A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Narrative Fiction: Other Topics
Attacks on novels and fiction
Guillén Buzarán, Juan. "Discurso sobre la influencia de las novelas." 1841. In La novela aragonesa en el siglo XIX. By Rosa Mª Andrés Alonso and José Luis Calvo Carilla. Zaragoza: Guara, 1984. 224-32.*
Ladrón de Guevara, Pablo. Novelistas malos y buenos. Bilbao: El Mensajero del Corazón de Jesús, 1910.*
On attacks on novels and fiction
Taylor, John T. Early Opposition to the English Novel: The Popular Reaction from 1760 to 1830. New York: King's Crown Press, 1943.
Characters. See Narrative theory. Action, Agents. Characters. See also Lit. theory-Specific. Characters.
Closure in fiction
Armstrong, Nancy. "Character, Closure, and Impressionist Fiction." Criticism 19.4 (Fall 1977).
Fins de romans: Aspects de la conclusion dans la littérature anglaise. Caen: Presses Universitaires de Caen, 1994.
See also Closure (narrative).
Desire and fiction
Girard, René. Deceit, Desire, and the Novel: Self and Other in Literary Structure. Trans. Yvonne Freccero. Baltimore: Johns Hopkins UP, 1965.
Ethics and Fiction
Altes, Liesbeth Korthals. Ethos and Narrative Interpretation: The Negotiation of Values in Fiction. Lincoln and London: University of Nebraska Press, July 2014.
Arizti, Bárbara, and Silvia Martínez-Falquina, eds. On the Turn: The Ethics of Fiction in Contemporary Narrative in English. Newcastle: Cambridge Scholars Publishing, 2007.
Bal, Mieke. "3. Is There an Ethics to Story-Telling?" In Storytelling and Ethics: Literature, Visual Arts and the Power of Nature. Ed. Hanna Meretoja and Colin Davis. New York and London: Routledge, 2018. 37-54.*
Bareis, J. Alexander. "Ethics, the Diachronization of Narratology, and the Margins of Unreliable Narration." In Narrative Ethics. Ed. Jakob Lothe and Jeremy Hawthorn. Amsterdam and New York, 2013. 41-55.
Berlatsky, Eric L. The Real, The True and the Told: Postmodern Historical Narrative and the Ethics of Representation. Ohio State UP, 2011.
Bonaparte, Felicia. Will and Destiny: Morality and Tragedy in George Eliot's Novels. New York: New York UP, 1975.
Booth, Wayne. "Distance and Point-of-View: An Essay in Classification." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 170-89.*
_____. The Company We Keep: An Ethics of Fiction. Berkeley and London: U of California P, 1988
_____. "The Ethics of Forms: Taking Flight with The Wings of the Dove." In. Understanding Narrative. Ed. James Phelan and Peter J. Rabinowitz. Columbus (OH): Ohio State UP, 1994. 99-135.*
Camus, Albert. L'Homme revolté. Essay. 1951.
_____. The Rebel. Harmondsworth: Penguin.
_____. The Rebel. New York: Random House-Vintage International.
_____. El hombre rebelde. Trans. Javier Albiñana. Introd. Héctor Subirats. (Biblioteca Universal; Ensayo Contemporáneo). Barcelona: Círculo de Lectores, 2000.*
Davis, Colin, "2. Truth, Ethics, Fiction: Responding to Plato's Challenge." In Storytelling and Ethics: Literature, Visual Arts and the Power of Nature. Ed. Hanna Meretoja and Colin Davis. New York and London: Routledge, 2018. 23-36.*
Davis, Todd F., and Kenneth Womack, eds. Style 32.2 (1998). Special issue on Ethics in Narrative.
Guroian, Vigen. Tending the Heart of Virtue: How Classic Stories Awaken a Child's Moral Imagination. Oxford: Oxford UP, 1998.
Inglis, Fred. The Promise of Happiness: Value and Meaning in Children's Fiction. 1982.
