Teatralidad y dramatismo

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Theatricality / Dramatism

 

 

Ahmed, Sara. "4. The Performativity of Disgust." In Ahmed, The Cultural Politics of Emotions. Edinburgh: Edinburgh UP, 2004. 2nd ed. 2014. 82-100.*

Artaud, Antonin. Le théatre et son double. Paris: Gallimard, 1938.

_____. The Theatre and Its Double. (Genet). Trans. Mary Caroline Richards. New York: Grove, 1958.

_____. The Theatre and Its Double. London: Calder and Boyars, 1970.

Blair, Rhonda, and Amy Cook, eds. Theater, Performance, and Cognition. Bloomsbury Methuen, forthcoming 2015.

Brecht, Bertolt. "Über die Theatralik des Faschismus." In Politik auf dem Theatre. Ed. W. Hecht. 1983.

Brown, John Russell. Shakespeare and the Theatrical Event. Basingstoke: Palgrave Macmillan, 2002.

Burke, Kenneth. Dramatism and Development. Barre (MA): Clark UP, 1972.

Cornago, Óscar. "¿Qué es la teatralidad? Paradigmas estéticos de la Modernidad." Telón de fondo: Revista de Teoría y Crítica Teatral 1.1 (Aug. 2005). http://www.telondefondo.org/numeros-anteriores/numero1/articulo/2/que-es-la-teatralidad-paradigmas-esteticos-de-la-modernidad.html

Online at AVAE: Archivo Artea.*

         http://archivoartea.uclm.es/textos/que-es-la-teatralidad-paradigmas-esteticos-de-la-modernidad/

         2020

DeCoursey, Matthew. "Making Meaning in the Theatre: Double Noesis." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 269-82.*

Fest, Kerstin. And All Women Were Players? Performance and Identity in Dorothy Richardson, Jean Rhys and Radclyffe Hall. 2009.

Frank, Marcie. "Frances Burney's Theatricality." ELH 82.2 (Summer 2015): 615-35.*

         DOI: 10.1353/elh.2015.0012

         https://muse.jhu.edu/article/583638/summary

         2019

Fried, Michael. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Berkeley: U of California P, 1981.

García Landa, José Ángel. "Be Copy Now." In García Landa, Vanity Fea 24 June 2006.

         http://garciala.blogia.com/2006/062401-be-copy-now.php

         2006-07-02

_____. "'Be Copy Now': Dialectics and Feedback of Life and Theater in Shakespeare (Henry V, 3.1) / 'Be Copy Now': Retroalimentación y dialéctica de la vida y el teatro en Shakespeare (Henry V, 3.1)." (2007 Online PDF at Social Science Research Network (Nov. 2007).

http://ssrn.com/abstract=1029284

         2007

_____. "'Be Copy Now': Retroalimentación y dialéctica de la vida y el teatro en Shakespeare (Henry V, 3.1)." Online PDF at Zaguán 24 March 2009.*

         http://zaguan.unizar.es/record/3221

         2009

_____. "'Be Copy Now': Retroalimentación y dialéctica de la vida y el teatro en Shakespeare (Henry V, 3.1)." ResearchGate 7 June 2012.*

http://www.researchgate.net/publication/33419856_Be_Copy_Now_Retroalimentacin_y_dialctica_de_la_vida_y_el_teatro_en_Shakespeare_%28Henry_V_3.1%29

         2012

_____. "El mundo social como presentación y re-presentación." In García Landa, Vanity Fea 19 October 2009.* (Goffman).

         http://vanityfea.blogspot.com/2009/10/el-mundo-social-como-presentacion-y-re.html

         2009

_____. "Actuaciones." In García Landa, Vanity Fea 21 October 2009.*

         http://vanityfea.blogspot.com/2009/10/actuaciones.html

         2009

_____. "Actuaciones: Notas sobre el primer capítulo de The Presentation of Self in Everyday Life, de Erving Goffman." Ibercampus (Vanity Fea) 28 Oct. 2009.*

         http://www.ibercampus.es/articulos.asp?idarticulo=11296

         2009

_____. "Somos teatreros: El sujeto, la interacción dialéctica y la estrategia de la representación según Goffman." iPaper at Academia.edu 30 May 2012.*

         https://www.academia.edu/1603731/

         2015

_____. "Somos teatreros: El sujeto, la interacción dialéctica y la estrategia de la representación según Goffman (We Playact: The Subject, Dialectic Interaction and the Strategy of Representation according to Goffman). Online PDF at Social Science Research Network 31 May 2012.*

         http://ssrn.com/abstract=2070508

         2012

         Cognitive Linguistics: Cognition, Language, Gesture eJournal 4.15 (8 June 2012):

         http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?form_name=journalbrowse&journal_id=1314047       

         http://www.ssrn.com/link/Cognitive-Linguistics.html (31 May 2012).*

         2012

         Ethics eJournal 5.59 (11 June 2012).

