A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Restoration and 18th-century
English drama
Early works
General
Miscellaneous
Early works
Anon. A Comparison between the Two Stages. 1702. (Restoration drama).
Baker, Donald E., Isaac Reed, and Stephen Jones. Biographia Dramatica, or A Companion to the Playhouse. 3 vols. 1812.
Betterton, Thomas. A History of the English Stage. (Posth.) 1741.
Cibber, Colley. Apology for the Life of Mr Colley Cibber Comedian. 1740.
_____. An Apology for the Life of Colley Cibber... Written by Himself. Ed. Robert W. Lowe. 2 vols. 1889.
_____. Apology for the Life of Colley Cibber. London: Dent.
Collier, Jeremy. A Short View of the Immorality and Profaneness of the English Stage. 1698.
Dibdin. History of the Stage. 19th cent.
Downes, John. Roscius Anglicanus. 1708.
Dryden, John. Of Dramatic Poesy: An Essay. 1668.
_____. An Essay of Dramatic Poesy. Rev. ed. 1684.
_____. An Essay on Dramatic Poesy. Ed. Thomas Arnold. Oxford: Oxford UP, 1889.
_____. Essay of Dramatic Poesy. Ed. Thomas Arnold, rev. W. T. Arnold. Oxford, 1903.*
_____. An Essay of Dramatic Poesy. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 255-310.*
_____. An Essay of Dramatic Poesy. In Literary Criticism: From Plato to Dryden. Ed. Gilbert. 601-58.*
_____. Of Dramatic Poesie. In Of Dramatic Poesie and Other Critical Essays. Ed. George Watson. 2 vols. London: Dent, 1962.*
_____. Of Dramatic Poesie. Ed. James T. Boulton. Oxford, 1964.
_____. Of Dramatic Poesy: An Essay. In Dryden, Selected Criticism. Ed. James Kinsley and George Parfitt. Oxford: Oxford UP, 1970. 17-76.*
_____ An Essay of Dramatic Poesy. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 249-89.*
_____. From An Essay of Dramatic Poesy. In The Norton Anthology of English Literature. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2114-18.*
_____. An Essay of Dramatic Poesy. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. "A Defence of an Essay on Dramatic Poesy." 1668. In Dryden, Selected Criticism. Ed. James Kinsley and George Parfitt. Oxford: Oxford UP, 1970. 77-93.*
_____. "Of Heroic Plays: Prefatory Essay to The Conquest of Granada." (1672). In Dryden's Essays. London: Dent; New York: Dutton, 1912. 87-94.
_____. "Of Heroique Playes, an Essay." Introd. to The Conquest of Granada. (Nonesuch Edition).
_____. "Of Heroic Plays." In Essays of Dryden. Ed. W. P. Ker. 1900. 148-59.
_____. "Of Heroic Plays." In Dryden, Of Dramatic Poesy. Ed. George Watson. 2 vols. London and New York, 1962. 1.156-66.
_____. "Heroic Poetry and Poetic Licence: The Author's Apology prefixed to The State of Innocence and Fall of Man, an Opera." 1677. In Dryden's Essays 108-17.
Genest, John. Some Account of the English Stage from 1660 to 1830. 10 vols. Bath, 1832.
Gentleman, Francis. Dramatic Censor. 1770.
Jacob, Giles. Lives of Dramatic Poets. 18th cent.?
Johnson, Samuel. "Prologue at the Opening of Drury-Lane Theatre." 1747. Select. in Shakespeare Criticism: A Selection 1623-1840. Ed. D. N. Smith. London: Oxford UP, 1946. 75.*
_____. "Prologue Spoken by Mr. Garrick: At the Opening of the Theatre Royal, Drury Lane, 1747." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2670-72.*
Lamb, Charles. "My First Play." In Lamb, The Essays of Elia. London: Dent, 1906. 113-17.
_____. "On Some of the Old Actors." In Lamb, The Essays of Elia 154-65.
_____. "On the Artificial Comedy of the Last Century." 1822. In Romantic Critical Essays. Ed. David Bromwich. Cambridge: Cambridge UP, 1993. 72-79.
_____. "On the Artificial Comedy of the Last Century." In Lamb, The Essays of Elia. London: Dent, 1906. 165-72.*
_____. "Restoration Comedy." In Lamb's Criticism. Cambridge: Cambridge UP, 1923. 74-7.
Langbaine, Gerald. Account of the English Dramatick Poets. 1691.
_____. Lives and Characters of the Englsh Dramatick Poets. Rev. ed. of Account of the English Dramatick Poets. Ed. Gildon. 1699.
_____. The Lives and Characters of English Dramatik Poets. New York: AMS Press, 1976.
Macaulay, Thomas Babington. The Comic Dramatists of the Restoration. London: Longman, Brown, Green, and Longmans, 1853.
Scott, Clement. From "The Bells" to "King Arthur". 1897.
Singer, H. W. Das Bürgerliche Trauerspiel in England. 1891. (Lillo).
Steele. (Vs. Restoration drama). Spectator 65 (1711).
Strachey, Lytton. "The Old Comedy." (Restoration). New Statesman 6 Dec. 1913. In Strachey, Characters and Commentaries. London: Chatto and Windus, 1933. 167-74.*
Vinson, James, ed. Restoration and Eighteenth Century Drama. London, 1980.
