viernes, 5 de mayo de 2023

Teoría literaria: Otras cuestiones

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Literary Theory: Other Topics

 

 

Anonymous works

Antiliterature

Attacks on literature (Secondary works)

Audience

Beliefs in literature

Belles-Lettres

Bilingual editions

Book-Burning. See Destruction of Books.

Circles, Salons, Gatherings (Literary)

Collaboration in Literature

Contests (Literary, Poetic)

Creative writing teaching. See Genres. Academic writing. On other academic genres. Creative writing teaching.

Crisis of Literature

Cultural Studies. See Literature and Culture

Death of Literature. See Future of Literature; Crisis of Literature.

Defense of Literature

Description. See Narrative Theory; Figures of Thought.

Destruction of Books

Diplomatics

Editors (Publishers). See Publishers.

Errata

Euphony

Facsimiles

Fame, Success

Fantasy and Fantastic Literature. See Fictional subgenres. Fantasy.

Favourite Works

Folk Literature

Forgotten Works

Future of Literature

Ghost Writers

Horror Literature. See Fictional subgenres.

Humour and Literature

Idolatry and Cult

Illustrations

Income from Literature

Intelligibility

Interpersonal Dimensions of Literature

Language of Literature. See Literary Language.

Leftist Literature

Limits of Literature

Literacy and literature. See Literacy.

Literary biographies. See Biographies.

Literary Competence

Literary festivals

Literary games and puzzles

Literary language

Literary polemics / Literary world / Literary life

Literary snobs

Literature vs. Life

Lost Works

Lost-and-found works

Marginal text. See Paratextuality.

Minor and Obscure Writers

Minority Literatures

Montage

Monuments to Writers

Museums and Writers' Houses

Paraliterature. See Literature and Popular Culture.

Photographs of writers. See Portraits of authors.

Piracy

Places

Poetic Licence

Popularity

Portraits of Authors

Posthumous Works; Writers' Papers; Literary Remains

Prefaces and Postfaces. See Paratextuality.

Promotion (of books)

Public

Publication

Readability

Research Guides

Rhythm

Royalties

Sales of Books

Services (Literary)

Societies (Literary)

Sound in Literature

Technique

Terminology (Literary, critical, technical)

Thematic Criticism

Typography and Visual Form

Unpublished or Unpublishable Books

Unwritten and Imaginary Works

Vernacular Literature

Workbooks

Working-Class Writing

 

 

 

 

 

 

 

Anonymous Works

 

Blasco, Javier. "Atribuciones cervantinas desde la estilometría: El entremés de Los mirones"." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.  

Couturier, Maurice. "La page de titre et le problème de l'anonymat." In Couturier, La Figure de l'auteur. Paris: Seuil, 1995. 32-43.*

Gardiner, Alan H. The Theory of Proper Name. London, 1954. (Authorship, anonymity).

Montrelay, Michèle. L'Ombre et le nom: Sur la féminité. Paris: Minuit, 1977.

Scott, Walter. "General Preface." In Waverley Novels. Vol. I. Waverley. Edinburgh: Cadell & Company, 1829.

 

 

See also Apocrypha; Authorship.

 

 

 

 

 

Antiliterature

 

Seem, Mard. "Liberation of Difference: Toward a Theory of Antiliterature." New Literary History 5.1 (1975): 119-33.

 

 

 

 

 

 

Attacks on Literature (Secondary works)

 

Haddad, Gérard. Les Biblioclastes: Le Messie et l'Autodafé. Paris: Grasset, 1991.

Kampf, Louis. "The Trouble with Literature . . ." Change 2 (1970).

La Bibliothèque est en feu. Littérales 10 (1991).

Wellek, René. The Attack on Literature & Other Essays. 1982.

Zola, Emile. "La haine de la littérature." In Zola, Le Roman expérimental. Ed. Aimé Guedj. Paris: Garnier-Flammarion, 1971. 327-33.

 

 

 

Audience

 

Literature

 

Spenser, Edmund. "October. Aegloga decima." In Spenser, The Shepheardes Calender Conteyning tvvelve Aeglogues proportionable to the twelve monethes. London: Hugh Singleton, 1579. (Inspiration; Poet; Patronage; Pastoral; Classical literature; Popularity; Audience)

 

 

See also Readers, Reading.

 

 

 

 

 

Beliefs in Literature

 

Abrams, M. H. "Belief and the Suspension of Disbelief." In Abrams, Doing Things with Texts: Essays in Criticism and Critical Theory. Ed. Michael Fischer. New York: Norton, 1989. 1991. 88-110.*

Brinker, Menachem. "Verisimilitude, Conventions, and Beliefs." New Literary History 14 (1983): 253-67.

Keats, John. Letter to George and Thomas Keats, 22 Dec. 1817. In Letters of John Keats. Ed. Frederick Page. London: Oxford UP, 1954. 51-54. (On negative capability).

Mailloux, Steven. "Good and Bad Persuasions: Critics Reading Bunyan." In Mailloux, Reception Histories: Rhetoric, Pragmatism, and American Cultural Politics. Ithaca (NY): Cornell UP, 1998. 103-27.*

Richardson, Brian. "Forgotten Causes: Nonwestern Beliefs and Metaphysical Contestation in Modern Asian, Postcolonial, an US Ethnic Narratives." In Richardson, Unlikely Stories: Causality, Ideology, and Interpretation in Modern Narrative. Newark: U of Delaware Press; London: Associated University Presses, 1997. 139-56.*

Srivastava, Narsingh. "T. S. Eliot's Theory of Poetic Personality and Belief: A Study in Reconciliation." Language Forum 14 (1988): 94-104.*

 

 

 

 

 

Belles-Lettres

 

Phillips, Mark Salber. "2. Adam Smith, Belletrist." In The Cambridge Companion to Adam Smith. Ed. Knud Haakonssen. Cambridge: Cambridge UP, 2006. 57-78.*

 

See also Literature; Style.

 

 

 

 

 

 

 

Bilingual editions

 

Series

 

(Bilingües de base). San Lorenzo de El Escorial (Madrid): Langre, c. 2004.*

 

 

 

 

 

Book burning. See Destruction of books.

 

 

 

 

 

 

Circles, Salons, Gatherings (Literary)

 

DeJean, Joan. "Rooms of Their Own: Literary Salons in Seventeenth-Century France." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 378-83.*

Lucio, Francisco. "De sectas y grupos poéticos." Quimera 147 (1996): 41-46.*

Rebollar, Patrick. Les salons littéraires sont dans l'Internet. (Écritures électroniques). Paris: PUF, 2002.*

 

 

 

 

 

Collaboration in literature

 

Koestenbaum, Wayne. Double Talk: The Erotics of Male Literay Collaboration. 1989.

 

 

 

 

Contests (Literary, Poetic)

 

Literature

 

Rochester. Trial of the Poets for the Bays. Imitation of Boileau.

 

See also Prizes.

 

 

 

 

 

 

Creative writing teaching. See Genres. Academic writing. On other academic genres. Creative writing teaching.

 

 

 

Crisis of Literature

 

Ehrmann, Jacques. "The Death of Literature." New Literary History 3.1 (1971).

_____. "The Death of Literature." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 229-54.*

García Gual, Carlos. Sobre el descrédito de la literatura y otros avisos humanistas. Barcelona: Península, 1999.