         http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?form_name=journalBrowse&journal_id=950360        

         http://www.ssrn.com/link/Ethics.html (31 May 2012).*

         2012

         Philosophy of Mind eJournal 5.18 (8 June 2012):

         http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?form_name=journalbrowse&journal_id=985625

         http://www.ssrn.com/link/Philosophy-Mind.html (31 May 2012).*

         2012

         Social and Political Philosophy eJournal 5.85 (12 June 2012).

         http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?form_name=journalBrowse&journal_id=950427

         http://www.ssrn.com/link/Social-Political-Philosophy.html (31 May 2012).*

         2012

         Rhetorical Theory eJournal 1.3 (8 August 2012).

         http://papers.ssrn.com/sol3/JELJOUR_Results.cfm?form_name=journalBrowse&journal_id=950847

         http://www.ssrn.com/link/Rhetorical-Theory.html (31 May 2012).*

         2012

_____. "Somos teatreros: El sujeto, la interacción dialéctica y la estrategia de la representación según Goffman." ResearchGate 17 March 2014.*

         https://www.researchgate.net/publication/256020785

         2014

_____. "Hegel: La comedia y la vida como metadrama." In García Landa, Vanity Fea 15 July 2012.*

         http://vanityfea.blogspot.com.es/2012/07/hegel-la-comedia-y-la-vida-como.html

         2012

_____. "Veblen y la teatralidad." In García Landa, Vanity Fea 20 March 2014.*

         http://vanityfea.blogspot.com.es/2014/03/veblen-y-la-teatralidad.html

         2014

_____. "Veblen y la teatralidad." Ibercampus (Vanity Fea) 20 March 2014.*

         http://www.ibercampus.es/veblen-y-la-teatralidad-27158.htm

         2014

_____. "How to Make Artificial People." Ibercampus (Vanity Fea) 13 Oct. 2015.*

         http://www.ibercampus.eu/how-to-make-artificial-people-3485.htm

         2015

_____. "La teatralidad del yo en Adam Smith." Ibercampus (Vanity Fea) 16 March 2016.*

         http://www.ibercampus.es/la-teatralidad-del-yo-en-adam-smith-32637.htm

         2016

_____. "La teatralidad del yo en Adam Smith." In García Landa, Vanity Fea 15 March 2016.*

         http://vanityfea.blogspot.com.es/2016/03/la-teatralidad-del-yo-en-adam-smith.html

         2016

_____. "La teatralidad del yo en Adam Smith." In García Landa, Vanity Fea 8 April 2016.*

         http://vanityfea.blogspot.com.es/2016/04/la-teatralidad-del-yo-en-adam-smith.html

         2016

_____. "Polibio contra los teatreros." In García Landa, Vanity Fea 20 Feb. 2020.*

         https://vanityfea.blogspot.com/2020/02/polibio-contra-los-teatreros.html

         2020

Goffman, Erving. The Presentation of Self in Everyday Life. Edinburgh: Social Sciences Research Centre, U of Edinburgh, 1956.

_____. The Presentation of Self in Everyday Life. Rev. ed. Garden City (NY): Doubleday-Anchor, 1959.*

_____. The Presentation of Self in Everyday Life. Harmondsworth: Penguin-Pelican Books, 1971.

_____. The Presentation of Self in Everyday Life. Harmondsworth: Penguin, 1990.

_____. La Mise en scène de la vie quotidienne. Paris: Minuit, 1973.

_____. La presentación de la persona en la vida cotidiana. (Biblioteca de sociología) Madrid: Murguía; Buenos Aires: Amorrortu, 1987.

Hilton, John. "Calculated Spontaneity." In Oxford Book of English Talk. Oxford: Clarendon, 1953. 399-404.

Hoorvash, Mona, and Farideh Pourgiv. "Martha the Mimos:  Femininity, Mimesis and  and Theatricality in Edward Albee's Who's Afraid of Virginia Woolf." Atlantis 33.2 (Dec. 2011): 11-25.*

Hubert, Judd D. Metatheater: The Example of Shakespeare. Lincoln: U of Nebraska P, 1991.*

Marshall, David. The Figure of Theater: Shaftesbury, Defoe, Adam Smith, and George Eliot. New York: Columbia UP, 1986.* (Part I: Shaftesbury and the Theater of Characters; Part II: Acts of Solitude: Theater in the Narratives of Defoe; Part III: The theater of Sympathy).

