jueves, 4 de mayo de 2023

Mujer y Literatura

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Women and Literature

 

General

Early works

Miscellaneous

Areas

 

 

General

 

Abel, Elizabeth, ed. Writing and Sexual Difference. Hemel Hempstead: Harvester Wheatsheaf, 1983.

Appignanesi, Lisa. Femininity and the Creative Imagination. New York, 1973.

Aubaud, Camille. Lire les Femmes de lettres. Paris, 1993.

Becker-Cantarino, B. Der lange Weg zur Mündigkeit: Frau und Literatur (1500-1800). 1987.

Bettinger, Elfi, und Julika Funk, eds. Geschlechterdifferenz in der literarischen Inszenierung. Berlin: Erich Schmidt, 1995.

Calero Fernández, M. A., ed. La imagen de la mujer en la literatura. 1996.

Case, Alison. Plotting Women. Charlottesville: UP of Virginia, 1999.

Cornillon, Susan Koppelman, ed. Images of Women in Fiction: Feminist Perspectives. Bowling Green (OH): Bowling Green University Popular Press, 1972.

Díaz-Diocaretz, Myriam, and Iris M. Zavala, coords. Breve historia feminista de la literatura española (en lengua castellana). Vol 1: Teoría feminista: discursos y diferencia. Introd. Rosa Rossi.  Barcelona: Anthropos/Comunidad de Madrid, 1993.*

Donovan, Josephine, ed. Feminist Literary Criticism: Explorations in Theory. Lexington: UP of Kentucky, 1975.

Eagleton, Mary, ed. Feminist Literary Theory: A Reader. Oxford: Blackwell, 1986.*

Ellman, Mary. Thinking About Women. New York: Harcourt, 1968.

Fisher, Jerilyn, ed. Women in Literature: Reading through the Lens of Gender. Westport: Greenwood, 2003.

Flynn, Elizabeth A., and Patrocinio P. Schweickart, eds. Gender and Reading: Essays on Readers, Texts, and Contexts. Baltimore: Johns Hopkins UP, 1986.

Gardiner, Judith Kegan. "On Female Identity and Writing by Women." In Writing and Sexual Difference. Ed. Elizabeth Abel. Brighton: Harverster, 1982.

Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale UP, 1979. *

_____. La loca del desván. La escritora y la imaginación literaria del siglo XIX. 1998.

_____. "Infection in the Sentence: The Woman Writer and the Anxiety of Authorship." 1979. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997. 21-32.*

_____. A Classroom Guide to Accompany the Norton Anthology of Literature by Women. New York: Norton, 1985.

_____. No Man's Land: The Place of the Woman Writer in the Twentieth Century. Vol. 1: The War of the Words.  New Haven: Yale UP, 1987.

_____. No Man's Land: The Place of the Woman Writer in the Twentieth Century. Vol 2: Sexchanges. New Haven: Yale UP, 1989.

_____. No Man's Land: The Place of the Woman Writer in the 20th Century, vol. 3: Letters from the Front. New Haven: Yale UP, 1994.

Goode, John. "Woman and the Literary Text." In The Rights and Wrongs of Women. Ed. Juliet Mitchell and Ann Oakley. Harmondsworth, 1976. 217-55.

Halpern, Faye. The Scribbling Women and the Contemporary Critic. Ms. 2011.

Heilbrun, Carolyn G., and Margaret R. Higonnet, eds. The Representation of Women in Fiction. Baltimore: Johns Hopkins UP, 1983.

Hermann, Claudine. Les Voleuses de langue. Paris: des femmes, 1976.

Hiatt, Mary P. "Women's Prose Styles: A Study of Contemporary Authors." Language and Style 13 (1980).

_____. The Way Women Write. New York, 1977.

Ibeas, Nieves, and María Angeles Millán, eds. La conjura del olvido: Escritura y feminismo. Vol. 1. Barcelona: Icaria, 1997.

Jacobus, Mary. Reading Woman: Essays in Feminist Criticism. New York: Columbia UP, 1986.

_____, ed.Women Writing and Writing about Women. London: Croom Helm , 1979.

Jardine, Alice. "Gynesis." Diacritics 12 (Summer 1982): 54-65.

_____. "Gynesis." In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahassee: UPs of Florida / Florida State UP, 1986. 1990. 560-71.*

_____. Gynesis: Configurations of Woman and Modernity. Ithaca: Cornell UP, 1985.

Johnson, Barbara. The Feminist Difference: Literature, Psychoanalysis, Race, and Gender. Cambridge (MA): Harvard UP, 1998.*

Jump, Harriet Devine, ed. Diverse Voices: Twentieth-Century Women's Writing from Around the World. Hemel Hempstead: Harvester Wheatsheaf, 1991.

Lanser, Susan Sniader. Fictions of Authority: Women Writers and Narrative Voice. Ithaca: Cornell UP, 1992.

Martino, Giulio de, and Marina Bruzzese. Le Filosofe: Le donne protagoniste nella storia del pensiero. Napoli: Liguori Editore, 1994.

_____. Las filósofas: Las mujeres protagonistas en la historia del pensamiento. Trans. Mónica Poole. Appendix on "Pensadoras españolas" by Alicia H. Puleo. (Feminismos). Madrid: Cátedra / Universitat de València / Instituto de la Mujer, 1996.*

Moers, Ellen. Literary Women. New York: Doubleday, 1976.*

_____. Literary Women. Introd. Helen Taylor. London: Women's Press, 1986.

Moi, Toril. Sexual-Textual Politics: Feminist Literary Theory. 1985. London: Routledge, 1990.

_____. "Feminist Literary Criticism". In Modern Literary Theory: A Comparative Introduction. Ed. Ann Jefferson and David Robey. 2nd. ed. London: Batsford, 1986.

Parkin-Gounelas, Ruth. Psychoanalysis and Literature: Theories and Texts. Houndmills: Macmillan, 2000. (Hysteria, abjection, melancholy, femininity, death, the subject).

Pérez Cantó, Pilar, and Elena Postigo Castellanos, eds. Autoras y Protagonistas. Madrid: Universidad Autónoma de Madrid, 2000.

Rivera Garretas, María Milagros. Textos y espacios de mujeres: Europa, siglos IV-XV. Barcelona: Icaria, 1990.*

Robbins, Ruth. Literary Feminisms. (Transitions). Houndmills: Macmillan, 1999. (Stevenson, Wilde, Conrad, Gilman, Woolf).

Roe, Sue, ed. Women Reading Women's Writing. Hemel Hempstead: Harvester Wheatsheaf, 1987.

Rogers, Katharine M. The Troublesome Helpmate: A History of Mysogyny in Literature. Seattle: U of Washington P, 1966.

Russ, Joanna. "Anomalousness" and "Aesthetics." From How to Suppress Women's Writing. 1983. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997. 97-114.*

_____. How To Suppress Women's Writing. Austin: U of Texas P, 1983.

_____. How to Suppress Women's Writing. London: Women's Press, 1984.

Ruthven, K. K. Feminist Literary Studies: An Introduction. Cambridge: Cambridge UP, 1984.*

Sanz, Marta. Enciclopedia secreta: Lecturas en el espejo feminista. Contraseña, 2022.

Shaw, Marion. An Introduction to Women's Writing: From the Middle Ages to the Present Day.  Hemel Hempstead: Prentice Hall Europe, 1998.

Showalter, Elaine, ed. The New Feminist Criticism: Essays on Women, Literature, and Theory. 1985. London: Virago, 1986.

_____, ed. Speaking of Gender.  New York: Routledge, 1989.

Spacks, Patricia Meyer. The Female Imagination: A Literary and Psychological Investigation of Women's Writing. London: Allen, 1976.

Todd, Janet. Feminist Literary History: A Theoretical Analysis of Narrative Fiction. London: Routledge, 1988.

_____. The Sign of Angelica: Women, Writing and Fiction 1660-1800. London: Virago, 1989.*

_____, ed. Gender and Literary Voice. New York, 1980.

Waugh, Patricia. Feminine Fictions: Revisiting the Postmodern. London: Routledge, 1989.

Woolf, Virginia. A Room of One's Own. New York: Harcourt, 1929. 1957.

_____. A Room of One's Own. Harmondsworth: Penguin, 1945.

_____. A Room of One's Own. London: Triad-Grafton, 1977.

_____. A Room of One's Own. Rpt. with a foreword by Mary Gordon. New York: Harcourt, 1989.

_____. A Room of One's Own. 1929. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2153-2214.*

_____. From A Room of One's Own. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "In Search of a Room of One's Own." Ch. 3 of A Room of One's Own. In The Norton Reader. 8th ed. New York: Norton, 1992. 707-18.*

_____. "Why?" (Women and lit.). Lysistrata (Oxford, 1934). Rpt. in Woolf, A Woman's Essays. London: Penguin, 1992. 148-53.

_____. Women and Writing. Ed. Michèle Barrett. London: Women's Press, 1979.

_____, Women and Writing. Ed. Michele Barrett. New York: Harcourt Brace Jovanovich, 1979. 1980.

_____. A Room of One's Own and Three Guineas. Ed. Morag Shiach. Oxford: Oxford UP.

Zschirnt, Christiane. "6. Mujeres. Mary Wollstonecraft: Vindicación de los derechos de la mujer. Virginia Woolf: Un cuarto propio. Simone de Beauvoir: El segundo sexo. Germaine Greer, La mujer eunuco. Alice Schwarzer: La pequeña diferencia." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana-Taurus, 2004. 143-56.*

 

 

 

Early works

 

Bartels-Ploss. Das Weib in der Natur und Völkerkunde.  1891.

Bryan, Mary E. "How Should Women Write?" 1860. In American Literature, American Culture. Ed. Gordon Hutner. New York: Oxford UP, 1999. 118-21.*

Castro, Rosalía de. "Las literatas." In Obras completas: Tomo II. Laracha (La Coruña): Xuntanza, 1989. 287-95.*

Duncombe, John. The Feminead, or Female Genius. 1754. (On women writers)

_____. The Feminead, or Female Genius. Ed. Jocelyn Harris. Augustan Reprint Society.

Eliot, George. "Silly Novels by Lady Novelists." Westminster Review 66 (October 1856): 442-61. Rpt. in Victorian Criticism of the Novel. Ed, Edwin M. Eigner and George J. Worth.Cambridge: Cambridge UP, 1985. 159-80.

