A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
20th-century English drama
Beyer, M. Das englische Drama des 20. Jahrhunderts. Eine Motiv- und Bildgeschichtliche Untersuchung. 1996.
Bigsby, C. W. E. Contemporary Dramatists. London: St James Press, 1977.
Blamires, Harry. "Twentieth-Century Drama." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 331-52.*
Boon, R., and J. Plastow, eds. Theatre Matters. Cambridge: Cambridge UP, 1998. 126-34.
Bradby, David, Louis James and Bernard Sharratt, eds. Performance and Politics in Popular Drama: Aspects of Popular Entertainment in Theatre, Film and Television, 1800-1976. 1981.
Chothia, Jean. English Drama in the Early Modern Period, 1890-1940. (Longman Literature in English Series). Harlow (Essex): Longman, 1996.*
Eyre, Richard, and Nicholas Wright. Changing Stages: A View of British Theatre in the Twentieth Century. London: Blomsbury, 2000.
García Landa, José Angel. "British Drama 1800-1950." In García Landa, Vanity Fea 29 Dec. 2012.*
http://vanityfea.blogspot.com.es/2012/12/british-drama-1890-1950_9677.htmlj
2012
Goetsch, Paul Bauformen des modernen englischen und amerikanischen Dramas. Darmstadt: Wissenschaftliche Buchgesellschaft, 1992.
Innes, Christopher. Modern British Drama: The Twentieth Century. Cambridge: Cambridge UP, 2002.
Itzin, Catherine. Stages in the Revolution: Political Theatre in Britain since 1968. London: Eyre Methuen, 1980.
Kamm, Jürgen, ed. Twentieth-Century Theatre and Drama in English: Festschrift for Heinz Kosok on the Occasion of His 65th Birthday. Trier: Wissenschaftlicher Verlag.
Keyssar, Helene. Feminist Theatre: An Introduction to Plays of Contemporary British and American Women. New York: Grove Press, 1985.
Moody, Jane, coed. Theatre and Celebrity in Britain, 1660-2000. Basingstoke: Palgrave Macmillan, 2005.
Olivier, Laurence. Confessions of an Actor. London, 1982.
_____. Confesiones de un actor. Barcelona: Planeta, 1984.
Oppel, Horst, ed. Das englische Drama in der Gegenwart: Interpretationen. Berlin: Erich Schmidt, 1976.
Palmer, Richard H. The Contemporary British History Play. (Contributions in Drama and Theatre Studies, 81). Greenwood Press, 1998.
Sakellaridou, Elizabeth. "Interculturalism—or the Rape of the Other: Some Problems of Representation in Contemporary British Theatre." Gramma 3 (1995): 141-56.*
Simard, Rodney. Postmodern Drama: Contemporary Playwrights in America and Britain. Landham (MD): UP of America/American Theatre Association, 1984.
Spoto, Donald. Laurence Olivier: A Biography. London, 1991.
Styan, J. L. "Twentieth-Century Developments and Variations." In Styan, The English Stage. Cambridge: Cambridge UP, 1996. 360-414.*
Taylor, John Russell. Revels History of Drama in English vol. 7. London: Methuen, 1978.
Trussler, Simon. The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000.*
Ward, A. C. "Playwrights." In Ward, Twentieth-Century Literature 1901-1950. London: Methuen, 1956. 87-142.
Williams, Raymond. "Recent English Drama." In The Modern Age. Vol. 7 of The Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1961. 2nd ed. 1963. 496-509.*
Anthologies
Brewster, Yvonne, ed. Black Plays: Two. London: Methuen, 1989.
Early 20th
Borsa, Mario. The English Stage of Today. 1908.
Brown, John Russell. A Short Guide to Modern British Drama. (The National Theatre Paperback Series). London: Heinemann Educational, 1982.* (Arden, Ayckbourn, Barker, Beckett, Bolt, Bond, Brenton, Delaney, Frayn, Gray, Griffiths, Hampton, Hare, Jellicoe, Nichols, Orton, Osborne, Pinter, Poliakoff, Rudkin, Shaffer, Stoppard, Storey, Wesker, Wood).
