A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Narrative Fiction: Ages
Primitive, origins
Dupeyron, Agathe. "Once upon a time: when did works of fiction appear around the world? Interrogating Seshat to make global historical comparisons." Seshat Databank 12 April 2016.*
http://seshatdatabank.info/global_fiction
2016
Gomel, Elana. "Narrative Disease: Speculative Fiction, Evolutionary Theory, and the Origin of Storytelling." Online at Academia.* (Stephen Baxter’s Evolution [2003], China Mieville’s Embassytown [2012] and Ted Chiang’s Story of Your Life [1998]).
https://www.academia.edu/42036831/
2020
Video
Le Quellec, Jean-Loïc. "Mythes, contes et religions." Video lecture. YouTube (ACTISCE Patronage Laïque Jules Vallès) 14 May 2018.*
2020
See also Origins of literature; Origins of the novel.
Antiquity and Classical
Barwick, Karl. "Die Gliederung der narratio in die rhetorischen Theorie und ihre Bedeutung für die Geschichte des antiken Romans." Hermes 63 (1928).
Beltrán Almería, Luis. "El Rudens de Plauto y la protonovela." In Otivm cvm dignitate: Estudios en homenaje al profesor José Javier Iso Echegoyen. Ed. J. A. Beltrán et al. (Monografías de Filología Latina, 16). Zaragoza: Universidad de Zaragoza, 2013. 227-34.*
_____. "Teoría de la protonovela." In Ars bene docendi: Homenaje al profesor Kurt Spang. Ed. Ignacio Arellano, Víctor García Ruiz and Carmen Saralegui. Pamplona: Eunsa, 2009. Online at Academia
http://www.academia.edu/3550562/Teoria_de_la_protonovela
2013
Chew, Kathryn, J. R. Morgan and Stephen R. Trzaskoma, eds. Literary Currents and Romantic Forms: Essays in Memory of Bryan Reardon. (Ancient Narrative, Supplement 26). Groningen: Barkhuis / Groningen U Library, 2018.*
https://www.academia.edu/42321012/
2020
Dinkler, Michal Beth. "The End of Fact vs. Fiction: Reflexivity in Ancient Narratives." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 88-107.*
https://doi.org/10.1515/9783110722031-007
2021
Doody, Margaret Anne. The True History of the Novel. London: HarperCollins, 1997.*
du Toit, David. "Entgrenzungen: Zu metaleptischen Strategien in der frühchristlichen Erzählliteratur." In Über die Grenze: Metalepse in Text- und Bildmedien des Altertums. Ed. Ute E. Eisen and Peter von Möllendorff. Berlin and Boston: De Gruyter, 2013. 292-317.*
Finkelberg, Margalit. The Birth of Literary Fiction in Ancient Greece. Oxford: Clarendon Press, 1998.
García Gual, Carlos. Los orígenes de la novela. Madrid: Istmo, 1972.
_____. Historia, novela y tragedia. (El Libro de Bolsillo, 5997). Madrid: Alianza Editorial, 2006.*
_____. "La primera novela." In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 96-116.* (Caritón de Afrodisias).
_____. "Las primeras novelas históricas: Calírroe y Parténope." In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 117-32.*
_____. "¿Por qué el emperador Juliano prohibía leer novelas?" In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 133-39.*
Hägg, Tomas. Narrative Technique in Ancient Greek Romances: Studies of Chariton, Xenophon Ephesius, and Achilles Tatius. Stockholm : [Svenska institutet i Athen]; Lund: P. Aström, 1971.
_____. The Novel in Antiquity. Berkeley: U of California P, 1983.
Harrison, S. J., ed. Oxford Readings in the Roman Novel. Oxford: Oxford UP, 1999. (Apuleius, Petronius).
Heiserman, Arthur. The Novel before the Novel: Essays and Discussions about the Beginnings of Prose Fiction in the West. Chicago: U of Chicago P, 1977.
Jong, Irene J. F. de. "The Origins of Figural Narration in Antiquity." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. Albany: SUNY Press, 2001. 67-82.*
Lazaridis, Nikolaos. "Notes on the Form and Use of Didactic Language in Ancient Eyptian and Greek Narrative Works." JSSEA 35 (2008): 67-87.*
https://www.academia.edu/10690060/
2020
Lowe, N. J. The Classical Plot and the Invention of Western Narrative. Cambridge UP, 2004.
