from
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Poetry: Other Topics
Addressee
Aim of poetry
Allusion. See Intertextuality. Other intertextual topics. Allusion.
Attacks on poetry
Closure
Conventions
Craft and technique
Defense of poetry
Definition of poetry
Enjambment
Evolution of poetry
Experience and poetry
Forgotten poets
Future of poetry
Gender, sexuality
Ideology and poetry. See Poetry. Specific. Other topics. Poetry and Other. Ideology and poetry.
Images
Inspiration
Invention
Laureates
Limits of poetry
Minor poetry
Minstrels
Pattern.
Poetic licence
Reading poetry
Reading aloud and recitation
Reflexivity
Rhythm
Sound in poetry
Space
Studying poetry
Subject matter
Time
Translation of poetry. See Lit. theory-Specific. Intertextuality. Translation. Translation of poetry.
Visual form
Writing guides
Address, Addressee
Armisén Abós, Antonio. "Lectores implícitos y explícitos. Compañeros de viaje y ángeles caídos. Notas sobre el caso de Jaime Gil de Biedma y la poesía de los 50." Interletras 5 (1998). Online at Academia.edu
2013
Hinojo Andrés, G. "El interlocutor ficticio: de Horacio a Luis de León." In Bimilenario de Horacio. Ed. Rosario Cortés Tovar and José Carlos Fernández Corte. Salamanca: Ediciones Universidad de Salamanca, 1994. 405-13.*
Johnson, Bruce A. "The Audience Shift in George Herbert's Poetry." Studies in English Literature, 1500-1900 35.1 (Winter 1995).
http://www.geocities.com/magdamun/herbertaudience.html
2008
Paz Gago, José María. La recepción del poema: Pragmática del texto poético. 1999.
Vendler, Helen. Invisible Listeners: Lyric Intimacy in Herbert, Whitman, and Ashbery. 2005.
Waters, William. Poetry's Touch: On Lyric Address. Ithaca: Cornell UP, 2003. (On W.C. Williams, Catullus, E. Bishop, Else Laske-Schüler, Rilke, Plath, Whitman, Dickinson), Keats).
Aim of poetry
Adcock, Fleur. "Not Quite a Statement." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 198-200.*
Arnold, Matthew. "The Study of Poetry." 1880. In Arnold, Essays in Criticism: Second Series. 1888. London: Macmillan, 1918. 1-55.*
_____. "The Study of Poetry." In English Literature and Irish Politics. Vol 9 of The Complete Prose Works. Ed. R. H. Super. Ann Arbor, 1973.
_____. "The Study of Poetry." In Arnold, Poetry and Criticism 306-27.
_____. "The Study of Poetry." In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 387-510.*
_____. From "The Study of Poetry." 1880. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1534-45.*
Auden, W. H. "El poeta y la ciudad." In Auden, Los señores del límite: Selección de poemas y ensayos (1927-1973). Ed. and trans. Jordi Doce. Barcelona: Círculo de Lectores – Galaxia Gutenberg, 2007. 429-50.*
Bunting, Basil. "The Poet's Point of View." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 80-82.*
Collins, J. Churton. "The True Functions of Poetry." In Collins, Studies in Poetry and Criticism. London: Bell, 1905. 263-92.
Cowl, R. P. "Aims of Poetry." In Cowl, The Theory of Poetry in England. London: Macmillan, 1914. 298-313.
Crane, Hart. "General Aims and Theories." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 47-51.*
Creeley, Robert "To Define." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 100-101.*
Larkin, Philip. "Statement." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 150-51.*
Lorde, Audre. "Poetry Is Not a Luxury." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 137-40.*
MacNeice, Louis. "A Statement." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 72-73.*
Maguire, Sarah. "Poetry Makes Nothing Happen." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 248-51.*
O'Donoghue, Bernard. "Poetry's Concern." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 222-25.*
Pleynet, Marcelin. "La poésie doit avoir pour but..." In Tel Quel: Théorie d'ensemble. Paris: Seuil, 1968. 94-126.
Widdowson, H. G. "The Significance of Poetry." In Widdowson, Practical Stylistics. Oxford: Oxford UP, 1992. 3-73.*
Williams, John Hartley. "A Manifesto." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 287-88.*
See also Defense of poetry; Poetry and experience; Poetry and society.
Attacks on poetry
Agrippa, Cornelius. De vanitate et incertudine scientiarum. 1527.
Berni. Dialogo contra i poeti. 1537.
Eastman, Max. The Literary Mind: Its Place in an Age of Science. New York: Scribner's, 1931.
Esteban, C. Critique de la raison poétique. 1987.
Fenton, Sir Geoffrey. Form of Christian Policy. 1575.
Gombrowicz, Witold. "Contra los poetas." Quimera 103/104 (1991): 38-42.*
Gosson, Stephen. The School of Abuse, Conteining a Pleasaunt Invective Against Poets, Pipers, Plaiers, Iesters and Such Like Catepillers of the Commonwelth. 1579.