_____. "El eclipse de la literatura." In García Gual, La luz de los lejanos faros: Una defensa apasionada de las humanidades. Barcelona: Planeta-Ariel, 2017. 40-58.*

Hayden, Teresa Nielsen. Random Plot Generator. Text generator.

         http://nielsenhayden.com/overlord/

         2006-02-11

_____. "What Perpetual Copyright Means to Me." In Making Light 24 Feb. 2006.

         http://nielsenhayden.com/makinglight/archives/007266.html#007266

         2006-02-25

Paulson, William R. The Noise of Culture: Literary Texts in a World of Information. Ithaca: Cornell UP, 1988.

Robert, Marthe. Livre de lectures. Paris: Grasset / Fasquelle, 1977. 1985.

 

 

See also Future of Literature.

 

 

 

 

 

Cultural Studies. See Literature and Culture

 

 

 

Death of Literature. See Future of Literature; Crisis of Literature.

 

 

 

 

 

Defense of Literature

 

Fischer, Michael. Does Deconstruction Make Any Difference? Post-Structuralism and the Defence of Poetry in Modern Criticism. Bloomington: Indiana UP, 1985.*

Soriano, Elena. Literatura y vida II: Defensa de la literatura y otros ensayos. Barcelona, 1993.

 

 

See also Defense of Poetry; Function of literature.

 

 

 

 

 

 

Description. See Narrative Theory; Figures of Thought.

 

 

 

 

Destruction of books

 

Boyd, Brian. "A Book Burner Recants: The Original of Laura." 2010. In Boyd, Stalking Nabokov: Selected Essays. New York: Columbia UP, 2011. 385-96.*

 

 

 

 

Diplomatics

 

Floriano, A. Curso general de Paleografía y Diplomática Española. Oviedo, 1946.

Giry, A. Manuel de diplomatique. Hildesheim, 1972.

Maravall, José Antonio. "Un problema jurídico-político de los diplomas catalanes." In Maravall, Estudios del pensamiento español: Edad Media. Serie primera. Madrid: Ediciones Cultura Hispánica, 1967. 436-50.*

Paoli, C. Diplomatica. Firenze, 1942.

Pratesi, A. Elementi de diplomatica generale. Bari, 1963.

Rabikauskas, P. Diplomatica generale. Rome, 1971.

San Vicente, Ángel. La recepción de ciencias documentales Paleografía, Diplomática y Bibliología en la Real Academia Española (1726-1739). Zaragoza: Facultad de Filosofía y Letras de Zaragoza, Editio Emerita, 1980.*

 

 

 

See also Paleography; Documentation.

 

 

 

 

 

Editors (Publishers). See Publishers.

 

 

 

 

 

Errata

 

D'Israeli, I. "Errata." In D'Israeli, Curiosities of Literature. London: Moxon, 1834. 1.112-18.*

 

 

 

 

Euphony

 

Piette, Adam. Remembering the Sound of Words: Mallarmé, Proust, Joyce, Beckett. Oxford: Clarendon Press, 1996.

Wellek, René, and Austin Warren. "Euphony, Rhythm, and Metre." In Wellek and Warren, Theory of Literature. 1949. Harmondsworth: Penguin, 1963. 158-73.

 

 

 

 

 

Facsimiles

 

 

 

Series

 

(Facsímiles Obras Maestras). Madrid: S. A. de Promoción y Ediciones, c. 2005.*

 

 

 

Internet resources

 

Facsimile Viewer: First Folio (Brandeis University)

         http://internetshakespeare.uvic.ca/Library/facsimile/bookplay/Bran_F1/Tmp/

         2014

 

 

 

 

 

Fame, Success

 

D'Israeli, I. "Fame contemned." In D'Israeli, Curiosities of Literature. London: Moxon, 1834. 1.95-96.*

Hazlitt, William. "On Different Sorts of Fame." 1817. In Hazlitt, Selected Writings. Harmondsworth: Penguin, 1970. 161-7.

Johnson, Samuel. "Miseries of Literary Eminence." The Rambler (16). 1750-2. London: Dent; New York: Dutton, 1953.

Lefevere, André. Translation, Rewriting and the Manipulation of Literary Fame. London: Routledge, 1992.

Lewes, George Henry. "The Principles of Success in Literature." (II and IV). In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 34-76.

Schopenhauer, Arthur. "On Reputation." In Schopenhauer, The Art of Literature. London: Allen, 1891. 103-27.*

Skelton, John. A Ryght Delectable Tratyse vpon a Goodly Garlande or Chapelet of Laurell by mayster Skelton ... Inprynted by ... Richard Fankes. London, 1523. (Nature of poetry; Author; Canon; Fame)

Spenser, Edmund. "October. Aegloga decima." In Spenser, The Shepheardes Calender Conteyning tvvelve Aeglogues proportionable to the twelve monethes. London: Hugh Singleton, 1579.

Tacitus, Publius Cornelius. Dialogvs de oratoribvs. Barcelona: Bosch, 1976.* (Oratory; Poet; Style; Fame; Education; Morality)

_____. Dialogue on Orators. In Ancient Literary Criticism. Ed. D. A. Russell and M. Winterbottom. Oxford: Clarendon Press, 1972.

 

 

Literature

 

 

Nabokov, Vladimir. "Slava." Poem. 1942. In Nabokov, Poèmes et problèmes. Ed. and trans. Hélène Henry. Paris: Gallimard, 1999. 120-30 (even pages).*

_____. "Fame." In Nabokov, Poèmes et problèmes. Ed. and trans. Hélène Henry. Paris: Gallimard, 1999. 120-31.*

_____. "Fame." Excerpt. In Nabokov's Butterflies: Unpublished and Uncollected Writings. Ed. Brian Boyd and Robert Michael Pyle. Trans. Dmitri Nabokov. London: Allen Lane / Penguin Press, 2000. 250.*

_____. "La gloire." In Nabokov, Poèmes et problèmes. Ed. and trans. Hélène Henry. Paris: Gallimard, 1999. 121-31 (odd pages).*

 

 

 

 

 

 

 

See also Authorship; Best-sellers; Canon.

 

 

 

 

 

 

 

Fantasy and Fantastic Literature. See Fictional subgenres. Fantasy.

 

 

 

 

 

Favourite works

 

Amorós, Andrés.. Momentos mágicos de la literatura. (Literatura y sociedad, 65). Madrid: Castalia, 1999.*

 

 

 

 

Folk Literature

 

Bogatyrev, Petr, and Roman Jakobson. "Sobre los límites entre la folklorística y los estudios literarios." In Antología del formalismo ruso y el grupo de Bajtin. Ed. Emil Volek. Madrid: Fundamentos, 1992. 273-76.

Bredvold, Louis I. "Folk Literature and Medievalism." In Bredvold, The Literature of the Restoration and the Eighteenth Century 1660-1798. London: Collier-Macmillan, 1962. 165-68.*

Mukarovksy, Jan. "Detail as the Basic Semantic Unit in Folk Art." In Mukarovsky, The Word and Verbal Art:. New Haven: Yale UP, 1977. 180-204.*

Pedrosa, José Manuel. Las dos sirenas y otros estudios de literatura tradicional. Madrid: Siglo XXI, 1995.

Rourke, Constance. Roots of American Culture. 1942.

