.* (Emptiness).
Enchantment
Landy, Joshua. "Mallarméan Magic: Retrospective Necessity, Lucid Ilusion, and the Re-Enchantment of the World." Symbolism 8 (2008). (Special Focus: Literature and Painting).
Walsh, George B. The Varieties of Enchantment.
Literature
Corneille, Pierre. "Sonnet ('Usez moins avec moi du droit de tout charmer'). In Théâtre choisi de Corneille. Ed. Maurice Rat. Paris: Garnier, n.d. (Printed in Turnhout, Belgium: Brepols, 1956). 801.*
Energy
Schmid, Wolf. "Energeia, an Underestimated Facet of Shklovskij's Concept of Sujet." Communications 103 (2018): Le formalisme russe cent ans aprés. Ed. Catherine Depretto, John Pier and Philippe Roussin. Paris: Seuil, 2018. 55-62.*
Enthusiasm
Binswanger, Arthur. Drei Formen missglückten Daseins: Vertiegenheit, Verschrobenehit, Manieriertheit. Max Niemeyer, 1956.
_____.- Tres formas de la existencia frustrada: Exaltación, excentricidad, manierismo. Trans. Edgardo Albizu. Amorrortu Editores.
_____. Tres formas de la existencia frustrada: Exaltación, excentricidad, manierismo. Trans. Edgardo Albizu. In Binswanger Obras escogidas. (Biblioteca de Psicoanálisis). Barcelona: RBA, 2006. 713-967.*
Clark, Timothy. "Enthusiasmos: Archaic Greece and Plato's Ion." In Clark, The Theory of Inspiration: Composition as a Crisis of Subjectivity in Romantic and Post-Romantic Writing. Manchester: Manchester UP, 1997. 40-58.*
_____. "Enthusiasm and Enlightenment." In Clark, The Theory of Inspiration: Composition as a Crisis of Subjectivity in Romantic and Post-Romantic Writing. Manchester: Manchester UP, 1997. 61-91.*
García Landa, José Ángel. "'The Enthusiastick Fit': The Function and Fate of the Poet in Samuel Johnson's Rasselas." Cuadernos de Investigación Filológica 17.1 (1991): 103-26.*
Heineman, F. H. "The Philosopher of Enthusiasm." Revue Internationale de Philosophie 6 (1952).
Knox, R. A. Enthusiasm: A Chapter in the History of Religion. Oxford: Clarendon, 1957.
Locke, John. "IV.XIX. Of Enthusiasm." In Locke, An Essay Concerning Human Understanding. Ed. John W. Yolton. 2 vols. London: Dent; New York: Dutton, 1961.*
Lovejoy, Arthur O. (On Joseph Warton's The Enthusiast). PMLA 39 (1924): 237-45.
Price, Martin. Shaftesbury's Philosophy of Religion and Ethics: A Study in Enthusiasm. Athens (OH): Ohio UP, 1967.
Raymond, Ernest. Through Literature to Life. 1928. London: Cassell, 1929.
Shaftesbury. "A Letter Concerning Enthusiasm." 1708.
_____. "Treatise I. Viz. A Letter Concerning Enthusiasm, to My Lord ---." 1711. In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times, In Three Volumes. London, 1711. (Enthusiasm; Religion; Humour)
_____. Carta sobre el entusiasmo. Introd, trans. and notes by Agustín Andreu. (Crítica/Filosofía, serie Clásicos). Barcelona: Grijalbo Mondadori-Crítica, 1997.*
_____. "Treatise VI. viz. Miscellaneous Reflections, &c." In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times. In Three Volumes. London, 1711.
Staël (Mme. de). "Part the Fourth. Religion and Enthusiasm." In Germany; by the Baroness Staël Holstein. Translated from the French. In Three Volumes London: John Murray, 1813. (Religion; Mysticism; Enthusiasm; Nature)
Ussher, James. Clio: or, A Discourse on Taste. Addressed to a Young Lady. By I. Usher. The Second Edition, with Large Additions. London: Printed for T. Davies, 1769. (Taste; Aesthetics; Sublime; Conversation; The arts; Enthusiasm)
Voltaire. "Entusiasmo." From Diccionario Filosófico. In Voltaire, Cartas filosóficas. Diccionario filosófico. Memorias para servir a la vida de Voltaire escritas por él mismo. Prologue by Fernando Savater. Introd. Martí Domínguez. (Grandes Pensadores Gredos; Voltaire, I). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014. 229-30.*
Williamson, George. "The Restoration Revolt against Enthusiasm." Studies in Philology 30 (1933): 571-603.
Literature
Warton, Joseph. The Enthusiast: or the Lover of Nature. Poem. 1744.
_____. "The Enthusiast: Or The Lover of Nature." In Eighteenth-Century Poetry: The Annotated Anthology. Ed. David Fairer and Christine Gerrard. 3rd ed. Chichester: Wiley-Blackwell, 2015. 452-59.*
Ephemerality and ephemeral art
Esteban Lorente, Juan Francisco. "Una aportación al arte provisional del barroco zaragozano: los capelardentes reales." In Francisco Abbad Ríos: A su memoria. Zaragoza: Departamento de Historia del Arte, Facultad de Filosofía y Letras, Universidad de Zaragoza, 1973. 35-62.*
Epiphanies
Alexandrov, Vladimir E. Nabokov's Otherworld. Princeton: Princeton UP, 1991.*
Aronne-Amestoy, Lida. "Notas sobre el cuento epifánico hispanoamericano." 1976. En Teoría cuentística del siglo XX. (Aproximaciones hispánicas). Ed. Catharina de Vallejo. Barcelona: Editorial Vosgos,1989. 213-231.
Beja, Morris. Epiphany in the Modern Novel. London: Peter Owen, 1971.
Bermejo, José María. "Bashô, poeta de la iluminación instantánea." Revista de Occidente 161 (Octubre 1994): 123-40.*
Fisher, Philip. Wonder, the Rainbow, and the Aesthetics of Rare Experiences. Cambridge (MA): Harvard UP, 1999.
García Landa, José Ángel. "Detrás de la música." In García Landa, Vanity Fea 16 Oct. 2005.
http://garciala.blogia.com/2005/101607-detras-de-la-musica.php
2005-10-31
_____. "Más Baudelaire y más epifanía." In García Landa, Vanity Fea 16 Oct. 2005
http://garciala.blogia.com/2005/101608-mas-baudelaire-y-mas-epifania.php
_____. "Hablando del duende." In García Landa, Vanity Fea 2 July 2006.
http://garciala.blogia.com/2006/070202-hablando-del-duende.php
2006-07-28
_____. "Exquisite Moments." Notes on an article by Kate Haffey. In García Landa, Vanity Fea 14 Nov. 2012.*
http://vanityfea.blogspot.com.es/2012/11/exquisite-moments.html
2012
_____. "Epifanía del Mundo como Teatro." In García Landa, Vanity Fea 4 Feb. 2014.* (Christopher Rush, Will).
http://vanityfea.blogspot.com.es/2014/02/epifania-del-mundo-como-teatro.html
2014
_____. "Un momento de Virginia Woolf." In García Landa, Vanity Fea 4 Sept. 2014.*
http://vanityfea.blogspot.com.es/2014/09/un-momento-de-virginia-woolf.html
2014
_____. "Un momento de Virginia Woolf." Social Science Research Network 28 Dec. 2014.*
http://papers.ssrn.com/abstract=2543000
2014
Cognition & the Arts eJournal 28 Dec. 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
English & Commonwealth Literature eJournal 28 Dec. 2014.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2014
_____. "Un momento de Virginia Woolf." In García Landa, Vanity Fea 31 Dec. 2014.*
http://vanityfea.blogspot.com.es/2014/12/un-momento-de-virginia-woolf.html
2014
_____. "The Mind, A Room of One's Own: An Epiphanic Moment in Virginia Woof." In The Fictional Minds of Modernism: Narrative Cognition from Henry James to Christopher Isherwood. Ed. Ricardo Miguel-Alfonso. New York and London: Bloomsbury, 2020. 109-31.*
https://www.bloomsbury.com/uk/the-fictional-minds-of-modernism-9781501359774/
2019
_____. "The Mind, A Room of One's Own: An Epiphanic Moment in Virginia Woof." Academia 24 Jan. 2021.*
https://www.academia.edu/44973104/
2021
_____. "The Mind, A Room of One's Own: An Epiphanic Moment in Virginia Woof." ResearchGate 1 Feb. 2021.*
DOI: 10.5040/9781501359804.0009
https://www.researchgate.net/publication/338872722
2021
Haffey, Kate. "Exquisite Moments and the Temporality of the Kiss in Mrs. Dalloway and The Hours." Narrative 18.2 (May 2010): 137-62.*
Jahn, Manfred. "Epiphany." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 140.*
Smith, Evans Lansing. Rape and Revelation: The Descent to the Underworld in Modernism. Lanham (NY): UPs of America, 1990.
Taylor, Charles. "Epiphanies of Modernism." In Taylor, Sources of the Self: The Making of the Modern Identity. Cambridge: Cambridge UP, 1989. 2000. 456-94.* (Proust, Pound, Rilke, Beckett)
Tigges, Wim. Moments of Moment: Aspects of the Literary Epiphany. Amsterdam: Rodopi, forthcoming 1997.
Eroticism in art and literature
Bataille, Georges. Death and Sensuality: A Study of Eroticism and the Taboo. New York: Ballantine, 1969.
Bloch, Ivan. "Eroticism in Art." In Bloch, Sexual Life in England: Past and Present. Royston (Herts.): Oracle, 1996. 631-60.*
Calvino, Italo. "Definitions of Territories: Eroticism." In Calvino, The Literature Machine. Trans. Patrick Creagh. London: Pan/Secker & Warburg, 1987. 65-71.*
Couturier, Maurice. "Les rusées d'Éros." In Couturier, Nabokov, ou la tyrannie de l'auteur. Paris: Seuil, 1993. 305-52.*
Fuchs, E. Das erotische Element in der karikatur. 1904.
Hunt, Lynn. Eroticism and the Body Politic. Baltimore: Johns Hopkins UP, 1991.
Montero Cartelle, Enrique. "Marcial, ¿erótico?" In Hominem pagina nostra sapit. Ed. J. J. Iso et al. Zaragoza: Institución Fernando El Católico, 2004. 129-49.*
Moulton, Ian Frederick. Rev. of Taking Positions: On the Erotic in Renaissance Culture. Shakespeare Quarterly 52.4 (2001).
Stoller, Robert J. "Erotics/Aesthetics." In Stoller, Observing the Erotic Imagination. New Haven: Yale UP, 1985. 44-69.*
See also Eroticism.
Escapism
Nicolay, Theresa Freda. "3. The Lord of the Rings: 'Insubstantial Dream of an Escapist'." In Nicolay, Tolkien and the Modernists: Literary Responses to the Dark New Ways of the 20th Century. Jefferson (NC): McFarland, 2014. 55-76.*
Stapledon, Olaf. "Escapism in Literature." Scrutiny 8 (Dec. 1939): 298-308.
_____. "Escapism in Literature." In An Olaf Stapledon Reader. Ed. Robert Crossley. Syracuse (NY): Syracuse UP, 1997. 188-97.*
Evanescence
García Landa, José Angel. "Like a Bubble." In García Landa, Vanity Fea 28 Feb. 2011.*
http://vanityfea.blogspot.com/2011/02/like-bubble.html
2011
_____. "Como una burbuja." Ibercampus (Vanity Fea) 3 March 2011.*
http://www.ibercampus.es/articulos.asp?idarticulo=14524
2013
_____. "The Fleeting Systems Lapse Like Foam." In García Landa, Vanity Fea 23 Feb. 2014.*
http://vanityfea.blogspot.com.es/2014/02/the-fleeting-systems-lapse-like-foam.html
2014
_____. "The Fleeting Systems Lapse Like Foam." Ibercampus (Vanity Fea) 23 Feb. 2014.*
http://www.ibercampus.info/the-fleeting-systems-lapse-like-foam-26936.htm
2014
_____. "The Fleeting Systems Lapse Like Foam: La angustia de la evolución (The Fleeting Systems Lapse Like Foam: The Anxiety of Evolution)." Social Science Research Network 5 Jan. 2015.*
http://ssrn.com/abstract=2545013.*
2015
_____. "The Fleeting Systems Lapse Like Foam: La angustia de la evolución." In García Landa, Vanity Fea 9 Jan. 2015.*
http://vanityfea.blogspot.com.es/2015/01/the-fleeting-systems-lapse-like-foam-la.html
2015
_____. "The Fleeting Systems Lapse Like Foam: La angustia de la Evolución." Academia 15 May 2015.*
https://www.academia.edu/12401435/
2015
Literature
Daniel, Samuel. "Are They Shadows." Poetry Foundation.*
http://www.poetryfoundation.org/poem/180997
2011
_____. "Another Song ('Are they shadows that we see'). From Tethys' Festival. In The Complete Works in Verse and Prose of Samuel Daniel. vol 3. Ed. A. B. Grosart New York: Rusell & Russell, Inc., 1885, rpt. 1963. 320-321. In Luminarium:
http://www.luminarium.org/renlit/tethys.htm
_____. "¿Son sombras lo que aquí vemos?" In García Landa, Vanity Fea 13 Nov. 2011.*
http://vanityfea.blogspot.com/2011/11/son-sombras-lo-que-aqui-vemos.html
2011
Drummond, William. "Madrigal."
Petrarca. "Soneto 1 del Canzoniere." Abran textos 24 June 2014.*
https://abrantextos.blogspot.com/2014/06/petrarca-sonteto-i-del-canzoniere.html
2023
Evocation
Dominicy, Marc. Poétique de l'évocation. (Théorie de la littérature, 3). Paris: Classiques Garnier, 2011.
López Martínez, Luis. "Una variante de técnica evocativa en la novela española actual." In Estudios literarios dedicados al profesor Mariano Baquero Goyanes. Murcia, 1974. 223-31.*
Excellence
García Landa, José Ángel. "El efecto Mateo y la calidad retroactiva." In García Landa, Vanity Fea 9 July 2009.*
http://vanityfea.blogspot.com/2009/07/el-efecto-mateo-y-la-calidad.html
2009
_____. "El Efecto Mateo y la calidad retroactiva." Ibercampus (Vanity Fea) 15 July 2009.*
http://www.ibercampus.es/articulos.asp?idarticulo=10679
2009
Heinich, Nathalie. De la visibilité: Excellence et singularité en régime médiatique. Gallimard, 2012.
Janaway, Christopher. Images of Excellence: Plato's Critique of the Arts. Oxford: Clarendon, 1996.
Solomon, Robert. Ethics and Excellence. 1992.
Video
Heinich, Nathalie. "Visibilité." Lecture at the Université Catholique de Louvain. Video. YouTube (François Lambotte) 13 May 2014.*
2017
Exceptional (the)
Spolsky, Ellen. "The Centrality of the Exceptional in Literary Study." Style 42 (2008): 285-89.
See also Exceptions; Rarity.
Excess
Les formes de l'excès dans la culture anglo-américaine. (GRAAT, 15). Tours: Publications des Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours.
Lotringer, S. "Mesure de la démesure." Poétique 12 (1972). Paris: Seuil.
Sánchez-Pardo, Esther. "Confronting Nothing(ness): Excess, Oscillation and Paradigms for Reading." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*
Thompson, Kristin. "The Concept of Cinematic Excess." In Narrative, Apparatus, Ideology: A Film Theory Reader. Ed. Philip Rosen. New York: Columbia UP, 1986.