Wright, James. Country Conversations. London: Henry Bonwicke, 1694.
Anthologies
Bell's British Theatre, Consisting of the Most Esteemed English Plays. 21 vols. 1776-81. 36 vols., 1791-1802.
Gosse, Edmund (Sir), ed. Restoration Plays. Introd. Sir Edmund Gosse. London: Dent; New York: Dutton, 1912. New ed. 1932. 1957.* 1959. 1962.*
Inchbald, Elizabeth, ed. The British Theatre: or, A Collection of Plays, which are acted at the Theatres Royal, Drury Lane, Covent Harden, and Haymarket. With Biographical and Critical Remarks by Mrs. Inchbald. 25 vols. London: 1808. 20 vols, 1824.
Holland, Peter, ed. Great Shakespeareans, Volume II: Garrick, Kemble, Siddons, Kean. (Great Shakespeareans, set I). London: Bloomsbury, 2010.*
General
Bevis, Richard W. English Drama: Restoration and Eighteenth Century, 1660-1789. (Longman Literature in English Series). Harlow: Longman, 1988. 1996.*
Blamires, Harry. "Restoration Drama." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 137-50.*
Brown, John Russell, and Bernard Harris, eds. Restoration Theatre. (Stratford-upon-Avon Studies 6). 1965.
Brown, Laura. English Dramatic Form 1660-1760: An Essay in Generic History. New Haven: Yale UP, 1981.
Cazamian, Louis. "The Theatre of the Restoration." From Legouis and Cazamian's History of English Literature. In García Landa, Vanity Fea 18 Oct. 2012.*
http://vanityfea.blogspot.com.es/2012/10/the-theatre-of-restoration-by-louis.html
2012
Moody, Jane, and Daniel O'Quinn, eds. The Cambridge Companion to British Theatre, 1730-1830. Cambridge: Cambridge UP, 2007.* (I. Performance. II. Genres. III. Identities. IV. Places of performance. V. Further reading).
Nettleton, George H. English Drama of the Restoration and Eighteenth Century (1642-1780). 1914. New York, 1923.
Nicoll, Allardyce. A History of Restoration Drama, 1660-1700. Cambridge, 1923. 2nd ed. 1928. 4th ed. Cambridge, 1952.
_____. A History of Early Eighteenth Century Drama. Cambridge, 1925.
_____. A History of Late Eighteenth Century Drama, 1750-1800. Cambridge, 1927.
_____. A History of English Drama 1660-1900. 6 vols. Cambridge, 1952-1959.
_____. A History of English Drama 1660-1900. Vol. 1. Cambridge: Cambridge UP, 1970.
Trussler, Simon. The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 106-17.*
Van Lennep, William, et al. The London Stage 1660-1800. 5 parts. Carbondale (IL), 1960-68.
Wickham, Glynne. "8. The Restoration Theatre." In English Drama to 1710. Ed. Christopher Ricks. (Sphere History of Literature in the English Language, 3). London: Sphere Books, 1971. 370-74.*
Miscellaneous
Agnew, Jean-Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge UP, 1986.
Alleman, Gellert S. Matrimonial Law and the Materials of Restoration Comedy. Wallingford (PA), 1942.
Allen, Robert J. "The Kit-Cat Club and the Theatre." Review of English Studies 7 (1931): 56-61.
Anderson, Misty G. Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage. Basingstoke: Palgrave Macmillan, 2002.
_____. "10. Women Playwrights." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 145-58.*
Armistead, Jack. Four Restoration Playwrights: A Reference Guide to Thomas Shadwell, Aphra Behn, Nathaniel Lee, and Thomas Otway. Boston, 1984.
Avery, Emmett L. "Dancing and Pantomime on the English Stage, 1700-1737." Studies in Philology 31 (1934): 417-52.
_____. "Vaudeville on the London Stage, 1700-1737." Research Studies of the State College of Washington 5 (1937): 65-77.
_____. "The Defense and Criticism of Pantomimic Entertainments in the Early Eighteenth Century." ELH 5 (1938): 127-45.
_____. "The Restoration Audience." Philological Quarterly 45 (1966): 54-61.
Bateson, F. W. English Comic Drama, 1700-1750. Oxford, 1929. Rpt. New York, 1963.*
_____. "Second Thoughts: L. C. Knights and Restoration Comedy." In Bateson, Essays in Critical Dissent. London: Longman, 1972. 117-28.*
Baugh, Christopher. "3. Scenography and Technology." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 43-56.*
Berkeley, David Shelley."The Penitent Rake in Restoration Comedy." Modern Philology 49 (1952): 223-33.
_____. "The Art of 'Whining' Love." Studies in Philology 52 (1955): 478-96.
_____. "Préciosité and the Restoration Comedy of Manners." Huntington Library Quarterly 18 (1955): 109-28.
_____. "Some Notes on Probability in Restoration Drama." Notes and Queries 200 (1955): 237-9; 342-44, 432.
Bernbaum, Ernest. The Drama of Sensibility. Boston, 1914.
