A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Women and Narrative Fiction
Female characters in fiction
Women novelists
Female characters in fiction
Abel, Elizabeth, Marianne Hirsch, and Elizabeth Langland, eds. The Voyage In: Fictions of Female Development. Hanover and London: UP of New England / Dartmouth College, 1983.
Aguilar Osuna, Juan Jesús. "The Making of the Woman Novelist in the British Post-War Novel Written by Women: Jean Rhys, Penelope Lively and A. S. Byatt." In AEDEAN: Proceedings of the 23rd International Conference (León, 16-18 de diciembre, 1999). CD-ROM. León: AEDEAN, 2003.*
Albrinck, Meg. "Borderline Women: Gender Confusion in Vera Brittain's and the Evadne Price's War Narrative." Narrative 6.3 (October 1998): 271-291.
Alvarez, Carolyn. "The Power of Female Agency and Sexuality in Aphra Behn's Oroonoko." Online at Carolyn Alvarez.*
2019
Álvarez Calleja, María Antonia. "The Theme of the New Woman in Turn-of-the- Century American Literature." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*
Ardisson, Aude. Gender and Caste in the Anglophone-Indian Novels of Arundhati Roy and Githa Hariharan: Feminist Issues in Cross-Cultural Perspectives. Edwin Mellen Press, 2005.
Ayres, Brenda. Dissenting Women in Dickens's Novels: The Subversion of Domestic Ideology. Greenwood P, 1998.
Baines, Pilar. "She Lures, She Guides, She Quits: Female Characters in Tim Winton's The Riders." Journal of English Studies 8 (2010): 7-22.*
Bal, Mieke. Lethal Love: Feminist Literary Readings of Biblical Love Stories. Bloomington: Indiana UP, 1987.*
Ballesteros González, Antonio. "Confesiones femeninas: Menchu y Molly frente a Mario y Leopold." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*
Barr, Marleen S., ed. Future Females. 1981.
Banerjee, Jacquelin. "Girls' Education and the Crisis of the Heroine in Victorian Fiction." English Studies. A Journal of English Language and Literature 75.1-6 (1994).*
Barros del Río, María Amor. "'Heroines Don't Have to Be Good Anymore': Figuras femeninas en las narrativas irlandesa y española de mediados de siglo." In AEDEAN: Proceedings of the 23rd International Conference (León, 16-18 de diciembre, 1999). CD-ROM. León: AEDEAN, 2003.*
Bellini, Giuseppe. "De Amalia a Santa: Una tipología de la mujer en la novela costumbrista-romántica y real-naturalista." Analecta Malacitana 23.2 (2000): 453-70.*
Bilston, Sarah. The Awkward Age in Women's Popular Fiction, 1850-1900: Girls and the Transition to Womanhood. (Oxford English Monographs). Oxford: Oxford UP, 2004.
Blake, Kathleen. "Middlemarch and the Woman Question." Nineteenth-Century Fiction 31 (1977): 285-312.
_____. "Pure Tess: Hardy on Knowing a Woman." Studies in English Literature 12 (1982).
Blauman, Wendy. "Identidad de Mujer en la obra Tan lejos de Dios de Ana Castillo." Chasqui 40.1 (May 2011).
Brownstein, Rachel Mayer. Becoming a Heroine.
Bouckaert-Ghesquiére, Rita. "Cinderella and Her Sisters." Poetics Today 13.1 (1992): 85-96.*
Calder, Jenni. Women and Marriage in Victorian Fiction. New York: Oxford UP, 1976.
Caldwell, Patrice. "Earth Mothers or Male Memories: Wilhelm, Lem, and Future Women." In Women Worldmakers: New Dimensions of Science Fiction and Fantasy. Ed. Jane B. Weedman. Lubbock: Texas Tech P, 1985. 59-70.*
Calero Fernández, M. A., ed. La imagen de la mujer en la literatura. 1996.
Case, Alison. "Tasting the Original Apple: Gender and the Struggle for Narrative Authority in Dracula." Narrative 1.3 (1993): 223-243.*
Christ, Birte. Modern Domestic Fiction: Popular Feminism, Mass-Market Magazines and Middle Class Culture, 1905-1925. 2012.
Christian, Barbara T. "Images of Black Women in Afro-American Literature: From Stereotype to Character." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 690-711.*
Colby, Vineta. The Singular Anomaly: Women Novelists of the Nineteenth Century. New York: New York UP; London: London UP, 1970.