_____. "The Concept of Cinematic Excess." 1981. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 487-98.*
Verstraten, Peter. "10. Filmic Excess: When Style Drowns the Plot." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 188-204.*
Williams, Linda. "Film Bodies: Gender, Genre, and Excess." 1991. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 701-14.*
Exigence
Blanchot, Maurice. "Kafka et l'exigence de l'œuvre." In Blanchot, L'Espace littéraire. Paris: Gallimard, 1955. 63-101.*
Expressiveness
Altieri, Charles. "From Expressivist Aesthetics to Expressivist Ethics." In Literature and the Question of Philosophy. Ed. Anthony J. Cascardi. Baltimore: Johns Hopkins UP, 1987. 132-66.*
Colli, Giorgio. Filosofía de la expresión. Trans. Miguel Morey. Madrid: Siruela, 1996.
Croce, Benedetto. "Intuition and Expression." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 1-11.*
_____. "Indivisibility of Expression into Modes or Degrees and Criticism of Rhetoric." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 67-73.*
García Berrio, A. Teoría de la literatura. Madrid: Cátedra, 1989.*
Genette, Gérard. Mimologiques. Paris: Seuil, 1976.*
_____. Mimologics.Trans. Thaïs Morgan. Foreword by Gerald Prince. U of Nebraska P, 1995.*
Hernández Guerrero, José Antonio. La expresividad literaria. Cádiz: Universidad, 1987.
Langer, Susanne K. "Expressiveness." In Langer, Problems of Art: Ten Philosophical Lectures. London: Routledge and Kegan Paul, 1957. 13-26.*
Madell, Geoffrey. Philosophy, Music and Emotion. Edinburgh: Edinburgh UP, 2002.
Ortega y Gasset, José. "Sobre la expresión[,] fenómeno cósmico." From El Espectador, vol. 7 (1929). In In El Espectador: Tomos VII y VIII. (El Arquero). Madrid: Revista de Occidente, 1961. 25-51. (Expression, gesture).
Taylor, Charles. "The Expressivist Turn." In Taylor, Sources of the Self: The Making of the Modern Identity. Cambridge: Cambridge UP, 1989. 2000. 368-90.* (18th-c., romanticism)
Visser, Margaret. "'I mean, you know, like..." In Visser, The Way We Are. Harmondsworth: Penguin, 1997. 217-21.* (Expressiveness).
See also Expression (in semiotics)
Extraordinary
Literature
James, Henry. "A Most Extraordinary Case." In James, Complete Stories (I) 1864-1874. (The Library of America). New York: Literary Classics of the United States, c. 1999.
Extravagance
Castilla del Pino, Carlos, comp. La extravagancia. Madrid: Alianza, 1995.
Young, Kay. "The Aesthetics of Elegance and Extravagance in Science and Art." Narrative 19.2 (May 2011): 149-70.*
Extremity
Baudrillard, Jean. La Transparence du mal: Essai sur les phénomènes extrêmes. Paris: Galilée, 1991.
_____. The Transparency of Evil: Essays on Extreme Phenomena. New York: Verso, 1993.
Jurgenson, Luba "La représentation de la limite dans quelques récits des camps." In Vox Poetica 1 Dec. 2006.
http://www.vox-poetica.com/t/rl/jurgensonRL.html
2007-06-07
Mandel, Naomi, and Alain-Philippe Durand, eds. Novels of The Contemporary Extreme. London and New York: Continuum, 2006.
Fakes
Buesa, Mikel. "Falsificación y propiedad intelectual." Libertad Digital (Club Libertad Digital) 3 Jan. 2019.*
2018
Cedeira, Brais. "Los 'catedráticos' que se inventan la historia a 400€ por conferencia." El Español 27 Oct. 2017.*
https://www.elespanol.com/reportajes/20171027/257475477_0.amp.html
2017
Eco, Umberto. Faith in Fakes. Trans. William Weaver. London, 1986.
_____. La Guerre du faux. (Contemporary myths). Paris: Le Livre de Poche.
_____. I limiti dell'interpretazione. Milan: Fabbri, Bompiani, Sonzogno, Etas S.p.A., 1990.
_____. Los límites de la interpretación. Trans. Helena Lozano. Barcelona: Lumen, 1992.*
_____. "La fuerza de lo falso." In Eco, Sobre literatura. Barcelona: RqueR editorial, 2002. 283-312.*
_____. "Decir falsedades, mentir, falsificar." In Eco, A hombros de gigantes: Conferencias en La Milanesiana 2001-2015. Barcelona: Penguin Random House – Lumen, 2018. 225-56.*
Feijoo, Benito Jerónimo (Fray). "Milagros supuestos." From Teatro Crítico Universal, vol. 3. In Feijoo, Antología popular. Ed. Eduardo Blanco-Amor. Buenos Aires: Ediciones Galicia, 1966. 53-56.*
Jarvis, Jeff. "The Spiegel Scandal and the Seduction of Storytelling." Medium 24 Dec. 2018.* (Claas Relotius, author of fake reports).
https://medium.com/whither-news/the-spiegel-scandal-and-the-seduction-of-storytelling-bfed804d7b21
2018
Marías, Javier. "El detector de ficciones." In javiermarias.es 2 April 2006.
http://www.javiermarias.es/blog.html
2006-04-11
Somalo, Javier. "Fake Franco." Libertad Digital 16 March 2019.*
https://www.libertaddigital.com/opinion/javier-somalo/fake-franco-87432/
2019
See also Forgeries; Plagiarism; Simulacra; Hoaxes; Imitation; Fabrications.
Familiarity
García Landa, José Ángel. "Gender, I-deology and Addictive Representation: The Film of Familiarity." In Gender, I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D'Arcy and José Angel García Landa. Amsterdam: Rodopi, 1996. 1-54.*
_____. "Gender, I-deology and Addictive Representation: The Film of Familiarity." In García Landa, Vanity Fea 15 Oct. 2008. (Links to online texts from Gender, I-deology).
http://garciala.blogia.com/2008/101502-gender-i-deology.php
2008
Wilson, Tony. "Television: Familiarity and Phenomenology." In Wilson,Watching Television: Hermeneutics, Reception and Popular Culture. Cambridge: Polity Press, 1993. 13-43.*
Post, Jonathan. "Ekphrasis and the Fabric of the Familiar in Mary Jo Salter's Poetry." In In the Frame: Women's Ekphrastic Poetry from Marianne Moore to Susan Wheeler. Ed. J. Hedley, N. Halpern and W. Spiegelman. Newark (DE): U of Delaware P, 2008.
See also Estrangement.
Fancy
Bullitt, John, and Walter J. Bate. "The Distinctions between Fancy and Imagination in Eighteenth-Century English Criticism." Modern Language Notes 60 (1945): 8-15.
Coleridge, S. T. "Fantasía e imaginación." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968. 135-36.*
Wollstonecraft, Mary. "To the Editor of the Monthly Magazine." The Monthly Magazine and British Register (1797). London: Printed for R. Phillips and sold by J. Johnson, London, 1797.
Wordsworth, William. Preface to the Edition of 1815. In The Prose Works of William Wordsworth. Vol. 3. Oxford: Clarendon Press, 1974. (Romanticism; Imagination and fancy; Metaphor; Genre)
Literature
Warton, Joseph. "Ode to Fancy."
Yerby, Frank. A Woman Called Fancy. Fiction. c. 1951.
Fantasy (in art)
Barr, Alfred H., Jr., ed. Fantastic Art, Dada, Surrealism. New York: Museum of Modern Art, 1936. 3rd ed., rev., 1947.
Calvino, Italo. "Definitions of Territories: Fantasy." In Calvino, The Literature Machine. Trans. Patrick Creagh. London: Pan/Secker & Warburg, 1987. 71-73.*
Castle, Terry.The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Oxford: Oxford UP, 1995. (Automata, uncanny, Radcliffe, ghosts, fantasy).
Irigaray, Luce. "Du fantasme et du verbe." In Irigaray, Parler n'est jamais neutre. Paris: Minuit, 1985. 69-80.*
Lacan, Jacques. "Pour une logique du fantasme." Scilicet 2/3 (1970).
Rose, Jacqueline. States of Fantasy. Oxford: Clarendon, 1996. (Woolf, Spark)
Valabrega, Jean-Paul. "Le problème anthropologique du phantasme." In P. Aulagnier-Spairani et al., Le Désir et la perversion. Paris: Seuil, 1967 (Points, 1995). 163-90.*
See also Fantasy (psychology); Fantastic narrative.
Fluidity
Bauman, Zygmunt. Liquid Modernity. Polity Press / Blackwell, 2000.
_____. Modernidad líquida. Trans. Mirta Rosenberg with Jaime Arrambide Squirru. (Sociología). México: FCE, 2003. Rpt. 2015.*
_____. "Foreword: On Being Light and Liquid." In Bauman, Liquid Modernity. Cambridge: Polity Press, 2000. 1-15.*
_____. "Prólogo: Acerca de lo leve y lo líquido." In Bauman, Modernidad líquida. México: FCE, 2003. Rpt. 2015. 7-18.*
_____. "1. Emancipación." In Bauman, Modernidad líquida. México: FCE, 2003. Rpt. 2015. 21-58.* (Freedom, Critique, Individuals, Citizenship).
_____. "2. Individualidad." In Bauman, Modernidad líquida. México: FCE, 2003. Rpt. 2015. 49-98.* (Capitalism, Consumerism, Addiction, Compulsion, Consumer society, Buying, Freedom, Individualism)
_____. "3. Espacio/Tiempo." In Bauman, Modernidad líquida. México: FCE, 2003. Rpt. 2015. 99-138.* (Strangers, Time, Lightness, Present)
_____. "4. Trabajo." In Bauman, Modernidad líquida. México: FCE, 2003. Rpt. 2015. 139-78.* (Progress, Work, Marriage, Procrastination, Social life and relationships, Insecurity)
_____. "5. Comunidad." In Bauman, Modernidad líquida. México: FCE, 2003. Rpt. 2015. 169-212.* (Nationalism, Difference, Unity, Security, State, Communities).
_____. Vidas desperdiciadas: La modernidad y sus parias. 2005. Barcelona, Buenos Aires and México: Paidós.
_____. Vida líquida. 2006. Barcelona, Buenos Aires and México: Paidós.
_____. Vigilancia líquida. Barcelona, Buenos Aires and México: Paidós.
_____. Miedo líquido: La sociedad contemporánea y sus temores. 2007. Barcelona, Buenos Aires and México: Paidós.
_____. Sobre la educación en un mundo líquido. Barcelona, Buenos Aires and México: Paidós.
García Landa, José Angel. "Modelando la identidad fluida." In García Landa, Vanity Fea 30 March 2011.* (Zygmunt Bauman).
http://vanityfea.blogspot.com/2011/03/modelando-la-identidad-fluida.html
2011
_____. "Modelando la identidad fluida." Ibercampus (Vanity Fea) 30 March 2021.*
https://www.ibercampus.es/modelando-la-identidad-fluida-40880.htm
2021
Foregrounding
Shklovsky, Viktor. "Isskustvo kak priem." In Sborniki po teorii poeticheskogo iazyka II. Petrograd, 1917. 3-14. (Literariness; Tropes; Imagery; Foregrounding; Defamiliarization)
_____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.*
_____. "Art as Technique." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 15-30.*
_____. "Art as Technique." Selection. in Debating Texts. Ed. Rick Rylance. 48-56.*
_____. "Art as Technique." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5.*
_____. "Art as Technique." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 260-72.*
_____. From "Art as Technique." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.*
_____. "L'art comme procédé." In Todorov, Théorie de la littérature 76-97.
Formlessness
Ransom. "Flux and Blur in Contemporary Art." Sewanee Review (July 1926).
Fragmentation
Bauman, Zygmunt. Life in Fragments. Blackwell.
Blanchot, Maurice. "Nietzsche y la escritura fragmentaria", Maurice Blanchot, ediciones Calden, Buenos Aires, Argentina, 1973.
_____. "Nietzsche y la escritura fragmentaria." Estafeta
http://estafeta-gabrielpulecio.blogspot.com/2010/07/maurice-blanchot-nietzsche-y-la.html
2011
Feng, Zongxin. "A Mosaic of Fragments as Narrative Practice." In Postmodernist Fiction: East and West. Ed. Wang Ning and Brian McHale. Special issue of Narrative 21.3 (Oct. 2013): 333-45.*
Lamb, Jonathan. "The Fragmentation of Originals and Clarissa." SEL 28 (1988): 443–59.
Lévi-Strauss, Claude. "Split Representation in the Art of Asia and America." In Lévi-Strauss, Structural Anthropology, vol. 1. Trans. Claire Jacobson and Brooke Grundfest Schoepf. Harmondsworth : Penguin, 1993. 245-68.*
Muñoz Millares, José. Modos y afectos del fragmento. Valencia: Pre-Textos, 1998.
Sánchez-Palencia Carazo, Carolina, and Manuel Almagro Jiménez. "Gathering the Limbs of the Text in Shelley Jackson's Patchwork Girl." Atlantis 28.1 (June 2006): 115-29.* (Mary Shelley).
Suárez Sánchez, Juan A. "View (1940-47), the Avant-Garde, and the Uncertain Life of Objects: Criticism as if Fragments Mattered." Miscelánea 18 (1997): 299 -326.*
Viart, D "The Aesthetics of the Fragment." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 701-5.*
Frivolity
Derrida, Jacques. Preface to Condillac's Essai sur l'origine des connaissances humaines. Paris: Galilée, 1973. Rpt. separately as L'Archéologie du frivole. Paris: Denoël / Gonthier, 1976.
Fuzziness
Mendelsund, Peter. "Está borroso." In Mendelsund, Qué vemos cuando leemos. Barcelona: Planeta-Seix Barral, 2015. 417-39.*
Greatness
Arnold, Matthew. "The Study of Poetry." 1880. In Arnold, Essays in Criticism: Second Series. 1888. London: Macmillan, 1918. 1-55.*
_____. "The Study of Poetry." In English Literature and Irish Politics. Vol 9 of The Complete Prose Works. Ed. R. H. Super. Ann Arbor, 1973.
_____. "The Study of Poetry." In Arnold, Poetry and Criticism 306-27.
_____. "The Study of Poetry." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 387-510.*
_____. From "The Study of Poetry." 1880. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1534-45.*
Best, Geoffrey. Churchill: A Study in Greatness. London: Penguin, 2001.
Maldonado Acevedo, Ana. "'I Don't Find Much Difference between the Great and Ourselves': Woolf, Beerbohm y la desmitificación de los grandes." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*
Ruskin, John. [A Definition of Greatness in Art.] From Modern Painters. 1843. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1428-29.*
Gusto
Hazlitt, William. "On Gusto." Essay. 1816, pub. 1817. In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 96-99.*
_____. "On Gusto." In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 510-13.*
_____. "Sobre el gusto." In Hazlitt, Ensayos sobre el arte y la literatura. Ed. and trans. Ricardo Miguel. Madrid: Espasa-Calpe, 2004. 35-40.*
Harmony
Lukács, Georg. "The Ideal of the Harmonious Man in Bourgeois Aesthetics." In Lukács, Writer and Critic 89-102.
_____. Writer and Critic. London: Merlin, 1978.
Pérez de Ayala, Ramón. "VI. Armonía y equilibrio" ABC (Madrid) 10 Sept. 1959. Rpt. in "Humanidades." In Pérez de Ayala, Más divagaciones literarias. Madrid: Biblioteca Nueva, 1960. 256-62.*
Spitzer, Leo. "Classical and Christian Ideas of World Harmony." Traditio 2 (1944): 409-64, 3 (1945): 307-64.
Health
Lukács, Georg. "Healthy or Sick Art?" In Lukács, Writer and Critic. London: Merlin, 1978. 103-9.