Bevis, Richard W. "Anything Goes: The Diversity of Comic Drama." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 146-78.*
_____. "Epilogue: The 1780s." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988.*
_____. "Lay All Aristotle's Rules Aside: Musicals and Irregular Forms 1738-1779." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 237-41.*
_____. "Mask and Veil: Comedy." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 71-97.*
_____. "Scenes and Machines: Operatic Drama." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 103-6.*
_____. "Sister Arts: Operatic Drama 1689-1737." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 179-84.*
_____. "Sorrows Like Your Own: Augustan Tragedy." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 123-45.*
_____. "The Age of Garrick." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 193-200.*
_____. "The Confused Muse: Georgian Comedy and Farce." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 212-36.*
_____. "The Jaws of Defeat: Tragicomedy." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 53-56.*
_____. "The Luxury of Grief: Georgian Tragedy and Tragicomedy." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 201-11.*
_____. "The Noble Experiment: Heroic Drama." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 40-52.*
_____. "The World Well Lost: Tragedy." In Bevis, English Drama: Restoration and Eighteenth Century, 1660-1789. Harlow: Longman, 1988. 57-70.*
Blanco Vacas, Jorge R. "Communicative Strategies in the Restoration Stage: Politically Allusive Prologues and Epilogues of the Popish Plot Period." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 245-51.*
Booth, Michael R. "I. The Social and Literary Context." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 1-58.*
Booth, Michael R., Richard Southern, Frederick & Lise-Lone Marker, and Robertson Davies. The Revels History of Drama in English, volume VI: 1750-1880. London: Methuen, 1975.*
Boswell, Eleanore. The Restoration Court Stage. Cambridge (MA), 1932.
Braga Riera, Jorge. Classical Spanish Drama in Restoration English (1660–1700). Amsterdam: John Benjamins, 2009.
Bredvold, Louis I. "Drama." (Restoration). In Bredvold, The Literature of the Restoration and the Eighteenth Century 1660-1798. London: Collier-Macmillan, 1962. 25-33.*
_____. "The Drama of Sensibility." In Bredvold, The Literature of the Restoration and the Eighteenth Century 1660-1798. London: Collier-Macmillan, 1962. 90-95.*
Brown, Laura. "The Divided Plot: Tragicomic Form in the Restoration." ELH 47 (1980): 67-79.
Burden, Michael. "14. Opera in the London Theatres." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 205-18.*
Burling, William J. Summer Theatre in London, 1661-1820, and the Rise of the Haymarket Theatre. c. 2000.
Burns, Edward. Restoration Comedy: Crises of Desire and Identity. New York: St Martin's, 1987.*
Cecil, C. D. "Libertine and Précieux Elements in Restoration Comedy." Essays in Criticism 9 (1959): 239-53.
Clinton-Baddeley, V. C. The Burlesque Tradition in the English Theatre after 1660. 1952.
Carlson, Julie A. "12. Race and Profit in English Theatre." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 175-88.*
Collins, P. A. W. "Restoration Comedy." From Dryden to Johnson. Vol. 4 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1991. 118-34.*
Corporaal, Marguérite. "'Will You to My Discourse Vouchsafe an Eare?" Women Dramatists' Negotiation of Gender and Genre on the Public Stage around 1700." Journal of English Studies 4 (2003-2004): 37-52.*
Cotton, Nancy. Women Playwrights in England c. 1363-1750. Associated UPs, 1980.
Craig, E. Gordon. "John Evelyn and the Theatre." In Books and Theatres. 1925. 1-68.
Croissant, DeWitt C. "Early Sentimental Comedy." Parrott Presentation Volume. Princeton, 1935. 47-71.
Cuder-Domínguez, Pilar. Stuart Women Playwrights, 1613-1713. Farnham (Surrey): Ashgate, 2011.
Daiches, David. "Drama from the Beginning of the Eighteenth Century." In Daiches, A Critical History of English Literature. 2 vols. London: Secker and Warburg, 1960. 1094-1112.*
_____. "Drama from the Beginning of the Eighteenth Century." In García Landa, Vanity Fea 24 Nov. 2014.*
http://vanityfea.blogspot.com.es/2014/11/drama-from-beginning-of-eighteenth.html
2014
Davis, Jim, coauth. "4. Spectatorship." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 57-68.*
Deane, Cecil V. Dramatic Theory and the Rhymed Heroic Play. 1931.
Dent, Edward J. Foundations of English Opera. Cambridge, 1928.
Dobrée, Bonamy. Restoration Comedy 1660-1720. Oxford: Clarendon Press, 1924.
_____. Restoration Comedy. 2nd ed. 1962.
_____. Restoration Comedy. Greenwood Press.
_____. Restoration Tragedy. Oxford, 1929.
Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769. Oxford: Clarendon Press, 1992.
Donaldson, Ian. "Drama 1710-1780." 1971. In Dryden to Johnson. Ed. Roger Lonsdale. Vol. 4 of Penguin History of Literature. Harmondsworth: Penguin, 1993. 161-92.*
_____.The World Upside Down: Comedy from Jonson to Fielding. Oxford: Clarendon Press, 1970.
Downes, John. Roscius Anglicanus. 1708.
Falco, Raphael. Charismatic Authority in Early Modern English Tragedy. c. 2000.
Farquhar, George. "A Discourse upon Comedy, in Reference to the English Stage." 1702.