_____. A Short Guide to Modern British Drama. Barnes and Noble, 1983.
_____, ed. Modern British Dramatists: A Collection of Critical Essays. Englewood Hills (NJ): Prentice-Hall, 1968.
Dietrich, Richard Farr. British Drama, 1890 to 1950: A Critical History. Boston: Twayne, 1989.
_____. British and Irish Drama 1890 to 1950: A Critical History. Rev. ed.
http://chuma.cas.usf.edu/~dietrich/britishdrama.htm
http://www.rfd2.net/britishdrama.htm
2012
Leverton, W. H. Through the Box-Office Window. 1932. (Wilde, etc.).
Morgan, Fidelis.The Years Between: Plays by Women on the London Stage 1900-1950. London: Virago, 1994.
Nicholson, Steve. "'Irritating Tricks': Aesthetic Experimentation and Political Theatre." In Rewriting the Thirties: Modernism and After. Ed. Keith Williams and Steven Matthews. Harlow: Addison Wesley Longman, 1997. 147-62.*
Sanders, Andrew. "Inter-war Drama: O'Casey, Coward, Priestley and Sherriff." From Andrew Sanders's Short Oxford History of English Literature. In García Landa, Vanity Fea 9 Jan. 2013.*
http://vanityfea.blogspot.com.es/2013/01/inter-war-drama-ocasey-coward-priestley.html
2013
Spanos, William V. Modern British Verse Drama and the Christian Tradition.
Trussler, Simon. "Romance and Realism 1891-1914." From Simon Trussler's The Cambridge Illustrated History of British Theatre. In García Landa, Vanity Fea 31 Dec. 2012.*
http://vanityfea.blogspot.com.es/2012/12/romance-and-realism-1891-1914.html
2012
_____. "18. The War and the Long Weekend 1914-1939." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 278-99.* (The First World War—and after. Expansion on Shaftesbury Avenue. Old dramatists, new dramatists—and directors. A scenographic renaissance. The 'other theatre'. Stratford and the Old Vic. Actors and vehicles. The cinema, the provinces, and the declining music hall. The coming of broadcasting. The autodidactic 'thirties. Amateur theatre and the one-act play. The Workers' Theatre Movement. Intimations of war and the theatrical response).
_____. "19. The Utility Theatre 1939-1956." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 300-19.* (Paradoxes of a people's war. The theatre and the blitz. ABCA, ENSA, and CEMA. The Old Vic in exile. The return of 'true repertoire'. The Arts Council, the provinces, and 'the Group' Escapism in the West End. Acting style in an age of austerity. The false dawn of poetic drama. The Festival of Britain. Radio comedy and drama, from the Archers to the Third Programme. Theatre Workshop. The little theatres in decline, Godot in waiting. New ideas in Stratford. Influences from the universities—and from abroad).
Anthologies
Hadfield, John. Introd. to Modern Plays. (Everyman's Library, 942). London: Dent; New York: Dutton. (R. C. Sherriff, Journey's End; W. Somerset Maugham, For Service Rendered; Noel Coward, Hay Fever; A. A. Milne, The Dover Road; Arnold Bennett and Edward Knoblock, Milestones).
Spender, Dale, and Carole Hayman, eds. How the Vote Was Won and Other Suffragette Plays. London: Methuen, 1985.
Internet resources
English Actors at the Turn of the Twentieth Century
http://www.siue.edu/COSTUMES/actors/pics.html
2012
Late 20th
End of drama censorship; 28 Sept. 1968.
Anderson, Michael. Anger and Detachment: A Study of Arden, Osborne and Pinter. London: Pitman, 1976.
Bennett, Stuart, ed. Theatre for Children and Young People in the UK: 50 Years of Professional Theatre in the UK. Twickenham: Aurora Metro Publications, 2005.
Berney, K. A., et al., eds. Contemporary British Dramatists. Londres, Detroit, Washington DC: St. James Press, 1994.