Finch, Anne. "The Introduction." Written c. 1689, pub. 1903. In The Poems of Anne, Countess of Winchilsea. Ed. Myra Reynolds. Chicago: U of Chicago P, 1903. 4-6.*

_____. "The Introduction." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2291-93.*

_____. "The Introduction." Luminarium (Anne Finch).*

         http://www.luminarium.org/eightlit/finch/introduction.php

         2011

Pisan, Christine de. The Treasure of the City of Ladies. c. 1405. Harmondsworth: Penguin.

_____. The Book of the City of Ladies. Trans. Earl Jeffrey Richards. New York: Persea, 1982.

_____. From The Book of the City of Ladies. (1.1, 1.4, 1.8, 2.36). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. The Selected Writings of Christine de Pizan. Ed. and trans. Renate Blumenfeld-Kosinski, trans. Kevin Brownlee. (Norton Critical Edition). New York: Norton, 1997.

Ritchie, Anne Thackeray. A Book of Sibyls. 1883.

Staël, Anne Louise Germaine (Mme de). De la littérature considérée dans ses rapports avec les institutions sociales. 1800.

_____. From On Literature Considered in its Relationship to Social Institutions ("On Women Writers"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

Stodart, Mary Ann. "Introductory Chapter." In Female Writers. London: R. B. Seeley and W. Burnside, 1842. (Women and literature; Gender; Patriarchy)

Tyler, Margaret. "M T. to the Reader." In The Mirrour of Princely deedes and Knighthood . . . Now newly translated out of Spanish into our vulgar English tongue, by M T. London: Thomas East, 1578. (Women and literature; Feminist theory; Translation; Prose fiction; Gender)

_____. From the translation by Tyler of The First Part of the Mirrour of Princely Deedes and Knyghthood: Dedication and the Epistle to the Reader, 1578. In First Feminists: British Women Writers 1578-1799. Ed. Moira Ferguson. Bloomington: Indiana UP, 1985.

_____. From the translation by Tyler of The First Part of the Mirrour of Princely Deedes and Knyghthood: Excerpt in Lay by Your Needles Ladies, Take the Pen: Writing Women in England 1500-1700. Ed. Suzanne Trill et al. London: Arnold, 1997. 38-43.*

 

 

 

Miscellaneous

 

Abel, Elizabeth, and Emily Abel, eds. The Signs Reader: Women, Gender, and Scholarship. Chicago: U of Chicago P, 1983.

Adams, Parveen, and Jeff Minson. "The 'Subject' of Feminism." m/f 2 (1978): 43-71.

Adler. "Method and Madness in Female Writing [II]." Hecate 7 (1981).

Alonso, Laura P., Pilar Cuder, and Zenón Luis, eds. La mujer del texto al contexto. Servicio de Publicaciones de la Universidad de Huelva / Instituto Andaluz de la Mujer, 1996.

Amiran, Minda Rae. "What Women's Literature?" College English 39 (1978): 653-61.

Ardener, Edwin. "The 'Problem' Revisited." In Perceiving Women. Ed. Shirley Ardener. London: Malaby, 1975.

Arias Doblas, Rosario. "Representación del trauma del Holocausto en narrativas de supervivientes escritas por mujeres." In Proceedings of the 29th AEDEAN Conference: Universidad de Jaén 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de Jaén, 2006. 162-67.*

Arias Doblas, Rosario, Miriam Borham Puyal and Laura Monrós Gaspar. "Tracing Sensation: Women as 'Creatures of Sensation' from the Long Eighteenth Century to the Victorian and Neo-Victorian Novel." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 172-79.*

Armitt, Lucie. Contemporary Women's Fiction and the Fantastic. Houndmills: Macmillan, 1999.

Arriaga Flórez, Mercedes, and José Manuel Estévez Saá. Cuerpos de mujer en sus (con) textos anglogermánicos, hispánicos y mediterráneos: una aproximación literaria, socio-simbólica y crítico-alegórica. ArCibel Editores, 2005. 57-66.

Ascher, Carol, Louise DeSalvo, and Sara Ruddick, eds. Between Women: Biographers, Novelists, Critics, Teachers and Artists Write about Their Work on Women. London: Routledge, 1993.

Auerbach, Nina. Communities of Women: An Idea in Fiction. Cambridge (MA): Harvard UP, 1978.

Ayins, Maryann. "The Implication of Sexually Stereotypic Language as Seen Through Peirce's Theory of Signs." Transactions of the Charles S. Peirce Society 19.2 (1983): 183-197.

Ballesteros González, Antonio. Escrito por brujas: Lo sobrenatural en la vida y la literatura de grandes mujeres del siglo XIX. Madrid: Anaya-Oberon, 2005.

Bamber, Linda. Comic Women, Tragic Men. Stanford, 1982.

Barreca, Regina. They Used to Call Me Snow White... but I Drifted: Women's Strategic use of Humor. New York: Viking, 1991.

_____, ed. Last Laughs: Perspectives on Women and Comedy. New York: Gordon and Breach, 1988.

_____, ed. New Perspectives on Women and Comedy. New York: Gordon & Breach, 1992.

Barthes, Roland. "Romans et enfants." (Women writers). In Barthes, Mythologies. Paris: Seuil, 1957. 56-78.

Baruch, Elaine Hoffmann, and Lucienne J. Serrano, eds. Women Analyze Women: In France, England and the United States. Hemel Hempstead: Harvester Wheatsheaf, 1989.

Benjamin, Marina, ed. A Question of Identity: Women, Science and Literature.  New Brunswick: Rutgers UP, 1993.

Beauvoir, Simone de. "1. French Women Writers." Introd. Elizabeth Fallaize (19-23). In Beauvoir, Feminist Writings. Urbana, Chicago, and Springfield: U of Illinois P, 2015. ("Problems for Women's Literature", 24-30; "Women of Letters", 30-34.*

_____. Le Deuxième sexe. 2 vols. París: Gallimard, 1949. 1976.

_____. The Second Sex. Trans. H. M. Parshley. Harmondsworth: Penguin, 1972.

Belsey, Catherine. Critical Practice. London: Methuen, 1980.

Benstock, Shari. Textualizing the Feminine: On the Limits of Genre. Norman: U of Oklahoma P, 1991.

_____. Women of the Left Bank: Paris 1900-1940. London: Virago, 1987.

Blakmer, Corinne E., and Patricia Juliana Smith, eds. En Travesti: Women, Gender Subversion, Opera. New York: Columbia UP, 1996.

Blamires, Alcuin.The Case for Women in Medieval Culture. Oxford: Clarendon Press, 1997.

Boklund-Lagopoulou, Karin. "'This Creature': Discourse on Women and Discourse by Women in the Middle Ages." Gramma 1 (1993): 15-40.

Bowen, Deborah S. Towards an E-criture Feminine: Woolf, DuPlessis, Cixous and the Emerging Discursive Tradition in Women's Online Diaries. Michigan: Ann Arbor, 2006.

Bowlby, Rachel. Still Crazy After All These Years: Women, Writing, and Psychoanalysis. London: Routledge, 1992.

Brant, Clare, and Diane Purkiss, eds. Women, Texts and Histories 1575-1760. London: Routledge, 1992.

Brito, Manuel. "Female Identity, Power, and Personal Taste: Burning Deck, Tinfish, and Avec." In The Painful Chrysalis: Essays on Contemporary Cultural and Literary Identity. Ed. Juan Ignacio Oliva. Bern: Peter Lang, 2011. 209-28.*

Brown, Cheryl L., and Karen Olson, eds. Feminist Criticism: Essays on theory, Poetry and Prose. Metuchen (NJ): Scarecrow, 1978.

Browne, Alice. The Eighteenth-Century Feminist Mind. Hemel Hempstead: Harvester Wheatsheaf, 1987.

Cabanilles, Antònia. "La literatura de les dones i el cànon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 227-50.*

Calvo González, José. "La femme et le monstre dans l'imaginaire médiéval et renaissance. (Analyses narratives et idéographiques d'une allégorie)." In  La femme dans l'histoire et la société méridionales (IXe -XIXe siècles), Actes du LXVIe Congrès de la Fédération Historique du Languedoc Méditerranéen et du Roussillon. Montpellier: Presses. de la ville de Narbonne et du Conseil général de l' Aude, 1995. 231-241.

Caporale Bizzini, Silvia. "Counterhegemonic Cultural Practices: The Example of Postcolonial Women Writers." In Culture and Power IV: Cultural Confrontations. Ed. Chantal Cornut-Gentille D'Arcy. Zaragoza, 1999. 57-66.*

Carabi, A., and M. Segarra, eds. Mujeres y literatura. 1994.

Carr, Helen, ed. From My Guy to Sci-Fi: Genre and Women's Writing in the Postmodern World. Pandora, 1989.

Casado-Gual, Núria, Emma Domínguez-Rué and Brian Worsfold, eds. Literary Creativity and the Older Woman Writer. (Critical Perspectives on English and American Literature, Communication and Culture, 15). Bern, Berlin, Brussels, Frankfurt a/M, New York, Oxford, Vienna: Peter Lang, 2016.* (Introd: "Re-Discovering the Older Woman", 9-20; Part I: Women and Literary Creativity through the Lifespan; Part II: Changing Perspectives in the Woman Writer's Late Literary Production; Part III: Late-Style and the Older Woman Writer).*

Case, Alison. "Gender and History in Narrative Theory: The Problem of Retrospective Distance in David Copperfield and Bleak House." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 312-21.*

Chedgzoy, Kate, Suzanne Trill, and Melanie Osborne, eds. Voicing Women: Gender and Sexuality in Early Modern Writing. Keele: Keele UP, 1996.

