A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
19th-century English drama
Baer, Marc. Theatre and Disorder in Late Georgian London. Oxford: Oxford UP, 1991.
Balkin, Sarah. Squatters, Vampires, and Personalities: Staging Narration in the Late Nineteenth Century. Ph.D. Rutgers U, 2012. Online at RUcore:
https://rucore.libraries.rutgers.edu/rutgers-lib/38708/
2015
Booth, Michael R., Richard Southern, Frederick & Lise-Lone Marker, and Robertson Davies. The Revels History of Drama in English, volume VI: 1750-1880. London: Methuen, 1975.*
Bradby, David, Louis James and Bernard Sharratt, eds. Performance and Politics in Popular Drama: Aspects of Popular Entertainment in Theatre, Film and Television, 1800-1976. 1981.
Brain, Jessica. "The Great British Music Hall." Historic UK.*
https://www.historic-uk.com/CultureUK/Music-Hall/
2022
Bratton, Jacky. "8. Romantic Melodrama." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 115-26.*
Carlson, Julie A. In the Theatre of Romanticism: Coleridge, Nationalism, Women. Cambridge: Cambridge UP, 1994.
Child, Harold. "VIII. Nineteenth-Century Drama." In The Cambridge History of English and American Literature, vol. XIII (English) The Victorian Age, part One: The Nineteenth Century, II. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com
http://www.bartleby.com/223/index.html
2012
Chothia, Jean. English Drama in the Early Modern Period, 1890-1940. (Longman Literature in English Series). Harlow (Essex): Longman, 1996.*
Daiches, David. "Drama from the Beginning of the Eighteenth Century." In Daiches, A Critical History of English Literature. 2 vols. London: Secker and Warburg, 1960. 1094-1112.
_____. "Drama from the Beginning of the Eighteenth Century." In García Landa, Vanity Fea 24 Nov. 2014.*
http://vanityfea.blogspot.com.es/2014/11/drama-from-beginning-of-eighteenth.html
2014
Davies, Robertson. "III. Playwrights and Plays." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 145-270.*
Davis, Jim, coauth. Reflecting the Audience: London Theatregoing, 1840-1880. U of Iowa P, 2001.
Dietrich, Richard Farr. British Drama, 1890 to 1950: A Critical History. Boston: Twayne, 1989.
_____. British and Irish Drama 1890 to 1950: A Critical History. Rev. ed.
http://chuma.cas.usf.edu/~dietrich/britishdrama.htm
http://www.rfd2.net/britishdrama.htm
2012
Donohue, Joseph W. Dramatic Character in the English Romantic Age. Princeton (NJ): Princeton UP, 1970.
Foulkes, Richard. Church and Stage in Victorian England. Cambridge: Cambridge UP.
_____, ed. British Theatre in the 1890s: Essays on Drama and the Stage. New York: Cambridge UP, 1992.
García Landa, José Angel. "British Drama 1800-1950." In García Landa, Vanity Fea 29 Dec. 2012.* (From Sampson et al.).
http://vanityfea.blogspot.com.es/2012/12/british-drama-1890-1950_9677.html
2012
Gardner, Viv, and Susan Rutherford, eds. The New Woman and Her Sisters: Feminism and the Theatre 1850-1914. Hemel Hempstead: Harvester Wheatsheaf, 1992.
Harbeson, William P. The Elizabethan Influence on the Tragedy of the Late Eighteenth and the Early Nineteenth Centuries. Lancaster (PA), 1921.
Hazlitt, William. A View of the English Stage. 1818.
_____.A View of the English Stage, coll. in vol. 5 of The Complete Works of William Hazlitt. Ed. P. P. Howe, after the edition of A. R. Waller and Arnold Glover. New York: AMS, 1967. Vol. 5.
Hibbert, H. G. A Playgoer's Memories. 1920. (Wilde, etc.).
Jenkins, Anthony. The Making of Victorian Drama. 1991.
Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge: Cambridge UP, 1994.
Marker, Frederick, and Lise-Lone Marker. "II.ii. Actors and their Repertory." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 95-144.* (Garrick, Kemble, etc.).
Moody, Jane. Illegitimate Theatre in London 1770-1840. Cambridge: Cambridge UP, 2000.
Moody, Jane, coed. Theatre and Celebrity in Britain, 1660-2000. Basingstoke: Palgrave Macmillan, 2005.
Moody, Jane, and Daniel O'Quinn, eds. The Cambridge Companion to British Theatre, 1730-1830. Cambridge: Cambridge UP, 2007.*
Mulrooney, Jonathan. Romanticism and the Subject of the Theater.
Nicoll, Allardyce. A History of English Drama 1660-1900. 6 vols. Cambridge, 1952-1959.
Powell, Kerry. Oscar Wilde and the Theater of the 1890s. Cambridge: Cambridge UP, 1990.*
Purington, M. D. Romantic Ideology Unmasked: Mentally Constructed Tyrannies in the Dramas of William Wordsworth, Lord Byron, Percy Shelley and Joanna Baillie. 1994.
Rodríguez Ledesma, Nieves. "La partida del protagonista activo en el melodrama victoriano." XVI Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Valladolid: Secretariado de Publicaciones de la Universidad de Valladolid, 1994. 201-6.*
Rowell, G. Victorian Dramatic Criticism. 1971.
Russell, Gillian. The Theatres of War: Performance, Politics and Society, 1793-1815. Oxford, 1995.
_____. "13. Private Theatricals." In The Cambridge Companion to British Theatre, 1730-1830. Ed. Jane Moody and Daniel O'Quinn. Cambridge: Cambridge UP, 2007. 191-204.*
Sampson, George. "Nineteenth-century Drama." From The Concise Cambridge History of English Literature (1970). In García Landa, Vanity Fea 30 Dec. 2014.*
http://vanityfea.blogspot.com.es/2014/12/nineteenth-century-drama.html
2014
Schwanecke, Christine. "7. Expanding the Allowances of Drama by Generic Encounters with Narrative in Victorian and Early Twentieth-Century Plays: Intersecting Drama and Narrative as Means to Fight against Hypocritical Hegemonies as well as to Perform and Forestall Political Change." A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 254-303.* (Shaw, Mrs Warren's Profession, Cicely Hamilton and Christopher St John, How the Vote Was Won, J. M. Barrie, Mary Rose, politics of drama).
https://doi.org/10.1515/9783110724110
https://www.degruyter.com/document/doi/10.1515/9783110724110/html
2022
Shaw, George Bernard. Our Theatres in the Nineties. 3 vols. 1932. (Reviews from The Saturday Review, 1895-98).
Southern, Richard. "II.i. Theatres and Stages." In The Revels History of Drama in English, volume VI: 1750-1880. By Michael R. Booth et al. London: Methuen, 1975. 61-94.*
Styan, J. L. "The Victorian Theatre." In Styan, The English Stage. Cambridge: Cambridge UP, 1996. 302-37.*
Trussler, Simon. "14. The End of the Monopoly 1814-1843." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 212-26.* (The theatre and political reform. Neighbourhood playhouses. Competition in the West End. The decline of the patent theatres. Innovations in theatre design. Style in comedy. Coming of the critics. Kinds of melodrama. Extravaganzas, burlesques, burlettas, and prehistory of the music hall. The Theatres Act—and the Riot Act. The Eminent Mr Macready).
_____. "15. Towards a Respectable Theatre 1843-1871." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 228-45.* (Class, cash, and theatre. The growth of the music hall. From stock to touring. The railway age. Effects of the long run. The quest for respectability. Boucicault and Tom Taylor. Vintage years of farce. West End and neighbourhood theatre. Phelps at Sadler's Wells. The quest of 'archaeological' accuracy. Cups and Saucers Realism at the Prince of Wales).
