A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Epic poetry / Narrative verse
Early works
Miscellaneous
Early works
Alexander, William (Sir). Anacrisis: or a Censure of some Poets Ancient and Modern. c. 1634. 1st pub. in the Works of William Drummond of Hawthornden. Edinburgh: Printed by James Watson, 1711. (Renaissance Poetry; Classical literature; Genius; Inspiration; Fiction; Epic poetry; Tragedy; Sidney)
_____. Anacrisis. In Rogers, Memorials of the Earl of Stirling. Edinburgh, 1877.
_____. Anacrisis. In Critical Essays of the Seventeenth Century. Ed. Joel Elias Spingarn. Oxford: Clarendon, 1908-9.
Aristotle. Peri poietikés. Bilingual edition (Greek and English). In S. H. Butcher, Aristotle's Theory of Poetry and Fine Art. 1895. 4th. ed.: London: Macmillan, 1932. 1-111.
_____. Peri poietikés. Bilingual edition (Greek and Spanish). In Sobre lo Sublime. Poética. Ed. and trans. José Alsina Clota. Barcelona: Bosch, 1977. 208-327.
_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 29-76.
_____. The Poetics. Trans. in Gilbert 69-124.
_____. Poetics. Trans. S. H. Butcher. In H. Adams 47-66.
_____. Poética. Trilingual edition (Greek, Latin and Spanish). Ed. Valentín García Yebra. Madrid: Gredos, 1972.
_____. La poétique. Ed. and trans. Rosalyne Dupont-Roc y Jean Lallot. Paris: Seuil, 1980.
_____. Poética. Ed. and trans. Juan David García Bacca. 4th. ed. Caracas: Universidad Central de Venezuela, Ediciones de la Biblioteca,1982.
_____. El arte poética. Trans. José Goya y Muniain. Madrid: Espasa-Calpe, 1948. 7th. ed., 1984. Trans. of Peri poietikés.
_____. The Poetics. Trans. W. Hamilton Fyfe. In Aristotle: The Poetics. "Longinus": On the Sublime. Demetrius: On Style. Cambridge (MA): Harvard UP, 1927.
Blackmore, Richard (Sir). Preface to Prince Arthur, An Heroick Poem. 1695.
_____. From "An Essay on the Nature and Constitution of Epick Poetry." In Blackmore, Essays upon Several Subjects. 1716. Select. In Milton: The Critical Heritage. Ed. John T. Shawcross. London: Routledge, 1970. 227-28.*
Carlyle, Thomas. "The Nibelungen Lied." 1831. (Miscellanies). In Critical and Miscellaneous Essays: Collected and Republished. By Thomas Carlyle. Popular Edition – Four volumes in two. Vols. I and II. Boston: Houghton Mifflin; Cambridge: Riverside Press, 1881. II.296-354.*
Cascales, Francisco de. "De la epopeia." In Cascales, Tablas poéticas. Madrid: Espasa-Calpe, 1975. 129-72.*
Davenant, William (Sir). Discourse on Gondibert. With Hobbes's Answer. Paris, 1650.
_____. Preface to Gondibert. In Critical Essays of the Seventeenth Century. Ed. Spingarn. Vol. 2.
Dennis, John. Remarks on a Book, entitled Prince Arthur, An Heroick Poem. 1696.
Desmarest de Saint-Sorlin. Défense du poème héroïque. 1674.
Dryden, John. "The Proper Wit of Poetry: An Account of the Ensuing Poem, Annus Mirabilis: The Year of Wonders, 1666, in a Letter to the Honourable Sir Robert Howard." In Dryden's Essays. London: Dent; New York: Dutton, 1912. 189-96.
_____. "Heroic Poetry and Poetic Licence: The Author's Apology prefixed to The State of Innocence and Fall of Man, an Opera." 1677. In Dryden's Essays 108-17.*
_____. "The Author's Apology for Heroic Poetry and Heroic License." InThe Norton Anthology of English Literature. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 2119-20.*
_____. "Virgil and the Aeneid: Dedication of The Aeneis to the Most Honourable John, Lord Marquis of Normanby..." 1697. In Dryden's Essays. Introd. W. H. Hudson. London: Dent, 1912. 207-71.* (On drama and epic).
Fenik, Bernard. Homer and the Nibelungenlied: Comparative Studies in Epic Style. Cambridge (MA): Harvard UP, 1986.
Goethe, J. W. "Über epische und dramatische Dichtung." 1797. In Goethe, Sämtliche Werke. Stuttgart: Jubiläum Ausgabe, 1902-7. 36.149-52.
Le Bossu, René. Traité du poème épique. 1675. English trans. 1695, 1719.
_____. Treatise of the Epick Poem. Trans. "W. J." 1695.
Littré, E. "La poésie homérique et l'ancienne poésie française." Revue des deux mondes (Jul. 1847). Rpt. in Littré, Histoire de la Langue Française vol. 1. Paris: Didier, 1863.
López Pinciano, Alonso. "Epístola vndecima. De la heroyca." In López Pinciano, Philosophia antigua poetica. 1596. Madrid: CSIC, 1973. 3.143-225.*
Machann, Clinton. Masculinity in Four Victorian Epics: A Darwinist Reading. Farnham: Ashgate, 2010.
Meneghetti, Maria Luisa. "Chansons de geste e cantares de gesta: i due aspetti del linguaggio epico." Medioevo romanzo 9 (1984): 321-40.