Chedgzoy, Kate, et al., eds. Voicing Women: Gender and Sexuality in Early Modern Writing. (Renaissance Texts and Studies). Edinburgh: Edinburgh UP, 1998.

Christian, Barbara. "The Race for Theory". Cultural Critique 6 (1987): 51-63.

Churchwell, Sarah. "Pushing Back: Why It's Time for Women to Rewrite the Story." The Guardian 17 Feb. 2018.*

         https://www.theguardian.com/books/2018/feb/17/pushing-back-why-its-time-for-women-to-rewrite-the-story

         2018

Cixous, Hélène. LA. Paris: Gallimard, 1976.

_____. La. Paris: Des Femmes, 1979.  (Women's writing, etc.).

_____. "La—The (Feminine)." Extract in The Hélène Cixous Reader. Ed. Susan Sellers.  London: Routledge, 1994. 57-67.*

_____. "Extreme Fidelity." Trans. Ann Liddle and Susan Sellers. In Writing Differences: Readings from the Seminar of Hélène Cixous. Ed. Susan Sellers. Milton Keynes: Open UP; New York: St. Martin's Press, 1988. (Gender and lit.).

_____. "Extreme Fidelity." Selection. In The Hélène Cixous Reader. Ed. Susan Sellers.  London: Routledge, 1994. 129-37.*

_____. Writing Differences: Readings from the Seminar of Hélène Cixous. Ed. Susan Sellers. Milton Keynes: Open UP; New York: St. Martin's Press, 1988.

Concha, Angeles de la. "Literary Representations of the Female Body as Dialectical Locus of Female Identity." Paper read at the conference on "Identity and Diversity: Philosophical/Philological Reflections." Madrid: UNED, Oct. 9-10, 2003.*

Coward, Rosalind. "This Novel Changes Women's Lives: Are Women's Novels Feminist Novels?" Feminist Review 5. Rpt. in Eagleton.

_____. Female Desires: How They Are Sought, Bought, and Packaged. New York: Grove, 1985.

Cuder Domínguez, Pilar, ed. Exilios femeninos. Huelva: Instituto Andaluz de la Mujer / Servicio de Publicaciones de la Universidad de Huelva, 2000.

DasGupta, Sayantani, and Marsha Hurst, eds. Stories of Illness and Healing: Women Write their Bodies.  Kent (OH): Kent State UP, 2007.

D'Monte, Rebecca, and Nicole Pohl, eds. Female Communities 1600-1800: Literary Visions and Cultural Realities. London: Macmilllan / Centre for English Studies, Schoool of Advanced Study, U of London, 1999.

Davies, Stevie. The Idea of Woman in Renaissance Literature. Hemel Hempstead: Harvester Wheatsheaf, 1987.

Delaney, Sheila. "A City, A Room: The Scene of Writing in Christine de Pisan and Virginia Woolf." In Writing Woman. New York: Schocken, 1983. 181-97.

Diamond, Arlyn, and Lee K. Edwards, eds. The Authority of Experience: Essays in Feminist Criticism. Amherst: U of Massachusetts P, 1977.

Didier, Béatrice. L'Ecriture-femme. Paris: PUF, 1981.

Donovan, Josephine. "Feminist style criticism." In Cornillon, Images of Women in Fiction 341-54.

_____. "Toward a Women's Poetics." Tulsa Studies in Women's Literature 3.1-2 (1984): 99-110.

Druxes, Helga. Resisting Bodies: The Negotiation of Female Agency in 20th-Century Women's Writing. Detroit: Wayne State UP, 1996.*

Ducheu, Claire. "The Representation of the Feminine." In Feminism in France. London: Routledge, 1988. 82-102.

Elam, Diane. "Is Feminism the Saving Grace of Hermeneutics?" Social Epistemology 5.4 (1991). Rpt. in Elam, Romancing the Postmodern. London: Routledge, 1992.

Elliott, Bridget, and Jo-Ann Wallace. Women Writers and Artists: Modernist (im)positionings. London: Routledge, 1994.

Ellman, Mary. "Phallic Criticism." Ch. 2 of Thinking about Women. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 677-89.*

Engelstad, Irene, and Janneken Øverland. Frihet til å skrive: Artikler om kvinnelitteratur fra Amalie Skram til Cecilie Løveid. Oslo: Pax, 1981.

Escritoras contemporáneas. Revista de Occidente 139 (1992).

Evans, Ruth. "Women and History [Troilus and Criseyde (1382-86)]. In Geoffrey Chaucer. Basingstoke: Palgrave Macmillan, 2004.

Ezell, Margaret J. M. "The Myth of Judith Shakespeare: Creating the Canon of Women's Literature." New Literary History 21.3 (1990): 579-92.

Falcón, Lidia, and Elvira Siurana. Mujeres escritoras (1860-1992). Madrid: Comunidad de Madrid, 1992.

Felman, Shoshana. "Women and Madness: The Critical Phallacy." Diacritics 5.4 (1975): 2-10.

_____. What Does a Woman Want? Reading and Sexual Difference. Baltimore: Johns Hopkins UP, 1993.

Ferrier, Carole. "Writing the History of Women's Writing." Hecate 8 (1982).

Foster, Jeannette. Sex Variant Women in Literature. 3rd ed. Tallahassee (FL): Naiad Press, 1985.

Gallagher, C. Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace, 1670-1820. Berkeley and Los Angeles: U of California P, 1995.

Gallop, Jane. "Writing and Sexual Difference: The Difference Within." Critical Inquiry 8 (1982).

García Gual, Carlos. "Fantasmas femeninos de la Grecia antigua." In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 127-39.*

García Sánchez, María Soraya "Talking about Women, History and Writing with Michèle Roberts." Atlantis 27.2 (Dec. 2005): 137-47.*

Gil Calvo, Enrique. La era de las lectoras. 1993.

Gilbert, Sandra. "Life's Empty Pack: Notes Toward a Literary Daughteronomy." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 785-811.*

Gilligan, Carol. In a Different Voice.

Gilmore, Leigh. Autobiographics: A Feminist Theory of Women's Self-Representation. Ithaca: Cornell UP, 1994.*

Gold, Penny. "From Actor to Object: Woman in Chanson de Geste and Romance." Olifant 4 (1976-77).

Goldstein, Judith L. "The Female Aesthetic Community." Poetics Today 14.1 (1993): 143-164.*

Gómez Reus, Teresa, and Terry Gifford, eds. Women in Transit through Literary Liminal Spaces. Basingstoke: Palgrave, 2013.

Goodman, Lizbeth, with Alison Smith. "Literature and Gender." In Literature and Gender. Ed. Lizbeth Goodman. London: Routledge / Open U, 1996. 2001. 1-40.*

Grafts: Feminist Cultural Criticism

Gubar, Susan. "Mother, Maiden, and the Marriage of Death: Women Writers and Ancient Myth." Women's Studies  6 (1979): 301-15.

_____. "'The Blank Page' and the Issues of Female Creativity." Critical Inquiry 8 (Winter 1981): 243-63.

_____. "'The Blank Page' and the Issues of Female Creativity."  In The New Feminist Criticism. Ed. Elaine Showalter. London: Virago, 1986. 292-313.

Guild, Elizabeth. "Women as auctores in Early Modern Europe." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 426-32.*

Hanscombe, Gillian, and Virginia L. Smyers. Writing for their Lives: The Modernist Women 1910-1940. London: Women's Press, 1987.

Haywood, Eliza. The Female Spectator. Selection from Book VIII. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989.351-61.*

Heath, Stephen. "Difference." Screen 19.3 (1978): 51-112.

Hedges, Elaine, and S. F. Fishkin, eds. Listening to Silences: New Essays in Feminist Criticism. Oxford: Oxford UP, 1995.

Heilbrun, Carolyn G. Toward Androgyny: Aspects of Male and Female in Literature. London: Gollancz, 1973.

Hendricks, Margo, and Patricia Parker, eds. Women, 'Race', and Writing in the Early Modern Period. London: Routledge, 1993.

Higonnet, Margaret R., ed. Borderwork: Feminist Engagements with Comparative Literature. Ithaca (NY): Cornell UP, 1994.*

Higonnet, Margaret R., and Joan Templeton, eds. Reconfigured Spheres: Feminist Explorations of Literary Space. Amherst: U of Massachusetts P, 1994.*

Holland, Norman N. Rewriting the Nostalgic Story: Woman, Desire, Narrative. Online at Norman Holland's website, U of Florida. 2010.

         http://ufdc.ufl.edu/UF00102751/00001

         2012

Holly, Marcia. "Consciousness and Authenticity: Towards a Feminist Aesthetic." In Donovan, Feminist Literary Criticism 38-47.

Homans, Margaret. Bearing the Word: Language and Female Experience in Nineteenth-Century Women's Writing. Chicago: U of Chicago P, 1986.

_____. "'Women of Color' Writers and Feminist Theory." 1994. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 406-24.*

Horner, Avril, and Sue Zlosnik. Landscapes of Desire: Metaphors in Modern Women's Fiction. Hemel Hempstead: Harvester Wheatsheaf, 1990.

Horno Delgado, Asunción. "Las literaturas de género y el canon." In Cànon literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala-Valldaura. Lleida: Diputació de Lleida-Institut d'Estudis Ilerdencs, 1998. 139-55.*

Howe, Florence, ed. Tradition and the Talents of Women. Urbana: U of Illinois P, 1991.

Humm, Maggie. Border Traffic: Strategies of Contemporary Women Writers. Manchester: Manchester UP, 1991.*

Irigaray, Luce. Speculum de l'autre femme. Paris: Minuit, 1974.

_____. Speculum of the Other Woman. Trans. Gillian G. Gill. Ithaca: Cornell UP, 1985.

_____. Ce sexe qui n'en est pas un. Paris: Minuit.

_____. Ethique de la différence sexuelle. Paris: Minuit.

_____. Parler n'est jamais neutre. Paris: Minuit.

_____. "Ecrire en tant que femme." 1987. In Irigaray, Je, tu, nous. 59-69.

Irons, Glenwood, ed. Gender, Language and Myth: Essays on Popular Narrative. Toronto: U of Toronto P, 1992.