Fisk, Deborah Payne, ed. The Cambridge Companion to English Restoration Theatre. (Cambridge Companions to Literature). Cambridge: Cambridge UP, 2000.
Freeman, Lisa A. (Assoc. prof. of English, U of Illinois, Chicago). Character's Theater: Genre and Ideology on the Eighteenth-Century English Stage. U of Pennsylvania P, 2002.
_____. "5. The Social Life of Eighteenth-century Comedy." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 73-86.*
Fujimura, Thomas H. The Restoration Comedy of Wit. Princeton, 1952.
Gagen, Jean E. The New Woman: her Emergence in English Drama, 1600-1730. 1954.
García Martínez, Isabel. "Influencias mutuas entre el teatro inglés y el francés de los siglos XVII y XVIII." Stvdia Patriciae Shaw oblata. Vol. 1. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 243-54.*
Gilder, Rosamund. Enter the Actress: The First Women in the Theatre. Theatre Art Books, 1960.
González Fernández de Sevilla, José Manuel. "Political Strategies of Drama in Renaissance England." In SEDERI 1. Ed. Javier Sánchez. Zaragoza: Librería General, 1990. 95-104.
Gray, Charles H. Theatrical Criticism in London to 1795. 1931.
Green, Clarence C. Neo-Classic Theory of Tragedy in England during the Eighteenth Century. Cambridge (MA), 1934.
Harbeson, William P. The Elizabethan Influence on the Tragedy of the Late Eighteenth and the Early Nineteenth Centuries. Lancaster (PA), 1921.
Harwood, J. T. Critics, Values, and Restoration Comedy. Carbondale: Southern Illinois UP, 1982.*
Hawkins, Harriet. Likenesses of Truth in Elizabethan and Restoration Drama. Oxford: Clarendon, 1972.
Holland, Norman N. The First Modern Comedies: The Significance of Etherege, Wycherley, and Congreve. Cambridge (MA) and London, 1959.
_____. The First Modern Comedies: The Significance of Etherege, Wycherley, and Congreve. Online at Norman Holland's website, U of Florida. 2007.
http://ufdc.ufl.edu/UF00002862/00001
2012
Hotson, Leslie. The Commonwealth and Restoration Stage. Cambridge (MA), 1928.
Howe, Elizabeth. The First English Actresses: Women and Drama, 1660-1700. Cambridge: Cambridge UP, 1992.
Hughes, Derek. English Drama, 1660-1700. Oxford: Clarendon Press, 1996.
Hume, Robert D. The Development of English Drama in the Late Seventeenth Century. Oxford: Clarendon Press, 1976.
_____. The Development of English Drama in the Late Seventeenth Century. New York: Oxford UP, 1990.
_____, ed. The London Theatre World, 1660-1800. Carbondale, 1980.
_____, ed. The Rakish Stage. Carbondale (IL), 1983.
Jones, Marion. "Actors and Repertory." In The Revels History of Drama in English. Ed. T. W. Craik and C. Leech. 8 vols. London, 1975-83. Vol. 5 (1976).
Kewes, Paulina. Authorship and Appropriation: Writing for the Stage in England, 1660-1710. (Oxford English Monographs). Oxford: Clarendon Press, 1998.
King, Bruce. "Heroic and Mock-Heroic Plays." Sewanee Review 70 (1962): 248-64.
_____. Dryden's Major Plays. New York: Barnes & Noble, 1966.
Knights, L. C. "Restoration Comedy: The Reality and the Myth." Scrutiny 6 (1937). Rpt. in Comedy, Meaning and Form. Ed. Robert W. Corrigan. New York: Harper & Row, 1981.
_____. "Restoration Comedy: The Reality and the Myth." Scrutiny (1937). Rpt. in Explorations. In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 212-26.*
Krutch, Joseph Wood. Comedy and Conscience after the Restoration. New York, 1924.
Langhans, Edward. "The Theatres." In The London Theatre World, 1660-1800. Ed. R. D. Hume. Carbondale, 1980.
Loftis, John E. "The Drama and the Novel." In The Age of Dryden. Vol. 8 of The Cambridge History of English Literature. Ed. A. W. Ward and A. R. Waller. Cambridge: Cambridge UP, 1911. 2nd ed. 1932.
_____. "The Social and Literary Context." In The Revels History of Drama in English. Ed. T. W. Craik and C. Leech. 8 vols. London, 1975-1983. Vol. 5. London: Methuen, 1976.
Lynch, Kathleen M. The Social Mode of Restoration Comedy. New York, 1926.
Maguire, Nancy Klein. Regicide and Restoration: English Tragicomedy, 1660-1671. Cambridge: Cambridge UP, 1992.
Marker, Frederick, and Lise-Lone Marker. "II.ii. Actors and their Repertory." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 95-144.* (Garrick, Kemble, etc.).
Marsden, Jean I. Fatal Desire: Women, Sexuality, and the English Stage, 1660-1720. Ithaca (NY): Cornell UP, 2006.
Martínez-García, Laura. "(Re)Defining Gender in Early Modern British Drama." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 11-19.*
Maus, Katharine Eisaman. "'Playhouse Flesh and Blood': Sexual Ideology and the Restoration Actress." ELH 46 (1979).
Maxfield, Ezra K. "The Quakers in English Stage Plays Before 1800." (Centlivre). PMLA 45 (1930): 256-73.
