A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Theatre - Dramatic & Stage performance
Early works
Miscellaneous
Early works
Bharat Muni (Attr.). Natya Shastra. Ancient Sanskrit treatise on drama. (c. 200 BC-200 AD).
_____. The Natyasastra Ascribed to Bharata-Muni. Trans. Manomohan Ghosh, M.A., Ph.D. (Bibliotheca Indica: A Collection of Oriental Works; work no. 272, issue 1559). Calcutta: Asiatic Society of Bengal, 1951.*
_____. Natya Shastra. Trans. Manomohan Ghosh. 1951. Internet Archive.
http://archive.org/details/NatyaShastra
2013
Wilde, Oscar. "The Truth of Masks." In Wilde, Intentions. 1891. First published under a different title in The Nineteenth Century (May 1885).
_____. "The Truth of Masks." The Works of Oscar Wilde. Ed. B. Foreman. London: Collins, 1948. 1060-1104.
_____. "The Truth of Masks: A Note on Illusion." In The Works of Oscar Wilde. Ed. G. F. Maine. London and Glasgow: Collins, 1938. 1957. 999-1017.*
_____. "The Truth of Masks: A Note on Illusion." In Complete Works of Oscar Wilde. London: Collins, 1966. 1060-78.*
_____. "La verdad de las máscaras (apuntes sobre la ilusión)." In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 1009-28.* Rpt.. Santillana-Aguilar, 2003. 1.695-714.*
_____. "La verdad de las máscaras (un estudio sobre la ilusión)." In Wilde, El crítico como artista: Ensayos. (Colección Austral). Madrid: Espasa-Calpe, 1968. 103-34.*
_____. "La verdad de las máscaras." In Ensayos. Artículos. Trans. Julio Gómez de la Serna. (Jorge Luis Borges: Biblioteca Personal, 3). Barcelona: Orbis, 1986. 168-200.*
Miscellaneous
Aebischer, Pascale, Edward J. Esche and Nigel Wheal, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. (Palgrave Shakespeare Studies). Basingstoke: Palgrave Macmillan, 2003.
Allsopp, Ric. "Performance Writing." PAJ: A Journal of Performance and Art 21.1 (1999): 76-80.
Álvarez, Inma, et al., eds. Expression in the Performing Arts. Newcastle upon Tyne: Cambridge Scholars Publishing, 2010.*
http://www.c-s-p.org/flyers/Expression-in-the-Performing-Arts1-4438-1953-0.htm
2011
Artaud, Antonin. The Theatre and Its Double. London: Calder and Boyars, 1970.
_____. Artaud on Theatre. Ed. Claude Schumacher. London: Methuen, 1989.
Auslander, Philip. Liveness: Performance in a Mediatized Culture. London: Routledge, 1999.
Banham, Martin, ed. The Cambridge Guide to Theatre. 2nd ed. Cambridge: Cambridge UP, 1995.
Barnett, David. "When Is a Play Not a Drama? Two Examples of Postdramatic Theatre Texts." New Theatre Quarterly 24.1 (2008): 14-23.
Baugh, Christopher. Theatre, Performance and Technology. Basingstoke: Palgrave Macmillan, 2005.
Ben-Tovim, Ruth. "Writing for Performance: Three Contrasting Approaches." In Writing Live: An Investigation into the Relationship beween Writing and Live Art. Ed. John Deeney. London: New Playwrights Trust, 1998. 51-83.
Benamou, Michel, and Charles Caramello, eds. Performance in Postmodern Culture. Madison (WI): Coda, 1977.
Bentley, Eric. "Enactment." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 425-41.*
Berger, Harry, Jr. "Bodies and Texts." Representations 17 (1987).
Bicât, Tina, and Chris Baldwin. Devised and Collaborative Theatre: A Practical Guide. Marlborough: Crowood, 2002.
Birringer, Johannes. Theatre, Theory, Postmodernism. Bloomington: Indiana UP, 1991.
Blau, Herbert. "Precipitations of Theater: Words, Presence, Time Out of Mind." New Literary History 12.1 (Autumn 1980).