Thomson, S. Motif-Index of Folk Literature. Bloomington: Indiana UP, 1932.

 

 

 

 

 

 

 

 

 

 

 

 

Forgotten Works

 

Madden, David. Rediscoveries: Informal Essays in Which Well-Known Novelists Rediscover Neglected Works of Fiction by One of Their Favourite Authors. New York: Crown, 1971.

 

 

 

 

 

 

 

Future of Literature

 

Blanchot, Maurice. Le Livre à Venir. Paris: Gallimard, 1959.

_____. El libro que vendrá. Caracas: Monte Avila, 1969.

Clark, Timothy. "Literature and the Crisis in the Concept of the University." In The Arts and Sciences of Criticism. Ed. David Fuller and Patricia Waugh. Oxford: Oxford UP, 1999. 217-37.*

Derrida, Jacques. "The End of the Book and the Beginning of Writing." In From Modernism to Postmodernism: An Anthology. Ed. Lawrence E. Cahoone. Oxford: Blackwell, 1996. 336-59.*

Eastman, Max. "The Future of Literature." In Eastman, The Literary Mind: Its Place in an Age of Science. London: Scribner's, 1931. 207-94.*

Frye, Northrop. "Literary and Linguistic Scholarship in a Postliterate World." In Frye, Myth and Metaphor: Selected Essays 1974-1988. Ed. Robert D. Denham. Charlottesville: UP of Virginia, 1990. 1991. 18-27.*

Goodhart, Sandor. Sacrificing Commentary: Reading the End of Literature. Baltimore: Johns Hopkins UP, 1996.

Grivel, Charles. "L'État de la littérature (réflexion)." In (En)jeux de la communication romanesque. Ed. Susan van Dijk and Christa Stevens. Amsterdam: Rodopi, 1994. 21-28.*

Gumbrecht, Hans Ulrich. "An End to Literary Theory [Statement on: In What Direction Is Literary Theory Evolving?]" Journal of Literary Theory 1.1 (2007): 212-16.*

         http://www.jltonline.de/index.php/articles/article/view/60/248

         2009

Kernan, Alvin. The Death of Literature. New Haven: Yale UP, 1990.

_____. "Plausible and Helpful Things to Say About Literature in a Time When All Print Institutions Are Breaking Down." In English Inside and Out: The Places of Literary Criticism. Ed. Susan Gubar and Jonathan Kamholtz. New York: Routledge, 1993. 9-28.*

OULIPO: La Littérature potentielle. (Essais). Paris: Gallimard-Folio, 1973.

Paulson, William R. The Noise of Culture: Literary Texts in a World of Information. Ithaca: Cornell UP, 1988.

Sell, Roger D. "Mediating Criticism." In Sell, Literature as Communication. Amsterdam: Benjamins, 2000. 253-80.* (Mediation; conflicts; future of literature, function of criticism).

 

 

 

Journals

 

 

LHT no. 6: "Tombeaux pour la littérature."

         http://www.fabula.org/lht/6

         2012

 

 

 

 

 

See also Crisis of Literature.

 

 

 

 

Ghost Writers

 

Garber, Marjorie. "Shakespeare's Ghost Writers." In Cannibals, Witches, and Divorce: Estranging the Renaissance. Baltimore: Johns Hopkins UP, 1987. 122-46.

_____. "Shakespeare's Ghost Writers." In Shakespeare and the Editorial Tradition. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 194-218.*

_____. Shakespeare's Ghost Writers: Literature as Uncanny Causality. New York, 1987.

Russell, Jacob Hale. "A Million Little Writers." 02138 (Nov.-Dec- 2007). (On academic ghost writers).

         http://www.02138mag.com/magazine/article/1763.html

         2007

Sainz Borgo, Karina. "Respeten a los negros." ABC 2 May 2022.*

         https://www.abc.es/cultura/abci-respeten-negros-202205011859_noticia.html

         2022

 

 

Audio

 

 

Cuesta, Carlos. "Un 'negro' del Ministerio de Industria elaboró la mayor parte de la tesis de Pedro Sánchez." OK Diario 12 Sept. 2018.* ("Tesis Pedro Sánchez: Carlos Ocaña elaboró la mayor parte de la tesis de Sánchez.")

         https://okdiario.com/espana/2018/09/12/negro-del-ministerio-industria-elaboro-mayor-parte-tesis-pedro-sanchez-3103941

         2018

 

 

 

 

Films

 

 

The Ghost Writer. Dir. and screenplay by Roman Polanski, based on Thomas Harris's novel The Ghost. Cast: Ewan McGregor, Pierce Brosnan, Olivia Williams, Jon Bernthal, Kim Cattrall, Tim Preece, James Belushi, Timothy Hutton, Tom Wilkinson, Eli Wallach. Music by Alexandre Desplat. Cinematogr. Pawel Edelman. Ed. Hervé de Luze. Prod. des. Albrecht Konrad. Art dir. Cornelia Ott, David Scheunemann, Steve Summersgill. Coprod. Timothy Burrill, Christoph Fisser, Henning Molfenter, Chrarlie Woebcken.  Prod. Robert Benmussa, Roman Polanski, Alain Sarde. RP Films 7 France 2 / Elfte Babelsberg / Runteam / Medienboard Berlin-Brandenburg, 2010.*

 

 

 

Literature

 

Harris, Thomas. The Ghost.

Marías, Javier. Mañana en la batalla piensa en mí. Novel. Barcelona: Anagrama, 1994.* (Fastenrath prize 1995; Premio Internacional de Novela Rómulo Gallegos 1995; Permio Arzobispo Juan de San Clemente 1996, Prix Femina Etranger 1996; Premio Mondello Città di Palermo 1998).

_____. Mañana en la batalla piensa en mí. Madrid: Alfaguara.

Mitchell, David. Ghostwritten. Novel. 1999.

Roth, Philip. The Ghost Writer. Novel. New York: Farrar, 1979. (Zuckerman series) (Holocaust).

_____. The Ghost Writer. Harmondsworth: Penguin, 1980.

 

 

 

See also Authorship.

 

 

 

 

 

 

 

 

 

 

Horror Literature. See Fictional subgenres.

 

 

 

Humour and literature

 

Cohen, Sarah Blacher, ed. Comic Relief: Humor in Contemporary American Literature. Chicago: U of Illinois P, 1978.

Lipovetsky, Gilles. "La société humoristique." In Lipovetsky, L'ère du vide: Essais sur l'individualisme contemporain. Paris: Gallimard, 1983. 1992. 194-246.

Literary and Linguistic Aspects of Humour: VIth AEDEAN Conference Proceedings. Barcelona: Departamento de Lengua y Literatura Inglesa de la Universidad de Barcelona, 1984.

Martínez Dueñas, José Luis. "Linguistics Can Be Fun." In Literary and Linguistic Aspects of Humour: VIth AEDEAN Conference Proceedings. Barcelona: Departamento de Lengua y Literatura Inglesa de la Universidad de Barcelona, 1984. 169-74.*

Palmer, Jerry. Taking Humour Seriously. London: Routledge, 1994.

Pirandello, Luigi. "El humorismo. Esencia, caracteres y materia del humorismo." 1907-8, 1920. In Pirandello, Ensayos. Madrid: Guadarrama, 1968. 17-206.

Rourke, Constance. American Humour. 1931.