_____. Schoole of Abuse. Ed. Arber. London, 1868.
_____. The School of Abuse. Norwood (NJ): Walter J. Johnson, 1973.
Pacheco (Canónigo). Sátira contra la mala poesía.
On Attacks on poetry
Fraser, Russell. The War Against Poetry. Princeton (NJ): Princeton UP, 1970.
Closure
Smith, Barbara Herrnstein. Poetic Closure: A Study of how Poems End. Chicago: U of Chicago P, 1968.
Suino, M. E. "Poetic Closure." Papers in Slavic Philology in Honor of James Fencee. 1980. 1.271-5.
Conventions
Bedford, R. D. Dialogues with Conventions: Readings in Renaissance Poetry. Ann Arbor: U of Michigan P; Hemel Hempstead: Harvester Wheatsheaf, 1989.
Ferry, Anne. The Title to the Poem. Stanford (CA): Stanford UP, 1997.
Levin, S. R. "The Conventions of Poetry." In S. Chatman 1971.
Lowes, John Livingston. Convention and Revolt in Poetry. 1919.
Sperl, Stefan. Mannerism in Arabic Poetry: A Structural Analysis of Selected Texts (3rd Century AH/9th Century AD-5th Century AH/11th Century AD). (Cambridge Studies in Islamic Civilization). Cambridge: Cambridge UP, 1989.
Spurr, Barry. "Varieties of Poetic Style." In Spurr, Studying Poetry. Melbourne: Macmillan Education Australia, 1997. 31-44.* (Marvell, "The Mower to the Glow-Worms"; Johnson, "The Vanity of Human Wishes", Jonson, "Slow, slow, fresh fount"; Tony Harrison, "Bookends").
Winters, Yvor. "Poetic Convention." In Winters, Primitivism and Decadence. 1937. Rpt. in In Defense of Reason. 1947. Athens (OH): Ohio UP-Swallow Press, 1987. 75-89.*
Defense of poetry
Clementson, Carlos. "Necesidad de la poesía." In Estudios literarios dedicados al profesor Mariano Baquero Goyanes. Murcia, 1974. 49-53.*
Daniel, Samuel. Musophilus. 1599.
_____. A Defence of Ryme. London: Blount, 1603. Rpt. in Samuel Daniel, A Defence of Ryme; Thomas Campion, Observations in the art of English Poesie. London: Lane. New York: Dutton, 1925.
Ferguson, Margaret W. Trials of Desire: Renaissance Defenses of Poetry. New Haven: Yale UP, 1983.
Fraser, Russell. The War Against Poetry. Princeton (NJ): Princeton UP, 1970.
Harington, John (Sir). A Preface or rather a brief Apology of poetry and of the author and translator. Prefixed to his translation of Ariosto's Orlando Furioso. 1591.
Heaney, Seamus. "Crediting poetry." Nobel Lecture, December 7, 1995. http://nobelprize.org/literature/laureates/1995/heaney-lecture.html
2004-10-16
Heidegger, Martin. "Wozu Dichter..." 1946. In Holzwege. Frankfurt am Main, 1950. 265-316.
_____. "Pourquoi des poètes?" 1946. In Heidegger, Chemins qui ne mènent nulle part. Paris: Gallimard, 1986. 323-86.*
_____. "What Are Poets For?" Trans. Albert Hofstadger. In Heidegger, Poetry, Language, Thought. 89-142.
Lezama Lima, José. La dignidad de la poesía. Barcelona: Versal, 1989.
Shelley, Percy Bysshe. "A Defence of Poetry." 1821. In Adams 499-513.
_____. "A Defence of Poetry." In The Prose Works of Percy Bysshe Shelley. Ed. Richard Herne Shepherd. London: Chatto, 1912.
_____. "A Defence of Poetry." In Bromwich 216-42.
_____. A Defence of Poetry and a Letter to Lord Ellenborough. Folcroft (PA): Folcroft Library, 1973.
_____. A Defense of Poetry. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 473-82.*
_____. From A Defence of Poetry. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
Sidney, Philip (Sir). An Apologie for Poetry or The Defence of Poetry. Discourse. Written 1579-80, 1st pub. 1595. (History; Philosophy; Ethics; Genre; Nature of poetry; Poet)
_____. The Defence of Poesie. London: Printed for William Ponsorby, 1595.
_____. An Apologie for Poetrie. 1595.
_____. The Defense of Poesy. Ed. A. S. Cook. Boston, 1890.
_____. An Apology for Poetry. In Elizabethan Critical Essays. Ed. G. Gregory Smith. London: Oxford UP, 1904. Vol. 1.
_____. An Apology for Poetrie. Ed. Evelyn S. Shuckburgh. Cambridge: Cambridge UP, 1912.
_____. An Apologie for Poetrie. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 143-87.*
_____. A Defence of Poetry. Ed. J. A. Van Dorsten. Oxford: Oxford UP, 1956. 1966. 1989.
_____. The Defense of Poesie. In Literary Criticism: Plato to Dryden. Ed. Gilbert. 406-62.
_____. An Apology for Poetry or The Defense of Poesy. Ed. Geoffrey Shepherd. London: Nelson, 1965. Rpt. Manchester: Manchester UP, 1973.*
_____. The Defence of Poetry. In Miscellaneous Prose of Sir Philip Sidney. Ed. K. Duncan-Jones and Jan Van Dorsten. Oxford: Clarendon, 1973.