Brook, Peter. The Empty Space. London: MacGibbon and Kee, 1968.
_____. The Empty Space. New York, 1969.
_____. The Empty Space. Harmondsworth: Penguin-Pelican, 1973.
_____. El espacio vacío: Arte y técnica del teatro. Ediciones de Bolsillo.
_____. The Open Door: Thoughts on Acting and Theatre. 1993.
_____. La puerta abierta: Reflexiones sobre la interpretación y el teatro. Trans. Gema Moral Bartolomé. Sant Llorenç d'Hortons (Barcelona): Alba Editorial, 1994. 2nd ed. 1996. 3rd ed. 1997. 4th ed. 1999. 5th ed. 2002. 6th ed. 2004. 7th ed. 2007. 8th ed. 2010.*
Brown, John Russell. Effective Theatre. London, 1969.
Byrne, M. St Clare. "Dramatic Intention and Theatrical Realization." In The Triple Bond. Ed. Joseph G. Price. U of Pennsylvania, 1975. 30-49.
Cameron, Kenneth, and Theodore J. C. Hoffman. The Theatrical Response. London, 1969.
Carlson, Marvin. Performance: A Critical Introduction. London: Routledge, 1996.
Cassou, Jean. "XXII. Les Arts du spectacle." In Cassou, Panorama des Arts Plastiques Contemporains. Paris: Gallimard, 1960. 378-410.*
Causey, Matthew. "The Aesthetics of Disappearance and the Politics of Visibility in the Performance of Technology." Gramma/Gramma 10 (2002): 59-72.*
_____. "Postorganic Performance: The Appearance of Theater in Virtual Spaces." In Cyberspace Textuality: Computer Technology and Literary Theory. Ed. Marie-Laure Ryan. Bloomington: Indiana UP, 1999. 182-201.
_____. "La performance post-orgánica: la apariencia del teatro en los espacios virtuales." Trans. Óscar Jiménez. In Literatura y cibercultura. Ed. Domingo Sánchez-Mesa. Madrid: Arco/Libros, 2004. 297-325.*
Cornago, Óscar. "¿Qué es la teatralidad? Paradigmas estéticos de la Modernidad." Telón de fondo: Revista de Teoría y Crítica Teatral 1.1 (Aug. 2005). http://www.telondefondo.org/numeros-anteriores/numero1/articulo/2/que-es-la-teatralidad-paradigmas-esteticos-de-la-modernidad.html
Online at AVAE: Archivo Artea.*
http://archivoartea.uclm.es/textos/que-es-la-teatralidad-paradigmas-esteticos-de-la-modernidad/
2020
Deeney, John. Writing Live: An Investigation into the Relationship beween Writing and Live Art. Ed. John Deeney. London: New Playwrights Trust, 1998. 9-50.
Derrida, Jacques. "Le théâtre de la cruauté et la clôture de la représentation." In Derrida, L'Ecriture et la différence. Paris: Seuil, 1967. 341-68.*
Elam, Keir. The Semiotics of Theatre and Drama. 2nd ed. (New Accents). London: Routledge, 2002.* (Available in electronic edition).
Etchells, Tim. "Diverse Assembly: Some Trends in Recent Performance." In Contemporary British Theatre. Ed. T. Shank. Basingstoke: Macmillan, 1994. 107-22.
_____. Certain Fragments: Contemporary Performance and Forced Entertainment. London: Routledge, 1999.
Fernald, John. The Play Produced. Deane.
Fortier, Mark. Theory / Theatre: An Introduction. London: Routledge, 1997.
_____. Theory/Theatre: An Introduction. London: Routledge, 1997. 2nd ed. 2012.
_____. Theory/Theatre: An Introduction. 3rd ed. London: Routledge, 2016.*
Freeman, John. New Performance / New Writing. Houndmills: Palgrave Macmillan, 2007.
