viernes, 15 de septiembre de 2023

Compañías teatrales

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Theatre Companies

 

 

Miscellaneous

 

Bicât, Tina, and Chris Baldwin. Devised and Collaborative Theatre: A Practical Guide. Marlborough: Crowood, 2002.

Cook, A. J. The Privileged Players of Shakespeare's London, 1576-1642. Princeton: Princeton UP, 1981.

Gurr, Andrew. "The Companies." In Gurr, The Shakespearean Stage, 1574-1642. 3rd ed. Cambridge: Cambridge UP, 1992. 27-79.*

Keenan, Siobhan. Travelling Players in Shakespeare's England. Basingstoke: Palgrave Macmillan, 2002.

Milhous, Judith. "Company Management." In The London Theatre World, 1660-1800. Ed. R. D. Hume. Carbondale, 1980.

Neville, Oliver ."The English Stage Company and the Dramatic Critics." In The Present. Vol. 8 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1983. 261-80.*

Trussler, Simon. "8. The Restoration Theatre 1660-1682." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 106-17.* (The old pretenders and the new patentees. The rival companies, their players, and their playhouses. Wings and shutters. Foreign influences and native growth. Hobbes and the ideology of pleasure. The King, the court, and varieties of 'acting'. Amateurs and professionals. Society, sexuality, and new styles of comedy. Heroic drama, neoclassicism, and what happened to Shakespeare. The theatrical profession and the exclusionist crisis. 'City end' and 'town end'. Shakespeare refashioned).

_____. "9. The Birth of a Bourgeois Theatre 1682-1707." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 134-45.* (The lean years of the United Company: plays, politics, audiences. Betterton defects to Lincoln's Inn. Attitudes to actresses, and the development of the benefit system. Formulating the 'rules' of acting. The rise of the younger generation, and the significance of Colley Cibber. The Collier controversy, the city, and the credit economy. George Farquhar, and 'hard' versus 'humane' comedy. The female wits. A new 'war of the theatres'. The companies reunited).

_____. "11. Opposition and Oppression 1728-1741." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 162-77.* (The Whig ascendancy consolidated. The rise of Walpole—and of ballad opera. New audiences, new theatres. Fielding, Lillo, and the theatrical opposition. Power struggles at Drury Lane. The building of Covent Garden. 'The Great Mogul¡ at the Little theatre. Dramatic satire. The passing of the Licensing Act. The end of experiment. Actors and acting. Garrick at Goodman's Fields. The Acting Style of David Garrick).

 

 

Films.  See Drama. Specific. Films.

 

Literature. See Drama. Specific. Theatre on Theatre.

 

 

 

 

7.84

 

7:84. Drama company. Founded 1971.

 

 

Actors' Ensemble of Berkeley

 

Marlowe. Doctor Faustus - Directed by Jeremy Cole. Actors' Ensemble of Berkeley. YouTube (Actors Ensemble of Berkeley) 27 Dec. 2009.*

         https://youtu.be/b4DXV8OTUEk

         2015

 

 

 

Actors Studio

 

"Actors Studio" Wikipedia: La Enciclopedia Libre.*

         https://es.wikipedia.org/wiki/Actors_Studio

         2017

 

 

 

 

 

Ados Teatroa

 

 

Aburto González, Nerea. "Lu eta Le (Ados Teatroa, 2016): vida a través de la muerte." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

 

 

 

Apollo Arts

 

Sophocles. "Apollo Arts Production of Oedipus Rex." YouTube (Theatre Classics) 21 Nov. 2018.*

         https://youtu.be/bTQ-qK-m6mo

         2020

 

 

 

 

Através Arte

 

Video

 

Pérez, Lute. "Marta Pérez Seguí y el Grupo Teatral 'Através Arte'." (Tardes Literarias). Audio. YouTube (Radio Sapiens) 28 Feb. 2021.*

https://youtu.be/Qu8GycAJVww

         2021

 

 

 

 

 

 

Ballet des Opernhauses Zürich

 

Monteverdi, Claudio. L'Orfeo. Stage and film dir. Jean-Pierre Ponnelle. Orpheus: Philippe Huttenlocher (barytone); Eurydice : Dietlinde Turban (soprano); Music - Hope: Trudeliese Schmidt (soprano); Apollo: Roland Hermann (tenor); Proserpine - Messenger : Glenys Linos (soprano); Pluto: Werner Gröschel (bass); Charon: Hans Franzen (bass); Nymph: Suzanne Calabro (soprano). Ballet des Opernhauses Zürich. Das Monteverdi-Ensemble des Opernhauses Zürich / Nikolaus Harnoncourt. 1978.  YouTube (JF52opera) 9 Aug. 2013.*

         https://youtu.be/EcRFFmgVGlc

         2016

 

 

 

 

 

 

 

Big Brum

 

Big Brum. Children's drama company, collab. with Edward Bond 1995-

 

 

Internet resources

 

Big Brum. (Birmingham). YouTube (Big Brum)

         https://www.youtube.com/channel/UC4a4ktaj4COAjxym0McUk5g

         2015

 

 

 

 

 

Black Theatre Co-operative

 

Black Theatre Co-operative. Founded 1979. Renamed Nitro.