Kotte, Christina. Ethical Dimensions in British Historiographic Metafiction: Julian Barnes, Graham Swift, Penelope Lively. (ELCH: Studies in English Literary and Cultural History, 2). Trier: Wissenschaftlicher Verlag Trier, 2001.*
Lawrence, D. H. "Morality and the Novel." 1925. In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 127-31.*
Martínez Falquina, Silvia. "Entries into the Autobiographical I, or the Ethics of Native American Storytelling." In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*
McGinn, Colin. Ethics, Evil, and Fiction. Oxford: Clarendon Press, 1997, pbk 1999. (Dorian Gray, Lolita, Frankenstein).
Meretoja, Hanna, and Colin Davis, eds. Storytelling and Ethics: Literature, Visual Arts and the Power of Nature. (Routledge Interdisciplinary Perspectives on Literature). New York and London: Routledge, 2018.* (I. The Ethical Potential and Limits of Narrative. II. Narrative Temporalities: Imagining an Other Life. III. Narrative Engagements with Violence and Trauma. IV. Concluding Reflections).
Newton, Adam Zachary. Narrative Ethics. Cambridge (MA): Harvard UP, 1995.*
Norris, Frank. Responsibilities of a Novelist. 1903.
_____. 'Las Responsabilidades del Novelista' y Otros Ensayos. (Taller de Estudios Norteamericanos, 44). León: Secretariado de Publicaciones de la Universidad. 1998.
Onega, Susana. "Research Project: The Ethics of Fiction: Writing, Reading and Representation in Contemporary Narrative in English." In Literatures in English: Priorities of Research. Ed. Michael Kenneally, Edwin Thumboo and Wolfgang Zach. Tübingen: Stauffenburg. Forthcoming 2006.
Onega, Susana, and Jean-Michel Ganteau, eds. Ethics and Trauma in Contemporary British Fiction. Amsterdam: Rodopi, 2011.
Parker, David. Ethics, Theory and the Novel. Cambridge: Cambridge UP, 1994.
Phelan, James. (1951). Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus (OH): Ohio State UP, 1996.*
_____, ed. Reading Narrative: Form, Ethics, Ideology. Columbus (OH): Ohio State UP, 1989.
Reynier, Christine. Virginia Woolf's Ethics of the Short Story. London: Palgrave Macmillan, 2009.
Serpell, C. Namwali. "Mutual Exclusion, Oscillation, and Ethical Projection in The Crying of Lot 49 and The Turn of the Screw." Narrative 16.3 (Oct. 2008): 223-55.*
Smith, Zadie. "Love, actually." The Guardian 1 Nov. 2003. (Forster; Ethics and fiction).
http://books.guardian.co.uk/review/story/0,12084,1074217,00.html
2013
Video
Baroni, Raphael, and Liesbeth Korthals Altes. "Polyphonies et acceptabilité de la fiction. À propos de Houellebecq & Cie." Video lecture. YouTube (CRAL) 29 Jan. 2024.*
2024
See also Ethics; Ethics and literature; Ethics and drama.
Film and Fiction. See Film. Specific. Novel and film.
Genres (Fictional)
Gardener, John. ed. The Forms of Fiction. New York, 1962.
Hawthorn, Jeremy. "Types of novel." In Hawthorn, Studying the Novel: An Introduction. 2nd ed. London: Arnold, 1992. 27-37.*
Loriggio, Francesco. "Fictionality, Narration, and the Question of Genres." In Fiction Updated: Theories of Fictionality, Narratology, and Poetics. Ed. Calin Andrei Mihailescu and Walid Hamarneh. Toronto: U of Toronto P, 1996. 144-58.*
Ryan, Marie-Laure. "Possible Worlds and Accessibility Relations: A Semantic Typology of Fiction."Poetics Today 12.3 (1991): 553-576.*
Walder, Dennis. "The Genre Approach." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 3-30.*
See also Genre theory.
History and Fiction
Byatt, A. S. On Histories and Stories. 2000. London: Vintage, 2001.