Santisteban Olmedo, Francisco. "Humour and Language." In Literary and Linguistic Aspects of Humour: VIth AEDEAN Conference Proceedings. Barcelona: Departamento de Lengua y Literatura Inglesa de la Universidad de Barcelona, 1984. 223-26.*

Serrano Valverde, Fernando. "How to Do Things with Humour." In Literary and Linguistic Aspects of Humour: VIth AEDEAN Conference Proceedings. Barcelona: Departamento de Lengua y Literatura Inglesa de la Universidad de Barcelona, 1984. 239-44.*

 

Anthologies

 

Breton, André, ed. Anthologie de l'humour noir. 1937.

 

 

See also Humour, laughter, the comic; Humour and satirical writing.

 

 

 

 

 

Idolatry and Cult

 

del Gizzo, Suzanne. "12. Cult and Afterlife." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 119-29.*

Watson, William. "Some Literary Idolatries." In Watson, Excursions in Criticism. London: Mathews, 1893. 1-22.*

 

 

 

Illustrations

 

Camille, Michael. Image on the Edge: The Margins of Medieval Art. (Essays in Art and Culture). London: Reaktion Books.

Di Fate, Vincent. "Science Fiction Art: Some Contemporary Illustrators." In Marshall B. Tymn, ed. (Washington, 1981).

Eaves, Thomas Cary Duncan. Graphic Illustration of the Principal English Novels of the Eighteenth Century. Diss. Harvard, 1944.

Erro, Ainara. "La ilustración en la literatura infantil." Rilce 16.3 (2000): 501-11.*

Expósito-Álvarez, Ana Isabel. "Manuscript Illumination: A Visual Reworking of the Arthurian Legends." In Avalon Revisited: Reworkings of the Arthurian Myth. Ed. María José Álvarez Faedo. Bern: Peter Lang, 2006.

García Landa, José Angel. "Iconos Textuales (Stephen Orgel)." In García Landa, Vanity Fea June 2011.*

         http://vanityfea.blogspot.com/2011/06/iconos-textuales.html

         2011

Gauthier, Guy. "Image et texte: le récit sous le récit." Langage 75 ("Lettres et icônes") (Sept. 1984).

Harst, Marie-Therese. Form und Funktion des Druckbildes in Englischen Texten des 16. Jahrhunderts. Lang, 1988.

Harvey, John R. Victorian Novelists and Their Illustrators. London, 1970.

Kooistra, Lorraine Janzen. The Artist as Critic: Bitextuality in Fin-de-Siècle Illustrated Books. (Nineteenth Century Studies). Scolar Press, 1995.

Levy, Maurice. Images du roman noir. Eric Losfeld, 1973. (Illustrations).

Mallarmé. "Sur le livre illustré." In Mallarmé, Œuvres complètes. Ed. Henri Mondor. Paris, 1945.

Mendelsund, Peter. What We See When We Read. New York: Knopf Doubleday-Vintage Anchor, 2014.

_____. Qué vemos cuando leemos. Trans. Santiago del Rey. Barcelona: Planeta, 2015.*

Menéndez Pidal, G. Sobre miniatura española en la Alta Edad Media. Madrid: Real Academia de la Historia, 1958.

Miller, J. Hillis.  The Ethics of Reading: Kant, de Man, Eliot, Trollope, James, Benjamin. New York: Columbia UP, 1987. (H. James).

_____. Illustration.  Cambridge: Harvard UP, 1992.

_____. Illustration. London: Reaktion, 1992.*

Moya, A. Jesús and Mª J. Pinar. "On Interaction of Image and Verbal Text in a Picture Book. A Multimodal and Systemic Functional Study". In The World Told and the World Shown: Issues in Multisemiotics. Ed. E. Ventola and A. J. Moya. Basingstoke and New York: Palgrave Macmillan, 2009. 107-123.

_____. "Compositional, Interpersonal and Representational Meanings in a Children's Narrative. A Multimodal Discourse Analysis." Journal of Pragmatics 40.9 (2008): 1601-1619.

Norgate, Edward. Miniatura or the Art of Limning. Ed. Jefrey M. Mulelr and Jim Murrell. New Haven: Yale UP, 1998.

Orgel, Stephen. "Textual Icons: Reading Early Modern Illustrations." In The Renaissance Computer: Knowledge Technology in the First Age of Print. Ed. Neil Rhodes and Jonathan Sawday. London and New York: Routledge, 2000. 59-94.*

Schwaiger, Marika. "Illustrated Literature – Future Style, Fertile Spirit or Futile Waste?" In The Writer's Craft, the Culture's Technology. Ed. Carmen Rosa Caldas-Coulthard and Michael Toolan. (PALA Papers, 1). Amsterdam and New York: Rodopi, 2005.

 

 

 

 

 

Blogs

 

 

OBI Scrapbook Blog (Old Book Illustrations)

       http://scrap.oldbookillustrations.com/

       2012-11-15

 

 

 

 

 

 

Internet resources

 

BibliOdyssey. Blog on books and illustrations.

         http://bibliodyssey.blogspot.com/

         2006-11-26

 

 

 

Old Book Illustrations

         http://www.oldbookillustrations.com/

         2012

 

 

 

 

 

 

 

 

 

Income from literature

 

Turner, Barry "How to Make a Living while Trying to Establish Yourself as an Author." In The Writer's Handbook 2009. Ed. Barry Turner. Houndmills: Palgrave Macmillan, 2008.

_____. "The State of the Market and How to Get Published." In The Writer's Handbook 2009. Ed. Barry Turner. Houndmills: Palgrave Macmillan, 2008.

 

See also Literature and the Publishing Industry; Royalties.

 

 

 

Intelligibility

 

Dasenbrock, Reed Way. "Intelligibility and Meaningfulness in Multicultural Literature." PMLA 102.1 (January 1987).

 

 

 

 

Interpersonal dimensions of literature

 

Sell, Roger D. Literature as Communication: The Foundations of Mediating Criticism. (Pragmatics & Beyond New Series, 78). Amsterdam and Philadelphia: John Benjamins, 2000.*

 

See also Literature and Communication; Literary Pragmatics.

 

 

 

 

Language of Literature. See Literary language.

 

 

 

 

Leftist Literature

 

Coombes, John. Writing from the Left. Hemel Hempstead: Harvester Wheatsheaf, 1989.

López-Peláez Casellas, Jesús. "Fiction of the Left: Class and Beyond in the Narrative of the Nineteen Nineties." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 1- Literature. Gen. ed. A. Hamm. Sub-eds. Claire Maniez and Luc Hermann. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 69-77.*

Stallybrass, Peter, and Allon White. The Politics and Poetics of Transgression. Ithaca: Cornell UP, 1986.

_____.  The Politics and Poetics of Transgression. London: Methuen, 1986. 1990. (Rpt. Routledge).

 

 

 

 

Limits of Literature

 

Aguirre, Manuel, Roberta Quance and Philip Sutton. Margins and Thresholds: An Inquiry into the Concept of Liminality in Text Studies. c. 2000.

Edwards, Philip. Shakespeare and the Frontiers of Art. London: Methuen, 1968.

