jueves, 11 de abril de 2024

Novela inglesa

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

British/English Fiction

 

 

 

General

 

Allen, Walter. The English Novel: A Short Critical History. 1954. Harmondsworth: Penguin, 1958.*

Álvarez Amorós, José Antonio, ed. Historia crítica de la novela inglesa. Salamanca: Ediciones Colegio de España, 1998.*

Baker, E. A. History of the English Novel. 9 vols. London: Witherby, 1924-38.*

Eagleton, Terry. The English Novel: An Introduction. Oxford: Blackwell, 2005.*

Ford, Ford Madox. The English Novel: From the Earliest Days to the Death of Joseph Conrad. 1930. Manchester: Carcanet, 1983.

Kettle, Arnold. Introduction to the English Novel. Grey Arrow, 1962.*

Knight, Grant C. The Novel in English.

Lovett, Robert M., and Helen S. Hughes. The History of the Novel in England. Boston, 1932.

McKeon, Michael. Prose Fiction: Great Britain.

Richetti, John, ed. The Columbia History of the British Novel. Assoc. eds. John Bender, Deirdre David, Michael Seidel. New York: Columbia UP, 1994.*

Rogers, Jane, Hermione Lee, Daniel Hahn, Mike Harris and Douglas Houston. Good Fiction Guide. Oxford: Oxford UP, 2002.

Van Ghent, Dorothy. The English Novel: Form and Function. New York: Harper and Row, 1953.*

_____. The English Novel. New York: Rhinehart, 1953.

_____. The English Novel. New York: Harper Torchbook, 1961.

Wagenknecht, E. C. Cavalcade of the English Novel. New York: Holt, 1943.

 

 

 

 

Miscellaneous

 

"100 Novels That Shaped Our World." BBC Arts 5 Nov. 2019.*

         https://www.bbc.co.uk/programmes/articles/494P41NCbVYHlY319VwGbxp/explore-the-list-of-100-novels-that-shaped-our-world

         2019

Alcaraz Varó, Enrique. Semántica de la novela inglesa. Alicante: Publicaciones de la Caja de Ahorros Provincial de Alicante, 1982.

Allen, Walter. Six Great Novelists. London: H. Hamilton, 1955.

Alvarez Rodríguez, M. Origen y evolución en la novela histórica inglesa.  Salamanca: Universidad, 1983.

Banerjee, Jacqueline.Through the Northern Gate: Childhood and Growing Up in British Fiction, 1719-1901. 1996.

Beer, Gillian. Arguing with the Past: Essays in Narrative from Woolf to Sidney. London: Routledge, 1989.

Birke, Dorothee Writing the Reader: Configurations of a Cultural Practice in the English Novel. 2016.

Caporale Bizzini, Silvia, and Asunción Aragón Varo, eds. Historia crítica de la novela inglesa escrita por mujeres. Salamanca: Almar, 2003.

Church, Richard. The Growth of the English Novel. London: Methuen, 1951.

Dowling, David, ed. Novelists on Novelists. London: Macmillan, 1983.*

Ermath, Elizabeth Deeds. Realism and Consensus in the English Novel. Princeton: Princeton UP, 1983.

Fins de romans: Aspects de la conclusion dans la littérature anglaise.  Caen: Presses Universitaires de Caen, 1994.

Fraiman, Susan. Unbecoming Women: British Women Writers and the Novel Development c. 1996.

Gregor, Ian, ed. Imagined Worlds: Essays on Some English Novels and Novelists in Honour of John Butt. London: Methuen, 1968.

Hazell, Stephen, ed. The English Novel: Developments in Criticism since Henry James. (Casebooks series). Basingstoke: Macmillan, 1978.

Hazlitt, William. "On the English Novelists." In Lectures on the English Comic Writers. London, 1819. In Hazlitt, Works. VI. 132.

Haviland, Thomas P. 'Roman de longue haleine' on English Soil. Philadelphia, 1931.

Herman, David. The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. (Frontiers of Narrative Series). Lincoln: U of Nebraska P, 2011.

         https://www.nebraskapress.unl.edu/product/Emergence-of-Mind,674743.aspx

         2015

Higdon, David L. Time and English Fiction. London, 1977.

Hühn, Peter. Eventfulness in British Fiction. With contributions by Markus Kempf, Katrin Kroll and Jette K. Wulf. (Narratologia, 18). Berlin and New York: De Gruyter, 2010.*

_____. Eventfulness in British Fiction. With contributions by Markus Kempf, Katrin Kroll and Jette K. Wulf. (Narratologia, 18). Online at Scribd

         http://es.scribd.com/doc/48979938/Eventfulness-in-British-Fiction

         2013

Iser, Wolfgang. Der Implizite Leser: Kommunikationsformen des Romans von Bunyan bis Beckett. Munich: Fink, 1972.

_____. The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore: Johns Hopkins UP, 1974.*

Korte, B. Körpersprache in der Literatur: Theorie und Geschichte am Beispiel englischer Erzählprosa. 1993.

Langbauer, Laurie. Women and Romance: The Consolations of Gender in the English Novel. Ithaca: Cornell UP, 1990.

Lázaro Lafuente, Alberto, Marisol Morales, Juan Elices Agudo and Mónica Olivares. "Datos inéditos sobre la narrativa inglesa en la España de Franco." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*

Leavis, F. R. "1. The Great Tradition." In Leavis, The Great Tradition: George Eliot - Henry James - Joseph Conrad. London: Penguin-Peregrine Books / Chatto and Windus, 1983. 9-39.*

Leavis, Q. D. Fiction and the Reading Public. 1932. London: Bellew, 1990.

_____. "The Englishness of the English Novel." 1980. In Leavis, The Englishness of the English Novel. Ed. G. Singh. Cambridge: Cambridge UP, 1983. 303-27.

Leech, Geoffrey N., and Michael H. Short. Style in Fiction: A Linguistic Introduction to English Fictional Prose. London: Longman, 1981.

Mack, Maynard, and Ian Gregor, eds. Imagined Worlds: Some English Novels and novelists in Honour of John Butt. London: Methuen, 1968.

Mathews, Peter David. "'What Are Novelists For?' Atonement and the British Novel." Atlantis 39.2 (Dec. 2017): 11-28.*

McMaster, J., and R. McMaster. The Novel from Sterne to James: Essays on the Relationship of Literature to Life. London: Macmillan, 1981.*

Milligan, Ian. The English Novel. Longman, 1984.

Mintz, Samuel, Alice Chandler and Christopher Mulvey, eds. From Smollett to James: Studies in the Novel and Other Essays Presented to Edgar Johnson. Charlottesville: UP of Virginia, 1981.

Moglen, Helene. The Trauma of Gender: A Feminist Theory of the English Novel. U of California P, 2001.

         https://www.ucpress.edu/book/9780520225893/the-trauma-of-gender

         2019

Molina Quirós, Jorge. La novela utópica inglesa. Madrid: Prensa Española, 1967.

Newton, A. Edward. The Format of the English Novel. 1928. New York: Burt Franklin, 1971.

Nünning, A. "'But Why Will You Say That I Am Mad?' On the Theory, History, and Signals of Unreliable Narration in British Fiction." Arbeiten aus Anglistik und Amerikanistik 22.1 (1997): 83-105.

Page, Norman. Speech in the English Novel. London: Longman, 1973.

Pearce, Roy Harvey, ed. Experience in the Novel. New York: Columbia UP, 1968.

Pritchett, V. S. The Living Novel. London: Chatto, 1946.

Punter, David. The Literature of Terror: A History of Gothic Fiction from 1765 to the Present Day. London: Longman, 1980.

Schabert, Ina. Der historische Roman in England und Amerika. Darmstadt: Wissenschaftliche Buchgesellschaft, 1981.

Smith, W. H. Architecture in English Fiction. New Haven, 1934.

Stevenson, Lionel. The English Novel: A Panorama. 1960.

Tomlison, T. B. The English Middle-Class Novel. London: Macmillan.

Walpole, Hugh. The English Novel: Some Notes on Its Evolution. Cambridge: Cambridge UP, 1925.

Warner, William B. "The Elevation of the Novel in England: Hegemony and Literary History." ELH 59.3 (1992): 577-96.

Weimann, Robert. "Erzählerstandpunkt und Point of View : Zur Geschichte und Aesthetik der Perspektive im englischen Roman." Zeitschrift für Anglistik und Amerikanistik 10 (1962): 369-416.*

Williams, Ioan. The Realist Novel in England. Pittsburgh: U of Pittsburgh P, 1975.

Williams, Jeffrey J. Theory and the Novel: Narrative Reflexivity in the British Tradition.. Oxford: Oxford UP, c. 2000.

Williams, Raymond. The English Novel from Dickens to Lawrence. New York: Oxford UP, 1970.

_____. The English Novel from Dickens to Lawrence. London: Paladin, 1974.

_____. The English Novel from Dickens to Lawrence. London: Hogarth, 198-?

_____. "The English Novel." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 233-39.*

Wolf, Werner. Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst: Theorie und Geschichte mit Schwerpunkt auf englischem illusionsstörenden Erzählen. Tübingen: Niemeyer, 1993.*

 

 

 

 

Bibliographies

 

Anderson, W. E. K. The English Novel: Select Bibliographical Guide. Oxford: Clarendon, 1974.

Dyson, A. E., ed. The English Novel: Select Bibliographical Guides. Oxford: Oxford UP, 1975.

Esdaile, Arundell. A List of English Tales and Prose Romances Printed before 1740. The Bibliographical Society, 1912.

García Landa, José Angel. "British/English Fiction." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Wikeo Dwi Febri Ryansiah) 19 Dec. 2015.*

         https://es.scribd.com/doc/293664957/

         2015

_____. "British / English Fiction." From A Bibliography of Literary Theory, Criticism and Philology. Online at Ininet 20 April 2018.*

         https://ininet.org/a-bibliography-of-literary-theory-criticism-and-philology-v11.html

         2024

Gecker, Sidney. English Fiction to 1820 in the University of Pennsylvania Library. Philadelphia, 1954.

 

 

 

Internet resources

 

 

Early English Prose Fiction. In Lion: Literature Online. Internet database. Chadwyck-Healey, 1997.

 

Norris, Trevor. The Contemporary English Novel. Blog.

         http://hl3003n.blogspot.com/

         2006-12-03

 

UK fiction publishers list (with web site links).

         http://www.purefiction.co.uk/pages/ukpub.htm

 

 

 

 

 

Series: Novels

 

 

(Cooke's Pocket Edition of Select Novels). Cooke, c. 1793.

 

(Oxford English Novels). Oxford: Oxford UP, c. 1968.

 

 

 

Old English fiction and narrative

 

Lockett, Leslie. "1. 700-1050: Embodiment, Metaphor, and the Mind in Old English Narrative." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 43-68.*

 

 

 

 

Medieval English fiction and narrative

 

Boitani, Piero. English Medieval Narrative in the Thirteenth and Fourteenth Centuries. Trans. Joan Hall. Cambridge: Cambridge UP, 1982.

Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford: Oxford UP, 2004.

Fludernik, Monika. "2. 1050-1500: Through a Glass Darkly; or, the Emergence of Mind in Medieval Narrative." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 69-100.*

McAlindon, T."The Emergence of a Comic Type in Middle English Narrative: The Devil and Giant as Buffoon." Anglia 81 (1963): 365-71.

Piercy, Hannah. Resistance to Love in Medieval English Romance. Boydell & Brewer – D.S. Brewer, 2023.*

         https://boydellandbrewer.com/9781843846727/resistance-to-love-in-medieval-english-romance/

         2023

Putter, Ad, and Jane Gilbert, eds. The Spirit of Medieval English Popular Romance. (Longman Medieval and Renaissance Library). Harlow: Addison Wesley Longman, 1999. (criticism on Lai le Freine, William of Palerne, Sir Tristrem, Eger and Grime, The Seege of Troy, Emaré, The Awntyrs off Arthure, Gamelyn, Sir Degaré, Sir Orfeo, Sir Launfal).

Saintsbury, George "Early Romances." From Saintsbury's Short History of English Literature. In García Landa, Vanity Fea 3 Oct. 2021.*

         https://vanityfea.blogspot.com/2021/10/early-romances.html

         2021

Waller, A. R. "17. Later Transition English: Secular Lyrics; Tales; Social Satire." In From the Beginnings to the Cycle of Romance. Vol. 1 (English) of The Cambridge History of English and American Literature. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com

         http://www.bartleby.com/211/index.html

         2013

Visser, F. Th. "The Historical Present in Middle English Verse Narratives." In English Studies Presented to R. W. Zandvoort on the Occasion of His Seventieth Birthday. Supplement to English Studies 45 (1964): 135-43.

