A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
British/English Fiction
General
Allen, Walter. The English Novel: A Short Critical History. 1954. Harmondsworth: Penguin, 1958.*
Álvarez Amorós, José Antonio, ed. Historia crítica de la novela inglesa. Salamanca: Ediciones Colegio de España, 1998.*
Baker, E. A. History of the English Novel. 9 vols. London: Witherby, 1924-38.*
Eagleton, Terry. The English Novel: An Introduction. Oxford: Blackwell, 2005.*
Ford, Ford Madox. The English Novel: From the Earliest Days to the Death of Joseph Conrad. 1930. Manchester: Carcanet, 1983.
Kettle, Arnold. Introduction to the English Novel. Grey Arrow, 1962.*
Knight, Grant C. The Novel in English.
Lovett, Robert M., and Helen S. Hughes. The History of the Novel in England. Boston, 1932.
McKeon, Michael. Prose Fiction: Great Britain.
Richetti, John, ed. The Columbia History of the British Novel. Assoc. eds. John Bender, Deirdre David, Michael Seidel. New York: Columbia UP, 1994.*
Rogers, Jane, Hermione Lee, Daniel Hahn, Mike Harris and Douglas Houston. Good Fiction Guide. Oxford: Oxford UP, 2002.
Van Ghent, Dorothy. The English Novel: Form and Function. New York: Harper and Row, 1953.*
_____. The English Novel. New York: Rhinehart, 1953.
_____. The English Novel. New York: Harper Torchbook, 1961.
Wagenknecht, E. C. Cavalcade of the English Novel. New York: Holt, 1943.
Miscellaneous
"100 Novels That Shaped Our World." BBC Arts 5 Nov. 2019.*
2019
Alcaraz Varó, Enrique. Semántica de la novela inglesa. Alicante: Publicaciones de la Caja de Ahorros Provincial de Alicante, 1982.
Allen, Walter. Six Great Novelists. London: H. Hamilton, 1955.
Alvarez Rodríguez, M. Origen y evolución en la novela histórica inglesa. Salamanca: Universidad, 1983.
Banerjee, Jacqueline.Through the Northern Gate: Childhood and Growing Up in British Fiction, 1719-1901. 1996.
Beer, Gillian. Arguing with the Past: Essays in Narrative from Woolf to Sidney. London: Routledge, 1989.
Birke, Dorothee Writing the Reader: Configurations of a Cultural Practice in the English Novel. 2016.
Caporale Bizzini, Silvia, and Asunción Aragón Varo, eds. Historia crítica de la novela inglesa escrita por mujeres. Salamanca: Almar, 2003.
Church, Richard. The Growth of the English Novel. London: Methuen, 1951.
Dowling, David, ed. Novelists on Novelists. London: Macmillan, 1983.*
Ermath, Elizabeth Deeds. Realism and Consensus in the English Novel. Princeton: Princeton UP, 1983.
Fins de romans: Aspects de la conclusion dans la littérature anglaise. Caen: Presses Universitaires de Caen, 1994.
Fraiman, Susan. Unbecoming Women: British Women Writers and the Novel Development c. 1996.
Gregor, Ian, ed. Imagined Worlds: Essays on Some English Novels and Novelists in Honour of John Butt. London: Methuen, 1968.
Hazell, Stephen, ed. The English Novel: Developments in Criticism since Henry James. (Casebooks series). Basingstoke: Macmillan, 1978.
Hazlitt, William. "On the English Novelists." In Lectures on the English Comic Writers. London, 1819. In Hazlitt, Works. VI. 132.
Haviland, Thomas P. 'Roman de longue haleine' on English Soil. Philadelphia, 1931.
Herman, David. The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. (Frontiers of Narrative Series). Lincoln: U of Nebraska P, 2011.
https://www.nebraskapress.unl.edu/product/Emergence-of-Mind,674743.aspx
2015
Higdon, David L. Time and English Fiction. London, 1977.
Hühn, Peter. Eventfulness in British Fiction. With contributions by Markus Kempf, Katrin Kroll and Jette K. Wulf. (Narratologia, 18). Berlin and New York: De Gruyter, 2010.*
_____. Eventfulness in British Fiction. With contributions by Markus Kempf, Katrin Kroll and Jette K. Wulf. (Narratologia, 18). Online at Scribd
http://es.scribd.com/doc/48979938/Eventfulness-in-British-Fiction
2013
Iser, Wolfgang. Der Implizite Leser: Kommunikationsformen des Romans von Bunyan bis Beckett. Munich: Fink, 1972.
_____. The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore: Johns Hopkins UP, 1974.*
Korte, B. Körpersprache in der Literatur: Theorie und Geschichte am Beispiel englischer Erzählprosa. 1993.
Langbauer, Laurie. Women and Romance: The Consolations of Gender in the English Novel. Ithaca: Cornell UP, 1990.
Lázaro Lafuente, Alberto, Marisol Morales, Juan Elices Agudo and Mónica Olivares. "Datos inéditos sobre la narrativa inglesa en la España de Franco." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*
Leavis, F. R. "1. The Great Tradition." In Leavis, The Great Tradition: George Eliot - Henry James - Joseph Conrad. London: Penguin-Peregrine Books / Chatto and Windus, 1983. 9-39.*
Leavis, Q. D. Fiction and the Reading Public. 1932. London: Bellew, 1990.
_____. "The Englishness of the English Novel." 1980. In Leavis, The Englishness of the English Novel. Ed. G. Singh. Cambridge: Cambridge UP, 1983. 303-27.
Leech, Geoffrey N., and Michael H. Short. Style in Fiction: A Linguistic Introduction to English Fictional Prose. London: Longman, 1981.
Mack, Maynard, and Ian Gregor, eds. Imagined Worlds: Some English Novels and novelists in Honour of John Butt. London: Methuen, 1968.
Mathews, Peter David. "'What Are Novelists For?' Atonement and the British Novel." Atlantis 39.2 (Dec. 2017): 11-28.*
McMaster, J., and R. McMaster. The Novel from Sterne to James: Essays on the Relationship of Literature to Life. London: Macmillan, 1981.*
Milligan, Ian. The English Novel. Longman, 1984.
Mintz, Samuel, Alice Chandler and Christopher Mulvey, eds. From Smollett to James: Studies in the Novel and Other Essays Presented to Edgar Johnson. Charlottesville: UP of Virginia, 1981.
Moglen, Helene. The Trauma of Gender: A Feminist Theory of the English Novel. U of California P, 2001.
https://www.ucpress.edu/book/9780520225893/the-trauma-of-gender
2019
Molina Quirós, Jorge. La novela utópica inglesa. Madrid: Prensa Española, 1967.
Newton, A. Edward. The Format of the English Novel. 1928. New York: Burt Franklin, 1971.
Nünning, A. "'But Why Will You Say That I Am Mad?' On the Theory, History, and Signals of Unreliable Narration in British Fiction." Arbeiten aus Anglistik und Amerikanistik 22.1 (1997): 83-105.