Concha, Ángeles de la. "Literary Representations of the Female Body as Dialectical Locus of Female Identity." Paper read at the conference on "Identity and Diversity: Philosophical/Philological Reflections." Madrid: UNED, Oct. 9-10, 2003.*
_____. "The body as Discursive Locus of Female Identity." In Interculturalism: Between Identity and Diversity. Ed. Beatriz Penas Ibáñez and Mª Carmen López Sáenz. Bern: Peter Lang, 2006. 189-206.*
Copeland, Edward. "Fictions of Employment: Jane Austen and the Woman's Novel." Studies in Philology 85.1 (Winter 1988), 85(1): 116.
Cornillon, Susan Koppelman, ed. Images of Women in Fiction. Bowling Green, 1972.
Cunningham, Gail. The New Woman in Victorian Fiction. London: Macmillan, 1978.
Curti, Lidia. Female Stories, Female Bodies: Narrative, Identity and Representation. (Communications and Culture). Houndmills: Macmillan, 1998.
Dilley, Kimberly J. Busybodies, Meddlers, and Snoops: The Female Hero in Contemporary Women's Mysteries. (Contributions in Women's Studies, 166). Westport (CT): Greenwood Press, 1998.*
Domínguez Rué, Emma. "From Pedestal to Paralysis: the Tradition of the Genteel Woman in Ellen Glasgow's Virginia." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.*
Doody, Margaret Anne. "Deserts, Ruins and Troubled Waters: Female Dreams in Fiction and the Development of the Gothic Novel." In The English Novel: vol. 2. Smollett to Austen. Ed. Richard Kroll. Harlow: Addison Wesley Longman, 1998. 55-94.*
Estévez Saá, Margarita. "A Vindication of the Female Character in James Joyce's Fiction." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*
_____. "La identidad femenina en Ulysses: 'yes so we are flowers all'." In Fifty Years of English Studies in Spain […] Actas del XXVI Congreso de AEDEAN, ed. Ignacio Palacios et al. Santiago de Compostela: U de Santiago de Compostela, 2003. 249-55.*
Fisher, Jerilyn, ed. Women in Literature: Reading through the Lens of Gender. Westport: Greenwood, 2003.
Fisher, Jerilyn, and Ellen S. Silber. "Fairy Tales, Feminist Theory, and the Lives of Women and Girls." In Analyzing the Different Voice: Feminist Psychological Theory and Literary Texts. Oxford: Rowman & Littlefield, 1998. 67-95.
Franz, M. von. "Lecture I from Problems of the Feminine in Fairy Tales." In. Psychoanalysis and Woman: A Reader. Ed. Shelley Saguaro. Houndmills: Macmillan, 2000.
García Landa, José Ángel. "The Chains of Semiosis: Semiotics, Marxism, and the Female Sterotypes in The Mill on the Floss." Papers on Language and Literature 27.1 (Edwardsville, Illinois, 1991): 32-50.* http://www.siue.edu/PLL/
_____. "The Chains of Semiosis: Semiotics, Marxism, and the Female Stereotypes in The Mill on the Floss." iPaper at Academia.edu 19 July 2010.*
2010
_____. "The Chains of Semiosis: Semiotics, Marxism, and the Female Stereotypes in The Mill on the Floss." Online PDF at Social Science Research Network 19 July 2010.*
http://ssrn.com/abstract=1645219
2010-07-19
Gavin, Adrienne. "Living in a World of Make-Believe: Fantasy, Female Identity, and Modern Short Stories by Women in the British Tradition." In Postmodern Approaches to the Short Story. Ed. Farhat Iftekharrudin et al. Westport (CT) and London: Praeger, 2003.
Goatly, Andrew. "Chapter 8: Fiction and Feminism." In Goatly, Critical Reading and Writing: An Introductory Coursebook. London: Routledge, 2000. 215-44.*
González Reyes, Alba Hortencia. "La creación de representaciones femeninas en el campo de la literatura mexicana de finales del siglo XIX: La violencia simbólica en el discurso estético." 2002. Online at Academia.*
https://www.academia.edu/62034376/
2022
https://www.academia.edu/94192293/
2022
González González, Marta. "Mujeres, niñas cándidas." Nueva Revolución 16 Nov. 2016.*
http://nuevarevolucion.es/cultura-mujeres-ninas-candidas/
2016
González Groba, Constante, ed. Hijas del viento sur: La mujer en la literatura femenina del Sur de los Estados Unidos. (Biblioteca Javier Coy). València: Publicacions de la Universitat de València, 2012.