 

 

 

Early modern English fiction

 

Atkins, J. W. H. "16. Elizabethan Prose Fiction." In The Cambridge History of English and American Literature, 3: English: Renascence and Reformation. Ed. A. W. Ward and A. R. Waller. New York: Putnam, 1907-21. Online at Bartleby.com, 2000.* (1. Earlier native types. 2. The influence of translators. 3. John Lyly. 4. Euphues. 5. Euphuism. 6. Lyly's influence. 7. Robert Greene. 8. Sir Philip Sidney. 9. Arcadia. 10. Its style and influence. 11. Greene's romances. 12. Thomas Lodge. 13. Rosalynde. 14. Emanuel Ford. 15. Nicholas Breton. 16. Anthony Munday. 17. Greene's autobiographical and realistic work. 18. Thomas Nashe. 19. The Unfortunate Traveller. 20. Its literary qualities. 21. Characteristics of Nashe's prose. 22. Thomas Deloney. 23. Thomas of Reading. 24. Jack of Newbury. 25. The Gentle Craft. 26. Deloney's literary characteristics. 27. General Summary).

http://www.bartleby.com/213/

2013

Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford: Oxford UP, 2004.

Davis, Lennard. "A Social History of Fact and Fiction: Authorial Disavowal in the Early English Novel." In Literature and Society. Ed. Edward Said. (Selected Papers from the English Institute, 1978, ns., 3). Baltimore, MD: Johns Hopkins UP, 1980. 120-48.

_____. Factual Fictions: The Origins of the English Novel. New York: Columbia UP, 1983.

Galván Reula, Fernando. "Notas sobre el desarrollo y resurgimiento del romance en inglés." In In Memoriam Inmaculada Corrales. La Laguna: Universidad de La Laguna, 1987. 143-58.

Hart, F. Elizabeth. "3. 1500-1620: Reading, Consciousness, and Romance in the Sixteenth Century." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 103-31.*

Marchitello, Howard. Narrative and Meaning in Early Modern England: Browne's Skull and Other Histories. Cambridge: Cambridge UP, c. 1998.

Schlauch, Margaret. "English Short Fiction in the 15th and 16th centuries." Studies in Short Fiction 3 (1966).

Vakhrushev, V. S. (Вахрушев, В. С.) "Жанровая поэтика русского и английского романа XVII—XIX веков в контексте мировой литературы." In «Меры не знал я, смертных любя»: к 90-летию российского филолога Владимира Серафимовича Вахрушева (1932—2011).  Редакторы-составители Людмила Комуцци и Павел Глушаков. Санкт-Петербург: Росток, 2022.   
9-104.* ("
Genre Poetics of the Russian and English Novel of the 17th—19th Centuries in the Context of World Literature")

 

 

 

Anthologies

 

 

Henderson, Philip, ed. Shorter Novels. 3 vols. (Vol. 1: Elizabethan - introd. George Saintsbury, Notes by Philip Henderson; Vol. 2: Seventeenth-century - Ed. and introd. Philip Henderson. ; Vol. 3: Eighteenth-century - Ed. Philip Henderson). (Everyman's Library, 824, 831, 856). London: Dent; New York: Dutton.

Simons, John, ed. Guy of Warwick and Other Chapbook Romances: 6 Tales from the Popular Literature of Pre-Industrial England. Exeter UP, 1998.

Sánchez Escribano, Javier, [ed.]. Picaresca española en traducción inglesa (xx. XVI y XVII): Antología y estudios. Zaragoza: Universidad de Zaragoza, 1998.*

 

 

 

Video

 

 

Holm, Melanie. "Origins of the English Novel. 1. The Introduction." Viceo lecture. YouTube (Melanie Holm) 2 Sept. 2016.* (On Michael McKeon).

         https://youtu.be/xz8e2GSvDYc

         2018

 

 

 

 

 

 

16th-century English fiction

 

Davis, Walter. Idea and Act in Elizabethan Fiction. Princeton: Princeton UP, 1969.

Garke, Esther. The Use of Song in Elizabethan Prose Fiction. Bern: Francke, 1972.

Nelson, William. "The Boundaries of Fiction in the Renaissance: A Treaty Between Truth and Falsehood." ELH 36 (1969): 30-58.

_____. Fact or Fiction: The Dilemma of the Renaissance Storyteller. Cambridge: Harvard UP, 1973.

Reilhan, Constance C., ed. Framing Elizabethan Fictions. Kent State UP, 1997.

Shaw, Patricia. "Características de la narrativa isabelina en prosa." In Estudios literarios ingleses: Renacimiento y barroco. Ed. Susana Onega. Madrid: Cátedra, 1986. 129-70.*

Watt, Ian. "Elizabethan Fiction." In The Age of Shakespeare. Vol. 2 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1982. Rev. 1993. 195-206.*

Wolff, S. L. The Greek Romance in Elizabethan Prose Fiction.  New York: Columbia UP, 1912.

 

 

 

 

 

 

Anthologies

 

 

Henderson, Philip, ed. Shorter Novels. 3 vols. (Vol. 1: Elizabethan - introd. George Saintsbury, Notes by Philip Henderson; Vol. 2: Seventeenth-century - Ed. and introd. Philip Henderson. ; Vol. 3: Eighteenth-century - Ed. Philip Henderson). (Everyman's Library, 824, 831, 856). London: Dent; New York: Dutton.

Salzman, Paul, ed. An Anthology of Elizabethan Prose Fiction. Oxford: Oxford UP.

 

 

17th-century English fiction

 

Backscheider, Paula R. and John J. Richetti, eds. Popular Fiction by Women 1660-1730. Oxford: Clarendon Press, 1996.

Bowers, Toni O'Shaughnessy. "Sex, Lies, and Invisibility: Amatory Fiction from the Restoration to Mid-Century." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 50-72.*

Bradburn, Elizabeth. "4. 1620-1700: Mind on the Move." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 132-58.*

Hughes, Helen Sard. "English Epistolary Fiction before Pamela." In Manly Anniversary Studies . Chicago, 1923. 156-69.

Loftis, J. "The Drama and the Novel." In The Age of Dryden. Vol. 8 of The Cambridge History of English Literature. Ed. A. W. Ward and A. R. Waller. Cambridge: Cambridge UP, 1911. 2nd ed. 1932.

McKeon, Michael. The Origins of the English Novel, 1600-1740. Baltimore: Johns Hopkins UP, 1987*; London: Hutchinson-Radius, 1988.

Monnickendam, Andrew. "Paradise Lost as a Novel." Actas del I Congreso Nacional de la Sociedad Española de Estudios Renacentistas Ingleses (SEDERI) / Proceedings of the I National Conference of the Spanish Society for English Renaissance Studies. Ed. Javier Sánchez. Zaragoza: SEDERI, 1990. 179-90.*

Morgan, Charlotte E. The Rise of the Novel of Manners: A Study of English Prose Fiction between 1600 and 1740. New York: Columbia UP, 1911.

Rees, Christine. "Seventeenth-Century Utopias: 'witty fictions, but mere chimeras'." In Rees, Utopian Imagination and Eighteenth-Century Fiction. Harlow: Addison Wesley Longman, 1996. 39-64.*

Spencer, Jane. The Rise of the Woman Novelist: From Aphra Behn to Jane Austen.  Oxford: Blackwell, 1987.*

Spufford, Margaret. Small Books and Pleasant Memories: Popular Fiction and Its Readership in Seventeenth-Century England. Athens: U of Georgia P, 1981.

Warner, William. "Licensing Pleasure: Literary History and the Novel in Early Modern Britain." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 1-22.*

 

 

 

Anthologies

 

 

Henderson, Philip, ed. Shorter Novels. 3 vols. (Vol. 1: Elizabethan - introd. George Saintsbury, Notes by Philip Henderson; Vol. 2: Seventeenth-century - Ed. and introd. Philip Henderson. ; Vol. 3: Eighteenth-century - Ed. Philip Henderson). (Everyman's Library, 824, 831, 856). London: Dent; New York: Dutton.

 

 

 

 

Anthologies

 

 

Peterson, Spiro, ed. The Counterfeit Lady Unveiled and Other Criminal Fiction of Seventeenth-Century England. Garden City (NY): Anchor, 1961.

Salzman, Paul, ed. An Anthology of Seventeenth-Century Fiction. (World's Classics). Oxford: Oxford UP, 1991.*

Henderson, Philip, ed. Shorter Novels: vol. 2: Jacobean and Restoration. (Everyman's Library, 831). London: Dent; New York: Dutton.

 

 

 

 

 

Bibliographies

 

Esdaile, Arundell. A List of English Tales and Prose Romances Printed before 1740. The Bibliographical Society, 1912.

Mish, Charles C. English Prose Fiction, 1600-1700: A Chronological Checklist. Charlottesville (VA), 1952.

 

 

18th-century English fiction

 

Aercke, Kristian P. "Theatrical Backround in English Novels of The Seventeenth Century." The Journal of Narrative Technique 18.2 (1988):120-136.*

Álvarez Rodríguez, Román. "De la novela gótica a la novela histórica, 1760-1840." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 65-106.*

Aragón Fernández, María Aurora. "Sobre las relaciones de la narrativa inglesa y la novela francesa del siglo XVIII." Stvdia Patriciae Shaw Oblata. Vol. 1. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 62-81

Backscheider, Paula R. and John J. Richetti, eds. Popular Fiction by Women 1660-1730. Oxford: Clarendon Press, 1996.

Backscheider, Paula, and Catherine Ingrassia, eds. A Companion to the Eighteenth-Century Novel. Oxford: Blackwell, forthcoming 2004.

Baker, E. A. The History of the English Novel. 1930. Vols. 3 and 4. (18th cent.).

Bender, John. Imagining the Penitentiary: Fiction and the Architecture of Mind in Eighteenth-Century England. Chicago: U of Chicago P, 1978.

Bhall, A. The Cartographers of Hell: Essays on the Gothic Novel and the Social History of England. 1991.

Birkhead, Edith. "Sentiment and Sensibility in the Eighteenth-Century Novel." Essays and Studies 11 (1925): 92-116.

Blamires, Harry. "Origins of the Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 151-59.*

_____. "The Eighteenth-Century Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 201-16.*

Bond, Clinton. "Representing Reality: Strategies of Realism in the Early English Novel." Eighteenth-Century Fiction 6.2 (1994): 121-40.

Bowers, Toni O'Shaughnessy. "Sex, Lies, and Invisibility: Amatory Fiction from the Restoration to Mid-Century." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 50-72.*

Brewer, Derek. English Gothic Literature. London: Macmillan, 1983.*

Case, Alison A. Plotting Women: Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel. Charlottesville: UP of Virginia, 1999.

Conant, Martha P. The Oriental Tale in England in the Eighteenth Century. 1908.

Concha Muñoz, Angeles de la. "La escritura femenina como exploración de identidad personal y social en la novela inglesa del siglo XVIII." Epos 6 (1990): 379-96.

Craft-Fairchild, Catherine. Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women. University Park: Pennsylvania State UP, 1993.

Cross, Wilbur L. The Development of the English Novel. New York: Macmillan, 1899.

Cullens, Chris. Female Difficulties: Novels by English and German Women, 1752-1814. Stanford (CA): Stanford UP, forthcoming 1994.

_____. "Female Difficulties, Comparativist Challenge: Novels by English and German Women, 1752-1814." In Borderwork. Ed. Margaret R. Higonnet. Ithaca (NY): Cornell UP, 1994. 100-19.*

Damrosch, Leopold. God's Plot and Man's Stories: Studies in the Fictional Imagination from Milton to Fielding. Chicago: U of Chicago P, 1985.

Davis, Lennard J. "'Wicked Actions and Feigned Words': Criminals, Criminality, and the Early English Novel." Yale French Studies 59 (1980): 106-18.

_____. Factual Fictions: The Origins of the English Novel. New York: Columbia UP, 1983.*

Dibelius. Englische Romankunst. Berlin, 1910.

Donovan, Robert Alan. The Shaping Vision: Imagination in the English Novel from Defore to Dickens. Ithaca: Cornell UP, 1966.

Duncan, Jeffrey L. "The Rural Ideal in Eighteenth-Century Fiction." Studies in English Literature 8 (1968): 517-35.

Eaves, Thomas Cary Duncan. "Graphic Illustration of the Principal English Novels of the Eighteenth Century." Diss. Harvard, 1944.

Frank, Judith. Common Ground: 18th-century English Satire Fiction and the Poor. Stanford: Stanford UP, 1997.

García Landa, José Angel. "Notes on Ian Watt's The Rise of the Novel." In García Landa, Vanity Fea 1 Dec. 2014.*

         http://vanityfea.blogspot.com.es/2014/12/notes-on-ian-watts-rise-of-novel.html

         2014

García Tortosa, Francisco. Los viajes imaginarios en el siglo XVIII y su fondo cultural. Universidad de Salamanca, 1973.

Garside, Peter. "Politics and the Novel 1780-1830." In The Romantic Period. Ed. David B. Pirie. Vol. 5 of the Penguin History of Literature. Harmondsworth: Penguin, 1994. 49-86.*

Haggerty, George E. "The Gothic Novel, 1764-1824." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 220-46.*

Horner, Joyce. The English Women Novelists and Their Connection with the Feminist Movement (1688-1797). (Smith College Studies in Modern Languages, 11.1, 2, 3). 1929-1930.

Hughes, Helen Sard. "English Epistolary Fiction before Pamela." In Manly Anniversary Studies . Chicago, 1923. 156-69.

Hunter, J. Paul. Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction. New York: Norton, 1990.*

Johnson, Nancy E. The English Jacobin Novel on Rights, Property and the Law. Basingstoke: Palgrave Macmillan, 2004. (Thomas Holcroft, Charlotte Smith, Mary Hays, Mary Wollstonecraft, Maria Edgeworth).

