from
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Women and Drama
Allen, Richard. "New Women in the Theatre." In Literature and Gender. Ed. Lizbeth Goodman. London: Routledge / Open U, 1996. 2001. 207-28.*
Anderlini-D'Onofrio, Serena. The Weak Subject: On Modernity, Eros and Women's Playwriting. London: Associated UPs, 1998.
Anderson, Misty G. Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage. Basingstoke: Palgrave Macmillan, 2002.
_____. "10. Women Playwrights." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 145-58.*
Armengol Carrera, José María. "Angels vs. Whores: Women in Arthur Miller's Death of a Salesman." In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*
Aston, Elaine. An Introduction to Feminism and Theatre. 1995.
Austin, G. Feminist Theories for Dramatic Criticism. Ann Arbor: U of Michigan P, 1990. Rev. in Links and Letters 2 (1995).
Banks, Morwenna, and Amanda Swift. The Joke's On Us: Women in Comedy from Music Hall to the Present. Pandora, 1987.
Barrios, Olga. "Formulating the Aesthetics of African American Women Playwrights: The Resonance of the Black Liberation and Black Theater Movements." In Gender, I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D'Arcy and José Angel García Landa. Amsterdam: Rodopi, 1996. 121-30.*
Bassnett, Susan. Magdalena: International Women's Experimental Theatre. Berg Publishers, 1989.
Brater, Enoch, ed. Feminist Focus: The New Women Playwrights. Oxford UP, 1989.
Brown, Janet. Feminist Drama: Definition and Critical Analysis. Scarecrow, 1979.
Brown-Guillory, Elizabeth. Their Place on Stage: Black Women Playwrights in America. New York: Greenwood Press, 1985.
Buker, Eloise A. "Rhetoric in Postmodern Feminism: Put-Offs, Put-Ons, and Political Plays." In The Interpretive Turn. Ed. David R. Hiley et al. Ithaca: Cornell UP, 1991. 218-44.*
Carlson, Susan. Women and Comedy: Rewriting the British Theatrical Tradition. 1991. Ann Arbor: Michigan UP, 1994.
Case, Sue-Ellen. Feminism and Theatre. London: Macmillan, 1988.
_____, ed. Performing Feminisms: Critical Theory and Theatre. Baltimore: Johns Hopkins UP, 1990.
Cerasano, S. P., and Marion Wynne-Davies, eds. Readings in Renaissance Women's Drama: Criticism, History, and Performance, 1594-1998. London: Routledge, 1998. (Book /eBook)
Champagne, Leonora, ed. Out from Under: Texts by Women Performance Artists. Nick Hern, 1990.
Chinoy, Helen Krich, and Linda Walsh Jenkins. Women in American Theatre. Crown Publishers, 1981. 2nd ed. Theatre Comunications, 1987.
Claycomb, Ryan. (Associate Professor of English, West Virginia U). Lives in Play: Autobiography and Biography on the Feminist Stage. U of Michigan P, 2012.
Clement, Catherine. Opera, or the Undoing of Women. Trans. Betsy Wing. Minneapolis: U of Minnesota P, 1988.
Corporaal, Marguérite. "'Will You to My Discourse Vouchsafe and Eare?" Women Dramatists' Negotiation of Gender and Genre on the Public Stage around 1700." Journal of English Studies 4 (2003-2004): 37-52.*
Cotton, Nancy. Women Playwrights in England c. 1363-1750. Associated UPs, 1980.
Cuder-Domínguez, Pilar. Stuart Women Playwrights, 1613-1713. Farnham (Surrey): Ashgate, 2011.
Dash, Irene G. Wooing, Wedding and Power: Women in Shakespeare's Plays. New York, 1981.
Diamond, Elin. "Brechtian Theory/Feminist Theory." Drama Review 32 (1988): 82-94.
Dolan, Jill. "Gender Impersonation Onstage.: Destroying or Maintaining the Mirror of Gender Roles." In Women and Performance 2.2 (1985).
_____. The Feminist Spectator as Critic. U of Michigan P, 1988.
Dusinberre, Juliet. Shakespeare and the Nature of Women. 2nd ed. Basingstoke: Macmillan, 1996.