 

 

 

Bob Jones University Classic Players

 

 

Video

 

Rostand, Edmond. "Cyrano de Bergerac by Edmond Rostand performed at Bob Jones University." Bob Jones University Classic Players, dir. Jeffrey Stegall. YouTube (Bob Jones University) 6 Dec. 2013.*

https://youtu.be/CzPgLYFnwD4

2020

 

 

 

Canadian Stage Company

 

Wilson, A. "The English Stage Company Visits the Canadian Stage Company." Queen's Quarterly 97.1 (1990): 140-53.

 

 

 

Cartoon de Salvo

Theatrical company, founded by actors Brian Logan and Alex Murdoch, 1997.

 

 

Cartoon de Salvo. Hard Hearted Hannah and Other Stories. Drama.

 

 

Internet resources

 

Cartoon de Salvo. Website.

         http://www.cartoondesalvo.com

 

 

 

 

Cheek by Jowl

 

As You Like it. All-male production. Dir. Declan Donnellan for Cheek by Jowl. International tour, 1991-92.

 

 

 

 

 

Children of the Chapel Royal

 

Garrido Granado, Leticia. "La transformación de The Children of the Chapel en compañía teatral: su evolución hasta 1576." Atlantis 20.2 (1998 [issued Dec. 1999]): 43-50.*

 

 

 

Clásicos Luna

 

Euripides. Medea. Clásicos Luna / Teatro La Clac.  Aula Magna Facultad de Filosofía y Letras, Universidad de Zaragoza, 7 April 2014. YouTube (Filosofía y Letras Zaragoza) 28 April 2014.*

         https://youtu.be/jlGfctojeOw

         2015

Plautus. Miles Gloriosus (El soldado fanfarrón). Clásicos Luna, Teatro Principal de Zaragoza, 13 Jan. 2015. YouTube (Facultad de Filosofía y Letras) 20 Jan. 2015.*

         https://youtu.be/wZe4IxISwwo

         2016

 

 

 

 

 

Compagnie Clarance

 

Internet resources

 

"Les raboteurs de parquet." Compagnie Clarance.

http://www.compagnie-clarance.fr/les-raboteurs-de-parquet

         2014

 

 

 

 

 

Els Comediants

 

Castells i Altarriba, Joan. "Utilización y transgresión de la fiesta." Rev. on Els Comediants. Cuadernos EP 27: 48-52. In "La experimentación: El Comediants, La Fura dels Baus, Els Joglars y La Cuadra." Select. In Los nuevos nombres: 1975-1990. By Darío Villanueva et al. Vol. 9 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*

Castells i Altirriba, Joan, et al., eds. "La experimentación: Els Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. Ed. Darío Villanueva et al. Vol. 9 of Historia y crítica de la literatura española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*

Padilla, José Gabriel. "Comediants, aventura de un proceso creativo." In Veinte años de teatro y democracia en España (1975-1995). Ed. Manuel Aznar Soler. Barcelona: CITEC, 1996. Select. in "Continuidad de la fiesta: El Joglars, Comediants, La Fura dels Baus, La Cuadra de Sevilla" in Los nuevos nombres: 1975-2000: Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 2000. 557-72.*

Feldman, Sharon, José Gabriel Padilla and Rosa Gálvez. "Continuidad de la fiesta: Els Joglars, Comediants, La Fura dels Baus, La Cuadra de Sevilla." In Los nuevos nombres: 1975-2000. Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 2000. 557-72.*

 

 

La Cuadra

 

Castells i Altirriba, Joan, et al., eds. "La experimentación: Els Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. Ed. Darío Villanueva et al. Vol. 9 of Historia y crítica de la literatura española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*

Távora, Salvador. "De Quejío a Alhucema." Rev. on La Cuadra. Cuadernos EP 35: 80-94. Select. In "La experimentación: El Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. By Darío Villanueva et al. Vol. 9 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*

 

 

 

 

La Cubana

 

Bravo, Julio. "40 años de humor a la Cubana." ABC 20 Feb. 2020.*

https://www.abc.es/cultura/teatros/abci-40-anos-humor-cubana-202002230051_noticia.html

         2020

 

 

 

The Durham Savoyards

 

 

Gilbert & Sullivan. The Sorcerer. The Durham Savoyards, Carolina Theatre (Durham, NC), March 2014. YouTube (Stuart Albert) 30 April 2014.*

         https://youtu.be/du2qUAiXgoI

         2015

 

 

 

En Masse Theatre

 

Birch, Oliver. "En Masse Theatre—The Shelter: fun in Strange Places." In The Skeleton Key. Ed. J. Sumsion. Cheshire: Action Transport Theatre Company, 2007. 13-17.