Jackson, Fantasy: The Literature of Subversion

Jacobus, Mary. "Is there a Woman in this Text?" New Literary History 14.1 (1982): 117-41.

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_____. "The Difference of View." In Women Writing and Writing about Women. London: Croom Helm, 1979.

_____. "Reading Woman (Reading)." From Reading Woman. 1987. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 1029-45.*

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_____. "Writing the Body: Toward and Understanding of l'écriture féminine.."  In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 370-83.*

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Kolodny, Annette. "Some Notes on Defining a 'Feminist Literary Criticism." Critical Inquiry 2.1 (1975): 75-92. Rpt. in Brown and Olson, Feminist Criticism 37-58.

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Lobsien, Verena. "Subjection and Subjectivity: Writing Women in the European Renaissance (or SOCRATES at work)." European English Messenger 6.2 (1997): 11-13.*

Loeffelholz, Mary. Experimental Lives: Women and Literature 1900-1945. New York: Twayne, 1992.

Lorenzo Modia, María Jesús, ed. Ex-sistere: Women’s Mobility in Contemporary Irish, Welsh and Galician Literatures. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016.

Lundberg, Patricia Lorimer. "Dialogically Feminized Reading: A Critique of Reader-Response Criticism." The Reader 22 (1989): 9-37.

Malti-Douglas, Fedwa. Woman's Body, Woman's Word. 1991.

Marco, Aurora, ed. Estudios sobre mujer, lengua y literatura. Universidade de Santiago de Compostela / Universidad de Las Palmas de Gran Canaria, 1996.

Marcus, Jane. "Thinking Back Through Our Mothers." In Marcus, New Feminist Essays on Virginia Woolf 1-30.

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_____. "Still Practice, A/Wrested Alphabet: Toward a Feminist Aesthetic." Rpt. in Feminist Issues in Literary Scholarship. Ed. Shari Benstock. Bloomington: Indiana UP, 1987.

_____, ed. New Feminist Essays on Virginia Woolf. London: Macmillan, 1981.

Martin, Philip. Mad Women in Romantic Writing. Hemel Hempstead: Harvester Wheatsheaf, 1987.

Martin, Wendy. "The Feminine Mystique in American Fiction." In Female Studies II. Ed. Florence Howe. Pittsburgh: KNOW, 1970.

Martín Gaite, Carmen. "La mujer en la literatura." Lecture. In Martín Gaite, Pido la palabra. 2002.

Martínez, María Jesús. "Intertextuality and Gender Issues: Re-Writing the Female Body." Proceedings of the 20th International AEDEAN Conference.  Barcelona: Universitat de Barcelona, Facultat de Filología, 1997. 503-8.*

Martínez García, Ana Belén. New Forms of Self-Narration: Young Women, Life Writing and Human Life. Palgrave, 2020.

McConnell-Ginet, Sally, Ruth Borker and Nelly Furman, eds. Women and Langage in Literature and Society. New York: Praeger, 1980.

Meese, Elizabeth. "Theorizing Lesbian Writing—A Love Letter." In Lesbian Texts and Contexts.  Ed. Karla Jay and Joanne Glasgow. London: Onlywomen, 1992. 70-87.

Mercado, Tununa. "Línea de horizonte." (Writing). Revista de Occidente 139 (1992): 99-108.

Michie, Helena. The Flesh Made Word: Female Figures and Woman's Bodies. New York: Oxford UP, 1987.*

_____. Sororophobia: Differences among Women in Literature and Culture. New York: Oxford UP, 1992. Rev. English Literature in Transition 37.1 (1994).

Miller, Nancy K. "Emphasis Added : Plots and Plausibilities in Women's Fiction". PMLA 96 (1981). Rpt. in The New Feminist Criticism, ed. Elaine Showalter. New York: Pantheon, 1985. 339-360.

_____, ed. The Poetics of Gender. New York: Columbia UP, 1986.

Millett, Kate. Sexual Politics. New York: Avon Books, 1969.

_____. Sexual Politics. Garden City: Doubleday, 1970.

_____. Sexual Politics. London: Hart-Davis, 1971.

_____. Sexual Politics. London: Virago, 1977.*

_____. Política sexual. Trans. A. M. Bravo García. México: Aguilar, 1975.

Mills, Sara. Feminist Stylistics. (Interface). London: Routledge, 1995.*

Mills, Sara, Lynne Pearce, Sue Spaull and Elaine Millard. Feminist Readings / Feminists Reading.  Hemel Hempstead: Harvester Wheatsheaf, 1989.

Monteith, Moira, ed. Women's Writing: A Challenge to Theory. Hemel Hempstead: Harvester Wheatsheaf, 1986.

Moore, Suzanne. "Marian Keyes Is Right: Books by Male Authors Are Overrated." The Guardian 10 Feb. 2020.*

         https://www.theguardian.com/commentisfree/2020/feb/10/marian-keyes-is-right-books-by-male-authors-are-overrated

         2020

Moore, Virginia. Distinguished Women Writers. 1934. Port Washington, 1968.

Morris, Pam. Literature and Feminism. Oxford: Blackwell, 1993. Rev. in Textual Practice  9.1 (1995).

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Nicholson, Linda, ed. Feminism / Postmodernism. New York: Routledge, 1990.

Nuño, Ana. "Sobre literatura, mujeres y otras militancias." Quimera 127 (1994): 13-19.

Oates, Joyce Carol. "Is There a Female Voice?" In Gender and Literary Voice. Ed. Janet Todd.

_____. Woman. Writer: Occasions and Opportunities. Essay. 1988.

Ozick, Cynthia. "Women and Creativity: The Demise of the Dancing Dog." 1969. In Woman in Sexist Society. Ed. Gornick and Moran.

Parker, Patricia. Literary Fat Ladies: Rhetoric, Gender, Property. London: Methuen, 1987.

Petersen, K. H., and A. Rutherford, eds. A Double Colonization: Colonial and Post-Colonial Women's Writing. Mundelstrup, Denmark: Dangaroo Press, 1986.

Pitarch, Pau. "Género y fantasía heroica." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008.

Radner, Johan Newlon, ed. Feminist Messages: Coding in Women's Folk Culture. Urbana: Illinois UP, 1993.

Radway, Janice A. Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: U of North Carolina P, 1984.

_____. Reading the Romance: Women, Patriarchy, and Popular Literature. 1984. London: Verso, 1987. 1994.

Rajan, Rajeswari Sunder. Real and Imagined Women.  London: Routledge, 1993.

Riera, Carme. "Femenino singular: Literatura de mujer." In Critica y ficción literaria: Mujeres españoles contemporáneas. Ed. Aurora López and Mª Angeles Pastor. Granada: Universidad de Granada, 1989. 25-38.

Robertson, Mary F. "Deconstructive 'Contortion' and Women's Historical Practice." Poetics Today 7.4 (1986): 705-28.

Robinson, Lillian S. "Dwelling in Decencies." College English 32 (1971): 879-89. Rpt in Brown and Olson, Feminist Criticism 21-36.

Robinson, Lillian S., and Lise Vogel. "Modernism and History." In Images of Women in Fiction: Feminist Perspectives. Ed. Susan Koppelman Cornillon. Bowling Green (OH): Bowling Green University Popular Press, 278-307.

Romero Ruiz, María Isabel. Women's Identities and Bodies in Colonial and Postcolonial History and Literature. Newcastle-upon-tyne: Cambridge Scholars Publishing, 2012.

Rooney, Seductive Reasoning

Rossi, Rosa. "Introducción: Instrumentos y códigos. La 'mujer' y la 'diferencia sexual'." In Teoría feminista: discursos y diferencia. Vol. 1 of Breve historia feminista de la literatura española (en lengua castellana). Coord. Myriam Díaz-Diocaretz and Iris M. Zavala. Barcelona: Anthropos/Comunidad de Madrid, 1993. 13-26.

Rowe, Kathleen. The Unruly Woman: Gender and the Genres of Laughter. Austin: U of Texas P, 1995.

Rule, Jane. Lesbian Images. Garden City (NY): Doubleday, 1975.

Sagari, Kumkum, and Suclesh Vaid, eds. Recasting Women. New Brunswick: Rutgers UP, 1990.

Sainte-Beuve. Retratos literarios femeninos. Ediciones de Bolsillo.

Sánchez-Pardo González, Esther. "¿Hacia un feminismo postmoderno? Reflexiones en torno al género y la lectura en la postmodernidad." Estudios Ingleses de la Universidad Complutense 1 (1993): 143-58.*

Sánchez Cuervo, Margarita Esther. "The Gendered Sentence in the Essays of Virginia Woolf." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*

Shibanoff, Susan. "Taking the Gold Out of Egypt: The Art of Reading as a Woman." In Gender and Reading: Essays on Readers, Texts, and Contexts. Ed. Elizabeth A. Flynn and Patrocinio P. Schweickart. Baltimore: Johns Hopkins UP, 1986. 83-106.

Shinn, Jean Thelma. Worlds Within Women: Myth and Mythmaking in Fantastic Literature by Women. Westport (CT): Greenwood Press, 1986.

Showalter, Elaine. "Women and the Literary Curriculum." College English 32 (1971).

_____. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton UP, 1977.

_____. "Towards a Feminist Poetics". 1979. In Jacobus, Women Writing and Writing about Women 22-41. Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 268-71.

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_____. "Towards a Feminist Poetics." In Debating Texts. Ed. Rick Rylance. 234-47.

_____. "Towards a Feminist Poetics." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 380-402.*

_____. "Feminist Criticism in the Wilderness." Critical Inquiry 8.1 (1981): 179-205.

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_____. "Feminist Criticism in the Wilderness." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 330-53.*

_____. "Feminist Criticism in the Wilderness." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 51-71.*

_____. "Women Writers and the Double Standard." In Woman in Sexist Society. Ed. Gornick and Moran.

_____. Sexual Anarchy: Gender and Culture at the Fin de Siècle. London: Viking, 1990.

_____, ed. Daughters of Decadence: Women Writers of the 'fin de siècle'. London: Virago, 1993.

Signs 7.1 (1981). Special issue on feminist criticism.