Bignell, Jonathan, Stephen Lacey and Madeleine McMurraugh-Kavanagh, eds. British Television Drama: Past, Present and Future. Houndmills: Macmillan, 2000.
Bigsby, C. W. E., ed. Contemporary English Drama. (Stratford-upon-Avon Studies, 19). London: Arnold, 1981.
Billington, Michael. One Night Stands. Theatre reviews.
_____. "The State of British Drama." Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultad de Filología, 1997. 3-13.*
_____. State of the Nation: British Theatre since 1945. London: Faber and Faber, 2007.
Boireau, Nicole. Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage. Basingstoke: Macmillan, 1997.
Bull, John. New British Political Dramatists.
_____. Stage Right: Crisis and Recovery in British Contemporary Mainstream Theatre. Basingstoke: Macmillan, 1994.
Cork, Kenneth (Sir). "Theatre Is for All: the Inquiry into Professional Theatre in England." London: Arts Council of Great Britain, 1986. ("Cork Report").
Craig, Sandy, ed. Dreams and Deconstructions: Alternative Theatre in Britain. Amber Lane, 1979.
De Jongh, Nicholas. Not in Front of the Audience. London: Routledge, 1992.
Devine, Harriet. Looking Back: Playwrights at the Royal Court. London: Faber and Faber, 2006.
Dutton, Richard. Modern Tragicomedy and the British Tradition: Studies in Beckett, Pinter, Albee, Stoppard and Storey. Hemel Hempstead: Harvester Wheatsheaf, 1986.
Edgar, David. State of Play: Playwrights on Playwriting. London: Faber and Faber, 1999.
Elsom, John. Post-War British Theatre. London: Routledge, 1976.
Etchells, Tim. "Diverse Assembly: Some Trends in Recent Performance." In Contemporary British Theatre. Ed. T. Shank. Basingstoke: Macmillan, 1994. 107-22.
_____. Certain Fragments: Contemporary Performance and Forced Entertainment. London: Routledge, 1999.
Eyre, Richard. Changing Stages: A View of British Theatre in the Twentieth Century.
Griffiths, Trevor R., and Margaret Llewllyn-Jones, eds. British and Irish Women Dramatists since 1958. Open UP, 1993.
Godiwala, Dimple, ed. Alternatives within the Mainstream: British Black and Asian Theatres. Newcastle: Cambridge Scholars Press, 2006.
Gottlieb, Vera, and Colin Chambers, eds. Theatre in a Cool Climate. Oxford: Amber Lane Press, 1999.
Griffin, Gabrielle. "Constitutive Subjectivities: Contemporary Black and Asian Women Playwrights in Britain." European Journal of Women's Studies 10.4 (2003): 377-94.
Hayman, Ronald. British Theatre since 1955: A Reassessment. Oxford: Oxford UP, 1979.
_____. The Set-Up: An Anatomy of English Theatre Today.
Hernández Cristóbal, Alicia. "Las implicaturas conversacionales en obras de teatro anglosajón contemporáneas y sus traducciones al español." In Current Trends in Intercultural, Cognitive and Social Pragmatics. Ed. Pilar Garcés et al. Sevilla: Research Group "Intercultural Pragmatic Studies", Universidad de Sevilla, 2004. 147-64.*
Hidalgo, Pilar. La ira y la palabra: teatro inglés actual. Madrid: Cupsa, 1974.
_____. Rev. of British Theatre since 1955 (A Reassessment), by Ronald Hayman (London: Oxford UP, 1979). Atlantis 2.1 (Dec. 1980 / Jan. 1981): 69-71.*
Hughes, David. "The Welsh National Theatre." In Contemporary British Theatre. Ed. T. Shank. Basingstoke: Macmillan, 1994. 139-65.
Keyssar, Helene. Feminist Theatre. London: Macmillan, 1984.
_____. Feminist Theatre: An Introduction to Plays of Contemporary British and American Women. New York: Grove Press, 1985.