Hoaxes
de Mille, Richard. The Don Juan Papers. 1980. (On Carlos Castaneda).
Lyons, Beauvais. "The Art of the Trickster." Archaeology 47.2 (1994): 72. (Parody, hoax).
McNitt, V. V. Chain of Error and the Mecklenburg Declarations of Independence: A New Study of the Manuscripts. NY: Hampden Hill 1960. (History of a hoax).
Piña, Raúl. "Jordi Évole, sobre 'Operación Palace': 'Por lo menos hemos reconocido que era mentira'." El Mundo 24 Feb. 2014.*
http://www.elmundo.es/television/2014/02/23/530a6b1422601dbb1b8b456f.html
2014
Pursglove, Glyn. "Fakery, Serious Fun and Cultural Change: Some Motives of the Pseudo-Translator." Hermeneus 13 (2011): 151-76.*
See also Plagiarism; Charade; Forgery; Tricksters; Parody.
Humanity
Frank, Joseph. "The Dehumanization of Art." In Frank, The Widening Gyre 163-78.
Ortega y Gasset, José. La deshumanizacion del arte. 1925. En La deshumanización del arte y otros ensayos de estética. Madrid: Austral, 1987.
Illegibility (aesthetic)
Blesa, Túa. Lecturas de la ilegibilidad en el arte. (La Bolgia, 6). Salamanca: Editorial Delirio, 2011.
Immanence
Bustos Tovar, José Jesús de. "Sobre inmanencia y transcendencia en los estudios filológico-literarios de la escuela española." In Palabras, Norma, Discurso: En memoria de Fernando Lázaro Carreter. Ed. Luis Santos Río et al. Salamanca: Ediciones Universidad de Salamanca, 2005. 205-214.*
Genette, Gérard. L'Œuvre de l'art, I: Immanence et Transcendance. (Poétique). Paris: Seuil, 1996.
_____. La obra del arte: Inmanencia y trascendencia. Trans. Carlos Manzano. (Palabra Crítica 23). Barcelona: Lumen, 1997.*
Inciarte, Fernando. "9. Intencionalidad: Sobre inmanencia y trascendencia del conocimiento." In Inciarte, Tiempo, sustancia, lenguaje: Ensayos de metafísica. Ed. Lourdes Flamarique. Barcelona: Planeta DeAgostini, 2011.*
Ingarden, Roman. Das Literarische Kunstwerk: Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft. Halle/Saale: Niemeyer, 1931. 3rd. ed.: Tübingen: Niemeyer, 1965.
_____. The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic, and Theory of Literature. Evanston: Northwestern UP, 1973.*
_____. L'œuvre d'art littéraire. Trans. Philibert Secretan with N. Lüchinger and B. Schwegler. (Slavica). Lausanne: L'Age d'Homme, 1983.*
Jameson, Fredric. "Immanence and Nominalism in Postmodern Theoretical Discourse." In Jameson, Postmodernism: or, The Cultural Logic of Late Capitalism. London: New Left Books-Verso, 1992. 181-259.* (Michaels, de Man).
Marrati-Guénoun, Paola. "L'animal qui sait fuir. G. Deleuze: politique du devenir, ontologie de l'immanence." In L'animal autobiographique: Autour de Jacques Derrida. Ed. Marie-Louise Mallet. Paris: Galilée / CNL, 1999. 197-214.*
Rodríguez Pardo, José Manuel. "La imposible inmanencia de del materialismo: Sobre el libro de Pascal Charbonnat." El Catoblepas 100 (June 2010).
Wimsatt, W. K. The Verbal Icon: Studies in the Meaning of Poetry. With two essays in collaboration with Monroe C. Beardsley. Lexington: U of Kentucky P, 1954. 1967.
Audio
Badiou, Alain. "L'immanence des vérités." Lecture at the Ecole Normale Supérieure (seminar "L'immanence des vérités"), 12 Feb. 2014. Online audio at Savoirs ENS:
http://savoirs.ens.fr/expose.php?id=1671
2014
Immediacy
Boyd, Brian. "Part 4: Phylogeny: The Odyssey." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 213-317.* (Attention, Character and Plot, Patterns, Intelligence, Immediacy, Cooperation, Punishment).
Finch, Casey. "Immediacy in the Odes of William Collins." Eighteenth Century Studies 20.3 (Spring 1987).
Jackson, Wallace. Immediacy: The Development of a Critical Concept from Addison to Coleridge. Amsterdam: Rodopi, 1973.
Imperfection
Eco, Umberto. "Sobre algunas formas de impefección en el arte." In Eco, A hombros de gigantes: Conferencias en La Milanesiana 2001-2015. Barcelona: Penguin Random House – Lumen, 2018. 257-88.*
See also Perfection.
Impersonality
Álvarez López, Fátima. "La despersonalización como estrategia de cortesía del discurso académico escrito." In Actas del V Congreso Internacional AELFE (Asociación Europea de Lenguas para Fines Específicos) / Proceedings of the 5th International AELFE Conference). Ed. Mª Carmen Pérez-Llantada Auría, Ramón Plo Alastrué and Claus Peter Neumann. CD-ROM. Zaragoza: AELFE / Prensas Universitarias de Zaragoza, 2005. 157-62.*
Bateson, F. W. "'Impersonality' Fifty Years After." In Bateson, Essays in Critical Dissent. London: Longman, 1972. 153-62.*
Chatman, Seymour. "Narration: Narrator and Narratee." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 90-129.* (Telling: Internal and External Narratees; Showing: Impersonal Narration; Omniscience and Limitation; The Narratee).
Fish, Stanley. "Marvell and the Art of Disappeareance." In Revenge of the Aesthetic: The Place of Literature in Theory Today. Ed. Michael P. Clark. Berkeley (CA): U of California P, 2000. 25-44.*
Nielsen, Henrik Skov. "The Impersonal Voice in First-Person Narrative Fiction" Narrative 12 (2004): 133-50.
Ueda, Makoto. "Bashô on the Art of the Haiku: Impersonality in Poetry." In Japanese Aesthetics and Culture: A Reader. Ed. Nancy G. Hume. Albany: SUNY Press, 1995. 151-76.*
Impossibility
Alber, Jan. "Impossible Storyworlds — and what to Do with Them." Storyworlds: A Journal of Narrative Studies 1.1 (2009): 79-96.
Ashline, William L. "The Problem of Impossible Fictions." Style 29.2 (1995): 215–234.
Littlewood, Derek, and Peter Stockwell, eds. Impossibility Fiction: Alternativity-Extrapolation-Speculation. (Rodopi Perspectives on Modern Literature 17). Amsterdam: Rodopi, 1996.*
Improvisation
Rosenberg, Martin E. "14. Jazz as Narrative: Narrating Cognitive Processes Involved in Jazz Improvisation." In Narrative Complexity: Cognition, Embodiment, Evolution. Ed. Marina Grishakova and Maria Poulaki. Lincoln: U of Nebraska P, 2019. 338-64.*
Sollers, Philippe. Improvisations. (Folio essais, 165). Paris: Gallimard.
Video
Witmore, Michael. "Ten Things I Learned From Shakespeare." Lecture at the John Carter Brown Library, Brown U. YouTube (Brown University) 7 Nov. 2017.* (Improvisation, sprezzatura, complexity, decision, choice, uncertainty, multiplicity, reputation, power, fictions and stories, mythmaking, racism, persuasion, forgiveness, change, longing, self-deception, illusion, insight).
2020
Incompleteness
Baroni R. "Incomplétudes stratégiques du discours littéraire et tension dramatique." Littérature 127 (2002): 105-127.
Goldstein, Rebecca. Incompleteness: The Proof and Paradox of Kurt Gödel.
Indecency
Kappeler, Susanne. The Pornography of Representation. Cambridge: Polity Press, 1986.
Indeterminacy
Douglas, J. Yellowlees. "'How Do I Stop This Thing?' Closure and Indeterminacy in Interactive Narratives." In Hyper/Text/Theory. Ed. George P. Landow. Baltimore: Johns Hopkins UP, 1994. 159-88.*
Ingarden, Roman. Das Literarische Kunstwerk: Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft. Halle/Saale: Niemeyer, 1931. 3rd. ed.: Tübingen: Niemeyer, 1965.
_____. The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic, and Theory of Literature. Evanston: Northwestern UP, 1973.*
_____. L'œuvre d'art littéraire. Trans. Philibert Secretan with N. Lüchinger and B. Schwegler. (Slavica). Lausanne: L'Age d'Homme, 1983.*
Iser, Wolfgang. L'Appel du texte: L'indétermination comme condition d'effet esthétique de la prose littéraire. 1969. Paris: Allia, 2012.
_____. "Indeterminacy and the Reader's Response in Prose Fiction." In Aspects of Narrative. Ed. J. Hillis Miller. New York: Columbia UP, 1971. 1-45. Trans. of "Die Appellstruktur der Texte."
_____. "Indeterminacy and the Reader's Response." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 226-30.*
_____. "Indeterminacy and the Reader's Response in Prose Fiction." In Iser, Prospecting: From Reader Response to Literary Anthropology. Baltimore: Johns Hopkins UP, 1989. Pbk. 1993. 3-30.*
Miall, David S. "The Indeterminacy of Literary Texts: The View from the Reader." Journal of Literary Semantics 17 (1988): 155-71.
Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage. Princeton: Princeton UP, 1981.
Inexpressiveness
Sattel, Jack W. "Men, Inexpressiveness, and Power." In Language, Gender and Society. Ed. Barrie Thorne, Cheris Kramarae, and Nancy Henley. Rowley (MA): Newbury House, 1983. 119-24.
Insipidity
González, Marta. "El protagonista insípido." Nueva Revolución (La habitación de Clarissa) 7 July 2016.*
http://nuevarevolucion.es/del-protagonista-insipido-la-habitacion-clarissa/
2016
Intensity
Mendelsund, Peter. "Intensidad." In Mendelsund, Qué vemos cuando leemos. Barcelona: Planeta-Seix Barral, 2015. 151-76.*
Interactivity
Birringer, Johannes. "Dance and Interactivity." Gramma-Gramma 10 (2002): 19-40.*
Murray, Janet H. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New York: Free Press, 1997.
_____. Hamlet on the Holodeck: The Future of Narrative in Cyberspace Cambridge (MA): MIT Press, n.d.* (Narrative, Shakespeare, videogames, computers and literature, Internet, virtual reality, immersion).
See also Computers and literature; Hypertext; Interaction; Interactive narrative.
Interestingness
Baroni, Raphaël. "Tellability." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 447-54.*
Boyd, Brian. On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009.* (Book I: Evolution, Art, and Fiction – Part 1, Evolution and Nature, Part 2, Evolution and Art, Part 3, Evolution and Fiction; Book II: From Zeus to Seuss: Origins of Stories— Part 4, Phylogeny: The Odyssey, Part 5: Ontogeny: Horton Hears a Who!).
Burkeman, Oliver. "This Column Will Change Your Life: Interestingness v Truth." The Guardian 5 April 2014.*
2014
Grivel, Charles. Production de l'intérêt romanesque. The Hague & Paris: Mouton, 1973.
Knapp, Steven. Literary Interest: The Limits of Antiformalism. Cambridge (MA): Harvard UP, 1993.
Ortega y Gasset, José. "El hombre interesante." In Ortega, Goethe desde dentro. El punto de vista en las artes. El hombre interesante. "Prólogo-conversación de Fernando Vela." (Biblioteca de la Revista de Occidente). Madrid: Revista de Occidente, 1933.
Stillman, Jessica. "Science Has Discovered a Dead Simple Formula for Producing Interesting Content." INC. 8 Sept. 2017.*
https://www.inc.com/jessica-stillman/science-has-discovered-a-dead-simple-formula-for-p.html
2017
Szilas, Nicolas, Sergio Estupiñán Vesga and Urs Michael Richle. "Qualifying and Quantifying Interestingness in Dramatic Situations." In InteractiveStorytelling. 9th International Conference on Interactive Digital Storytelling, ICIDS2016. Ed. F. Nack and A. S. Gordon. Cham: Springer, 2016.* (Aesop's Fables, narrativity).
DOI : 10.1007/978-3-319-48279-8_30
Online at Archive Ouverte UNIGE (Université de Genève).*
https://archive-ouverte.unige.ch/unige:91113/ATTACHMENT01
2021
Vermeule, Blakey. Why Do We Care about Literary Characters?
See also Immersion; Attention.
Intrinsic / Extrinsic
Cortois, Paul. "Puntos de vista externos e internos en las humanidades." In Congreso Fenomenología y Ciencias Humanas: Santiago de Compostela, 24-28 de Septiembre de 1996. Ed. Mª Luz Pintos Peñaranda and José Luis González López. Santiago de Compostela: U de Santiago de Compostela, 1998. 453-63.*
Moritz, Karl Philipp. (Essai de réunion de tous les beaux-arts et sciences sous la notion d'accomplissement en soi. In German). 1785.
See also Immanence.
Intuition
Beardsley, Monroe C. "Artistic Truth." (20. The Proposition Theory. 21. Revelation and Intuition). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 367-99.*
Croce, Benedetto. "Intuition and Expression." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 1-11.*
_____. "Intuition and Art." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 12-21.*
Norenzayan, Ara. "Memory and Mystery: The Cultural Selection of Minimally Counterintuitive Narratives." Cognitive Science: A Multidisciplinary Journal of Artificial Intelligence, Linguistics, Neuroscience, Philosophy, Psychology 30.3 (2006): 531-53.
Vilariño Picos, Mª Teresa. "Intuicionismo filosófico y estilística literaria." Tropelías 7/8 (1996/97 [issued 1999]): 421-27.*
Je ne sais quoi
Feijoo, Benito Jerónimo (Fray). "El no sé qué." From Teatro Crítico Universal, vol. 6. In Feijoo, Antología popular. Ed. Eduardo Blanco-Amor. Buenos Aires: Ediciones Galicia, 1966. 140-42.* (Beauty).
_____. "El no sé qué." From Vol. 6 of Teatro Crítico Universal. In Feijoo, Teatro Crítico Universal. Ed. Giovanni Stiffoni. Madrid: Castalia, 2001. 2.377-92.*
García Landa, José Ángel. "Hablando del duende." In García Landa, Vanity Fea 2 July 2006.
http://garciala.blogia.com/2006/070202-hablando-del-duende.php
2006-07-28
Moriarty, Michael. "Principles of Judgement: Probability, Decorum, Taste, and the je ne sais quoi." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 522-28.*
Joy
Adorno, T. W. "L'art est-il gai?" In Adorno, Notes sur la littérature. 1958. Trans. Sibylle Muller. Paris: Flammarion, 1984. 429-36.*
Ortega y Gasset, José. "Confesiones de 'El Espectador'." (Feb.-March 1916). In Ortega, El Espectador. Madrid: Revista de Occidente, 1960. 1.7-47. (Verdad y perspectiva. Nada 'moderno' y 'muy siglo XX'. Leyendo el 'Adolfo', libro de amor. Horizontes incendiados. [En toda guerra grande]. Los locos lo dicen. Cuando no hay alegría. Estética en el tranvía).*
Schopenhauer, Arthur. "Von der Freiheit des Willens / En torno a la libertad de la voluntad." Ch. 3 of Schopenhauer, Metafísica de las costumbres. Ed. and trans. Roberto Rodríguez Aramayo. Madrid: Debate / C.S.I.C., 1993. 22-51.* (Repentance, Choice, character, joy, suffering, freedom of the will).