McDonald, Charles O. "Restoration Comedy as Drama of Satire: An Investigation into Seventeenth-Century Aesthetics." Studies in Philology 61 (1964): 522-44.
McMillin, Scott, ed. Restoration and Eighteenth-Century Comedy. (Norton Critical Edition). New York: Norton, 1973.
_____. Restoration and Eighteenth-Century Comedy. 2nd ed. Ed. Scott McMillin. (Norton Critical Edition). New York: Norton, 1997.
Mignon, Elizabeth L. Crabbed Age and Youth: The Old Men and Women in the Restoration Comedy of Manners. Durham (NC), 1947.
Miles, Dudley H. The Influence of Molière on Restoration Comedy. 1910.
Milhous, Judith. "Company Management." In The London Theatre World, 1660-1800. Ed. R. D. Hume. Carbondale, 1980.
Moody, Jane. Illegitimate Theatre in London 1770-1840. Cambridge: Cambridge UP, 2000.
_____. "2. Dictating to the Empire: Performance and Theatrical Geography in Eighteenth-century Britain." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 21-40.
_____, coed. Theatre and Celebrity in Britain, 1660-2000. Basingstoke: Palgrave Macmillan, 2005.
Mora, María José, ed. Restoration Comedy, 1670-1682: A Catalogue. Teneo Press, 2018. 15-17.
Morgan, Fidelis. "The Other Women Playwrights." In Morgan, The Female Wits: Women Playwrights on the London Stage 1660-1720. London: Virago, 1981. 62-68.*
_____, ed. The Female Wits: Women Playwrights on the London Stage 1660-1720. London: Virago, 1981.
Mulrooney, Jonathan. "17. Reading Theatre, 1730-1830." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007.
Munns, Jessica. "Theatrical Culture 1: Politics and Theatre." In The Cambridge Companion to English Literature 1650-1740. Ed. Steven N. Zwicker. Cambridge: Cambridge UP, 1998. 82-103.*
Nevitt, Marcus. "3. Restoration Theatre and Interregnum Royalism: The Cavalier Rivalry of John Denham and William Davenant." In Sir John Denham (1614/15-1669) Reassessed: The State's Poet. London: Routledge, 2016. 52-74.*
https://books.google.es/books?id=Uc4eDAAAQBAJ
2021
Nolte, Fred O. Early Middle Class Drama, 1696-1774. Lancaster (PA), 1935.
O'Brien, John. Harlequin Britain: Pantomime and Entertainment, 1690-1760. Baltimore: Johns Hopkins UP, 2004.
_____. "7. Pantomime." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 103-14.*
O'Quinn, Daniel. (Assoc. prof., School of English and Theatre Studies, U of Guelph). Staging Governance: Theatrical Imperialism in London, 1770-1800. Baltimore: Johns Hopkins UP, 2005.
_____. "16. Theatre and Empire." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 233-46.*
_____, ed. Travels of Mirza Abu Taleb Khan. Broadview Press.
Owen, Susan J. Restoration Theatre and Crisis. Oxford: Clarendon Press, 1997.
Palmer, John. The Comedy of Manners. 1913.
Parfitt, G.-E. L'Influence française dans les œuvres de Fielding et dans le théâtre. Paris, 1928.
Pedicord, Henry William. The Theatrical Public in the Time of Garrick. New York: King's Crown Press, 1954.
_____. (Harry W. Pedicord). "The Changing Audience." In The London Theatre World, 1660-1800. Ed. R. D. Hume. Carbondale, 1980. 237-41.
Perry, Henry T. E. The Comic Spirit in Restoration Drama. 1925.
Powell, Jocelyn. Restoration Theatre Production. c. 1986.
Preiss, Richard, and Deanne Williams. Childhood, Education and the Stage in Early Modern England. Cambridge: Cambridge UP, 2017. Online at Google Books:
https://books.google.es/books?id=lM8oDwAAQBAJ
2018
Prynne, William. Histrio-Mastix, the Players Scourge, etc. 1633. Rpt. in The English Stage: Attack and Defense 1577-1740. Ed. Arthur Freeman. New York: Garland, 1974.
Ricks, Christopher, ed. English Drama to 1710. London: Sphere, 1971.*
_____, ed. English Drama to 1710. 2nd ed. rev. London, 1987.
Rodríguez-Loro, Nora. "The Female Dramatic Dedication in the Restoration Period (1660-1714)." Ph.D. diss.
_____. "Publication." In Restoration Comedy, 1670-1682: A Catalogue. Ed. María José Mora. Teneo Press, 2018. 15-17.
_____. "Charles II's Mistresses and Patronesses of Drama: The Dedications Addressed to Cleveland, Gwyn, and Portsmouth." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 23-48.*
Rosenfeld, Sybil. Foreign Theatrical Companies in Great Britain in the 17th and 18th Century. Theatre Research, 1955.
Ross, Julian L. "Dramatist versus Audience in the Early Eighteenth Century." Philological Quarterly 12 (1933): 73-81.
Rubik, Margarete. Early Women Dramatists 1550-1800: An Alternative Tradition. (English Dramatists). Houndmills: Macmillan, 1998.