Kahn, Madeleine. Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel. (Reading Women Writing). Ithaca (NY): Cornell UP, 1991.*

Karl, Frederick R. A Reader's Guide to the Development of the English Novel in the 18th Century. London: Thames and Hudson, 1974.*

Kelly, Gary. The English Jacobin Novel, 1780-1805. Oxford, 1976. (Bage, Holcroft, Inchbald, Godwin).

Kilgour, Maggie. The Rise of the Gothic Novel. London and New York: Routledge,1995.*

Killen, Alice M. Le Roman terrifiant. Paris, 1920, 1923.

_____. Le Roman terrifiant ou Roman noir, de Walpole à Ann Radcliffe, et son influence sur la littérature française jusqu'en 1840. Ph.D. diss. 1920. 2nd ed. Paris: Honorè Champion, 1967.

Konigsberg, Ira. Narrative Technique in the English Novel: Defoe to Austen. Hamden: Archon-Shoe String Press, 1985.

Kroll, Richard, ed. The English Novel: vol. 2. Smollett to Austen. (Longman Critical Readers). Harlow: Addison Wesley Longman, 1998.*

Lasa Álvarez, Begoña. "Eighteenth Century British Women Novelists in Spain: Publishing and Advertising Strategies." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*

Lévy, Maurice. Le Roman "gothique" anglais (1764-1824). Thèse de doctorat d'Etat. Toulouse: Publications de la faculté des lettres et sciences humaines, 1968.

Lorenzo Modia, María Jesús. "Eurocentrism and Transculturalisms in Eighteenth-Century Women Novelists." In El discurso artístico en el norte y en el sur: Eurocentrismos y transculturalismos. Ed. José Luis Caramés. 3 vols. Oviedo: U de Oviedo, 1998. 2.393-402.

Lovell, Terry. Consuming Fiction. London: Verso-New Left Books, 1987.*

Masson, David. British Novelists and Their Styles. London: Macmillan,1859.

Mayo, R. D. The English Novel in the Magazines, 1740-1815. London, 1962.

McKee, J. B. Literary Irony and the Literary Audience: Studies in the Victimization of the Reader in Augustan Fiction. Amsterdam: Rodopi, 1974.

McKeon, Michael. The Origins of the English Novel, 1600-1740. Baltimore: Johns Hopkins UP, 1987; London: Hutchinson-Radius, 1988.

_____. Prose Fiction: Great Britain. In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 600-12.* (18th c.).

McKillop, A. D. The Early Masters of English Fiction. Lawrence (KS): U of Kansas P, 1956.

_____. The Early Masters of English Fiction. London, 1962.

McMaster, Juliet. Reading the Body in the Eighteenth-century Novel.  Basingstoke: Palgrave Macmillan, 2004. (Clarissa, Tristram Shandy, Burney, Wollstonecraft, Austen).

Medrano Vicario, Isabel. "Los orígenes de la novela inglesa y su desarrollo en el siglo XVIII, 1660-1760." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 11-64.*

Miles, Robert. Gothic Writing, 1750-1820: A Genealogy. London: Routledge, 1993.*

Miller, Nancy K. The Heroine's Text: Readings in the French and English Novel, 1722-1782. New York: Columbia UP, 1980.

Morgan, Charlotte E. The Rise of the Novel of Manners: A Study of English Prose Fiction between 1600 and 1740. New York: Columbia UP, 1911.

Mullan, John. "The Rise of the Novel." British Library 21 June 2018.*

         https://www.bl.uk/restoration-18th-century-literature/articles/the-rise-of-the-novel

         2020

Napier, Elizabeth. The Failure of Gothic. Oxford: Clarendon, 1987.

Newton, Judith Lowder. Women, Power, and Subversion: Social Strategies in British Fiction, 1778-1860. Athens (GA): U of Georgia P, 1981.

Nünning, Ansgar. "Mimesis und Poiesis im englischen Roman des 18. Jahrhunderts: Überlegungen zum Zusammenhang zwischen narrativer Form und Wirklichkeitserfahrung." In Neue Lesarten, neue Wirklichkeiten: Zur Wiederentdeckung des 18. Jahrhunderts durch die Anglistik: Symposium zu Ehren von Ulrich Suerbaum. Ed. Gerd Stratmann and Manfred Buschmeier. Trier: Wissenschaftlicher Verlag, 1992. 46-69.

Pajares Infante, Eterio. La traducción de la novela inglesa del siglo XVIII. Introd. Fernando Galván. Vitoria: Portal Education, 2010.

Paulson, Ronald. Satire and the Novel in Eighteenth-Century England. New Haven: Yale UP, 1967.

Phelps, Gilbert. "Varieties of English Gothic." In From Blake to Byron. Ed. Boris Ford. Harmondsworth: Penguin, 1982. 110-27.*

Probyn, Clive T., English Fiction of the Eighteenth Century, 1700-1789. London: Longman, 1987.*

Rader, Ralph, W. "The Emergence of the Novel in England: Genre in History vs. History of Genre."Narrative 1.1 (1993): 69-83.*

_____. "Richardson to Austen." In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 140-53.*

Raleigh, Sir Walter. The English Novel. 1894.

Rees, Christine. "Utopian Discourse in the Eighteenth Century: A Preliminary View." In Rees, Utopian Imagination and Eighteenth-Century Fiction. Harlow: Addison Wesley Longman, 1996. 65-72.*

_____. Utopian Imagination and Eighteenth-Century Fiction. (Studies in 18th and 19th Century Literature series). Harlow (Essex): Addison Wesley Longman, 1996.*

Richetti, John. Popular Fiction before Richardson: Narrative Patterns 1700-1739. Oxford: Clarendon, 1969.

Rousseau, G. S. "From Swift to Smollett: The Satirical Tradition in Prose Narrative." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 127-53.*

Sacks, Sheldon. Fiction and the Shape of Belief: A Study of Henry Fielding, with Glances at Swift, Johnson and Richardson.  Berkeley: U of California P, 1964.

Saintsbury, George. "IX.ii. The Eighteenth-century Novel." From A Short History of English Literature. Vanity Fea 20 Oct. 2019.* (Richardson to Radcliffe).

         https://vanityfea.blogspot.com/2019/10/the-eighteenth-century-novel-saintsbury.html

         2019

Saintsbury, George. The English Novel.  London: Dent, 1913.

Schlaeger, Jürgen. "Truth, Fiction and Intertextuality in the Eighteenth-Century English Novel." In  Symbolism Vol. 5 (2005) – ("Special Focus: Intertextuality"). Brooklyn (NY): AMS Press, 2005. 77-100.* (William Beckford).

Scott, Walter. Lives of the Novelists. Prefaces to Ballantyne's Novelists Library (1821-24). Collected by Galignani in 1825.

_____. Lives of Eminent Novelists and Dramatists. London: Frederick Warne, 1887.

_____. The Lives of the Novelists. Introd. George Saintsbury. (Everyman). London: Dent, 1910.*

_____. Lives of the Novelists. In Sir Walter Scott on Novelists and Fiction. Ed. Ioan Williams. London: Routledge, 1968. 15-190.

Shaw, Patricia. "The Idealization of America and Americans in English Novels of the 1790s." In Miscel-lània homenatge Enrique García Díez. Valencia: Universitat de Valencia / Consellería de Cultura, Educació i Ciència de la Generalitat Valenciana, 1991. 233-44.

Sherburne, George, and Donald F. Bond. "Types of Prose Fiction." "The Mid-Century Novel." "The Novel After 1760." In The Restoration and Eighteenth Century (1660-1789). Vol. 3 of A Literary History of England. Ed. A. C. Baugh. London: Routledge, 1948. 2nd ed. 1967. 793-805, 950-65, 1021-34.*

Skinner, Gillian. Sensibility and Economics in the Novel, 1740-1800: The Price of a Tear. Basingstoke: Macmillan, 1997.

Smith, Allan Lloyd, and Victor Sage, eds. Gothick Origins and Innovations. Amsterdam: Rodopi, 1994.*

Smith, Andrew. Gothic Literature. (Edinburgh Critical Guides to Literature). Edinburgh: Edinburgh UP.

Spacks, Patricia Meyer. Imagining a Self: Autobiography and Novel in Eighteenth-Century England. Cambridge (MA): Harvard UP, 1976.

_____. "Novels of the 1790s: Action and Impasse." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 247-74.*

Spencer, Jane. The Rise of the Woman Novelist: From Aphra Behn to Jane Austen.  Oxford: Blackwell, 1987.*

Spender, D. Mothers of the Novel. London: Pandora, 1986.

Starr, G. A. "Sentimental Novels of the Later Eighteenth Century." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 181-98.*

Stevens, David. The Gothic Tradition. (Contexts in Literature). Cambridge: Cambridge UP, 2000.*

Taylor, Houghton W. The Idea of Locality in English Criticism of Fiction, 1750-1830. Chicago, 1936.

Taylor, John T. Early Opposition to the English Novel: The Popular Reaction from 1760 to 1830. New York: King's Crown Press, 1943.

Tompkins, J. M. S. The Popular Novel in England, 1770-1800. London, 1932. 1962.

Usandizaga, Aránzazu. "La novela inglesa en el siglo XVIII." In Lecciones de Literatura Universal. Ed. Jordi Llovet. Madrid: Cátedra, 1995.

Vallins, David. "6. 1775-1825: Affective Landscapes and Romantic Consciousness." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 187-214.*

Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. Berkeley: U of California P, 1957. 1965. 1967.

_____. The Rise of the Novel: Studies in Defoe, Richardson and Fielding. London: Chatto and Windus, 1957.

_____. The Rise of the Novel: Studies in Defoe, Richardson and Fielding.  Harmondsworth: Penguin, 1963.* 1983.  

_____. The Rise of the Novel. London: Pimlico, 2000.

Weisser, Susan Ostrov. Women and Sexual Love in the British Novel, 1740-1880: A 'Craving Vacancy'. Basingstoke: Macmillan, 1996.

Wolf, Werner. "Das 18. Jahrhundert: die Etablierung der Großen Illusionistischen Tradition und das Entstehen illusionstörenden Erzählens in England." In Wolf, Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst. Tübingen: Niemeyer, 1993. 509-50.*

Wright, W. F. Sensibility in English Prose Fiction, 1760-1814: A Reinterpretation. (Illinois Studies in Language and Literature 222.3-4). Urbana, 1937.

Zimmerman, Everett. Defoe and the Novel.  Berkeley: U of California P, 1975.

Zunshine, Lisa. "5. 1700-1775: Theory of Mind, Social Hierarchy, and the Emergence of Narrative Subjectivity." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 161-86.*

 

 

 

Anthologies

 

Henderson, Philip, ed. Shorter Novels of the Eighteenth Century. (Everyman's Library, 856). London: Dent; New York: Dutton.. London: Dent; New York: Dutton. (Jane Austen, Smollett, Sterne, Goldsmith, Mrs. Radcliffe, Johnson, Horace Walpole, William Beckford).

 

 

 

 

 

Audio

 

 

Burton, Gideon. "The Novel in 18th-c. Britain." Video lecture. YouTube (Gideon Burton) 26 Nov. 2012.*

         https://youtu.be/FNzns759wqM

         2018

 

 

 

 

 

 

Anthologies

 

Barbauld, Anna Laetitia, ed. The British Novelists. Novel collection. c. 1810. 1820.

British Women Novelists 1750-1850. (Collection). Introds. Peter Garside and Carolyn Franklin. London: Routledge/Thoemmes, 1992.

 

 

 

Bibliographies

 

Bibliography on the English novel, 2nd half of 18th century. CBEL 2.488-90, 521-53.

Cambridge Bibliography of English Literature 2.488-553. (Prose fiction of mid-18th century).

García Landa, José Angel. "British/English Fiction." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Wikeo Dwi Febri Ryansiah) 19 Dec. 2015.*

         https://es.scribd.com/doc/293664957/

         2015

Raven, James. The English Novel 1770-1829: A Bibliographical Survey of Prose Fiction Published in the British Isles. Vol. 1, 1770-1799. Oxford: Oxford UP, 2000.

 

 

Internet resources

 

The Eighteenth-Century English Novel. In Lilia Melani's website,

         http://academic.brooklyn.cuny.edu/english/melani/novel_18c/index.html

         2004-10-24

 

 

Eighteenth-Century Fiction. In Lion: Literature Online. Internet database. Chadwyck-Healey, 1996.

 

 

 

 

Journals

 

Eighteenth-Century Fiction 6.2 (1994).

 

 

19th century English fiction

 

Alexander, Michael. "10. Fiction." In Alexander, A History of English Literature. 2nd ed. Houndmills: Palgrave Macmillan, 2007. (The Triumph of the Novel. Charles Dickens, George Eliot).

Allen, Dennis W. Sexuality in Victorian Fiction. U of Oklahoma P, 1994.

Altick, Richard D. The Presence of the Present. Topics of the Day in the Victorian Novel. Ohio: Ohio UP, 1991.

Álvarez Rodríguez, Román. "De la novela gótica a la novela histórica, 1760-1840." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 65-106.*

Arata, Stephen. Fictions of Loss in Victorian Fin de Siècle: Identity and Empire.  Cambridge: Cambridge UP, 1996.