Miralles, C. La novela en la antigüedad clásica. Barcelona: Labor, 1969.
Moro Martín, Alfredo. "Fielding, Neugebauer, Musäus y Wieland: La literatura inglesa y su papel en el nacimiento de la tradición novelística en Alemania." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 61-67.* (W. E. Neugebauer, J. K. A. Musäus, C. M. Wieland, Cervantes).
Nimis, Steve. "The Prosaics of the Ancient Novels" Arethusa 27 (1994): 387-411.
Richmond, J. "The Greco-Roman Heritage." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 10-22.*
Robert, Marthe. Roman des origines et origines du roman. Paris: Grasset, 1972.
_____. Roman des origines et origines du roman. Paris: Gallimard, 1993.
_____. Novela de los orígenes y orígenes de la novela. Madrid: Taurus, 1973.*
_____. Origins of the Novel. Bloomington: Indiana UP, 1980.
_____. From Origins of the Novel. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 57-69.*
Rohde, Erwin. Der griechische Roman und seine Vorläufer. 1876. 3rd ed. Leipzig: Breitkopf and Hartel, 1914.
Rodríguez Alonso, Cristóbal. "La 'historia trágica' helenística: características y antecedentes." In Mnemosymum: C. Codoñer a discipulis oblatum. Ed. Agustín Ramos Guerra. Salamanca: Universidad de Salamanca, 1991. 279-96.*
Scholes, Robert, and Robert Kellogg. The Nature of Narrative. New York: Oxford UP, 1966.
Tatum, James, ed. The Search for the Ancient Novel. Ed. James Tatum. Baltimore: Johns Hopkins Univ. Press, 1994.
Vassilikopoulou, A. "The Byzantine Heritage." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 31-34.*
Anthologies
Grimal, Pierre, ed. Romans Grecs et Latins. (Bibliothèque de la Pléiade). Paris: Gallimard, 1958.
Films
How Art Made the World: Once upon a Time. By Nigel Spivey et al. Online at DailyMotion (2022, mistitled as "The Art of Persuasion").*
2023
Journals
Ancient Narrative.
Electronic journal
Vol. 6 (2007)
http://www.ancientnarrative.com/
2008
See also Origins of the novel; Greek fiction; Romance.
Medieval
Arathoon, Leigh, ed. The Craft of Fiction: Essays in Medieval Poetics. Rochester (Mich.): Solaris, 1984.
Alvar, Manuel. Cantares de gesta medievales. México: Porrúa, 1972.
Bakhtin, M. M. "From the Prehistory of Novelistic Discourse." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 41-83.*
Baltzell, Jane. "Rhetorical Amplification and Abbreviation and the Structure of Medieval Narrative." Pacific Coast Philology 2 (1966): 32-38.
Birge-Vitz, Evelyne. "Narrative Analysis of Medieval Texts." Modern Language Notes 92 (1977).
Borges, Jorge Luis. "De las alegorías a las novelas." 1949. In Borges, Nueva antología personal. Barcelona: Bruguera, 1982. 265-9.*
Dardano, Maurizio. Lingua e tecnica narrativa nel duecento. (Biblioteca di Cultura, 3). Rome: Bulzoni, 1969.
Dorfman, Eugene. The Narreme in the Medieval Romance Epic: An Introduction to Narrative Structures. Toronto: U of Toronto P, 1969.
García Gual, Carlos. Primeras novelas europeas. Madrid: Istmo, 1988.