González Reyes, Alba Hortencia. "La creación de representaciones femeninas en el campo de la literatura mexicana de finales del siglo XIX: La violencia simbólica en el discurso estético." 2002. Online at Academia.*
https://www.academia.edu/62034376/
2022
Gottschall, Jonathan. "24. Homeric Women: Re-imagining the Fitness Landscape." 2008. In Evolution, Literature and Film: A Reader. Ed. Brian Boyd, Joseph Carroll and Jonathan Gottschall. New York: Columbia UP, 2010. 289-305.*
Greco, Diane M. "Machine Dreams and Cyborg Visions: The Female Self in Cyberpunk Science Fiction." Brown University honors thesis, 1992.
Gubar, Susan. "The Birth of the Artist as Heroine." In The Representation of Women in Fiction. Ed. Carolyn G. Heilbrun and Margaret R. Higonnet. Baltimore: Johns Hopkins UP, 1983.
Guill, Stacey. "Pilar and Maria: Hemingway's Feminist Homage to the 'New Woman of Spain' in For Whom the Bell Tolls." Hemingway Review 30.2 (Spring 2011): 7-20.*
Hanabusa, Miyuki. "L-bungaku, Oshigoto Shosetsu, and Wa-mama Shosetsu: Chick Lit in Contemporary Japanese Sociocultural Contexts." In Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction. Ed. Irene Pérez Fernández and Carmen Pérez Ríu. Bern: Peter Lang, 2022. 245-64.*
Hanson, Clare. Hysterical Fictions: The 'Woman's Novel' in the Twentieth Century. Houndmills: Macmillan, 2000.
Heilbrun, Carolyn G., and Margaret R. Higonnet, eds. The Representation of Women in Fiction. Baltimore: Johns Hopkins UP, 1983.
Heilmann, Ann. New Woman Fiction: Fin-de-Siècle Feminism. Houndmills: Macmillan, 2000.
Hetényi, Zsuzsa. "Mifologicheskiie paradigmy zhenstvennogo: obshchennie mezhdu zemnym i nebesnym v Lolite Nabokova. Sinkreticheskii erotext Nabokova 3." In L'ordre du chaos - le chaos de l'ordre: Hommages à Leonid Heller. Ed. Andrei Dobritsyn, Ekaterina Velmezova. Bern-Berlin-Bruxelles-Frankfurt am Main-New York-Oxford-Wien: Peter Lang, 2010. 225-233. ("Mythical paradigms of femininity: transitions between earthly and heavenly in Nabokov's Lolita").
Hirai, Masako. Sisters in Literature: Female Sexuality in Antigone, Middlemarch, Howards end and Women in Love. Houndmills: Macmillan, 1998.
Howe, Linda. "Narratives of Survival." Literary Review 26 (1982): 177-84.
Humble, Nicola. The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism. Oxford: Oxford UP, 2001. pbk 2004.
Humble, Nicola, and Kimberley Reynolds. Victorian Heroines: Representations of Femininity in Nineteenth Century Literature and Art. Hemel Hempstead: Harvester Wheathsheaf, 1993.
Ibeas Vuelta, Nieves. "La imagen de la mujer en la novela de evasión en Francia: 1970-1985." Ph.D. diss. Universidad de Zaragoza, 1990.
Iftekharuddin, Farhat. "Body Politics: Female Dynamics in Isabel Allende's The Stories of Eva Luna." In Short Story Theories: A Twenty-First-Century Perspective. Ed. Viorica Patea. Amsterdam and New York: Rodopi, 2012.
Irons, Glenwood. "7. New Women Detectives: G Is for Gender-Bending." In Gender, Language, and Myth: Essays on Popular Narrative. Ed. Glenwood Irons. Toronto, Buffalo, London: U of Toronto P, 1992. 127-41.*
Jurich, Marilyn. Sheherazade's Sisters: Trickster Heroines and Their Stories in World Literature. Greenwood Press, 1998.
Kaur, Surinder. "Body and Essence: Gender as Camouflage in Jeanette Winterson's Novel The Passion." Journal of Literary Aesthetics 3.2 (July-Dec. 2016).
https://www.academia.edu/32595409/
2020
Klaus, Patricia Otto. "Women in the Mirror: Using Novels to Study Victorian Women." In The Women of England from Anglo-Saxon Times to the Present. Ed. Barbara Kanner. Hamden, 1979.