Cohn, Dorrit. "Fictional versus Historical Lives: Borderlines and Borderline Cases." Journal of Narrative Technique 19.1 (1989): 3-30.
Howe, Irving. "History and the Novel." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
Kermode, Frank. "An Approach Through History." In Towards a Poetics of Fiction. Ed. Mark Spilka. Bloomington: Indiana UP, 1977.
Rader, Ralph W. "The Novel and History Once More: A Response to Michael McKeon's 'Reply'." Narrative 1.2 (1993): 173-183.*
See also Historical novel; History and Literature.
Intertextuality in Fiction
Kroeber, Karl. Retelling/Rereading: The Fate of Storytelling in Modern Times. New Brunswick (NJ): Rutgers UP, 1992.
Meyer, Herman. The Poetics of Quotation in the European Novel. Princeton: Princeton UP, 1968.
See also Intertextuality.
Irony
Scholes, Robert. "A Semiotic Approach to Irony in Drama and Fiction." In Scholes, Semiotics and Interpretation. New Haven: Yale UP, 1982. 73-86.
Imagination and fiction
Gullón, Germán. La novela como acto imaginativo. Madrid: Taurus,1983.
Gunn, James. Alternate Worlds. Englewood Cliffs (NJ): Prentice, 1975.
See also Fictionality; Creation.
Language of fiction
Fludernik, Monika. The Fictions of Language and the Language of Fiction. London: Routledge, 1993.
Fokkema, Aleid. "The Retreat of Language: Discontinuous Signs." In Fokkema, Postmodern Characters. Amsterdam: Rodopi, 1991. 141-64.*
Macdonald, Margaret. "The Language of Fiction." In Contemporary Studies in Aesthetics. Ed. Francis J. Coleman. New York: McGraw-Hill, 1968.
Mair, Christian. "Literary Sociolinguistics: A Methodological Framework for Research on the Use of Nonstandard Language in Fiction." Arbeiten aus Anglistik und Amerikanistik 17.1 (1992): 103-23.
Nash, Walter. Language in Popular Fiction. London: Routledge, 1991.*
Page, Norman. "Forms of Speech in Fiction." 1973. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 83-100.*
Plüss, Theodor. "Das Gleichnis in der erzählenden Dichtung." Festschrift zur 49. Versammlung Deutscher Philologen und Schulmänner in Basel im Jahre 1907.
Sanger, Keith. The Language of Fiction. (Intertext). London: Routledge, 1998.
Turnell, Martin. "The Language of Fiction." Times Literary Supplement 19 August 1949: 529-31. Rpt. in Turnell, The Novel in France. New York, 1951.
_____. The Novel in France. Penguin.
Yrache Esteban, Luis. "Sobre Cien años de soledad y el lenguaje novelesco." In Suma de Estudios en homenaje al Ilustrísimo Doctor Ángel Canellas López. Zaragoza: Facultad de Filosofía y Letras, Universidad de Zaragoza, 1969. 1003-8.*
See also Narratology (Voice).
Manners and Fiction
Boone, Joseph. Tradition Counter Tradition: Love and the Form of Fiction. Chicago: U of Chicago P, 1987.
Trilling, Lionel. "Las maneras, los hábitos y la novela." 1947. In Trilling, La imaginación liberal. Barcelona: Edhasa, 1971. 239-57.
Trilling, Lionel. "Manners, Morals, and the Novel." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 115-30.*
Morality and Fiction
Barbour, John. Tragedy as a Critique of Virtue: The Novel and Ethical Reflection. Chico (CA): Scholars Press, 1984.
Baudelaire, Charles. "Les drames et les romans honnêtes." In Baudelaire, Curiosités esthétiques. L'Art romantique. Ed. H. Lemaitre. Paris: Garnier, 1986. 567-74.
_____. "Of Virtuous Plays and Novels." 1851. In Baudelaire, Selected Writings on Art and Literature. London: Penguin, 1992. 108-14.
