Imágenes (Retórica)

 

        from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Imagery

 

 

Arp, Thomas R., and Greg Johnson. "Imagery." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*

Ballew, Lynne. Straight and Circular: A Study of Imagery in Greek Philosophy. Assen: Van Gorcum, 1979. (Circle, 45-119).

Bullock, Allan. "The Double Image." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 58-70.*

Clemen, Wolfgang. Shakespeares Bilder. 1936.

_____. The Development of Shakespeare's Imagery. Rev. English trans. of Shakespeares Bilder. Introd. John Dover Wilson. 1951.

_____. The Development of Shakespeare's Imagery. London: Methuen, 1977.*

Culler, Jonathan. "Bachelard's Images." In Culler, Framing the Sign: Criticism and Its Institutions. Oxford: Blackwell, 1988. 96-106.*

Díez Velasco, Olga Isabel. "Metaphor, Metonymy and Image-Schemas: An Analysis of Conceptual Interaction Patterns." Journal of English Studies 3 (2001/2, issued 2003): 47-64.*

Ellis-Fermor, Una. "The Functions of Imagery in the Drama." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 388-405.*

Fludernik, Monika. "The Cage Metaphor: Extending Narratology into Corpus Studies and Opening it to the Analysis of Imagery." In Narratology in the Age of Cross-Disciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009. 109-28.*

Fornés, Mercedes, and Francisco J. Ruiz de Mendoza. "Esquemas de imágenes y construcción del espacio." Unpublished working paper. Universidad de La Rioja, 1996.

Frye, Northrop. "Archetypal Criticism: Theory of Myths." (Images). In Frye, Anatomy of Criticism. Princeton: Princeton UP, 1957. 131-58.*

Hilly-Mane, Geneviève. "Les images." In Hily-Mane, Le style de Ernest Hemingway. Paris: PUF, 1983. 137-59.*

Huizinga, Johan. "8. Papel de la figuración poética." In Huizinga, Homo ludens. Madrid: Alianza Editorial, 2015. 207-21.*

Ibáñez, José Ramón, Emilio Cañadas Rodríguez and Santiago Rodríguez Guerrero-Strachan. "La poética de la brevedad y la imagen en el cuento." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*

Юхнова, Ирина. "Зоологическая образность в пьесе А.М. Горького «На дне»." In «Меры не знал я, смертных любя»: к 90-летию российского филолога Владимира Серафимовича Вахрушева (1932—2011).  Редакторы-составители Людмила Комуцци и Павел Глушаков. Санкт-Петербург: Росток, 2022.  417-24.* ("Zoological figurativeness in A. M. Gorky's play At the Bottom.")

Landow, George P. Images of Crisis: Literary Iconology, 1750 to the Present. Boston and London: Routledge & Kegan Paul, 1982.

Lansing, Richard H. From Image to Idea: A Study of the Simile in Dante's 'Commedia'. Ravenna, 1977.

Lecercle, Jean-Jacques. "Interlude 1: Images of Trains, Trains of Images: Dickens, Deleuze, Representation." In Lecercle, Deleuze and Language. Houndmills: Palgrave Macmillan, 2002. 41-61.*

Lefebve, Maurice-Jean. L'Image fascinante et le Surréel. Paris: Plon, 1965.

Leray, Josette. "Myths and Images in Contemporary Narrative Writing." Symbolism 1 (1998).

Lewis, C. S. The Discarded Image: An Introduction to Medieval and Renaissance Literature. Cambridge: Cambridge UP, 1964. 1971.

Manero Sorolla, Mª Pilar. "En torno a las posibilidades clasificatorias de las imágenes poéticas." Universitas Tarraconensis 10 (1986): 127-36.

_____."Consideraciones en torno a las teorías sobre la imagen poética en la retórica antigua." Universitas Tarraonensis 11 (1987): 133-44.