Armstrong, Nancy. Fiction in the Age of Photography: The Legacy of British Realism. 1999. Cambridge, MA: Harvard University Press, 2002.

Auerbach, Nina, and U. C. Knoepflmacher, eds. Forbidden Journeys: Fairy Tales and Fantasies by Victorian Women Writers. Chicago: U of Chicago P, 1992. Rev. in English Literature in Transition 37.4 (1994).

Bachleitner, Norbert. Der englische und französische Sozialroman des 19. Jahrhunderts und seine Rezeption in Deutschland.   Amsterdam: Rodopi, 1993.

Baker, Ernest A. The History of the English Novel the Day Before Yesterday. London: Witherby, 1938.

Beer, Gillian. Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth Century Fiction. London: Routledge and Kegan Paul, 1983.

_____. Darwin's Plots. London: Ark, 1985.

_____. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. 1983. 2nd ed. Cambridge and New York: Cambridge UP, 2000.

_____. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. 3rd ed. Cambridge: Cambridge UP, 2009.

_____. "Origins and Oblivion in Victorian Narrative.' In Beer, Arguing with the Past. London: Routledge, 1989. 12-33.*

Bilston, Sarah. The Awkward Age in Women's Popular Fiction, 1850-1900: Girls and the Transition to Womanhood. (Oxford English Monographs). Oxford: Oxford UP, 2004.

Blamires, Harry. "Scott and Contemporary Novelists." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 255-69.*

_____. "The Victorian Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 301-30.*

Block, Edwin F., Jr. Rituals of Dis-Integration: Romance and Madness in the Victorian Psychomythic Tale.  New York: Garland, 1993. Rev. in English Literature in Transition 37.4 (1994).

Brake, Laurel. "'Silly Novels'? Gender and the Westminster Review at Mid-Century." In Brake, Print in Transition, 1850-1910. Houndmills: Palgrave, 2001. 87-109.*

Brantlinger, Patrick. "Imperial Gothic: Atavism and the Occult in the British Adventure Novel, 1880-1914." English Literature in Transition 1880-1920 28.3 (1985).

_____. "Imperial Gothic: Atavism and the Occult in the British Adventure Novel, 1880-1914." In Reading Fin de Siècle Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York: Longman, 1996.

_____. "The Nineteenth-Century Novel and Empire." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 560-78.*

Brantlinger, Patrick, and William B. Thesing, eds. A Companion to the Victorian Novel. (Blackwell Companions to Literature and Culture). Oxford: Blackwell, 2002.

Brewer, Derek. English Gothic Literature. London: Macmillan, 1983.*

Brightfield, Myron F. Victorian England in its Novels, 1840-1870. Los Angeles, 1968.

Buckley, Jerome H., ed. The Worlds of Victorian Fiction. Cambridge (MA): Harvard UP, 1975.

Calder, Jenni. Women and Marriage in Victorian Fiction. New York: Oxford UP, 1976.

Carnero González, José. "La novela de transición al siglo XX, 1880-1910: últimos victorianos y eduardianos." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 147-92.*

Carroll, Joseph. "8. Agonistic Structure in Victorian Novels: Doing the Math." In Carroll, Reading Human Nature: Literary Darwinism in Theory and Practice. Albany: SUNY Press, 2011. 151-76.*

Carroll, Joseph, Jonathan Gottschall, John A. Johnson, and Daniel J. Kruger. "Human Nature in Nineteenth-Century British novels: Doing the Math." Philosophy and Literature 33 (2009): 50-72.

_____."39. Paleolithic Politics in British Novels of the Longer Nineteenth Century." In Evolution, Literature and Film: A Reader. Ed. Brian Boyd, Joseph Carroll and Jonathan Gottschall. New York: Columbia UP, 2010.

_____. "12. Agonistic Structure in Canonical British Novels of the Nineteenth Century." In Darwin's Bridge: Uniting the Humanities and Sciences. Ed. Joseph Carroll, Dan P. McAdams and E. O. Wilson. Oxford: Oxford UP, 2016. 195-222.*

Case, Alison A. Plotting Women: Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel. Charlottesville: UP of Virginia, 1999.

Cazamian, Louis. Le Roman social en Angleterre. Paris: Didier, 1904.

_____. The Social Novel in England. London: Routledge, 1973.

Cecil, David. Early Victorian Novelists: Essays in Revaluation. London: Constable, 1934. 1945.* 1966.

Childers, Joseph W. Novel Possiblities: Fiction and the Formation of Early Victorian Culture. Philadelphia: Pennsylvania UP, 1996.

Clayton, Jay. Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture. Oxford: Oxford UP, 2003. (Austen, Babbage, Darwin, Dickens, Mary Shelley, Andrea Barrett, Peter Carey, Richard Powers, Salman Rushdie, Ridley Scott, Neal Stephenson, Tom Stoppard).

Colby, Vineta. The Singular Anomaly. New York, 1970.

Cosslett, Tess. Woman to Woman: Female Friendship in Victorian Fiction. Hemel Hempstead: Harvester Wheatsheaf, 1988.

Craig, Stephanie F. "Ghosts of the Mind: The Supernatural and Madness in Victorian Gothic Literature". Honors thesis. Mississippi: University of Southern Mississippi, 2012.

Cross, Wilbur L. The Development of the English Novel. New York: Macmillan, 1899.

Cunningham, Gail. The New Woman in Victorian Fiction. London: Macmillan, 1978.

Daiches, David. "The Victorian Novel." In Daiches, A Critical History of English Literature. 2 vols. London: Secker and Warburg, 1960. 1049-93.*

Dames, Nicholas. "7. 1825-1880: The Network of Nerves." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 215-40.*

Davis, Philip. "Victorian Realist Prose and Sentimentality." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 13-28.*

DeLamotte, Eugenia C. Perils of the Night: A Feminist Study of Nineteenth Century Gothic. New York: Oxford UP, 1990.

Dibelius. Englische Romankunst. Berlin, 1910.

Donovan, Robert Alan. The Shaping Vision: Imagination in the English Novel from Defore to Dickens. Ithaca: Cornell UP, 1966.

Dowling, Linda. "The Decadent and the New Woman in the 1890s." Nineteenth-Century Fiction 33 (1979).

_____. "The Decadent and the New Woman in the 1890s." In Reading Fin de Siècle Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York: Longman, 1996.

Duncan, Ian. Modern Romance and Transformations of the Novel: The Gothic, Scott, Dickens. Cambridge: Cambridge UP, 1992.

Eliot, Simon. "Books and Their Readers—Part 1." In The Nineteenth-Century Novel: Identities. Ed. Dennis Walder. London: Routledge / Open U, 2001. 157-86.*

_____. "Books and Their Readers—Part 2." In The Nineteenth-Century Novel: Identities. Ed. Dennis Walder. London: Routledge / Open U, 2001. 331-58.*

Ermath, Elizabeth Deeds. The English Novel in History: 1840-1895. London: Routledge, 1997.

Feinberg, Monica. "Family Plot: the Bleak House of Victorian Romance." Victorian Newsletter 76 (Fall 1989).

Feltes, Norman N. Modes of Production of Victorian Novels. Chicago: U of Chicago P, 1986.

_____. Literary Capital and the Late Victorian Novel. Madison: U of Wisconsin P, 1993.

Fielding, K. J. The Idea of the Gentleman in the Victorian Novel. London: Allen, 1981.

Fleishman, Avon. The English Historical Novel: Walter Scott to Virginia Woolf. Baltimore, 1971.

Flint, Kate, ed. The Victorian Novelist: Social Problems and Social Change. London: Croom Helm, 1987.*

Frank, Lawrence. Victorian Detective Fiction and the Nature of Evidence. (Palgrave Studies in Nineteenth-Century Writing and Culture). Oxford: Oxford UP, 2003.

Frierson, William C. The English Novel in Transition, 1885-1940. Norman (OK): U of Oklahoma P, 1942.

Furbank, P. N. "Godwin's Novels." Essays in Criticism 5 (Oxford, 1955): 214-28.

Gallagher, Catherine. The Industrial Reformation of English Fiction: Social Discourse and Narrative Form, 1832-1867. Chicago: U of Chicago P, 1985.

Garrett, Peter K. Scene and Symbol from George Eliot to James Joyce: Studies in Changing Fictional Mode. New Haven, 1969.

_____. The Victorian Multiplot Novel: Studies in Dialogical Form. New Haven: Yale UP, 1980.*

Garside, Peter. "Politics and the Novel 1780-1830." In The Romantic Period. Ed. David B. Pirie. Vol. 5 of the Penguin History of Literature. Harmondsworth: Penguin, 1994. 49-86.*

Gilbert, Pamela. Disease, Desire and the Body in Victorian Women's Popular Novels.

Gilmour, Robin. The Idea of the Gentleman in the Victorian Novel. London: Allen, 1981.

_____. The Novel in the Victorian Age. London: Arnold, 1986.*

Gordon, Jan B. Gossip and Subversion in Nineteenth-Century British Fiction: Echo's Economies. Basingstoke: Macmillan, 1996.

Greiner, Rae. Sympathetic Realism in Nineteenth-Century British Fiction. Baltimore: Johns Hopkins UP, 2012.

Grosz, Konrad, Kurt Müller, and Meinhard Winkgens, eds. Das Natur / Kultur Paradigma in der english-sprachigen Erzählliteratur des 19. und 20. Jahrhunderts. Festschrift zum 60. Geburtstag von Paul Goetsch. Tübingen: Narr, 1994.

Guy, Josephine M. The Victorian Social-Problem Novel: The Market, the Individual and Communal Life. Basingstoke: Macmillan, 1996.

Haggerty, George E. "The Gothic Novel, 1764-1824." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 220-46.*

Hall, Donald E. Fixing Patriarchy: Feminism and Mid-Victorian Male Novelists. Basingstoke: Macmillan, 1996.

Hardy, Barbara. Forms of Feeling in Victorian Fiction. London: Methuen, 1985.*

Harman, Barbara Leah. The Feminine Political Novel in Victorian England. Charlottesville: UP of Virginia, 1998. (Gaskell, Brontë, Meredith, Elizabeth Robins).

Harris, Wendell. British Short Fiction in the Nineteenth Century. Detroit, 1979.

Harvey, John R. Victorian Novelists and Their Illustrators. London, 1970.

Harvie, Christopher. The Centre of Things: Popular Fiction in Britain from Disraeli to the Present. London: Routledge, 1991.

Hauser, Arnold. "IX. Naturalismo e impresionismo." In Hauser, Historia social de la literatura y el arte. II: Desde el rococó hasta la época del cine. Barcelona: DeBols!llo, 2004. 247-482.* (1. La generación de 1830. 2. El Segundo Imperio. 3. La novela social en Inglaterra y Rusia. 4. El impresionismo).

Hawthorn, Jeremy, ed. The Nineteenth-Century British Novel. London: Arnold, 1986.*

Heilmann, Ann. New Woman Fiction: Fin-de-Siècle Feminism. Houndmills: Macmillan, 2000.

Henkin, Leo J. Darwinism in the English Novel, 1860-1910: The Impact of Evolution on Victorian Fiction. 1940. New York: Russell and Russell, 19

Hidalgo, Pilar. "Lecturas feministas de textos narrativos victorianos." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 85-98.*

_____. "La novela victoriana, 1840-1880." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 107-46.

Horowitz, Evan. "Industrialism and the Victorian Novel." In The Oxford Handbook of the Victorian Novel. Ed. L. Rodensky. Oxford: Oxford UP, 2013. 357-76.

Horsman, Alan. The Victorian Novel. Oxford: Clarendon, 1990.

_____. The Victorian Novel. Vol. XIII of The Oxford History of English Literature (orig. Vol. XI part 1). Oxford: Oxford UP.

James, Henry. Literary Criticism: Essays on Literature: American Writers, English Writers. New York: Library of America, 1984.

Jenkins, Alice, and Juliet John. "Introduction." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 1-12.*

_____, eds. Rereading Victorian Fiction. Foreword by John Sutherland. Houndmills: Palgrave, 2000. Corr. pbk. 2002.*

Johnson, John A., Joseph Carroll, Jonathan Gottschall, and Daniel J. Kruger. "Hierarchy in the Library: Egalitarian Dynamics in Victorian Novels." Evolutionary Psychology 6 (2008): 715-38.

_____. "Portrayal of Personality in Victorian Novels Reflects Modern Research Findings but Amplifies the Significance of Agreeableness." Journal of Research in Personality (2010).

         doi: 10.1016/j.jrp.2010.11.011

Karl, Frederick R. A Reader's Guide to the Nineteenth Century British Novelists. New York: Noonday, 1964.

Kelly, Gary. The English Jacobin Novel, 1780-1805. Oxford, 1976. (Bage, Holcroft, Inchbald, Godwin).

_____. English Fiction of the Romantic Period, 1789-1830. (Longman Literature in English Series). London: Longman, 1989.

Kettle, Arnold. "The Early Victorian Social-Problem Novel." In From Dickens to Hardy. Vol. 6 of the Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1958. 1975. 169-87.*

Kiely, Robert. The Romantic Novel in England.  Cambridge (MA), Harvard UP, 1972.