Santaemilia Ruiz, José. "El discurso del amor en la comedia de la Restauración inglesa: Ambigüedad, corrupción y sentimentalismo." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*
Schwanecke, Christine. "5. The Containment of Different Narratives and of Narratives of Difference in Drama: The Renewal and Self-Definition of a 'Sleeping' Genre as well as Theatrical Configurations of Restoration and Early Eighteenth-Century (Drama) Cultures." In Schwanecke, A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 148-98.* (Dryden's Marriage à la Mode, Behn's The Rover, Gay's The Beggar's Opera; politics and drama).
https://doi.org/10.1515/9783110724110
https://www.degruyter.com/document/doi/10.1515/9783110724110/html
2022
_____. "6. From Stage to Page, from the Publicly Politic to the Metaphysically Private: Late Eighteenth-Century and Romantic Drama as a Genre in Transformation, Dramatising Diegetic Storytelling and Narrativising (Revolutionary) Change in Society and Conflict in Selves." A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 199-253.* (Richard Cumberland, The West Indian; Joanna Baillie, Orra; Byron, Manfred; Revolt).
https://doi.org/10.1515/9783110724110
https://www.degruyter.com/document/doi/10.1515/9783110724110/html
2022
Scott, Walter. Lives of Eminent Novelists and Dramatists. London: Frederick Warne, 1887.
Scouten, Arthur H. "Dramatic Opera." In The Revels History of Drama in English. Ed. T. W. Craik and C. Leech. 8 vols. London, 1975-83. 5.288-89.
Scouten, Arthur H., and Robert D. Hume. "Restoration Comedy and Its Audiences." In The Rakish Stage. Ed. Robert D. Hume. Carbondale (IL), 1983.
Senelick, Laurence. "Mollies or Men of Mode? Sodomy and the Eighteenth-Century London Stage." Journal of the History of Sexuality 1 (1990): 33-67.
Sharma, R. C. Themes and Conventions in the Comedy of Manners. 1965.
Sherbo, Arthur. English Sentimental Drama. East Lansing (MI), 1957.*
Sherburne, George, and Donald F. Bond. "Restoration Drama." (I and II). "The Drama, 1700-1740." "The Drama, 1740-1785." In The Restoration and Eighteenth Century (1660-1789). Vol. 3 of A Literary History of England. Ed. A. C. Baugh. London: Routledge, 1948. 2nd ed. 1967. 748-79, 883-97, 1035-49.*
Simon, Irène. "Restoration Comedy and the Critics." Revue des langues vivantes 29 (1963): 397-430.
Singh, Sarup. The Theory of Drama in the Restoration Period. Calcutta, 1963.
Smith, David Nichol. Shakespeare in the Eighteenth Century. Oxford, 1928.
Smith, John Harrington. The Gay Couple in Restoration Comedy. Cambridge (MA), 1948.
Southern, Richard. "II.i. Theatres and Stages." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 61-94.*
_____. "Theatres and Scenery." In The Revels History of Drama in English. Ed. T. W. Craik and C. Leech. Vol. 5. London, 1976.
Sprague, A. C. Beaumont and Fletcher on the Restoration Stage. Cambridge (MA), 1926.
Staves, Susan. "6. Tragedy." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 87-102.*
Straub, Kristina. "9. The Making of an English Audience: The Case of the Footmen's Gallery." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 131-44.*
Styan, J. L. Restoration Comedy in Performance. Cambridge: Cambridge UP, 1986.*
_____. "The Restoration Stage." In Styan, The English Stage. Cambridge: Cambridge UP, 1996. 237-73.*
_____. "The Georgian Theatre." In Styan, The English Stage. Cambridge: Cambridge UP, 1996. 274-301.*
Summers, Montague. The Restoration Theatre. 1934.
_____. The Playhouse of Pepys. 1935.
Sung, Sarup. The Theory of Drama in the Restoration Period. Calcutta: Orient Longmans, 1963.
Thaler, Alwin. Shakspere to Sheridan. Cambridge (MA), 1922.
Thomas, Russell. "Contemporary Taste in the Stage Decorations of London Theaters, 1770-1800." Modern Philology 42 (1944): 65-78.
Thorp, Willard. Songs from the Restoration Theater. Princeton, 1934.
Tokson, Elliot H. The Popular Image of the Black Man in English Drama, 1550-1688. Boston: G. K. Hall, 1982.
Trussler, Simon. "8. The Restoration Theatre 1660-1682." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 106-17.* (The old pretenders and the new patentees. The rival companies, their players, and their playhouses. Wings and shutters. Foreign influences and native growth. Hobbes and the ideology of pleasure. The King, the court, and varieties of 'acting'. Amateurs and professionals. Society, sexuality, and new styles of comedy. Heroic drama, neoclassicism, and what happened to Shakespeare. The theatrical profession and the exclusionist crisis. 'City end' and 'town end'. Shakespeare refashioned).
_____. "9. The Birth of a Bourgeois Theatre 1682-1707." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 134-45.* (The lean years of the United Company: plays, politics, audiences. Betterton defects to Lincoln's Inn. Attitudes to actresses, and the development of the benefit system. Formulating the 'rules' of acting. The rise of the younger generation, and the significance of Colley Cibber. The Collier controversy, the city, and the credit economy. George Farquhar, and 'hard' versus 'humane' comedy. The female wits. A new 'war of the theatres'. The companies reunited).