Klein, Hildegard. "Artaud and the English 'Theatre of Cruelty'." XIV Congreso de AEDEAN. Bilbao: Servicio Editorial de la Universidad del País Vasco, 1992. 259-66.*
Lacey, Stephen. British Realist Theatre: The New Wave in Its Context 1956-1965. London: Routledge, 1995.
Ley, Graham, and Sarah Dadswell, eds. British South Asian Theatres: A Documented History. Exeter: U of Exeter P, forthcoming 2010.
McGrath, John. The Bone Won't Break: On Theatre and Hope in Hard Times. London, 1990.
Middleton, Irene Jane. "Audience Communities: Early Modern Desire in Post-1956 British Performance." Diss. Emory U, 2010.
https://etd.library.emory.edu/view/record/pid/emory%3A7s373
Orr, J. Tragicomedy and Contemporary Culture: Play and Performance from Beckett to Shepard. Macmillan.
Osborne, Deirdre. "Writing Black Back: An Overview of Black Theatre and Performance in Britain." Studies in Theatre and Performance 26.1 (2006): 13-31.
Page, Adrian, ed. The Death of the Author? Modern Drama and Literary Theory. Basingstoke: Macmillan, 1992.
Peacock, D. Keith. "Black British Drama and the Politics of Identity." In A Concise Companion to Contemporary British and Irish Theatre. Ed. Nadine Holdsworth and Mary Luckhurst. Oxford: Blackwell, 2008. 48-65.
Pinnock, Winsome. "Breaking Down the Door." In Theatre in a Cool Climate. Ed. Vera Gottlieb and Colin Chambers. Oxford: Amber Lane Press, 1999. 27-38.
Rebellato, Dan. 1956 and All That: The Making of Modern British Drama. London: Routledge, 1999.
Reitz, Bernhard. The Stamp of Humanity: Individuum, Identität, Gesellschaft und die Entwicklung des englischen Dramas nach 1956. Trier: Wissenschaftlicher Verlag Trier, 1997.
Reitz, Bernhard, and Peter Paul Schnierer, eds. Beyond the Mainstream. (German Society for Contemporary Theatre and Drama in English conference proceedings). Trier: Wissenschaftliche Verlag, 1997.
Sanders, Andrew. "The New Theatre." From Andrew Sanders's Short Oxford History of English Literature. In García Landa, Vanity Fea 14 Jan. 2013.*
http://vanityfea.blogspot.com.es/2013/01/the-new-theatre.html
2013
_____. "Drama since the 1950s." From Sanders, The Short Oxford History of English Literature. Vanity Fea 11 Jan. 2013.*
http://vanityfea.blogspot.com.es/2013/01/drama-since-1950s.html
2013
Shank, Theodore, ed. Contemporary British Theatre. Houndmills: Macmillan, 1994.
Taylor, John Russell. Anger and After: A Guide to the New British Drama. London: Methuen, 1962. 1969. 1971.
_____. Anger and After: A Guide to the New British Drama. Baltimore, 1963.
_____. Anger and After. London: Penguin-Pelican, 1963. 1966.
_____. Anger and After: A Guide to the New British Drama. London: Eyre Methuen, 1977. 1978.
Trussler, Simon. "20. Anger and Affluence 1956-1968." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 320-37.* (A political and theatrical watershed. New drama at the Royal Court. Theatre Workshop: crippled by success. The ensemble ideal, and the creation of the Royal Shakespeare Company. A National Theatre at last. Television drama. The satire boom, the 'second wave', and experimental stirrings. Civic theatres come on stream. A minister for the arts. Expectations and intimations).
_____. "22. Theatre and the Marketplace 1979-1990." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 362-77. (Politics and economics of Thatcherism. Sponsorship and the theatre. The Arts Council in the 'eighties—and some clients. Institutional and West End theatre. The decade of the musical. The international dimension. The fringe: from counter-culture to chamber theatre. Alternative comedy. Female and male: directors, actors, dramatists. Plays for changing times. Heritage as theatre, the taste for spectacle, and the curious case of karaoke. The theatre of the streets, and a cautionary tale).