García Landa, José Ángel. "Homer in the Renaissance: The Troy Stories." (Manuscript, Brown University, 1988). Online at Net Sight de José Angel García Landa (2004).*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/troy.html
2012 DISCONTINUED 2020 – Online at the Internet Archive:
2020
https://personal.unizar.es/garciala/publicaciones/troy.html
2020
_____. "Homer in the Renaissance: The Troy Stories." Social Science Research Network 14 Dec. 2012.*
http://ssrn.com/abstract=2188985
2012
Classical Tradition eJournal 14 Dec. 2012.*
http://www.ssrn.com/link/Classical-Tradition.html
2013
English and Commonwealth Literature eJournal 14 Dec. 2012.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2013
_____. "Homer in the Renaissance: The Troy Stories." Academia 14 August 2013.*
http://www.academia.edu/4241087/
2013
https://www.academia.edu/104883535/
2023
_____. "Homer in the Renaissance: The Troy Stories." ResearchGate 15 July 2013.*
https://www.researchgate.net/publication/249011705
2013
_____. "Homer in the Renaissance: The Troy Stories." In García Landa, Vanity Fea 28 Jan. 2018.*
https://vanityfea.blogspot.com.es/2018/01/homer-in-renaissance-troy-stories.html
2018
_____. "Homer in the Renaissance: The Troy Stories." Humanities Commons 28 Jan. 2018.*
http://dx.doi.org/10.17613/M6626Z
https://hcommons.org/deposits/item/hc:17985/
2018
_____. "Homer in the Renaissance: The Troy Stories." Semantic Scholar.*
2019
Haidu, P. "Au début du roman, l'ironie." Poétique 36 (1978): 443-66.
Heiserman, Arthur. The Novel before the Novel: Essays and Discussions about the Beginnings of Prose Fiction in the West. Chicago: U of Chicago P, 1977.
Matthews, Alastair. "Medieval Narrative." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 297-98.*
Nieto, María Dolores. Estructura y función de los relatos medievales. Madrid, 1993.
Radulescu, Raluca L., and Cory James Rushton, eds. A Companion to Medieval Popular Romance. (Studies in Medieval Romance, 10). Cambridge: D. S. Brewer, 2009.
Robert, Marthe. Origins of the Novel. Bloomington: Indiana UP, 1980.
Ryding, William W. Structure in Medieval Narrative. The Hague: Mouton, 1971.
Sautman, Francesca Canadé, Diana Conchado and Giuseppe Di Scipio, eds. Telling Tales: Medieval Narratives and the Folk Tradition. Houndmills: Macmillan, 1998.
Shaner, Mary E. "Instruction and Delight: Medieval Romances as Children's Literature." Poetics Today 13.1 (1992): 5-16.*
Suard, F., et al. "The Beginnings of Literature in Europe." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 35-89.*
Tenreiro, Ramón Mª, ed. Libros de caballerías. Madrid: Biblioteca Literaria del Estudiante del Instituto-Escuela, 1935.
Vance, Eugene. From Topic to Tale: Logic and Narrativity in the Middle Ages. Minneapolis: U of Minnesota P, 1987.
Vinaver, Eugène. "From Epic to Romance." Bulletin of the John Rylands Library 49 (1964): 576-503.
Vitz, Evelyn Birge. Medieval Narrative and Modern Narratology: Subjects and Objects of Desire. New York: New York UP, 1989.
Internet resources
Performing Medieval Narrative Today: A Video Showcase
http://wilde.its.nyu.edu/mednar/
Series
(Studies in Medieval Romance, 10). Cambridge: D. S. Brewer, 2009.
See also Origins of the Novel; Romance (medieval).
Early modern fiction
Andrews, Lew. Story and Space in Renaissance Art: The Rebirth of Continuous Narrative. Cambridge: Cambridge UP, 1995.
Chevalier, Maxime. Sur le public du roman de chevalerie. Bordeaux, 1968.
Day, Geoffrey. From Fiction to the Novel. Routledge, 1987.
Donovan, Josephine. Women and the Rise of the Novel, 1405-1726. Houndmills: Macmillan, 1999.
Fusillo, Massimo. Naissance du roman. Trans. Marielle Abrioux. (Poétique). Paris: Seuil, 1991.
Gargano, Antonio. "Del cuento a la novela. A propósito de Buscón, I,ii." In Gargano, La sombra de la teoría: ensayos de literatura hispánica del Cid a Cien Años de Soledad. Salamanca: Ediciones U de Salamanca, 2007. 181-92.*
Gevirtz, Karen Bloom. Women, the Novel, and Natural Philosophy, 1660-1727. Houndmills: Palgrave Macmillan, 2014.
http://www.palgrave.com/products/title.aspx?pid=715647
2014
Lavocat, Françoise. Arcadies malheureuses: Aux origines du roman moderne. Paris: Champion, 1999.