Knoepflmacher, U. C. Ventures into Childland: Victorians, Fairy Tales, and Femininity. Chicago: U of Chicago P, c. 1998.
Labovitz, Esther K. "The Female Bildungsroman in the Twentieth Century: A Comparative Study." DAI 43 (1983): 2341-2.
_____. The Myth of the Heroine: The Female Bildungsroman in the 20th Century: Dorothy Richardson, Simone de Beauvoir, Doris Lessing, Christa Wolf. New York: Lang, 1986.
Lanser, Susan Sniader. "Toward a Feminist Narratology." Style 20.3 (1986): 341-63.
_____. "Shifting the Paradigm: Feminism and Narratology." Style 22.1 (1988): 52-60.
_____. Fictions of Authority: Women Writers and Narrative Voice. Ithaca (NY): Cornell UP, 1992.*
_____. Fictions of Authority: Women writers and Narrative Voice. Ithaca: Cornell UP, 1992. Online preview at Google Books:
https://books.google.es/books?id=gv7wNsrH8pAC
2024
Ledger, Sally. New Woman: Fiction and Feminism at the Fin de Siècle. Manchester: Manchester UP, 1997.
Lehnert, Gertrud. "The Training of the Shrew: The Socialization and Education of Young Women in Children's Literature." Poetics Today 13.1 (1992): 109-122.*
Liang, Ying. "Female Body in the Postmodern Science Fiction." Theory and Practice in Language Studies 5.10 (Oct. 2015): 2037-2045.
http://dx.doi.org/10.17507/tpls.0510.09
http://www.academypublication.com/ojs/index.php/tpls/article/viewFile/tpls051020372045/420
2019
_____. "Female Body in the Postmodern Science Fiction." Theory and Practice in Language Studies 5.10 (London, 2016): 2037-2045. Online at ProQuest.*
http://search.proquest.com/docview/1728664375
2017
Online at Academia.*
https://www.academia.edu/18395108/
2020
Lieberman, Marcia R. "Sexism and the Double Standard in Literature." In Images of Women in Fiction. Ed. Susan Koppelman Cornillon. Bowling Green, 1972.
_____. "'Some Day My Prince Will Come': Female Acculturation Through the Fairy Tale." College English 34 (1972).
Lohrey, Amanda. "The Liberated Heroine: New Varieties of Defeat?" Meanjin 38 (1979): 294-304.
Marcus, Jane. "Liberty, Sorority, Misogyny." In Representation of Women in Fiction. Ed. Heilbrun and Higonnet.
Marsh, Kelly A. The Submerged Plot and the Mother's Pleasure from Jane Austen to Arundhati Roy. Athens: Ohio State U, 2016.
Martín Alegre, Sara. "Mujeres en la literatura de ciencia ficción: Entre la escritura y el feminismo." Dossiers Feministes 14 (2010): 108-28.*
https://dialnet.unirioja.es/descarga/articulo/4123862.pdf
2022
Massé, Michelle A. In the Name of Love: Women, Masochism, and the Gothic. Ithaca (NY): Cornell UP, 1992.
Miller, Jane Eldridge. Rebel Women: Feminism, Modernism, and the Edwardian Novel. London: Virago, 1994.
Miller, Nancy K. The Heroine's Text: Readings in the French and English Novel, 1722-1782. New York: Columbia UP, 1980. (Defoe, 3-20).
Millett, Kate. Sexual Politics. New York: Avon Books, 1969.
_____. Sexual Politics. Garden City: Doubleday, 1970.
_____. Sexual Politics. London: Hart-Davis, 1971.
_____. Sexual Politics. London: Virago, 1977.
_____. Política sexual. Trans. A. M. Bravo García. México: Aguilar, 1975.
Modleski, Tania. Loving with a Vengeance: Mass-Produced Fantasies for Women. 1982. New York: Routledge, 1990.
_____. Old Wives' Tales and Other Women's Stories. New York: New York UP, 1998.*
Montesdeoca Cubas, María del Pino. "Reexamining Canons of Femininity: Zadie Smith's On Beauty." In The Painful Chrysalis: Essays on Contemporary Cultural and Literary Identity. Ed. Juan Ignacio Oliva. Bern: Peter Lang, 2011. 101-16.*
Munt, Sally Rowena. Murder by the Book? Feminism and the Crime Novel. London: Routledge, 1994.
Muñoz, Willy O. El personaje femenino en la narrativa de escritoras hispanoamericanas. Madrid, 1992.