_____. An Apology for Poetry. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 197-227.*
_____. From The Defense of Poesy. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.933-54.*
Vaughan, William. "Of Poetry, and the excellence thereof." In Vaughan, The Golden-groue, moralized in three Bookes. London: Printed by Simon Stafford, 1600.
Zukofsky, Louis. "A Statement for Poetry." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 87-91.*
See also Aim of poetry.
Definition of poetry
Arp, Thomas R., and Greg Johnson. "What Is Poetry?" In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*
Coleridge, S. T. "Definiciones filosóficas de poema y poesía con escolios." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968. 137-41.*
Creeley, Robert. "To Define." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 100-101.*
García Berrio, A. "¿Qué es lo que la poesía es?" Lingüística española actual 9.2 (1987): 177-88.
García Landa, José Ángel. "Notes on the Definition of Poetry." In García Landa, Vanity Fea 26 Sept. 2011.*
http://vanityfea.blogspot.com/2011/09/notes-on-definition-of-poetry.html
2011
Harrison, Tony. "Poetry Is All I Write." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 161-62.*
Hartung, Charles V. (On the definition of poetry). University of Kansas City Review (Spring 1952).
Heidegger, Martin. "Hölderlin und das Wesen der Dichtung." In Erläuterungen zu Hölderlins Dichtung. (Gesamtausgabe vol. 4, 33-49).
_____. "Hölderlin and the Essence of Poetry." Trans. Douglas Scott. In Existence and Being. Ed. Werner Brock. Chicago: Regnery, 1949. 291-315.
_____. "Hölderlin and the Essence of Poetry." In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahassee: UPs of Florida / Florida State UP, 1986. 1990. 758-66.*
Jakobson, Roman. "Co je poezie?" Volné sm¢ry 30 (1933-34): 229-39.
_____. "What Is Poetry?" Trans. M. Heim. In Studies in Verbal Art. Ann Arbor, 1971. 20-32.
_____. "What Is Poetry?" In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 164-76.
Keats, John. Letters. (To John Taylor, on Keats's axioms in poetry, 1818). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999.*
López Estrada, Francisco. "Campillo y Trueba, predecesores de Bécquer en la pregunta: ¿Qué es la poesía?" In Homenaje a la memoria de Don Antonio Rodríguez-Moñino: 1910-1970. Madrid: Castalia, 1975. 373-88.* (Narciso Campillo, Antonio de Trueba).
McHale, Brian. "Beginning to Think about Narrative in Poetry." Narrative 17.1 (Jan. 2009): 11-30.*
Santayana, George. "VI. Poesía y prosa." In Santayana, La razón en el arte y otros escritos de estética. Ed. Ricardo Miguel. Epilogue by Fernando Savater. (Verbum Mayor). Madrid: Verbum, 2008. 57-74.*
Sidney, Philip (Sir). An Apologie for Poetry or The Defence of Poetry. Discourse. Written 1579-80, 1st pub. 1595. (History; Philosophy; Ethics; Genre; Nature of poetry; Poet)
_____. The Defence of Poesie. London: Printed for William Ponsorby, 1595.
_____. An Apologie for Poetrie. 1595.
_____. The Defense of Poesy. Ed. A. S. Cook. Boston, 1890.
_____. An Apology for Poetry. In Elizabethan Critical Essays. Ed. G. Gregory Smith. London: Oxford UP, 1904. Vol. 1.
_____. An Apology for Poetrie. Ed. Evelyn S. Shuckburgh. Cambridge: Cambridge UP, 1912.
_____. An Apologie for Poetrie. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 143-87.*
_____. A Defence of Poetry. Ed. J. A. Van Dorsten. Oxford: Oxford UP, 1956. 1966. 1989.
_____. The Defense of Poesie. In Literary Criticism: Plato to Dryden. Ed. Gilbert. 406-62.
_____. An Apology for Poetry or The Defense of Poesy. Ed. Geoffrey Shepherd. London: Nelson, 1965. Rpt. Manchester: Manchester UP, 1973.*
_____. The Defence of Poetry. In Miscellaneous Prose of Sir Philip Sidney. Ed. K. Duncan-Jones and Jan Van Dorsten. Oxford: Clarendon, 1973.
_____. An Apology for Poetry. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 197-227.*
_____. From The Defense of Poesy. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.933-54.*
Skelton, John. A Ryght Delectable Tratyse vpon a Goodly Garlande or Chapelet of Laurell by mayster Skelton ... Inprynted by ... Richard Fankes. London, 1523.