Coste, Didier. "What Tales Tell Us to Do and Think, and How (Narrative and Didactic Constructions of Meaning." In Coste, Narrative as Communication. Minneapolis: U of Minnesota P, 1989. 297-334.*
Gardner, John. On Moral Fiction. New York: Basic Books, 1978.
Jefferson, Douglas. "The Novelist and the Moralist." In The Uses of Fiction. Ed. Douglas Jefferson and Graham Martin. Milton Keynes: Open UP, 1982. 261-72.
Lawrence, D. H. "Morality and the Novel." 1925. In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 127-31.*
Price, Martin. Forms of Life: Character and Moral Imagination in the Novel. New Haven: Yale UP, 1983.
Stephen, James Fitzjames (Sir). "The Relation of Novels to Life." In Cambridge Essays Contributed by Members of the University. London: John W. Parker and Son, 1855. (Novel; Realism; Characterisation; Morality; Robinson Crusoe; Defoe)
_____. "The Relation of Novels to Life." 1855. Extract. In Victorian Criticism of the Novel. Ed. Edwin M. Eigner and George J. Worth. Cambridge: Cambridge UP, 1985. 93-118.*
_____. "Little Dorrit." The Saturday Review (1857).
_____. "Madame Bovary." The Saturday Review (1857).
See also: Attacks on novels and fiction; Ethics and fiction.
Philosophy and Fiction
Jones, Peter. Philosophy and the Novel. New York: Oxford UP, 1975.
Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. New Haven: Yale UP, 1994.*
Schulz, Hans-Joachim. This Hell of Stories: A Hegelian Approach to the Novels of Samuel Beckett. La Haya: Mouton, 1973.*
Toral Moreno, Alfonso. La novela y el cuento como problema metafísico. Guadalajara, Májico: Casa de la cultura Jalisciense, 1960.
See also Philosophical novel; Literature and Philosophy.
Politics and Fiction
Bhaba, Homi K. Nation and Narration. London: Routledge, 1990.
Craig, Cairns. "Introduction: Novel, Nation, Tradition." In Craig, The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh UP, 1999. 9-36.*
Fernández Sánchez, José Francisco. "Novels and Short Stories: The Political Dimension." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*
Fletcher, M. D. Contemporary Political Satire: Narrative Strategies in the Post-Modern Context. Lanham: UP of America, 1987.
Garside, Peter. "Politics and the Novel 1780-1830." In The Romantic Period. Ed. David B. Pirie. Vol. 5 of the Penguin History of Literature. Harmondsworth: Penguin, 1994. 49-86.*
Green, Martin. Dreams of Adventure, Deeds of Empire. New York: Basic Books, 1979.
Hewitt, Douglas. "Fictional Politics and some Minor Forms." In Hewitt, English Fiction of the Early Modern Period 1890-1940. Harlow: Longman, 1988. 83-94.*
Howe, Irving. Politics and the Novel. New York: Horizon, 1957.
Johnson, Nancy E. The English Jacobin Novel on Rights, Property and the Law. Basingstoke: Palgrave Macmillan, 2004. (Thomas Holcroft, Charlotte Smith, Mary Hays, Mary Wollstonecraft, Maria Edgeworth).
Kortenaar, Neil ten. "Nation and Novel in Africa." In Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen: Stauffenburg Verlag, 1996. 201-8.*
LaCapra, Dominick. History, Politics, and the Novel. Ithaca: Cornell UP, 1987.
Miller, D. A. The Novel and the Police. Berkeley: U of California P, 198.
Norris, Frank. Responsibilities of a Novelist. 1903.
Owen, David. "'Remarkably Unpolitical': Really? Contextualising a Political Reading of Jane Austen's Lady Susan." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 272-79.*
Suleiman, S. R. Authoritarian Fictions. New York, 1983.
Yarbrough, Scott D. "11. The Education of Henry: Politics and Context in Hemingway." In Hemingway's Spain: Imagining the Spanish World. Ed. Carl P. Eby and Mark Cirino. Kent (OH): Kent State UP, 2016. 162-73.*
See also Political novel; Feminist novel; Ideology and fiction; Politics and literature.