Literature
Anonymous. "Song ('Hang sorrow, cast away care')." From Academy of Compliments, 1671. In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 898.*
Milton, John. "L'Allegro." Poem. Written c. 1631. In Poems of Mr. John Milton. 1645.
_____. "L'Allegro." In The Poetical Works of John Milton. London: Bliss Sands & Co., n.d. [c. 1898] 317-19.*
_____. "L'Allegro." From Poems of Mr. John Milton. 1645. In The Poems of John Milton. Ed. H. Darbishire. Oxford: Oxford UP, 1961. 20-24.*
_____. "L'Allegro." From Poems. 1645. In The Norton Anthology of English Literature. Ed. M. H. Abrams, Stephen Greenblatt, et al. New York: Norton, 1999. 1782-86.*
Vaughan, Henry. "(Joy of my Life!)." From Silex Scintillans, 1650. In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 769-70.*
Music
Dion, Céline. "Zora sourit." Music video. Sony Music, 1998. YouTube (CelineDionVEVO) 25 Oct. 2009.*
2017
Kitsch
Banita, Georgiana. "Affect, Kitsch and Transnational Literature: Azar Nafisi's 'Portable Worlds'." In Semiotic Encounters: Text, Image and Trans-Nation. Ed. Sarah Säckel et al. Amsterdam and New York: Rodopi, 2009. 87-102.*
Baselga Ramírez, Mariano. El concepto estético de lo cursi. Ed. José Luis Calvo Carilla. Zaragoza: Institución "Fernando El Católico", 2004.*
Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham (NC): Duke UP, 1987.
Eco, Umberto. "Estructura del mal gusto." In Eco, Apocalípticos e integrados. Barcelona: Penguin Random House, 2013. 2015. 95-163.* (Kitsch).
Friedlander, Saul. Reflections of Nazism: An Essay on Kitsch and Death. Trans. Thomas Weyr. New York: Harper and Row, 1984.
Goodwin, Sarah Webster. Kitsch and Culture: The Dance of Death in Nineteenth-Century Literature and Graphic Arts.
Readings, Bill. "How Obvious Is Art? Kitsch and the Semiotician." In Vision and Textuality. Ed. Stephen Melville and Bill Readings. Houndmills: Macmillan, 1995. 143-46.*
Leitmotif
Wolf, Werner. "Leitmotif." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 276.*
Length
García Landa, José Ángel. "The Long Tale." In García Landa, Vanity Fea August 31 2007.
http://garciala.blogia.com/2007/083101-the-long-tale.php
2007
See also Long-windedness.
Lightness
Bauman, Zygmunt. "Foreword: On Being Light and Liquid." In Bauman, Liquid Modernity. Cambridge: Polity Press, 2000. 1-15.*
_____. "Prólogo: Acerca de lo leve y lo líquido." In Bauman, Modernidad líquida. México: FCE, 2003. Rpt. 2015. 7-18.*
_____. "3. Espacio/Tiempo." In Bauman, Modernidad líquida. México: FCE, 2003. Rpt. 2015. 99-138.* (Strangers, Time, Lightness, Present)
Valente, José Ángel. "En lo más sutil del aire." From Elogio del calígrafo. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 594-95.* (Lightness).
_____. "Del don de ligereza." In Valente, La experiencia abisal. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2004. 46-50.* (Italo Calvino).
_____. "Del don de ligereza." From La experiencia abisal. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 633-36.*
Literature
James, Henry. "A Light Man." In James, Complete Stories (I) 1864-1874. (The Library of America). New York: Literary Classics of the United States, c. 1999.
Likeness
Magritte "La Ressemblance."
_____. "De kunst van de glijkenis." Trans. Hugo Van de Perre. Kroniek van Kunst en Kultuur 21.8 (Amsterdam, 1961).
Liveliness
Phillips, Natalie. "Distraction as Liveliness of Mind: A Cognitive Approach to Characterization in Jane Austen." In Theory of Mind and Literature. Ed. Paula Leverage et al. Purdue UP, 2011. 105-22.
Liveness
Auslander, Philip. Liveness: Performance in a Mediatized Culture. London: Routledge, 1999.
Local color
Eliot, T. S. "The Local Flavour / El sabor local." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 191-200.*
Escobar, José. "La mímesis costumbrista." Romance Quarterly 35.3 (August 1988).
Llorens, Vicente. "Escritores costumbristas." In Llorens, El romanticismo español. Madrid: Fundación Juan March / Editorial Castalia, 1979. 2nd ed. 1983. 325-42.* (Estébanez Calderón, Mesonero Romanos, Los españoles pintados por sí mismos).
Rodríguez Sánchez de León, María José. "Mímesis costumbrista y modus narrandi en la prensa de la Ilustración." In Teoría y análisis de los discursos literarios: Estudios en homenaje al profesor Ricardo Senabre Sempere. Ed. S. Crespo et al. Salamanca: U de Extremadura / Ediciones U de Salamanca, 2009. 349-57.*
Rubio Cremades, Enrique. "El peculiar costumbrismo de Pedro Antonio de Alarcón." In Los caminos de la lengua: Estudios en homenaje a Enrique Alcaraz Varó. Ed. J. L. Cifuentes et al. San Vicente del Raspeig (Alicante): Publicaciones de la Universidad de Alicante, 2010. 1221-38.*
Unamuno, Miguel de. En torno al casticismo. Introd. Jon Juaristi. Madrid: Biblioteca Nueva, 1996.
Anthologies
Ammons, Elizabeth, and Valerie Rohy, eds. American Local Color Writing, 1880-1920. (Penguin Classics). Harmondsworth: Penguin, 1998.
Blecua Teijeiro, José Manel. Escritores costumbristas. Zaragoza: Ebro, 1946.
Ewell, Barbara C., and Pamela Glenn Menke, eds. Southern Local Color: Stories of Region, Race, and Gender. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002.*
Simpson, Claude M., ed. The Local Colorists: American Short Stories 1857-1900. New York: Harper and Brothers, 1960.
Long-windedness
Miguel, Amando de. "Q. Quintaesencias y fárragos." In de Miguel, La perversión del lenguaje. Madrid: Espasa-Calpe, 1994. 123-27.*
Macabre
Neill, Michael. "'Peremptory Nullification': Tragedy and Macabre Art." In Neill, Issues of Death: Mortality and Identity in English Renaissance Tragedy. Oxford: Clarendon Press, 1997. 1998. 51-101.*
MacGuffins
García Landa, José Angel. "A MacGuffin of Ultimate Scale." In García Landa, Vanity Fea 28 Dec. 2011.* (William Gibson).
http://vanityfea.blogspot.com/2011/12/macguffin-of-ultimate-scale.html
2011
_____. "Un MacGuffin a escala inmensa." Social Science Research Network 22 Nov. 2015.*
http://ssrn.com/abstract=2683656
2015
Manierism
Binswanger, Arthur. Drei Formen missglückten Daseins: Vertiegenheit, Verschrobenehit, Manieriertheit. Max Niemeyer, 1956.
_____.- Tres formas de la existencia frustrada: Exaltación, excentricidad, manierismo. Trans. Edgardo Albizu. Amorrortu Editores.
_____. Tres formas de la existencia frustrada: Exaltación, excentricidad, manierismo. Trans. Edgardo Albizu. In Binswanger Obras escogidas. (Biblioteca de Psicoanálisis). Barcelona: RBA, 2006. 713-967.*
Marvelous
Platt, Peter G. Reason Diminished: Shakespeare and the Marvelous. Lincoln: U of Nebraska P, 1997.
Todorov, Tzvetan. "The Uncanny and the Marvelous." Ch. 3 of The Fantastic. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 668-76.*
Masterpieces
Literature
James, Henry. "The Story of a Masterpiece." In James, Complete Stories (I) 1864-1874. (The Library of America). New York: Literary Classics of the United States, c. 1999.
Melodrama
Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama and the Mode of Excess. New Haven: Yale UP, 1976. 1995.*
_____. "The Melodramatic Imagination." From The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New York: Columbia UP, 1985. Rpt. in Imitations of Life. Ed. Marcia Landy. Detroit: Wayne State UP, 1991. 50-67.*
Calderwood, James L. Shekespearean Melodrama. Minneapolis: U of Minnesota P, 1971.
Caraher, Brian. Trespassing Tragedy: Melodramas of Horror. Houndmills: Macmillan, 2000.
Galán, Rafael. "Women Who Leave Stories Behind Them: Melodramatic Narratives in Fiction and Film." In Proceedings of the 22nd International Conference of AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 275-79.*
Lacey, Nick. "Gender and Genre—Soap Opera." In Lacey, Narrative and Genre. Houndmills: Macmillan, 2000. 221-25.*
Hays, Michael, and Anastasia Nikolopoulou, eds. Melodrama: The Cultural Emergence of a Genre. Houndmills: Macmillan, 1999.*
Heilman, Robert B. "Tragedy and Melodrama: Speculations on Generic Form." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 148-62.*
Landy, Marcia, ed. Imitations of Life. Detroit: Wayne State UP, 1991.*
Rodríguez Ledesma, Mª Nieves. "Hacia una tipología del melodrama victoriano: Personajes y situaciones." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 243-8.*
Mood, atmosphere, tone
Schmid, Wolf. "4. Functions and Areas of Application." In Schmid, Figurally Colored Narration: Case Studies from English, German, and Russian Literature. Berlin and Boston: de Gruyter, 2022. 58-123.* (Chekhov, "The Bride"; Bellow, "Looking for Mr. Green"; Chekhov, "The Student," Jurij Trifonov, The Long Goodbye; Mansfield, "The Daughters of the Late Colonel"; Dieter Wellershoff, "The Normal Life"; Hemingway, "Up in Michigan"; Dickens, Little Dorrit; Austen, Emma; Mann, "Tristan"; Dostoevsky, "A Nasty Anecdote", Crime and Punishment; Pil'njak, The Naked Year; Tolstoy, "The Forged Coupon"; Fay Weldon, "Weekend"; children's fiction; Dostoevsky, The Eternal Husband, The Double;Pushkin, "The Coffinmaker"; Shirley Jackson, "The Lottery"; Faulkner, "Elly"; Illusion, Description, Dreams, Foreshadowing, Mood, Characterization, Flashbacks).
http://doi.org/10.1515/9783110763102-005
2022
Styan, J. L. "7. Kinds of Drama: Genre, Mood and Mode." In Styan, Drama: A Guide to the Study of Plays. New York: Peter Lang, 2000. 2003. 2004. *
Multiplicity
Altman, Rick. "Pietr Bruegel, or the Space of Multiplicity." In Altman, A Theory of Narrative. New York: Columbia UP, 2008. 191-240.*
Bowers, Rick. "Bakhtin, Self and Other: Neohumanism and Communicative Multiplicity." In Mikhail Bakhtin. Ed. Michael E. Gardiner. London: SAGE, 2002. Vol. 2.
Deleuze, Gilles. Logique du sens. Paris: Minuit, 1969.
_____. The Logic of Sense. Trans. Mark Lester. New York: Columbia UP, 1990.
Deleuze, Gilles, and Félix Guattari. Rhizome: Introduction. Paris: Minuit, 1976.
_____. Mille Plateaux. Paris: Minuit, 1980.
_____. A Thousand Plateaux: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: U of Minnesota P, 1987.
_____. "A Thousand Plateaus." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
_____. From A Thousand Plateaus: Capitalism and Schizophrenia (Introduction: "Rhizome"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
García Landa, José Ángel. "Múltiples lectores implícitos." In García Landa, Vanity Fea 19 Feb. 2008. (Brian Richardson).
http://garciala.blogia.com/2008/021901-multiples-lectores-implicitos.php
2008
_____. "Multiple implied readers / Múltiples lectores implícitos." Online PDF at Social Science Research Network 4 June 2009.*
http://ssrn.com/abstract=1414174
2009
_____. "Múltiples lectores implícitos." Cuadernos de Investigación Filológica 35-36 (2009-2010): 63-75.*
Gardner, Howard. Frames of Mind: The Theory of Multiple Intelligence. New York: Basic Books, 1983.
Gibbons, Brian. "Multiplicity." In Gibbons, Shakespeare and Multiplicity. Cambridge: Cambridge UP, 1993. 203-11.*
Goulimari, Pelagia. "5. Modernity, Multiplicity and Becoming." In Goulimari, Literary Criticism and Theory: From Plato to Postcolonialism. London and New York: Routledge, 2015. 102-24.*
Harris, Jocelyn. "Protean Lovelace." Eighteenth-Century Fiction 2 (1990): 327–46.
James, E. Anthony. Daniel Defoe's Many Voices: A Rhetorical Study of Prose Style and Literary Method. Amsterdam: Rodopi, 1972.
Lahire, Bernard. L'Homme pluriel: Les ressorts de l'action. Paris: Nathan, 1998. Rpt. Hachette/Pluriel, 2006.
Marks, John. Gilles Deleuze: Vitalism and Multiplicity. (Modern European Thinking). London: Pluto, 1998.
Miller, J. Hillis. "Eight: Multiplications of the Line." In Miller, Reading Narrative. Norman: U of Oklahoma P, 1998. 107-22.*
Púa Carretero, Vanessa. "Multiplicity in Shakespeare's Hamlet." Ms. Universidad de Zaragoza, Departamento de Filología Inglesa y Alemana, 2004.*
Schütz, Alfred. "On Multiple Realities." Philosophy and Phenomenological Research 5 (1945): 533–76.
Wolfreys, Julian. Dickens's London: Perception, Subjectivity and Phenomenal Urban Multiplicity. Edinburgh: Edinburgh UP, 2015.
Zamora, José M. "Ontología y henología: El problema del uno y lo múltiple en el nacimiento del neoplatonismo." In Hans-Georg Gadamer: Ontología estética y hermenéutica. Ed. Teresa Oñate y Zubía et al. Madrid: Dykinson, 2005. 355-74.*
Audio
Morelle, Louis. "Le monisme = pluralisme de Deleuze." Séminaire Le Pluralisme, ed. Jim Gabaret, 29 Nov. 2013. Online audio:
2014
Series
(Lecturas de la Multiplicidad). Santiago de Chile: CELEI, c. 2020. Online at ResearchGate.*
https://www.researchgate.net/publication/341371776
2020
Online at Academia.*
https://www.academia.edu/73585402/
2022
See also Complexity.
Mystery
Bessière, Jean. Enigmaticité de la littérature. Paris, 1993.
Caba, Rubén. Los sagrados misterios de la literatura. Madrid, 1993.
Mallarmé, Stéphane "Le mystère dans les lettres." La Revue Blanche (1896). In Poésies 229-36.
_____. "Le mystère dans les lettres." 1896. In Poésies. Anecdotes... 229-36.
_____. "Le Mystère dans les lettres." In Œuvres. (Bibliothèque de la Pléiade). Paris, 1945.
_____. "Mystery in Literature." Trans. Bradford Cook. In Adams 692-94.
Ong, Walter J. "Art and Mystery: A Revaluation." Speculum 22 (1947).
Naivety
Schiller, Friedrich. Über naive und sentimentalische dichtung. In Werke. Leipzig, 1910.
_____. Über naive und sentimentalische Dichtung. In Schillers Werke. Ed. Benno von Wiese and Helmut Koopman. (Nationalausgabe). Weimar, 1962. Vol. 20.
Tanner, Tony. The Reign of Wonder: Naivety and Reality in American Literature. Cambridge: Cambridge UP, 1965.