Newton, Judith Lowder. "Power and the Ideology of 'Women's Sphere'." From Women, Power, and Subversion: Social Strategies in British Fiction, 1778-1860. 1981. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 880-95.*
Ng, Wendy. "Critique of Political Ideologies by Foregrounding Absurdity in Speculative Fiction: Sheri S. Tepper's The Gate to Women's Country and Margaret Atwood's The Handmaid's Tales." M.A. diss. U of Singapore.*
https://www.academia.edu/20402214/
2020
Page, Ruth E. "A Voice of her Own: A Stylistic Analysis of Women's Voices in Jane Eyre, To the Lighthouse and Bridget Jones's Diary" (Proceedings of the ICSS conference, Beijing).
Patai, Daphen. "When Women Rule: Defamiliarisation in the Sex-Role Reversal Utopia." Extrapolation 23 (1982): 56-69.
Pathy-Chávez, G. Genevieve, Lindsay Clare and Madeleine Youmans. "Watery passion: the struggle between hegemony and sexual liberation in erotic fiction for women." Discourse and Society 7.1 (1996): 77-106.*
Pérez Vides, Auxiliadora. Sólo ellas: familia y feminismo en la novela irlandesa contemporánea. Huelva: Servicio de Publicaciones de la Universidad de Huelva, 2003.
Pollak, Ellen. "8. Gender and Fiction in Moll Flanders and Roxana." In The Cambridge Companion to Daniel Defoe. Ed. John Richetti. Cambridge: Cambridge UP, 2008. 139-57.*
Pratt, Annis. "The Novel of Development." In Pratt, Archetypal Patterns in Women's Fiction. Brighton, 1982.
Radway, Janice A. Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: U of North Carolina P, 1984.
_____. Reading the Romance: Women, Patriarchy, and Popular Literature. 1984. London: Verso, 1987. 1994.
Ray, Sangeeta. En-Gendering India: Woman and Nation in Colonial and Postcolonial Narratives. Durham (NC): Duke UP, 2000.
Reynal, Vicente. Las mujeres del Arcipreste de Hita: Arquetipos femeninos medievales. Barcelona: Puvill, 1993.
Richardson, Angelique, and Chris Willia, eds. The New Woman in Fiction and Fact: Fin-de-Siècle Feminism. Houndmills: Macmillan, 2000. (Sarah Grand, The Heavenly Twins, novel, etc.).
Robbins, Ruth. Literary Feminisms. (Transitions). Houndmills: Macmillan, 1999.
Rossell, Anna. "La construcción del vacío femenino en Effi Briest y La Regenta." Tropelías 7/8 (1996/97 [issued 1999]): 363-8.*
Russ, Joanna. "Amor Vincit Foeminam: The Battle of the Sexes in Science Fiction." Science-Fiction Studies 7 (1980): 2-15.
Sánchez Mosquera, Ana María. "Blurred Contours: An Attempt to Deconstruct the Female Character in Books I and III of Edmund Spenser's The Faerie Queene." SEDERI VII. Ed. S. G. Fernández-Corugedo et al. Coruña: SEDERI, 1996. 159-64.*
Sánchez-Palencia Carazo, Carolina. El discurso femenino de la novela rosa en lengua inglesa. (Textos y Estudios de Mujeres). Cádiz: Publicaciones de la Universidad de Cádiz, 1997.*
Sanderson, Rena. "Women in Fitzgerald's Fiction." The Cambridge Companion to F. Scott Fitzgerald. Ed. Ruth Prigozy. Cambridge: Cambridge UP, 2002. 143-63.
Santaulària i Capdevila, Isabel. "'He Comes Back Badder and Bigger than Ever!': Adapting the Masculine and Negotiating the Feminine in Treasure-Hunting Adventure Narratives." Links and Letters 8 (2001) [issued Nov. 2002]: 83-94.*
Saxton, Ruth O., ed. The Girl: Constructions of the Girl in Contemporary Fiction by Women. Houndmills: Macmillan, 1998.
Sceats, Sarah, and Gail Cunningham, eds. Image & Power: Women in Fiction in the Twentieth Century. London: Longman, 1996.*
Schmid, Susanne. Jungfrau und Monster: Frauenmythen im englischen Roman der Gegenwart. Berlin: ESV, 1996.
Schröter, Felix. "Sworn Swords and Noble Ladies: Female Characters in Game of Thrones Video Games." From Women of Ice and Fire: Gender, Game of Thrones, and Multiple Media Engagements. 2016. Online at Academia.*
https://www.academia.edu/46914090/
2022
Seidel, Kathryn Lee. The Southern Belle in the American Novel. Tampa: U of South Florida P, 1985.