 

 

 

 

English Shakespeare Company

 

Video

 

Shakespeare, William. "Richard II." from The Wars of the Roses: A Sequence of Seven History Plays by William Shakespeare, Live at the Grand Theatre, Swansea, by the English Shakespeare Company  Michael Pennington as Richard. Broadcast 1990. YouTube (Jason Sager) 8 July 2014.*

         https://youtu.be/d4jmIe2-glc

         2015

_____. "Henry VI Part II." (King Henry VI: House of York, dir. Michael Bogdanov - from The Wars of the Roses: A Sequence of Seven History Plays by William Shakespeare, by the English Shakespeare Company (live at the Grand Theatre, Swansea). with Paul Brennen as Henry VI, June Watson as Margaret, Barry Stanton as York, Michael Cronin as Warwick, Philip Bowen as Edward, John Dougall as Clarence, Andrew Jarvis as Gloucester, Michael Pennington as Jack Cade. Portman Classics / Contracts International / Windmill Lane Productions; Broadcast at Full House with Shany Fleff). YouTube (Jason Sager) 22 July 2014.*

         https://youtu.be/sZi2aR8iu1M

         2015

 

 

 

 

 

English Stage Company

 

Founded 1956

 

Wilson, A. "The English Stage Company Visits the Canadian Stage Company." Queen's Quarterly 97.1 (1990): 140-53.

 

 

Field Day

 

Field Day Company. Ireland's Field Day. London: Hutchinson, 1985.

 

Gray, John. "Field Day Five Years On." Linenhall Review 2.2 (Summer 1985).

 

 

 

 

Filter Theatre

 

Filter Theatre. Faster. Adaptation of Faster, or The Acceleration of Just Everything, by James Gleick. 1999.

_____. Twelfth Night, by William Shakespeare, prod. Filter Theatre. 2008.

 

 

Gardner, Lyn. Rev. of Twelfth Night, by William Shakespeare, prod. Filter Theatre. The Guardian 21 Aug. 2008.

Lane, David. "Chapter 6: Adaptation and Transposition—Reinterpreting the Past." In Lane, Contemporary British Drama. Edinburgh UP, 2010. 157-87.* (Filter, Punchdrunk, Kneehigh, Northern Broadsides, Headlong Theatre).

Mountford, Fiona. Rev. of Faster, by Filter Theatre. Evening Standard 8 April 2003.

Spencer, Charles. Rev. of Twelfth Night, by William Shakespeare, prod. Filter Theatre. The Independent 4 Sept. 2008.

 

 

 

 

 

Forced Entertainment

 

(Theatre company, Sheffield, writer/actor Tim Etchells)

 

Babbage, Frances. "Performing Love: A Week's Discourse with Forced Entertainment." Contemporary Theatre Review 12. 4 (2002): 63-76.

Etchells, Tim. Certain Fragments: Contemporary Performance and Forced Entertainment. London: Routledge, 1999.

 

 

 

 

 

Works

 

Forced Entertainment. Nights in This City. c. 2008.

 

Criticism

 

Helmer, Judith, and Florian Malzacher, eds. Not Even a Game Anymore: The Theatre of Forced Entertainment. Berlin: Alexander Verlag, 2004.

Naden, Cathy. "Inside Forced Entertainment: The Route to The Travels." Studies in Theatre and Performance 22.3 (2003): 133-8.

 

 

 

 

Folger Theatre

 

Shakespeare. Macbeth. Folger Theatre / Two River Theater Company, co-directed by Teller and Aaron Posner. YouTube (FolgerLibrary) 25 March 2020.*

         https://youtu.be/1OU0cuGuPSk

         https://youtu.be/GLc3w-yp3wk

         2020

 

 

 

 

 

Frantic Assembly

 

Shakespeare. Othello.  Restaged by Frantic Assembly, 2008.

 

Gardner, Lyn. Rev. of Othello, by William Shakespeare, prod. Frantic Assembly. The Guardian 29 Sept. 2008.

Graham, Scott, and Steven Hoggett. The Frantic Assembly Book of Devising Theatre. London: Routledge, 2009.

 

 

 

 

La Fura dels Baus

 

Castells i Altirriba, Joan, et al., eds. "La experimentación: Els Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. Ed. Darío Villanueva et al. Vol. 9 of Historia y crítica de la literatura española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*

Ferrer, Esperanza, and Mercè Saumell. "La dilación de los confines teatrales." Rev. on La Fura del Baus. Cuadernos EP 34: 52-57. Select. In "La experimentación: El Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. By Darío Villanueva et al. Vol. 9 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*

Feldman, Sharon, José Gabriel Padilla and Rosa Gálvez. "Continuidad de la fiesta: Els Joglars, Comediants, La Fura dels Baus, La Cuadra de Sevilla." In Los nuevos nombres: 1975-2000. Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 2000. 557-72.*

 

 

 

 

Gay Sweatshop

 

Gay Sweatshop. Theatrical company. 1975.

 

 

 

 

Group Theater

 

Clurman, Harold. The Fervent Years: The Story of the Group Theatre and the Thirties.

 

 

Video

 

Woodward, Joanne, et al. "Broadway's Dreamers: The Legacy of the Group Theater." (PBS American Masters, season 3, episode 8, 26 June 1989). Online at YouTube (Arbiter) 6 March 2017.* (Stanislavki's Method acting).

         https://youtu.be/VGAqGU-uv3A

         2017

 

 

 

Guthrie Theatre Company

 

Video

 

The School for Scandal. The Guthrie Theatre Company. Online at YouTube (upendra real).* [Erroneous ascription to Gielgud and Richardson].

         https://youtu.be/aeuN1DM5t7s

         2019

 

 

 

 

 

Half Moon Young People's Theatre

 

 

Kennedy, Fin. Locked In. Drama. Prod. Half Moon Young People's Theatre, 2006.