Nastiness
Literature
Suvin, Darko. "The Doldrums: Eight Nasty Poems of 1989-1999." In Suvin, Defined by a Hollow: Essays on Utopia, Science Fiction and Political Epistemology. Bern: Peter Lang, 2010. 157-68.*
Nature/Art
Alexandrov, Vladimir E. "Nature and Artifice." In The Garland Companion to Vladimir Nabokov. Ed. Vladimir Alexandrov. New York: Garland, 1995. 553-56.*
Gargano, Antonio. "Bécquer entre naturaleza y artificio (lectura de la Rima XXIX)." In Gargano, La sombra de la teoría: ensayos de literatura hispánica del Cid a Cien Años de Soledad. Salamanca: Ediciones U de Salamanca, 2007. 201-14.*
Haeckel, E. H. Kunstformen der Natur. 1904.
Schelling, Friedrich. Über das Verhältniss der bildenden Künste zur Natur. 1807, pub. 1809.
_____. La relación del arte con la naturaleza. Trans. Alfonso Castaño Piñán. Madrid: SARPE, 1985.
Vanderbilt, Kermit. "Art and Nature in 'The Masque of the Red Death'." Nineteenth-Century Fiction 22.4 (March 1968): 379-89.
Wollstonecraft, Mary. "To the Editor of the Monthly Magazine." The Monthly Magazine and British Register (1797). London: Printed for R. Phillips and sold by J. Johnson, London, 1797.
See also Nature.
Negative capability
Keats, John. Letter to George and Thomas Keats, 22 Dec. 1817. In Letters of John Keats. Ed. Frederick Page. London: Oxford UP, 1954. 51-54. (On negative capability).
_____. (On negative capability.) In The Letters of John Keats. 2 vols. Ed. Hyder Edward Rollins. Cambridge (MA): Harvard UP, 1958. 2.213.
Spanos, William V. "Charles Olson and Negative Capability: A De-structive Interpretation." Ch. 3 of Spanos, Repetitions: The Postmodern Occasion in Literature and Culture. Baton Rouge and London: Louisiana State UP, 1987. 107-47.*
Tsur, Reven. "Two Critical Attitudes: Quest for Certitude and Negative Capability." College English 36.7 (1975). (Beckett).
Noise
Suárez Sánchez, Juan A. Pop Modernism: Noise and the Reinvention of the Everyday. U of Illinois P, 2007.
_____. "Three Regimes of Noise in the 1960s and 1970s Experimental Film." In Homenaje a Francisco Gutiérrez Díez. Ed. Rafael Monroy. Murcia: Edit.um, 2013. 297-312.*
Nonsense
Ackroyd, Peter. Rev. of The Origins of English Nonsense. By Noel Malcolm. The Times 24 April 1997. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 288-90.*
Brown, Gillian, and Kevin Laland. Sense and Nonsense: Evolutionary Perspectives on Human Behavior. 2nd ed. Oxford: Oxford UP, 2011.
Lecercle, Jean-Jacques. Philosophy Through the Looking-Glass: Language, Nonsense, Desire. London: Hutchinson, 1985.
_____. Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature. London: Routledge, 1994.
Malcolm, Noel. The Origins of English Nonsense. c. 1997.
Menninghaus, Winfried. In Praise of Nonsense: Kant and Bluebeard. (Meridian: Crossing Aesthetics). Stanford (CA): Stanford UP.
Stewart, Susan. Nonsense: Aspects of Intertextuality in Folklore and Literature. Baltimore: Johns Hopkins UP, 1979.
Internet resources
Nonsenselit.org
2005-06-28
Literature
Anonymous. "A Messe of Nonsense." From Wits Interpreter, 1671 (1st ed. 1655). In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 893-4.*
Normality
Canguilhem, Georges. "Le normal et le pathologique." 1951. In Canguilhem, La Connaissance de la vie.
_____. On the Normal and the Pathological. Boston: Reidel, 1978.
Fiedler, Leslie A. Freaks.
_____. Tyranny of the Normal.
Fish, Stanley E. "Normal Circumstances, Literal Language, Direct Speech Acts, the Ordinary, the Everyday, the Obvious, What Goes Without Saying, and Other Special Cases." Critical Inquiry 4.4 (Summer 1978): 625-644.* Rpt. as "Normal Circumstances and Other Special Cases." In Fish, Is There a Text in This Class?Cambridge (MA): Harvard UP, 1980. 268-92.*
Goffman, Erving. Frame Analysis: An Essay on the Organization of Experience. New York: Harper and Row, 1974.
_____. Frame Analysis. New York: Harper-Colophon.
_____. Frame Analysis.: An Essay on the Organization of Experience. Foreword by Bennett M. Berger. Boston: Northeastern UP, 1986.*
Kelly, Kevin. "The Improbable Is the New Normal." The Technium 7 Jan. 2013.*
http://www.kk.org/thetechnium/archives/2013/01/the_improbable.php
2013
Nicol, Bran. "Normality and Other Kinds of Madness: Zizek and the Traumatic Core of the Subject." Psychoanalytic Studies 2.1 (March 2000): 7-19.
Novelty
Attridge, Derek. "Innovation, Literature, Ethics: Relating to the Other." PMLA 114 (1999): 20-31.*
Boardman, Michael M. Narrative Innovation and Incoherence. Durham (NC): Duke UP, 1992.
Derrida, Jacques. "Some Statements and Truisms about Neologisms, Newisms, Postisms, Parasitisms, and Other Small Seisms." In The States of "Theory": History, Art, and Critical Discourse. Ed. David Carroll. New York: Columbia UP, 1990.
García Landa, José Angel, et al. "Novedad en teoría literaria y la 'anxiety of theory'." Resumen de mesa redonda. Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultat de Filología, 1997. 465-66.*
_____. "Novedad en teoría literaria y la 'anxiety of theory'." Online ed:
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/teorialiteraria.html
2009 DISCONTINUED 2020 – Online at the Internet Archive:
2020
https://personal.unizar.es/garciala/publicaciones/novedad.html
2020
Luzón Marco, María José. "The Construction of Novelty in Computer Science Papers." Revista Alicantina de Estudios Ingleses 13 (2000): 123-40.*
Ridley, Matt. The Evolution of Everything. 2015.
Suvin, Darko. "Science Fiction and the Novum." 1977. In Suvin, Defined by a Hollow: Essays on Utopia, Science Fiction and Political Epistemology. Bern: Peter Lang, 2010. 67-92.*
Pérez de Ayala, Ramón. "VI. 'Nil novi'." ABC (Madrid) 20 Nov. 1956. In Pérez de Ayala, "Libros," in Más divagaciones literarias. Madrid: Biblioteca Nueva, 1960. 316-21.*
Video
Ridley, Matt. "The Evolution of Everything: How New Ideas Emerge." Video lecture. YouTube (Talks at Google) 29 Dec. 2015.*
2017
The Numinous
González Moreno, Beatriz. "De la montaña al horizonte: La expresión estética de lo numinoso." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*
Oñate y Zubía, Teresa. El retorno de lo divino griego en la postmodernidad. Alderabán, 2000.
Objective correlative
Eliot, T. S. "Hamlet." 1919.
_____. "Hamlet." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 115-22.*
_____. "Hamlet." In Eliot, Selected Essays. London: Faber and Faber, 1932.
_____. "Hamlet and His Problems." From Selected Essays. New York: Harcourt, 1950. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 180-84.*
_____. "Hamlet." In Eliot, Selected Essays. 3rd ed. London: Faber and Faber, 1951. 141-6.*
_____. "Hamlet." In Los poetas metafísicos y otros ensayos sobre teatro y religión. Trans. Sara Rubinstein. Buenos Aires: Emecé, 1944.
_____. "Hamlet and His Problems / Hamlet y sus problemas." In Eliot, El bosque sagrado: Edición bilingüe. San Lorenzo de El Escorial (Madrid): Langre, 2004. 309-24.*
Ong, Walter J. "A Dialectic of Aural and Objective Correlatives." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 498-508.*
Vivas, Eliseo. "The Objective Correlative in T. S. Eliot". In Eliseo Vivas, Creation and Discovery: Essays in Criticism and Aesthetics. 1955. New York: Arno, 1972. 175-190.
Audio
Cutrofello, Andrew. "Hegel and His Problems." Audio lecture at Hegel, Our Untimely Contemporary, Birkbeck College, 10 May 2013. Backdoor Broadcasting Company.* (Objective correlative).
http://backdoorbroadcasting.net/2013/05/andrew-cutrofello-hegel-and-his-problems/
2014
Obscenity
Bowlby, Rachel. "'But She Would Learn Something from Lady Chatterley': The Obscene Side of the Canon." In Decolonizing Tradition: New Views of Twentieth-Century "British" Literary Canons. Ed. Karen R. Lawrence. Urbana: U of Illinois P, 1992. 113-35.*
Craig, A. Banned Books of England and Other countries: A Study of Literary Obscenity. London: Allen, 1962.
Davis, Murray S. Smut: Erotic Reality / Obscene Ideology. Chicago: U of Chicago P, 1983.
García Landa, José Ángel. "El obsceno blog." In García Landa, Vanity Fea 27 May 2006.
http://garciala.blogia.com/2006/052702-el-obsceno-blog.php
2006-05-31
Lawrence, D. H. Pornography and Obscenity.
Lim, Dennis. "Mondo Multiplex: The Snuff Film Turns Respectable." New York Times 22 Oct. 2006.
http://www.nytimes.com/2006/10/22/movies/22lim.html
2006-10-23
Pease, Allison. Modernism, Mass Culture and the Aesthetics of Obscenity. Cambridge: Cambridge UP, c. 2000. (Swinburne, Joyce, Lawrence, Aubrey Beardsley).
Roberts, Deborah H. "Translation and the 'Surreptitious Classic': Obscenity and Translatability." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 278-312.*
Schaefer, Eric. "The Obscene Seen: Spectacle and Transgression in Postwar Burlesque Films." Cinema Journal 36.2 (Winter 1997): 41-66.*
Sobchack, Vivian. Baudrillard's Obscenity. DePauw U-SF-TH, 1991.
Stoller, Robert J. "Functions of Obscenity." In Stoller, Observing the Erotic Imagination. New Haven: Yale UP, 1985. 88-92.*
Zola, Emile. "La littérature obscène." In Zola, Le Roman expérimental. Ed. Aimé Guedj. Paris: Garnier-Flammarion, 1971. 333-40.*
See also Pornography.
Obscurity
Hammond, Gerald. "Richard Lovelace and the Uses of Obscurity." Proceedings of the British Academy 71 (1985): 203-34.
Rodríguez, Gudelia. "Sobre claridad y opacidad." In Actas del IV Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al 21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984. 175-81.*
Walsh, Timothy. The Dark Matter of Words: Absence, Unknowing and Emptiness in Literature. Southern Illinois UP, 1998.*
White, Allon. The Uses of Obscurity: The Fiction of Early Modernism. London: Routledge, 1981.
Literature
Colman, George. "On Obscurity." Parodic ode.
Ordinariness
Mulhall, Stephen. Stanley Cavell: Philosophy's Recounting of the Ordinary. Oxford: Clarendon Press, pbk 1999.
Organicism
Armstrong, Charles. Romantic Organicism. Oxford: Oxford UP, 2003.
Carroll, David. "Organicism in Literature and History: From (Murray Krieger's) Poetics to (Jules Michelet's) Politics." In Revenge of the Aesthetic: The Place of Literature in Theory Today. Ed. Michael P. Clark. Berkeley (CA): U of California P, 2000. 117-35.*
Particularity
Boyd, Brian. "Part 5: Ontogeny: Horton Hears a Who!" In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 319-79.* (Play, Explanation, Universality, Individuality, Particularity, Meanings).
Ransom, John Crowe. The New Criticism. Norfolk (CT): New Directions, 1941.
_____. The New Criticism. Westport (CT): Greenwood P, 1979.*
Taine, H. "Del ideal en el Arte." In Taine, Filosofía del Arte. Valencia: Sempere, n. d. 2.194-294.*
Youngren, William. "Dr. Johnson, Joseph Warton, and the 'Theory of Particularity.'" Dispositio 4.11-12 (1979): 163-188.
Literature
James, Henry. "The Special Type." In James, Complete Stories (V) 1898-1910. (The Library of America). New York: Literary Classics of the United States, c. 1999.
Pathos
Barbauld, A. L. (Miss Aikin). Inquiry into Those Kinds of Distress Which Excite Agreeable Sensations. 1773.
Koch, Walter A. The Wells of Tears: A Bio-Semiotic Essay on the Roots of Horror, Comic and Pathos. Bochum: Norbert Brockmeyer, 1989.
Schiller, Friedrich. Gedichte und Prosa: Über den Grund des Vergnügens. Über die tragische Kunst. Vom Erhabenen. Über das pathetische. Über Anmut und Würde. Über die ästhetische Erziehung des Menschen. Über naive und sentimentalische Dichtung. Ed. Emil Staiger. Zürich: Manesse Verlag, 1984.*
Wordsworth, William. "Upon Epitaphs." 1810. In Wordsworth's Literary Criticism. London: Humphrey Milford, 1905. 79-144.*
_____. "Essay upon Epitaphs." In The Prose Works of William Wordsworth. ed. W. J. B. Owen and Jane Worthington Smyser. Oxford, 1974. Vol. 2.
Permanence
Burke, Kenneth. Permanence and Change: An Anatomy of Purpose. 1935. 3rd ed., rev. Berkeley: U of California P, 1984.
García Landa, José Angel. "Huyendo de lo que dura." In García Landa, Vanity Fea 9 June 2011.*
http://vanityfea.blogspot.com/2011/06/huyendo-de-lo-que-dura.html
2011
Paulson, Ronald. "Swift, Stella and Permanence." A Journal of English Literary History 27 (December 1960): 298-314.
See also Mutability; Change; Evolution.
Personalization
García Landa, José Ángel. "Personalizaciones despersonalizadas." In García Landa, Vanity Fea 10 June 2007.
http://garciala.blogia.com/2007/061001-personalizaciones-despersonalizadas.php
2007
Picturesqueness
Gilpin, William. Observations on the River Wye Relative Chiefly to Picturesque Beauty. 1782.
Hazlitt, William. "On the Picturesque and Ideal: A Fragment." In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1987. 105-10.
Hussey, Christopher. The Picturesque. 1927.
Mason, William. The English Garden. Blank verse poem in 4 books. 1771-81. (The picturesque).
Price, Uvedale. An Essay on the Picturesque. 1794.
Shenstone, William. Unconnected Thoughts on Gardening. 1764.
Plasticity
Hofmann, Hans. "Plastic Creation." Trans. Ludwig Sabder. The League [Art Students' League of New York] 5.2 (Winter 1932-33): 11-15, 21-23.
Macgowan, Kenneth. "The Plastic Stage." Chap. 7 of The Theatre of Tomorrow. New York: Boni, 1921. 102-09.
Neumann, Claus-Peter. "Tennessee Williams's Plastic Theatre: Camino Real." Journal of American Drama and Theatre 6.2-3 (Spring/Fall 1994): 93-111.
Plausibility
Lynn, Steven Jay, Judith Pintar, Jane Stafford, Lisa Marmelstein, and Timothy Lock. "Rendering the Implausible Plausible: Narrative Construction, Suggestion, and Memory." In Believed-In Imaginings: The Narrative Construction of Reality. Ed. Joseph de Rivera and Theodore R. Sarbin. Washington (DC): American Psychological Association, 2002. 123-43.*
Miller, Nancy K. "Emphasis Added: Plots and Plausibilities in Women's Fiction." PMLA 96 (1981).
_____. "Emphasis Added: Plots and Plausibilities in Women's Fiction." In The New Feminist Criticism. Ed. Elaine Showalter. New York: Pantheon, 1985. 339-360.*
_____. "Emphasis Added: Plots and Plausibilities in Women's Fiction." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 110-29.*
Vega, Luis. "Plausible / Plausibilidad." In Compendio de Lógica, Argumentación y Retórica. Ed. Luis Vega Reñón and Paula Olmos Gómez. Madrid: Trotta, 2011. 3rd ed. 2016. 455-59.*
See also Probability; Versimilitude.