Espacios en espiral: Dossier: Cine, literatura y teatro de mujeres. Barcelona: Coordinadora Una Palabra Otra, 1994.
Evans, Faith, ed. Clamorous Voices. London: Women's Press, 1988.
Ferris, Lesley. Acting Women: Images of Women in the Theatre. London: Macmillan, 1989. 1990.
_____. Crossing the Stage: Controversies on Cross-Dressing. London: Routledge, 1993.
Findlay, Alison. A Feminist Perspective on Renaissance Drama. Oxford: Blackwell, 1999.
Finke, Laurie A. "Painting Women: Images of Femininity in Jacobean Tragedy." Theatre Journal 36 (1984): 357-70.
Fortier, Mark. "2. Subjectivity and Theatre: Psychoanalytic, Gender and Reader-Response Theory." In Fortier, Theory/Theatre: An Introduction. 3rd ed. London: Routledge, 2016. 65-123.
Fuchs, Elinor. "When Bad Girls Play Good Theaters." In Fuchs, The Death of Character: Perspectives on Theater after Modernism. Bloomington: Indiana UP, 1996. 108-27.*
Gagen, Jean E. The New Woman: her Emergence in English Drama, 1600-1730. 1954.
Gambaro, Griselda "Nuevas pasajeras: El teatro y los límites del género." In Reescribir la escena. Ed. Laura Borràs Castanyer. Madrid: Fundación Autor, 1998. 207-.
García Lorenzo, Luciano, ed. Autoras y actrices en la historia del teatro español. Murcia: Servicio de Publicaciones de la Universidad de Murcia, 2001.
Gardiner, Caroline. "What Share of the Cake: The Employment of Women in the English Theatre." London: The Women's Playhouse Trust, 1987.
Gilder, Rosamund. Enter the Actress: The First Women in the Theatre. Theatre Art Books, 1960.
Godiwala, Dimple. "Kali: Providing a Forum for British-Asian Women Playwrights." Studies in Theatre and Performance 26.1 (2006): 69-83.
Goodman, Lizbeth. "Subverting Images of the Female: An Interview with Tilda Swinton." New Theatre Quarterly 6 (Aug. 1990).
_____. Contemporary Feminist Theatres: To Each Her Own. London: Routledge, 1993.
_____. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre." In Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare. Ed. Marianne Novy. Urbana: U of Illinois P, 1993. 202-26.
_____. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre." In Shakespeare, Feminism, and Gender: Contemporary Critical Essays. Ed. Kate Chedgzoy. (New Casebooks). Houndmills: Palgrave, 2001. 70-92.*
_____. Contemporary Feminist Theatres: To Each Her Own. London: Routledge, 1993.
Graves, T. S. "Women on the Pre-Restoration Stage." Studies in Philology 22 (1925): 184-97.
Greene, Gayle, Carolyn Ruth Swift and Carol Thomas Neely, eds. The Woman's Part: Feminist Criticism of Shakespeare. Urbana: U of Illinois P, 1980.
Griffin, Gabrielle. "Constitutive Subjectivities: Contemporary Black and Asian Women Playwrights in Britain." European Journal of Women's Studies 10.4 (2003): 377-94.
_____. "Theatres of Difference: The Politics of 'Redistribution' and 'Recognition' in the Plays of Contemporary Black and Asian Women Playwrights in Britain." Feminist Review 84 (2006): 10-28.
Griffiths, Trevor R., and Margaret Llewllyn-Jones, eds. British and Irish Women Dramatists since 1958. Open UP, 1993.
Hanna, Gillian, ed. Monstrous Regiment: A Collective Celebration. London: Nick Hern Books, 1991.
Hart, Lynda, ed. Making a Spectacle: Feminist Essays on Contemporary Women´s Theatre. Ann Arbor (MI): U of Michigan P, 1989.
Heise, Ursula K. "Transvestism and the Stage Controversy in Spain and England, 1580-1680." Theatre Journal 44.3 (Oct. 1992): 357-74.
Hopkins, Lisa. The Female Hero in English Renaissance Tragedy. Basingstoke: Palgrave Macmillan, 2002.