Singh, Sushila, ed. Feminism and Recent Fiction in English. New Delhi: Prestige, 1991.
Small, Helen. Love's Madness: Medicine, the Novel, and Female Insanity, 1800-1865. Oxford: Clarendon Press, 1996.
Solhaug, Sigrid Ingeborg. "The Fantastic Identity: De/constructing the Feminine Hero in Philip Pullman's The Golden Compass." Nordlit 23 (2008 – Arktiske Diskurser II).*
https://septentrio.uit.no/index.php/nordlit/article/view/1348
2020
Stephen, James Fitzjames. "Madame Bovary." The Saturday Review (1857).
Thomas, Jane. Thomas Hardy, Femininity and Dissent: Reassessing the 'Minor' Novels. Houndmills: Macmillan, 1998l.
Todd, Janet. Feminist Literary History: A Theoretical Analysis of Narrative Fiction. London: Routledge, 1988.
_____. Feminist Literary History. Cambridge: Polity Press, 1991.
Torras Francés, Meri. Tomando cartas en el asunto: Las amistades peligrosas de las mujeres con el género epistolar. Zaragoza: Prensas Universitarias de Zaragoza, 2001.
Tosi, Laura. "Smart Princesses, Clever Choices: The Deconstruction of the Cinderella Paradigm and the Shaping of Female Cultural Identity in Adult and Children's Contemporary Rewritings of Fairy Tales." Miscelánea 24 (2001- issued 2003): 93-106.*
Trilling. "The Liberated Heroine." Partisan Review 45 (1978).
Thyvaert, Janne. "The Sexual Construction of Male and Female Characters in Aphra Behn's Oroonoko, or the Royal Slave." Paper presented at the University of Ghent.*
https://lib.ugent.be/fulltxt/RUG01/002/213/066/RUG01-002213066_2015_0001_AC.pdf
2019
Updike, John. "The Sinister Sex." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 22-30.*
Villard, Léonie. La Femme anglaise au XIXe siècle et son évolution d'après le roman anglais contemporain. Paris: Didier, 1920.
Villegas López, Sonia. Mujer y religión en la narrativa anglófona contemporánea. Huelva: Universidad de Huelva, 1999. (Atwood's The Handmaid's Tale, Jane Rogers's Mr Wroe's Virgins, 1991).
Visa, Mariona, Erica Briones and Maria Carme Figuerola, eds. La maternidad en la ficción contemporánea. Bern: Peter Lang, 2020.
https://www.peterlang.com/view/title/71989
2020
Walker, N. A. "Reformers and Young Maidens: Women and Virtue in Adventures of Huckleberry Finn." In Mark Twain: Adventures of Huckleberry Finn. Ed. Gerald Graff. (Case Studies in Contemporary Criticism). Basingstoke: Palgrave Macmillan, 2004.
Warhol, Robyn. Gendered Interventions: Narrative Discourse in the Victorian Novel. New Brunswick: Rutgers UP, 1990.
Warner, Marina. Joan of Arc: The Image of Female Heroism. Essay.
_____. From the Beast to the Blonde: On Fairy Tales and their Tellers. London: Chatto, 1994.
_____. From the Beast to the Blonde: On Fairy Tales and Their Tellers. London: Vintage, 1995.
Waugh, Patricia. "From Modernist Textuality to Feminist Sexuality: Or Why I'm No Longer A-Freud of Virginia Woolf." In Waugh, Feminine Fictions: Revisiting the Postmodern. London: Routledge, 1989. 88-125.*
Weisser, Susan Ostrov. Women and Sexual Love in the British Novel, 1740-1880: A 'Craving Vacancy'. Basingstoke: Macmillan, 1996.
Williams, Lynn F. "'Great Country for Men and Dogs, but Tough on Women and Mules': Sex and Status in Recent Science Fiction Utopias." In Women Worldmakers: New Dimensions of Science Fiction and Fantasy. Ed. Jane B. Weedman. Lubbock: Texas Tech P, 1985. 223-36.*
Willis, Chris. "The Female Moriarty: The Arch-Villainess in Victorian Popular Fiction." In The Devil Himself: Villainy in Detective Fiction and Film. Ed. Stacy Gillis and Philippa Gates. Westport (CT): Greenwood Press, 2002. 57-68.*
Wittke, G. Female Initiation in the American Novel. 1991.
