A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Origin of Literature (and of stories)
Austin, Michael. Useful Fictions: Evolution, Anxiety, and the Origins of Literature. Lincoln: U of Nebraska P, 2010.
Boyd, Brian. "Evolution and Literary Response." In Telling Stories. Ed. Dirk Vanderbeke and Carston Gansel. Berlin: De Gruyter, forthcoming 2010.
_____. "The Origin of Stories: Horton Hears a Who." Philosophy and Literature 25.2 (2001): 197-214.
_____. "Literature and Evolution: A Bio-Cultural Approach." Philosophy and Literature 29 (2005): 1-23.
_____."Evolutionary Theories of Art." In The Literary Animal: Evolution and the Nature of Narrative. Ed. Jonathan Gottschall and David Sloan Wilson. Evanston (IL): Northwestern UP, 2005. 147-76.*
_____. "Fiction and Theory of Mind." Philosophy and Literature 30.2 (2006): 571-581.
_____. "Getting It All Wrong: Bioculture Critiques Cultural Critique." American Scholar (Autumn 2006): 18–30.
_____. Notes to Vladimir Nabokov, Obras Completas III: Novelas (1941-1957). Prologue by Juan Bonilla. Ed. Antoni Munné. Trans.. Enrique Pezzoni, Vicente Campos, Francesc Roca, Enrique Murillo. (Opera Mundi). Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2006.* (La verdadera vida de Sebastian Knight. Barra siniestra. Lolita. Pnin. Lolita: Un guión).
_____. "Art and Evolution: Spiegelman in The Narrative Corpse." Philosophy and Literature 32 (2008): 31-57.
_____. "Introduction: Animal, Human, Art, Story." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 1-11.*
_____. "1. Evolution and Human Nature?" In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 19-30.*
_____. "2. Evolution, Adaptation, and Adapted Minds." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 31-42.*
_____. "3. The Evolution of Intelligence." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 42-50.*
_____. "4. The Evolution of Cooperation." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 51-66.*
_____. "5. Art as Adaptation?" In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 69-79.*
_____. "6. Art as Cognitive Play." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 80-98.*
_____. "7. Art and Attention." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 99-112.*
_____. "8. From Tradition to Innovation." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 113-26.*
_____. "9. Art, Narrative, Fiction." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 129-31.*
_____. "10. Understanding and Recalling Events." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 132-58.*
_____. "11. Narrative: Representing Events." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 159-76.*
_____. "12. Fiction: Inventing Events." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 177-187.*
_____. "13. Fiction as Adaptation." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 188-208.*
_____. "Part 4: Phylogeny: The Odyssey." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 213-317.* (Attention, Character and Plot, Patterns, Intelligence, Immediacy, Cooperation, Punishment).
_____. "Part 5: Ontogeny: Horton Hears a Who!" In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 319-79.* (Play, Explanation, Universality, Individuality, Particularity, Meanings).
_____. "Conclusion: Retrospect and Prospects: Evolution, Literature, Criticism." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 380-98.*
_____. "Afterword: Evolution, Art, Story, Purpose." In Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009. 399-416.*
_____. On the Origin of Stories: Evolution, Cognition, and Fiction. Cambridge (MA) and London: Harvard UP-Belknap Press, 2009.* (Book I: Evolution, Art, and Fiction – Part 1, Evolution and Nature, Part 2, Evolution and Art, Part 3, Evolution and Fiction; Book II: From Zeus to Seuss: Origins of Stories— Part 4, Phylogeny: The Odyssey, Part 5: Ontogeny: Horton Hears a Who!).
http://www.hup.harvard.edu/catalog/BOYORI.html
2009
_____. "On the Origins of Comics: New York Double-take." The Evolutionary Review 1 (2010): 87-111.*
_____. "Literature, Evolution, and Cognition: Questions, Answers, Questions—The Example of Hamlet." Politics and Culture 29 April 2010.*
2010
_____. "Evolution and Literary Response." In Telling Stories. Ed. Dirk Vanderbeke and Carston Gansel. Berlin: De Gruyter, forthcoming 2010.