Smith, Barbara. Towards a Black Feminist Criticism. 1977. New York: Out and Out, 1980.

Smith, Sidonie. A Poetics of Women's Autobiography. Bloomington: Indiana UP, 1987.

Sosnoski, James J. "A Mindless Man-Driven Theory Machine: Intellectuallity, Sexuality, and the Institution of Criticism." 1989. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997. 33-50.*

Spacks, P. M. The Female Imagination: A Literary and Psychological Investigation of Women's Writings. London: Allen & Unwin, 1976.

Spender, Dale. "Women and Literary History." In Belsey and Moore 1990: 21-23.

Stimpson, Catharine. "Ad/d feminam: Women, Literature and Society." In Literature and Society. Ed. Edward W. Said. Baltimore, 1980. 174-92.

Stubbs, Patricia. Women and Fiction: Feminism and the Novel 1880-1920. Brighton: Harvester; London: Methuen, 1981.

Sukenick, Lynn "On Women and Fiction." The Authority of Experience: Essays in Feminist Criticism. Ed. Arlyn Diamond and Lee K. Edwards. Amherst: U of Massachusetts P, 1977. 28-44.

Suleiman, Susan Rubin. Subversive Intent: Gender, Politics, and the Avant-Garde. Cambridge (MA): Harvard UP, 1990.

Sutherland, Kathryn. "Challenging Assumptions: Women Writers and New Technology." In The Politics of the Electronic Text. Ed. Warren Chernaik, Caroline Davis and Marilyn Deegan. Oxford: Office for Humanities Communication Publications, with The Centre for English Studies, U of London, 1993. 53-67.

Tornsey, Cheryl B. "The Critical Quilt: Alternative Authority in Feminist Criticism." In Contemporary Literary Theory. Ed. G. Douglas Atkins and Laura Morrow. N.p.: Macmillan, 1989. 180-99.

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Turner, Cheryl. Living by the Pen: Women Writers in the Eighteenth Century. London: Routledge, 1994.

Usandizaga, Aránzazu. Amor y literatura: La búsqueda literaria de la identidad femenina. Barcelona, 1993.

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Villegas-López, Sonia, and Beatriz Domínguez-García, eds. Literature, Gender, Space. Huelva: U de Huelva, 2004.

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Wyatt, Jean. Reconstructing Desire: The Role of the Unconscious in Women's Reading and Writing. Chapel Hill: U of North Carolina P, 1990.

Yaeger, Patricia. Honey-Mad Women: Emancipatory Strategies in Women's Writing. New York: Columbia UP, 1988.

Yale French Studies 62 (1981). Special issue on feminism.

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Zimmerman, Bonnie. "What Has Never Been: An Overview of Lesbian Feminist Literary Criticism." Feminist Studies 7.3 (1981): 451-76.

 

 

 

 

Anthologies

 

 

Cardinal, Agnès, Dorothy Goldman, and Judith Hattaway, eds. Women's Writing on the First World War. Oxford: Clarendon Press, 1999.

Cooke, Judy. The Minerva Anthology of 20th-Century Women's Fiction.

Edwardes, Pamela, ed. Frontline Intelligence. (Women's writing anthology). 2 vols. London: Methuen, 1994.

Griffin, Gabrielle, and Elaine Aston, eds. Herstory. 2 vols. Sheffield and New York: Academic Press, 1991.

Hahner, June E., ed. Women Through Women's Eyes: Latin American Women in Nineteenth-Century Travel Accounts. (Latin American Silhouettes). Scholarly Resources, 1998.

Ingram, Angela, and Daphne Patai, eds. Rediscovering Forgotten Radicals: British Women Writers 1889-1939. U of North Carolina P, 1993.

Wilson, Katharina, ed. Women Writers of the Renaissance and Reformation.  Anthology. 1987.

 

 

 

 

 

Bibliographies

 

 

Alvarez Faedo, María José. A Bio-Bibliography of Eighteenth-Century Religious Women in England and Spain. Lewiston (NY): Edwin Mellen Press, 2005.

 

García Landa, José Angel. "Women and Literature." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Maria Carmen Pérez) 24 Jul. 2013.*

         http://es.scribd.com/doc/155786411/Women-Lit

         2013

 

 

 

 

 

Blogs

 

Women's Print History Project.*

         https://womensprinthistoryproject.com/blog/

         2021

 

 

 

 

Internet resources

 

 

The Women of the Romantic Period Hypertext. 1996. (D. Anderson and M. Safran).

         http://www.cwrl.utexas.edu/~worp

         1999

 

Women Writers Project (Brown University)

http://www.wwp.brown.edu/

         2004-06-28

 

Celebration of Women Writers.

         http://www.cs.cmu.edu/Web/People/mmbt/women/writers.html

 

Escritoras.com

         http://www.escritoras.com/

         2005-12-03

 

Magazines and Newsletters on the Web (women-focused)

         http://www.library.wisc.edu/libraries/WomensStudies/mags.htm

 

The Orlando Project: History of women's writing in Britain.

         http://www.ualberta.ca/ORLANDO

 

Women's Studies Database Reading Room, U of Maryland

         http://www.mith2.umd.edu/WomensStudies/ReadingRoom/

         2009

 

 

 

 

Dictionaries

 

 

Miller, Jane Eldridge, ed. Who's Who in Contemporary Women's Writing. London: Routledge, 2001.*

 

 

 

 

Internet resources

 

 

 

RECIRC: The Reception and Circulation of Early Modern Women's Writing, 1550-1700.* (NUI Galway).

         https://recirc.nuigalway.ie/

         2020

 

 

 

 

 

 

 

Journals

 

 

Critical Matrix:

The Princeton Journal of Women, Gender, and Culture.  

Ed. Anne-Lise François et al. 

Program in Women's Studies,

113 Dickinson Hall,

Princeton University,

Princeton N J 08544.

e-mail: matrix@princeton.edu

Fax (609) 258-1833.

Vol. 10.1-2 (Fall 1996).*

 

Domestic Goddesses: AKA Scribbling Women.

E-journal.

Ed. Kim Wells.

http://lonestar.texas.net/˜kwells/dg1.htm

 

Gramma

Savas Patsalidis and Elizabeth Sakellaridou

Department of English

Faculty of Philosophy

Aristotle University

Aristotle University of Thessaloniki

540 06 Thessaloniki

Greece

 

Lectora: Revista de dones i textualitat.

Ed. Neus Carbonell.

Universtitat Autònoma de Barcelona.

Departament de Filologia Espanyola. Edifici B.

08913 Bellaterra, Barcelona

 

LHT no. 7: "Les femmes on-telles une histoire littéraire?"

         http://www.fabula.org/lht/7

         2012

 

Tessera.

Feminist literary journal.

Founding ed. Kathy Mezei

(Simon Fraser U, Burnaby, British Columbia).

 

Tulsa Studies in Women's Literature 8.2 (1989).

 

Women: A Cultural Review.

Ed. Isobel Armstrong and Helen Carr. Oxford: Oxford UP.

Jane Part. Oxford UP, Walton Street, Oxford OX2 6DP, UK.

 

The Women's Review of Books.

Wellesley College Center for Research on Women.

Massachusetts 02181

USA.

Vol. 8.5 (Feb. 1990).

 

 

Women's Studies: An Interdisciplinary Journal.

Ed. Wendy Martin.

The Claremont Graduate School.

Dpt. of English.

Claremont, California 91711

USA.

 

Women's Writing.

Ed. Marie Mulvey-Roberts

School of Literary Studies, U of the West of England,

St Matthihas, Fishponds,

GB-Bristol BS 16 2JP

(and Janet Todd).

Publisher: Triangle Journals Ltd.

P.O. Box 65, Wallingford,

Oxfordshire OX10 0YG, England.

Women's Writing 7.3 (2000). Electronic ed.:

http://www.triangle.co.uk/

 

 

 

 

 

 

Literature

 

 

Browning, Elizabeth Barrett. Aurora Leigh. Narrative poem. 1857.

_____. Aurora Leigh and Other Poems. Ed. Cora Kaplan. London: Women's Press, 1978.

_____. Aurora Leigh. Oxford: Oxford UP.

_____. Aurora Leigh. Ed. Margaret Reynolds. (Norton Critical Edition). New York: Norton, 1996.

The Female Wits. Anonymous farce. In Fidelis Morgan, The Female Wits: Women Playwrights on the London Stage 1660-1720. London: Virago, 1981. 390-433.* (Centlivre, Pix, Manley, Behn…)

Finch, Anne. "The Introduction." Written c. 1689, pub. 1903.  In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2291-93.*

 

 

 

 

 

Series

 

 

(Bibliographies and Indexes in Women's Studies, 25). Greenwood Press, 1998.

 

(Pickering Women's Classics Series). London: William Pickering, c. 1993.

 

(Textos y Estudios de Mujeres). Cádiz: Publicaciones de la Universidad de Cádiz.*

 

(Estudios y textos de mujeres, 11). Cádiz: Servicio de Publicaciones de la Universidad de Cádiz, 2001.

 

(Women Writers). Houndmills: Macmillan.

 

 

 

 

 

 

See also: Feminist criticism; Women's studies; Women and Language

 

 

 

 

 

 

Women's Writing: Areas

 

 

Women's writing in English

 

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Albinski. Women's Utopias in British and American Fiction

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Purkiss, Diane. "Producing the Voice, Consuming the Body: Seventeenth Century Women Prophets." In Women / Writing / History. Ed. Susan Wiseman and Isobel Grundy. London: Batsford, 1992. 139-58.

Register, Cheri. "American Feminist Literary Criticism: A Bibliographical Introduction." In Donovan, Feminist Literary Criticism 1-28.

Reizbaum, Marilyn. "Canonical Double Cross: Scottish and Irish Women's Writing." In Decolonizing Tradition: New Views of Twentieth-Century "British" Literary Canons. Ed. Karen R. Lawrence. Urbana: U of Illinois P, 1992. 165-90.*

Rennhak, Katharina. 'Cross-Gendering' und die Konstruktion männlicher Identitäten in Romanen von Frauen um 1800. (Studien zur Englischen Romantik, 13). Trier: wvt, 2013.