_____, ed. Usages et théories de la fiction: Le débat contemporain à l'épreuve des textes anciens (XVI-XVIIIe siècles). PUR, 2004.
Levao, Ronald. Renaissance Minds and Their Fictions. U of California P, 1987.
Lynn, David H. The Hero's Tale: Narrators in the Early Modern Novel. Hong Kong: Macmillan, 1989.
McKeon, Michael. "Generic Transformation and Social Change: Rethinking the Rise of the Novel." Cultural Critique 1 (1985): 159-81.*
_____."Generic Transformation and Social Change: Rethinking the Rise of the Novel." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 382-99.*
_____. The Origins of the English Novel, 1600-1740. Baltimore: Johns Hopkins UP, 1987; London: Hutchinson-Radius, 1988.*
Nelson, William. Fact or Fiction: The Dilemma of the Renaissance Storyteller. Cambridge: Harvard UP, 1973.
Richetti, John. "7. Defoe as narrative innovator." In The Cambridge Companion to Daniel Defoe. Ed. John Richetti. Cambridge: Cambridge UP, 2008. 121-38.*
Rippl, Coralie. "Raum der Herkunft, Ort des Erzählens. Zum Phänomen der anderweltlichen Herkunft im Roman der Frühen Neuzeit." In Literarische Räume der Herkunft. Ed. Maximillian Benz and Katrin Dennerlein. Berlin and Boston: Walter de Gruyter, 2016. 205-34.*
https://doi.org/10.1515/9783110444681-009
Online at Zurich Open Repository and Archive.*
https://www.zora.uzh.ch/id/eprint/129959/1/CRC_DennerleinBenz-RDH-30jk_Rippl_SEP.pdf
2021
Robert, Marthe. Roman des origines et origines du roman. Paris: Gallimard, 1972.
_____. From Origins of the Novel. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 160-77.*
Schlauch, Margaret. Antecedents of the English Novel, 1400-1600: From Chaucer to Deloney. Warsaw: Polish Scientific Publications, 1963.
Thomas, Max W., ed. Journal of Narrative Theory. special issue: Reading the Semes/Seams of the Early Modern City. Forthcoming 1999.
Vakhrushev,
V. S. (Вахрушев, В. С.) "Жанровая поэтика русского и английского романа XVII—XIX веков в контексте мировой литературы." In «Меры не знал я, смертных любя»: к 90-летию российского филолога Владимира Серафимовича Вахрушева (1932—2011).
Редакторы-составители Людмила Комуцци и Павел Глушаков. Санкт-Петербург: Росток, 2022.
9-104.* ("Genre Poetics of the Russian and English Novel of the 17th—19th Centuries
in the Context of World Literature")
Series
(Library of Early Novels). Routledge, ?1910.
See also Origins of the Novel.
17th century
Congreve, William. Preface to Incognita. In Williams, Novel and Romance 27.
Day, Robert Adams. Told in Letters: Epistolary Fiction before Richardson. Ann Arbor: U of Michigan P, 1966.
Donovan, Josephine. Women and the Rise of the Novel, 1405-1726. Houndmills: Macmillan, 1999.
McKeon, Michael. "Generic Transformation and Social Change: Rethinking the Rise of the Novel." Cultural Critique 1 (1985): 159-81.
Schwan, Eduard. "Die Anfänge des modernen Romans." Preussisches Jahrbuch 70 (1892).
Williams, Joan. The Idea of the Novel in Europe, 1600-1800. London: Macmillan, 1979.
18th century
Armstrong, Nancy. How Novels Think: The Limits of Individualism from 1719-1900. New York: Columbia University Press, 2005.
Beckford, William. Modern Novel Writing. 2 vols. 1796.
Bentley, G. E., Jr., ed. Editing Eighteenth-Century Novels. Toronto: A. M. Hakkert, 1975.
Black, Frank G. "The Technique of Letter Fiction from 1740 to 1800." Harvard Studies and Notes 15 (1933): 291-312.
_____. The Epistolary Novel in the Late Eighteenth Century. Eugene (OR), 1940.
Blanckenburg, Friedrich von. Versuch über den Roman. Leipzig, 1774. Rpt. Stuttgart: Metzlersche Verlagsbuchhandlung, 1965.