Page, Norman. Speech in the English Novel. London: Longman, 1973.
Pearce, Roy Harvey, ed. Experience in the Novel. New York: Columbia UP, 1968.
Pritchett, V. S. The Living Novel. London: Chatto, 1946.
Punter, David. The Literature of Terror: A History of Gothic Fiction from 1765 to the Present Day. London: Longman, 1980.
Schabert, Ina. Der historische Roman in England und Amerika. Darmstadt: Wissenschaftliche Buchgesellschaft, 1981.
Smith, W. H. Architecture in English Fiction. New Haven, 1934.
Stevenson, Lionel. The English Novel: A Panorama. 1960.
Tomlison, T. B. The English Middle-Class Novel. London: Macmillan.
Walpole, Hugh. The English Novel: Some Notes on Its Evolution. Cambridge: Cambridge UP, 1925.
Warner, William B. "The Elevation of the Novel in England: Hegemony and Literary History." ELH 59.3 (1992): 577-96.
Weimann, Robert. "Erzählerstandpunkt und Point of View : Zur Geschichte und Aesthetik der Perspektive im englischen Roman." Zeitschrift für Anglistik und Amerikanistik 10 (1962): 369-416.*
Williams, Ioan. The Realist Novel in England. Pittsburgh: U of Pittsburgh P, 1975.
Williams, Jeffrey J. Theory and the Novel: Narrative Reflexivity in the British Tradition.. Oxford: Oxford UP, c. 2000.
Williams, Raymond. The English Novel from Dickens to Lawrence. New York: Oxford UP, 1970.
_____. The English Novel from Dickens to Lawrence. London: Paladin, 1974.
_____. The English Novel from Dickens to Lawrence. London: Hogarth, 198-?
_____. "The English Novel." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 233-39.*
Wolf, Werner. Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst: Theorie und Geschichte mit Schwerpunkt auf englischem illusionsstörenden Erzählen. Tübingen: Niemeyer, 1993.*
Bibliographies
Anderson, W. E. K. The English Novel: Select Bibliographical Guide. Oxford: Clarendon, 1974.
Dyson, A. E., ed. The English Novel: Select Bibliographical Guides. Oxford: Oxford UP, 1975.
Esdaile, Arundell. A List of English Tales and Prose Romances Printed before 1740. The Bibliographical Society, 1912.
García Landa, José Angel. "British/English Fiction." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Wikeo Dwi Febri Ryansiah) 19 Dec. 2015.*
https://es.scribd.com/doc/293664957/
2015
_____. "British / English Fiction." From A Bibliography of Literary Theory, Criticism and Philology. Online at Ininet 20 April 2018.*
https://ininet.org/a-bibliography-of-literary-theory-criticism-and-philology-v11.html
2024
Gecker, Sidney. English Fiction to 1820 in the University of Pennsylvania Library. Philadelphia, 1954.
Internet resources
Early English Prose Fiction. In Lion: Literature Online. Internet database. Chadwyck-Healey, 1997.
Norris, Trevor. The Contemporary English Novel. Blog.
2006-12-03
UK fiction publishers list (with web site links).
http://www.purefiction.co.uk/pages/ukpub.htm
Series: Novels
(Cooke's Pocket Edition of Select Novels). Cooke, c. 1793.
(Oxford English Novels). Oxford: Oxford UP, c. 1968.
Old English fiction and narrative
Lockett, Leslie. "1. 700-1050: Embodiment, Metaphor, and the Mind in Old English Narrative." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 43-68.*
Medieval English fiction and narrative
Boitani, Piero. English Medieval Narrative in the Thirteenth and Fourteenth Centuries. Trans. Joan Hall. Cambridge: Cambridge UP, 1982.
Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford: Oxford UP, 2004.
Fludernik, Monika. "2. 1050-1500: Through a Glass Darkly; or, the Emergence of Mind in Medieval Narrative." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 69-100.*
McAlindon, T."The Emergence of a Comic Type in Middle English Narrative: The Devil and Giant as Buffoon." Anglia 81 (1963): 365-71.
Piercy, Hannah. Resistance to Love in Medieval English Romance. Boydell & Brewer – D.S. Brewer, 2023.*
https://boydellandbrewer.com/9781843846727/resistance-to-love-in-medieval-english-romance/
2023
Putter, Ad, and Jane Gilbert, eds. The Spirit of Medieval English Popular Romance. (Longman Medieval and Renaissance Library). Harlow: Addison Wesley Longman, 1999. (criticism on Lai le Freine, William of Palerne, Sir Tristrem, Eger and Grime, The Seege of Troy, Emaré, The Awntyrs off Arthure, Gamelyn, Sir Degaré, Sir Orfeo, Sir Launfal).
Saintsbury, George "Early Romances." From Saintsbury's Short History of English Literature. In García Landa, Vanity Fea 3 Oct. 2021.*
https://vanityfea.blogspot.com/2021/10/early-romances.html
2021
Waller, A. R. "17. Later Transition English: Secular Lyrics; Tales; Social Satire." In From the Beginnings to the Cycle of Romance. Vol. 1 (English) of The Cambridge History of English and American Literature. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com
http://www.bartleby.com/211/index.html
2013
Visser, F. Th. "The Historical Present in Middle English Verse Narratives." In English Studies Presented to R. W. Zandvoort on the Occasion of His Seventieth Birthday. Supplement to English Studies 45 (1964): 135-43.
Early modern English fiction
Atkins, J. W. H. "16. Elizabethan Prose Fiction." In The Cambridge History of English and American Literature, 3: English: Renascence and Reformation. Ed. A. W. Ward and A. R. Waller. New York: Putnam, 1907-21. Online at Bartleby.com, 2000.* (1. Earlier native types. 2. The influence of translators. 3. John Lyly. 4. Euphues. 5. Euphuism. 6. Lyly's influence. 7. Robert Greene. 8. Sir Philip Sidney. 9. Arcadia. 10. Its style and influence. 11. Greene's romances. 12. Thomas Lodge. 13. Rosalynde. 14. Emanuel Ford. 15. Nicholas Breton. 16. Anthony Munday. 17. Greene's autobiographical and realistic work. 18. Thomas Nashe. 19. The Unfortunate Traveller. 20. Its literary qualities. 21. Characteristics of Nashe's prose. 22. Thomas Deloney. 23. Thomas of Reading. 24. Jack of Newbury. 25. The Gentle Craft. 26. Deloney's literary characteristics. 27. General Summary).
2013
Cooper, Helen. The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare. Oxford: Oxford UP, 2004.
Davis, Lennard. "A Social History of Fact and Fiction: Authorial Disavowal in the Early English Novel." In Literature and Society. Ed. Edward Said. (Selected Papers from the English Institute, 1978, ns., 3). Baltimore, MD: Johns Hopkins UP, 1980. 120-48.