Howard, Jean E. "Crossdressing, the Theatre, and Gender Struggle in Early Modern England." Shakespeare Quarterly 39 (1988): 418-40.
_____. "Power and Eros: Crossdressing in Dramatic Representation and Theatrical Practice."In Howard, The Stage and Social Struggle in Early Modern England. London: Routledge, 1994. 93-128, 159-62.
_____. "Power and Eros: Crossdressing in Dramatic Representation and Theatrical Practice." In Shakespeare and History. Ed. Stephen Orgel and Sean Keilen. New York and London: Garland, 1999. 361-400.*
Howard, Jean, and Phyllis Rackin. "Feminism, Women, and the Shakespearean History Play." In Howard and Rackin, Engendering a Nation. London and New York: Routledge, 1997. 20-30.*
Howe, Elizabeth. The First English Actresses: Women and Drama, 1660-1700. Cambridge: Cambridge UP, 1992.
Hywel, Elin Ap. "Elise and the Great Queens of Ireland: "Femininity" as constructed by Sinn Féin and the Abbey Theatre, 1901-1907". In Gender in Irish Writing. Ed. David Cairns and Shaun Richards. Buckingham: Open UP, 1991. 23-39.
Ingram, Angela J. C. In the Posture of the Whore: Changing Attitudes to 'Bad' Women in Elizabethan and Jacobean Drama. Salzburg: Institut für Anglistik und Amerikanistik Universität Salzburg, 1984.
Jardine, Lisa. "The Duchess of Malfi— A Case Study in the Literary Representation of Women." 1983. In Issues in Contemporary Literary Theory. Ed. Peter Barry. Houndmills: Macmillan, 1987. 181-6.*
_____. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. Hemel Hempstead: Harvester Wheatsheaf, 1989.
Keyssar, Helene. Feminist Theatre. London: Macmillan, 1984.
_____. Feminist Theatre: An Introduction to Plays of Contemporary British and American Women. New York: Grove Press, 1985.
_____, ed. Feminist Theatre and Theory. (New Casebooks). Basingstoke: Macmillan, 1996.
Komporaly, Jozefina. "De-Sexing the Maternal: Reproductive Technologies and Medical Authority in Contemporary British Women's Drama." Gramma/Gramma 10 (2002): 133-42.*
Lavery, Byrony. "But Will Men Like It?" In Women and Theatre: Calling the Shots. Ed. Susan Todd. London: Faber and Faber, 1984.
Leavitt, Dinah Louise. Feminist Theatre Groups. MacFarland and Co., 1980.
Liebler, Naomi C., ed. Renaissance Female Tragic Heroines. Houndmills: Macmillan, 2000.
Loraux, N. Maneras trágicas de matar a una mujer. (Visor, Literatura y debate crítico, 3). Madrid: Visor.
Mackenzie, A. M. The Women in Shakespeare's Plays. London, 1929.
MacQueen-Pope, W. Ladies First: The Story of Woman's Conquest of the English Stage. London: W. H. Allen, 1952.
Malpede, Karen, ed. Women in Theatre: Compassion and Hope. New York: Drama Book Publishers, 1983.
_____, ed. Women in Theatre: Compassion and Hope. Limelight Editions, 1985.
Marsden, Jean I. Fatal Desire: Women, Sexuality, and the English Stage, 1660-1720. Ithaca (NY): Cornell UP, 2006.
Martínez-García, Laura. "(Re)Defining Gender in Early Modern British Drama." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 11-19.*
Martínez-García, Laura, and María José Álvarez Faedo, eds. (Re)defining Gender in Early Modern English Drama. (Critical Perspectives on English and American Literature, Communication and Culture, 25). Bern, Berlin, Brussels, New York, Oxford: Peter Lang, 2021.* (I. Introduction; II. Negotiating Gender Off-stage: Patronesses, Celebrities and Playwrights; III. Women Acting: Performance, Identity and Power; IV. Men on Stage: Buttressing and Questioning Notions of Manhood; V. Women Rewriting Men: Aphra Behn on Masculinity).
Morgan, Fidelis.The Years Between: Plays by Women on the London Stage 1900-1950. London: Virago, 1994.