Klaus, Patricia Otto. "Women in the Mirror: Using Novels to Study Victorian Women." In The Women of England from Anglo-Saxon Times to the Present. Ed. Barbara Kanner. Hamden, 1979.

Klingopulos, G. D. "The Literary Scene." In From Dickens to Hardy. Vol. 6 of the Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1958. 1975. 59-116.* (Victorian Literature – The Poetry – The Novel – Other Prose – The Drama).

Kranidis, Rita. Subversive Discourse: The Cultural Production of Late Victorian Feminist Novels. New York: St. Martin's, 1995.

Kucich, John. The Power of Lies: Transgression in Victorian Fiction. (Reviewed by Ivan Kreilkamp). Novel (Winter 1996): 253-55.*

_____. Repression in Victorian fiction: Charlotte Brontë, George Eliot, and Charles Dickens. Berkeley; Los Angeles; London: University of California Press, 1987.

Larson, Jil. "Sexual Ethics in Fiction by Thomas Hardy and the New Woman Writers." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 159-72.*

Law, Graham. Novels in Newspapers: Fiction Serialisation and Syndication in the Victorian Press. Houndmills: Macmillan, 2000.

Leavis, F. R. The Great Tradition. London: Chatto & Windus, 1948.

_____. The Great Tradition: George Eliot, Henry James, Joseph Conrad. Harmondsworth: Penguin, 1983.*

Leavis, Q. D. The Englishness of the English Novel. Vol. 1 of Collected Essays. Ed. G. Singh. Cambridge: Cambridge UP, 1983.

Lefkovtitz, L. H. The Character of Beauty in the Victorian Novel. Ann Arbor: UMI Research Press, 1987.

Levenson, Michael. Modernism and the Fate of Individuality: Character and Novelistic Form from Conrad to Woolf. 1991.

Levine, George. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago: U of Chicago P, 1981.

_____. Darwin and the Novelists: Patterns of Science in Victorian Fiction. Cambridge (MA): Harvard UP, 1988.

_____. Darwin and the Novelists: Patterns of Science in Victorian Fiction. Chicago: U of Chicago P, 1991. Online in Google Books:

         http://books.google.es/books?id=YEE1NP5kx_gC

         2010

Logan, Peter Melville. Nerves and Narratives: A Cultural History of Hysteria in 19th Century British Prose.

López Ortega, Ramón. Movimiento obrero y novela inglesa. Salamanca: Ed. de la Universidad de Salamanca, 1976.*

Lovell, Terry. Consuming Fiction. London: Verso-New Left Books, 1987.*

Lubbock, Percy. The Craft of Fiction. London: Cape, 1921.

Marshall, Gail. Victorian Fiction. (Contexts series). London: Arnold, 2002.

Masson, David. British Novelists and Their Styles. London: Macmillan,1859.

_____. "British Novelists since Scott." Select. from British Novelists and Their Styles. In Eigner and Worth 148-58.

Mayo, R. D. The English Novel in the Magazines, 1740-1815. London, 1962.

Michie, Elsie. Outside the Pale: Cultural Exclusion, Gender Difference, and the Victorian Woman Writer. Rev. by Caroline McCracken-Flesher. Novel: A Forum on Fiction 28 (1995): 352.*

Mellor, Anne K. "A Novel of Their Own: Romantic Women's Fiction, 1790-1830." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 327-51.*

Mendes, Peter. Clandestine Erotic Fiction in English 1800-1930: A Bibliographical Study. Aldershot: Scorla Press; Brookfield (VT): Ashgate Publishing, 1993. Rev. in English Literature in Transition 37.3 (1994).

Meyer, Susan. Imperialism at Home: Race and Victorian Women's Fiction. 1996.

Mighall, Robert. A Geography of Victorian Gothic Fiction: Mapping History's Nightmares. Oxford: Oxford UP, 1999.

Milbank, Alison. Daughters of the House: Modes of Gothic in Victorian Fiction. London: Macmillan, 1992.

Miles, Robert. Gothic Writing, 1750-1820: A Genealogy. London: Routledge, 1993.*

Miller, J. Hillis. "Some Implications of Form in Victorian Fiction." Comparative Literature Studies 3.2 (1966): 109-18. Rpt. in Mansions of the Spirit: Essays in Religion and Literature. New York: Hawthorn, 1967. 200-12.

_____. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith and Hardy.  Notre Dame: U of Notre Dame P, 1968. 2nd ed.: Cleveland: Arete, 1979.

Moir, George. Treatises on Poetry, Modern Romance, and Rhetoric: Being the Articles on Those Heads, Contributed to the Encyclopaedia Britannica, Seventh Edition. 1839.

Murray, David Christine. My Contemporaries in Fiction. London, 1897.

Musselwhite, David E. Partings Welded Together: Politics and Desire in the Nineteenth-Century English Novel. London: Methuen, 1987.

Newton, Judith Lowder. Women, Power, and Subversion: Social Strategies in British Fiction, 1778-1860. Athens (GA): U of Georgia P, 1981.

O'Gorman, Francis, ed. The Victorian Novel. (Blackwell Guides to Criticism). Oxford: Blackwell, 2002.

_____, A Concise Companion to the Victorian Novel. (Concise Companions to Literature and Culture). Oxford: Blackwell, 2004.

Paulson, Ronald. The Fictions of Satire. Baltimore, 1967.

_____. Satire and the Novel in Eighteenth-Century England. New Haven: Yale UP, 1967.

Perera, Suvendrini. Reaches of Empire: The English Novel from Edgeworth to Dickens. New York: Columbia UP, 1991.

Phelps, William Lyon. The Advance of the English Novel. New York: Dodd, Mead, 1916.

Philmus, Robert M. Into the Unknown: The Evolution of Science Fiction from Francis Godwin to H.G. Wells. Berkeley: U of California P, 1970.

Poster, Carol. "Oxidization is a Feminist Issue: Acidity, Canonicity, and Popular Victorian Female Authors." College English 58.3 (March 1996): 287-306.*

Praz, Mario. The Hero in Eclipse in Victorian Fiction. 1956. London: Oxford UP, 1969.

Pykett, Lyn. The Sensation Novel: From The Woman in White to The Moonstone. (Writers and Their Work). Plymouth: Northcote House/British Council, 1994.*

_____, ed. Reading Fin de Siècle Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York: Longman, 1996.*

Qualls, Barry V. The Secular Pilgrims of Victorian Fiction: The Novel as Book of Life. Cambridge: Cambridge UP, 1982.

Rader, Ralph. "A Comparative Anatomy of Three 'Baggy Monsters': Bleak House, Vanity Fair, Middlemarch." The Journal of Narrative Technique 19.1 (Winter 1989): 49-69.

Raleigh, Walter (Sir). The English Novel. 1894.

Rathburn, Robert C., and Martin Steinmann, Jr., eds. From Jane Austen to Joseph Conrad. Minneapolis: U of Minnesota P, 1958.

"Recent Works of Fiction." 1853. Extract in Eigner and Worth 84-92.

Regan, Stephen, ed. The Nineteenth-Century Novel: A Critical Reader. London: Routledge, 2001. (English novel).

Rennhak, Katharina. 'Cross-Gendering' und die Konstruktion männlicher Identitäten in Romanen von Frauen um 1800. (Studien zur Englischen Romantik, 13). Trier: wvt, 2013.

Richter, David H. The Progress of Romance: Literary Historiography and the Gothic Novel. Columbus: Ohio State UP, 1996.*

Ritchie, Anne Thackeray. A Book of Sibyls. 1883.

Robbins, Ruth. "The Persistence of Realism." In Robbins, Pater to Forster, 1873-1924. (Transitions). Oxford: Oxford UP, 2003.

_____. "Masculine Romance, Cultural Capital, and Crisis." In Robbins, Pater to Forster, 1873-1924. (Transitions). Oxford: Oxford UP, 2003.

Rodensky, L., ed. The Oxford Handbook of the Victorian Novel. Oxford: Oxford UP, 2013.

Sadoff, Dianne F. Victorian Vogue: British Novels on Screen. 2010.

Saintsbury, George. The English Novel.  London: Dent, 1913.

Sanders, Andrew. The Victorian Historical Novel 1840-1880. London: Macmillan, 1978.

_____. "'Sixty Years Since': Victorian Historical Fiction from Dickens to Eliot." In Telling Histories: Narrativizing History, Historicizing Literature. Ed. Susana Onega. Amsterdam: Rodopi, 1995. 21-29.*

Sanders, Valerie. Eve's Renegades: Victorian Anti-Feminist Women Novelists. Basingstoke: Macmillan, 1996.

Santaulària, Isabel. "Un estudio en negro: la ficción de detectives anglosajona, de sus orígenes a la actualidad." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008.

Schmitt, Cannon. Alien Nation: Nineteenth-Century Gothic Fictions and English Nationality. (New Cultural Studies). Philadelphia: U of Pennsylvania P, 1997.*

Shaw, Marion. "'To Tell the Truth of Sex': Confession and Abjection in Late Victorian Writing." In Rewriting the Victorians. Ed. Linda M. Shires. London: Routledge, 1992. 87-100.*

Sherburn, George. "Godwin's Later Novels." Studies in Romanticism 1 (1962): 65-82.

Simon, Irène. Formes du Roman anglais de Dickens à Joyce.  1949.

Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton UP, 1977.

_____. "Syphilis, Sexuality, and the Fiction of the Fin de Siècle." In Reading Fin de Siècle Fictions. Ed. Lyn Pykett. (Longman Critical Readers). London and New York: Longman, 1996.

Simmons, James C. "The Novelist as Historian: An Unexplored Tract of Victorian Historiography." Victorian Studies 14 (1971): 293-305.

Skilton, David. The Early and Mid-Victorian Novel. London: Routledge, 1993.

_____. Anthony Trollope and His Contemporaries: A Study in the Theory and Conventions of Mid-Victorian Fiction. 2nd ed. Basingstoke: Macmillan, 1996.

Small, Helen. Love's Madness: Medicine, the Novel, and Female Insanity, 1800-1865. Oxford: Clarendon Press, 1996.

Stang, Richard. The Theory of the Novel in England, 1850-1870. New York: Columbia UP, 1959.

Stewart, Garrett. Dear Reader: The Conscripted Audience in 19th Century British Fiction.

Stone, Donald David. "Victorian Feminism and the Nineteenth-Century Novel." Women's Studies 1 (1972): 65-91.

Sutherland, John A. Victorian Novelists and Publishers. Lonon, 1976.

_____. The Longman Companion to Victorian Fiction. London: Longman, 1988. 1990.*

_____. Victorian Fiction: Writers, Publishers, Readers. London: Macmillan, 1995.

_____. Can Jane Eyre Be Happy? More Puzzles in Classic Fiction. Oxford: Oxford UP, 1997.

_____. Is Heathcliff a Murderer? Great Puzzles in Nineteenth-Century Fiction. (Oxford World's Classics). Oxford: Oxford UP, 1998.

Suvin, Darko. Victorian Science Fiction in the United Kingdom: The Discourses of Knowledge and Power. Boston: G. K. Hall, 1983.

Taylor, Houghton W. The Idea of Locality in English Criticism of Fiction, 1750-1830. Chicago, 1936.

Taylor, John T. Early Opposition to the English Novel: The Popular Reaction from 1760 to 1830. New York: King's Crown Press, 1943.

Tillotson, Kathleen. Novels of the Eighteen-Forties. London: Oxford UP, 1954.

_____. "Novels of the Eighteen-Forties." In The Victorian Novel: Modern Essays in Criticism. Ed. Ian Watt. London: Oxford UP,  1976.*

Thompson, Nicola Diane. Reviewing Sex: Gender and the Reception of Victorian Novels. Basingstoke: Macmillan, 1996.

Trotter, David. "The Avoidance of Naturalism: Gissing, Moore, Grand, Bennett, and Others." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 608-30.*

Trumpener, Katie. Bardic Nationalism: The Romantic Novel and the British Empire. 1997.

Vallins, David. "6. 1775-1825: Affective Landscapes and Romantic Consciousness." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 187-214.*

Villacañas Palomo, Beatriz. "The Woman Novelist in the Victorian Background." In Actas del VII Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Madrid: Ediciones de la UNED, 1986. 237-44.

Villard, Léonie. La Femme anglaise au XIXe siècle et son évolution d'après le roman anglais contemporain. Paris: Didier, 1920.

Ward, A. W. "XI. The Political and Social Novel: Disraeli, Charles Kingsley, Mrs. Gaskell, 'George Eliot'." In The Cambridge History of English and American Literature, vol. XIII (English) The Victorian Age, part One: The Nineteenth Century, II. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com

         http://www.bartleby.com/223/index.html

         2012

Warhol, Robyn. Gendered Interventions: Narrative Discourse in the Victorian Novel. New Brunswick: Rutgers UP, 1989.

Warson, Nicola J. Revolution and the Form of the British Novel, 1790-1825: Intercepted Letters, Interrupted Seductions. Oxford, 1994.

Watt, Ian, ed. The Victorian Novel: Modern Essays in Criticism. London: Oxford UP, 1976.

Weisser, Susan Ostrov.Women and Sexual Love in the British Novel, 1740-1880: A 'Craving Vacancy'. Basingstoke: Macmillan, 1996.