_____. Factual Fictions: The Origins of the English Novel. New York: Columbia UP, 1983.
Galván Reula, Fernando. "Notas sobre el desarrollo y resurgimiento del romance en inglés." In In Memoriam Inmaculada Corrales. La Laguna: Universidad de La Laguna, 1987. 143-58.
Hart, F. Elizabeth. "3. 1500-1620: Reading, Consciousness, and Romance in the Sixteenth Century." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 103-31.*
Marchitello, Howard. Narrative and Meaning in Early Modern England: Browne's Skull and Other Histories. Cambridge: Cambridge UP, c. 1998.
Schlauch, Margaret. "English Short Fiction in the 15th and 16th centuries." Studies in Short Fiction 3 (1966).
Vakhrushev,
V. S. (Вахрушев, В. С.) "Жанровая поэтика русского и английского романа XVII—XIX веков в контексте мировой литературы." In «Меры не знал я, смертных любя»: к 90-летию российского филолога Владимира Серафимовича Вахрушева (1932—2011).
Редакторы-составители Людмила Комуцци и Павел Глушаков. Санкт-Петербург: Росток, 2022.
9-104.* ("Genre Poetics of the Russian and English Novel of the 17th—19th Centuries
in the Context of World Literature")
Anthologies
Henderson, Philip, ed. Shorter Novels. 3 vols. (Vol. 1: Elizabethan - introd. George Saintsbury, Notes by Philip Henderson; Vol. 2: Seventeenth-century - Ed. and introd. Philip Henderson. ; Vol. 3: Eighteenth-century - Ed. Philip Henderson). (Everyman's Library, 824, 831, 856). London: Dent; New York: Dutton.
Simons, John, ed. Guy of Warwick and Other Chapbook Romances: 6 Tales from the Popular Literature of Pre-Industrial England. Exeter UP, 1998.
Sánchez Escribano, Javier, [ed.]. Picaresca española en traducción inglesa (xx. XVI y XVII): Antología y estudios. Zaragoza: Universidad de Zaragoza, 1998.*
Video
Holm, Melanie. "Origins of the English Novel. 1. The Introduction." Viceo lecture. YouTube (Melanie Holm) 2 Sept. 2016.* (On Michael McKeon).
2018
16th-century English fiction
Davis, Walter. Idea and Act in Elizabethan Fiction. Princeton: Princeton UP, 1969.
Garke, Esther. The Use of Song in Elizabethan Prose Fiction. Bern: Francke, 1972.
Nelson, William. "The Boundaries of Fiction in the Renaissance: A Treaty Between Truth and Falsehood." ELH 36 (1969): 30-58.
_____. Fact or Fiction: The Dilemma of the Renaissance Storyteller. Cambridge: Harvard UP, 1973.
Reilhan, Constance C., ed. Framing Elizabethan Fictions. Kent State UP, 1997.
Shaw, Patricia. "Características de la narrativa isabelina en prosa." In Estudios literarios ingleses: Renacimiento y barroco. Ed. Susana Onega. Madrid: Cátedra, 1986. 129-70.*
Watt, Ian. "Elizabethan Fiction." In The Age of Shakespeare. Vol. 2 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1982. Rev. 1993. 195-206.*
Wolff, S. L. The Greek Romance in Elizabethan Prose Fiction. New York: Columbia UP, 1912.
Anthologies
Henderson, Philip, ed. Shorter Novels. 3 vols. (Vol. 1: Elizabethan - introd. George Saintsbury, Notes by Philip Henderson; Vol. 2: Seventeenth-century - Ed. and introd. Philip Henderson. ; Vol. 3: Eighteenth-century - Ed. Philip Henderson). (Everyman's Library, 824, 831, 856). London: Dent; New York: Dutton.
Salzman, Paul, ed. An Anthology of Elizabethan Prose Fiction. Oxford: Oxford UP.
17th-century English fiction
Backscheider, Paula R. and John J. Richetti, eds. Popular Fiction by Women 1660-1730. Oxford: Clarendon Press, 1996.
Bowers, Toni O'Shaughnessy. "Sex, Lies, and Invisibility: Amatory Fiction from the Restoration to Mid-Century." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 50-72.*
Bradburn, Elizabeth. "4. 1620-1700: Mind on the Move." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 132-58.*
Hughes, Helen Sard. "English Epistolary Fiction before Pamela." In Manly Anniversary Studies . Chicago, 1923. 156-69.
Loftis, J. "The Drama and the Novel." In The Age of Dryden. Vol. 8 of The Cambridge History of English Literature. Ed. A. W. Ward and A. R. Waller. Cambridge: Cambridge UP, 1911. 2nd ed. 1932.
McKeon, Michael. The Origins of the English Novel, 1600-1740. Baltimore: Johns Hopkins UP, 1987*; London: Hutchinson-Radius, 1988.
Monnickendam, Andrew. "Paradise Lost as a Novel." Actas del I Congreso Nacional de la Sociedad Española de Estudios Renacentistas Ingleses (SEDERI) / Proceedings of the I National Conference of the Spanish Society for English Renaissance Studies. Ed. Javier Sánchez. Zaragoza: SEDERI, 1990. 179-90.*
Morgan, Charlotte E. The Rise of the Novel of Manners: A Study of English Prose Fiction between 1600 and 1740. New York: Columbia UP, 1911.
Rees, Christine. "Seventeenth-Century Utopias: 'witty fictions, but mere chimeras'." In Rees, Utopian Imagination and Eighteenth-Century Fiction. Harlow: Addison Wesley Longman, 1996. 39-64.*
Spencer, Jane. The Rise of the Woman Novelist: From Aphra Behn to Jane Austen. Oxford: Blackwell, 1987.*
Spufford, Margaret. Small Books and Pleasant Memories: Popular Fiction and Its Readership in Seventeenth-Century England. Athens: U of Georgia P, 1981.
Warner, William. "Licensing Pleasure: Literary History and the Novel in Early Modern Britain." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 1-22.*
Anthologies
Henderson, Philip, ed. Shorter Novels. 3 vols. (Vol. 1: Elizabethan - introd. George Saintsbury, Notes by Philip Henderson; Vol. 2: Seventeenth-century - Ed. and introd. Philip Henderson. ; Vol. 3: Eighteenth-century - Ed. Philip Henderson). (Everyman's Library, 824, 831, 856). London: Dent; New York: Dutton.
Anthologies
Peterson, Spiro, ed. The Counterfeit Lady Unveiled and Other Criminal Fiction of Seventeenth-Century England. Garden City (NY): Anchor, 1961.
Salzman, Paul, ed. An Anthology of Seventeenth-Century Fiction. (World's Classics). Oxford: Oxford UP, 1991.*
Henderson, Philip, ed. Shorter Novels: vol. 2: Jacobean and Restoration. (Everyman's Library, 831). London: Dent; New York: Dutton.
Bibliographies
Esdaile, Arundell. A List of English Tales and Prose Romances Printed before 1740. The Bibliographical Society, 1912.