Popular culture and novels
Babcock, Barbara A. "The Novel and the Carnival World." Modern Language Notes 89 (1974): 911-37.
Bakhtin, Mikhail. Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia. Written 1940. 1st pub. Moscow, 1965.
_____. Rabelais and His World. Trans. Hélène Iswolsky. Cambridge (MA): MIT Press, 1968. 2nd ed. 1971.
_____. L'Œuvre de François Rabelais et la culture populaire au Moyen Age et sous la Renaissance. Paris: Gallimard, 1970.
_____. La cultura popular en la Edad Media y el Renacimiento: El contexto de François Rabelais. 1965. Trans. Julio Forcat and César Conroy. Barcelona: Barral, 1971. 1974.
See also Popular fiction.
Psychology and Fiction / Psychological novel
Carroll, Joseph, Jonathan Gottschall, John Johnson, an Daniel Kruger. "39. Paleolithic Politics in British Novels of the Longer Nineteenth Century." In Evolution, Literature and Film: A Reader. Ed. Brian Boyd, Joseph Carroll and Jonathan Gottschall. New York: Columbia UP, 2010.
Concha, Ángeles de la. "Fictions of Identity, Power and Desire." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*
Fletcher, John, and Malcolm Bradbury. "The Introverted Novel." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 394-415.*
Freud. From The Interpretation of Dreams. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 149-55. (Condensation and displacement).
_____. "Family Romances." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 156-59.*
Grande, Félix. Occidente, ficciones, yo. Madrid: Cuadernos para el Diálogo, 1968.
Lesser, Simon. Fiction and the Unconscious. Chicago: U of Chicago P, 1957.
Leving, Gerald. Richardson the Novelist: The Psychological Patterns. New York: Humanities Press, 1978.
Palmer, Alan. Fictional Minds. Lincoln: U of Nebraska P, 2004.
Riffaterre, Michael. "The Unconscious of Fiction." In Riffaterre, Fictional Truth. Baltimore: Johns Hopkins UP, 1990. 84-112.*
Semino, Elena. "A Cognitive Stylistic Approach to Mind Style in Narrative Fiction." In Cognitive Stylistics. Ed. Elena Semino and Jonathan Culpeper. Amsterdam: Benjamins, 2002. 95-122.*
_____. "A Cognitive Stylistic Approach to Mind Style in Narrative Fiction." In The Language and Literature Reader. Ed. Ronald Carter and Peter Stockwell. Abingdon (UK) Routledge, 2008.*
Zunshine, Lisa. Why We Read Fiction: Theory of Mind and the Novel. (Theory and Interpretation of Narrative Series). Columbus: Ohio State UP, 2006.
_____. Strange Concepts and the Stories They Make Possible. Baltimore: Johns Hopkins UP, forthcoming 2007
Journals
On Fiction: An Online Magazine on the Psychology of Fiction.
2010
See also Psychological novel.
Publishing fiction
Leavis, Q. D. Fiction and the Reading Public. 1932. London: Bellew, 1990. 3-18.
Sutherland, John. Fiction and the Fiction Industry. London: Athlone, 1978.
Readers and Reading
Alsop, Derek. The Practice of Reading: Interpreting the Novel. Houndmills: Macmillan, 1999.
Chatman, Seymour. "Introduction: The Pleasures of Reading Fiction." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 1-6.*
D'haen, Theo. Text to Reader: Fowles, Barth, Cortázar and Boon. Amsterdam: Benjamins, 1983.*
García Landa, José Ángel. "Coleridge vs. Film and TV watching." In García Landa, Vanity Fea 13 March 2009.
http://garciala.blogia.com/2009/031302-coleridge-vs.-film-and-tv-watching.php
2009
Lever, Katherine. The Novel and the Reader. New York: Appleton, 1960.