_____, ed. The Female Wits: Women Playwrights on the London Stage 1660-1720. London: Virago, 1981.
Murphy, Brenda. The Cambridge Companion to American Women Playwrights. 1999.
Natalle, Elizabeth J. Feminist Theatre: A Study in Persuasion. Scarecrow, 1985.
Neely, Carol Thomas. "Documents in Madness: Reading Madness and Gender in Shakespeare's Tragedies and Early Modern Culture." Shakespeare Quarterly 42 (1991): 315-38.
_____. "'Documents in Madness': Reading Madness and Gender in Shakespeare's Tragedies and Early Modern Culture." In Shakespearean Tragedy and Gender. Ed. Shirley Nelson Garner and Madelon Sprengnether. Bloomington: Indiana UP, 1996. 75-104.*
Newman, Karen. Fashioning Femininity and English Renaissance Drama. Chicago: U of Chicago P, 1991.
Nieva de la Paz, Pilar. Autoras dramáticas españolas entre 1918 y 1936: Texto y representación. Madrid: CSIC, 1993.
Nieva de la Paz, Pilar. La farsa: autoras dramáticas españolas entre 1918 y 1936. Madrid, 1993.
O'Connor, Patricia W. Dramaturgas españolas de hoy. Madrid: Espiral/Fundamentos, 1988. Select. (39-55) in "Novísimas y novísimos." In Los nuevos nombres: 1975-1990. By Darío Villanueva et al. Vol. 9 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 480-90.*
Oddey, Alison. Performing Women: Stand-ups, Strumpets and Itinerants. Houndmills: Macmillan, 1999.
Olavson, Judith. The American Woman Playwright: A View of Criticism and Characterization. Whitson Publishing Co., 1981.
Oroszlán, Anikó. "'The Female Humourist, a Kickshaw Mess': The Identities of the 'Man-Woman' Performer in Early Modern England." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 49-72.*
Osborne, L. E. "Female Audiences and Female Authority in The Knight of the Burning Pestle." Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 3 (1991): 491-517.
Piñero Gil, Eulalia, coed. Voces e imágenes de mujeres en el teatro del siglo XX: Dramaturgas anglonorteamericanas. 2002.
Rackin, Phyllis. "Engendering the Tragic Audience." In Studies in the Literary Imagination 26 (1993): 47-65. Incorporated to Howard and Rackin, Engendering a Nation. London and New York: Routledge, 1997.*
Redmond, James, ed. Themes in Drama: Women in Theatre. Cambridge: Cambridge UP, 1989.
Rey Caballero, José María. La mujer sevillana en la obra de Lope de Vega. Sevilla, 1975.
Robinson, Alice M., et al., eds. Notable Women in the American Theatre: A Biographical Dictionary. Greenwood Press, 1989.
Rose, Margaret, ed. Monologue Plays for Female Voices: An Introductory Study. Torino: Tirrenia Stampatori, 1995.
Rubik, Margarete. Early Women Dramatists 1550-1800: An Alternative Tradition. (English Dramatists). Houndmills: Macmillan, 1998.
Scheman, Naomi. "Missing Mothers/Desiring Daughters: Framing the Sight of Women." Critical Inquiry 15 (1988).
Schlueter, June, ed. Modern American Drama: The Female Canon. Associated UPs, 1990.
Scolnicov, Hanna. Woman's Theatrical Space. 1994.
Serrano García, Virtudes. "La función de la mujer en la estructura de tres dramas de honor del siglo XVII." In Estudios literarios dedicados al profesor Mariano Baquero Goyanes. Murcia, 1974. 495-510.* (Calderón, Lope, Rojas Zorrilla).
_____. "Hacia una dramaturgia femenina." ALEC 19.3 (1994): 343-64. Select. in "Los nombres de la nueva dramaturgia: De Paloma Pedrero a Rodrigo García" in Los nuevos nombres: 1975-2000: Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 2000. 573-82.*
Serrano González, Raquel. "The Double Marriage: a Gendered Approach to Politics and Power." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 189-204.* (Fletcher/Massinger).