Mish, Charles C. English Prose Fiction, 1600-1700: A Chronological Checklist. Charlottesville (VA), 1952.
18th-century English fiction
Aercke, Kristian P. "Theatrical Backround in English Novels of The Seventeenth Century." The Journal of Narrative Technique 18.2 (1988):120-136.*
Álvarez Rodríguez, Román. "De la novela gótica a la novela histórica, 1760-1840." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 65-106.*
Aragón Fernández, María Aurora. "Sobre las relaciones de la narrativa inglesa y la novela francesa del siglo XVIII." Stvdia Patriciae Shaw Oblata. Vol. 1. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 62-81
Backscheider, Paula R. and John J. Richetti, eds. Popular Fiction by Women 1660-1730. Oxford: Clarendon Press, 1996.
Backscheider, Paula, and Catherine Ingrassia, eds. A Companion to the Eighteenth-Century Novel. Oxford: Blackwell, forthcoming 2004.
Baker, E. A. The History of the English Novel. 1930. Vols. 3 and 4. (18th cent.).
Bender, John. Imagining the Penitentiary: Fiction and the Architecture of Mind in Eighteenth-Century England. Chicago: U of Chicago P, 1978.
Bhall, A. The Cartographers of Hell: Essays on the Gothic Novel and the Social History of England. 1991.
Birkhead, Edith. "Sentiment and Sensibility in the Eighteenth-Century Novel." Essays and Studies 11 (1925): 92-116.
Blamires, Harry. "Origins of the Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 151-59.*
_____. "The Eighteenth-Century Novel." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 201-16.*
Bond, Clinton. "Representing Reality: Strategies of Realism in the Early English Novel." Eighteenth-Century Fiction 6.2 (1994): 121-40.
Bowers, Toni O'Shaughnessy. "Sex, Lies, and Invisibility: Amatory Fiction from the Restoration to Mid-Century." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 50-72.*
Brewer, Derek. English Gothic Literature. London: Macmillan, 1983.*
Case, Alison A. Plotting Women: Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel. Charlottesville: UP of Virginia, 1999.
Conant, Martha P. The Oriental Tale in England in the Eighteenth Century. 1908.
Concha Muñoz, Angeles de la. "La escritura femenina como exploración de identidad personal y social en la novela inglesa del siglo XVIII." Epos 6 (1990): 379-96.
Craft-Fairchild, Catherine. Masquerade and Gender: Disguise and Female Identity in Eighteenth-Century Fictions by Women. University Park: Pennsylvania State UP, 1993.
Cross, Wilbur L. The Development of the English Novel. New York: Macmillan, 1899.
Cullens, Chris. Female Difficulties: Novels by English and German Women, 1752-1814. Stanford (CA): Stanford UP, forthcoming 1994.
_____. "Female Difficulties, Comparativist Challenge: Novels by English and German Women, 1752-1814." In Borderwork. Ed. Margaret R. Higonnet. Ithaca (NY): Cornell UP, 1994. 100-19.*
Damrosch, Leopold. God's Plot and Man's Stories: Studies in the Fictional Imagination from Milton to Fielding. Chicago: U of Chicago P, 1985.
Davis, Lennard J. "'Wicked Actions and Feigned Words': Criminals, Criminality, and the Early English Novel." Yale French Studies 59 (1980): 106-18.
_____. Factual Fictions: The Origins of the English Novel. New York: Columbia UP, 1983.*
Dibelius. Englische Romankunst. Berlin, 1910.
Donovan, Robert Alan. The Shaping Vision: Imagination in the English Novel from Defore to Dickens. Ithaca: Cornell UP, 1966.
Duncan, Jeffrey L. "The Rural Ideal in Eighteenth-Century Fiction." Studies in English Literature 8 (1968): 517-35.
Eaves, Thomas Cary Duncan. "Graphic Illustration of the Principal English Novels of the Eighteenth Century." Diss. Harvard, 1944.
Frank, Judith. Common Ground: 18th-century English Satire Fiction and the Poor. Stanford: Stanford UP, 1997.
García Landa, José Angel. "Notes on Ian Watt's The Rise of the Novel." In García Landa, Vanity Fea 1 Dec. 2014.*
http://vanityfea.blogspot.com.es/2014/12/notes-on-ian-watts-rise-of-novel.html
2014
García Tortosa, Francisco. Los viajes imaginarios en el siglo XVIII y su fondo cultural. Universidad de Salamanca, 1973.
Garside, Peter. "Politics and the Novel 1780-1830." In The Romantic Period. Ed. David B. Pirie. Vol. 5 of the Penguin History of Literature. Harmondsworth: Penguin, 1994. 49-86.*
Haggerty, George E. "The Gothic Novel, 1764-1824." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 220-46.*
Horner, Joyce. The English Women Novelists and Their Connection with the Feminist Movement (1688-1797). (Smith College Studies in Modern Languages, 11.1, 2, 3). 1929-1930.
Hughes, Helen Sard. "English Epistolary Fiction before Pamela." In Manly Anniversary Studies . Chicago, 1923. 156-69.
Hunter, J. Paul. Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction. New York: Norton, 1990.*
Johnson, Nancy E. The English Jacobin Novel on Rights, Property and the Law. Basingstoke: Palgrave Macmillan, 2004. (Thomas Holcroft, Charlotte Smith, Mary Hays, Mary Wollstonecraft, Maria Edgeworth).
Kahn, Madeleine. Narrative Transvestism: Rhetoric and Gender in the Eighteenth-Century English Novel. (Reading Women Writing). Ithaca (NY): Cornell UP, 1991.*
Karl, Frederick R. A Reader's Guide to the Development of the English Novel in the 18th Century. London: Thames and Hudson, 1974.*
Kelly, Gary. The English Jacobin Novel, 1780-1805. Oxford, 1976. (Bage, Holcroft, Inchbald, Godwin).
Kilgour, Maggie. The Rise of the Gothic Novel. London and New York: Routledge,1995.*
Killen, Alice M. Le Roman terrifiant. Paris, 1920, 1923.
_____. Le Roman terrifiant ou Roman noir, de Walpole à Ann Radcliffe, et son influence sur la littérature française jusqu'en 1840. Ph.D. diss. 1920. 2nd ed. Paris: Honorè Champion, 1967.
Konigsberg, Ira. Narrative Technique in the English Novel: Defoe to Austen. Hamden: Archon-Shoe String Press, 1985.
Kroll, Richard, ed. The English Novel: vol. 2. Smollett to Austen. (Longman Critical Readers). Harlow: Addison Wesley Longman, 1998.*
Lasa Álvarez, Begoña. "Eighteenth Century British Women Novelists in Spain: Publishing and Advertising Strategies." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.*
Lévy, Maurice. Le Roman "gothique" anglais (1764-1824). Thèse de doctorat d'Etat. Toulouse: Publications de la faculté des lettres et sciences humaines, 1968.