_____. "Howe yong scolers nowe a dayes." In A replycacion agaynst certayne yong scolers abiured of late etc. London, 1528. (Devotional Poetry; The Bible; Nature of poetry; Religion; Ethics; Ideology)
Stevenson, C. L. "Qu'est-ce qu'un poème?" 1957. Poétique 83 (1990).
Trowbridge, Hoyt. (On the definition of poetry). Comparative Literature 3 (1951).
See also Aim of poetry.
Enjambment
Martínez Fernández, José Enrique "Sobre el encabalgamiento." Tropelías 7/8 (1996/97 [Issued 1999]): 193-215.*
Evolution of poetry
Bloom, Harold. "Poetic origins and final phases." In Bloom, A Map of Misreading. New York: Oxford UP, 1975. 1980. 9-26.*
_____. "Poetic Origins and Final Phases." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 240-52.*
Experience and poetry
Video
Onfray, Michel. "POÉSIE-PENSÉE – l’Expérience poétique du monde selon ONFRAY (France Culture, 2017)." YouTube (Éclair Brut) 3 Nov. 2019.*
2021
Forgotten poets
Strachey, Lytton. "Forgotten Poets." 1906. In Strachey, Spectatorial Essays. London: Chatto, 1964. 97-103.*
Future of poetry
Aiken, Conrad. "The Future of Poetry." New Freeman 3.7.
Eastman, Max. "Are Poetry and Drama Dying?" In Eastman, The Literary Mind: Its Place in an Age of Science. London: Scribner's, 1931. 209-24.
Ransom, J. C. "The Future of Poetry." The Fugitive (February 1924).
Richards, I. A. "The Future of Poetry". 1960.
Wilson, Edmund. "Is Verse a Dying Technique?" Rev. 1948. In Wilson, The Triple Thinkers. London: Lehmann, 1952. 22-36.
Gender, Sexuality and Poetry
Henderson, Diana E. Passion Made Public: Elizabethan Lyric, Gender, and Performance. 1995.
Hobby, Elaine. "The Politics of Gender." In The Cambridge Companion to English Poetry, Donne to Marvell. Ed. Thomas N. Corns. Cambridge: Cambridge UP, 1993. 31-51.*
Maus, Katharine Eisaman. "A Womb of His Own: Male Renaissance Poets in the Female Body." In Sexuality and Gender in Early Modern Europe: Institutions, Texts, Images. Ed. James Grantham Turner. Cambridge: Cambridge UP, 1993. 266-88.
Reisz, Susana. Voces sexuadas: Género y poesía en Hispanoamérica. Lleida: Edicions de la Universitat de Lleida / Asociación Española de Estudios Literarios Hispanoamericanos, 1996.
Images
Lewis, Cecil Day. The Poetic Image. London: Cape, 1947.
Paz, Octavio. "La imagen." In Paz, El arco y la lira. Barcelona: Círculo de Lectores, 1999. 125-44.*
See also Rhetoric, style. Tropes. Images.
Inspiration. See Aesthetics. Aesthetic categories. Inspiration.
Invention
Campos, Augusto de. Invençâo (de Arnaut e Raimbaut a Dante e Cavalcanti). Sâo Paulo: Arx, 2003.
O'Neill, Michael. "'That Dome in Air': Coleridge." In O'Neill, Romanticism and the Self-Conscious Poem. Oxford: Clarendon Press, 1997. 62-90.*
_____. "Making and Faking: W. H. Auden." In O'Neill, Romanticism and the Self-Conscious Poem. Oxford: Clarendon Press, 1997. 259-70.*
Rosales, Luis. "La imaginación configurante (Ensayo sobre 'Las Soledades' de don Luis de Góngora)." In "Dos obras inéditas de Luis Rosales." Cuadernos Hispanoamericanos 257-258 (May-June 1971 [Homage to Luis Rosales on his 60th birthday; issued 1972] ): 255-94.*
Senabre, Ricardo. "Sobre el proceso creador en la poesía de Quevedo." In Estudios sobre el Siglo de Oro: Homenaje al profesor Francisco Ynduráin. Madrid: Editora Nacional, 1984. 461-78.*
Vendler, Helen. The Given and the Made: Strategies of Poetic Redefinition. Cambridge (MA): Harvard UP.
Waldoff, Leon. "Imagination and Growth in the Great Odes." 1985. In Romanticism: A Critical Reader. Ed. Duncan Wu. Oxford: Blackwell, 1995. 291-40.*
See also Creation, Imagination.
Laureateship - Poets Laureate
Bernard, Andrew. (1486-)
John Skelton, Orator Regius (c. 1512-)
Edmund Spenser
Ben Jonson
Sir William Davenant
John Dryden
Thomas Shadwell
Nahum Tate
Nicholas Rowe.
Lawrence Eusden (d. 1730).
Colley Cibber (1730-1757)
William Whitehead 1757-
Thomas Warton (1785-)
Robert Southey (-1843).