García Landa, José Ángel. "'Till Nohow On': The Later Metafiction of Samuel Beckett." 1991. In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. (Postmodern Studies, 7). Amsterdam: Rodopi, 1993. 63-76.*

http://www.rodopi.nl/senj.asp?BookId=PMS+7

Penas, Beatriz. "Los límites del texto estético literario." Actas de las I Jornadas de Lengua y Literatura Inglesa y Norteamericana. Logroño: Colegio Universitario de La Rioja, 1990. 157-66.*

Lerner, Laurence. The Frontiers of Literature. 1988.

Magny, Claude-Edmonde. Les Sandales d'Empédocle: Essai sur les limites de la littérature. (Ëtre et penser: Cahiers de philosophie). Neuchâtel: Éditions de la Baconnière, 1945.*

_____. "Limites, non frontières, de la littérature." In Magny, Les Sandales d'Empédocle: Essai sur les limites de la littérature. Neuchâtel: Éditions de la Baconnière, 1945. 267-88.*

Raynaud, Cl., and P. Vernon, eds. Usure et rupture / Breaking points. Actes du Colloque GRAAT-CERCA, septembre 1993. GRAAT 13 (1995).

Richardson, Brian. "8. Conclusion: Voicing the Unspeakable."  In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 134-40.*

Sollers, Philippe. "Le roman et l'expérience des limites." In Sollers, Logiques. Paris: Seuil, 1968. 226-49.*

 

 

 

 

Literacy and literature. See Literacy.

 

 

Literary biographies. See Biographies.

 

 

 

 

Literary competence

 

Aguiar e Silva, Vítor Manuel de. Competência linguística e competência literaria. 1977.

_____. Competencia lingüística y competencia literaria: Sobre la posibilidad de una Poética generativa. Madrid: Gredos, 1980.*

Baroni, Raphaël. La Tension narrative: Suspense, curiosité, surprise. (Poétique). Paris: Seuil, 2007.* (Plot, sequences, reading narrative, literary competence, transtextuality, Borges…)

Culler, Jonathan. Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature. London: Routledge, 1975.*

_____. La poética estructuralista.  El estructuralismo, la lingüística y el estudio de la literatura. Barcelona: Anagrama, 1979.

_____. "Literary Competence." From Structuralist Poetics. In Reader-Response Criticism. Ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 1980. 101-17.*

_____. "Literary Competence." In Semiotics. Ed. Karin Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener. London: SAGE, 2002. Vol. 3.

_____. "Literary Competence." From Culler, Structuralist Poetics. London: Routledge and Kegan Paul, 1975. 113-30. In Structuralism: Critical Concepts in Literary and Cultural Studies. Ed. Jonathan Culler. London: Routledge, 2006. Vol. 2.

Penas Ibáñez, Azucena. Cambio semántico y competencia gramatical. (Lingüística Iberoamericana, 33). Madrid: Iberoamericana; Frankfurt a/M: Vervuert, 2009.*

 

 

 

Literary Festivals

 

Turner, Barry, ed. The Writer's Handbook 2009. Foreword by Ion Trewin. Houndmills: Palgrave Macmillan, 2009. (Publishers, magazines, literary agents, newspapers, broadcasting, theatre producers, writers' courses, fellowships, societies, services, libraries, press cutting agencies, consultants, festivals, prizes….)

 

 

Internet resources

 

British Council. Information on literature festivals.

         http://www.britcoun.org/liteature/litfest.htm

 

 

 

 

Literary games and puzzles

 

Sutherland, J. A. Can Jane Eyre Be Happy? More Puzzles in Classic Fiction. Oxford: Oxford UP, 1997.

_____. Who Betrays Elizabeth Bennett? Further Puzzles in Classic Fiction. Oxford: Oxford UP, 1999.

 

 

 

 

 

Literary Language

 

Ayd1n, Mehmet. "Edebiyat1n dili üzerine." Milli Egitim Dergisi (2006). Online at Academia (Mehmet Ayd1n).* (On literary language).

         https://www.academia.edu/10344441/

         2020

_____. (Kyrgyzstan-Turkey Manas U). Academia (Mehmet Ayd1n).*

         https://manas-kg.academia.edu/MehmetAyd%C4%B1n

         2020

 

 

 

See also Stylistics; Literariness; Semiotics of literature; Poetry and language.

 

 

Literary Polemics  / Literary world / Literary life

 

Carey, John. The Intellectual and the Masses: Pride and Prejudice among the Literary Intelligentsia, 1880-1939. London, 1992.

Roiphe, Katie. Uncommon Arrangements: Seven Portraits of Married Life in London Literary Circles. 2007.

Sainte-Beuve. "Des gladiateurs en littérature." 1840. Rpt. in Sainte-Beuve, Pour la critique. Paris: Gallimard, 1992. 223-42.*

Waller, Philip. Writers, Readers, & Reputations: Literary Life in Britain 1870-1918. 2006.

 

 

Literature

 

Wells, H. G. (Ps. "Reginald Bliss"). Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump. Being a First Selection from the Literary Remains of George Boon, Appropriate to the Times. Prepared for Publication by Reginald Bliss, Author of  'The Cousins of Charlotte Brontë', 'A Child's History of the Crystal Palace', 'Firelight Rambles', 'Edible Fungi', 'Whales in Captivity' and Other Works. With an Ambiguous Introduction by H. G. Wells. London: Unwin,  1915. (Novel on novelists, caricature of Henry James).

 

 

 

See also Authorship; Publishing.

 

 

 

Literary Snobs

 

MacCarthy, Desmond. "Literary Snobs." In Desmond MacCarthy: The Man and His Writings. Introd. David Cecil. London: Constable, 1984. 240-4.

 

 

 

Literature vs. Life

 

Calero Heras, José. "Literatura-Vida en Azorín." In Estudios literarios dedicados al profesor Mariano Baquero Goyanes. Murcia, 1974. 17-30.*

 

 

 

 

 

 

 

 

Lost Works

 

D'Israeli, I. "Some Notices of Lost Works." In D'Israeli, Curiosities of Literature. London: Moxon, 1834. 1.83-86.*

García Gual, Carlos. "Novelas perdidas y fragmentos papiráceos." In García Gual, Los orígenes de la novela. Madrid: Istmo, 1972. 313-22.

Gilis, Odysseas. Χαμένα, κλασικά έργα. Thessaloniki, 2012. Online at Academia.* (Lost classical works).

https://www.academia.edu/7359608/

2020

 

 

 

 

Lost-and-found works

 

Guterman, Simha. Le livre retrouvé. (10/18). Paris: Plon, 2001.

 

 

 

 

 

 

Marginal Text. See Paratextuality.

 

 

 

 

 

Minor and Obscure Writers

 

Deleuze, Gilles. "What is a Minor Literature?" Out There: Marginalization and Contemporary Cultures. Ed. New Museum of Contemporary Arts.  Cambridge (MA): MIT Press, 1990.

Deleuze, Gilles, and Felix Guattari. Kafka: Pour une littérature mineure. Paris: Minuit, 1975.

_____. Kafka: Toward a Minor Literature. Trans. Dana Polan. Minneapolis: U of Minnesota P, 1986.

_____. From Kafka: Toward a Minor Literature (From Ch. 3, "What Is a Minor Literature?"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

García Landa, José Ángel. "Oscuridad, fracaso, Persona de Porlock." In García Landa, Vanity Fea 16 April 2010.*

         http://vanityfea.blogspot.com/2010/04/oscuridad-fracaso-persona-de-porlock.html

         2010

 

See also Failure; Celebrity; Attention; Best sellers; Minority literatures.