Lorenzo Modia, María Jesús. "Eurocentrism and Transculturalisms in Eighteenth-Century Women Novelists." In El discurso artístico en el norte y en el sur: Eurocentrismos y transculturalismos. Ed. José Luis Caramés. 3 vols. Oviedo: U de Oviedo, 1998. 2.393-402.
Lovell, Terry. Consuming Fiction. London: Verso-New Left Books, 1987.*
Masson, David. British Novelists and Their Styles. London: Macmillan,1859.
Mayo, R. D. The English Novel in the Magazines, 1740-1815. London, 1962.
McKee, J. B. Literary Irony and the Literary Audience: Studies in the Victimization of the Reader in Augustan Fiction. Amsterdam: Rodopi, 1974.
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Anthologies
British Women Novelists 1750-1850. (Collection). Introds. Peter Garside and Carolyn Franklin. London: Routledge/Thoemmes, 1992.
Cox, Michael, ed. Victorian Tales of Mystery and Detection. Oxford: Oxford UP, 1992.
Bibliographies
Garside, Peter, and Rainer Schöwerling. The English Novel 1770-1829: A Bibliographical Survey of Prose Fiction Published in the British Isles. Vol. 2, 1800-1829. Oxford: Oxford UP, 2000.
Internet resources
19thNovels.com: 19th century English Novels
2011
The Nineteenth-Century English Novel. In Lilia Melani's website,
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20th century British fiction
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Caserio, Robert L. The Novel in England since Conrad and Woolf: Theory and History. Forthcoming 1990.
Gallix, François. Le roman britannique du XXe siècle: modernistes et postmodernes. Paris: Masson, 1995.
Green, Martin. The English Novel in the Twentieth Century: the Doom of Empire. London: Routledge 1984.
Karl, Frederick R. A Reader's Guide to Great Twentieth-Century English Novels. London: Thames, 1968.
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_____. La novela inglesa contemporánea. Barcelona: Lumen, 1968.
Pérez Minik, D. Introducción a la novela inglesa actual. Madrid: Guadarrama, 1968.
Stevenson, Randall. The British Novel since the Thirties: An Introduction. London: Batsford, 1986.
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Álvarez Amorós, José Antonio. "Del vanguardismo a la Segunda Guerra Mundial, 1910-1945." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 193-254.*
Bergonzi, Bernard, ed. Innovations. London, 1968.
Bevan, David, ed. University Fiction. Amsterdam: Rodopi, 1991.
Bloom, Clive, ed. Creepers: British Horror and Fantasy in the Twentieth Century. London: Pluto, 1993.
Bradbury, Malcolm, and David Palmer, eds. The Contemporary English Novel. London: Arnold, 1979.
Burgess, Anthony. The Novel Now: A Student's Guide to Contemporary Fiction. London: Faber and Faber, 1967.
_____. Homage to QWERTYUIOP. London, 1986.
Demoor, Marysa. ed. Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880-1930. Oxford: Oxford UP, 2004. (Emilia Dilke, Rosamund Watson, Henry James, James Joyce, Virginia Woolf).
Felber, Lynette. Gender and Genre without End: The British "Roman-Fleuve". Tallahassee: UP of Florida, 1995.
Friedman, Alan Warren, ed. Forms of Modern British Fiction. Austin: U of Texas P, 1975.
Friedman, Ellen G., and Miriam Fuchs. "Contexts and Continuities: An Introduction to Women's Experimental Fiction in English." In Breaking the Sequence: Women's Experimental Fiction. Ed. Friedman and Fuchs. Princeton (NJ): Princeton UP, 1989.
Fries, Udo. "Zum historischen Präsens im modernen Englischen Roman." Germanisch-Romanische Monatsschrift 51 (1970): 321-38.
Galván Reula, Fernando. "De la segunda guerra mundial al presente, 1945-1995: Entre el realismo y la metaficción." In Historia crítica de la novela inglesa. Ed. José Antonio Álvarez Amorós. Salamanca: Ediciones Colegio de España, 1998. 255-308.*
Gascueña Gahete, Javier, and Paula Martín Salván, eds. Figures of Belatedness: Postmodernist Fiction in English. Córdoba: Servicio de Publicaciones de la Universidad de Córdoba, 2006.
Giddey, E. Crime et détection: Essai sur les structures du roman policier de langue anglaise. 1990.
Grosz, Konrad, Kurt Müller, and Meinhard Winkgens, eds. Das Natur/Kultur Paradigma in der english-sprachigen Erzählliteratur des 19. und 20. Jahrhunderts. Festschrift zum 60. Geburtstag von Paul Goetsch. Tübingen: Narr, 1994.
Harvie, Christopher. The Centre of Things: Popular Fiction in Britain from Disraeli to the Present. London: Routledge, 1991.
Hassan, Ihab. "The Antihero in Modern British and American Fiction." 1959. In Hassan, Rumors of Change: Essays of Four Decades. Tuscaloosa: U of Alabama P, 1995. 55-67.*
Hawthorn, Jeremy, ed. The British Working Class Novel in the Twentieth Century. London: Arnold, 1984.
Herman, David. "8. 1880-1945: Re-Minding Modernism." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 243-72.*
Jackson, Rosemary. Fantasy: The Literature of Subversion. London: Methuen, 1981.
Jefferson, Douglas, and Graham Martin, eds. The Uses of Fiction: Essays on the Modern Novel in Honour of Arnold Kettle. Milton Keynes: Open UP, 1982.
Kaplan, Sidney Janet. Feminist Consciousness in the Modern British Novel. Urbana: U of Illinois P, 1975.
Kellman, Steven G. The Self-Begetting Novel. London: Macmillan, 1980.
Lázaro, Alberto. El modernismo de la novela inglesa. Madrid: Síntesis, 2005.
Leader, Zachary, ed. On Modern British Fiction. Oxford: Oxford UP, 2002, pbk 2003.
Levenson, Michael. Modernism and the Fate of Individuality: Character and Form in the Modern English Novel. Cambridge: Cambridge UP, 1991.
McClure, John. Late Imperial Romance. (Reviewed by Suart Burrows). Studies in American Fiction 23.2 (Autumn 1995): 245-46.*
McCormack, Thomas, ed. Afterwords: Novelists on Their Novels. New York, 1969.
Ruddick, Nicholas. Ultimate Island: On the Nature of British Science Fiction. Westport (CT): Greenwood P, 1993.*
Santaulària, Isabel. "Un estudio en negro: la ficción de detectives anglosajona, de sus orígenes a la actualidad." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008.
Shaw, Patricia. "The Role of the University in Modern English Fiction." Atlantis 3.1 (1981): 4-68.
Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton UP, 1977.
Spacks, Patricia Meyer, ed. Contemporary Women Novelists. Ed. Patricia Meyer Spacks. New Jersey: Prentice, 1976.
Staley, Thomas F., ed. Twentieth-Century Women Novelists. London: Macmillan, 1982. 1984.