Reynolds, Kimberley, and Nicola Humble. Victorian Heroines: Representations of Femininity in Nineteenth Century Literature and Art. Hemel Hempstead: Harvester Wheathsheaf, 1993.

Reynolds, Myra. The Learned Lady in England, 1650-1760. Boston, 1920.

Ribeiro, Alvaro, and James G. Basker, eds. Tradition in Transition: Women Writers, Marginal Texts and the Eighteenth Century Canon. (Lonsdale festschrift). Oxford: Clarendon Press, 1996.

Richetti, John J. "The Portrayal of Women in Restoration and Eighteenth-Century Literature." In What Manner of Woman: Essays on English and American Life and Literature. Ed. Marlene Springer. New York: New York UP, 1977. 65-98.

Rigney, Barbara Hill. Madness and Sexual Politics in the Feminist Novels: Studies in Brontë, Woolf, Lessing and Atwood. Madison: U of Wisconsin P, 1978.

Robbins, Ruth. "New Women for Old: Politics and Fictional Forms in New Women Writing" In Robbins, Pater to Forster, 1873-1924. (Transitions). Oxford: Oxford UP, 2003.

Roberson, Susan L., ed. Women, America, and Movement: Narratives of Relocation. U of Missouri P, 1998.

Robertson, Mary F. "Medusa Points and Contact Points." In Rainwater and Scheick 1985. 119-41.

Rogers, Katharine M. Feminism in Eighteenth-Century England. Urbana, IL: Illinois University Press. 1982.

Routh, Harold V. "5. The Progress of Social Literature in Tudor Times." In The Cambridge History of English and American Literature, 3: English: Renascence and Reformation. Ed. A. W. Ward and A. R. Waller. New York: Putnam, 1907-21. Online at Bartleby.com, 2000.* (1. Cocke Lorell's Bote. 2. Mock testaments. 3. Fraternities, orders and dances of death. 4. The boke of Mayd Emlyn. 4. Widow Edith. 6. Satires and Disquisitions on women. 7. The Schole-house of women. 8. The Proude Wyves Paternoster. 9. Jest-books. 10. Transition of society. 11. The Complaynt of Roderyck Mors. 12. Robert Crowley. 13. The Hye Way to the Spyttel Hous. 14. Awdeley's Fraternitye of vacabones. 15. Harman's Caveat. 16. Cosmopolitanism. 17. Andrew Boorde. 18. William Bullein. 19. A Dialogue against the Fever Pestilence. 20. Superstition in the Sixteenth Century. 21. Scot's Discoverie of Witchcraft).

Russell, Elizabeth, ed. Loving against the Odds: Women's Writing in English in a European Context. Bern: Peter Lang, 2006.

Sage, Lorna, ed. The Cambridge Guide to Women's Writing in English. Cambridge: Cambridge UP, 1999.*

Salmerón Cabañas, Julia. "An Impossible Love: Surrealism and British Women Writers." In Proceedings of the 22nd International Conference of AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 363-67.*

Sánchez-Pardo González, Esther. "Estilos e ideologías de lo nuevo. Genealogías del modernismo británico femenino." In Historia de la novela inglesa escrita por mujeres. Ed. S. Caporale and A. Aragón. Salamanca: Almar, 2003.

Schmidt, Dolores Barracaro. "The Great American Bitch." College English 32 (1971).

Schwarz, Kathryn. Tough Love: Amazon Encounters in the English Renaissance. Duke UP, 2001.

Scott, Bonnie Kime, ed. The Gender of Modernism. Bloomington: Indiana UP, 1990.

Sharpe, Jenny. Allegories of Empire: The Figure of Woman in the Colonial Text.

Shaw, Patricia. "Ale Wives, Old Wives, Widows and Witches: The Older Woman in English Renaissance Literature." Actas del I Congreso Nacional de la Sociedad Española de Estudios Renacentistas Ingleses (SEDERI) / Proceedings of the I National Conference of the Spanish Society for English Renaissance Studies. Ed. Javier Sánchez. Zaragoza: SEDERI, 1990. 9-35.*

_____. "Mad Moll and Merry Meg: The Roaring Girls as Popular Heroines in Elizabethan and Jacobean Writings." In SEDERI VII. Ed. S. González Fernández-Corugedo et al. Coruña: SEDERI, 1996. 129-40.*

Shinn, Jean Thelma. Radiant Daughters: Fictional American Women. Westport (CT): Greenwood Press, 1986.

Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton UP, 1977.

_____, ed. Women's Liberation and Literature. New York, 1971.

Smith, Gwen D. "Women Writers: An Exhibition of Works from the 17th Century to the Present." University of North Texas Library, 1999-2000.*

         https://library.unt.edu/rarebooks/exhibits/women/

         2022

Smith, Hilda L. Reason's Disciples: Seventeenth-Century English Feminists. Urbana: U of Illinois P, 1982.

Smith, Patricia Juliana. "'And I Wondered If She Might Kiss Me': Lesbian Panic as Narrative Strategy in British Women's Fictions." Modern Fiction Studies 41.3-4 (Fall-Winter 1995): 567-608.*

Spencer, The Rise of the Woman Novelist: From Aphra Behn to Jane Austen.

Spender, Dale, and Janet Todd, eds. Anthology of British Women Writers. London: Pandora.

Spillers, Hortense, and Marjorie Pryse, eds. Conjuring. Bloomington: Indiana UP, 1985.

Staves, Susan. A Literary History of Women's Writing in Britain, 1660-1789. Cambridge: Cambridge UP, 2006.

Stein, Rachel. Shifting the Ground: American Women Writers' Revisions of Nature, Gender, and Race. Charlottesville: UP of Virginia, 1997.*

Stevenson, Barbara, and Cynthia Ho, eds. Crossing the Bridge: Comparative Essays on Medieval European and Heian Japanese Women Writers. Houndmills: Macmillan, 2000.

Stoneman, Patsy, and Ana María Sánchez Arce, with Angela Leighton. European Intertexts: Women's Writing in English in a European Context. (European Connections Series, 13) Oxford, Frankfurt, New York: Peter Lang. 2005. 127-148.

Stott, Rebecca. The Fabrication of the Late-Victorian Femme Fatale: The Kiss of Death. (Women's Studies at York/Macmillan series). Basingstoke: Macmillan, 1992.*

Stout, Janis P. Through the Window, Out the Door: Women's Narratives of Departure, from Austin and Cather to Tyler, Morrison and Didion. Tuscaloosa: U of Alabama P, 1998.*

Stubbs, Women and Fiction: Feminism and the Novel, 1880-1920

Taillefer, Lidia. La causa de las mujeres en Gran Bretaña a través de los textos. (Colección Ciencia). Madrid: Fundamentos, 2019.

Tally, Justine. "Powerlessness into Power: Intersecting Gender, Race and Region." Revista Canaria de Estudios Ingleses 21 (1990): 19-34.

_____. "The Black American Woman's Literary Tradition and the Cult of 'True Womanhood'." Revista Canaria de Estudios Ingleses 21 (1990): 47-58.

Tate, Claudia. Domestic Allegories of Political Desire: The Black Heroine's Text at the Turn of the Century. New York: Oxford UP, 1996.

_____, ed. Black Women Writers at Work. New York: Continuum, 1983

Thickstun, Fictions of the Feminine: Puritan Doctrine and the Representation of Women

Todd, Janet. Women's Friendship in Literature. New York: Columbia UP, 1980.

Trilling, Diana. "The Image of Woman in Comparative Literature." In The Woman in America. Ed. Jay Lifton. Boston: Beacon, 1964.

Triviño, Consuelo. "Amazonas en París." Quimera 118 (1993): 12-17.

Trodd, Anthea. Women's Writing in English: Britain 1900-1945. (Women's Writing in English series). Harlow (Essex): Addison Wesley Longman, 1998.*

Upham, A. H. "English Femmes Savantes at the End of the Seventeenth Century." Journal of English and Germanic Philology 12 (1913).

Usandizaga, Aránzazu, and Elisabeth Russell, ed. Wayward Girls and Wicked Women: In Memoriam Angela Carter. Barcelona: U Autónoma de Barcelona, 1995.

Villacañas Palomo, Beatriz. "The Woman Novelist in the Victorian Background." In Actas del VII Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Madrid: Ediciones de la UNED, 1986. 237-44.

Wall, C. A., ed. Changing Our Own Words: Essays on Criticism, Theory and Writing by Black Women. New Brunswick (NJ): Rutgers UP, 1989.

Walker, Alice. In Search of Our Mothers' Gardens: Womanist Prose. San Diego: Harcourt Brace Jovanovich, 1983.

Walker, Garthine. "'Demons in Female Form': Representations of Women and Gender in Murder Pamphlets of the Late Sixteenth and Early Seventeenth Centuries." In Writing and the English Renaissance. Ed. William Zunder and Suzanne Trill. Harlow (Essex): Longman, 1996. 123-39.*

Wandor, Michelene, ed. On Gender and Writing. London, 1983.

Warhol, Robyn R. "Toward a Theory of the Engaging Narrator: Earnest Interventions in Gaskell, Stowe, and Eliot". PMLA 101.5 (1986): 811-18.

Warren, Nagueyalti, and Sally Wolff, eds. Southern Mothers: Facts and Fictions in Southern Women's Writings. Foreword by Elizabeth Fox-Genovese. (Southern Literary Studies). Baton Rouge: Louisiana State UP, 1999.*

Washington, Mary Helen. "New Lives and New Letters: Black Women Writers at the End of the Seventies." College English 43 (1981): 1-11.