William Wordsworth (-1850)
Alfred Lord Tennyson (1850-)
Robert Bridges (1913-1930).
John Masefield (1930-1967)
Lewis, Cecil Day (1968-72)
John Betjeman (1972-1984)
Ted Hughes (1984-1998)
Andrew Motion (1998-)
Carol Ann Duffy (2009-)
Beard, Mary. "Should the Poet Laureate answer Questions?" A Don's Life 29 April 2009
2009
Broadus, Edmund K. The Laureateship. Oxford, 1921.
Hazlitt, William. "John Kaye. Poets Laureate." In The Lives of the British Poets. London: Nathaniel Cooke, 1854. 1.107-9.*
Helgerson, Richard. Self-Crowned Laureates: Spenser, Jonson, Milton, and the Literary System. Berkeley: U of California P, 1983.
Pope, Alexander. Of the Poet Laureate. 1730. In Pope, Selected Prose of Alexander Pope. Cambridge: Cambridge UP, 1987. 213-18.
Pujals Gesalí, Esteban. "Un fósil de la historia literaria inglesa: el Poeta Laureado." In Actas del VII Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Madrid: Ediciones de la UNED, 1986. 173-82.*
Watson, William. "The Lancashire Laureate." In Watson, Excursions in Criticism. London: Mathews, 1893. 46-69.
Limits of poetry
Maritain, Jacques. Frontières de la poésie et autres essais. Paris, 1935.
Tate, Allen. "Poetry and the Absolute." Sewanee Review 35 (1927).
_____. On the Limits of Poetry. New York, 1948.
Minor poetry
Eliot, T. S. "What Is Minor Poetry?" Sewanee Review 54 (1946): 1-18.
_____. "What is Minor Poetry?" In Eliot, On Poetry and Poets 39-52.
Minstrels
Child, Harold H. "2. Secular Influences on the Early English Drama: Minstrels. Village Festivals. Folk-plays." In The Drama to 1642, Part One. Ed. A. W. Ward and A. R. Waller. Vol. 5 (English) of The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. Online at Bartleby.com
http://www.bartleby.com/215/index.html
2012-07-26
Literature
Beattie, James. The Minstrel. Poem. 1771-4.
Pattern
Boyd, Brian. "'Pale Fire': Poem and Pattern." 2010. In Boyd, Stalking Nabokov: Selected Essays. New York: Columbia UP, 2011. 336-59.*
Moore, Marianne. "I Tend to Write in a Patterned Arrangement." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 103.*
Shermer, Michael. "Why People Believe Invisible Agents Control the World." Scientific American (June 2009):
http://www.scientificamerican.com/article.cfm?id=skeptic-agenticity&sc=WR_20090520
2009
See also Form, structure.
Poetic licence
Dryden, John. "Heroic Poetry and Poetic Licence: The Author's Apology prefixed to The State of Innocence and Fall of Man, an Opera." 1677. In Dryden's Essays 108-17.*
_____. "The Author's Apology for Heroic Poetry and Heroic License." InThe Norton Anthology of English Literature. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 2119-20.*
Pure poetry
Bremond, Henri. "La poésie pure." Discours to the Academies. 24 oct. 1925.
_____. "Eclaircissements." Les Nouvelles littéraires (31 october 1925 to 16 January 1926).
_____. La poésie pure. Paris, 1926.
Murry, John Middleton. "Pure Poetry." 1931. Rpt. in English Critical Essays: Twentieth Century. 1st. series. Ed. Phyllis M. Jones. London: Oxford UP, 1933. 310-26.
Warren, Robert Penn. "Pure and Impure Poetry." Kenyon Review 5 (1943): 229-54.
_____. "Pure and Impure Poetry." 1942. In Critiques and Essays in Criticism. Ed. Stallman.
_____. "Pure and Impure Poetry." In Warren, Selected Essays. New York: Random House, 1958.
Anthologies
Moore, George, ed. An Anthology of Pure Poetry. 1924.
Reading poetry
Arp, Thomas R., and Greg Johnson. "Reading the Poem." In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*
Christie, William. "A Recent History of Poetic Difficulty." ELH 67.2 (2000): 539-64.
Cockroft, Robert. "Who Talks Whose Language? George Herbert and the Reader's World." Language and Literature 14.3 (August 2005): 245-58.*
García Angulo, Lizara. (Lizara García). "¿Existe una forma correcta de leer un poema?" Lletraferits 13 Sept. 2018.*
http://www.lletraferits.cat/index.php/es/2018/09/13/leer-un-poema/
2018
García Landa, José Angel. "Espejo de tinta, poema borrado." In García Landa, Vanity Fea 14 Nov. 2006. (Shakespeare, Sonnet 103).
http://garciala.blogia.com/2006/111401-espejo-de-tinta-poema-borrado.php
2006-11-29
Edmunds, L. Intertextuality and the Reading of Roman Poetry. Baltimore and London: Johns Hopkins UP, 2001
Parker, Alan Michael. "The Poem on the Wall: A Rereading." In Second Thoughts: A Focus on Rereading. Ed. David Galef. Detroit: Wayne State UP, 1998. 344-56.*
Pasolini, Pier Paolo. La poesía no se consume.