Poetic justice
Addison, Joseph. On poetic justice. Spectator 40.
Cross, Amanda. Poetic Justice. New York: Avon, 1979.
Figueroa Dorrego, Jorge. "Virtue Unrewarded and Vice Unpunished in Aphra Behn's Novels." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*
Pape, Walter. "Happy Endings in a World of Misery: A Literary Convention between Social Constraints and Utopia in Children's and Adult Literature." Poetics Today 13.1 (1992): 179-196.*
Popular
Forgacs, David. "National-Popular: Genealogy of a Concept." In The Cultural Studies Reader. Ed. Simon During. London: Routledge, 1993. 177-92.*
Hall, Stuart. "Notes on Deconstructing 'the Popular'." In People's History and Socialist Theory. Ed. Raphael Samuel. London: Routledge, 1981.
See also: Literature and popular culture.
Portraits
Briault, Thierry. "Allégorie et corps de la déconstruction." In L'animal autobiographique: Autour de Jacques Derrida. Ed. Marie-Louise Mallet. Paris: Galilée / CNL, 1999. 423-40.* (Derrida, portraits).
Gallego Cebollada, Eduardo A. Corpus Animusque: Aproximación al retrato en la poesía latina (Virgilio, Horacio, Ovidio). (Humanidades, 200). Zaragoza. Prensas de la Universidad de Zaragoza, 2024.*
García López, José María. "Berenson descubre a Lotto." Claves de Razón Práctica 263 (March-April 2019): 76-85.*
Gilson, E. "Dialectique du portrait." La Table Ronde (January 1959).
Lotman, Iuri M. "El retrato." In Lotman, La Semiosfera, III: Semiótica de las artes y de la cultura. Madrid: Cátedra / Universitat de València, 2000. 23-47.*
Marías, Javier. "El retrato del organista." In Marías. Cuando los tontos mandan. Barcelona: Penguin Random House - Alfaguara, 2018. 219-21.*
Marin, Louis. Le portrait du roi. Paris: Minuit, 1983.
Pope-Hennessy, John. The Portrait in the Renaissance. London: Phaidon; Princeton (NJ): Princeton UP, 1966.
Strong, Roy. The Cult of Elizabeth: Elizabethan Portraiture and Pageantry. London, 1977.
Vynckier, Hank. "'They Won't Hurt You': Ancestral Portrait Galleries in European Literature." Concentric 43.1 (March 2017): 199-226.*
DOI: 10.6240/concentric.lit.2017.43.1.10
Literature
Poe, Edgar Allan. "The Oval Portrait." In The Complete Tales and Poems of Edgar Allan Poe. (The Modern Library). New York: Random House, 1938. 290-92.*
Wilde, Oscar. "The Portrait of Mr. W. H."
_____. The Picture of Dorian Gray.
Photography
Carr, Carolyn Kinder. Hans Namuth: Portraits. Smithsonian Institution P, 1999.
Halsman, Yvonne. Halsman: Portraits. New York: McGraw-Hill, 1983.
See also Self-portraits.
Precision
Hily-Mane, Geneviève. "Les différentes facettes du mot juste." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 83-106.*
Solt, Stephanie. "Vagueness and Imprecision: Empirical Foundations." Annual Review of Linguistics 1.1 (Jan. 2015).*
http://linguistics.annualreviews.org
2015
Prettiness
Literature
Smith, Stevie. "Pretty." Poem. 1962. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2455.*
Proportion
Pacioli, Luca. La Divina Proporción. 1509. Trans. Juan Calatrava. Madrid: Akal, 1987.
Rarity
Ackerman, Diane. The Rarest of the Rare.
Ready-made
Rojo de Castro, Luis. "Imágenes ready-made: el montaje como visión de lo moderno." Revista de Occidente 145 (1993): 91-100.*
Real characters in fiction
Espada, Arcadi. "Personal Copyright." Diarios de Arcadi Espada 28 June 2010.* (Anne Frank, Sharon Dougar).
http://www.arcadiespada.es/2010/06/26/26-de-junio-de-2010/
2010
Refinement
Hume, David. "Of the Delicacy of Taste and Passion." In Hume, Selected Essays. Oxford: Oxford UP, 1993. 10-13.*
_____. "Of Refinement in the Arts." In Hume, Selected Essays. Oxford: Oxford UP, 1993. 167-77.*
Regularity
Mandelbrot, Benoît. Les Objets fractals. Paris: Flammarion, 1975.
_____. Fractals: Form, Chance, and Dimension. San Francisco: W. H. Freeman, 1977.
_____. Los objetos fractales: Forma, azar y dimensión. Trans. Josep Llosa. Introd. David Jou. Barcelona: Círculo de Lectores, 1997.*
_____. The Fractal Geometry of Nature. 1977. 1982. New York: W.H. Freeman, 1983.
_____. La geometría fractal de la naturaleza. Trans. Josep Llosa. Barcelona: Círculo de Lectores, 2009.* (Fractals, Galaxies, Regularity, Randomness, coasts, islands, craters, textures, prices, geometry).
See also Symmetry; Simplicity.
Reproductions of art works / Reproducibility
Cuadra, Álvaro. "La obra de arte en la época de su hiperreproducibilidad digital". In Walter Benjamin Research Syndicate.
http://www.wbenjamin.org/obra_de_arte.html
Benjamin, Walter. "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit." 1935. In Benjamin, Schriften 1.2. Frankfurt: Suhrkamp, 1972.
_____. "The Work of Art in the Age of Mechanical Reproduction." In Benjamin, Illuminations. New York: Schocken Books, 1969. 217-52.*
_____. "The Work of Art in the Age of Mechanical Reproduction." In Film Theory and Criticism: Introductory Readings. Ed. Gerald Mast, Marshall Cohen and Leo Brady. 4th ed. Oxford, 1992.
_____. "The Work of Art in the Age of Mechanical Reproduction." Select. in Modernism/Postmodernism. Ed. Peter Brooker. London: Longman, 1992. 45-49.*
_____. "The Work of Art in the Age of Mechanical Reproduction." 1935. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 731-51.*
_____. "The Work of Art in the Age of Mechanical Reproduction." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 673-95.*
_____. From "The Work of Art in the Age of Mechanical Reproduction." In Reading Images. Ed. Julia Thomas. Houndmills: Macmillan, 2000.
_____. "The Work of Art in the Age of Mechanical Reproduction." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. "The Work of Art in the Age of Mechanical Reproduction." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
Croce, Benedetto. "Taste and the Reproduction of Art." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 118-27.*
Hobsbawm, Eric J. Behind the Times. (Modern art).
_____. A la zaga. Trans. of Behind the Times.
Video
Suárez Ardura, Marcelino. "Sobre A la zaga de Eric Hobsbawm - EFO 231." Video. YouTube (fgbuenotv) 23 March 2021.* (Modern art, uniqueness, reproduction, Benjamin, art and society).
2021
Rhythm
Abraham, Nicolas. "Le temps, le rhytme et l'inconscient." In Abraham et al., Entretiens sur l'art et la psychanalyse. Paris: Mouton, 1968. 51-67.
Bal, Mieke. "2. Story: Aspects." In Bal, Narratology. Toronto: U of Toronto P, 1985. 49-118.* (Sequential ordering, Rhythm, Frequency, From Actors to Characters, from Place to Space, Focalization)
Chevaux, Julie. "E. M. Forster and the Obsession for Rhythm: Rewriting 'The Story of a Panic' with 'The Life to Come'." In Only Connect: E. M. Forster's Legacies in British Fiction. Ed. Elsa Cavalié and Laurent Mellet. Bern: Peter Lang, 2017. 245-56.*
Fraisse, Paul. Psychologie du rythme. Paris: PUF, 1974.
Jackendoff, Ray. "A Comparison of Rhythmic Structures in Music and Language." In Rhythm and Meter. Ed. P. Kiparsky and G. Youmans. Vol. 1 of Phonetics and Phonology. San Diego: Academic Press, 1989. 15-43.
Jung, Carl Gustav. Wandlungen und Symbole der Libido. 1912.
_____. Symbole der Wandlung: Analyse des Vorspiels einer Schizophrenie. Zürich: Rascher Verlag, 1952.*
_____. The Psychology of the Unconscious. New York, 1916. (= Transformations and Symbols of the Libido).
_____. Symbols of Transformation. (= Transformations and Symbols of the Libido).
Leroi-Gourhan, André. Le Geste et la Parole, II: La mémoire et les rythmes. Paris: Albin Michel, 1965.
See also Metrics; Music.
Ridicule
Granville, George (Lord Lansdowne). Essay upon Unnatural Flights in Poetry. 1701.
See also Bathos.
Sameness
Rose, Todd. The End of Average: How we Succeed in a World that Values Sameness. 2016.
Satire and the Satiric
Irony and Satire in French Literature. Amsterdam: Rodopi, 1987.
See also Poetic subgenres (Satire).
Scatology
Boehrer, Bruce. "The Privy and Its Double: Scatology and Satire in Shakespeare's Theatre." In A Companion to Shakespeare's Works, Volume IV: The Poems, Problem Comedies, Late Plays. Ed. Richard Dutton and Jean E. Howard. Malden: Blackwell, 2003. Pbk. 2006. 69-88.*
Selection
García Landa, José Ángel. "Seleccionando." Vanity Fea 4 July 2005.
http://garciala.blogia.com/2005/070401-seleccionando.php
Quiller-Couch, A. T. "Selection." In Quiller-Couch, Adventures in Criticism. London: Cassell, 1896. 207-12.*
Sensationalism
Maunder, Andrew, ed. Crime, Madness and Sensation 1800-1900. Forthcoming 1999.
Pedlar, Valerie. "The Woman in White: Sensationalism, Secrets and Spying." In The Nineteenth-Century Novel: Identities. Ed. Dennis Walder. London: Routledge / Open U, 2001. 48-68.*
Sentimentality
Aldridge, A. O. "The Pleasures of Pity." ELH 16: 76-87.
Bell, Michael. Sentimentalism. Houndmills: Macmillan, 2000.
Birkhead, Edith. "Sentiment and Sensibility in the Eighteenth-Century Novel." Essays and Studies 11 (1925): 92-116.
Blanco Valdés, Roberto L. "Otro fantasma recorre Europa." Rev. of Sentimentalismo tóxico. By Theodore Dalrymple. Revista de Libros (Jan. 2017).*
http://www.revistadelibros.com/resenas/sentimentalismo-toxico-de-dalrymple
2017
Clemens, Valdine. "Sentiment versus Horror: Generic Ambivalence in Female Gothic and Ann Radcliffe's A Sicilian Romance." In Clemens,The Return of the Repressed: Gothic Horror from The Castle of Otranto to Alien. Albany: SUNY Press, 1999. 41-58.*
Dalrymple, Theodore. Sentimentalismo tóxico: Cómo el culto a la emoción pública está corroyendo nuestra sociedad. 2010. Trans. Dimitri Fernández Bobrovski. Madrid: Alianza, 2016.
Davis, Philip. "Victorian Realist Prose and Sentimentality." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 13-28.*
Erämetsä, E. A Study of the Word 'Sentimental' and of Other Linguistic Characteristics of Eighteenth-Century Sentimentalism in England. (Annales Academiae Scientiarum Fennicae, Ser. B., Tom. 74.1). Helsinki, 1951.
Halpern, Faye. "Unmasking Criticism: The Problem with Being a Good Reader of Sentimental Rhetoric." Narrative 19.1 (Jan. 2011): 51-71.*
Peñamarín, Cristina. La cultura sentimental.
Schiller, Friedrich. Über naive und sentimentalische dichtung. In Werke. Leipzig, 1910.
_____. Über naive und sentimentalische Dichtung. In Schillers Werke. Ed. Benno von Wiese and Helmut Koopman. (Nationalausgabe). Weimar, 1962. Vol. 20.
_____. Two Essays by Friedrich von Schiller: Naive and Sentimental Poetry and On the Sublime. Trans. Julius A. Elias. New York, 1966.
_____. Gedichte und Prosa: Über den Grund des Vergnügens. Über die tragische Kunst. Vom Erhabenen. Über das pathetische. Über Anmut und Würde. Über die ästhetische Erziehung des Menschen. Über naive und sentimentalische Dichtung. Ed. Emil Staiger. Zürich: Manesse Verlag, 1984.*
Strien, C. D. Van. "Thomas Penson: Precursor of the Sentimental Traveller." In Travel Fact and Travel Fiction. Ed. Zweder von Martels. Leiden: E. J. Brill, 1994. 194-206.*
Taylor, Charles. "The Culture of Modernity." In Taylor, Sources of the Self: The Making of the Modern Identity. Cambridge: Cambridge UP, 1989. 2000. 285-302.* (Commerce, the family, the novel, sentiment—bourgeois Enlightenment).
Tompkins, Jane P. "Sentimental Power: Uncle Tom's Cabin and the Politics of Literary History." 1978. In The New Feminist Criticism. Ed. Elaine Showalter. London: Virago, 1986. 81-104.*
Simplicity
Chesterton, G. K. Simplicity and Tolstoi. Essay.
Hollenberg, Alexander. "Recalcitrant Simplicity: Thin Characters and Thick Narration in A Farewell to Arms." Narrative 20.3 (Oct. 2012): 301-21.*
Jones, Richard F. "The Moral Sense of Simplicity." Studies in Honor of Frederick W. Shipley. St Louis, 1942. 265-87.
Locke, John. "II.II. Of Simple Ideas." In Locke, An Essay Concerning Human Understanding. Ed. John W. Yolton. 2 vols. London: Dent; New York: Dutton, 1961. *
Parker, Fred. "Classic Simplicity." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 227-42.*
Literature
Collins, William "To Simplicity." In Collins, Odes on Several Descriptive and Allegorical Subjects. 1746.
Video
Turok, Neil. "The Astonishing Simplicity of Everything." Video lecture. YouTube (Perimeter Institute for Theoretical Physics) 8 Oct. 2015.*
2017
West, Geoffrey. "The Simplicity, Unity & Complexity of Life from the Biosphere to the Anthroposphere." Video lecture. YouTube (Hopkins Natural Philosophy Forum) 18 March 2024.* (Sustainability, Systems, Networks, Evolution, Complexity, Structures, Scale, Size, Growth, Economy, Infrastructures, Postindustrial society, Cities, Telephones, Interactions, Energy, Metabolism, Consumption, Anthopocene, Collapse, Paradigm shifts, Innovations, Malthus, John von Neumann, Singularity, Longevity).
2024
Sincerity
Leavis, F. R. "Reality and Sincerity." Rpt. in Leavis, The Living Principle: 'English' as a Discipline of Thought. London: Chatto & Windus, 1975.
Lyass, Colin. "The Relevance of the Author's Sincerity." In Philosophy and Fiction: Essays in Literary Aesthetics. Ed. Peter Lamarque. Aberdeen: Aberdeen UP, 1983.
Literature
Sidney, Philip. "Loving in Truth." Sonnet 1 from Astrophel and Stella. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 1094.*
Singularity
Bozga, Adina. The Exasperating Gift of Singularity: Husserl, Levinas, Henry. Bucharest: Zeta Books, 2009.
2009
Gould, Stephen Jay. "Counters and Cable Cars." In Gould, Eight Little Piggies: Reflections in Natural History. 1993. Harmondsworth: Penguin, 1994. 238-46. (Singularity).