Wolmark, Jenny. Aliens and Others: Science Fiction, Feminism and Postmodernism. New York: Harvester Wheatsheaf, 1993.
Woolf, Virginia. "Men and Women." Rev. of Léonie Villard's La Femme anglaise au XIXe siècle et son évolution d'après le roman anglais contemporain. Paris: Didier, 1920. TLS 18 March 1920. Rpt. in Woolf, A Woman's Essays. London: Penguin, 1992. 18-20.
_____. "Women and Fiction." 1929. In Woolf, Collected Essays vol. 3.
Yoshimura, Eri.
ヴィクトリア朝理想の女性像へのジョージ・エリオットの挑戦--『フロス河の水車場』のマギーの場合 (特集 ジェンダー平等への課題) [George Eliot's resistance to the Victorians' ideal woman: Maggie Tulliver in The Mill on the Floss — in Japanese]. 含 英語文要旨 [Women's Studies Forum, Kobe College] 25 (March 2011): 147-62.*
http://doi.org/10.18878/00002418
2016
Anthologies
Carter, Angela, ed. Wayward Girls and Wicked Women. London: Virago, 1986.
Ena Bordonada, Ángela, ed. Novelas breves de escritoras españolas 1900-1936. Madrid: Castalia, 1990.
Ewell, Barbara C., and Pamela Glenn Menke, eds. Southern Local Color: Stories of Region, Race, and Gender. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002.*
Molina Foix, J. A., ed. La Eva fantástica. Madrid: Siruela, 1996.
See also Women novelists; Feminist fiction; Women's studies.
Women novelists and writers of fiction
Alexander, Flora. Contemporary Women Novelists. London: Hodder and Stoughton, 1989.
Andrés González, Rodrigo, Angels Carabí Ribera and Cristina Alsina Risquez. Hombres soñados por escritoras de hoy: Figuras masculinas en la literatura norteamericana. Málaga: U de Málaga, 2009.
Ardis, Ann. New Women New Novels. New Brunswick (NJ): Rutgers UP, 1990.
Armitt, Lucie. Contemporary Women's Fiction and the Fantastic. Houndmills: Macmillan, 2000.
Auerbach, Nina. Communities of Women: An Idea in Fiction. Cambridge (MA): Harvard UP, 1978.
Auerbach, Nina, and U. C. Knoepflmacher, eds. Forbidden Journeys: Fairy Tales and Fantasies by Victorian Women Writers. Chicago: U of Chicago P, 1992. Rev. in English Literature in Transition 37.4 (1994).
Barr, Marleen S. Lost in Space: Probing Feminist Science Fiction and Beyond. Chapel Hill: U of North Carolina P, 1993.
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Weever, Jacqueline de. Mythmaking and Metaphor in Black Women's Fiction. (Reviewed by Chidi Okonkwo) In Textual Practice 8.2 (1994).*
Wheeler, Kathleen, ed. A Critical Guide to 20th Century Women Novelists. Oxford: Blackwell, 1998.
Winship, Michael. "Hawthorne and the 'Scribbling Women': Publishing The Scarlet Letter in the Nineteenth-Century United States." Studies in American Fiction 29.2 (Spring 2001): 3-12.*
Wolstenholme, Susan. Gothic (Re)Visions: Writing Women as Readers (Reviewed by Donya Samara). Novel (Winter 1996): 243-48.*
Woolf, Virginia. "The Feminine Note in Fiction." Rev. of W. L. Courtney's The Feminine Note in Fiction. London: Chapman and Hall, 1904. Guardian 25 January 1905. Rpt. in Woolf, A Woman's Essays. London: Penguin, 1992. 3-4.
_____. "Women Novelists." Rev. of R. Brimley Johnson's The Women Novelists. Collins, 1918. TLS 17 October 1918. Rpt. in Woolf, A Woman's Essays. London: Penguin, 1992. 11-14.
_____. "Women and Fiction." 1929. In Woolf, Collected Essays vol. 3.
_____. "Women and Fiction." In Woolf,Women and Writing. 43-52.
_____. "Women and Fiction." In The Feminist Critique of Language: A Reader. Ed. Deborah Cameron. 2nd ed. London: Routledge, 1998. 1999. 47-53.*
_____. "Women and Fiction." In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 579-85.*
Wright, Dorena Allen. Rev. of Gender, Politics, and Fictionality: Twentieth Century Australian Women's Novels. Ed. Carole Ferrier. Comparative Literature 41.3 (Summer 1989): 300-03.