Turnbull, Olivia. Bringing Down the House: The Crisis in Britain's Regional Theatres. Chicago: U of Chicago P, 2009.
Tynan, Kenneth. The Sound of Two Hands Clapping. London, 1971.
_____. The Sound of Two Hands Clapping. London, 1971.
_____. A View of the English Stage, 1944-63. Davis-Poynter, 1975.
_____. Show People. London: Weidenfeld and Nicolson, 1980. (Tom Stoppard, etc.).
Verma, Jatinder. "Cultural Transformations." In Contemporary British Theatre. Ed. Theodore Shank. Houndmills: Macmillan, 1996. 55-61.
_____. "'Binglishing' the Stage: A Generation of Asian Theatre in England." In Theatre Matters. Ed. R. Boon and J. Plastow. Cambridge: Cambridge UP, 1998. 126-34.
Wandor, Michelene. Look Back in Gender: Sexuality and the Family in Post-War British Theatre. London: Methuen, 1987.
Williams, Raymond. "New English Drama." In Modern British Dramatists: A Collection of Critical Essays. Ed. J. R. Brown. Englewood Hills (NJ): Prentice-Hall, 1968. 26-37.
Wu, Duncan. Six Contemporary Dramatists: Bennett, Potter, Gray, Brenton, Hare, Ayckbourn. Basingstoke: Macmillan, 1994. 1996.
_____. Making Plays: Interviews with Contemporary British Dramatists and Directors. Houndmills: Macmillan, 2000.
Audio
Brown, John Russell. "Up to Now: Drama." Radio talks at Radio 4, 1981.
Bibliographies
Müller, Klaus Peter. "Anthropological Perspectives in/on Contemporary Theatre and Drama in English." European English Messenger 6.2 (1997): 81-82.*
Anthologies
Lowe, Stephen, ed. Peace Plays. London: Methuen, 1985.
Societies and institutions
Contemporary British Theatre Barcelona. Research group website.
http://www.ub.edu/cbtbarcelona/
2010
See also: John Arden; Alan Ayckbourn; Howard Barker; Samuel Beckett; Caryl Churchill; David Edgar; Michael Frayn; David Hare; Sarah Kane; John Osborne, Harold Pinter; Tom Stoppard,
1960s
Garcés Conejos, Pilar. "Dialecto y lenguaje estándar en la literatura: el teatro inglés de los años 60." In Actas del X Congreso Nacional AEDEAN. Zaragoza: AEDEAN, 1988. 299-308.
_____. "La Ira y la Cortesía: Codificación lingüística del cambio social en el teatro inglés de los años 60." Ph.D. thesis. University of Valencia, 1991.
Sanders, Andrew. "Drama since the 1950s." From Andrew Sanders's The Short Oxford History of English Literature. In García Landa, Vanity Fea 11 Jan. 2013.*
http://vanityfea.blogspot.com.es/2013/01/drama-since-1950s.html
2013
1970s
Sanders, Andrew. "Drama since the 1950s." From Andrew Sanders's The Short Oxford History of English Literature. In García Landa, Vanity Fea 11 Jan. 2013.*
http://vanityfea.blogspot.com.es/2013/01/drama-since-1950s.html
2013
Trussler, Simon. "21. Alternative Theatres 1968-1979." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 338-61.* (Theatre and the 'events' of 1968. Stirrings on the fringe. The permissive society and the abolition of censorship. The Arts Lab, new spaces, and the legacy of 'cruelty'. Collective creation and environmental theatre. Into the 'seventies: agitational and political theatre. Community groups, the arts centre movement, and theatre-in-education. New writing moves into the mainstream. Joint Stock and the Royal Court. Changes at the National and the RSC. Feminist, gay, and ethnic theatre. The Arts Council in a changing climate).
Anthologies
La Tempa, Susan, ed. New Plays by Women. Shameless Hussy Press, 1979.