Martín Gaite, Carmen. "Palabra y escenario." Diario 16 (Culturas, 4 May 1991). Rpt. in Martín Gaite, Tirando del hilo (artículos 1949-2000). Ed. José Teruel. Madrid: Siruela, 2006. 453-56.*

Matheson, Tom. "Shakespeare and the Theatrical Moment." In Shakespeare: Text-Theatre-Film. Ed. Therese Fischer-Seidel and Friedrich-K. Unterweg. Düsseldorf: Droste, 2001. 119-44.*

Messinger, Sheldon L., with Harold Sampson and Robert D. Towne. "Life as Theater: Some Notes on the Dramaturgic Approach to Social Reality." In Erving Goffman. Ed. Gary Alan Fine and Gregory W. H. Smith. 4 vols. (SAGE Masters in Modern Social Thought). London: SAGE, 2000.

Mroczkowska-Brand, Katarzyn. Overt Theatricality and the "Theatrum mundi" Metaphor in Spanish and English drama, 1570-1640. Ann Arbor: University Microfilms International, cop. 1985, print 1989.

Petterson, Lin Elinor. "Gendered Spaces and Theatricality in Peter Ackroyd's Dan Leno and the Limehouse Golem." In At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference, UAB/Barcelona 14-16 November 2011. Ed. Sara Martín et al. Barcelona: Departament de Filologia Anglesa i de Germanística, U Autònoma de Barcelona / AEDEAN, 2012. 170-175.*

http://www.aedean.org/pdf_atatimecrisis/AtaTimeofCrisis_AEDEAN35_portada.pdf

         2012

Riviere, Joan. "Womanliness as Masquerade." International Journal of Psychoanalysis 10 (1929). Rpt. in Formations of Fantasy. Ed. Victor Burgin, James Donald and Cora Kaplan. London: Methuen, 1986.

_____. "Womanliness as a Masquerade." In Psychoanalysis and woman: A Reader. Ed. Shelley Saguaro. Houndmills: Macmillan, 2000.

Rosenberg, Marvin. "A Metaphor for Dramatic Form." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 103-11.*

Santayana, George. Soliloquies in England and Later Soliloquies. New York: Scribner's, 1922.

Shtutin, Leo. Spatiality and Subjecthood in Mallarmé, Apollinaire, Maeterlinck and Jarry: Between Page and Stage. (Oxford Modern Languages and Literature Monographs). Oxford: Oxford UP, 2019. Online preview at Google Books:

         https://books.google.es/books?hl=en&lr=&id=RBGIDwAAQBAJ

         2019

Talens, Jenaro. La escritura como teatralidad: Acerca de Juan Ruiz, Santillana, Cervantes y el marco narrativo en la novela corta castellana del xiglo XVII. (Publicaciones del Departamento de Lengua y Literatura Españolas). Valencia: Universidad de Valencia, 1977.*

Taylor, Paul. "Self Theatricality: Samuel Beckett and Vito Acconci." Review of Contemporary Fiction 7.2 (1987): 141-151.*

Tonelli, Franco, and Judd D. Hubert. "Theatricality: The Burden of the Text." Sub-Stance 21 (1978): 79-102.

Totzeva, Sophia. "Realizing Theatrical Potential: The Dramatic Text in Performance and Translation." In The Practices of Literary Translation: Constraints and Creativity. Ed. Jean Boase-Beier and Michael Holman. Manchester: St Jerome, 1998. 81-90.*

Turner, Mark. "The Performing Mind." In Theater, Performance, and Cognition. Ed. Rhonda Blair and Amy Cook. Bloomsbury Methuen, forthcoming 2015. Online at Social Science Research Network 24 Dec. 2015.*

         http://ssrn.com/abstract=2708070

         2016

Zeitlin, F. L. "Playing the Other: Theatre, Theatricality and the Feminine in Greek Drama." Representations 11 (1985): 63-94.

 

 

 

 

 

Video

 

 

 

Fry, Paul H. "23. Queer Theory and Gender Performativity." (Introduction to Literary Theory, ENGL 300). YouTube (YaleCourses) 1 Sept. 2009.*

         http://youtu.be/7bkFlJfxyF0

         2014

 

 

 

 

 

See also Reflexivity (in drama); World as stage; Performativity.