_____. "The Evolution of Stories: From Mimesis to Language, from Fact to Fiction." Wiley Interdisciplinary Reviews - Cognitive Science 9.1 (May 2017). DOI: 10.1002/wcs.1444
Online at ResearchGate.*
2019
Carroll, Joseph. "The Human Revolution and the Adaptive Function of Literature." Philosophy and Literature 30 (2006): 33-49.
Collins, Christopher. Paleopoetics: The Evolution of the Preliterate Imagination. Columbia UP, 2013.
Dissanayake, Ellen. "In the Beginning, Evolution Created Literature and the Arts." Evolutionary Review 2 (2011): 64-81.
Dupeyron, Agathe. "Once upon a time: when did works of fiction appear around the world? Interrogating Seshat to make global historical comparisons." Seshat Databank 12 April 2016.*
http://seshatdatabank.info/global_fiction
2016
Goody, Jack. La raison graphique: La domestication de la pensée sauvage. Paris: Minuit, 1979.
Harari, Yuval Noah. "4. The Storytellers." In Harari, Homo Deus: A Brief History of Tomorrow. London: Vintage, 2016. 181-207.*
Holland, Norman. "25. Is Literature Innate?" In Holland, Literature and the Brain. Gainesville (FL): PsyArt Foundation, 2009. 321-41.*
Lévy-Bruhl, Lucien. La mythologie primitive. Paris: Alcan, 1935.
_____. La mythologie primitive. 1935. In Lévy-Bruhl, Primitifs. Paris: Anabet, 2007. 779-1067.*
Lord, Albert B. The Singer of Tales. Cambridge (MA): Harvard UP, 1960.
Maestro, Jesús G. Genealogía de la Literatura: De los orígenes de la literatura, construcción histórica y categorial, y destrucción posmoderna, de los materiales literarios. (Biblioteca Giambattista Vico). Vigo: Editorial Academia del Hispanismo, 2012.*
2016
Martínez Gázquez, José Miguel. "Folclore (1). Cuentos de Europa" Der Golem 10 Jan. 2019.*
https://dergolem.blog/2019/01/10/folclore-1/
2019
_____. Der Golem. Blog.*
2019
Mellman, Katja. "Evolutionary Proto-Forms of Literary Behavior." Academia.edu (Jan. 2013):
http://www.academia.edu/2467580/Evolutionary_proto-forms_of_literary_behavior#
2013
_____. "Anthropologie des Erzählens." Preprint. Academia (March 2016).*
https://www.academia.edu/22953732/
2016
Sugiyama, Michelle Scalise. "On the Origins of Narrative: Storyteller Bias as a Fitness-Enhancing Strategy." Human Nature 7 (1996): 403-425.
_____. "Food, Foragers, and Folklore: The Role of Narrative in Human Subsistence." Evolution and Human Behavior 22 (2001): 221-40.
Sutton-Smith, B. "The Origins of Fiction and the Fictions of Origin." In Story, Play, Text. (Proceedings of the American Ethnological Association). 1984.
Tague, Gregory F. Making Mind: Moral Sense and Consciousness in Philosophy, Science, and Literature. Amsterdam: Rodopi / Brill, 2014.*
Turner, Mark. The Literary Mind: The Origins of Language and Thought. New York: Oxford UP, 1996.
Video
Maestro, Jesús G. "Genealogía de la Literatura. Nacimiento de la Literatura." Video lecture. YouTube (fgbuenotv) 20 April 2014.
2014
_____. "El origen de la Literatura: ¿Cómo y por qué nació la literatura?" (El Materialismo Filosófico como Teoría de la Literatura: Crítica de la Razón Literaria, 5: Genealogía de la Literatura, Primera parte). YouTube (Jesús G. Maestro) 10 March 2015.*
2016
Merino, José María. "La ficción inventó al ser humano." Video. Lecture at Fundación Juan March 2 March 2019.*
2019
Voth, Grant L. "1. Stories and Storytellers." (History of World Literature). YouTube (LP Koshan) 12 Nov. 2016.*
2017
See also Prehistory; Myth; Oral literature.
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