Westling, Louise H. The Green Breast of the New World: Landscape, Gender, and American Fiction.  Athens (GA): U of Georgia P, 1996.*

Wilcox, Helen. "'Memorandum' and 'Milestone': Women's Studies and English Literature." European English Messenger 6.1 (1997): 26-28.*

_____, ed. Women and Literature in Britain, 1500-1700. Cambridge: Cambridge UP, 1996.*

Willis, Susan. "Black Women Writers: Taking a Critical Perspective." In Making a Difference: Feminist Literary Criticism. Ed. Gayle Greene and Coppélia Kahn. London: Methuen, 1985.

Wiseman, Mary Bittner. "40. Literature and Gender." In The Routledge Companion to Philosophy of Literature. Ed. Noël Carroll and John Gibson. London: Routledge, 2015.

Wisker, Gina. "Black British Women's Writing." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

_____. "African American Women's Writing." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

_____. "Canadian Women's Writing." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

_____. "Writing by Women from Aotearoa (New Zealand)." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

_____. "Writing by Women from the Indian Sub-Continent." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

_____. "Writing by Women from South Africa." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

_____. "African Women's Writing." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

_____. "Caribbean Women's Writing." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

Wolff, Cynthia Griffin. "A Mirror for Men: Stereotypes of Women in Literature." Massachusetts review 13 (1972): 205-18.

Women Writing. Revista Canaria de Estudios Ingleses 21 (1990).

Woodbridge, Linda. Women and the English Renaissance: Literature and the Nature of Womankind, 1540-1620. Urbana: U of Illinois P, 1984.

Woolf, Virginia.A Room of One's Own. New York: Harcourt, 1929. 1957.

_____. A Room of One's Own. Harmondsworth: Penguin, 1945.

_____. A Room of One's Own. London: Triad-Grafton, 1977.

_____. "In Search of a Room of One's Own." Ch. 3 of A Room of One's Own. In The Norton Reader. 8th ed. New York: Norton, 1992. 707-18.

_____. A Room of One's Own. Chapter 6. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 613-24.*

_____. Three Guineas. London: Hogarth Press, 1938. 1943. 1947. 1952. 1953.* Sequel to A Room of One's Own.

_____. Three Guineas. New York: Harcourt, 1938.

_____. Three Guineas. Harmondsworth: Penguin, 1977.

_____. Three Guineas. Introd. Hermione Lee. London: Hogarth.

_____. Tres Guineas. Trans. Andrés Bosch. Barcelona: Lumen, 1980.

_____. Women and Writing. Ed. Michèle Barrett. London: Women's Press, 1979.

Wynne-Davies, Marion.Women and Arthurian Literature: Seizing the Sword. Basingstoke: Macmillan, 1996.

Zamora, Lois Parkinson, ed. Contemporary American Women Writers: Gender, Class, Ethnicity. (Longman Critical Readers). Harlow (Essex): Addison Wesley Longman, 1998.*

 

 

 

Anthologies

 

Baraka, Amiri, and Amina Baraka, eds. Confirmation: An Anthology of African American Women. New York, 1983.

Fell, Alison, ed. Hard Feelings.  Women's fiction anthology. Spare Rib Collective.

Ferguson, Moira, ed. First Feminists: British Women Writers 1578-1799. Bloomington: Indiana UP, 1985.

Davidson, Cathy, and Linda Wagner-Martin eds. The Oxford Book of Women's Writing in the United States. Oxford: Oxford UP, 1995.

Franklin, Caroline, ed. Women's Travel Writing: 1750-1850. 8 vols. (History of Feminism). Andover: Routledge, 2006.

Gilbert, Sandra, and Susan Gubar, eds. The Norton Anthology of Literature by Women: The Tradition in English. New York: Norton, 1985.

Gunew, Sneja. coed. Telling Ways: Australian Women's Experimental Writing.

_____, ed. Feminist Knowledge: Critique and Construct. London: Routledge, 1990.

_____, ed. A Reader in Feminist Knowledge. London: Routledge, 1991.

Heron, Liz, ed. Streets of Desire: Women's Fictions of the Twentieth-Century City. London: Virago, 1993.

Mahl, Mary R., and Helene Koon, eds. The Female Spectator. (Anthology of women's writing). Bloomington, 1977.

Moraga, Cherríe, and Gloria Anzaldúa, eds. This Bridge Called My Back: Writings by Radical Women of Color. Watertown (MA): Persephone, 1981.

Spender, Dale, and Janet Todd, eds. An Anthology of British Women Writers. London: Pandora, 1989.*

Tate, Linda. A Southern Weave of Women: Fiction of the Contemporary South. Athens (GA): U of Georgia P, 1994.*

Travitsky, Betty, ed. The Paradise of Women: Writings by Englishwomen in the Renaissance. Anthology. 1989.

Trill, Suzanne, Kate Chedgzoy and Melanie Osborne, eds. Lay by Your Needles Ladies, Take the Pen: Writing Women in England 1500-1700. London: Hodder Headline-Arnold, 1997.*

 

 

Bibliographies

 

Grier, Barbara. The Lesbian in Literature: A Bibliography. Tallahassee: Naiad Press, 1981.

Lorenzo Modia, María Jesús. "A Bibliography of Primary Sources by Some Eighteenth-Century Women Writers." Revista Alicantina de Estudios Ingleses 10 (1997): 251-67.*

 

 

 

 

 

Dictionaries

 

 

Bell, Maureen, George Parfitt and Simon Shepherd, eds. A Biographical Dictionary of English Women Writers, 1580-1720. Hemel Hempstead: Harvester Wheatsheaf, 1990.*

Blain, Virginia, ed. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present.  London: Batsford, 1990.*

Blain, Virginia, Patricia Clements and Isobel Grundy, eds. The Feminist Companion to Literature in English. London: Yale UP, 1990.

Davidson, Cathy, and Linda Wagner-Martin, eds. The Oxford Companion to Women's Writing in the United States. New York: Oxford UP, 1995.*

Hammill, Faye, Ashlie Sponenberg and Esme Miskimmin, eds. Encyclopedia of British Women's Writing 1900-1950.  Houndmills: Palgrave Macmillan, 2006.

Mainiero, Lina, and Langdon Lynne Faust, eds. American Women Writers: A Critical Reference Guide from Colonial Times to the Present. 4 vols. New York: Frederick Ungar, 1982: 4.

Schlueter, Paul, and June Schlueter, eds. Encyclopedia of British Women Writers. Rev. ed. Rutgers UP, 1998.

Todd, Janet. A Dictionary of British and American Women Writers 1660-1800. London: Methuen, 1987.

 

 

 

 

Internet resources

 

 

 

Emory Women Writers Resource Project.

         http://womenwriters.library.emory.edu/ewwrp/

         2011

 

Victorian Women Writers Project, U of Indiana (Original texts of literary works by British women writers of the late 19th century; offers background and links to works).

         http://www.indiana.edu/~letrs/VWWP/

         (Spring 1996).

 

 

 

 

 

Journals

 

 

Tulsa Studies in Women's Literature 10 (1991).

 

Women's Writing. Ed. Marie Mulvey-Roberts and Janet Todd. School of Literary Studies, University of the West of England, St Matthias, Fishponds, Bristol BS 16 2 JP, UK. E-mail: marie.roberts@win-uk.net

 

 

 

 

 

Literature

 

 

The Female Wits. Anonymous farce. In Fidelis Morgan, The Female Wits: Women Playwrights on the London Stage 1660-1720. London: Virago, 1981. 390-433.* (Centlivre, Pix, Manley, Behn…)

 

 

 

 

 

 

 

Series

 

 

(Main de Femme). Parole Éditions, c. 2007.

 

(Women Writers in English 1350-1850). New York: Oxford UP.

 

(Women's Writing in English). Harlow: Addison Wesley Longman, c. 1999.

 

 

 

 

 

Societies

 

 

Contemporary Women's Writing Association

         http://www.the-cwwa.org

         2011

 

 

 

 

Video

 

 

Dahiya, Bhim Singh. "Women Writers of America." Video lecture. YouTube (cec) 11 Nov. 2014.*

https://youtu.be/sXXk26fbaFg

         2020

 

Longworth, Deborah. "Virginia Woolf and Feminist Aesthetics." Video lecture. YouTube (University of Birmingham) 6 March 2017.*

         https://youtu.be/NA3bMh9T4q4

         2017

 

 

 

 

 

French women's writing

 

Beauvoir, Simone de. "1. French Women Writers." Introd. Elizabeth Fallaize (19-23). In Beauvoir, Feminist Writings. Urbana, Chicago, and Springfield: U of Illinois P, 2015. ("Problems for Women's Literature", 24-30; "Women of Letters", 30-34.*

Birkett, Jennifer. "Women/Writing/Women." In Birkett and Kearns, A Guide to French Literature: From Early Modern to Postmodern. Houndmills: Macmillan; New York: St. Martin's, 1997. 276-92.*

Borie, Jean. Le Tyran timide: Le naturalisme de la femme au XIXe siècle. Paris: Klincksieck, 1973.

Claver, Ana. La figura femenina en Jules Verne.

DeJean, Joan. "Rooms of Their Own: Literary Salons in Seventeenth-Century France." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 378-83.*

DeJean, Joan, and Nancy K. Miller, eds. Displacements: Women, Tradition, Literatures in French. Baltimore: Johns Hopkins UP, 1991. Reed. of The Politics of Translation: Placing Women in French Literature (Yale French Studies, 75), Autumn 1988.

Godard, B., ed. Gynocritics: Feminist Approaches to Canadian and Quebec Women's Writing. Toronto: ECW Press, 1987.

Goldberg, Nancy Sloan. Woman, Your Hour Is Sounding: Continuity and Change in French Women's Great War Fiction, 1914-1919. Houndmills: Macmillan, 2000.

Lamy, S. "Les enfants uniques nés de père et de mère inconnus." In Gynocritics: Feminist Approaches to Canadian and Quebec Women's Writing. Ed. B. Godard. Toronto: ECW Press, 1987.

Miller, Nancy K., and Joan DeJean, eds. Displacements: Women, Tradition, Literatures in French. 1990.