 

 

 

 

 

 

Headlong Theatre

 

Lane, David. "Chapter 6: Adaptation and Transposition—Reinterpreting the Past." In Lane, Contemporary British Drama. Edinburgh UP, 2010. 157-87.* (Filter, Punchdrunk, Kneehigh, Northern Broadsides, Headlong Theatre).

 

 

 

 

 

Els Joglars

 

Boadella, Albert. Adiós Cataluña: Crónica de amor y de guerra. Madrid: Espasa Calpe, 2007.* (Premio Espasa de Ensayo 2007).

Castells i Altirriba, Joan, et al., eds. "La experimentación: Els Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. Ed. Darío Villanueva et al. Vol. 9 of Historia y crítica de la literatura española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*

Feldman, Sharon. "Performance Theory: Desde lo político a lo espectacular: el caso de Els Joglars." In Discursos críticos / Prácticas textuales: El hispanismo en los Estados Unidos. Madrid: Visor, 1999. Select. in "Continuidad de la fiesta: El Joglars, Comediants, La Fura dels Baus, La Cuadra de Sevilla" in Los nuevos nombres: 1975-2000: Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 2000. 557-72.*

Feldman, Sharon, José Gabriel Padilla and Rosa Gálvez. "Continuidad de la fiesta: Els Joglars, Comediants, La Fura dels Baus, La Cuadra de Sevilla." In Los nuevos nombres: 1975-2000. Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 2000. 557-72.*

Pericay, Xavier. "Els Joglars y la libertad de expresión." The Objective 10 May 2023.*

         https://theobjective.com/elsubjetivo/opinion/2023-05-10/els-joglars-libertad-expresion/

         2023

Pericot, Iago. "Espacio continente-espacio contenido." Rev. on Els Joglars. Cuadernos EP 29: 62-65. Select. In "La experimentación: El Comediants, La Fura dels Baus, Els Joglars y La Cuadra." In Los nuevos nombres: 1975-1990. By Darío Villanueva et al. Vol. 9 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 490-507.*

Prieto, Darío. "El viaje desde la Cataluña cosmopolita hasta el paletismo actual, narrado por Els Joglars." El Mundo 12 Jan. 2019.* https://www.elmundo.es/cultura/teatro/2019/01/12/5c391eab21efa04e2c8b46f2.html

         2019

 

 

 

See also Boadella, Albert.

 

 

 

 

Frantic Assembly

 

Frantic Assembly. Theatrical company, dir. Scott Graham and Steven Hogett.

 

 

 

Ravenhill, Mark. Pool (No Water). With the Frantic Assembly dance company. 2006.

 

 

 

The Group Theatre

 

Friel, Brian. The Francophile. Drama. Prod. Group Theatre, Belfast, August 1960.

 

 

Video

 

"Broadway's Dreamers: The Legacy of the Group Theater." With Joanne Woodward et al. (PBS American Masters, season 3, episode 8, 26 June 1989). Online at YouTube (Arbiter) 6 March 2017.* (Stanislavki's Method acting).

         https://youtu.be/VGAqGU-uv3A

         2017

 

 

 

 

 

Joint Stock

 

Stafford-Clark, Max. Dir. of Joint Stock Theatre Company, with David Hare.

 

Hare, David. Yesterday's News. Verbatim drama. Joint Stock Theatre Compnay, 1976.

_____. The Permanent Way. Verbatim drama. Prod. Joint Stock, National Theatre, 2004.

_____. Via Dolorosa. Verbatim monodrama, performed by Hare, 1998. (Israel and Palestine).

Soans, Robin. A State Affair. Verbatim drama. Prod. Joint Stock, 2001.

_____. Talking to Terrorists. Verbatim drama. Prod. Joint Stock, 2005.

Eldridge, David. Market Boy. Drama. Prod. with Frantic Assembly, National Theatre, May 2006.

 

 

 

 

 

 

King's Men. See Authors. English authors. Shakespeare. Thematic. Performance. Original.

 

 

 

Kneehigh Theatre        (Cornish company)

 

Kneehigh Theatre. Don John. 2009.

_____. Brief Encounter. By Noël Coward. 2008.

 

 

Lane, David. "Chapter 6: Adaptation and Transposition—Reinterpreting the Past." In Lane, Contemporary British Drama. Edinburgh UP, 2010. 157-87.* (Filter, Punchdrunk, Kneehigh, Northern Broadsides, Headlong Theatre).

Taylor, Paul. Rev. of Brief Encounter, by Kneehigh Theatre. The Independent 19 Feb. 2008.

 

 

 

KWLT

 

Gay, John. The Beggar's Opera. Amateur performance by KWLT (Sept. 2009). Dir Chris Rovers. Music arr. Margaret Rovers. YouTube (kwlittletheatre) 9 March 2011.*

         https://youtu.be/KP4fkBU2Wew

         2015

 

 

 

Laboratorio de la Máscara

 

Jonson, Ben. Volpone o el zorro. Dir. Carlos Rojas Neira. Laboratorio de la Máscara, Bogotá, 2015. Online video. YouTube (Laboratorio de la Máscara) 30 Jan. 2016.*

         https://youtu.be/w6qEOKUgA24

         2020

 

 

 

 

 

 

Living Theatre

 

Innes, Christopher D. "Anthropology, Environmental Theatre and Sexual Revolution." (Eugenio Barba, Schechner, Joe Chaikin, Living Theatre). In Innes, Avant Garde Theatre 1892-1992. London: Routledge, 1993.  167-92.*

 

 

 

 

Look Left Look Right

 

The Caravan. Prod. Look Left Look Right. 2008.