_____. "Mostradores y tranvías." In Gould, Ocho cerditos: Reflexiones sobre historia natural. Barcelona: Grijalbo Mondadori-Crítica, 1994. 226-34.*
Heinich, Nathalie. De la visibilité: Excellence et singularité en régime médiatique. Gallimard, 2012.
Ricœur, Paul. L'Unique et le singulier: L'Intégrale des entretiens d'Edmond Blattchen. Alice, 1999.
Smolin, Lee, and Roberto Mangabeira Unger. The Singular Universe. 2014.
Sinister
Freud, Sigmund. "Das Unheimliche." Imago 5.5/6 (1919): 297-324.
_____. "The 'Uncanny'." In The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol 17. London: Hogarth Press / Institute of Psycho-Analysis, 1955.
_____. "The 'Uncanny'." In Studies in Parapsychology. Ed. Philip Rieff. New York: Collier, 1963.
_____. "The 'Uncanny'." In Freud, Art and Literature: Jensen's GRADIVA, Leonardo Da Vinci and Other Works. Trans. James Strachey et al. Ed. Albert Dickson. (Pelican Freud Library). London: Penguin-Pelican, 1985. Rpt. (Penguin Freud Library, 14). London: Penguin, 1990. 335-76.*
_____. "The 'Uncanny'." In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 76-87.*
_____. Extract from "The Uncanny." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 50.*
_____. The "Uncanny." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. "The Uncanny." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
_____. L'Inquiétante étrangeté. Paris: Gallimard, 1985.
_____. Lo siniestro. Buenos Aires: Ed. Americana, 1943.
_____. "Lo siniestro." In Obras Completas. Madrid: Biblioteca Nueva, 1974. 7.2483-2505.
_____. "Lo siniestro." In Freud, Obras completas. Madrid: Orbis, 1988. 13.2483-2506.*
Marías, Javier. "Siniestro Total." In Marías. Cuando los tontos mandan. Barcelona: Penguin Random House - Alfaguara, 2018. 51-53.*
Trías, Eugenio. Lo bello y lo siniestro. 1982.
_____. "Lo bello y lo siniestro." 1982. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 867-73.*
Slowness
Caracciolo, Marco, and Ella Mingazova, eds. Slow Narrative Across Media. (Theory and Intepretation of Narrative). Columbus: Ohio State UP, 2024.*
https://ohiostatepress.org/books/titles/9780814215678.html
2024
Smallness
Schumacher, Ernst Friedrich. Small Is Beautiful. Paris: Seuil (Points).
_____. Lo pequeño es hermoso. Barcelona: Blume, 1978.
Sophistication (in personal style and social life)
Litvak, Joseph. "Kiss Me, Stupid: Sophistication, Sexuality, and Vanity Fair." Novel (Winter 1996): 223-42.*
Literature
Congreve, William. The Way of the World. In Restoration Plays. Ed. Sir Edmund Gosse. London: Dent; New York: Dutton, 1912. 1962. 163-236.*
Sophistication (in art, rhetoric and literary style)
Breeze, Ruth. "Researching Simplicity and Sophistication in Student Writing." In Software-aided Analysis of Language. Ed. Mike Scott et al. Monograph issue of IJES 8.1 (2008): 51-66. (WordSmith, VocabProfile, L2 writing, lexical variation, lexical range, academic lexis).
Specificity
Caracciolo, Marco, and Russell Hulburt. A Passion for Specificity. 2016.
Spirituality
Hegel, G. W. F. Vorlesungen über die Aesthetik. 1835.
_____. Ästhetik. Berlin, 1965.
_____. Vorlesungen über die Aesthetik. 1835. In Hegel, Werke in zwanzig Bänden. Ed. E. Moldenhauer and K. M. Michel. Frankfurt a/M, 1970. Vol. 13.
_____. The Introduction to Hegel's Philosophy of Fine Art. Trans. Bernard Bosanquet. London, 1886.
_____. The Philosophy of Fine Art. Trans. F. P. B. Osmaston. London: G. Bell and Sons, 1920.
_____. Esthetics. Trans. T. M. Knox. Oxford: Clarendon, 1975.
_____. Aesthetics: Lectures on Fine Art. Trans. T. M. Knox. New York, 1975.
_____. Esthétique. Trans. S. Jankélévitch. Paris: Aubier, 1954.
_____. Estética. 1835. Buenos Aires: El Ateneo, 1954.
_____. Introducción a la estética. Trans. Ricardo Mazo. Barcelona: Península, 1985.
_____. Introducción a la estética. Ediciones de Bolsillo.
_____. De lo bello y sus formas. Buenos Aires: Espasa-Calpe, 1958.
_____. Filosofía del arte o Estética [verano de 1826]. Apuntes de Friedrich Carl Hermann Victor von Kehler. Ed. Annemarie Gethmann-Siefert and Bernadette Collenberg-Plotnikov. With Francesca Ianelli and Karsten Berr. Trans. Domingo Hernández Sánchez. (Lecturas de Filosofía). Madrid: Abada / UAM, 2006.* (Aesthetics, Beauty, Function of art, Symbols, Classicism, Romanticism, Ideal, Unity, Subjectivity, Art and spirituality, Architecture, Sculpture, Painting, Music, Poetry).
Jung, C. G. The Spirit in Man, Art, and Literature. Trans. R. F. C. Hull. New York: Pantheon, 1966.
_____. The Spirit in Man, Art, and Literature. London: Routledge-Ark, 1984.
Kandinsky, W. De lo espiritual en el arte. Buenos Aires: Nueva Visión, 1956.
_____. De lo espiritual en el arte. Ediciones de Bolsillo.
See also Spirituality; Art and religion; Literature and religion.
Sprezzatura, Soltura
Video
Witmore, Michael. "Ten Things I Learned From Shakespeare." Lecture at the John Carter Brown Library, Brown U. YouTube (Brown University) 7 Nov. 2017.* (Improvisation, sprezzatura, complexity, decision, choice, uncertainty, multiplicity, reputation, power, fictions and stories, mythmaking, racism, persuasion, forgiveness, change, longing, self-deception, illusion, insight).
2020
Still Life
Lotman, Iuri M. "La naturaleza muerta en la perspectiva de la semiótica." In Lotman, La Semiosfera, III: Semiótica de las artes y de la cultura. Madrid: Cátedra / Universitat de València, 2000. 15-22.*
Strangeness
García Landa, José Ángel. "Historias raras (Desencarrilamientos mentales)." In García Landa, Vanity Fea 31 May 2009.*
http://vanityfea.blogspot.com/2009/05/historias-raras-descarrilamientos.html
2009
_____. "Historias raras (desencarrilamientos mentales)." Social Science Research Network 11 June 2015.*
http://ssrn.com/abstract=2616621
2015
_____ "Historias raras (desencarrilamientos mentales)." In García Landa, Vanity Fea 12 June 2015.*
http://vanityfea.blogspot.com.es/2015/06/historias-raras-desencarrilamientos.html
2015
Miller, J. Hillis. On Literature. (Thinking in Action). London: Routledge, 2002.*
Zunshine, Lisa. Strange Concepts and the Stories They Make Possible. Baltimore: Johns Hopkins UP, 2008.
Literature
Barthelme, Donald. "Paraguay." Story. In Barthelme, City Life. New York: Farrar, Straus and Giroux, 1970. (Strangeness).
_____. "Paraguay." In Barthelme, Sixty Stories. New York: Penguin, 1993. 127-34.*
Style (personal)
Bourdieu, Pierre. La Distinction: Critique sociale du jugement. Paris: Minuit, 1979.
_____. Distinction: A Social Critique of the Judgment of Taste. Trans. Richard Nice. Cambridge (MA): Harvard UP, 1984.
_____. Distinction: A Social Critique of the Judgment of Taste. Trans. Richard Nice. London: Routledge, 1984.
See also Lit. theory: Rhetoric&Style.
Subtlety
Scaliger, Julius Caesar. De subtilitate. 1615 ed.
Suggestion
Dominicy, Marc. Poétique de l'évocation. (Théorie de la littérature, 3). Paris: Classiques Garnier, 2011.
Mallarmé, Stéphane. "Quant au livre." La revue blanche (1895). In Poésies 209-28.
_____. "Quant au livre." 1895. In Poésies. Anecdotes... 209-28.
_____. "Quant au livre—l'Action restreinte." In Mallarmé, Œuvres complètes. Ed. Henri Mondor and G. Jean-Aubry. (Pléiade). Paris: Gallimard, 1961.
_____. "The Book: A Spiritual Instrument." Trans. Bradford Cook. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 690-92.* (Trans. of section 3 of "Quant au livre").
Suggestiveness
Banfield, Ann. "Describing the Unobserved: Events Grouped Around an Empty Centre." In The Linguistics of Writing. Ed. Nigel Fabb et al. New York: Methuen, 1987. 265-85.
Surprisingness
Baird, Robert. "The Startle Effect: Implications for Spectator Cognition and Media Theory." Film Quarterly 53.3 (2000): 12-24.
Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. New Haven: Yale UP, 1994.*
Vargas Llosa, Mario. "VIII. Las mudas y el salto cualitativo." In Vargas Llosa, Cartas a un joven novelista. 1997. Madrid: Alfaguara, 2012. 109-22.*
See also Originality; Defamiliarization.
Sweetness
Audeguy, Stéphane. Petit Éloge de la douceur. Essay. (Folio Indédit). Paris: Gallimard, 2007.
Madoz, J. "Un símil de Lucrecio en la literatura latino cristiana." Príncipe de Viana 24 (1946): 573-82. (Sweetening).
Prosperi, V. "Di soavi licor gli orli del vaso." In La fortuna di Lucrecio dall'Umanesimo alla Controriforma. (Centauri). Torino: Nino Aragno Editore, 2004.
Symmetry
Binswanger, Arthur. "Anotaciones a dos 'pensamientos' de Pascal sobre simetría, demasiado poco tenidos en cuenta." In Binswanger, Artículos y conferencias escogidas, In Binswanger, Obras escogidas. Barcelona: RBA, 2006. 543-52.*
Hughes, Susan M., and Toe Aung. "Symmetry in Motion: Perception of Attractiveness Changes with Facial Movement." Journal of Nonverbal Behavior (Springer) 26 March 2018.*
https://link.springer.com/article/10.1007%2Fs10919-018-0277-4
2018
Shapiro, Michael. Asymmetry: An Inquiry into the Linguistic Structure of Poetry. Amsterdam: North Holland, 1976.
Shubnikov, A. V., and V. A. Kopchik. Simmetriia v nauke i iskusstve (Symmetry in Science and Art). 1972.
Toker, Leona. "The Defense: Secret Asymmetries." In Toker, Nabokov: The Mystery of Literary Structures. Ithaca: Cornell UP, 1989. 67-87.*
Films
Symmetry: A Palindromic Film. Written and dir. Yann Pinieill. YouTube (Filimon Cherny) 13 Jan. 2014.*
2014
Sympathy
Bate, Walter J. "The Sympathetic Imagination in Eighteenth-Century English Criticism." ELH 12 (1945): 144-64.
Croce, Benedetto. "The Aesthetic of the Sympathetic and Pseudo-Aesthetic Concepts." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 87-93.*
Elósegui Itxaso, María. "En torno al concepto de simpatía y el espectador imparcial en Adam Smith o la sociedad como espejo." Eurídice 1 (1991).
García Landa, José Angel. "Face, Sympathy, Deference, and Fairness." In García Landa, Vanity Fea 6 March 2012.* (Pinker).
http://vanityfea.blogspot.com.es/2012/03/face-sympathy-deference-and-fairness.html
2012
Royle, Nicholas. Telepathy and Literature: Essays on the Reading Mind. Oxford: Blackwell, 1991.*
Shelley, Percy Bysshe. "On Love." In Shelley, Essays, Letters from Abroad, Translations and Fragments. London: Edward Moxon, 1840.
_____. "On Love." In Selected English Essays. Ed. W. Peacock. London: Oxford UP, 1903. 354-7.*
_____. "On Love." In Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton, 1977. 473.*
Stevenson, R. L. "The Morality of the Profession of Letters." The Fortnightly Review (1881) (Morality; Education; Commerce; Sympathy; Journalism; Author)
_____. "The Morality of the Profession of Letters." In Stevenson, Essays in the Art of Writing. London: Chatto, 1910. 47-76.*
_____. "The Morality of the Profession of Letters." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 150-63.*
_____. "La moral de la profesión de las letras." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.261-68.*
Tasset Carmona, José Luis. "La ética de Adam Smith: Hacia un utilitarismo de la simpatía." Thémata: Revista de Filosofía 6 (1989).
See also Negative capability.
Technique
Shklovsky, Viktor. "Isskustvo kak priem." In Sborniki po teorii poeticheskogo iazyka II. Petrograd, 1917. 3-14. (Literariness; Tropes; Imagery; Foregrounding; Defamiliarization)
_____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.*
_____. "Art as Technique." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 15-30.*
_____. "Art as Technique." Selection. in Debating Texts. Ed. Rick Rylance. 48-56.*
_____. "Art as Technique." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5.*
_____. "Art as Technique." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 260-72.*
_____. From "Art as Technique." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.*
_____. "L'art comme procédé." In Todorov, Théorie de la littérature 76-97.
Tension
Baroni, Raphaël. "Incomplétudes stratégiques du discours littéraire et tension dramatique." Littérature 127 (2002): 105-127.
_____. La Tension narrative: Suspense, curiosité, surprise. (Poétique). Paris, Seuil, 2007.
Smith, Hallett. The Tension in the Lyre: Poetry in Shakespeare's Sonnets. San Marino: Huntington Library, 1981.
Suárez, Socorro, and Juan E. Tazón. "Dialectical Tension in Sir Walter Raleigh's Life and Work." Actas del I Congreso Nacional de la Sociedad Española de Estudios Renacentistas Ingleses (SEDERI) / Proceedings of the I National Conference of the Spanish Society for English Renaissance Studies. Ed. Javier Sánchez. Zaragoza: SEDERI, 1990. 45-53.*
Tate, Allen. "Tension in Poetry." In Reason in Madness: Critical Essays by Allen Tate. 1941. New York: Books for Libraries Press, 1968. (Practical criticism; Affective; New criticism; Donne; Metaphysical poetry; Cowley)
_____. "Tension in Poetry." In Tate, Collected Essays. Denver (CO): Swallow, 1959.
_____. "Tension in Poetry." In The Modern Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 83-92.*
Verstraten, Peter. "7. Tension between the Visual and Auditive Narrators." In Verstraten, Film Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 2009. 125-45.*
Transparence
Landon, Brooks. "Styles of Invisibility: Sustaining the Transparent in Contemporary Prose Semblances." In Styles of Creation: Aesthetic Technique and the Creation of Fictional Worlds. Ed. George Slusser and Eric S. Rabkin. Athens (GA): U of Georgia P, 1992. 245-58.*
Triviality
Lehtimäki, Markku, Laura Karttunen and Maria Mäkelä, eds. Narrative, Interrupted: The Plotless, the Disturbing and the Trivial in Literature. Google eBook, 2012.
http://books.google.es/books?id=NKXualYUt3IC
2014
Literature
Gay, John. Trivia.
Typicality
Eco, Umberto. "L'uso pratico del personaggio artistico." In Eco, Apocalittici e integrati. Milan: Bompiani, 1964. (Typicality, stereotypes).
_____. "Uso práctico del personaje." In Eco, Apocalípticos e integrados. Barcelona: Penguin Random House, 2013. 2015. 223-56.*
Lukács, Georg. Der historische Roman. 1937. In Werke vol. 6.