Brant, C. "The Epistolary Novel." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 377-80.*
Bray, Joe. "'Print Culture' and the Language of the Eighteenth-Century Novel." In The Writer's Craft, the Culture's Technology. Ed. Carmen Rosa Caldas-Coulthard and Michael Toolan. (PALA Papers, 1). Amsterdam and New York: Rodopi, 2005.
Day, Robert Adams. Told in Letters: Epistolary Fiction before Richardson. Ann Arbor: U of Michigan P, 1966.
Gallego Durán, Mar. "Eighteenth-Century Sentimental Novels: Forging a Female Space." In Literature, Gender, Space. Ed. Sonia Villegas-López and Beatriz Domínguez-García Huelva: Servicio de Publicaciones de la Universidad de Huelva, 2004.
Gelley, Alexander. "Character and Person: On the Presentation of Self in Some Eighteenth-Century Novels." In The Eighteenth Century: Theory and Interpretation 21 (1980): 109-27.
Green, F. C. "The Novel." In Green, Minuet: A Critical Survey of French and English Literary Ideas in the Eighteenth Century. London: Dent, 1935. 302-466.*
Kahler, Erich. "Die Verinnerung des Erzählens." In Kahler, Untergang und Übergang. Munich: Deutscher Taschenbuch Verlag, 1970.
_____. The Inward Turn of Narrative. Trans. Richard and Clara Winston. Foreword by Joseph Frank. (Bollingen Series LXXXIIII). Princeton (NJ): Princeton UP, 1973.*
Keener, Frederick M. The Chain of Becoming: The Philosophical Tale, the Novel, and a Neglected Realism in the Enlightenment: Swift, Montesquieu, Voltaire, Johnson, and Austen. New York: Columbia UP, 1983.
MacArthur, Elizabeth J. Extravagant Narratives: Closure and Dynamics in the Epistolary Form. Princeton (NJ): Princeton UP, 1990.
May, Georges. Le Dilemme du roman au XVIIIe siècle. New Haven: Yale UP, 1963.
Miles, Robert. Gothic Writing 1750-1820: A Genealogy. London: Routledge, 1993.
Mussell, Kay. Women's Gothic and Romantic Fiction. Westport (CT), 1981.
Oakleaf, David. "Marks, Stamps and Representations: Character in Eighteenth-Century Fiction." Studies in the Novel 23 (1991): 295-311.
Palmeri, Frank. "The Metamorphoses of Satire in Eighteenth-century Narrative." Comparative Literature 48.3 (Summer 1996): 237-264.*
Politi, Gina J. The Novel and its Presuppositions: Changes in the Conceptual Structure of Novels in the Eighteenth and Nineteenth Centuries. Amsterdam, 1976.
Priestley, J. B. "The Novel." (18th cent.). In Priestley, Literature and Western Man. 1960. London: Readers Union / Heinemann, 1960. 65-77.
Schofield, Mary Anne. Masking and Unmasking the Mind: Disguising Romances in Feminine Fiction 1713-1799. Cranbury (NJ): Associated UPs, 1990.
Schulz, Dieter. "'Novel', 'Romance', and Popular Fiction in the First Half of the Eighteenth Century." Studies in Philology 70 (1973): 77-91.
Serroy, Jean. Roman et réalité: Les histoires comiques au XVIIe siècle. Paris: Minard, 1981.
Singer, Godfrey F. The Epistolary Novel. Philadelphia, 1933.
Taylor, Charles. "The Culture of Modernity." In Taylor, Sources of the Self: The Making of the Modern Identity. Cambridge: Cambridge UP, 1989. 2000. 285-302.* (Commerce, the family, the novel, sentiment—bourgeois Enlightenment).
Van Sant, Ann Jessie. Eighteenth-Century Sensibility and the Novel. New York: Cambridge UP, 1993.
Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Berkeley: U of California P, 1957. 1965. 1967.
_____. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. London: Chatto and Windus, 1957.
_____. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Harmondsworth: Penguin, 1963.* 1983.
_____. From The Rise of the Novel. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 363-81.*
Williams, Joan. The Idea of the Novel in Europe, 1600-1800. London: Macmillan, 1979.
Williams, Ioan, ed. Novel and Romance, 1700-1800: A Documentary Record. New York: Barnes, 1970.