1980s
Goodman, Lizbeth. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre."In Cross-Cultural Peformances: Differences in Women's Re-Visions of Shakespeare. Ed. Marianne Novy. Urbana: U of Illinois P, 1993. 202-26.
_____. "Women's Alternative Shakespeares and Women's Alternatives to Shakespeare in Contemporary British Theatre." In Shakespeare, Feminism, and Gender: Contemporary Critical Essays. Ed. Kate Chedgzoy. (New Casebooks). Houndmills: Palgrave, 2001. 70-92.*
MacLennan, Elizabeth. The Moon Belongs to Everyone: Making Theatre With 7:84. London: Methuen, 1990.
Sakellaridou, Elizabeth. "Interculturalism —or the Rape of the Other: Some Problems of Represemtation in Contemporary British Theatre." Gramma, vol. 3 (1995): 141-56.*
Trussler, Simon. "22. Theatre and the Marketplace 1979-1990." In Trussler, The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1994. pbk 2000. 362-77. (Politics and economics of Thatcherism. Sponsorship and the theatre. The Arts Council in the 'eighties—and some clients. Institutional and West End theatre. The decade of the musical. The international dimension. The fringe: from counter-culture to chamber theatre. Alternative comedy. Female and male: directors, actors, dramatists. Plays for changing times. Heritage as theatre, the taste for spectacle, and the curious case of karaoke. The theatre of the streets, and a cautionary tale).
_____. "Chapter 22: Theatre and the Marketplace (1979-90)." From The Cambridge Illustrated History of British Drama. Online at Vanity Fea 7 Jan. 2014.*
http://vanityfea.blogspot.com.es/2014/01/theatre-and-marketplace.html
2014
Verma, Jatinder. "Cultural Transformations." In Contemporary British Theatre. Ed. Theodore Shank. Basingstoke: Macmillan, 1994. 55-61.
Zozaya, Pilar. Contemporary British Drama (1980-1986). Barcelona: PPU, 1989.
Anthologies
Harwood, Kate, ed. First Run: New Plays by New Writers. 2 vols. Nick Hern.
Miles, Julia, ed. The Women's Project: Seven New Plays by Women. PAJ Publications, 1980.
_____, ed. The Women's Project 2: Five Plays by Women. PAJ Publications, 1984.
_____, ed. Women Heroes: Six Short Plays from the Women's Project. Applause, 1987.
Peacock, David Keith. Thatcher's Theatre: British Theatre and Drama in the Eighties. London: Greenwood Press, 1999.
Plays: Introduction. Plays by New Writers. London: Faber, 1984.
Whybrow, Graham, introd. Modern Drama: Plays of the '80s and '90s: Top Girls Caryl Churchill; Hysteria Terry Johnson; Blasted Sarah Kane; Shopping&F***ing Mark Ravenhill; TheBeauty Queen, Martin McDonagh. London: Methuen Drama, 2001.
1990s-2000s
Aragay, Mireia, and Pilar Zozaya. "The State of British Theatre Now: An Interview with Michael Billington." Atlantis 26.1 (June 2004): 89-100.*
Aragay, Mireia, Hildegard Klein, Enric Monforte, and Pilar Zozaya, eds. British Theatre of the 1990s: Interviews with directors, playwrights, critics and academics. Basingstoke and New York: Palgrave Macmillan, 2007. (I, Directors: Stephen Daldry, Ian Rickson, Max Stafford-Clark; II, Playwrights: Neil Bartlett, Martin Crimp, Kevin Elyot, Joe Penhall, Mark Ravenhill; III, Critics: Michael Billington, Nicholas de Jongh, Aleks Sierz; IV, Academics: Dan Rebellato, Graham Saunders, Alan Sinfield).
D'Monté, Rebecca, and Graham Saunders, eds. Cool Britannia? British Political Drama in the 1990s. Houndmills: Palgrave Macmillan, 2008.
Eldridge, David. "In-yer-face and After." Studies in Theatre and Performance 23.1 (2003): 55-8.