 

 

 

 

 

Minority Literatures

 

Deleuze, Gilles. "What is a Minor Literature?" Out There: Marginalization and Contemporary Cultures. Ed. New Museum of Contemporary Arts.  Cambridge (MA): MIT Press, 1990.

Fisher, Dexter, ed. Minority Language and Literature: Retrospective and Prospective. New York: MLA, 1977.

Miller, Wayne Charles. "Cultural Consciousness in a Multi-Cultural Society: The Uses of Literature." Melus 8 (1981): 29-44.

Sommer, Doris. "Textual Conquests: On Readerly Competence and 'Minority' Literature." Modern Language Quarterly 54 (1993): 141-53.

 

See also Minority and Third World criticism.

 

 

 

 

Montage

 

Fritz, Horst, ed. Montage in Theater und Film. Tübingen: Narr, 1993.

Rojo de Castro, Luis. "Imágenes ready-made: el montaje como visión de lo moderno." Revista de Occidente 145 (1993): 91-100.

 

 

 

Monuments to Writers

 

Wordsworth, William. "Letter to Friend on Monuments to Literary Men." 1819. In Wordsworth's Literary Criticism. London: Humphrey Milford, 1905. 225-8.

 

 

 

 

Museums and Writers' Houses

 

Svoboda, Frederic. "13. Houses and Museums." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 130-40.*

 

 

 

 

 

 

 

Paraliterature. See Literature and Popular Culture.

 

 

 

 

Photographs of writers. See Portraits of authors.

 

 

 

 

Piracy

 

Bennett, Josephine Waters. "Benson's Alleged Piracy of Shakespeare's Sonnets and Some of Jonson's Works." Studies in Bibliography 21 (1968): 235-48.

 

 

 

 

 

Places

 

Rintoul, M. C. Dictionary of Real People and Places in Fiction. London: Routledge, 1993.

 

See also Space in literature.

 

 

 

Poetic Licence

 

Dryden, John. "Heroic Poetry and Poetic Licence: The Author's Apology prefixed to The State of Innocence and Fall of Man, an Opera." 1677. In Dryden's Essays. London: Dent; New York: Dutton, 1912. 108-17.

 

 

 

 

 

Popularity

 

García Landa, José Angel. "Que no gusto." In García Landa, Vanity Fea 31 Oct. 2015.*

         http://vanityfea.blogspot.com.es/2015/10/que-no-gusto.html

         2015

Scott, Walter. "On Popularity." Introd. to The Abbot. 1831. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 447-52.

Wordsworth, William. "Essay supplementary to Preface." 1815. In Wordsworth's Literary Criticism 168-202.

_____. "Essay, Supplementary to the Preface." 1815. In The Prose Works of William Wordsworth. Oxford: Clarendon Press, 1974.

 

 

 

 

See also Celebrity; Famous pople.

 

 

 

 

 

Portraits of authors

 

Amossy, Ruth. "Portraits d'auteurs: les femmes dans le miroir du livre-entretien." In (En)jeux de la communication romanesque. Ed. Susan van Dijk and Christa Stevens. Amsterdam: Rodopi, 1994. 225-38.*

D'Israeli, I. "Portraits of authors." In D'Israeli, Curiosities of Literature. London: Moxon, 1834. 1.59-67.*

Holmes, Richard. "Forging the Poet: Some Early Pictures of Thomas Chatterton." In Thomas Chatterton and Romantic Culture. Ed. Nick Groom. Houndmills: Macmillan; New York: St. Martin's, 1999. 253-58.*

Marías, Javier. "Artistas perfectos." (Photographs of writers). In Marías, Vidas escritas. Madrid: Siruela, 1992.

Plath, James. "7. Photos and Portraits." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 65-75.*

 

 

 

 

 

 

Posthumous Works; Writers' papers; Literary Remains

 

 

 

Hannaford, Richard. "Playing Her Dead Hand: Clarissa's Posthumous Letters." Texas Studies in Literature and Language 35 (Spring 1993): 79–102.

Kundera, Milan. Les testaments trahis. Essays.

_____. Los testamentos traicionados. Trans. Beatriz Moura. Barcelona: Tusquets, 1994.

Roth, Marie-Louise, Renate Schröder-Werle and Hans Zeller, eds. Nachlass-und Editionsprobleme bei modernen Schriftstellern: Beiträge zu den Internationalen Robert Musil Symposien. Bern; Las Vegas, 1981.

Trogdon, Robert W. "14. Posthumous Publications." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 141-50.*

 

 

 

Literature

 

 

James, Henry. The Aspern Papers. Novel. Atlantic (March-May 1888).

_____. The Aspern Papers and Other Stories. Ed. Adrian Poole. Oxford: Oxford UP, 1983.

_____. The Aspern Papers and The Turn of the Screw.  Ed. Anthony Curtis. London: Penguin, 1984.

_____. "The Aspern Papers." In James, Complete Stories 1884-1891. (The Library of America). New York: Literary Classics of the United States, 1999. 228-320.*

_____. Los papeles de Aspern. (Los Ineludibles). Barcelona: Navona Editorial, 2015.

 

 

 

 

 

 

Prefaces and Postfaces. See Paratextuality.

 

 

 

 

Promotion (of books)

 

Reed, Jon. "How to Promote Your Book Online." In The Writer's Handbook 2009. Ed. Barry Turner. Houndmills: Palgrave Macmillan, 2008.

 

 

 

 

 

 

Public

 

Beljame, A. Le Public et les hommes de lettres en Angleterre, 1660-1744. Paris, 1881.

Larra, Mariano José de. "¿Quién es el público y dónde se encuentra?" In Larra, Artículos. Ed. Enrique Rubio. Madrid: Cátedra, 1992. 127-37.*

Mallarmé, Stéphane. "Héresies artistiques--L'Art pour tous." L'Artiste (15 september 1862). Rpt. in Poésies. Anecdotes ou poèmes. Pages diverses. Ed. Daniel Leuwers. Paris: LGF, 1977. 139-44.*

 

 

Literature

 

García Lorca, Federico. El público. Drama.

_____. The Public. In Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the Present. Daniel Fischlin and Mark Fortier. London: Routledge, 2000.

Guerrero, Alonso. "El gran público." In Teoría y análisis de los discursos literarios: Estudios en homenaje al profesor Ricardo Senabre Sempere. Ed. S. Crespo et al. Salamanca: U de Extremadura / Ediciones U de Salamanca, 2009. 505-10.*

 

 

 

 

 

 

See also Readers, Reading; Audience; Popularity.

 

 

 

 

 

 

Publication

 

McGann, Jerome J. "What Differences do the Circumstances of Publication Make to the Interpretation of a Literary Work?" In Literary Pragmatics. Ed. Roger Sell. London: Routledge, 1991. 190-207.

 

See also Publishing; Authorship.

 

 

 

 

 

 

 

 

Readability

 

Truby, John. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. Faber and Faber, 2008.

 

 

 

 

 

 

 

Research Guides

 

Buckingham, Louisa. Doing a Research Project in English Studies: A Guide for Students. London: Routledge, 2015.

Eco, Umberto.  Come si fa una tesi di laurea. Milan: Bompiani.

_____.  Cómo se hace una tesis.

Introduction to Scholarship in Modern Languages and Literatures. New York: MLA.