_____. "16. The Speculative theatre 1871-1891." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 246-60.* (Popular culture, the Victorian Christmas, and the new pantomime. Music hall as big business. Political reform and economic decline. A boom in theatre building. The coming of electricity. Irving, the fashionable tragedian. Management and influence of the Lyceum. Prosperity in the West End. New laws of copyright, and harbingers of a 'new drama'. Light opera, farce, and society drama: Gilbert, Pinero, Jones, and Wilde. Critical controversy: Scott, Archer, and Bernard Shaw. Influences from abroad—and intimations of Ibsenism).
_____. "The Speculative Theatre 1871-91." (From Simon Trussler's Cambridge Illustrated History of British Theatre). In García Landa, Vanity Fea 28 Dec. 2012.*
http://vanityfea.blogspot.com.es/2012/12/the-speculative-theatre-1871-91.html
2012
_____. "17. Romance and Realism 1891-1914." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 260-77.* (From Victorian to Edwardian. The social and the intelelctual divide. The actor-managers and the vogue for romance. Actresses, the 'woman question', and the suffragette drama. The problem play and the nature of naturalism. The play-producing societies and the Vedrenne-Baker partnership. Playwrights and popularity. The self-fashioning of Bernard Shaw. Censorship, training, and organization. The repertory movement and the Irish renaissance. Approaches to Shakespeare: Tree, Benson, Poel, Barker—and Craig. Musical comedy and revue. Music hall and the arrival of cinema. From Burlesque to Revue).
_____. "Romance and Realism 1891-1914." From Simon Trussler's The Cambridge Illustrated History of British Theatre. In García Landa, Vanity Fea 31 Dec. 2012.*
http://vanityfea.blogspot.com.es/2012/12/romance-and-realism-1891-1914.html
2012
Turner, Paul. Victorian Poetry, Drama, and Miscellaneous Prose 1832-1890. Vol. XIV of The Oxford History of English Literature (orig. vol. XI part 2). Oxford: Oxford UP.
Williams, Anthony Ronald. The Representation of London in Regency and Victorian Drama (1821-1881). Lampeter: Edwin Mellen Press, 2000.
Anthologies
Ashley, Leonard R. N., ed. Nineteenth-Century British Drama: An Anthology of Representative Plays. UP of America, 1989.
Rogers, Katharine M., ed. The Meridian Anthology of 18th- and 19th-Century British Drama. Meridian / Penguin Books, 1996.
Schoch, Richard, ed. Great Shakespeareans, Vol. VI: Macready, Booth, Irving, Terry. (Great Shakespeareans, set II). London: Bloomsbury, 2011.*
Bibliographies
Nicoll, Allardyce. A Short-title Alphabetical Catalogue of Plays Produced or Printed in England from 1660-1900. Vol. 6 of A History of English Drama 1660-1900. Cambridge, 1959.
Taylor, George, ed. Trilby and Other Plays. (Victorian drama. J. B. Buckstone, Jack Shepard. Dion Boucicault, The Corsican Brothers. Tom Taylor, Our American Cousin; Paul Potter, Trilby. Oxford: Oxford UP, 1996.
Blogs
The Crushed Tragedian. Blog on 19th century theatre.
http://thecrushedtragedian.blogspot.com.es/
2012
Journals
The Dramatic Review (April 1885).
Dramatic Notes October 1882 (1883).
Nineteenth Century Theatre.
Semiannual jounal.
Ed. Jacky Bratton,
Drama, Theatre and Media Arts;
Royal Holloway College,
U of London.
Egham, Surrey TW20 OEX
E-mail: j.bratton@rhbnc.ac.uk
The Theatre 1880s, etc.
Related works
Ward, Genevieve, and Richard Whiteing. Both Sides of the Curtain. 1918.
Literature
Byron. "Dear Doctor, I Have Read Your Play." Poetry Foundation.*
https://www.poetryfoundation.org/poems/43826/dear-doctor-i-have-read-your-play
2020
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