Noille, Christine. "Rhétorique de la composition: La forme du roman du point de vue attentionnel." Communications 103 (2018): Le formalisme russe cent ans aprés. Ed. Catherine Depretto, John Pier and Philippe Roussin. Paris: Seuil, 2018. 63-72.*
Zunshine, Lisa. Why We Read Fiction: Theory of Mind and the Novel. (Theory and Interpretation of Narrative Series). Columbus: Ohio State UP, 2006.
See also Reading; Reading narrative.
Religion and fiction
Valkeakari, Tuire. Religious Idiom and the African-American Novel, 1952-1998. 2007. (Ralph Ellison, Toni Morrison, Leon Forrest, Ernest Gaines, Randall Kenan, John Edgar Wideman, Gayl Jones, and Octavia E. Butler).
Repetition and fiction
Lodge, David. "Repetition in the Novel." 1966. Select. in The Language of Literature. Ed. Norman Page. London: Macmillan, 1984. 77-83.*
Miller, J. Hillis. Fiction and Repetition. Cambridge (MA): Harvard UP, 1982.
See also Repetition; Difference.
Science and Fiction
Beer, Gillian. Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. London: Routledge, 1983.
_____. "La evolución de la novela." In Evolución: Sociedad, ciencia y universo. Ed. Andrew C. Fabian. Barcelona: Tusquets, 2001. 157-82.*
Nadeau, Robert. Readings from the New Book on Nature: Physics and Metaphysics in the Modern Novel. Amherst: U of Massachusetts P, 1981.
Perry, Bliss. "Fiction and Science." In Perry, A Study of Prose Fiction. 1902. Rev. ed. Boston: Houghton Mifflin, 1920. 73-94.
Turner, Martha A. Mechanism and the Novel: Science in the Narrative Process. Cambridge: Cambridge UP, 1993.
See also Literature and science; Science Fiction.
Semiotics of the novel
Kibédi Varga, A. "Roman et communication." In (En)jeux de la communication romanesque. Ed. Susan van Dijk and Christa Stevens. Amsterdam: Rodopi, 1994. 43-52.*
Kristeva, Julia. Le texte du roman. The Hague: Mouton, 1970.
_____. El texto de la novela. Trans. Jordi Lloret. Barcelona: Lumen, 1974.*
See also Narrative theory.
Sexuality, Gender, Love and fiction
Allen, Dennis W. Sexuality in Victorian Fiction. U of Oklahoma P, 1994.
Belsey, Catherine. Desire: Love Stories in Western Culture. Oxford: Blackwell, 1994.
Boone, Joseph A.Tradition Counter Tradition: Love and the Form of Fiction. Chicago: U of Chicago P, 1987.
_____. Sexuality, Narrative, and Modernity. Chicago: Chicago UP, forthcoming 1990.
Goodman, Lizbeth, with Kasia Boddy and Elaine Showalter. "Prose Fiction, Form and Gender." In Literature and Gender. Ed. Lizbeth Goodman. London: Routledge / Open U, 1996. 2001. 71-108.*
Hennegen, Aleson. "What Is a Lesbian Novel?" Woman's Review 1 (1984).
Leverenz, David. "Men in Fiction." In Debating Masculinity. Ed. Josep M. Armengol and Angels Carabí. Harriman (TN): Men's Studies Press, 2009.
Mezei, Kathy. "Who Is Speaking Here? Free Indirect Discourse, Gender, and Authority in Emma, Howards End and Mrs. Dalloway." In Ambiguous Discourse: Feminist Narratology and British Women Writers. Ed. Kathy Mezei. Chapel Hill: U of North Carolina P, 1996. 66-92.*
Paizis, George. Love and the Novel. Houndmills: Macmillan, 1998.*
Peterson, Carla. The Determined Reader: Gender and Culture in the Novel from Napoleon to Victoria. New Brunswick (NJ): Rutgers UP, 1987.
Prince, Gerald. "Narratology, Narratological Criticism, and Gender." In Fiction Updated: Theories of Fictionality, Narratology, and Poetics. Ed. Calin-Andrei Mihailescu and Walid Hamarneh. Toronto: U of Toronto P, 1996. 159-64.