Lasso de la Vega Jiménez Placer, Javier. Cómo se hace una tesis doctoral, o manual de técnica de la documentación científica y bibliográfica. San Sebastián: Ed Internacional, 1947.

 

 

See also Method (criticism); Writing guides.

 

 

 

Rhythm

 

Baetens, Jan and Katherine Hume.  "Speed, Rhythm, Movement: A Dialogue on K. Hume's Article 'Narrative Speed.'"  Narrative 14 (2006): 349-55.

Chernoff, John Miller. African Rhythm and African Sensibility. Chicago: U of Chicago P, 1979.

Comuzzi, Liudmila V. "Rhythme de composition et théorie de la traduction narrative: deux pistes pour un dialogue franco-russe sur le récit de fiction." In Transfert narratologique. Ed. Larissa Mouravieva and John Pier. Online at Narratologies (CRAL). 2019. 26-35.*

         http://narratologie.ehess.fr/rythme-de-composition-et-theorie-de-la-traduction-narrative-deux-pistes-pour-un-dialogue-franco-russe-sur-le-recit-de-fiction/

         2019

Harding, D. W. Words into Rhythm: English Speech Rhythm in Verse and Prose. Cambridge: Cambridge UP, 1976.

Hopkins, Gerald Manley. "Rhythm and Other Structural Parts of Rhetoric—Verse." In The Notebooks and Papers of Gerard Manley Hopkins.

Leeuwen, Theo van. "Rhythm." In van Leeuwen, Introducing Social Semiotics. London: Routledge, 2005. 181-97.*

Nietzsche, Friedrich. "Translating the Tempo of the Original." From Jenseits Gutes und Böses. 1886. In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Paraíso de Leal, I. Teoría del ritmo de la prosa. Barcelona: Planeta, 1976.

Patrick, J. Max, and Robert O Evans, eds. Style, Rhetoric and Rhythm. 1966.

Rabkin, Eric. "Time and Rhythm in Literature and Painting." Symbolism 8 (2008). (Special Focus: Literature and Painting).

Saintsbury, George. A History of [English] Prose Rhythm. 1912. Bloomington: Indiana UP, 1967.

Stevenson, R. L. "On Style in Literature: Its Technical Elements." The Contemporary Review (1885). (Nature of literature; Nature of poetry; Nature of prose; Metre; Rhythm; Style)

_____. "On Some Technical Elements of Style in Literature." In Stevenson, Essays in the Art of Writing. London: Chatto, 1910. 3-46.*

_____. "Sobre algunos elementos técnicos del estilo literario." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.248-60.*

Tataru, Ludmila Vladimirovna. "Rhythm as a Category of Lotman's Text Theory and as a Principle of Narrative Discourse." In СЕМИОСФЕРА НАРРАТОЛОГИИ: ДИАЛОГ ЯЗЫКОВ И КУЛЬТУР / Semiosphere of Narratology: A Dialogue of Languages and Cultures. Ed. Ludmila Tataru and José Angel García Landa. Balashov: Nikolayev, 2013. 36-49.*

Wellek, René, and Austin Warren. "Euphony, Rhythm, and Metre." In Wellek and Warren, Theory of Literature. 1949. Harmondsworth: Penguin, 1963. 158-73.

Yeats, W. B. "The Symbolism of Poetry." 1900. In W. B. Yeats, Essays and Introductions. London: Macmillan, 1961. 153-164. (Symbolism; Emotion; Mysticism; Nature of poetry; Rhythm; Criticism)

_____. "The Symbolism of Poetry." In Critical Since Plato. Ed. Hazard Adams. San Dieto: Harcourt, 1971. 722-725.*

_____. "The Symbolism of Poetry." In Symbolism: An Anthology. Ed. T. G. West. London: Methuen, 1980. 14-24.*

 

 

 

 

Audio

 

 

Benhamou, Anne-Françoise. "Accélérations et décélérations théâtrales." Lecture at ENS. Audio at Savoirs ENS 5 Oct. 2012.*

         http://savoirs.ens.fr/expose.php?id=966

         2014

 

 

 

 

See also Metrics.

 

 

 

 

 

 

 

Royalties

 

Spring, Ian. "Tax." In The Writer's Handbook 2009. Ed. Barry Turner. Houndmills: Palgrave Macmillan, 2008.

 

See also Income from literature; Sales of books; Copyright.

 

 

 

 

Sales of books

 

Internet resources

 

Edistat

         http://www.edistat.com/

         2009

 

See also Bestsellers; Bookstores; Booksellers; Publishing; Literature and the Publishing Industry.

 

 

 

 

 

 

 

 

Services (Literary)

 

Turner, Barry, ed. The Writer's Handbook 2009. Foreword by Ion Trewin. Houndmills: Palgrave Macmillan, 2009. (Publishers, magazines, literary agents, newspapers, broadcasting, theatre producers, writers' courses, fellowships, societies, services, libraries, press cutting agencies, consultants, festivals, prizes….)

 

 

 

Societies (Literary)

 

Turner, Barry, ed. The Writer's Handbook 2009. Foreword by Ion Trewin. Houndmills: Palgrave Macmillan, 2009. (Publishers, magazines, literary agents, newspapers, broadcasting, theatre producers, writers' courses, fellowships, societies, services, libraries, press cutting agencies, consultants, festivals, prizes….)

 

 

See also Academies; Clubs.

 

 

 

 

 

 

Sound in literature

 

Arp, Thomas R., and Greg Johnson. "Sound and Meaning." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*

Chapman, Raymond. The Treatment of Sounds in Language and Literature.  Londres: Blackwell/Deutsch, 1984.

Piette, Adam. Remembering the Sound of Words: Mallarmé, Proust, Joyce, Beckett. Oxford: Clarendon Press, 1996.

 

 

 

 

 

 

 

 

 

 

 

Technique

 

Gonçalves Rodrigues, Antonio J. "Reflections on Faulkner's Narrative Techniques." In Actas del IV Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al 21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984. 21-35.*

Onega Jaén, Susana. "Elementos de la técnica narrativa de Under the Volcano." Miscelánea 2 (1980): 33-54.*

_____. "Aspectos de la técnica narrativa de The Sound and the Fury." In Actas del IV Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al 21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984. 91-106.*

Schorer, Mark. "Technique as Discovery." Hudson Review 1 (1948): 67-87.

_____. "Technique as Discovery." In The Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 70-83.*

_____. "Technique as Discovery." Rpt. in Forms of Modern Fiction. Ed. William Van O'Connor. Minneapolis: U of Minnesota P, 1948. Rpt. Bloomington: Indiana UP, 1959.

_____. "Technique as Discovery." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 387-400.*

_____. "Technique as Discovery." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 101-14.*

Shklovsky, Viktor. "Art as Technique." 1917. In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 15-30.*

_____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.*

 

 

See also Technique (in art); Rhetoric, style; Form & content; Semiotics of literature.

 

 

 

 

 

 

 

Terminology (Literary, critical, technical)

 

Burke, Kenneth. "Terministic Screens." In Burke, Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: U of California P, 1966. pbk. 1968. 44-62.*

Eucken. Geschichte der philosophischen Terminologie. 1879. Rpt. 1960.