Anthologies
Andrew, Joe, ed. and trans. Russian Womens' Shorter Fiction: An Anthology 1835-1860. Oxford: Clarendon Press, 1996.
Baker, Dnys val, ed. Twelve Stories by Famous Women Writers. Ed. Dnys val Baker. London: W. H. Allen, 1978.
Blanco Outón, C., ed. Mulleres frente o século XX: Traduccións ó galego de narracións femininas en lingua inglesa. Santiago de Compostela: Editorial Compostela, 1999.
British Women Novelists 1750-1850. (Collection). Introds. Peter Garside and Carolyn Franklin. London: Routledge/Thoemmes, 1992.
Craig, Patricia, ed. The Oxford Book of Modern Women's Stories. Oxford: Oxford UP, 1994.
Encinar, Angeles, ed. Cuentos de este siglo: 30 narradoras españolas contemporáneas. Barcelona: Lumen.
Gómez, Alman, Cherríe Moraga and Mariana Romo-Carmona. Cuentos: Stories by Latinas. New York: Kitchen Table, Women of Color Press, 1983.
Green, Jen, and Sarah LeFanu, eds. Despatches from the Frontiers of the Female Mind. Women's SF anthology. 1985.
_____, eds. Anthology of Original Stories. (Women's Press SF). London: Women's Press, 1985.
Hill, Susan, ed. The Parchment Moon. London: Michael Joseph, 1990.
_____, ed. The Penguin Book of Modern Women's Short Stories. London: Penguin, 1991. (= The Parchment Moon).
_____, ed. The Second Penguin Book of Modern Women's Short Stories. 1997. Harmondsworth: Penguin, 1998.*
Kessler, Carol, ed. Daring to Dream: Utopian Stories by U. S. Women: 1836-1919. Boston: Pandora, 1984.
Le Guin, Ursula, and Virginia Kidd, eds. Millennial Women. Women's SF anthology. 1978.
Lee, Hermione, ed. The Secret Self: A Century of Short Stories by Women. London: Orion-Phoenix, 1995.*
Manuel, Carme, ed. Interrogating Voices: Nineteenth and Early Twentieth-Century American Women's Short Stories. Valencia: JPM Ediciones, 2014.
Novelas breves de escritoras españolas 1900-1936. Madrid: Castalia, 1990.
Ross, Kathleen, and Yvette E. Miller, eds. Scents of Wood and Silence: Short Stories by Latin American Women Writers. Pittsburgh: U of Pittsburgh P, 1991.
Sargent, Pamela ed. Women of Wonder. New York: Vintage, 1975.
_____, ed. More Women of Wonder. New York: Vintage, 1976.
_____, ed. The New Women of Wonder. New York: Vintage, 1978.
_____, ed. Women of Wonder, The Classic Years. New York: Harcourt Brace/Harvest Books, 1995.
_____, ed.Women of Wonder, The Contemporary Years. New York: Harcourt Brace/Harvest Books, 1995.
Swansea, Charleen, and Barbara Campbell, eds. Love Stories by New Women. Charlotte (NC): Red Clay Books, 1978.
See also Women in fiction; Feminist fiction.
Bibliographies
Leonard, Kathy S. Index to Translated Short Fiction by Latin American Women in English Language Anthologies. (Bibliographies and Indexes in Women's Studies, 25). Greenwood Press, 1998.
Mezei, Kathy. "Select Bibliography on Feminist Narratology." In Ambiguous Discourse: Feminist Narratology and British Women Writers. Ed. Kathy Mezei. Chapel Hill: U of North Carolina P, 1996. 269-72.*
Films
Little Women. Writer and dir. Greta Gerwig, based on Louisa May Alcott's novel. Cast: Saoirse Ronan, Florence Pugh, Laura Dern, Timothée Chalamet, Meryl Streep. 2019.
Journals
Femspec.
Journal on feminist SF and fantasy.
Ed. Robin Anne Reid, Dpt of English,
Cleveland State U, Cleveland OH 44115;
E-mail: femspec@popmail.csuohio.edu
Literature
Alcott, Louisa May. Little Women. Novel. 1868.
Highsmith, Patricia. "The Female Novelist." From Little Tales of Misogyny. In The Selected Stories of Patricia Highsmith. New York and London: W. W. Norton, 2001. 167-68.*
Prizes
Premio Femenino Singular de novela
Series
(Rara Avis, 44). Barcelona: Alba, 2019.
See also Women and literature.
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