Starck, Kathleen. "'Black and Female Is Some of Who I Am and I Want to Explore It': Black Women's Plays of the 1980s and 1990s." Studies in Theatre and Performance 26.1 (2006): 49-67.
Tennenhouse, Leonard. "The Theater of Punishment: Jacobean Tragedy and the Politics of Misogyny." Ch. 3 of Tennenhouse, Power on Display: The Politics of Shakespeare's Genres. New York and London, 1986.
Thompson, Ann. "Women/'Women' and the Stage." In Women and Literature in Britain, 1500-1700. Ed. Helen Wilcox. Cambridge: Cambridge UP, 1996. 100-16.
Todd, Susan, ed. Women and Theatre: Calling the Shots. London: Faber, 1984.
Trussler, Simon. "9. The Birth of a Bourgeois Theatre 1682-1707." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 134-45.* (The lean years of the United Company: plays, politics, audiences. Betterton defects to Lincoln's Inn. Attitudes to actresses, and the development of the benefit system. Formulating the 'rules' of acting. The rise of the younger generation, and the significance of Colley Cibber. The Collier controversy, the city, and the credit economy. George Farquhar, and 'hard' versus 'humane' comedy. The female wits. A new 'war of the theatres'. The companies reunited).
_____. "22. Theatre and the Marketplace 1979-1990." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 362-77. (Politics and economics of Thatcherism. Sponsorship and the theatre. The Arts Council in the 'eighties—and some clients. Institutional and West End theatre. The decade of the musical. The international dimension. The fringe: from counter-culture to chamber theatre. Alternative comedy. Female and male: directors, actors, dramatists. Plays for changing times. Heritage as theatre, the taste for spectacle, and the curious case of karaoke. The theatre of the streets, and a cautionary tale).
Urraro, Laurie-Lynne. Eroticizing the Margins: Sex and Sexuality in Contemporary Female-Authored Spanish Drama. Ph.D. diss. Ohio State U, 2011. Online at OhioLink.*
https://etd.ohiolink.edu/pg_10?0::NO:10:P10_ACCESSION_NUM:osu1300405282
2017
Wandor, Michelene. "Finding a Voice: Women Playwrights and Theatre." In Wandor, Carry On, Understudies: Theater and Sexual Politics. London: Routledge, 1986. 121-29.*
_____. "Political Dynamics: The Feminisms." In Wandor, Carry On, Understudies: Theater and Sexual Politics. London: Routledge, 1986. 130-39.*
Zamorano, Ana. "La 'representabilidad' de la identidad sexual en el teatro de mujeres: historia de un silencio." In Voces e Imágenes de Mujeres en el teatro del siglo XX. Dramaturgas anglonorteamericanas. Ed. Rosa García Rayego and Eulalia Piñero. Madrid: Universidad Complutense de Madrid. 2002. 305-331.
_____. "El cuerpo como escenario: performances y representación dramática del lesbianismo." In El género del teatro / El teatro del género: Las artes escénicas y la representación de la identidad sexual. Ed. Alfonso Ceballos Muñoz and Ramón Espejo Romero. Madrid: Editorial Fundamentos. Octubre 2009: 163-188.
Zeitlin, F. L. "Playing the Other: Theatre, Theatricality, and the Feminine in Greek Drama." Representations 11 (1985): 63-94.
Anthologies
Alberola Crespo, Nieves, and Yvonne Shafer, eds. ¿Nimiedades para la eternidad? Pioneras en la escena estadounidense. Castellón: Eliago Ediciones, 2006.
Aston, Elaine, coed. Her Story: Plays by and for Women. 1991.
Barlow, Judith, ed. Plays by American Women 1900-1930. Applause, 1985.
_____. Plays by American Women1930-1960. Applause, 1994.
Cadija, George, ed. Six Plays by Black and Asian Women Writers. Aurora Metro, 1993.
Cerasano, Susan P. and Marion Wynne-Davies, eds. Renaissance Drama by Women: Texts and Documents. London: Routledge, 1995. (Book/eBook)
Davis, Jill, ed. Lesbian Plays. 2 vols. London: Methuen, 1987, 1989.
Female Voices. Playwrights Press, 1987.