García Landa, José Ángel. "Rhetoric and Narratology: Scientific Terminology?" Paper presented at the  Susanne Hübner Seminar, "Terminología de Uso Común en las Ciencias del Lenguaje, Crítica Literaria y Estudios Socio-Culturales," Departamento de Filología Inglesa y Alemana, University of Zaragoza, Jan. 30-Feb. 1, 1991. Online edition (2004):

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/basicos.html

_____. "Narratology and Rhetoric: Scientific Terminology?" Academia.edu 26 June 2012.*

         https://www.academia.edu/1256911/

         2014

_____. "Narratology and Rhetoric: Scientific Terminology?" ResearchGate 24 Dec. 2014.*

DOI: 10.2139/ssrn.2089752 

https://www.researchgate.net/publication/256022315

         2014

_____. "Narratology and Rhetoric: Scientific Terminology?" Vanity Fea 20 Jan. 2020.*

         https://vanityfea.blogspot.com/2020/01/narratology-and-rhetoric-scientific.html

         2020

Garrido Gallardo, Miguel Ángel. "Diccionario español de términos literarios internacionales. Fin del proyecto." In Cartografía literaria: En homenaje al profesor José Romera Castillo. Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018. 1.1177-94. Online at Academia.*

         https://www.academia.edu/41019749/

         2019

Shaw, Harry E. "Why Won't Our Terms Stay Put? The Narrative Communication Diagram Scrutinized and Historicized." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 299-311.*

 

 

 

 

 

Series

 

 

(The New Critical Idiom). Series ed. John Drakakis. London: Routledge, c. 2017.

 

 

 

 

See also Technical terms.

 

 

 

 

 

Thematic Criticism

 

Seung, T. K. Semiotics and Thematics in Hermeneutics. New York: Columbia UP, 1982.

Sollors, Werner, ed. The Return of Thematic Criticism. Cambridge (MA): Harvard UP, 1993.

 

 

See also Phenomenology.

 

 

 

 

 

Tone

 

Arp, Thomas R., and Greg Johnson. "Tone." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*

McAdams, Dan P.  "2. Narrative Tone and Imagery." In McAdams, The Stories we Live By. New York: Guilford Press, 1993. 39-66.*

 

 

 

 

Typography and Visual Form

 

Bradford, Richard. The Look of It: A History of Visual Form in English Poetry. 1993.

Burt, C. A Psychological Study of Typography. Cambridge: Cambridge UP, 1950.

Butor, Michel. "Sur la page." 1964. In Butor, Essais sur le roman. Paris: Gallimard, 1992. 125-29.*

_____. "Le livre comme objet." 1964. In Butor, Essais sur le roman. Paris: Gallimard, 1992. 130-57.*

Craig, Cairns. "The Typographic Muse." In Craig, The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh UP, 1999. 167-99.*

Federman, Raymond, ed. Surfiction. Chicago: Swallow, 1975.

Lacoue-Labarthe, Philippe. Typography: Mimesis, Philosophy, Poetics. (Meridian: Crossing Aesthetics). Stanford (CA): Stanford UP.

Le Hir, Yves. "Dialogue et typographie." Information littéraire 13.5 (1961): 215-16.

Mallarmé, Stéphane. "Quant au livre." La revue blanche (1895). In Poésies 209-28.

_____. "The Book: A Spiritual Instrument." Trans. Bradford Cook. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 690-92.* (Trans. of section 3 of "Quant au livre").

_____. Poésies. Anecdotes ou poèmes. Pages diverses. Ed. Daniel Leuwers. Paris: LGF, 1977.

Nørgaard, Nina. "The Semiotics of Typography in Literary Texts. A Multimodal Approach." Orbis Litterarum 64 (2009): 141–160.

Peer, Willie van. "Typographic foregrounding." Language and Literature 2.1 (1993): 49-61.

Trapiello, Andrés. Imprenta moderna: Tipografía y literatura (1874-2005). Essay. 2006.

 

 

 

Unpublished or Unpublishable books

 

Boyd, Brian. "A Book Burner Recants: The Original of Laura." 2010. In Boyd, Stalking Nabokov: Selected Essays. New York: Columbia UP, 2011. 385-96.*

 

 

 

 

 

Unwritten and Imaginary Books

 

Browne, Thomas. "Musæum clausum or Bibliotheca Abscondita: Containing some remarkable Books, Antiquities, Pictures and Rarities of several kinds, scarce or never seen by any man now living." In Certain Miscellany Tracts. 1684. In The Works of Sir Thomas Browne. Ed. Charles Sayle. Edinburgh: John Grant, 1927. 3.350-65.*

Donne, John. Catalogus Librorum Aulicorum. c. 1611. (Imaginary books).

_____. The Courtier's Library, or Catalogus Librorum Auriculum Incomparabilum et non vendibilium. Ed. E. M. Simpson. London: Nonesuch, 1930.

Juel-Jensen, B. "Musaeum Clausum, or Bibliotheca Abscondita: Some Thoughts on Curiosity Cabinets and Imaginary Books." Journal of the History of Collections 4 (1992): 127-40.

 

 

 

 

Vernacular literature

 

Stanyhurst, Richard. "Too Thee Right Honovrable My Verie Looving Broother. Thee Lord Baron of Dvnsanye." In Thee First Fovr Bookes of Virgil His AENeis translated ... by Richard Stanyhurst ... Leiden: Iohn Pates, 1582.

Webbe, William. A Discourse of English Poetrie. London: R. Walley, 1586.

 

 

 

Workbooks

 

Calvo, Clara, and Jean-Jacques Weber. The Literature Workbook. London: Routledge, 1998.

 

 

 

Working-class writing

 

Gold, Michael. "Toward Proletarian Art." The Liberator (Feb. 1921).

Haywood, Ian. Working-Class Fiction from Chartism to Trainspotting. (Writers and Their Work). Plymouth: Northcote House / British Council, 1997.*

Margaroni, Maria. "From Alienation to Signification: Crossing Discursive Boundaries in a Re-Visiting of Working-Class Writing." Gramma 3 (1995): 63-78.*

Sales, Roger. "Poor Relations: Writing in the Working Class 1770-1835." In The Romantic Period. Ed. David B. Pirie. Vol. 5 of the Penguin History of Literature. Harmondsworth: Penguin, 1994. 257-88.*

Trotski, Lev. "Cultura proletaria y arte proletario." In Trotski, Sobre arte y cultura. Madrid: Alianza, 1973. 101-26.

_____. "Carta a Maurice Parijanine." (Proletarian literature). 1932. In Trotski, Sobre arte y cultura. Madrid: Alianza, 1973. 171-3.

_____. "Una interviú con León Trotski sobre Literatura proletaria." In Trotski, Literatura y revolución. Otros escritos sobre la literatura y el arte. Madrid: Ruedo Ibérico, 1969. 2.115-24.

 

 

 

Anthologies

 

Haywood, Ian-, ed. The Literature of Struggle. 1995. (Anthology of Chartist fiction).

Hicks, Granville, et al., eds. Proletarian Literature in the United States: An Anthology. Introd. Joseph Freeman. 1935. New York, 1953.

Landry, Donna. The Muses of Resistance: Laboring-Class Women's Poetry in Britain, 1739-1796. 1990.

Madden, David, ed. Proletarian Writers of the Thirties. Carbondale: Southern Illinois UP, 1968.

 

 

 

 

 

 

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            from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel Ga...