_____. "10. The Actors Ascendant 1707-1728." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 146-61.* (Actos and the disappearing apron. Disputes at Drury Lane, and the era of actor-management. The beginnings of theatre criticism. Wils, Booth, and the 'ranting school'. Pathetic tragedy, reformed comedy. The multiple bill, and the popularity of farce. John Rich at Lincoln's Inn Fields, and the birth of English pantomime. Patterns of performance. Theatre in the suburbs, the fairs, and the provinces. Shakespeare—for stage and for study).
_____. "11. Opposition and Oppression 1728-1741." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 162-77.* (The Whig ascendancy consolidated. The rise of Walpole—and of ballad opera. New audiences, new theatres. Fielding, Lillo, and the theatrical opposition. Power struggles at Drury Lane. The building of Covent Garden. 'The Great Mogul¡ at the Little theatre. Dramatic satire. The passing of the Licensing Act. The end of experiment. Actors and acting. Garrick at Goodman's Fields. The Acting Style of David Garrick).
______. "12. The Garrick Years 1741-1776." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 178-93.* (Imperialism emergent, respectability triumphant. Competition from the novel. Garrick goes to Drury Lane. The leading actors and their styles. Foote at the Little and Colman at Covent Garden. Comedy, tragedy—and sentimentality. The Shakespeare industry gathers pace. Spectacle and pantomime. De Loutherbourg and the scenographic revolution. The fairgrounds dispossessed, the provinces legitimized. Dawn of the industrial revolution—and of the movement for reform).
_____. "The Garrick Years." From The Cambridge Illustrated History of British Theatre. In García Landa, Vanity Fea Jan. 2015.*
http://vanityfea.blogspot.com.es/2015/01/the-garrick-years.html
2015
_____. "13. From Manners to Melodrama 1776-1814." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 194-211.* (The Sheridan phenomenon. From mannered comedy to political spectacle. Enlargement of the patent houses. Minor theatres and the origins of melodrama. Naval drama, topical and gothic spectacle. Underclass as audience. Tableaux vivants. The 'compilation bill'. Philip Astley and Joe Grimaldi. The 'Kemble religion'. The point of 'points'. Significance of the OP Riots. Kean: the Anarchy of the Passion).
Vernon, P. F. "Marriage of Convenience and The Mode of Restoration Comedy." Essays in Criticism 12 (1962): 370-87.
Wagonheim, Sylvia Stoler, ed. The Annals of English Drama 975-1700. London: Routledge, 1990.
Ward, Adolphus W. A History of English Dramatic Literature to the Death of Queen Anne. 3 vols. 1899.
Waterhouse, Osborn. "The Development of English Sentimental Comedy in the Eighteenth Century." Anglia 30 (1907): 137-72, 269-315.
Weber, Harold. The Restoration Rake-Hero. Madison: U of Wisconsin P, 1986.
Wilcox, John. The Relation of Molière to Restoration Comedy. 1938.
Wilkinson, D. R. M. The Comedy of Habit: An Essay on the Use of Courtesy Literature in a Study of Restoration Comic Drama. The Hague, 1964.
Wilson, John Harold. All the King's Ladies. (Restoration actresses). Chicago, 1958.
_____. A Preface to Restoration Drama. Cambridge (MA), 1965.
Winn, James A. "Theatrical Culture 2: Theatre and Music." In The Cambridge Companion to English Literature 1650-1740. Ed. Steven N. Zwicker. Cambridge: Cambridge UP, 1998. 104-19.*
Anthologies: Criticism
Loftis, John E., ed. Restoration Drama: Modern Essays in Criticism. New York: Oxford UP, 1966.*
Anthologies: Drama
Finberg, Melinda, ed. Eighteenth-Century Women Dramatists. (Oxford World's Classics). New York: Oxford UP, 2009.
Hampden, John, ed. Eighteenth-Century Plays. (Everyman's Library, 818). London: Dent; New York: Dutton. (Gay, The Beggar's Opera; Addison, Cato; Rowe, Jane Shore; Fielding, Tragedy of Tragedies, or, Tom Thumb the Great; Lillo, George Barnwell; Colman and Garrick, The Clandestine Marriage; Cumberland, The West Indian).
Lawrence, Robert G., ed. Restoration Plays. London: Dent, 1992.*
Lindsay, David W., ed. The Beggar's Opera and Other Eighteenth-Century Plays. London: Dent, 1993.*
Love and Thunder: Plays by Women in the Age of Queen Ann. London: Methuen, 1988.
Lyons, Paddy, and Fidelis Morgan, eds. Female Playwrights of the Restoration: Five Comedies. (Everyman). London: Dent, 1991.
MacMillan, Dougald, and Howard M. Jones, eds. Plays of the Restoration and Eighteenth Century. Anthology. 1931.
McMillin, Scott, ed. Restoration and Eighteenth-Century Comedy. (Norton Critical Edition). New York: Norton, 1973.
Morgan, Fidelis, ed. The Female Wits. London: Virago, 1981.*
Nettleton, George H., and Arthur E. Case, eds. British Dramatists from Dryden to Sheridan. Anthology. Boston, 1939.
Nettleton, George, Arthur Case, and George Winchester Stone, Jr., eds. British Dramatists from Dryden to Sheridan. 2nd ed. Boston, 1969.