Wheeler, Michael. English Fiction of the Victorian Period, 1830-1900. 2nd ed. (Longman Literature in English Series). London: Longman, 1994.

Wiesenfarth, Joseph. Gothic Manners and the Classic English Novel. Madison: U of Wisconsin P, 1988.

Wilde, Alan. The English Novel from Dickens to Lawrence. London, 1970.

Williams, Raymond. "The Industrial Novels." In Williams, Culture and Society 1780-1950. London: Chatto, 1958. 87-109.

_____. The English Novel from Dickens to Lawrence. New York: Oxford UP, 1970.

_____. The English Novel from Dickens to Lawrence. London: Paladin, 1974.

_____. The English Novel from Dickens to Lawrence. London: Hogarth, 198-?

_____. "Forms of English Fiction in 1848." In Literature, Politics and Theory. Ed. Francis Barker et al. London: Methuen, 1986. 1-16.*

Willis, Chris. "The Female Moriarty: The Arch-Villainess in Victorian Popular Fiction." In The Devil Himself: Villainy in Detective Fiction and Film. Ed. Stacy Gillis and Philippa Gates. Westport (CT): Greenwood Press, 2002. 57-68.*

Wolfreys, Julian, and Ruth Robbins, eds. Victorian Gothic: The Culture and Literature of Dis-Ease and Desire. Houndmills: Macmillan, 1999. (Le Fanu, Dickens, Julia Margaret Cameron, Mary Elizabeth Coleridge, Vernon Lee, Oscar Wilde, Richard Marsh, H. Rider Haggard, Kipling, Hopkins).

Young, Arlene. Culture, Class and Gender in the Victorian Novel: Gentlemen, Gents and Working Women. Houndmills: Macmillan, 1999. (Dickens, Gissing, Dinah Mulock Craik, Margaret Oliphant, Amy Levy, Grant Allen, H. G. Wells, Arnold Bennett, May Sinclair).

Young, W. T. "XIII. Lesser Novelists. " In The Cambridge History of English and American Literature, vol. XIII (English) The Victorian Age, part One: The Nineteenth Century, II. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com

         http://www.bartleby.com/223/index.html

         2012

_____. "XIV. George Meredith, Samuel Butler, George Gissing." In The Cambridge History of English and American Literature, vol. XIII (English) The Victorian Age, part One: The Nineteenth Century, II. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com

         http://www.bartleby.com/223/index.html

         2012

 

 

Anthologies

 

British Women Novelists 1750-1850. (Collection). Introds. Peter Garside and Carolyn Franklin. London: Routledge/Thoemmes, 1992.

Cox, Michael, ed. Victorian Tales of Mystery and Detection. Oxford: Oxford UP, 1992.

 

 

Bibliographies

 

Garside, Peter, and Rainer Schöwerling. The English Novel 1770-1829: A Bibliographical Survey of Prose Fiction Published in the British Isles. Vol. 2, 1800-1829. Oxford: Oxford UP, 2000.

 

 

 

Internet resources

 

 

19thNovels.com: 19th century English Novels

         http://www.19thnovels.com/

         2011

 

The Nineteenth-Century English Novel. In Lilia Melani's website,

http://academic.brooklyn.cuny.edu/english/melani/

         2004-10-24

 

 

 

 

20th century British fiction

 

 

General

 

Blamires, Harry. "The Twentieth-century Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 383-423.*

Bradbury, Malcolm. The Modern British Novel. London: Secker, 1993.

Caserio, Robert L. The Novel in England since Conrad and Woolf: Theory and History. Forthcoming 1990.

Gallix, François. Le roman britannique du XXe siècle: modernistes et postmodernes. Paris: Masson, 1995.

Green, Martin. The English Novel in the Twentieth Century: the Doom of Empire. London: Routledge 1984.

Karl, Frederick R. A Reader's Guide to Great Twentieth-Century English Novels. London: Thames, 1968.

_____. A Reader's Guide to the Contemporary English Novel. London: Thames and Hudson.

_____. A Reader's Guide to the Contemporary English Novel. New York: Farrar-Octagon, 1975.

_____. La novela inglesa contemporánea. Barcelona: Lumen, 1968.

Pérez Minik, D. Introducción a la novela inglesa actual. Madrid: Guadarrama, 1968.

Stevenson, Randall. The British Novel since the Thirties: An Introduction. London: Batsford, 1986.

_____. A Reader's Guide to the Twentieth Century Novel in Britain. Hemel Hempstead: Harvester Wheathsheaf, 1993.

 

 

Miscellaneous

 

Álvarez Amorós, José Antonio. "Del vanguardismo a la Segunda Guerra Mundial, 1910-1945." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 193-254.*

Bergonzi, Bernard, ed. Innovations.  London, 1968.

Bevan, David, ed. University Fiction. Amsterdam: Rodopi, 1991.

Bloom, Clive, ed. Creepers: British Horror and Fantasy in the Twentieth Century. London: Pluto, 1993.

Bradbury, Malcolm, and David Palmer, eds. The Contemporary English Novel. London: Arnold, 1979.

Burgess, Anthony. The Novel Now: A Student's Guide to Contemporary Fiction. London: Faber and Faber, 1967.

_____. Homage to QWERTYUIOP. London, 1986.

Demoor, Marysa. ed. Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880-1930. Oxford: Oxford UP, 2004. (Emilia Dilke, Rosamund Watson, Henry James, James Joyce, Virginia Woolf).

Felber, Lynette. Gender and Genre without End: The British "Roman-Fleuve". Tallahassee: UP of Florida, 1995.

Friedman, Alan Warren, ed. Forms of Modern British Fiction. Austin: U of Texas P, 1975.

Friedman, Ellen G., and Miriam Fuchs. "Contexts and Continuities: An Introduction to Women's Experimental Fiction in English." In Breaking the Sequence: Women's Experimental Fiction. Ed. Friedman and Fuchs. Princeton (NJ): Princeton UP, 1989.

Fries, Udo. "Zum historischen Präsens im modernen Englischen Roman." Germanisch-Romanische Monatsschrift 51 (1970): 321-38.

Galván Reula, Fernando. "De la segunda guerra mundial al presente, 1945-1995: Entre el realismo y la metaficción." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 255-308.*

Gascueña Gahete, Javier, and Paula Martín Salván, eds. Figures of Belatedness: Postmodernist Fiction in English. Córdoba: Servicio de Publicaciones de la Universidad de Córdoba, 2006.

Giddey, E. Crime et détection: Essai sur les structures du roman policier de langue anglaise. 1990.

Grosz, Konrad, Kurt Müller, and Meinhard Winkgens, eds. Das Natur/Kultur Paradigma in der english-sprachigen Erzählliteratur des 19. und 20. Jahrhunderts. Festschrift zum 60. Geburtstag von Paul Goetsch. Tübingen: Narr, 1994.

Harvie, Christopher. The Centre of Things: Popular Fiction in Britain from Disraeli to the Present. London: Routledge, 1991.

Hassan, Ihab. "The Antihero in Modern British and American Fiction." 1959. In Hassan, Rumors of Change: Essays of Four Decades. Tuscaloosa: U of Alabama P, 1995. 55-67.*

Hawthorn, Jeremy, ed. The British Working Class Novel in the Twentieth Century. London: Arnold, 1984.

Herman, David. "8. 1880-1945: Re-Minding Modernism." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 243-72.*

Jackson, Rosemary. Fantasy: The Literature of Subversion. London: Methuen, 1981.

Jefferson, Douglas, and Graham Martin, eds. The Uses of Fiction: Essays on the Modern Novel in Honour of Arnold Kettle. Milton Keynes: Open UP, 1982.

Kaplan, Sidney Janet. Feminist Consciousness in the Modern British Novel. Urbana: U of Illinois P, 1975.

Kellman, Steven G. The Self-Begetting Novel. London: Macmillan, 1980.

Lázaro, Alberto. El modernismo de la novela inglesa. Madrid: Síntesis, 2005.

Leader, Zachary, ed. On Modern British Fiction. Oxford: Oxford UP, 2002, pbk 2003.

Levenson, Michael. Modernism and the Fate of Individuality: Character and Form in the Modern English Novel. Cambridge: Cambridge UP, 1991.

McClure, John. Late Imperial Romance. (Reviewed by Suart Burrows). Studies in American Fiction 23.2 (Autumn 1995): 245-46.*

McCormack, Thomas, ed. Afterwords: Novelists on Their Novels. New York, 1969.

Ruddick, Nicholas. Ultimate Island: On the Nature of British Science Fiction. Westport (CT): Greenwood P, 1993.*

Santaulària, Isabel. "Un estudio en negro: la ficción de detectives anglosajona, de sus orígenes a la actualidad." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008.

Shaw, Patricia. "The Role of the University in Modern English Fiction." Atlantis 3.1 (1981): 4-68.

Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton UP, 1977.

Spacks, Patricia Meyer, ed. Contemporary Women Novelists. Ed. Patricia Meyer Spacks. New Jersey: Prentice, 1976.

Staley, Thomas F., ed. Twentieth-Century Women Novelists. London: Macmillan, 1982. 1984.

Thickstun, William R. Visionary Closure in the Modern Novel. Houndmills: Macmillan, 1988.

"Time Magazine All-TIME 100 Novels" (1923-2004).

         http://www.time.com/time/2005/100books/the_complete_list.html

         2008

 

 

 

 

Bibliography

 

Stevenson, Randall. The British Novel in the Twentieth Century: An Introductory Bibliography. 1988.

 

 

Early 20th / Modernism

 

Allen, Walter. Tradition and Dream: The English and American Novel from the Twenties to Our Time. London: Phoenix House, 1964.

Bradbury, Malcolm. No, not Bloomsbury. London, 1987.

Cavaliero, Glen. The Rural Tradition in the English Novel 1900-1939. London, 1977.

Daiches, David. The Novel in the Modern World. Chicago: U of Chicago P, 1960.

Frierson, William C. The English Novel in Transition, 1885-1940. Norman (OK): U of Oklahoma P, 1942.

Hayman, D. Re-Forming the Narrative: Towards a Mechanics of Modernist Fiction. Ithaca (NY): Cornell UP, 1987.

Hewitt, Douglas. English Fiction 1890-1940. (Longman Literature in English Series). Harlow (Essex): Longman, 1988.*

_____. "Modernism and Its Implications." In Hewitt, English Fiction of the Early Modern Period 1890-1940. Harlow: Longman, 1988. 129-35*

Hoare, Dorothy M. Some Studies in the Modern Novel. 1938.

Howe, Susanne. Novels of Empire. New York: Columbia UP, 1949.

Humble, Nicola. The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism. Oxford: Oxford UP, 2001. pbk 2004.

Hunter, Jefferson. Edwardian Fiction. Cambridge (MA): Harvard UP, 1982.

Kemp, Sandra, Charlotte Mitchell and David Trotter, eds. Edwardian Fiction: An Oxford Companion. Oxford: Oxford UP, 1997.

Kermode, Frank. Modern Essays. London, 1971.

Kern, Stephen. The Modernist Novel: A Critical Introduction. Cambridge: Cambridge UP, 2011.

Kettle, Arnold. An Introduction to the English Novel, vol. II: Henry James to the Present Day.  London: Hutchinson, 1953.

Levine, George. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago: U of Chicago P, 1981.

Mendes, Peter. Clandestine Erotic Fiction in English 1800-1930: A Bibliographical Study. Aldershot: Scorla Press; Brookfield (VT): Ashgate Publishing, 1993. Rev. in English Literature in Transition 37.3 (1994).

Miguel-Alfonso, Ricardo, ed. The Fictional Minds of Modernism: Narrative Cognition from Henry James to Christopher Isherwood. London: Bloomsbury, 2020.*

         https://www.bloomsbury.com/uk/the-fictional-minds-of-modernism-9781501359774/

         2019

Miller, Jane Eldridge. Rebel Women: Feminism, Modernism, and the Edwardian Novel. London: Virago, 1994.

Oppel, Horst, ed. Der moderne englische Roman: Interpretationen. Berlin: Erich Schmidt, 1965.

Phelps, Gilbert. "The Novel Today." InThe Modern Age. Vol. 7 of The Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1961. 2nd ed. 1963. 475-95.*

Pykett, Lynn. Engendering Fictions: The English Novel in the Early Twentieth Century. (Writing in History). London: Hodder Headline-Arnold, 1995.*

Richardson, Brian. Modernism, the Reader, and the Other: Dramas of Misreading. Forthcoming 2008. (Chapters on misreading in Conrad, Joyce, Ford and Mansfield, Woolf, Nabokov, and Ellison).

Robbins, Ruth. "The Persistence of Realism." In Robbins, Pater to Forster, 1873-1924. (Transitions). Oxford: Oxford UP, 2003.

Sacido, Jorge, ed. Modernism, Postmodernism, and the Short Story in English. Amsterdam and New York: Rodopi, 2012.

Savage, D. S. The Withered Branch.  (English novel). 1950.

Schwarz, Daniel R. Reading the Modern British Novel 1890-1930. (Reading the Novel). Oxford: Blackwell, 2004.

Simon, Irène. Formes du Roman anglais de Dickens à Joyce.  1949.