Thickstun, William R. Visionary Closure in the Modern Novel. Houndmills: Macmillan, 1988.
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_____. "La narrativa británica de finales del siglo XX: Cuestiones históricas y críticas." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 15-44.*
_____. "En torno al margen, en torno al centro: Aproximaciones desde la narrativa femenina actual." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 45-70.*
Gasiorek, Andrzej. Post-War British Fiction: Realism and After. London: Edward Arnold, 1995.
Gilmour, Robin. "Using the Victorians: The Victorian Age in Contemporary Fiction." In Rereading Victorian Fiction. Ed. Alice Jenkins and Juliet John. Houndmills: Palgrave, 2000. 2002. 189-200.*
Gindin, James. Postwar British Fiction: New Accents and Attitudes. London, 1962.
Gutleben, Christian. "Palindromes and Palimpsests: Strategies of Deliberate Self-Contradiction in Postmodern British Fiction." Miscelánea 26 (2002, issued Feb. 2004): 11-20.*
http://fyl.unizar.es/miscelanea/miscelanea.html
Haffenden, John. Novelists in Interview. London: Methuen, 1985.*
http://books.google.es/books?id=_18OAAAAQAAJ
2010
Hidalgo Andreu, Pilar. La crisis del realismo en la novela inglesa contemporánea. Málaga: Servicio de Publicaciones de la Universidad de Málaga, 1987.
_____. "La feminización de la novela postmodernista." Atlantis 12.2 (1991): 65-82.*
_____. Tiempo de mujeres. Madrid: Horas y Horas, 1995.
Hühn, Peter. "The Politics of Secrecy and Publicity: The Functions of Hidden Stories in Recent British Mystery Fiction." In Theory and Practice of Classic Detective Fiction. Ed. Jerome H. Delamater and Ruth Prigozy. Westport, CT: Greenwood Press, 1997. 39-50.
Hühn, Peter, and W. Künne. Englische triviale Frauenliteratur: Fallstudien zu ihrer Rezeption bei Schülern und Studenten. Königstein/Ts.: Athenäum, 1978.
Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge and Kegan Paul, 1988.
Kemp, Peter. "Resurrection or Decadence? Guides to the Post-War British Novel." TLS 12 nov. 1993: 24-25.
Kohlke, Marie-Luise, and Christian Gutleben, eds. Neo-Victorian Tropes of Trauma: The Politics of Bearing After-witness to Nineteenth-Century Suffering. (Neo-Victorian Series, 1). Amsterdam and New York: Rodopi, 2010.
Kotte, Christina. Ethical Dimensions in British Historiographic Metafiction: Julian Barnes, Graham Swift, Penelope Lively. (ELCH: Studies in English Literary and Cultural History, 2). Trier: Wissenschaftlicher Verlag Trier, 2001.*
Lane, Richard J., Rod Mengham and Philip Tew, eds. Contemporary British Fiction. Cambridge: Polity Press, 2003. Online preview at Amazon:
http://www.amazon.com/Contemporary-British-Fiction-Richard-Lane/dp/0745628672/ref=sr_1_22
2015
Lázaro, Luis Alberto. "El espíritu satírico en la novela británica contemporánea: Menipo redivivo." In Márgenes y centros en la literatura británica actual. Ed. Fernando Galván. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2000. 93-120.*
Lázaro, Luis Alberto, Angeles de la Concha and Constante González. "La pervivencia de la sátira en la narrativa inglesa y norteamericana contemporáneas." Proceedings of the XIXth International Conference of AEDEAN. Ed. Javier Pérez Guerra et al. Vigo: Departamento de Filoloxía Inglesa e Alemana da Universidade de Vigo, 1996. 639-42.*
Lee, Alison. Realism and Power: Postmodern British Fiction. New York and London: Routledge, 1990.*
López Ropero, Mª Lourdes. The Anglo-Caribbean Migration Novel: Writing from the Diaspora. Alicante: Publicaciones UA, 2004.
McEwan, Neil. The Survival of the Novel: British Fiction in the Later Twentieth Century. London: Macmillan, 1981.
McGuirk, Carol. "Drabble to Carter: Fiction by Women, 1962-1992." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 939-60.*
McHale, Brian. Postmodernist Fiction. London: Methuen, 1987.
Mengham, Rod, ed. An Introduction to Contemporary Fiction: International Writing in English since 1970. Cambridge: Polity; Malden (MA): Blackwell, 1999.*
Murdoch, Iris. "Against Dryness." Encounter (January 1961). Rpt. in Malcolm Bradbury, ed., The Novel Today: Contemporary Writers on Modern Fiction. Glasgow: Fontana, 1977.
Nünning, Ansgar. "Von historischer Fiktion zu historiographischer Metafiktion: Theorie, Erscheinungsformen und Entwicklungstehenden des historischen Romans in England seit 1940." Habilitation, U of Cologne, 1995.
_____. Von Historischer Fiktion zu historiographischer Metafiktion. 2 vols. Trier: Wissenschaftlicher Verlag Trier, 1997.
Onega, Susana. "La novela postmodernista en Inglaterra: Una nueva forma para el género." La página 2 (1992): 15-32.
_____. "British Historiographic Metafiction." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 92-103.*
_____. "Self, Text and World in British Historiographic Metafiction." Anglistik 6.2 (Sept. 1995): 93-106.*
Orwell, George. "Inside the Whale." 1940. In Orwell, A Collection of Essays. New York: Harcourt, 1953? 210-51.
Palmer, Alan. "9. 1945-: Ontologies of Consciousness." In The Emergence of Mind: Representations of Consciousness in Narrative Discourse in English. Ed. David Herman. Lincoln and London: U of Nebraska P, 2011. 273-98.*
Palmer, Paulina. Contemporary Women's Fiction: Narrative Practice and Feminist Theory. Hemel Hempstead: Harvester Wheatsheaf, 1989.
Parrinder, Patrick. "The English Novel of Immigration: 'Real Life Unfolding like Fiction." In Proceedings of the 29th AEDEAN Conference: Universidad de Jaén 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de Jaén, 2006. 29-36.*
Peters, Joan Douglas. Feminist Metafiction and the Evolution of the British Novel. Garinesville: UP of Florida, 2002.
Phelps, Gilbert. "The Post-War English Novel." In The Present. Vol. 8 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1983. 417-49.*
Raper, Julius Rowan. Narcissus from Rubble: Competing Models of Character in Contemporary British and American Fiction. Baton Rouge: Louisiana State UP, 1992.*
Sacido, Jorge, ed. Modernism, Postmodernism, and the Short Story in English. Amsterdam and New York: Rodopi, 2012.
Scanlan, Margaret. Traces of Another Time: History and Politics in Postwar British Fiction. Princeton (NJ): Princeton UP, 1990.*
Schmid, Susanne. Jungfrau und Monster: Frauenmythen im englischen Roman der Gegenwart. Berlin: ESV, 1996.