Journals
Eighteenth-Century Fiction
Editor: David Blewett
McMaster U, CNH-421,
Hamilton, Ontario L8S 4L9
Canada
Pub.: University of Toronto Press Incorporated
5201 Dufferin Street
North York
Ontario
Canada M3H 5T8
Vol. 6.2 (1994).
19th century
Armstrong, Nancy. How Novels Think: The Limits of Individualism from 1719-1900. New York: Columbia University Press, 2005.
Bjørhovde, Gerd. Rebellious Structures: Women Writers and the Crisis of the Novel, 1880-1900. Oslo: Norwegian UP, 1987.
Bloom, Clive, et al., eds. Nineteenth Century Suspense. New York: St. Martin's, 1988.
Brinkmann, Richard.Wirklichkeit und Illusion: Studien über Gehalt und Grenzen des Begriffs Realismus für die erzählende Dichtung des neunzehnten Jahrhunderts. 3rd ed. Tübingen: Niemeyer, 1977.
Brooks, Peter. Body Work: Objects of Desire in Modern Narrative. Cambridge (MA): Harvard UP, 1993.
Brunetière, Ferdinand. Le Roman naturaliste. 1883. 2nd ed. Paris, 1892.
Caserio, Robert L. Plot, Story and the Novel: From Dickens and Poe to the Modern Period. Princeton (NJ): Princeton UP, 1979.
Chekhov, Anton. (Antón P. Chéjov). "Dos novelas." 1883. In Chéjov, Cuentos completos (1880-1885). Ed. Paul Viejo. 3rd ed. Madrid: Páginas de Espuma, 2014. 395-98.*
Coates, Paul. The Double and the Other: Identity and Ideology in Post-Romantic Fiction. Montreal: Macmillan, 1988.
Colby, Vineta. The Singular Anomaly: Women Novelists of the Nineteenth Century. New York: New York UP; London: London UP, 1970.
Correa, Delia de Sousa, ed. The Nineteenth-Century Novel: Realisms. London: Routledge, 2001. (Northanger Abbey, Middlemarch, Jane Eyre, Dombey and Son, Far from the Madding Crowd, Germinal).
Craig, David, "Fiction and the Rising Industrial Class." Essays in Criticism 17 (1967): 64-73.
Dalziel, Margaret. Popular Fiction 100 Years Ago: An Unexplored Tract of Literary History. Cohen & West 1957.
Ender, Evelyne. Sexing the Mind: Nineteenth-Century Fictions of Hysteria. Ithaca (NY): Cornell UP, 1995.
Fernández, P. "Scientia sexualis y saber psiquiátrico en la novela naturalista decimonónica." Asclepio 49.1 (1997): 241-42.
Furst, L. R. Fictions of Romantic Irony. Cambridge (MA): Harvard UP, 1984.
Ginsburg, Michal Peled. Economies of Change: Form and Transformation in the Nineteenth-Century Novel. Stanford: Stanford UP, 1996.
Gullón, Germán. El narrador en la novela del siglo XIX. Madrid: Taurus, 1976.
Hauser, Arnold. "IX. Naturalismo e impresionismo." In Hauser, Historia social de la literatura y el arte. II: Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004. 247-482.* (1. La generación de 1830. 2. El Segundo Imperio. 3. La novela social en Inglaterra y Rusia. 4. El impresionismo).
Herdman, John. The Double in Nineteenth-Century Fiction. Basingstoke: Macmillan, 1990.
Herget, Winfried, et al. Theorie und Praxis im Erzählen des 19. und 20. Jh. Tübingen: Narr, 1986.
James, Henry. Notes on Novelists. 1914.
_____. French Writers. Other European Writers. The Prefaces to the New York Edition. Ed. Leon Edel. New York: The Library of America, 1984.
Kroeber, Karl. Romantic Narrative Art. Madison: Wisconsin UP, 1960.
Larkin, Maurice. Man and Society in Nineteenth-Century Realism: Determinism and Literature. London: Macmillan, 1977.
Lukács, Georg. Studies in European Realism: A Sociological Survey of the Writings of Balzac, Stendhal, Zola, Tolstoy, Gorki and Others. 1948. Trans. Edith Bone. Introd. Alfred Kazin. New York: Grosset and Dunlap, 1964.