Squires, Michael. "Lawrence, Dickens, and the English Novel." In The Challenge of D. H. Lawrence. Ed. Michael Squires and Keith Cushman. Madison: U of Wisconsin P, 1990. 42-61.*

Stableford, Brian. Scientific Romance in Britain, 1890-1950. New York: St Martin's, 1985.

Stevenson, Randall. Modernist Fiction: An Introduction. Lexington: Kentucky UP, 1992.

_____. Modernist Fiction: An Introduction. Hemel Hempstead: Harvester Wheatsheaf, 1993.

_____. Modernist Fiction: Revised Edition. Hemel Hempstead: Prentice Hall Europe, 1998.

Tataru, Liudmila. (Людмила Татару). Точка зрения и композиционный ритм нарратива (на материале англоязычных модернистских текстов). Москва: Издательство Московского государственного областного университета, 2009.

Trotter, David. The English Novel in History 1895-1920. London: Routledge, 1993.*

Wallace, Diana. Writing Rivalry: Sisters and Rivals in British Women's Fiction, 1914-39. Houndmills: Macmillan, 2000.

Ward, A. C. "Novelists." In Ward, Twentieth-Century Literature 1901-1950. London: Methuen, 1956. 21-86.*

White, Allon. The Uses of Obscurity: The Fiction of Early Modernism. London: Routledge, 1981.

Wilde, Alan. The English Novel from Dickens to Lawrence. London, 1970.

Williams, Raymond. "Realism and the Contemporary Novel." In Williams, The Long Revolution. 1961.

_____. The English Novel from Dickens to Lawrence. New York: Oxford UP, 1970.

_____. The English Novel from Dickens to Lawrence. London: Paladin, 1974.

_____. The English Novel from Dickens to Lawrence. London: Hogarth, 198-?

_____. "The English Novel." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 233-39.*

Woolf, Virginia. "Mr Bennett and Mrs Brown." 1924. In Woolf, Collected Essays.  Vol. 1. London: Hogarth, 1971.

 

 

First World War

 

Cecil, Hugh. The Flower of Battle: British Fiction Writers of the First World War. London: Secker and Warburg, 1995.

Raitt, Suzanne, and Trudi Tate, eds. Women's Fiction and the Great War. Oxford: Clarendon Press, 1997.

 

 

20s

 

Leavis, F. R., ed. "Fiction." (Reviews). In Towards Standards of Criticism: Selections from The Calendar of Modern Letters 1925-7. Ed. F. R. Leavis. London: Wishart, 1933. 29-70.

 

 

 

1930s

 

Hewitt, Douglas. "The 1930s: An Aftermath." In Hewitt, English Fiction of the Early Modern Period 1890-1940. Harlow: Longman, 1988. 196-213.*

 

 

 

 

Second World War

 

Munton, Alan. English Fiction and the Second World War. London: Faber, 1989.

Plain, Gill. Women's Fiction of the Second World War. (Sayers, Smith, Woolf, Mitchison, Bowen). Edinburgh: Edinburgh UP, 1996.

 

 

Late 20th

 

Ackroyd, Peter. "The English Novel Now." Lecture. The Listener 15 Jan. 1981. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 321-27.*

Adelman, Irving, and Rita Dworkin. The Contemporary Novel: A Checklist of Critical Literature on the British and American Novel since 1945. Metuchen (NJ), 1972.

Alexander, Marguerite. Flights from Realism: Themes and Strategies in Postmodernist British and American Fiction. London: Arnold, 1990.

Arias, Rosario, Pilar Hidalgo Andreu and Carmen Lara. "La novela del Holocausto en Inglaterra: Historia, trauma, representación." Abstract. In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*

Bernard, Catherine. "A Certain Hermeneutic Slant: Allegories in Contemporary English Fiction." Contemporary Literature 38.1 (Spring 1997): 164-84.

Bradbury, Malcolm, and David Palmer, eds. The Contemporary English Novel. London: Edward Arnold, 1979.

Burgess, Anthony. Ninety-Nine Novels: The Best in English since 1939. London: Allison & Busby, 1984.

Butler, Christopher. After the Wake: An Essay on the Contemporary Avant-Garde. Oxford: Oxford UP, 1980.

Burton, Robert Stacey. Transatlantic Literary Travels: Seven Contemporary British Novels about America.  Ph.D. diss. Indiana U. University Microfilms International.

Carter, Ian. Ancient Cultures of Conceit: British University Fiction in the Post-War Years. London: Routledge, 1991.

Connor, Steven. The English Novel in History, 1950-1995. London: Routledge, 1996.*

D'haen, Theo, and Hans Bertens, eds. British Postmodern Fiction. (Postmodern studies). Amsterdam: Rodopi, 1993.* Online texts:

         http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/britishpostmodern.html

         2008

Díaz Bild, Aída. "La subversión de lo serio y lo trágico en la novela de las últimas tres décadas." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 71-92.*

Dimitrijevic, Emilija. Intimacy and Identity in the Postmodern Novel. Pieterlen (Switzerland): Peter Lang, 2008. (Byatt, Carter, Winterson).

Dubber, Ulrike. Der englische Universitätsroman der Nachkriegszeit: Ein Beitrag zur Gattungsbestimmung. (Kieler Beiträge zur Anglistik und Amerikanistik, neue Folge, 1). Würzburg: Verlag Königshausen & Neumann, c. 1990.

Duncker, Patricia. Sisters and Strangers: An Introduction to Contemporary Feminist Fiction. Oxford: Blackwell, 1992.

Duperray, Max, ed. Historicité et métafiction dans le roman contemporain des Iles britanniques. Aix-en-Provence: Publications de l'Université de Provence, 1994.

Eagleton, Terry. "Postscript: After the Wake." In Eagleton, The English Novel. Oxford: Blackwell, 2005. 331-37.*

Gasiorek, Andrzej. Post-War British Fiction: Realism and After. London: Edward Arnold. 1995.

Galván Reula, Fernando. "La distinción entre 'hechos factuales' y 'hechos fictivos' en la narrativa postmodernista." Revista Canaria de Estudios Ingleses 19/20 (1989-1990): 21-36.

_____. "Textos y códigos de la metaficción británica." Actas del XV Congreso de AEDEAN.  Logroño: Colegio Universitario de La Rioja, 1993. 39-55.

_____. "Postmodernismo: las formas de la heterogeneidad." La página 2 (1992): 33-48.*

_____. "Postmodernismo: Las formas de la heterogeneidad." In Ensayos sobre metaficción inglesa. By F. Galván et al. La Laguna: Universidad de La Laguna., 1994.

_____. "Travel Writing in British Metafiction: A Proposal for Analysis." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 77-86.

_____. "La narrativa británica de finales del siglo XX: Cuestiones históricas y críticas." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 15-44.*

_____. "En torno al margen, en torno al centro: Aproximaciones desde la narrativa femenina actual." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 45-70.*

Gasiorek, Andrzej. Post-War British Fiction: Realism and After. London: Edward Arnold, 1995.

Gilmour, Robin. "Using the Victorians: The Victorian Age in Contemporary Fiction." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 189-200.*

Gindin, James. Postwar British Fiction: New Accents and Attitudes. London, 1962.

Gutleben, Christian. "Palindromes and Palimpsests: Strategies of Deliberate Self-Contradiction in Postmodern British Fiction." Miscelánea 26 (2002, issued Feb. 2004): 11-20.*

         http://fyl.unizar.es/miscelanea/miscelanea.html

Haffenden, John. Novelists in Interview. London: Methuen, 1985.*

         http://books.google.es/books?id=_18OAAAAQAAJ

         2010

Hidalgo Andreu, Pilar. La crisis del realismo en la novela inglesa contemporánea. Málaga: Servicio de Publicaciones de la Universidad de Málaga, 1987.

_____. "La feminización de la novela postmodernista." Atlantis 12.2 (1991): 65-82.*

_____. Tiempo de mujeres. Madrid: Horas y Horas, 1995.

Hühn, Peter. "The Politics of Secrecy and Publicity: The Functions of Hidden Stories in Recent British Mystery Fiction." In Theory and Practice of Classic Detective Fiction. Ed. Jerome H. Delamater and Ruth Prigozy. Westport, CT: Greenwood Press, 1997. 39-50.

Hühn, Peter, and W. Künne. Englische triviale Frauenliteratur: Fallstudien zu ihrer Rezeption bei Schülern und Studenten. Königstein/Ts.: Athenäum, 1978.

Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge and Kegan Paul, 1988.

Kemp, Peter. "Resurrection or Decadence? Guides to the Post-War British Novel." TLS 12 nov. 1993: 24-25.

Kohlke, Marie-Luise, and Christian Gutleben, eds. Neo-Victorian Tropes of Trauma: The Politics of Bearing After-witness to Nineteenth-Century Suffering. (Neo-Victorian Series, 1). Amsterdam and New York: Rodopi, 2010.

Kotte, Christina. Ethical Dimensions in British Historiographic Metafiction: Julian Barnes, Graham Swift, Penelope Lively. (ELCH: Studies in English Literary and Cultural History, 2). Trier: Wissenschaftlicher Verlag Trier, 2001.*

Lane, Richard J., Rod Mengham and Philip Tew, eds. Contemporary British Fiction. Cambridge: Polity Press, 2003. Online preview at Amazon:

         http://www.amazon.com/Contemporary-British-Fiction-Richard-Lane/dp/0745628672/ref=sr_1_22

         2015

Lázaro, Luis Alberto. "El espíritu satírico en la novela británica contemporánea: Menipo redivivo." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 93-120.*

Lázaro, Luis Alberto, Angeles de la Concha and Constante González. "La pervivencia de la sátira en la narrativa inglesa y norteamericana contemporáneas." Proceedings of the XIXth International Conference of AEDEAN. Ed. Javier Pérez Guerra et al. Vigo: Departamento de Filoloxía Inglesa e Alemana da Universidade de Vigo, 1996. 639-42.*

Lee, Alison. Realism and Power: Postmodern British Fiction. New York and London: Routledge, 1990.*

López Ropero, Mª Lourdes. The Anglo-Caribbean Migration Novel: Writing from the Diaspora. Alicante: Publicaciones UA, 2004.

McEwan, Neil. The Survival of the Novel: British Fiction in the Later Twentieth Century. London: Macmillan, 1981.

McGuirk, Carol. "Drabble to Carter: Fiction by Women, 1962-1992." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 939-60.*

McHale, Brian. Postmodernist Fiction. London: Methuen, 1987.

Mengham, Rod, ed. An Introduction to Contemporary Fiction: International Writing in English since 1970. Cambridge: Polity; Malden (MA): Blackwell, 1999.*

Murdoch, Iris. "Against Dryness." Encounter (January 1961). Rpt. in Malcolm Bradbury, ed., The Novel Today: Contemporary Writers on Modern Fiction. Glasgow: Fontana, 1977.

Nünning, Ansgar. "Von historischer Fiktion zu historiographischer Metafiktion: Theorie, Erscheinungsformen und Entwicklungstehenden des historischen Romans in England seit 1940." Habilitation, U of Cologne, 1995.

_____. Von Historischer Fiktion zu historiographischer Metafiktion. 2 vols. Trier: Wissenschaftlicher Verlag Trier, 1997.

Onega, Susana. "La novela postmodernista en Inglaterra: Una nueva forma para el género." La página 2 (1992): 15-32.

_____. "British Historiographic Metafiction." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 92-103.*

_____. "Self, Text and World in British Historiographic Metafiction." Anglistik 6.2 (Sept. 1995): 93-106.*

Orwell, George. "Inside the Whale." 1940. In Orwell, A Collection of Essays. New York: Harcourt, 1953? 210-51.

Palmer, Alan. "9. 1945-: Ontologies of Consciousness." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 273-98.*

Palmer, Paulina. Contemporary Women's Fiction: Narrative Practice and Feminist Theory. Hemel Hempstead: Harvester Wheatsheaf, 1989.

Parrinder, Patrick. "The English Novel of Immigration: 'Real Life Unfolding like Fiction." In Proceedings of the 29th AEDEAN Conference: Universidad de Jaén 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de Jaén, 2006. 29-36.*

Peters, Joan Douglas. Feminist Metafiction and the Evolution of the British Novel. Garinesville: UP of Florida, 2002.

Phelps, Gilbert. "The Post-War English Novel." In The Present. Vol. 8 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1983. 417-49.*

Raper, Julius Rowan. Narcissus from Rubble: Competing Models of Character in Contemporary British and American Fiction. Baton Rouge: Louisiana State UP, 1992.*

Sacido, Jorge, ed. Modernism, Postmodernism, and the Short Story in English. Amsterdam and New York: Rodopi, 2012.

Scanlan, Margaret. Traces of Another Time: History and Politics in Postwar British Fiction. Princeton (NJ): Princeton UP, 1990.*

Schmid, Susanne. Jungfrau und Monster: Frauenmythen im englischen Roman der Gegenwart. Berlin: ESV, 1996.

Shaffer, Brian. A Companion to the British and Irish Novel 1945-2000. Oxford: Blackwell, forthcoming 2004.

Shaw, Patricia. "The Role of the University in Modern English Fiction." Atlantis 3.1 (Dec. 1981): 44-67.*

Stevenson, Randall. "No Experiments, Please, We're British: Postmodernism and Contemporary Fiction in Britain." Miscelánea 11 (1990): 123-42. Rpt. as "Postmodernism and Contemporary Fiction in Britain." In Postmodernism and Contemporary Fiction. Ed. Edmund J. Smyth. London: Batsford, 1991. 19-35.