Paz Gago, José María. La recepción del poema: Pragmática del texto lírico. Kassel: Reichenberger, 1999.
Robinson, Peter. Poetry, Poets, Readers: Making Things Happen. Oxford: Oxford UP, 2002.
Stockwell, Peter. "Miltonic Texture and the Feeling of Reading." In Cognitive Stylistics. Ed. Elena Semino and Jonathan Culpeper. Amsterdam: Benjamins, 2002. 73-94.*
Toolan, Michael. "Poem, Reader, Response: Making Sense with 'Skunk Hour'." In The Language and Literature Reader. Ed. Ronald Carter and Peter Stockwell. Abingdon (UK) Routledge, 2008.*
Valente, José Ángel."Formas de lectura y dinámica de la tradición." In Valente, La experiencia abisal. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2004. 140-49.* (San Juan de la Cruz, Dámaso Alonso, Guillén).
_____. "Formas de lectura y dinámica de la tradición." From La experiencia abisal. In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 703-12.* (Reading poetry).
Vendler, Helen. "Reading Stage by Stage: Shakespeare's Sonnets." In Shakespeare Reread. Ed. Russ MacDonald. Ithaca (NY): Cornell UP, 1994.
Literature
Graves, Robert. "The Reader Over My Shoulder." Poem. 1938. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2446-47.*
Reading aloud and recitation
Paz, Octavio. "Poesía y respiración." In Paz, El arco y la lira. Barcelona: Círculo de Lectores, 1999. 341-44.*
Sarmiento, José Antonio, and Kurt Schwitters. Poesía fonética. (Monografías). Servicio de Publicaciones de la Universidad de Castilla-La Mancha, 2001. (Recitation, abstract poetry).
Spurr, Barry. "Reading Aloud." In Spurr, Studying Poetry. Melbourne: Macmillan Education Australia, 1997. 3-12.* (Shakespeare, "Blow, blow, thou winter wind", from As You Like it; Christina Rossett, "A Birthday"; Kenneth Slessor, "Sleep"; Seamus Heaney, "Requiem for the Croppies").
Valéry. "A Discourse on the Declamation of Verse." Trans. Louise Varese. In Valéry, Selected Writings. New York: New Directions, 1950.
Winters, Yvor. "The Audible Reading of Poetry." Lecture at Kenyon College, 1949. Rev. version in Hudson Review (Autumn 1951).
_____. "The Audible Reading of Poetry." In Winters, The Function of Criticism: Problems and Exercises. 1957. London: Routledge and Kegan Paul, 1962. 79-100.*
Literature
Berry, D. C. "On Reading Poems to a Senior Class at south High." Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 1028-29.*
Nabokov, Vladimir. "An Evening of Russian Poetry." In Nabokov, Poems and Problems. New York: McGraw-Hill, 1970.
Reflexivity
Brooks, Cleanth. The Well-Wrought Urn: Studies in the Structure of Poetry. 1947. London: Methuen, 1968.
Calame, Claude. "Deictic Ambiguity and Auto-Referentiality: Some Examples from Greek Poetics." Arethusa 37 (2004): 415-443.
D'Ors, Miguel. "La metapoesía de Víctor Botas." In Homenaje al profesor Antonio Gallego Morell, I; Universidad de Granada, 1989, 425-44. Select. in Los nuevos nombres: 1975-1990. By Darío Villanueva et al. Vol. 9 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992.*
García Landa, José Angel. "Espejo de tinta, poema borrado." In García Landa, Vanity Fea 14 Nov. 2006. (Shakespeare, Sonnet 103).
http://garciala.blogia.com/2006/111401-espejo-de-tinta-poema-borrado.php
2006-11-29
Hühn, Peter. "Outwitting Self-Consciousness: Self-Reference and Paradox in Three Romantic Poems." English Studies (Nijmegen) 72 (1991): 229-45.
Luarsabishvili, Vladimer. "La ironía romántica en las Rimas de Bécquer." AdVersuS 9.22 (June 2012): 136-49.
O'Neill, Michael. Romanticism and the Self-Conscious Poem. Oxford: Clarendon Press, 1997.*
_____. "The Sensitive-Plant: Evaluation and the Self-Conscious Poem: Shelley (2)." In O'Neill, Romanticism and the Self-Conscious Poem. Oxford: Clarendon Press, 1997. 155-79.*
_____. "Yeats and Stevens: Two Versions of Post-Romantic Self-Consciousness." In O'Neill, Romanticism and the Self-Conscious Poem. Oxford: Clarendon Press, 1997. 237-58.*
Perry, Seamus. "What the Poem 'Knows'." Rev. of Romanticism and the Self-Conscious Poem. By Seamus Perry. TLS 22 May 1998: 32.*
Rajan, Tilottama. "'Nothing Sooner Broke': Donne's Songs and Sonets as Self-Consuming Artifacts." ELH 49 (1982): 805-28.