 

 

 

 

Microteatro por dinero

 

Microteatro por dinero

         http://www.teatropordinero.com/

         2012

 

 

 

 

Monstrous Regiment

 

(Women's theatre group, 1975-)

 

Goodman, Lizbeth. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre." In Cross-Cultural Peformances: Differences in Women's Re-Visions of Shakespeare. Ed. Marianne Novy. Urbana: U of Illinois P, 1993. 202-26. (Fiona Shaw, Tilda Swinton, Monstrous Regiment, RSC's Women's Project, Women's Theatre Group).

_____. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre." In Shakespeare, Feminism, and Gender: Contemporary Critical Essays. Ed. Kate Chedgzoy. (New Casebooks). Houndmills: Palgrave, 2001. 70-92.*

Hanna, Gillian. In New Theatre Quarterly 6 (Feb. 1990): 432-56. (Interview with Gillian Hanna).

_____, ed. Monstrous Regiment: A Collective Celebration. London: Nick Hern Books, 1991.

 

 

 

 

Theatrical productions

 

Churchill, Caryl, Byrony Lavery and Michelene Wandor. Floorshow. Drama. 1977-8. Prod. Monstrous Regiment.

Monstrous Regiment. Shakespeare's Sister. 1980, 1982.

 

 

 

 

 

Monty Python

 

North, Jessica. "Monty Python CUTS 'Men Can Have Babies' scene that 'Might Offend People' before Stage Show."          Scottish Daily Express 19 May 2023.*

         https://www.scottishdailyexpress.co.uk/celebrity-news/monty-python-cuts-men-can-30024458

         2023

 

 

 

 

 

Morfeo Teatro

 

La importancia de ser Honesto. Morfeo Teatro (University of Zaragoza). YouTube (Filosofía y Letras Zaragoza) 20 June 2017.*

         https://youtu.be/jAvrWK86rjw

         2017

Noche de Reyes. Morfeo Teatro. YouTube (Filosofía y Letras Zaragoza) 19 May 2016.*

         https://youtu.be/mXGhLjJ9_Uk

         2016

 

 

 

Internet resources

 

 

Morfeo Teatro (YouTube).*

         https://www.youtube.com/channel/UCC1vzrkg1Q_6cqeirwnG5hQ

         2016

 

 

 

Moscow Art Theatre

 

(Led by Constantin Stanislavski)

 

"Teatro de Arte de Moscú." Wikipedia: La Enciclopedia Libre.*

         https://es.wikipedia.org/wiki/Teatro_de_Arte_de_Mosc%C3%BA

         2017

 

 

 

 

 

Mulberry School Drama Company

 

Mulberry School drama company. (Fin Kennedy).

 

Kennedy, Fin, and Mulberry School drama company. Mehndi Night. Drama. 2007.

_____. Stolen Secrets. Drama. 2008.

_____. The Untravelling. Drama. 2009.

 

 

 

Murdoch Performing Group

 

George, David. "The Tempest in Bali." Performing Arts Journal no. 33/34 (vol. 11.3, 1989): 84-107. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 379-97.* (Murdoch Performing Group).

 

 

 

National Theatre

 

Bennett, Alan. The Madness of George III. Drama. Prod. National Theatre, 1991.

 

 

Ansorge, Peter. "The Tempest (National Theatre at the Old Vic on 5 March 1974)." Plays and Players 21.7 (1974): 34-35. In The Tempest: Critical Essays. Ed. Patrick M. Murphy. New York; Routledge, 2001. 361-63.*

 

 

 

Internet resources

 

 

National Theatre Platform Paper Transcripts

         http://www.nationaltheatre.org.uk/8237/platforms/platform-transcripts.html

 

 

 

 

Theatrical Productions

 

As You Like It. All-male production. Dir. Clifford Williams. With Anthony Hopkins and Derek Jacobi. Royal National Theatre. 1st perf., Old Vic, 1967.

Kelly, Dennis. DNA. Children's drama. Staged at the National Theatre, 2008.

_____. "Deoxyribonucleic Acid (DNA)." NT Connections 2007. London: Faber and Faber, 2007. 231-83.

Sophocles. Oedipus. Staged by the National Theatre, London; 1996 and 2008.

 

 

 

Video

 

National Theatre. "An Introduction to Greek Theatre." YouTube (National Theatre Discover) 11 Jan. 2013.*

https://youtu.be/aSRLK7SogvE

         2014

 

 

 

 

 

 

National Theatre of Scotland

 

National Theatre of Scotland launched 2006

 

Burke, Gregory. Black Watch. Prod. National Theatre of Scotland, 2006. (Iraq war).

National Theatre of Scotand. Home Shetland. Production performed on boats.