Radstone, Susannah, ed. Sweet Dreams: Sexuality, Gender and Popular Fiction. London: Lawrence and Wishart, 1988.*
Robinson, Sally. Engendering the Subject: Gender and Self-Representation in Contemporary Women's Fiction. Albany: SUNY Press, 1991.
Roof, Judith. Come as You Are: Sexuality and Narrative. (Between Men – Between Women: Lesbian and Gay Studies). New York: Columbia UP, 1996.*
Salmon, Catherine, and Donald Symons. "Slash Fiction and Human Mating Psychology." Journal of Sex Research 41 (2004): 94-100.
Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. New York: Columbia UP, 1985.*
_____. From Between Men. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 586-604.*
Simal, Begoña. Identidad étnica y género en la narrativa de escritoras chinoamericanas. La Coruña: Servicio de Publicacións da Universidade da Coruña, 2000. (Maxine Hong Kingston, Amy Tan, Fae M. Ng, Sigrid Nunez, Aimee Liu).
Weisser, Susan Ostrov. Women and Sexual Love in the British Novel, 1740-1880: A 'Craving Vacancy'. Houndmills: Macmillan, 1996.
Anthologies
Hale, Dorothy J., ed. The Novel: An Anthology of Criticism and Theory 1900-2000. Blackwell, 2006 [issued 2005]. (General introd.; & introds. to Part I, Form and Function; Part II, The Chicago School; Part III, Structuralism, Narratology, Deconstruction; Part IV, Psychoanalytic Approaches; Part V, Marxist Approaches; Part VI, The Novel as Social Discourse; Part VII, Gender, Sexuality, and the Novel; Part VIII, Post-Colonialism and the Novel).
See also Women and fiction.
Silence and fiction
Flora, Joseph. "The Device of Conspicuous Silence in the Modern Short Story." In The Teller and the Tale: Aspects of the Short Story. Ed. Wendell Aycock. Lubbock: Texas UP, 1982.
Morand, Paul. "Le roman du silence." In Morand, Monplaisir ... en littérature. Paris: Gallimard, 1967. 161-5.*
See also Silence; Silence and literature.
Structure and form in fiction
Boone, Joseph. Tradition Counter Tradition: Love and the Form of Fiction. Chicago: U of Chicago P, 1987.
Brooks, Cleanth. "Fiction and Drama: The Gross Structure." In Wimsatt and Brooks, Literary Criticism: A Short History. New York: Knopf, 1957. 681-98.*
Buckley, Ramón. Problemas formales en la novela española contemporánea. Barcelona: Península, 1968. 2nd ed. 1973.
Dannenberg, Hilary. "Coincidence and Parallelism in the Novel." Habilitation, U of Freiburg. In progress 1995.
Hardy, Barbara. The Novels of George Eliot: A Study in Form. London: Athlone, 1959.
Jameson, Storm. "The Form of the Novel." In Jameson, The Writer's Situation and other Essays. London: Macmillan, 1950.
Noille, Christine. "Rhétorique de la composition: La forme du roman du point de vue attentionnel." Communications 103 (2018): Le formalisme russe cent ans aprés. Ed. Catherine Depretto, John Pier and Philippe Roussin. Paris: Seuil, 2018. 63-72.*
Rader, R. "Defoe, Richardson, Joyce, and the Concept of Form in the Novel." In Autobiography, Biography, and the Novel. Ed. W. Matthews and R. Rader. Los Angeles: William Andrews Clark Memorial Library, UCLA, 1973. 31-72.
See also Narrative theory (Structure).
Study guides
Hawthorn, Jeremy. Studying the Novel: An Introduction. London: Arnold, 1985. 2nd ed. 1992.*
Johnson, Roy. Studying Fiction: A Guide and Study Programme. Manchester: Manchester UP, 1992.