_____. Blood, Sweat and Theory: Research Through Practice in Performance. Faringdon: Libri Publishing, forthcoming 2010.
Frisch, Max. "On the Nature of the Theatre." (Performance). In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 442-53.*
García Landa, José Ángel. "El mundo social como presentación y re-presentación." In García Landa, Vanity Fea 19 October 2009.* (Goffman).
http://vanityfea.blogspot.com/2009/10/el-mundo-social-como-presentacion-y-re.html
2009
_____. "Actuaciones." In García Landa, Vanity Fea 21 October 2009.*
http://vanityfea.blogspot.com/2009/10/actuaciones.html
2009
_____. "Actuaciones: Notas sobre el primer capítulo de The Presentation of Self in Everyday Life, de Erving Goffman." Ibercampus (Vanity Fea) 28 Oct. 2009.*
http://www.ibercampus.es/articulos.asp?idarticulo=11296
2009
_____. "Drama and Theatre." In García Landa, Vanity Fea 20 Sept. 2012.*
http://vanityfea.blogspot.com.es/2012/09/drama-and-theatre.html
2012
Gerould, Daniel, ed. Theatre/Theory/Theatre: The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel. Applause Books, 2003.
Gottlieb, Vera. "Theatre Today—The 'New Realities'." Contemporary Theatre Review 13.2 (2003): 5-14.
Gould, John. "X. Tragedia – (2) La representación de la tragedia." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 293-313.*
Govan, Emma, Kate Normington and Helen Nicholson. Making a Performance. London: Routledge, 2007.
Graham, Scott, and Steven Hoggett. The Frantic Assembly Book of Devising Theatre. London: Routledge, 2009.
Gramma/Gramma 10 (2002): "Theatres in the Age of New Technologies." Ed. Elizabeth Sakellaridou and Savas Patsalidis. Aristotle U of Thessaloniki.
Granville-Barker, Harley. On Dramatic Method. 1931.
Gross, Roger. Understanding Playscripts. Bowling Green (OH), 1974.
Hagen, Uta. A Challenge for the Actor. New York: Scribner, 1991.
Hays, Michael. The Public and Performance: Essays in the History of French and German Theater 1871-1900.
Heddon, Dee, and Jane Milling. Devising Performance: A Critical History. Houndmills: Palgrave Macmillan, 2006.
Hilton, Julian. Performance. London: Macmillan, 1988.
Holderness, Graham. "Production, Reproduction, Performance: Marxism, History, Theatre." In Uses of History. Ed. Francis Barker, Peter Hulme, and Margaret Iversen. Manchester UP, 1991. 153-78.*
Horstmann, Jan. Theaternarratologie. (Narratologia, 64). Berlin and Boston: de Gruyter, 2018.* (Scenery, semiotics of drama, performance, space, perspective; Roland Schimmelpfennig, Der Goldene Drache, 2009; Nicolas Stemann, Faust; Jette Steckel, Der Fremde; Bastian Kraft, Orlando).
Hubert, Judd D. "Metatheater and Performance." In Hubert, Metatheater: The Example of Shakespeare. Lincoln: U of Nebraska P, 1991. 1-14.*
Hymes, Dell. "Breakthrough into Performance." In Folklore: Communication and Performance. Ed. Dan Ben-Amos and Kenneth Goldstein. The Hague: Mouton, 1975. 9-74.
Jamieson, Michael. "Shakespeare in Performance." In Shakespeare: A Bibliographical Guide. Ed. Stanley Wells. Oxford: Clarendon Press, 1990. 37-68.*
Kaye, Nick. Postmodernism and Performance. (New Directions in Theatre series). Basingstoke: Macmillan, 1994.
Kershaw, Baz. The Politics of Performance: Radical Theatre as Cultural Intervention. London: Routledge, 1992.
Kubiak, Anthony. Agitated States: Performance in the American Theatre of Cruelty. Ann Arbor: Michigan UP, 2002.
Langellier, Kristin M. "'You're Marked': Breast Cancer, Tattoo, and the Narrative Performance of Identity." In Narrative and Identity: Studies in Autobiography, Self and Culture. Ed. Jens Brockmeier and Donal Carbaugh. Amsterdam and Philadelphia: John Benjamins, 2001. 145-84.*
Leuveren, Bram van, and Thom van Duuren. "'Narratives-in-the-Making': Towards a Gradient Understanding of Narrativity in Contemporary Performance." Paper presented at the Annual conference of the International Society for the Study of Narrative (ISSN). Manchester, 27-29 June 2013. Online at Academia.*
https://www.academia.edu/4753720/
2020
Lehmann, Hans-Thies. Postdramatic theatre. Abingdon: Routledge, 2006.