_____. Home Caithness. Production performed in a disused factory.

_____. Home Glasgow. Production performed in a tower block in Glasgow East End

_____. Home Dundee. Production performed in a converted museum and art gallery.

 

Leach, Robert. "The Short, Astonishing History of the National Theatre of Scotland." New Teatre Quarterly 23.2 (2007): 171-83.

Reid, Trish. "'From Scenes Like This, Old Scotia's Grandeur Springs': The New National Theatre of Scotland." Contemporary Theatre Review 17.2 (2007): 192-201.

 

 

National Theatre of Wales

 

National Theatre of Wales launched 2009.

 

 

 

 

 

New School for Social Research

 

[New School for Social Research]. "Dramatic Workshop of the New School for Social Research: 1940, 1941." [Program brochure and catalogue.] New York, 1939.

 

 

Nitro. See Black Theatre.

 

 

 

 

Northern Broadsides

 

Northern Broadsides

         http://www.northern-broadsides.co.uk

         2009

 

Lane, David. "Chapter 6: Adaptation and Transposition—Reinterpreting the Past." In Lane, Contemporary British Drama. Edinburgh UP, 2010. 157-87.* (Filter, Punchdrunk, Kneehigh, Northern Broadsides, Headlong Theatre).

 

 

 

 

Oxford Theatre Guild

 

Marlowe, Christopher. Doctor Faustus. Oxford Theatre Guild. Online video. YouTube (Mike Taylor) 25 Dec. 2013.*

         https://youtu.be/V97pMacSp-0

         2015

 

 

 

 

Pace Drama Alliance

 

 

Video

 

Williams, Tennesee. A Streetcar Named Desire. Dir. Zanali Razvi. Pace Drama Alliance, Fall 2014. YouTube (Zanali Razvi) 7 March 2015.*

https://youtu.be/q7_4hFAU4kg

         2021

 

 

 

 

 

 

 

Peeping Tom

 

 

Lorente Bilbao, José Ignacio. "Subjetivación y autoficción: Figuras de la ausencia en Moeder, de Peeping Tom." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

 

 

 

 

 

La Phármaco

 

Pérez-Rasilla, Eduardo. "Trayectoria y directrices estéticas de Luz Arcas con la compañía La Phármaco." In Cartografía Teatral en homenaje al profesor José Romera Castillo. (Tomo II). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.  

 

 

 

 

 

El Pont Flotant

 

Periró Barco, José Vicente. "Dos modelos de autoficción en el teatro valenciano actual: El Pont Flotant y Javier Sahuquillo." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.

 

 

 

 

 

 

 

 

 

Portable Theatre

 

Bicât, Tony. (UK writer, director, lyricist, co-founder with David Hare of Portable Theatre). "1. Portable Theatre: 'fine detail, rough theatre': A Personal Memoir." In The Cambridge Companion to David Hare. Ed. Richard Boon. Cambridge: Cambridge UP, 2007. 15-30.*

 

 

 

Punchdrunk Theatre

 

 

 

Punchdrunk Theatre. The Cherry Orchard. By Chekhov. 2000.

_____. The Tempest. By Shakespeare. 2003.

_____. The Firebird's Ball. Based on Stravinsky's The Firebird and on Romeo and Juliet.

_____. Faust. Drama. Based on Goethe's Faust. Punchdrunk production, Wapping, 2006.

 

 

Lane, David. "Chapter 6: Adaptation and Transposition—Reinterpreting the Past." In Lane, Contemporary British Drama. Edinburgh UP, 2010. 157-87.* (Filter, Punchdrunk, Kneehigh, Northern Broadsides, Headlong Theatre).

 

 

 

Internet resources

 

 

 

Punchdrunk Theatre.

         http://www.punchdrunk.org.uk

         2009

 

 

 

Putteridge Bury Gilbert & Sullivan Society

 

Sullivan, A. C., and F. C. Burnand.  Cox & Box. Operetta. Robert Little (Box), Graham Breeze (Cox), Richard Dean (Bouncer). Putteridge Bury Gilbert &  Sullivan Society. Queen Mother Theatre, Hitchin, April 2013. YouTube (Bob Little) 28 July 2013.*

         https://youtu.be/vqzIZEG7j5c

         2015

 

 

 

 

 

Quarantine Theatre

 

White Trash. Prod. Quarantine Theatre, Manchester, 2004.

 

 

 

 

Queen Anne's Men

 

Queen Anne's Men. Theatrical company, moved 1606 to the Red Bull; Thomas Heywood as their ordinary poet, Thomas Greene as clown.

 

 

 

Queen's Men

 

McMillin, Scott, and Sally-Beth MacLean. The Queen's Men and their Plays. 1998.

 

Internet resources

 

"Queen's Men." Wikipedia: The Free Encyclopedia.*

         http://en.wikipedia.org/wiki/Queen%27s_Men

         2013

 

 

Red Ladder

 

Red Ladder. Drama company. Founded 1968.