_____. Studies in European Realism: A Sociological Survey of the Writings of Balzac, Stendhal, Zola, Tolstoy, Gorki and Others. London: Merlin, 1972.
_____. Probleme des Realismus. Berlin, 1955.
Miles, Robert. Gothic Writing 1750-1820: A Genealogy. London: Routledge, 1993.
Miller, J. Hillis. Others. Princeton: Princeton UP, 2001.*
Moir, Georte. "Modern Romance and Novel." 1842. Extract in Eigner and Worth 39-57.
Mussell, Kay. Women's Gothic and Romantic Fiction. Westport (CT), 1981.
Nalbantian, Suzanne. Seeds of Decadence in the Late Nineteenth-Century Novel.
Oleza, J. La novela del XIX. Barcelona: Laia, 1984.
Pascal, Roy. The Dual Voice: Free Indirect Speech and Its Functioning in the Nineteenth-Century European Novel. Manchester: Manchester UP; Totowa (NJ): Towman and Littlefield, 1977.
Peterson, Carla. The Determined Reader: Gender and Culture in the Novel from Napoleon to Victoria. New Brunswick (NJ): Rutgers UP, 1987.
Politi, Gina J. The Novel and its Presuppositions: Changes in the Conceptual Structure of Novels in the Eighteenth and Nineteenth Centuries. Amsterdam, 1976.
Priestley, J. B. "The Novelists." (19th). In Priestley, Literature and Western Man. 1960. London: Readers Union / Heinemann, 1960.
Pykett, Lyn. The 'Improper' Feminine: The Women's Sensation Novel and the New Woman Writing. London: Routledge, 1992.
Rignall, John. Realist Fiction and the Strolling Spectator. London: Routledge, 1992.
Rodríguez Marín, R. La novela en el siglo XIX. Madrid: Playor, 1986.
Schmitt, Carl. Der moderne roman. Osnabrück, 1908.
Scott, Walter. "On Contemporary Fiction." Introd. to Waverley. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 431-5.
Taylor, Houghton W. "Modern Fiction and the Doctrine of Uniformity." Philological Quarterly 19 (1940): 225-36.
Varela Jácome, Benito. Estructuras novelísticas del siglo XIX. San Antonio de Calonge: Bosch, 1974.
Walder, Dennis, ed. The Nineteenth Century Novel: Identities. London: Routledge / Open U, 2001.*
Wells, H. G. The Contemporary Novel. 1911.
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_____. "Modern Fiction." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 86-91.*
_____. "Modern Fiction." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 739-44.*
_____. "Modern Fiction." Essay. 1925. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2148-53.*
_____. "Mr Bennett and Mrs Brown." 1924. In Woolf, Collected Essays. Vol. 1. London: Hogarth, 1971.
_____. "Mr. Bennett and Mrs. Brown." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 745-58.*
Zeraffa, Michel. Personne et personnage: Le romanesque des années 1920 aux années 1950. Paris: Klincksieck, 1969.
Ziolkowski, Theodore. Dimensions of the Modern Novel. Princeton (NJ): Princeton UP, 1969.
See also Experimental fiction/Postmodernist fiction.
Anthologies: Criticism
Nicol, Bran, ed. Postmodernism and the Contemporary Novel: A Reader. Edinburgh. Edinburgh UP, 2002.
Anthologies: Fiction
Cassill, R. V., ed. The Norton Anthology of Contemporary Fiction. New York: Norton.
Cooke, Judy. The Minerva Anthology of 20th-Century Women's Fiction.
Internet resources
MostlyFiction.com
2005-09-12
Journals
Critique: Studies in Contemporary Fiction
Vol. 23.3 (Washington, D.C., 1982).
Modern Fiction Studies
Department of English
Purdue University
West Lafayette, Indiana 47907
USA
Vol. 29 (1983)
On-line version. Internet: http://www.sla.purdue.edu/academic/engl/mfs
The Review of Contemporary Fiction
Ed. Robert L. McLaughlin.
Campus Box 4241,
Illinois State U,
Normal, IL 61790-4241.
http://www.cas.ilstu.edu/english/dalkey/dalkey.html
Vol. 3 (1983).
Series
(Andanzas 351). Barcelona: Tusquets.