Sauvage, Jacques. Introducción al estudio de la novela. Barcelona: Laia, 1982.*
The Supernatural and Fiction
Burns, Dan. "Short Fiction and the Numinous Realm: Another Attempt at Definition." Modern Fiction Studies 28? (1985).
Varnado, S. L. Haunted Presence: The Numinous in Gothic Fiction. Tuscaloosa: U of Alabama P, 1987.
See also Fiction and Religion.
Teaching fiction, novel, short story, narrative
Gibert, Teresa. "Approaches to Teaching 'Désirée's Baby' as a Prototype Short Story." In The Short Story in English: Crossing Boundaries. Ed. Gema Soledad Castillo García, María Rosa Cabellos Castilla, Juan Antonio Sanchez Jiménez y Vincent Carlisle Espínola. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2006. 428-36.
Pérez Cabello, Ana Mª. Didáctica del cuento en lengua inglesa: aplicaciones teórico-prácticas. Barcelona: Horsori, 2009.
Technology and Fiction
Fitzpatrick, Kathleen. The Anxiety of Obsolescence: The American Novel in the Age of Television. Nashville, TN: Vanderbilt University Press, 2006.
Lope, Manuel de. "El novelista, el rey y la tecnología." Mito y literatura. Revista de Occidente 158-159 (1994): 190-8.
Turner, Martha A. Mechanism and the Novel: Science in the Narrative Process. Cambridge: Cambridge UP, 1993.
Sex, Science, and the 19th Century Novel. (English Institute). Baltimore: Johns Hopkins UP, 1986.
See also Technology and literature; Science fiction.
Symbolism
Brumm, Ursula. "Symbolism and the Novel." In The Theory of the Novel. Ed. Philip Stevick. New York: Free Press, 1967. 354-68.
Writing Guides (fiction)
Boulter, Amanda. Writing Fiction: The Screenwriter's Handbook 2009. Houndmills: Palgrave Macmillan, 2008.
Brean, H., ed. The Mystery Writer's Handbook. New York: Harper, 1956.
Burroway, Janet. Writing Fiction.
Casterton, Julia. Creative Writing. 2nd ed. Houndmills: Macmillan, 1998.
_____. Creative Writing: A Practical Guide. 3rd ed. Houndmills: Palgrave Macmillan, 2005.
Cody, E. How to Write Fiction, especially the Art of the Short Story Writing. New York, 1984.
Esenwein, J. Writing the Short Story: A Practical Handbook on the Rise, Structure, Writing, Sale of the Modern Short Story. New York, 1909.
King, Stephen. On Writing (A Memoir of the Craft). London: Hodder and Stoughton.
Knight, Kobold. Plot Digest. London, n. d.
McKee, Robert. The Story.
El guión: Sustancia, estructura, estilo y principios de la escritura de guiones. Barcelona: Alba, 2013.
Neal, R. Short Stories in the Making: A Writer's and Student's Introduction to the Technique and Practical Composition of Short Stories. New York, 1914.
Taller de guión de Gabriel García Márquez. Cómo se cuenta un cuento. (Biblioteca Gabriel García Márquez). N. p.: Random House Mondadori / RBA Coleccionables, 2004.*
_____. Me alquilo para soñar. 1995. (Biblioteca García Márquez). N.p.: Random House Mondadori / RBA Coleccionables, 2004.*
_____. La bendita manía de contar. 1998. Ollero & Ramos, 1998.
_____. La bendita manía de contar. (Biblioteca García Márquez). N.p.: Random House Mondadori / RBA Coleccionables, 2004.*
Truby, John. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller. Faber and Faber, 2008.
Uzzell, Thomas H. Narrative Technique: A Practical Course in Literary Psychology. In collab. with Camelia Waite Uzzell. New York: Harcourt, Brace, 1923. 2nd ed. 1929. 3rd ed. 1934.*
Williams, Blanche Colton. A Handbook on Story Writing .1921.
Blogs
The 90-Day Novel. Blog on fiction writing.
2012
See also Creative writing; Writing guides.
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