 

 

 

 

 

Renaissance Theatre Company

 

 

King Lear by William Shakespeare (10 April 1994) - Starring Sir John Gielgud and Kenneth Branagh. The Renaissance Theatre Company / Glyn Dearman. BBC 3 radio drama. YouTube (Roman Styran) 15 June 2015.*

https://youtu.be/1JylxvHvdtA

2020

 

 

 

 

RHUL Student Workshop

 

Marlowe, Christopher. "Doctor Faustus (2017) | RHUL's Student Workshop." Royal Holloway Student Workshop, Caryl Churchill Theatre, Feb. 2017. Video. YouTube (James Burns) 2 April 2017.*

https://youtu.be/lAKapxJHmgU

         2019

 

 

 

 

Rimini Protokoll

 

Works

 

Festjens, Thijs. "Aural Energies in Rimini Protokoll's Call Cutta: Sound, Documentary, Performance and Narratological Aspects of 'The World's First Mobile Phone Theatre'." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 165-82.*

 

Aloy, Guillem, Ekain Olaizola, and Ivan Alcázar. "El teatro sin teatro. Rimini Protokoll." Observatorio de Espacios Escénicos.*

         http://espaciosescenicos.org/El-teatro-sin-teatro-Rimini-Protokoll

         2016

 

 

 

Royal Court theatre

 

John, Errol. Moon on a Rainbow Shawl. Drama. Prod. Royal Court, 1956. (1st play by a Black writer prod. in Britain).

 

 

 

 

Royal National Theatre. See National Theatre.

 

 

 

Royal Shakespeare Company. See Authors. English authors. Shakespeare. Thematic. Performance. 20th century.

 

 

 

SGAE

 

SGAE

         http://www.sgae.es/

         2009

 

 

 

 

The Seacrest Players

 

Stoppard, Tom. Arcadia. The Seacrest Players, 2014. Online at YouTube (CB Richards) 15 Nov. 2014.*

         https://www.youtube.com/playlist?list=PL19SyqFafYMVuBSMOq9YDoHCFW3ImVjJG     

         2020

 

 

 

 

 

 

 

Shakespeare & Company

 

Shakespeare & Company

         http://www.shakespeare.org/

         2009-01-12

 

 

 

 

 

 

The Shakespeare Theatre

 

Internet resources

 

The Shakespeare Theatre company webpage

http://www.shakespearedc.org/

13-6-04

 

 

 

Shelton Theatre

 

Video

 

Williams, Tennessee. A Streetcar Named Desire. Prod. Shelton Theatre. YouTube (lastwavefilm) 28 Sept. 2019.*

https://youtu.be/426hLDmC2Kw

         2021

 

 

 

 

 

 

The Sphinx

 

(Formerly Women's Theatre Group, founded 1973;  renamed 1992)

 

 

Criticism

 

Goodman, Lizbeth. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre."In Cross-Cultural Peformances: Differences in Women's Re-Visions of Shakespeare. Ed. Marianne Novy. Urbana: U of Illinois P, 1993. 202-26. (Fiona Shaw, Tilda Swinton, Monstrous Regiment, RSC's Women's Project, Women's Theatre Group).

_____. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre." In Shakespeare, Feminism, and Gender: Contemporary Critical Essays. Ed. Kate Chedgzoy. (New Casebooks). Houndmills: Palgrave, 2001. 70-92.*

 

 

Theatrical productions

 

The Women's Theatre Group and Elaine Feinstein. Lear's Daughters. Prod. 1987-8. In Herstory. Vol. 1. Ed. Gabrielle Griffin and Elaine Aston. Sheffield: Academic Press, 1991.

_____. Lear's Daughters. In Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the Present. Daniel Fischlin and Mark Fortier. London: Routledge, 2000.

 

 

 

Tara Arts

 

Hingorani, Dominic. "Binglishing Britain: Tara Arts: Journey to the West Trilogy." Contemporary Theatre Review 14.4 (2008): 12-22.

 

 

 

Teatro de la Abadía

 

Video

 

Teatro de la Abadía (Penal de Ocaña).*

         https://www.teatroabadia.com/es/archivo/471/penal-de-ocana/

         2020

 

 

 

 

 

Teatro del Temple             

 

(Zaragoza, Spain; founded 1994)

 

 

 

Audio

 

 

Rodríguez, Elia. "Es la Mañana 23/6/2018." EsRadio 23 June 2018.* (Julián Juderías, Teatro del Temple…)

         https://esradio.libertaddigital.com/fonoteca/2018-06-17/es-la-manana-del-fin-de-semana-170618-125631.html

         2018

 

 

 

 

 

Productions.

 

Rey Sancho.

Goya. 1996.

Macbeth y Lady Macbeth. 1998. (Premio Garnacha de Rioja)

Buñuel, Lorca y Dalí. 2000.

Picasso adora la Maar. 2002. (Premio Max de las Artes Escénicas).

Los Hermanos Marx Esperando a Godot. Dir. Carlos Martín. Zaragoza: Teatro del Mercado, 2003.

Ventajas de viajar en tren. Based on the novel by Antonio Orejudo. 2003.

Sonetos de amor y otros delirios.  Rehearsal comedy on Shakespeare's Sonnnets and A Midsummer Night's Dream. By Alfonso Plou and Carlos Martín. Premiere by Teatro del Temple, dir. Carlos Martín, at the Teatro Principal, Zaragoza, March 2006.*

El Criticón.

         https://teatrodeltemple.com/project/el-criticon/

         2018

Don Quijote somos todos. By José Luis Esteban. Dir. Carlos Martín. Teatro del Temple. Zaragoza, Teatro Principal, 6-10 Nov. 2019.