Shaffer, Brian. A Companion to the British and Irish Novel 1945-2000. Oxford: Blackwell, forthcoming 2004.
Shaw, Patricia. "The Role of the University in Modern English Fiction." Atlantis 3.1 (Dec. 1981): 44-67.*
Stevenson, Randall. "No Experiments, Please, We're British: Postmodernism and Contemporary Fiction in Britain." Miscelánea 11 (1990): 123-42. Rpt. as "Postmodernism and Contemporary Fiction in Britain." In Postmodernism and Contemporary Fiction. Ed. Edmund J. Smyth. London: Batsford, 1991. 19-35.
Taylor, D. J. After the War: The Novel and English Society since 1945. London: Chatto, 1993.
_____. After the War: The Novel in England since 1945. 1993. London: HarperCollins-Flamingo, 1994.*
Todd, Richard. "The Presence of Postmodernism in British Fiction: Aspects of Style and Selfhood." In Approaching Postmodernism. Ed. Douwe Fokkema and Hans Bertens. Amsterdam: Benjamins, 1986. 99-117.
_____. "Confrontation within Convention: On the Character of British Postmodernist Fiction." In Postmodern Fiction in Europe andthe Americas. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi; Antwerpen: Restant, 1988. 115-26.*
_____. Consuming Fictions: The Booker Prize and Fiction in Britain Today. London: Bloomsbury, 1996.
Waugh, Patricia. "Post-War Women Writers: Challenging the Liberal Tradition." (Drabble, Brookner, Plath, Tyler, Paley). In Waugh, Feminine Fictions: Revisiting the Postmodern. London: Routledge, 1989. 126-67.*
Zeigler, Heide, and Christopher Bigsby, eds. The Radical Imagination and the Liberal Tradition: Interviews with Contemporary English and American Novelists. London, 1982.
Series
(Contemporary Novelists Series). Manchester: Manchester UP, 2006.
50s
Rabinovitz, Rubin. The Reaction against Experiment in the English Novel 1950-1960. New York: Columbia UP, 1967.
60s
Les Fictions du réel dans le monde anglo-américain de 1960 à 1980. (GRAAT, 4). Tours: Publications des Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours.
70s
Les Fictions du réel dans le monde anglo-américain de 1960 à 1980. (GRAAT, 4). Tours: Publications des Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours.
Kenyon, Olga. Women Novelists Today. A Survey of English Writing in the Seventies and Eighties. London: Harvester Wheatsheaf, 1988.
Massie, Allan. The Novel Today: A Critical Guide to the British Novel 1970-1989. London: Longman / British Council, 1990.
Rushdie, Salman. "The Raj Revival." Observer 1 April 1984: 8.
Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.*
80s
Amis, Martin. "The State of Fiction: A Symposium." New Review 18 (1984).
Best of Young British Novelists. Granta 7 (1983).
Bigsby, Chistopher. "Backwards to the Future." (Contemporary British novel). Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 29-38.
Cunningham, Valentine. "Facing the New." (British fiction of the 80s.). In New Writing. Ed. M. Bradbury and J. Cooke. London: Minerva/British Council, 1992. 229-42.*
Duffy, Maureen. "New Trends in British Fiction." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 69-72.
Duperray, Max, ed. Historicité et métafiction dans le roman contemporain des Iles britanniques. Aix-en-Provence: Publications de l'Université de Provence, 1994.
Elias, Amy J. "Meta-mimesis? The Problem of British Postmodern Realism." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 9-31.
Fokkema, Aleid. Postmodern Characters: A Study of Characterization in British and American Postmodern Fiction. Amsterdam: Rodopi, 1991.*
Kemp, Peter. "British Fiction of the 1980s." In New Writing. Ed. M. Bradbury and J. Cooke. London: Minerva/British Council, 1992. 216-28.*
Kenyon, Olga. Women Novelists Today. A Survey of English Writing in the Seventies and Eighties. London: Harvester Wheatsheaf, 1988.
Lasdun, James. "Life's Victims: Recent Fiction." Encounter 62.1 (1984): 69-73.
Massie, Allan. The Novel Today: A Critical Guide to the British Novel 1970-1989. London: Longman / British Council, 1990.
Onega, Susana. "The British Novel in the 80s: Historiographic Metafiction, The Way Ahead?" XIV Congreso de AEDEAN. Bilbao: Servicio Editorial de la Universidad del País Vasco, 1992. 81-96.
_____. "British Historiographic Metafiction in the 1980s." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 47-60.
_____. "British Historiographic Metafiction." In Metafiction. Ed. Mark Currie. London: Longman, 1995.
_____. "Self, Text and World in British Historiographic Metafiction." Anglistik 6.2 (Sept. 1995): 93-106.*
_____. "The Mythical Element in British Historiographic Metafiction." EJES 2 (Special issue on Modernism and Postmodernism, Fall 1995).
Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.*
Wood, Michael. "The Contemporary Novel." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 961-88.
90s
Byatt, A. S. "Telescope, Microscope, Kaleidoscope: Contemporary British Fiction." Boletín informativo AEDEAN (November 1997): 67-70.*
Concha, Angeles de la, et al. "Narrativa inglesa contemporánea: el presente y la memoria" A Distancia (Autumn 1997): 158-165.
_____."Cosmovisiones postmodernas: Nuevas perspectivas en la novela inglesa." Panel discussion summary. In Actas del 25º Congreso AEDEAN, Granada 2001. CD-ROM. Granada: U de Granada: Departamento de Filología Inglesa, 2002.*
Del Ivan, Janik. "No End of History: Evidence from the Contemporary English Novel." Twentieth Century Literature 41.2 (1995)*
Delbaere-Garant, Jeanne. "Psychic Realism, Mythic Realism, Grotesque Realism: Variations on Magical Realism in Contemporary Literature in English." In Magical Realism. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham: Duke UP, 1995. 249-64.*
Galván, Fernando. "From Beyond the Oceans and Into the Mainstream: On Contemporary British Fiction." Op.Cit. 1 (1998): 47-60.*
Lázaro, Luis Alberto. "Political Satire in Contemporary British Fiction: The State of the Art." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*
López-Peláez Casellas, Jesús. "Fiction of the Left: Class and Beyond in the Narrative of the Nineteen Nineties." RANAM: Recherches anglaises et nord-américaines no. 36 (2003): ESSE 6—Strasbourg 2002. 1- Literature. Gen. ed. A. Hamm. Sub-eds. Claire Maniez and Luc Hermann. Strasbourg: Université Marc Bloch, Service des périodiques, 2003. 69-77.*
Lozano, María. "'How You Cuddle in the Dark Governs How You See the History of the World': A Note on Some Obsessions in Recent British Fiction." In Onega, Telling Histories: Narrativizing History, Historicizing Literature. Amsterdam: Rodopi, 1995. 1170-34.*
Maes-Jelinek, Hena. "Postmodernism and Its Others: Cross-Cultural Counterpoints in British Fiction." Anglistik 8.1 (March 1997): 61-74.*
Marín Lajusticia, Juan Mª. "La nueva narrativa británica." Babelia. El País 7 Sept. 1996: 10-11.