Godiwala, Dimple. "Editorial Introduction: Alternatives within the Mainstream: British Black and Asian Theatre." Studies in Theatre and Performance 26.1 (2006): 3-12.
Klein, Hildegard. "La nueva estética en la escena londinense al final del milenio: un teatro experimental y provocador." In De habitaciones propias y otros espacios conquistados: Estudios sobre mujeres y literatura en lengua inglesa en homenaje a Blanca López Román. Ed. Margarita Carretero González, Mª Elena Rodríguez Martín and Gerardo Rodríguez Salas. Granada: Servicio de Publicaciones de la Universidad de Granada, 2006.
Klein, Hildegard (coord.), Clara Escoda, Mª Isabel Seguro, Verónica Rodríguez. "The Politics of Re-reading/rewriting in Contemporary British Theatre." In At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference, UAB/Barcelona 14-16 November 2011. Ed. Sara Martín et al. Barcelona: Departament de Filologia Anglesa i de Germanística, U Autònoma de Barcelona / AEDEAN, 2012. 238-241.*
http://www.aedean.org/pdf_atatimecrisis/AtaTimeofCrisis_AEDEAN35_portada.pdf
2012
Kritzer, Amelia H. Political Theatre in Post-Thatcher Britain, 1995-2005. Houndmills: Palgrave Macmillan, 2007.
Ravenhill, Mark. "A Tear in the Fabric: The James Bulger Murder and New Theatre Writing in the 'Nineties'." New Theatre Quarterly 20.4 (2004): 304-14.
Rebellato, Dan. British Drama and Globalization: Ethics and Aesthetics in Contemporary Playwriting. Forthcoming 2007.
Sakellaridou, Elizabeth. "Exporting an Aesthetic, Importing Another? Experimental (Ad)ventures in Contemporary British Theatre." Gramma/Gramma 10 (2002): 157-70.*
Sierz, Aleks. In-Yer-Face Theatre: British Drama Today. London: Faber and Faber, 2001.
_____. "'We All Need Stories': The Politics of In-Yer-Face Theatre." In Cool Britannia? British Political Drama in the 1990s. Ed. Rebecca D'Monté and Graham Saunders. Houndmills: Palgrave Macmillan, 2008. 23-37.
Starck, Kathleeen. "'Black and Female Is Some of Who I Am and I Want to Explore It': Black Women's Plays of the 1980s and 1990s." Studies in Theatre and Performance 26.1 (2006): 49-67.
Urban, Ken. "Towards a Theory of Cruel Britannia: Coolness, Cruelty, and the 'Nineties'." New Theatre Quarterly 20.4 (2004): 3544-72.
Wu, Duncan. Making Plays: Interviews with Contemporary British Dramatists and Directors. New York: St Martin's Press, 2000.
Anthologies
Cadija, George, ed. Six Plays by Black and Asian Women Writers. Aurora Metro, 1993.
Fitzsimmons, Linda, and Viv Garner, eds. New Woman Plays. London: Methuen, 1991.
Lloyd, Matthew, ed. First Run 3: New Plays by New Writers. Nick Hern, 1991.
Sierz, Aleks, ed. The Methuen Drama Book of 21st Century British Plays: Blue/Orange; Elmina's Kitchen; Realism; Gone Too Far!; Pornography. London: Methuen Drama, 2010.
Smith, Marisa, ed. Women Playwrights: Best Plays of 1993. Smith and Kraus, 1994.
Whybrow, Graham, introd. Modern Drama: Plays of the '80s and '90s: Top Girls Caryl Churchill; Hysteria Terry Johnson; Blasted Sarah Kane; Shopping&F***ing Mark Ravenhill; TheBeauty Queen, Martin McDonagh. London: Methuen Drama, 2001.
Internet resources
"London Theatre News." Electronic journal.
http://www.londontheatre.co.uk/online/indexnoframe.html
30/10/97
Theatre and Dance directory, British Council.
www.theatredance.britishcouncil.org/
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