Smith, Barbara Herrnstein. Poetic Closure: A Study of how Poems End. Chicago: U of Chicago P, 1968.
Wellbery, David E. The Specular Moment: Goethe's Early Lyric and the Beginnings of Romanticism. (Meridian: Crossing Aesthetics). Stanford (CA): Stanford UP.
Winters, Yvor. In Defense of Reason. New York: Swallow/Morrow, 1947.
Religion and poetry. See Religion and literature.
Rhyme. See Metrics.
Rhythm
Attridge, Derek. The Rhythms of English Poetry. Harlow: Longman, 1982.
_____. "Linguistic Theory and Literary Criticism: The Rhythms of English Poetry Revisited." In Rhythm and Meter. Ed. P. Kiparsky and G. Youmans. Vol. 1 of Phonetics and Phonology. San Diego: Academic Press, 1989. 183-99.
_____. Poetic Rhythm: An Introduction. Cambridge: Cambridge UP, 1995.
Cureton, Richard. Rythmic Phrasing in English Verse. London: Longman, 1992.
Kiparsky, P., and G. Youmans, eds. Rhythm and Meter. Vol. 1 of Phonetics and Phonology. San Diego: Academic Press, 1989.
Lösener, Hans. "Rhythmus und Subjekt bei Henri Meschonnic." In Beiträge zu Sprache & Sprachen 3: Vorträge der 6. Münchner Linguistik-Tage. Ed. Karin Pittner and Robert J. Pittner. Munich: Lincom Europa.
Paz, Octavio. "El ritmo." In Paz, El arco y la lira. Barcelona: Círculo de Lectores, 1999. 73-92.*
Rodríguez-Vázquez, Rosalía. The Rhythm of Speech, Verse and Vocal Music: A New Theory. (Linguistic Insights. Studies in Language and Communication, 110). Frankfurt: Peter Lang, 2010.
http://www.peterlang.com/index.cfm?vID=430309&vLang=E&vHR=1&vUR=3&vUUR=4
2010
Tataru, Ludmila, ed. Rhythm and Style. Issue I. Balashov, 1999.
Torre, Esteban. El ritmo del verso. Murcia: U de Murcia, 1999.
Tynianov, Iuri. Problema stikhotvornogo iazyka. Leningrad, 1924.
_____. The Problem of Verse Language. Ann Arbor: Ardis, 1981.
_____. Il problema del linguaggio poetico. Milan: Mondadori, 1968.
_____. "Rhythm as the Constructive Factor of Verse." 1924. In Readings in Russian Poetics: Formalist and Structuralist Views. Ed. Ladislav Matejka and Krystyna Pomorska. Ann Arbor: U of Michigan P, 1978. 125-35.
_____. "Ritmo como factor constructivo del verso." In Antología del formalismo ruso y el grupo de Bajtín. Vol. II: Semiótica del discurso y posformalismo bajtiniano. Ed. Emil Volek. Madrid: Fundamentos, 1995. 63-86.*
Youmans, Gilbert. "Introduction: Rhythm and Meter." In Rhythm and Meter. Ed. P. Kiparsky and G. Youmans. Vol. 1 of Phonetics and Phonology. San Diego: Academic Press, 1989. 1-14.
See also Metrics; Rhythm (in language).
Sound in poetry
Frye, Northrop, ed. Sound and Poetry. New York: Columbia UP, 1957.
Shapiro, Michael. "Sound and Meaning in Shakespeare's Sonnets." In Shapiro, The Sense of Form in Literature and Language. Houndmills: Macmillan, 1998. 65-96.*
_____. (Michael and Marianne Shapiro). "Sound and Meaning in Shakespeare's Sonnets." In The Sense of Form in Literature and Language. 2nd ed. by Michael and Marianne Shapiro. California: Scotts Valley, 2009. 7-50.*
Stevens, Wallace. "The Noble Rider and the Sound of Words." 1942. In Stevens, The Necessary Angel. London: Faber and Faber, 1960. (Language of poetry; Imagination and fancy; Poet; Denotation / Connotation; Nature of poetry)
Space
Fitter, Chris. Poetry, Space, Landscape: Toward a New Theory. Cambridge: Cambridge UP, 1996.
Studying Poetry
Nünning, Vera, and Ansgar Nünning. "3. An Introduction to the Analysis of Poetry." In Nünning and Nünning, An Introduction to the Study of English and American Literature. Trans. Jane Dewhurst. (Uni-Wissen: Anglistik-Amerikanistik). Stuttgart: Klett, 2004. 47-75.*
Subject matter
Arnold, Matthew. Preface to Poems. 1853. ("The Choice of Subjects in Poetry"). In English Critical Essays (Nineteenth Century). Ed. Edmund D. Jones. London: Oxford UP, 1916. 356-77.