McAdams, Dan P.  "2. Narrative Tone and Imagery." In McAdams, The Stories we Live By. New York: Guilford Press, 1993. 39-66.*

Mizener, Arthur. "The Structure of Figurative Language in Shakespeare's Sonnets." Southern Review 5 (1940): 730-47. Rpt. in A Casebook on Shakespeare's Sonnets. Ed. Gerald Willen and Victor B. Reed. New York: Crowell, 1964. 219-35.

Paivio, A. Imagery and Verbal Processes. New York: Holt, 1971.

Puelles Romero, Luis. "La fenomenología de la imagen poética de Gaston Bachelard." In Congreso Fenomenología y Ciencias Humanas: Santiago de Compostela, 24-28 de Septiembre de 1996. Ed. Mª Luz Pintos Peñaranda and José Luis González López. Santiago de Compostela: U de Santiago de Compostela, 1998. 397-404.*

Rasse, Carina, Alexander Onysko and Francesca M. M. Citron. "Conceptual Metaphors in Poetry Interpretation: A Psycholinguistic Approach." Language and Cognition 28 Feb. 2020.*

         DOI: https://doi.org/10.1017/langcog.2019.47

         2020

Riebling, Barbara. "England Deflowered and Unmanned: The Sexual Image of Politics in Marvell's 'Last Instructions to a Painter'." Studies in English Literature 1500-1900 35.1 (Winter 1995): 137ff. Online at Internet Archive.

         http://web.archive.org/web/20070609203645re_/www.geocities.com/magdamun/marvellriebling.html

         2018

Schaeffer, Jean-Marie. L'Image précaire. (Poétique). Paris: Seuil.

Shklovsky, Viktor. "Isskustvo kak priem." In Sborniki po teorii poeticheskogo iazyka II. Petrograd, 1917. 3-14.

_____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.*

_____. "Art as Technique." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 15-30.*

_____. "Art as Technique." Selection. in Debating Texts. Ed. Rick Rylance. 48-56.*

_____. "Art as Technique." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5.*

_____. "Art as Technique." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 260-72.*

_____. From "Art as Technique." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.*

_____. "L'art comme procédé." In Todorov, Théorie de la littérature 76-97.

Spurgeon, Caroline. Leading Motives in the Imagery of Shakespeare's Tragedies. Oxford, 1930.

_____. Shakespeare's Imagery and What It Tells Us. Cambridge: Cambridge UP, 1935.

Tannen, Deborah. Talking Voices: Repetition, Dialogue and Imagery in Conversational Discourse. (Studies in Interactional Sociolinguistics 6). Cambridge: Cambridge UP, 1989. 1994.*

_____. "How Is Conversation like Literary Discourse? The Role of Imagery and Details in Creating Involvement." In The Linguistics of Literacy. Ed. Pamela Downing, Susan D. Lima and Michael Noonan. Amsterdam: Benjamins, 1992. 31-46.*

Turner, Mark. The Literary Mind. New York: Oxford UP, 1996.* (Image schema).

Tuve, Rosemond. Elizabethan and Metaphysical Imagery: Renaissance Poetic and Twentieth-Century Critics. Chicago: U of Chicago P, 1947.

Ullmann, S. "The Nature of Imagery." In Ullmann, Language and Style. Oxford: Blackwell, 1964. 174-201.*

Veselovsky, A. N. "I.5. El paralelismo psicológico y sus formas en las imágenes del estilo poético." 1898. In Veselovsky, Poética histórica. Madrid: Akal, 2014. 171-264.*

Yu, Pauline. The Reading of Imagery in the Chinese Poetic Tradition. Princeton: Princeton UP, 1987.

Ziolkowski, Theodor. Disenchanted Images: A Literary Iconology. Princeton: Princeton UP, 1977.

 

 

 

 

 

Journals

 

 

L'immagine riflessa 5 (1982).

 

 

See also Similes; Metaphor; Tropes.