_____. The Historical Novel. Trans. Hannah and Stanley Mitchell. London: Merlin, 1962. 1969.*
_____. The Historical Novel. Boston: Beacon Press, 1963.
_____. The Historical Novel. New York: Humanities Press, 1978.
_____. The Historical Novel. Harmondsworth: Penguin, 1981.
_____. The Historical Novel. Trans. Hannah and Stanley Mitchell. Lincoln: U of Nebraska P, 1983.
_____. La novela histórica. Trans. M. Sacristán. Barcelona: Grijalbo, 1976.
See also Stereotypes; Realism.
Ugliness (Human)
Eco, Umberto. "La fealdad." In Eco, A hombros de gigantes: Conferencias en La Milanesiana 2001-2015. Barcelona: Penguin Random House – Lumen, 2018. 63-100.*
Gigante, Denise. "Facing the Ugly: The Case of Frankenstein." In Mary Shelley's Frankenstein: Updated Edition. (Bloom's Modern Critical Interpretations). New York: Inforbase-Chelsea House, 2007. 125-48.*
Phillips, Katherine. The Broken Mirror: Understanding and Treating Body Dysmorphic Disorder. Oxford: Oxford UP, 1997.
Literature
Jonson, Ben. "My picture left in Scotland." In The Workes of Benjamin Jonson. London: R. Bishop, sold by A. Crooke, 1640.
_____. "My picture left in Scotland." Poetry Foundation.*
https://www.poetryfoundation.org/poems/44461/my-picture-left-in-scotland
2019
_____. "My Picture left in Scotland." In Representative Poetry Online.*
https://rpo.library.utoronto.ca/poems/my-picture-left-scotland
2019
_____. "My Picture Left in Scotland." Poetry Foundation.*
https://www.poetryfoundation.org/poems-and-poets/poems/detail/44461
2017
See also Deformity; Monsters; Stigma.
Ugliness (artistic)
Croce, Benedetto. "Asthetic Feelings and the Distinction between the Beautiful and the Ugly." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 74-81.*
Eco, Umberto. "La fealdad." In Eco, A hombros de gigantes: Conferencias en La Milanesiana 2001-2015. Barcelona: Penguin Random House – Lumen, 2018. 63-100.*
_____, ed. Storia della bruttezza. Milan: Bompiani.
_____, ed. Historia de la fealdad. Barcelona: Lumen, 2007.
Farré, Luis. "Lo feo." In Farré, Categorías estéticas. Madrid: Aguilar, 1967.*
Holland, Norman. "20. Enjoying Ugliness." In Holland, Literature and the Brain. Gainesville (FL): PsyArt Foundation, 2009. 257-57.*
MacCarthy, Desmond. "Ugliness." In Desmond MacCarthy: The Man and His Writings. Introd. David Cecil. London: Constable, 1984. 292-4.*
The Uncommon
Fisher, Philip. Wonder, the Rainbow, and the Aesthetics of Rare Experiences. Cambridge (MA): Harvard UP, 1999.
Unexpectedness
Boorstin, Daniel J. Cleopatra's Nose: Essays on the Unexpected. New York: Random House, 1994.
_____. La nariz de Cleopatra. Barcelona: Crítica, 1996.
Currie, Mark. The Unexpected: Narrative Temporality and the Philosophy of Surprise. Edinburgh: Edinburgh UP, 2015.
Dessalles, Jean-Louis "Have You Anything Unexpected to Say? The Human Propensity to Communicate Surprise and Its Role in the Emergence of Language." In The Evolution of Language. Ed. Andrew D. M. Smith et al. New Jersey: World Scientific, 2010. 99-106.*
Miller, Christopher R. Surprise: The Poetics of the Unexpected from Milton to Austen. Ithaca: Cornell UP, 2015.
Ramo, Joshua Cooper. The Age of the Unthinkable: Why the New World Disorder Constantly Surprises Us And What We Can Do About It. C. 2009.
Santana Martínez, Pedro. Rev. of Surprise: The Poetics of the Unexpected from Milton to Austen, by Christopher R. Miller. Journal of English Studies 13 (2015): 187-92.*
Taleb, Nassim Nicholas. The Black Swan: The Impact of the Highly Improbable. Random House, 2007.
_____. El cisne negro: El impacto de lo altamente improbable. Trans. Roc Filella. Barcelona: Círculo de Lectores, 2008.*
_____. Antifragile: Things that Gain from Disorder. New York: Random House, 2012.
_____. Incerto. New York: Random House Penguin, 2016.
Films
Amélie. Dir. Jean-Pierre Jeunet. With Audrey Tatou. 2001.
See also Surprises; Retrospection; Expectations; Plans; Unforeseeability; Unlikelihood.
Unfashionableness
Music
Jethro Tull. "Too Old to Rock and Roll: Too Young to Die!" In García Landa, Vanity Fea 13 August 2011.* (Jethro Tull).
http://vanityfea.blogspot.com/2011/08/too-old-to-rocknroll-too-young-to-die.html
2011
Uniqueness
Benjamin, Walter. "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit." 1935. In Benjamin, Schriften 1.2. Frankfurt: Suhrkamp, 1972.
_____. "The Work of Art in the Age of Mechanical Reproduction." In Benjamin, Illuminations. New York: Schocken Books, 1969. 217-52.*
_____. "The Work of Art in the Age of Mechanical Reproduction." In Film Theory and Criticism: Introductory Readings. Ed. Gerald Mast, Marshall Cohen and Leo Brady. 4th ed. Oxford, 1992.
_____. "The Work of Art in the Age of Mechanical Reproduction." Select. in Modernism/Postmodernism. Ed. Peter Brooker. London: Longman, 1992. 45-49.*
_____. "The Work of Art in the Age of Mechanical Reproduction." 1935. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 731-51.*
_____. "The Work of Art in the Age of Mechanical Reproduction." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 673-95.*
_____. From "The Work of Art in the Age of Mechanical Reproduction." In Reading Images. Ed. Julia Thomas. Houndmills: Macmillan, 2000.
_____. "The Work of Art in the Age of Mechanical Reproduction." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
Cortes, Marina, and Lee Smolin. "The Universe as a Process of Unique Events." Physical Review D: Particles, Fields, Gravitation and Cosmology 90.8 (6 Oct. 2014).*
http://dx.doi.org/10.1103/PhysRevD.90.084007
2016
García Landa, José Angel. "On the Universe as a Process of Unique Events [Marina Cortês and Lee Smolin]." Vanity Fea 11 Aug. 2017.*
http://vanityfea.blogspot.com.es/2017/08/the-universe-as-process-of-unique-events.html
2017
Gould, Stephen Jay. "The Horn of Triton." In Gould, Bully for Brontosaurus. 1991. Harmondsworth: Penguin, 1992. 499-512.*
_____. "El cuerno de Tritón." In Gould, "Brontosaurus" y la nalga del ministro. Trans. Joandomènec Ros. (Biblioteca Divulgación Científica). Barcelona: Planeta DeAgostini, 2008. 576-590.* (Unique things).
Hobsbawm, Eric J. Behind the Times. (Modern art).
_____. A la zaga. Trans. of Behind the Times.
Smolin, Lee. "II.4. Hypotheses for a New Cosmology." In The Singular Universe and the Reality of Time. By Roberto Mangabeira Unger and Lee Smolin. Cambridge: Cambridge UP, 2015. 414-21.* (Uniqueness, Time, Relativity, Simultaneity).
Video
Fridman, Lex. "Lee Cronin: Controversial Nature Paper on Evolution of Life and Universe – Lex Fridman Podcast #404." YouTube (Lex Fridman) 9 Dec. 2023.* (Assembly theory; Complexity; Emergence; Life, Uniqueness, Path dependence).
2023
Morin, Edgar. "La complexité – Conférence à Nantes – 23 Mars 1993." Video. YouTube (Thibault Grasset – ICT Production) 19 Oct. 2021.*
2024
Suárez Ardura, Marcelino. "Sobre A la zaga de Eric Hobsbawm - EFO 231." Video. YouTube (fgbuenotv) 23 March 2021.* (Modern art, uniqueness, reproduction, Benjamin, art and society).
2021
See also Singularity.
Unobserved
García Landa, José Angel. "The Unobserved." In García Landa, Vanity Fea 13 Feb. 2013.*
http://vanityfea.blogspot.com.es/2013/02/the-unobserved.html
2013
Unreality
García Landa, José Ángel. "Irrealidad de lo real." In García Landa, Vanity Fea 10 May 2007. ("Epílogo sobre el 11-M y lo real").
http://garciala.blogia.com/2007/051001-irrealidad-de-lo-real.php
2007-05-31
Unthinkable
Niehoff-Panagioditis, Johannes. "Telling the Unthinkable: Niketas Choniates' Account of the Fourth Crusade." In Erfahrung und Geschichte: Historische Sinnbildung im Pränarrativen. Ed. Thiemo Breyer and Daniel Creutz. Berlin and New York: De Gruyter, 2010. 277-300.*
Vagueness
Cerezo, María. "Vaguedad." In Compendio de Lógica, Argumentación y Retórica. Ed. Luis Vega Reñón and Paula Olmos Gómez. Madrid: Trotta, 2011. 3rd ed. 2016. 621-25.*
Gavin, W. J. "William James and the Importance of 'The Vague'." Cultural Hermeneutics 3 (1976): 245-65.
Plo Alastrué, Ramón. "Vagueness and Imprecise Numbers in the Hard Disciplines of the MICASE." In English as a Glocalization Phenomenon. Ed. Mª Carmen Pérez-Llantada and Gibson Ferguson. Valencia: Prensas Universitarias de Valencia, 2006. 185-207.
Scheffler, Israel. Beyond the Letter: A Philosophical Inquiry into Ambiguity, Vagueness and Metaphor in Language. London: Routledge, 1979.
Solt, Stephanie. "Vagueness and Imprecision: Empirical Foundations." Annual Review of Linguistics 1.1 (Jan. 2015).*
http://linguistics.annualreviews.org
2015
Variety
Ogden, H. V. S. "The Principles of Variety and Contrast in Seventeenth Century Aesthetics, and Milton's Poetry." Journal of the History of Ideas 10 (1949): 159-82.
Johnson, Samuel. "[The Praise of Variety.]" From The Plays of William Shakespeare. London, 1765. 8.311. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 148-49.*
Literature
Hopkins, Gerald Manley. "Pied Beauty." Poem.
Visibility
Heinich, Nathalie. De la visibilité: Excellence et singularité en régime médiatique. Gallimard, 2012.
Mira, A. "Laws of silence: homosexual identity and visibility in contemporary Spanish Culture." In Contemporary Spanish Cultural Studies. Ed. B. Jordan and R. Morgan-Tamosunas. London: Arnold, 2000. 241-50.
Video
Carnevali, B., et al. "Célébrité, prestige, réputation, visibilité." YouTube (CRAL) 20 Oct. 2014.*
2014
Coccia, Emanuele, Barbara Carnevali, Nathalie Heinich, Antoine
Litti, Gloria Origgi. "Célébrité, prestige, réputation, visibilité:
Grandeurs sociales en débat." Video. Debate at the EHESS-CRAL. YouTube
(CRAL) 15 Oct. 2014.*
2017
See also Invisibility; Prestige; Attention.
Vividness
(Pseudo-)Longinus (attr.). Peri hypsous. Anonymous treatise. 80 A. D.? many editions.
Tannen, Deborah. "How Is Conversation like Literary Discourse? The Role of Imagery and Details in Creating Involvement." In The Linguistics of Literacy. Ed. Pamela Downing, Susan D. Lima and Michael Noonan. Amsterdam: Benjamins, 1992. 31-46.*
See also Verisimilitude.
Weirdness
Sugio, Marie. "10 Reasons Why You Should Feel Proud to Be Weird." Odyssey 6 Oct. 2015.*
http://theodysseyonline.com/le-moyne/8-reasons-should-proud-weird/184818
2015
Theroux, Louis. The Call of the Weird: Travels in American Subcultures. Da Capo Press, 2007.
Shermer, Michael. "Prólogo a la edición en rústica. Un viaje mágico y misterioso: Los dóndes y los porqués de las cossas raras." In Shermer, Por qué creemos en cosas raras: Pseudociencia, superstición y otras confusiones de nuestro tiempo. Barcelona: Alba, 2008. 19-34.*
_____. Why People Believe Weird Things. 1997. 2nd ed. 2002.
_____. Por qué creemos en cosas raras: Pseudociencia, superstición y otras confusiones de nuestro tiempo. Prologue by Stephen Jay Gould. Trans. Amado Diéguez. (Trayectos, 103). Barcelona: Alba, 2008.* (I. Ciencia y escepticismo; II. Pseudociencia y superstición; III. Evolución y creacionismo; IV. Historia y pseudohistoria; V. De la esperanza nace lo eterno).
Schwitzgebel, Eric. The Weirdness of the World. c. 2024.
Video
Shermer, Michael. "The Weirdness of the World." Video interview with Eric Schwitzgebel. (The Michael Shermer Show). YouTube (Skeptic) 16 March 2024.*
2024
Vulgarity and Bad Taste
Baselga Ramírez, Mariano. Concepto estético de lo cursi. Ed. José Luis Calvo Carilla. Zaragoza: Diputación de Zaragoza / Institución "Fernando El Católico" (C.S.I.C.), 2004.* (Written 1890s; unpublished until 2004).
Hazlitt, William. "Vulgarity." 1821. In Hazlitt, Selected Writings. Harmondsworth: Penguin, 1970. 468-9.
Huxley, Aldous. "Vulgarity in Literature." In Huxley, Music at Night. 1930.
_____. Vulgarity in Literature. London: Chatto and Windus.
_____. "Vulgarity in Literature." In Huxley, Music at Night. 1930.
_____. From "Vulgarity in Literature", from Huxley, Music at Night and Other Essays. Harper and Row / Chatto and Windus, 1930, 1958. In Poe: A Collection of Critical Essays. Ed. Robert Regan. Englewood Cliffs (NJ): Prentice-Hall, 1967. 31-37.*
Moreno Hernández, Carlos. Literatura y cursilería. Valladolid: Universidad de Valladolid, 1996.
Unamuno, Miguel de. "¡Ramplonería!" May 1905. In Unamuno, Ensayos. Prologue and notes by Bernardo G. de Candamo. 2 vols. 4th ed. Madrid: Aguilar, 1958. 1.673-90.* (Mediocrity, vulgarity in criticism).
_____. "Vulgaridad." In Unamuno, Ensayos. Prologue and notes by Bernardo G. de Candamo. 2 vols. 4th ed. Madrid: Aguilar, 1958.* (Vol. 2, "Con una antología epistolar comentada por Bernardo G. de Candamo). 7th ed., 1967. Rpt. 1970. 2.671-76.*
See also Badness; Taste.
Wonder
Dawkins, Richard. Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder. New York, 1998.
_____. Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder. London: Allen Lane, 1998.
_____. Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder. London: Penguin, 1999. Rpt. Penguin Random House UK, 2016.*
Fisher, Philip. Wonder, the Rainbow, and the Aesthetics of Rare Experiences. Cambridge (MA): Harvard UP, 1999.
Pettersson, Bo. "8. Why Literature Matters." In Pettersson, How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination. Berlin and Boston: Walter de Gruyter, 2016. 235-52.* (Delight, Wonder).
Literature
Traherne, Thomas. "Wonder." Poem. 1903. In The Norton Anthology of English Literature. Ed. M. H. Abrams, Stephen Greenblatt, et al. New York: Norton, 1999. 1.1756-57.*
_____. "On Leaping over the Moon." 1910. In The Norton Anthology of English Literature. Ed. M. H. Abrams, Stephen Greenblatt, et al. New York: Norton, 1999. 1.1757-59.*
See also Sublime.
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