Cánovas del Castillo, Antonio. "De las circunstancias que han de concurrir en los asuntos que tratan las bellas artes, dadas suss distintas y peculiares condiciones." In Cánovas, Artes y Letras. Madrid: Imprenta de A.Pérez Dubrull, 1887. 1-107.* (Subject matter in poetry and sculpture; beauty, plastic arts, aesthetics, nudes, architecture, opera).
Cowl, R. P. "Subject Matter." In Cowl, The Theory of Poetry in England. London: Macmillan, 1914. 156-86.
Picón García, Vicente "La 'Poética de lo humano' en Marcial." In Hominem pagina nostra sapit. Ed. J. J. Iso et al. Zaragoza: Institución Fernando El Católico, 2004. 179-208.*
Poe, Edgar Allan. "The Philosophy of Composition." 1846. In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 114-29.
_____. "The Philosophy of Composition." In The American Tradition in Literature, ed. Sculley Bradley, Richmond Croom Beatty, E. Hudson Long. New York: Norton, 1962. 871-881.*
_____. "The Philosophy of Composition." In Great Short Works of Edgar Allan Poe. Ed. G. R. Thompson. New York, 1970.
_____. "The Philosophy of Composition." In Poe, Poems and Essays 163-77.*
_____. "The Philosophy of Composition." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 27-36.*
_____. "Filosofía de la composición." In Poe, Obras completas II. Barcelona: RBA, 2004. 9-18.*
Stanco, Michele. "L'idea e il testo. Linee d'indagine poetica nell'antichità classica e nell'età elisabettiana." In La conoscenza della letteratura. Ed. Angela Locatelli. Bergamo: Sestante, 2002. 79-112.
Tate, Allen. "Tension in Poetry." In Reason in Madness: Critical Essays by Allen Tate. 1941. New York: Books for Libraries Press, 1968. (Practical criticism; Affective; New criticism; Donne; Metaphysical poetry; Cowley)
_____. "Tension in Poetry." In Tate, Collected Essays. Denver (CO): Swallow, 1959.
_____. "Tension in Poetry." In The Modern Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 83-92.*
Thomson, James. "The Preface." In Winter. A Poem ... The Third Edition . London: Printed by N. Blandford ... for J. Millan, 1726. (Criticism; Nature; Poetic theme)
Ward, J. P. The English Line: Poetry of the Unpoetic from Wordsworth to Larkin. c. 1993.
Time and poetry
Donaire Fernández, Mª Luisa. "Reflexiones sobre el tiempo en la épica francesa." In Estudios humanísticos en homenaje a Luis Cortés Vázquez. Ed. Roberto Dengler Gassin. Salamanca: Ediciones Universidad de Salamanca, 1991. 1.195-208.*
Ferry, Anne. All in War with Time: Love Poetry of Shakespeare, Donne, Jonson, Marvell. 1975.
Guillén Villena, Benilde. "El tiempo en la poesía española." In Estudios literarios dedicados al profesor Mariano Baquero Goyanes. Murcia, 1974. 157-74.*
Hamburger, Käte. "The Timelessness of Poetry." In Time: From Concept to Narrative Construct: A Reader. Ed. Jan Christoph Meister and Wilhelm Schernus. Berlin and New York: De Gruyter, 2011. 85-99.*
Miner, Earl. "The Metaphysical Mode: Alteration of Time." In The Metaphysical Poets. Ed. Gerald Hammond. (Casebooks series). Houndmills: Macmillan, 1974. 197-214.*
Pérez Fernández, José María. "Contention and Continuity: The Concept of Time in Metrical Studies and Poetics." Atlantis 22.2 (Dec. 2000): 137-50.*
Tsvietaieva, Marina. El poeta y el tiempo. El poeta y la crítica. Barcelona: Anagrama, 1990.
Translation of poetry. See Lit. theory-Specific. Intertextuality. Translation. Translation of poetry.
Visual Form in poetry
Cózar, Rafael de. Poesía e Imagen: Formas difíciles de ingenio literario. Sevilla: Ediciones El Carro de la Nieve, 1991.*
Bohn, Willard. The Aesthetics of Visual Poetry, 1914-1928. 1986.
Bradford, Richard. The Look of It: A History of Visual Form in English Poetry. 1993.
Simpson, Paul. "From Shapes to Words: Exploring Graphology and Morphology in Poetry." In Simpson, Language through Literature: An Introduction. (Interface). London: Routledge, 1997. 23-58.*
Writing guides
Heaney, Seamus. "Craft and Technique." In Strong Words: Modern Poets on Modern Poetry. Ed. W. N. Herbert and Matthew Hollis. Tarset (Northumberland): Bloodaxe Books, 2000. 158-60.*
Holcombe, Colin J. Writing Verse: A Practical Guide. Santiago de Chile: Ocaso Press, 2008. Rev. ed. 2016. 2019. Online at Academia.*
https://www.academia.edu/40940245/
2020
Erskine-Hill, Howard, and Richard A. McCabe. Presenting Poetry: Composition, Publication, Reception. Cambridge: Cambridge UP, 1995.
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