Taylor, D. J. After the War: The Novel and English Society since 1945.  London: Chatto, 1993.

_____. After the War: The Novel in England since 1945. 1993. London: HarperCollins-Flamingo, 1994.*

Todd, Richard. "The Presence of Postmodernism in British Fiction: Aspects of Style and Selfhood." In Approaching Postmodernism. Ed. Douwe Fokkema and Hans Bertens. Amsterdam: Benjamins, 1986. 99-117.

_____. "Confrontation within Convention: On the Character of British Postmodernist Fiction." In Postmodern Fiction in Europe andthe Americas. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi; Antwerpen: Restant, 1988. 115-26.*

_____. Consuming Fictions: The Booker Prize and Fiction in Britain Today. London: Bloomsbury, 1996.

Waugh, Patricia. "Post-War Women Writers: Challenging the Liberal Tradition." (Drabble, Brookner, Plath, Tyler, Paley). In Waugh, Feminine Fictions: Revisiting the Postmodern. London: Routledge, 1989. 126-67.*

Zeigler, Heide, and Christopher Bigsby, eds. The Radical Imagination and the Liberal Tradition: Interviews with Contemporary English and American Novelists. London, 1982.

 

 

Series

 

(Contemporary Novelists Series). Manchester: Manchester UP, 2006.

 

 

 

50s

 

Rabinovitz, Rubin. The Reaction against Experiment in the English Novel 1950-1960. New York: Columbia UP, 1967.

 

 

60s

 

Les Fictions du réel dans le monde anglo-américain de 1960 à 1980. (GRAAT, 4). Tours: Publications des Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours.

 

 

 

70s

 

Les Fictions du réel dans le monde anglo-américain de 1960 à 1980. (GRAAT, 4). Tours: Publications des Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours.

Kenyon, Olga. Women Novelists Today. A Survey of English Writing in the Seventies and Eighties. London: Harvester Wheatsheaf, 1988.

Massie, Allan. The Novel Today: A Critical Guide to the British Novel 1970-1989. London: Longman / British Council, 1990.

Rushdie, Salman. "The Raj Revival." Observer 1 April 1984: 8.

Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.*

 

 

 

80s

 

Amis, Martin. "The State of Fiction: A Symposium." New Review 18 (1984).

Best of Young British Novelists. Granta 7 (1983).

Bigsby, Chistopher. "Backwards to the Future." (Contemporary British novel). Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 29-38.

Cunningham, Valentine. "Facing the New." (British fiction of the 80s.). In New Writing. Ed. M. Bradbury and J. Cooke. London: Minerva/British Council, 1992. 229-42.*

Duffy, Maureen. "New Trends in British Fiction." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 69-72.

Duperray, Max, ed. Historicité et métafiction dans le roman contemporain des Iles britanniques. Aix-en-Provence: Publications de l'Université de Provence, 1994.

Elias, Amy J. "Meta-mimesis? The Problem of British Postmodern Realism." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 9-31.

Fokkema, Aleid. Postmodern Characters: A Study of Characterization in British and American Postmodern Fiction. Amsterdam: Rodopi, 1991.*

Kemp, Peter. "British Fiction of the 1980s." In New Writing. Ed. M. Bradbury and J. Cooke. London: Minerva/British Council, 1992. 216-28.*

Kenyon, Olga. Women Novelists Today. A Survey of English Writing in the Seventies and Eighties. London: Harvester Wheatsheaf, 1988.

Lasdun, James. "Life's Victims: Recent Fiction." Encounter 62.1 (1984): 69-73.

Massie, Allan. The Novel Today: A Critical Guide to the British Novel 1970-1989. London: Longman / British Council, 1990.

Onega, Susana. "The British Novel in the 80s: Historiographic Metafiction, The Way Ahead?" XIV Congreso de AEDEAN. Bilbao: Servicio Editorial de la Universidad del País Vasco, 1992. 81-96.

_____. "British Historiographic Metafiction in the 1980s." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 47-60.

_____. "British Historiographic Metafiction." In Metafiction. Ed. Mark Currie. London: Longman, 1995.

_____. "Self, Text and World in British Historiographic Metafiction." Anglistik 6.2 (Sept. 1995): 93-106.*

_____. "The Mythical Element in British Historiographic Metafiction." EJES 2 (Special issue on Modernism and Postmodernism, Fall 1995).

Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.*

Wood, Michael. "The Contemporary Novel." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 961-88.

 

 

90s

 

Byatt, A. S. "Telescope, Microscope, Kaleidoscope: Contemporary British Fiction." Boletín informativo AEDEAN (November 1997): 67-70.*

Concha, Angeles de la, et al. "Narrativa inglesa contemporánea: el presente y la memoria" A Distancia (Autumn 1997): 158-165.

_____."Cosmovisiones postmodernas: Nuevas perspectivas en la novela inglesa." Panel discussion summary. In Actas del 25º Congreso AEDEAN, Granada 2001. CD-ROM. Granada: U de Granada: Departamento de Filología Inglesa, 2002.*

Del Ivan, Janik. "No End of History: Evidence from the Contemporary English Novel." Twentieth Century Literature 41.2 (1995)*

Delbaere-Garant, Jeanne. "Psychic Realism, Mythic Realism, Grotesque Realism: Variations on Magical Realism in Contemporary Literature in English." In Magical Realism. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham: Duke UP, 1995. 249-64.*

Galván, Fernando. "From Beyond the Oceans and Into the Mainstream: On Contemporary British Fiction." Op.Cit. 1 (1998): 47-60.*

Lázaro, Luis Alberto. "Political Satire in Contemporary British Fiction: The State of the Art." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*

López-Peláez Casellas, Jesús. "Fiction of the Left: Class and Beyond in the Narrative of the Nineteen Nineties." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 1- Literature. Gen. ed. A. Hamm. Sub-eds. Claire Maniez and Luc Hermann. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 69-77.*

Lozano, María. "'How You Cuddle in the Dark Governs How You See the History of the World': A Note on Some Obsessions in Recent British Fiction." In Onega, Telling Histories: Narrativizing History, Historicizing Literature. Amsterdam: Rodopi, 1995. 1170-34.*

Maes-Jelinek, Hena. "Postmodernism and Its Others: Cross-Cultural Counterpoints in British Fiction." Anglistik 8.1 (March 1997): 61-74.*

Marín Lajusticia, Juan Mª. "La nueva narrativa británica." Babelia. El País 7 Sept. 1996: 10-11.

Martín Alegre, Sara. Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort. London: Routledge, 2019. (Orwell, Tolkien, Fleming, Le Carré, Rowling).

Moliner Marín, María Pilar, and José Ramón Prado Pérez. "Images of Popular Culture in British Fiction of the 1990s." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*

Monteith, Sharon, Jenny Newman and Pat Wheeler. Contemporary British and Irish Fiction: An Introduction through Interviews. London: Routledge, 2004. (Pat Barker, A. S. Byatt, Roddy Doyle, Allan Hollinghurst, Hanif Kureishi, Bernard MacLaverty, Michèle Roberts, Barry Unsworth, Fay Weldon, Irvine Welsh).

Onega, Susana. "Mito y metaficción en la novela histórica inglesa actual." Actas del VII Congreso Internacional de la Asociación Española de Semiótica. Ed. José Angel Blesa Lalinde. 1998.

Pérez Rodríguez, Eva M. How the Second World War Is Depicted by British Novelists since 1990: The Passage of Time Changes Our Portrayal of Traumatic Events. Lewinston, Queenston, Lampeter: Edwin Mellen, 2012.

Todd, Richard, and Luisa Flora, eds. Theme Parks, Rainforests and Sprouting Wastelands: European Essays on Theory and Performance in Contemporary British Fiction. Amsterdam: Rodopi, 1998.

Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.*

Wood, Michael. "The Contemporary Novel." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 961-88.*

 

 

 

 

Dictionaries

 

 

British Novelists since 1970, Part 2: A-Z. (Dictionary of Literary Biography). Detroit: Gale Research Press, 1983.

 

 

 

 

 

 

21st-century British fiction

 

Acheson, James, ed. The Contemporary British Novel since 2000. Edinburgh: Edinburgh UP, 2017. (I. Four Voices in the New Millennium; II. Realism and Beyond; III. Postmodernism, Globalisation and Beyond; IV. Realism, Postmodernism and Beyond: Historical Fiction; V. Postcolonialism and Beyond).

Arizti, Bárbara, and Silvia Martínez-Falquina, eds. On the  Turn: The Ethics of Fiction in Contemporary Narrative in English.  Newcastle: Cambridge Scholars Publishing, 2007.

Bentley, Nick. Contemporary British Fiction. (Edinburgh Critical Guides to Literature). Edinburgh: Edinburgh UP.

Birke, Dorothee. Memory's Fragile Power: Crises of Memory, Identity and Narrative in Contemporary British Novels. 2008.

Ganteau, Jean-Michel, and Susana Onega Jaén, eds. Trauma and Romance in Contemporary British Literature. New York: Routledge, 2013.

González Rodríguez, Mª Luz. Juan Ignacio Oliva Cruz and Nieves Pascual. "Representations of Gendered Pain in Contemporary British Writing." Abstract. In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*

Gutleben, Christian. "Phallus in Fabula: The Shameless Abuse of Victorian Intertextuality in Contemporary British Fiction." In  Symbolism Vol. 5 (2005) – ("Special Focus: Intertextuality"). Brooklyn (NY): AMS Press, 2005. 151-67.*

Kohlke, Marie-Luise,  and Christian Gutleben, eds. Neo-Victorian Tropes of Trauma: The Politics of Bearing After-Witness to Nineteenth-Century Suffering. Amsterdam: Rodopi, 2010.

Laniel, Marie. "Tracing 'the Heart's Imagination' in Contemporary British Fiction." In Only Connect: E. M. Forster's Legacies in British Fiction. Ed. Elsa Cavalié and Laurent Mellet. Bern: Peter Lang, 2017. 113-28.*

Martínez-Alfaro, María Jesús and Silvia Pellicer-Ortín, eds. Memory Frictions in Contemporary Literature. Palgrave Macmillan, 2017.

Mergenthal, Silvia. "'Whose City?' Contested Spaces and Contesting Spatialities in Contemporary London Fiction." In London in Literature: Visionary Mappings of the Metropolis. Ed. Susana Onega and John A Stotesbury. Heidelberg: Winter, 2002. 123-39.*

Monaghan, Nicola. "Getting Your First Novel Published." In The Writer's Handbook 2009. Ed. Barry Turner. Houndmills: Palgrave Macmillan, 2008.

Mydla, Jacek, and Aleksandra Musial. Rev. of How the Second World War Is Depicted by British Novelists since 1990: The Passage of Time Changes Our Portrayal of Traumatic Events. By Eva M. Pérez Rodríguez. Atlantis 36.2 (Dec. 2014): 243-47.*

Nünning, Ansgar, and Jan Rupp, eds. Medialisierung des Erzählens im englischsprachigen Roman der Gegenwart. Trier, 2011. 117-34.

Onega, Susana, and Jean-Michel Ganteau, eds. Ethics and Trauma in Contemporary British Fiction. Amsterdam: Rodopi, 2011.

_____, eds. Contemporary Trauma Narratives: Liminality and the Ethics of Form (Routledge Interdisciplinary Perspectives on Literature). London and  New York: Routledge, 2014.

Pérez Fernández, Irene. "Representing Third Spaces, Fluid Identities and Contested Spaces in Contemporary British Literature." Atlantis 31.2 (Dec. 2009): 143-60.* (Andrea Levy, Monica Ali, Zadie Smith).

Pérez Rodríguez, Eva M. How the Second World War Is Depicted by British Novelists since 1990: The Passage of Time Changes Our Portrayal of Traumatic Events. Lewinston, Queenston, Lampeter: Edwin Mellen, 2012.

Vianu, Lidia. The AfterMode: Present Day English Fiction. Bucharest: Contemporary Literature Press / U of Bucharest / British Council / Romanian Cultural Institute, 2012. (Joyce, Peter Ackroyd, Martin Amis, Julian Barnes, Malcolm Bradbury, A.S. Byatt, Angela Carter, Tracy Chevalier, Jonathan Coe, Helen Fielding, Laura Hird, Kazuo Ishiguro, Hanif Kureishi, Doris Lessing, David Lodge, Ian McEwan, Timothy Mo, Salman Rushdie, Graham Swift, Rose Tremain, and Jeanette Winterson).

 

 

 

 

 

Internet resources

 

 

Contemporary Narrative in English Research Group (Departamento de Filología Inglesa y Alemana, U de Zaragoza; dir. Susana Onega).

         http://cne.literatureresearch.net/

         2008

 

 

 

 

 

Series

 

 

(Contemporary British Novelists). Manchester: Manchester UP 2010.

 

(Contemporary Novelists Series). Manchester: Manchester UP, 2006.

 

(New British Fiction). Houndmills: Palgrave Macmillan, 2009.

 

 

 

See also Salman Rushdie, Zadie Smith, David Lodge.

No hay comentarios:

Publicar un comentario

Ideología

      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...