Rogers, Katharine M., ed. The Meridian Anthology of 18th- and 19th-Century British Drama. Meridian / Penguin Books, 1996.
Salgado, Gamini, ed. Three Restoration Plays. Harmondsworth: Penguin, 1986.*
Stevens, David H., ed. Types of English Drama, 1660 to 1760. Anthology. Boston, 1923.
Von Sneidern, Maja-Lisa, and J. Douglas Canfield, eds. The Broadview Anthology of Restoration and Early Eighteenth-Century Drama. (Broadview Anthologies of English Literature). Broadview Press, 2001.
Womersley, David, ed. Restoration Comedy. (Blackwell Essential Literature). Oxford: Blackwell, 2002.
Wood, Nigel, ed. She Stoops to Conquer and Other Comedies. (Oxford World's Classics.). New York: Oxford UP, 2008.
Bibliographies
Baskervill, Charles R. "Playlists and Afterpieces of the Mid-Eighteenth Century." Modern Philology 23 (1926): 445-64.
MacMillan, Dougald. Drury Lane Calendar, 1747-1776. Oxford, 1938.
_____. Catalogue of the Larpent Plays in the Huntington Library. San Marino (CA), 1939.
Nicoll, Allardyce. A Short-title Alphabetical Catalogue of Plays Produced or Printed in England from 1660-1900. Vol. 6 of A History of English Drama 1660-1900. Cambridge, 1959.
Paine, Clarence S. The Comedy of Manners (1660-1700): A Reference Guide to the Comedy of the Restoration. Boston, 1941.
Summers, Montague. A Bibliography of the Restoration Drama. 1935.
Term Catalogues, 1668-1711. Rpt. Arber.
Van Lennep, William, Emmett L. Avery, Arthur H. Scouten, George Winchester Stone, Jr., and Chalres Beecher Hogan, eds. The London Stage, 1660-1800: A Calendar or Plays, Entertainments and Afterpieces, together with Casts, Box-Receipts and Contemporary Comment, Compiled from the Playbills, Newspapers and Theatrical Diaries of the Period. 5 parts. Carbondale (IL), 1960-1968.
Woodward, Gertrude L., and James G. McManaway. A Check-list of English Plays, 1641-1700. Chicago, 1945. (Supplement by Fredson Bowers; Charlottesville (VA), 1949).
Dictionaries and encyclopedias
Owen, Susan J., ed. A Companion to Restoration Drama. (Blackwell Companions to Literature and Culture). Oxford: Blackwell, 2001.
Films
The Libertine. Dir. Lawrence Dunmore. Written by Stephen Jeffreys, based on his play (on the 2nd Earl of Rochester). Cast. Johnny Depp, Samantha Morton, John Malkovich, Paul Ritter, Francesca Annis, Rosamund Pike, Tom Hollander, Johnny Vegas, Richard Coyle, Tom Burke, Hugh Sachs, Rupert Friend, Kelly Reilly, Jack Davenport, Trudi Jackson, Clare Higgins, Freddy Jones. Music by Michael Nyman. Photog. Alexander Melman. Ed. Jill Bilcock. Prod. des. Ben van Os. Art dir. Patrick Rolfe. Set decor. Robert Winchhusen-Hayes. Costumes by Dien van Straalen. Prod. Lianne Halfon, John Malkovich, Russell Smith. Odyssey Entertainment / Isle of Man Films / Mr Mudd Productions, 2004. DVD Aurum, 2006. Spanish DVD (The Libertine). Aurum/Historia, 2012.*
Stage Beauty. Dir. Richard Eyre. Written by Jeffrey Hatcher, based on his play Compleat Female Stage Beauty. Cast: Billy Crudup (Ned Kynaston), Claire Danes (Maria Hughes), Rupert Everett (King Charles II), Hugh Bonneville (Samuel Pepys), Richard Griffiths (Sir Charles Sedley), Edward Fox (Sir Edward Hyde), Tom Hollander (Sir Peter Lely), Zoë Tapper (Nell Gwynn). Music by George Fenton. Cinematography by Andrew Dunn. Ed. Tariq Anwar. Prod. Des. Jim Clay. Art dir. Keith Slote, Jan Spoczynski. Set Decoration by Caroline Smith. Costume design by Tim Hatley. Exec. Prod. Rachel Cohen, Richard Eyre, Michael Kuhn, Amir Malin, James D. Stern. Coprod. Michael Dreyer. Prod. Robert de Niro, Hardy Justice, Jane Rosenthal. Lions Gate Films / Qwerty Films, Tribeca Productions / N1 European Film Produktions / BBC Films, 2004.* (Spanish title: Belleza prohibida).
Internet resources
"Comedia de la Restauración." Wikipedia: La enciclopedia libre.*
http://es.wikipedia.org/wiki/Comedia_de_la_Restauraci%C3%B3n
2012
"Restoration Drama." Victoria & Albert Museum
http://www.vam.ac.uk/content/articles/r/restoration-drama/
2012
Journals
Restoration and 18th-Century Theatre Research 15 (1976).
Literature
Hatcher, Jeffrey. Complete Female Stage Beauty. Drama.
Series
(Regents Restoration Drama). c. 1966.
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