(Biblioteca El Mundo: Las Mejores Novelas de la Literatura Universal Contemporánea, 17). Madrid: MDS Books / Mediasat, 2002.*
(Macmillan Modern Novelists series). Series ed. Norman Page. Houndmills: Macmillan, c. 1995.
(Narradores de Hoy). Barcelona: Bruguera, 1980.
(Narrativa Actual, 26, 27). Barcelona: RBA, 1995.*
(Narrativa Contemporánea, 838). Valencia: Pre-Textos, 2006.*
(Nueva Narrativa). Barcelona: RBA Coleccionables, c. 1999.
(Panorama de Narrativas, 771). Barcelona: Anagrama, 2011.*
(Punto de lectura). Madrid: Santillana, c. 2011.
21st century fiction – Contemporary Fiction
Baudelle, Yves. "Nomination, autorité narrative et adhésion fictionnelle: Du traitement de l'onomastique dans le roman contemporain (1990-2010)." In La transmission narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier and Andrée Mercier. Canada: Nota Bene, 2011. 25-48.*
Browse, Sam, Alison Gibbons and Matti Hatavara. "Real Fictions: Fictionality, Factuality and Narrative Strategies in Contemporary Storytelling." Narrative Inquiry 29.2 (2019): 245-67.
https://doi.org/10.1075/ni.19025.bro
https://www.jbe-platform.com/content/journals/10.1075/ni.19025.bro
Online at Trepo (Tampere U).*
https://trepo.tuni.fi/bitstream/handle/10024/117879/real_fictions_fictionality_factuality_2019.pdf
2020
Caracciolo, Marco. Strange Narrators in Contemporary Fiction. 2016.
Dawson, Paul. The Return of the Omniscient Narrator: Authorship and Autonomy in Twenty-First Century Fiction. (Theory and Interpretation of Narrative). Columbus (OH): Ohio UP, c. 2014.*
Draus-Klobucka, Agata. "Cómo la red influye en la narración: Motivos metanarrativos en las novelas amorosas contemporáneas." Siglo XXI: Literatura y Cultura Españolas 16 (2018): 69-86.*
https://doi.org/10.24197/sxxi.0.2018.69-86
https://revistas.uva.es/index.php/sigloxxi/article/view/2150
https://www.academia.edu/58630706/
2021
Fortier, Frances, and Andrée Mercier, eds. La transmission narrative: Modalités du pacte romanesque contemporain. (Contemporaneités). Canada: Nota Bene, 2011.*
Horvath, Tim. "First Do Not Bore: Earning and Sustaining Attention in Contemporary Literary Fiction." The Evolutionary Review 1 (2010): 88-96.*
Miller, Laura. "How Novels Came to Terms with the Internet." The Guardian 15 Jan. 2011.*
http://www.theguardian.com/books/2011/jan/15/novels-internet-laura-miller
2013
Millet, Richard. L’Enfer du roman: Réflexions sur la postlittérature. Paris: Gallimard, 2010.
Slaughter, Joseph. Human Rights, Inc. The World Novel, Narrative Form, and International Law. (René Wellek Prize 2008).
Visa, Mariona, Erica Briones and Maria Carme Figuerola, eds. La maternidad en la ficción contemporánea. Bern: Peter Lang, 2020.
https://www.peterlang.com/view/title/71989
2020
Series
(Andanzas, 737). Barcelona: Tusquets, 2010. (Andanzas, 888). Barcelona: Tusquets, 2016.*
(Biblioteca Breve). Barcelona: Seix Barral, c. 2012.* (Yugoslavia).
(Biblioteca Formentor). Barcelona: Seix Barral, c. 2009.
(DeBols!llo). Barcelona: Random House Mondadori, c. 2005.
(Narrativa del Acantilado, 317). Barcelona: Acantilado, 2019.*
(Narrativa Salamandra). Barcelona: Salamandra, c. 2014.*
(Narrativa Internacional). Barcelona: Penguin Random House-Alfaguara, 2016.*
(Narrativa Salamandra). Barcelona: Salamandra, c. 2017.
(Narrativas contemporáneas). Barcelona: Edhasa, 1977.*
(Panorama de Narrativas, 1081). Barcelona: Anagrama, 2022.*
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