Ley, Graham. "'Discursive Embodiment': The Theatre as Adaptation." Journal of Adaptation in Film and Performance 2.3 (2009): 201-9.
Ley, Graham, and Jane Milling. Performance and Theory from Stanislavski to Boal. Houndmills: Macmillan, 2000.
Lovink, Geert. "Surveillance, Performance, Self-Surveillance: Interview with Jill Magid." Online PDF. 2004.
Luckhurst, Mary. Dramaturgy: A Revolution in Theatre. Cambridge: Cambridge UP, 2006.
McDougall, Gordon. "Theatrical Truth: The Dialogue between Audience and Performance." Studies in Theatre and Performance 22.2 (2002): 107-17.
Meisel, Martin. How Plays Work: Reading and Performance. Oxford: Oxford UP, 2007.
Meyrick, Julian. "Cut and Paste: The Nature of Dramaturgical Development in the Theatre." Theatre Research International 31.1 (2006): 270-82.
Middleton, Irene Jane. "Audience Communities: Early Modern Desire in Post-1956 British Performance." Diss. Emory U, 2010.
https://etd.library.emory.edu/view/record/pid/emory%3A7s373
Morgan, Margery. Drama, Plays, Theatre and Performance. Harlow: Longman, 1987.
Normington, Katie. Medieval English Drama: Performance and Spectatorship. Cambridge: Polity Press, 2009.
Oddey, Alison. Devising Theatre: A Practical and Theoretical Handbook. London: Routledge, 1996.
Oliva, César, and Francisco Torres. Historia básica del arte escénico. Madrid: Cátedra, 1990.
Pérez Estanquero, Orestes. "Personas-performers (escénicos)." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.
Peterson, Eric E., and Kristin M. Langellier. "The Performance Turn in Narrative Studies." In Narrative: State of the Art. Ed. Michael Bamberg. Amsterdam and Philadelphia: John Benjamins, 2007. 205-13.* Rpt. of Narrative Inquiry 16.1 (2006).
Phelan, Peggy. "Feminist Theory, Post-Structuralism, and Performance." Drama Review 32 (1988).
_____. Unmarked: The Politics of Performance. London: Routledge, 1993.
Poirier, Richard. The Performing Self. New York: Oxford UP, 1971.
Pramaggiore, Marta. "Performance and Persona in the U.S. Avant-Garde: The Case of Maya Deren." Cinema Journal 36.2 (Winter 1997): 17-40.*
Richardson, Brian. "Endings in Drama and Performance: A Theoretical Model." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 181-99.*
Saltz, David Z. "Performing Arts." In A Companion to Digital Humanities. Ed. Susan Schreibman, Ray Siemens, and John Unsworth, eds. Malden (MA): Blackwell, 2004. 121-31.*
Schechner, Richard. "News, Sex, and Performance Theory." In Innovation/Renovation: New Perspectives on the Humanities. Ed. Ihab Hassan and Sally Hassan. Madison (WI): U of Wisconsin P, 1983.
_____. Performance Theory. Rev. ed. New York: Routledge, 1988.
_____. "Performance and Ritual." Encyclopedia of Religion. Thomson Gale, 2005.*
http://www.encyclopedia.com/article-1G2-3424502396/performance-and-ritual.html
2016
Shaughnessy, Robert. Representing Shakespeare: England, History, and the RSC. Hemel Hempstead: Harvester Wheatsheaf, 1994.
Stanislavski, Konstantin. Creating a Role. Trans. E. R. Hapgood. London, 1968.
_____. Building a Character. New York: Theatre Arts Books.
_____. (Constantin Stanislavski). La construcción del personaje. Trans. Bernardo Fernández. (El Libro de Bolsillo, 573). Madrid: Alianza, 1975. 1980. 1984. 1985.*
_____. Stanislavski on the Art of the Stage. Ed. D. Magarshack. London, 1967.
Steiger, Nina. "'Absolute Immediacy': A Conversation with Scott Graham." Contemporary Theatre Review 16.3 (2006): 312-17.