Martín Alegre, Sara. Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort. London: Routledge, 2019. (Orwell, Tolkien, Fleming, Le Carré, Rowling).
Moliner Marín, María Pilar, and José Ramón Prado Pérez. "Images of Popular Culture in British Fiction of the 1990s." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*
Monteith, Sharon, Jenny Newman and Pat Wheeler. Contemporary British and Irish Fiction: An Introduction through Interviews. London: Routledge, 2004. (Pat Barker, A. S. Byatt, Roddy Doyle, Allan Hollinghurst, Hanif Kureishi, Bernard MacLaverty, Michèle Roberts, Barry Unsworth, Fay Weldon, Irvine Welsh).
Onega, Susana. "Mito y metaficción en la novela histórica inglesa actual." Actas del VII Congreso Internacional de la Asociación Española de Semiótica. Ed. José Angel Blesa Lalinde. 1998.
Pérez Rodríguez, Eva M. How the Second World War Is Depicted by British Novelists since 1990: The Passage of Time Changes Our Portrayal of Traumatic Events. Lewinston, Queenston, Lampeter: Edwin Mellen, 2012.
Todd, Richard, and Luisa Flora, eds. Theme Parks, Rainforests and Sprouting Wastelands: European Essays on Theory and Performance in Contemporary British Fiction. Amsterdam: Rodopi, 1998.
Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.*
Wood, Michael. "The Contemporary Novel." In The Columbia History of the British Novel. Ed. John Richetti et al. New York: Columbia UP, 1994. 961-88.*
Dictionaries
British Novelists since 1970, Part 2: A-Z. (Dictionary of Literary Biography). Detroit: Gale Research Press, 1983.
21st-century British fiction
Acheson, James, ed. The Contemporary British Novel since 2000. Edinburgh: Edinburgh UP, 2017. (I. Four Voices in the New Millennium; II. Realism and Beyond; III. Postmodernism, Globalisation and Beyond; IV. Realism, Postmodernism and Beyond: Historical Fiction; V. Postcolonialism and Beyond).
Arizti, Bárbara, and Silvia Martínez-Falquina, eds. On the Turn: The Ethics of Fiction in Contemporary Narrative in English. Newcastle: Cambridge Scholars Publishing, 2007.
Bentley, Nick. Contemporary British Fiction. (Edinburgh Critical Guides to Literature). Edinburgh: Edinburgh UP.
Birke, Dorothee. Memory's Fragile Power: Crises of Memory, Identity and Narrative in Contemporary British Novels. 2008.
Ganteau, Jean-Michel, and Susana Onega Jaén, eds. Trauma and Romance in Contemporary British Literature. New York: Routledge, 2013.
González Rodríguez, Mª Luz. Juan Ignacio Oliva Cruz and Nieves Pascual. "Representations of Gendered Pain in Contemporary British Writing." Abstract. In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*
Gutleben, Christian. "Phallus in Fabula: The Shameless Abuse of Victorian Intertextuality in Contemporary British Fiction." In Symbolism Vol. 5 (2005) – ("Special Focus: Intertextuality"). Brooklyn (NY): AMS Press, 2005. 151-67.*
Kohlke, Marie-Luise, and Christian Gutleben, eds. Neo-Victorian Tropes of Trauma: The Politics of Bearing After-Witness to Nineteenth-Century Suffering. Amsterdam: Rodopi, 2010.
Laniel, Marie. "Tracing 'the Heart's Imagination' in Contemporary British Fiction." In Only Connect: E. M. Forster's Legacies in British Fiction. Ed. Elsa Cavalié and Laurent Mellet. Bern: Peter Lang, 2017. 113-28.*
Martínez-Alfaro, María Jesús and Silvia Pellicer-Ortín, eds. Memory Frictions in Contemporary Literature. Palgrave Macmillan, 2017.
Mergenthal, Silvia. "'Whose City?' Contested Spaces and Contesting Spatialities in Contemporary London Fiction." In London in Literature: Visionary Mappings of the Metropolis. Ed. Susana Onega and John A Stotesbury. Heidelberg: Winter, 2002. 123-39.*
Monaghan, Nicola. "Getting Your First Novel Published." In The Writer's Handbook 2009. Ed. Barry Turner. Houndmills: Palgrave Macmillan, 2008.
Mydla, Jacek, and Aleksandra Musial. Rev. of How the Second World War Is Depicted by British Novelists since 1990: The Passage of Time Changes Our Portrayal of Traumatic Events. By Eva M. Pérez Rodríguez. Atlantis 36.2 (Dec. 2014): 243-47.*
Nünning, Ansgar, and Jan Rupp, eds. Medialisierung des Erzählens im englischsprachigen Roman der Gegenwart. Trier, 2011. 117-34.
Onega, Susana, and Jean-Michel Ganteau, eds. Ethics and Trauma in Contemporary British Fiction. Amsterdam: Rodopi, 2011.
_____, eds. Contemporary Trauma Narratives: Liminality and the Ethics of Form (Routledge Interdisciplinary Perspectives on Literature). London and New York: Routledge, 2014.
Pérez Fernández, Irene. "Representing Third Spaces, Fluid Identities and Contested Spaces in Contemporary British Literature." Atlantis 31.2 (Dec. 2009): 143-60.* (Andrea Levy, Monica Ali, Zadie Smith).
Pérez Rodríguez, Eva M. How the Second World War Is Depicted by British Novelists since 1990: The Passage of Time Changes Our Portrayal of Traumatic Events. Lewinston, Queenston, Lampeter: Edwin Mellen, 2012.
Vianu, Lidia. The AfterMode: Present Day English Fiction. Bucharest: Contemporary Literature Press / U of Bucharest / British Council / Romanian Cultural Institute, 2012. (Joyce, Peter Ackroyd, Martin Amis, Julian Barnes, Malcolm Bradbury, A.S. Byatt, Angela Carter, Tracy Chevalier, Jonathan Coe, Helen Fielding, Laura Hird, Kazuo Ishiguro, Hanif Kureishi, Doris Lessing, David Lodge, Ian McEwan, Timothy Mo, Salman Rushdie, Graham Swift, Rose Tremain, and Jeanette Winterson).
Internet resources
Contemporary Narrative in English Research Group (Departamento de Filología Inglesa y Alemana, U de Zaragoza; dir. Susana Onega).
http://cne.literatureresearch.net/
2008
Series
(Contemporary British Novelists). Manchester: Manchester UP 2010.
(Contemporary Novelists Series). Manchester: Manchester UP, 2006.
(New British Fiction). Houndmills: Palgrave Macmillan, 2009.
See also Salman Rushdie, Zadie Smith, David Lodge.
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