 

 

 

 

Teatro Kamikaze

 

González, Mara. "No eran manada, eran Jauría." ABC 8 May 2019.* (Teatro Kamikaze, Jauría).

         https://www.abc.es/familia/mujeres/abci-jauria-no-eran-manada-eran-jauria-201905080114_noticia.html

         2019

 

 

 

 

 

 

Théâtre de complicité

 

Works

 

Théâtre de Complicité. More Bigger Snacks Now. Drama. 1988.

_____. Help I'm Alive. Drama. 1990.

_____. The Street of Crocodiles. Drama. 1992.

 

Criticism

 

Freshwater, Helen. "Physical Theatre: Complicite and the Question of Authority." In A Concise Companion to Contemporary British and Irish Drama. Ed. Nadine Holdsworth and Mary Luckhurst. Oxford: Blackwell,  2008. 171-99.

Mendus, Clive. "'Competitive Co-operation': Playing with Theatre de Complicite." New Theatre Quarterly 22.3 (2006): 257-67.

Taylor, Hilary. "Language in Their Gesture: Théâtre de Complicité." European English Messenger 2.2 (1993): 39-42.*

 

 

Théâtre du Soleil

 

Mnouchkine, Ariane, and the Théâtre du Soleil. Les Clowns. 1969.

_____. 1789, la Révolution doit s'arrêter à la perfection du bonheur. 1970.

_____. 1793, La Cité Révolutionnaire est de ce monde. 1972.

_____. L'Age d'or. 1975.

 

 

 

 

 

Théâtre Populaire de Lorraine

 

Kraemer, Jacques, and the Théâtre Populaire de Lorraine. Splendeur et misère de Minette la bonne Lorraine. 1969.

_____. Les Immigrés. 1972.

 

 

 

Theatre Workshop

 

Theatre Workshop. O What a Lovely War. (Methuen's Modern Plays). London: Eyre Methuen.

 

 

 

Tokyo Theatre Company

 

Sullivan, A. C., and F. C. Burnand. Cox & Box. Japanese version. Tokyo Theatre Company. (15th International Gilber &Sullivan Festival). YouTube 20 Oct. 2013.*

         https://youtu.be/D7GSxJDvlMw

         2015

 

 

 

 

Tricycle Theatre

 

The Colour of Justice. Verbatim drama. Tricycle Theatre, Kilburn, 1999. (Police).

Called to Account. Verbatim drama. Tricycle Theatre, Kilburn, 2007. (Iraq war).

Bloody Sunday. Verbatim drama. Tricycle Theatre, Kilburn, 2005.

Srebrenica. Verbatim drama. Tricycle Theatre, Kilburn.

Norton-Taylor, Richard, and John McGrath. Half the Picture: The Scott Arms to Iraq Inquiry. Verbatim drama (based on the Scott Inquiry). Prod. at the Tricycle Theatre, Kilburn, North London, 1994.

 

Holdbrook-Smith, Kobna. "What Is Black Theatre? The African-American Season at the Tricycle Theatre." New Theatre Quarterly 23.3 (2007): 241-50.

 

 

 

 

 

Two River Theatre Company

 

 

Shakespeare. Macbeth. Folger Theatre / Two River Theater Company, co-directed by Teller and Aaron Posner. YouTube (FolgerLibrary) 25 March 2020.*

         https://youtu.be/1OU0cuGuPSk

         https://youtu.be/GLc3w-yp3wk

         2020

 

 

 

 

 

 

 

 

Upstart Theatre

 

Lally, Stephen. Oh Well Never Mind. Drama. Prod. Upstart Theatre, 2009. (Menezes case).

 

 

 

 

 

Vesturport (Iceland)

 

Farr, David, Nick Cave and Vesturport. Metamorphosis. Drama. 2007.

 

 

 

VR

 

Gharavi, Lance. "Backwards and Forwards: Regression and Progression in the Production Work of i.e. VR." Gramma/Gramma 10 (2002): 73-86.*

 

 

 

Women's Theatre Group. See above: Sphinx

 

 

 

 

 

 

 

Wooster group

 

Criticism

 

Callens, Johan.  "Negotiating Class and Gender Differences in the Wooster Group's Production of The Hairy Ape." In Culture and Power IV: Cultural Confrontations. Ed. Chantal Cornut-Gentille D'Arcy. Zaragoza, 1999. 149-63.*

Fuchs, Elinor. "Elizabeth LeCompte and the Wooster Group's The Road to immortality (Part Three): Frank Dell's the Temptation of Saint Antony."  1988. In Fuchs, The Death of Character: Perspectives on Theater after Modernism. Bloomington: Indiana UP, 1996. 183-85.*

Giesekam, Greg. "The Wooster Group." In Postmodernism: The Key Figures. Ed. Hans Bertens and Joseph Natoli. Oxford: Blackwell, 2002.*

Vanden Heuvel, Michael. "The Fractal Dimensions of a Fractious Culture: The Wooster Group and the Politics of Performance." In Vanden Heuvel, Performing Drama / Dramatizing Performance. Ann Arbor: U of Michigan P, 1991. 97-156.*

 

 

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