Striff, Erin. "Introduction: Locating Performance Studies." In Performance Studies. Ed. Erin Striff. Basingstoke: Palgrave Macmillan, 2003. 1-13.
Styan, J. L. The Elements of Drama. Cambridge: Cambridge UP, 1960.* (Part I: The Dramatic Score; Part II: Orchestration; Part III: Values).
_____. Restoration Comedy in Performance. Cambridge: Cambridge UP, 1986.*
_____, ed. The English Stage: A History of Drama and Performance. Cambridge: Cambridge UP, 1996.*
Thompson, Marvin, and Ruth Thompson, eds. Shakespeare and the Sense of Performance: Essays in the Tradition of Performance Criticism in Honor of Bernard Beckerman. London: Associated UPs, 1989.
Thomson, Peter. Shakespeare's Theatre. (Performance). London: Routledge, 1992.
Totzeva, Sophia. "Realizing Theatrical Potential: The Dramatic Text in Performance and Translation." In The Practices of Literary Translation: Constraints and Creativity. Ed. Jean Boase-Beier and Michael Holman. Manchester: St Jerome, 1998. 81-90.*
Trussler, Simon. The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000.*
Turner, Cathy. "Gettin the 'Now' into the Written Text (and Viceversa): Developing Dramaturgies of Process." Performance Research 14.1 (2009): 106-14.
Turner, Cathy, and Synne K. Behrndt. Dramaturgy and Performance. Houndmills: Palgrave Macmillan, 2007. 2008.
Ugawu, Catherine, ed. Let's Get It On: The Politics of Black Performance. London: ICA Publications, 1995.
Vanden Heuvel, Michael. Performing Drama / Dramatizing Performance: Alternative Theater and the Dramatic Text. Ann Arbor: U of Michigan P, 1991.*
Versteele, Jeroen. "Performance and Cognitive Narratology." Image (&) Narrative 9 (2004).
Whitmore, Jon. Directing Postmodern Theater: Shaping Signification in Performance. Ann Arbor: U of Michigan P, 1994.
Williams, Raymond. Drama in Performance. Muller, 1954. (Greek and Shakespearean drama).
_____. Drama in Performance. London, 1968.
Wilshire, Bruce. Role Playing and Identity: The Limits of Theatre as Metaphor. Bloomington: Indiana UP, 1982.
Wilson, Edwin, and Alvin Goldfarb, eds. Living Theatre: A History of Theatre. 6th ed. McGraw-Hill, 2011.
Winkin, Yves, and Wendy Leeds-Hurwitz. "3. Goffman in Communication." In Winkin and Leeds-Hurwitz, Erving Goffman. New York: Peter Lang, 2013. 76-97.* (Language and Social interaction; Interpersonal communication; Health communication; Organizational communication; Intercultural/International communication; Media; Public relations; Feminist/Critical theory; Rhetoric/Performance studies; Public order, Personality, Interaction).
Worthen, William B. "Deeper Meanings and Theatrical Technique: The Rhetoric of Performace Criticism." Shakespeare Quarterly 40 (1989): 441-55.
_____. "Deeper Meanings and Theatrical Technique: The Rhetoric of Performance Criticism." In Shakespeare: An Anthology of Criticism and Theory 1945-2000. Ed. Russ McDonald. Oxford: Blackwell, 2003.*
Zatlin, Phyllis. Theatrical Transition and Film Adaptation: A Practitioner's View. Clevedon: Multilingual Matters, 2005.
Anthologies
Gale, Maggie B., and John F. Deeney, eds. The Routledge Drama Anthology and Sourcebook: From Modernism to Contemporary Performance. London: Routledge, 2010.