Segarra Muntaner, Marta. "Contra el colonialismo y el patriarcado: la escritura femenina franco-magrebí." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno and Silvia Caporale. Barcelona: PPU, 1996. 369-80.*

 

 

 

German women's writing

 

Diethe, Carol. Towards Emancipation: German Women Writers of the 19th Century. Oxford: Berghahn, 1998.

Riley, Helene. Die Weibliche Muse: Sechs Essays über künstlerisch schaffende Frauen der Goethezeit. Camden, 1986. (Anna Karsch, S. Mereau, Günderrode, Seidler, etc).

Tatlock, Lynne. The Graph of Sex and the German Text: Gendered Culture in Early Modern Germany 1500-1700. Amsterdam: Rodopi, 1993.

 

 

 

Spanish women's writing

 

Brown, Joan L. Women Writers of Contemporary Spain: Exiles in the Homeland. London and Toronto: Associated UP, 1991.

Bueno Mingallón, Antonia. "Que veinte años son muchas mujeres. Escribiéndolas, reescribiéndome." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

Caso, Ángeles. "Las primeras escritoras de España." In Caso, Las olvidadas: Una historia de mujeres creadoras. Barcelona: Círculo de Lectores, 2005. 115-40.*

Castro, Antón. "Ocho propuestas literarias que reivindican el papel creativo de la mujer en la sociedad." Heraldo de Aragón 8 March 2022.*

         https://www.heraldo.es/noticias/ocio-y-cultura/2022/03/08/ocho-propuestas-literarias-que-reivindican-el-papel-creativo-de-la-mujer-en-la-sociedad-1558183.html

         2022

Catálogo de sombras: Treinta escritoras del siglo XX en lengua castellana. Quimera 123 (1994).

Cruz, Anne J. "Los estudios feministas en la literatura del Siglo de Oro." In Estado actual de los estudios sobre el Siglo de Oro. Ed. Manuel García Martín et al. Salamanca: Ediciones Universidad de Salamanca, 1993. 255-60.*

Espacios en espiral: Dossier: Cine, literatura y teatro de mujeres. Barcelona: Coordinadora Una Palabra Otra, 1994.

Falcón, Lidia, and Elvira Siurana. Mujeres escritoras (1860-1992). Madrid: Comunidad de Madrid, 1992.

Kirkpatrick, Susan. Las Románticas: Escritoras y subjetividad en España, 1835-1850. Madrid: Cátedra.

Levine, Linda Gould. Spanish Women Writers: A Bio-Bibliographical Source Book. London, 1994.

López, Aurora, and Mª Angeles Pastor, eds. Critica y ficción literaria: Mujeres españoles contemporáneas. Granada: Universidad de Granada, 1989.

McNerney, Kathleen, and Cristina Enríquez de Salamanca. Double Minorities of Spain: A Bio-bibliographic Guide to Women Writers of the Catalan, Galician, and Basque Countries. New York: MLA, 1994.

Nelken, Margarita. Las escritoras españolas. Barcelona: Labor, 1930.

Nichols, Geraldine C. Des/cifrar la diferencia: Narrativa femenina de la España contemporánea. Madrid: Siglo XXI, 1992.

Oñate, Mª del Pilar. El feminismo en la literatura española. Madrid: Espasa-Calpe, 1938.

Perles Rochel, Juan Antonio. Una propuesta de revisión del feminismo ginocéntrico a través de la narrativa chicana: Sandra Cisneros, Montserrat Fontes y Rudolfo A. Anaya. Diss. Universidad de Málaga, 1994.

Porro Herrera, María José, ed. Romper el espejo: La mujer y la transgresión de códigos en la literatura española (1001-2000): III Reunión Científica Internacional, Córdoba, diciembre 2001). Universidad de Córdoba / Instituto de la Mujer, Junta de Andalucía, 2001.

Sánchez Llama, Iñigo. "La lente deformante: La visión de la mujer en la literatura de los Siglos de Oro." In Estado actual de los estudios sobre el Siglo de Oro. Ed. Manuel García Martín et al. Salamanca: Ediciones Universidad de Salamanca, 1993. 2.941-48.*

 

 

Bibliographies

 

 

Bieses: Bibliografía de escritoras españolas.

         http://www.bieses.net/

         2016

 

 

 

 

Internet resources

 

 

Escritoras aragonesas. Literary blog. (Gabriela Pasamar, Zaragoza).

         http://escritoras-aragonesas.blogia.com/

         2006-07-17

 

 

 

 

 

Latin American women's writing

 

Domínguez Miguela, Antonia. Esa imagen que en mi espejo se detiene. U de Huelva, 2001. (US latino women writers).

González, Patricia Elena, et al. La sartén por el mango: Encuentro de escritoras latinoamericanas. Río Piedras, 1984.

Jones, Annie Brooksbank. Latin American Women's Writing: Feminist Readings in Theory and Crisis. Oxford: Clarendon Press, 1996.

 

 

 

Bibliography

 

Marting, Diane E., ed. Women Writers of Spanish America: An Annotated Bio-Bibliographical Guide. New York: Greenwood Press, 1987.

Marting, Diane E., ed. Spanish American Women Writers: A Bio-bibliographical Source Book. New York: Greenwood Press, 1990.

 

 

 

 

 

 

Women's Writing: Other areas

 

 

Miscellaneous

 

Katrak, Ketu H. "Decolonizing Culture: Toward a Theory for Post-Colonial Women's Texts." In The Post-Colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge, 1995. 255-58.*

Minh-ha, Trinh T. "Writing Postcoloniality and Feminism." In The Post-Colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge, 1995. 264-68.*

Spivak, Gayatri Chakravorty. "Three Women's Texts and a Critique of Imperialism." In 'Race', Writing and Difference. Ed. Henry Louis Gates, Jr. Special issue of Critical Inquiry 12.1 (1985): 243-61.

_____. "Three Women's Texts and a Critique of Imperialism.' In 'Race', Writing and Difference. Ed. Henry Louis Gates, Jr. Chicago: Chicago UP, 1986. 262-80.

_____. "Three Women's Texts and a Critique of Imperialism." 1985. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 896-912.*

_____. "Three Women's Texts and a Critique of Imperialism." In The Post-Colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge, 1995. 269-72.*

 

 

 

 

 

African women's writing

 

Nnaemeka, Obioma. Marginality: Orality, Writing, and the African Woman Writer. Forthcoming 1994.

_____.  "Bringing African Women into the Classroom: Rethinking Pedagogy and Epistemology." In Borderwork. Ed. Margaret R. Higonnet. Ithaca (NY): Cornell UP, 1994. 301-18.*

Petersen, Kirsten Holst. "First Things First: Problems of a Feminist Approach to African Literature." In The Post-Colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge, 1995. 251-54.*

 

 

 

American Indian women's writing

 

Martínez Falquina, Silvia. Indias y fronteras: el discurso de la mujer étnica. Oviedo: KRK, forthcoming 2004. (Premio AUDEM, Jóvenes Investigadores).

 

 

 

Arab women's writing

 

Malti-Douglas, Fedwa.  "Dangerous Crossings: Gender and Criticism in Arabic Literary Studies." In Borderwork. Ed. Margaret R. Higonnet. Ithaca (NY): Cornell UP, 1994. 224-29.*

Segarra Muntaner, Marta. "Contra el colonialismo y el patriarcado: La escritura femenina franco-magrebí." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 369-80.*

 

 

Series

 

 (The Arab Women Writers Series). Ed. Fadia Faqir. Reading: Garnet Publishing, 1990s.

 

 

Asian women's writing

 

Chandra Mouli, T. Sai, and Jaydeep Sarangi, eds. Indian Women's Writing in English. Delhi: Gnosis, 2008. (Anita Nair, Manju Kapur, Jhumpa Lahiri, Shashi Deshpande, Shobha Dé, Sunny Singh).

Raheem, Ryhana, and Siromi Fernando. "Women Writers of Sri Lanka." In New Celyon Writing 4. Ed. Yasmine Gooneratne. Sydney, 1979.

Wisker, Gina. "South East Asian Women's Writing." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

 

 

 

Cyprus – women's writing

 

Wisker, Gina. "Writing by Women from Cyprus." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.

 

 

 

Galician women's writing

 

Blanco, Carmen. "Alicia in Galicia: Sex and Place." In Writing Bonds: Irish and Galician Women Poets. Ed. Manuela Palacios and Laura Lojo. Oxford: Peter Lang, 2009. 139-50.

 

 

 

 

 

 

Indian Women's writing

 

Tharu, Susie, and K. Lalita, eds. Women's Writing in India. vol. 1. New York: Feminist Press, 1990.

 

 

Japanese Women's writing

 

Rubio, Carlos. "II.3. El libro de la almohada: La mano femenina (I)."  In Rubio, Claves y textos de la literatura japonesa: Una introducción. Madrid: Cátedra, 2007.* (1. La autora: Sei Shonagon. 2. Estructura y valores. 3. Textos).

 

Series

 

(Japanese Women Writing). M. E. Sharpe-Eurospan, c. 1998.

 

 

 

 

Mesopotamian Women's Writing

 

Babcock, Sidney. "Reflections on the Exhibition 'She Who Wrote: Enheduanna and Women of Mesopotamia ca. 3400-2000: An Illustrated Lecture." 16 Jan. 2023. Online info at Morbid Anatomy. 2022.*

         https://www.morbidanatomy.org/events-tickets/reflections-on-the-exhibition-she-who-wrote-enheduanna-and-women-of-mesopotamia-ca-3400-2000-bc-an-illustrated-lecture-by-sidney-babcock-curator-at-morgan-library-and-museum

         2022

 

 

 

Portuguese-

Brazilian women's writing

 

Sadlier, Darlene J. One Hundred Years After Tomorrow: Brazilian Women's Ficition in the 20th Century. Bloomington: Indiana UP, 1992.

 

 

Russian women's writing

 

Kelly, Catriona. A History of Russian Women's Writing 1820-1992. Oxford: Clarendon Press, 1994.

 

Anthologies

 

Kelly, Catriona, ed. An Anthology of Russian Women's Writing 1777-1992. Oxford: Oxford UP, 1994.

 

 

 

 

 

 

 

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      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...