Finberg, Melinda, ed. Eighteenth-Century Women Dramatists. (Oxford World's Classics). New York: Oxford UP, 2009.
Fitzsimmons, Linda, and Viv Garner, eds. New Woman Plays. London: Methuen, 1991.
France, Rachel, ed. A Century of Plays by American Women. Richards Rose Press, 1989.
Gray, Francis, ed. Second Wave Plays: Women at the Albany Empire. New York: Academic Press, 1990.
Kilgore, Emile S., ed. Landmarks of Contemporary Women's Drama. London: Methuen, 1992.
La Tempa, Susan, ed. New Plays by Women. Shameless Hussy Press, 1979.
Lamont, Rosette, ed. Women on the Verge. Applause, 1993.
Love and Thunder: Plays by Women in the Age of Queen Ann. London: Methuen, 1988.
Lyons, Paddy, and Fidelis Morgan, eds. Female Playwrights of the Restoration: Five Comedies. (Everyman). London: Dent, 1991.
Mahone, Sydney, ed. Moon Marked and Touched by the Sun. (Women's drama anthology). Theatre Communications Group, 1994.
The Mayday Dialogues. (Women's drama anthology). (Royal Court Writers Series). London: Methuen, 1990.
McDermott, Kate, ed. Places Please! The First Anthology of Lesbian Plays. Aunt Lute Book Co.
Miles, Julia, ed. The Women's Project: Seven New Plays by Women. PAJ Publications, 1980.
_____, ed. The Women's Project 2: Five Plays by Women. PAJ Publications, 1984.
_____, ed. Women Heroes: Six Short Plays from the Women's Project. Applause, 1987.
Moore, Honor, ed. The New Women's Theatre: Ten Plays by Contemporary American Women. Vintage, 1977.
Perkins, Kathy, ed. Black Female Playwrights: An Anthology before 1950. Indiana UP, 1990.
Robson, Cheryl, ed. Female Voices, Fighting Lives: Seven Plays by Women. Aurora Metro, 1991.
Schwarz, Kathryn. "Amazon reflections in the Jacobean Queen's masque." Studies in English Literature, 1500-1900 35.2 (Spring 1995). Online ed. in Magda Amundsen's Some Articles on Literature
http://www.geocities.com/magdamun/jonsondaniel.html
2007-02-27
Smith, Marisa, ed. Women Playwrights: Best Plays of 1993. Smith and Kraus, 1994.
Spender, Dale, and Carole Hayman, eds. How the Vote Was Won and Other Suffragette Plays. London: Methuen, 1985.
Stokes, J. "Women and Mimesis in Medieval and Renaissance Somerset (and Beyond)." Comparative Drama 27 (1993): 176-96.
Sullivan, Victoria, and James Hatch, eds. Plays By and About Women. Vintage, 1974.
Temerson, Catherine, and Françoise Kourilsky, eds. Plays by Women: An International Anthology. UBU Repertory Theatre Publishers, 1974.
"Updated Survey of Sex of Artistic Directors and Administrators Currently Working in Repertory Theatres in England and Wales." Contacts 76 (1986/8).
Wandor, Michelene. Look Back in Gender: Sexuality and the Family in Post-War British Theatre. London: Methuen, 1987.
_____, ed. Plays by Women. 4 vols. London: Methuen.
_____, ed. Strike While the Iron Is Hot. (Women's drama anthology). Journeyman Press, 1980.
Wilkerson, Margaret, ed. Nine Plays by Black Women. New York: New American Library, 1986.
Bibliographies
Sakellaridou, Elizabeth. "Briefing 12: Books for Teaching Women's Drama." European English Messenger 5.1 (Spring 1996): 30-33.*
Williams, Dana A. Contemporary African American Female Playwrights: An Annotated Bibliography. Wesport (CT): Greenwood P, 1998.
Journals
Women and Performance 2.2 (1985).
Literature
The Female Wits. Anonymous farce. In Fidelis Morgan, The Female Wits: Women Playwrights on the London Stage 1660-1720. London: Virago, 1981. 390-433.* (Centlivre, Pix, Manley, Behn…)
See also Gender and drama; Shakespeare (Gender issues).
No hay comentarios:
Publicar un comentario