Blogs
This Huge Stage – El Gran Teatro del Mundo. (José Angel García Landa).*
https://thishugestage.blogspot.com/
2023
YouTube (The Shows Must Go On!).*
https://www.youtube.com/@TheShowsMustGoOn
2023
Dictionaries and encyclopedias
Kennedy, D., ed. The Oxford Encyclopedia of Theatre and Performance. Oxford: Oxford UP, 2003.
DVDs
Molinari, Cesare, and Renzo Guardenti, eds. Dionysos. (Archive of theatrical iconology). DVD. Italy: Titivillus.
Films
Stage Fright. Dir. Alfred Hitchcock. Written by Whitfield Cook, on a story by Selwyn Jepson. Cast: Marlene Dietrich, Jane Wyman, Michael Wilding, Richard Todd. Vistavision Technicolor. USA: Metro Goldwyn Mayer, 1950.
_____, dir. Pánico en la escena. DVD. DVD. (Hitchcock Gold Edition). Barcelona: RBA/WB, 2008.*
Internet resources
AVAE: Archivo Artea: Artes Vivas, Artes Escénicas. Universidad de Castilla-La Mancha.*
2020
Prado Zavala, Jorge. Academia (Jorge Prado Zavala).*
https://iems.academia.edu/JorgePradoZavala
2022
SSRN: Visual, Performing, &/ Fine Arts Research Network.*
https://www.ssrn.com/index.cfm/en/artsrn/
2021
Theatre Database
http://www.theatredatabase.com/
2005-10-25
YouTube (TheaterTalk).*
https://www.youtube.com/c/theatertalk/videos
2020
Journals
Contemporary Theatre Review 17.4 (2007).
Educational Theatre Journal 27 (1975).
Journal of Adaptation in Film and Performance 5.1 (2012).
Performance Research 14.1 (2009).
Performing Arts Journal no. 33/34 (vol. 11.3, 1989).
Playbill
2006-06-10
Reflexión Académica en Diseño y Comunicación (VI Edición Congreso de Tendencias Escénicas / I Edición Congreso de Tendencias Audiovisuales [Presente y Futuro del Espectáculo]. Vol. 42 (2020) (Año XXI). Buenos Aires: Universidad de Palermo, 2020. Online at Academia.*
https://www.academia.edu/42138466/
2020
Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship 14 (1996).
Studies in Theatre and Performance 27.3 (2007).
Telón de fondo:
Revista de Teoría y Crítica Teatral
Vol. 1.1 (Aug. 2005).
2005
Text and Performance Quarterly 27.4 (2007).
Theater 10.2 (1979).
Theatre History Studies 10 (1990).
Theatre International Research 1.2 (1976).
Theatre Ireland 29 (Autumn 1992).
Theatre Journal 39.1 (March 1987).
Theatre Notebook 42 (1988).
Theatre Research / Recherches Théâtrales 5.3 (1963).
Theatre Research International.
Ed. Claude Schumacher (U of Glasgow).
Vol. 22 (1997).
http://www.oup.co.uk/tri/
Theatre Topics 13.1 (2003).
Women and Performance 2.2 (1985).
Literature
Larra, Mariano José de. "Una primera representación." In Larra, Artículos. Ed. Enrique Rubio. Madrid: Cátedra, 1992. 296-308.*
Fitzgerald, Penelope. At Freddie’s. Novel. 1985.
_____. At Freddie’s. London: HarperCollins-Flamingo.
Series
(Themes in Theatre, 11). Leiden: Brill / Rodopi, 2020.
https://brill.com/view/title/57109?language=en
2020
Video
Boadella, Albert. "Interpretando la lengua." Lecture at the Universidad de Comillas, 2012. YouTube (Centro Universitario CIESE-Comillas) 20 March 2012.*
2014
Bradley, Robert. "Introduction to Theatre and Drama Arts." In García Landa, Vanity Fea 20 May 2014.*
http://vanityfea.blogspot.com.es/2014/05/introduction-to-theatre-and-drama-arts.html
2014
Gómez, José Luis. "Breviario de teatro para espectadores activos." Inaugural discourse at the Real Academia Española, 1 Dec. 2011. Online video at YouTube (Canal de RAEinforma) 30 Jan. 2014.*
2014
See also Directors; Actors; Staging.
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