_____. "Chansons de Geste y cantares de gesta: La singularidad de la épica española." From "Chansons de geste e cantares de gesta: i due aspetti del linguaggio epico," Medioevo romanzo 9 (1984): 321-40. In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura Española, gen. ed. Francisco Rico. Barcelona: Crítica, 1991. 71-77.*
Milner, Andrew. "2. The Protestant Epic and the Spirit of Capitalism." In Paradise Lost - John Milton: Contemporary Critical Essays. Ed. William Zunder. Houndmills: Macmillan, 1999. 28-46.*
Montaner, Alberto. "Épica, historicidad, historificación." In El Poema de mío Cid y la épica medieval castellana: Nuevas aproximaciones críticas. Ed. Juan Carlos Conde and Ameranta Saguar. (Papers of the Medieval Hispanic Research Seminar, 75; Publications of the Magdalen Iberian Medieval Studies Seminar, 3). London: Department of Iberian and Latin American Studies, Queen Mary, University of London, 2015. Online at Academia.*
https://www.academia.edu/30075473/
2016
Mouchard, Claude. "Chateaubriand, Milton: L'épopée et la prose." Revue de Littérature Comparée 70.4 (1996): 497-506.
Ignacio de Luzán. "Del poema épico." In Luzán, La Poética. Book 4.
Paul, Joanna. Film and the Classical Epic Tradition. Ph.D. U of Bristol, forthcoming Oxford UP 2008.
Pigna, G. I Romanzi. 1554.
Pope, Alexander. Preface to the Iliad. (On epic poetry).
_____. Preface and selected notes to The Iliad. 1715-20. In Pope, Selected Prose of Alexander Pope. Cambridge: Cambridge UP, 1987.
_____. "On Epic Poetry." In Selected English Essays. Ed. W. Peacock. London: Humphrey Milford/ Oxford UP, 1903. 134-38.
_____. "A General View of the Epic Poem . . . Extracted from Bossy." In Pope, Odyssey. 1725.
_____. "A Receit to Make an Epick Poem." Guardian 78 (1713).
Quinet, Edgar. Rapport à M. le Ministre des travaux publics sur les épopées françaises du XIIe siècle restées jusqu’à ce jour en manuscrits dans les bibliothèques du Roi et de l’Arsenal. Paris: F.-G. Levrault, 1831.
Saintsbury, George. The Flourishing of Romance and the Rise of Allegory. Edinburgh: Blackwood, 1897.
Spielhagen, Friedrich. Epik und Dramatik. Leipzig, 1898.
Tasso, Torquato. Discorsi dell' poema eroico. 1594.
_____. Discourses on the Heroic Poem. Ed. Mariella Cavalchini and Irene Samuel. Oxford: Clarendon, 1973.*
_____. Discourses on the Heroic Poem. Select. and trans. Allan H. Gilbert. In Literary Criticism: Plato to Dryden. Ed. Gilbert 467-503.
Veselovsky, A. N. "III.4. De las lecciones sobre la historia de la poesía épica." 1884. In Veselovsky, Poética histórica. Madrid: Akal, 2014. 553-606.*
_____. (The History of Epos). 1896.
Voltaire. "Milton." From An Essay Upon the Civil Wars of France . . . and also Upon the Epick Poetry of the European Nations From Homer to Milton. 1727. 102-21. In Milton: The Critical Heritage. Ed. John T. Shawcross. London: Routledge, 1970. 248-56.*
Wesley, Samuel. (On Heroic Poetry, Milton). From "The Preface, Being an Essay on Heroic Poetry." In Wesley, The Life of Our Blessed Lord and Savior Jesus Christ. 1697. 23-24. In Milton: The Critical Heritage. Ed. John T. Shawcross. London: Routledge, 1970. 114-15.*
Miscellaneous
Addison, Catherine. "Ottava Rima and Novelistic Discourse." Journal of Narrative Theory 34.2 (2004): 133-45.
Adler, Alfred. Epische Spekulanten: Versuch einer synchronen Geschichte des altfranzösischen Epos. Foreword by Hans-Robert Jauss. Munich, 1975.
Adorno, T. W. "La naïveté épique." Adorno, Notes sur la littérature. 1958. Trans. Sybille Muller. Paris: Flammarion, 1984. 31-36.*
Alborg, Juan Luis. "I. Épica medieval. Los cantares de gesta. El Poema de Mío Cid." In Alborg, Historia de la Literatura Española (I): Edad Media y Renacimiento. 2nd ed., enlarged. Madrid: Gredos, 1970. 37-82.*
_____. "IX. La épica popular. El Romancero." In Alborg, Historia de la Literatura Española (I): Edad Media y Renacimiento. 2nd ed., enlarged. Madrid: Gredos, 1970. 399-37.*
Allen, Graham. "Romantic Verse Narrative." In Romantic Writings. Ed. Stephen Bygrave. London: Routledge, 1996.
Alvar, Manuel. Cantares de gesta medievales. México: Porrúa, 1972.
Armstrong, Richard H. "Classical Translations of the Classics: The Dynamics of Literary Tradition in Retranslating Epic Poetry." In Translation and the Classic: Identity as Change in the History of Culture. Ed. Alexandra Lianeri and Vanda Zajko. Oxford: Oxford UP, 2008. 169-202.*
Atkins, J. W. H. "14. Metrical Romances, 1200-1500: II." In From the Beginnings to the Cycle of Romance. Vol. 1 (English) of The Cambridge History of English and American Literature. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com
http://www.bartleby.com/211/index.html
2013
Badouin, C. Le Triomphe du héros: Etude psychanalytique sur le mythe du héros et les grandes épopées. Paris: Plon, 1952.
Bakhtin, M. M. "Epos i roman." ("Epic and Novel"). 1941. In Bakhtin, Voprosy literatury i èstitiki. Moscow, 1975. 447-83.
_____. "Epos i roman." Voprosy Literatury 1 (1970): 95-122.
_____. "Epic and Novel." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 3-40.*
_____. "Epic and Novel." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 48-69.*
_____. "Récit épique et roman." In Bakhtin, Esthétique et théorie du roman. Paris: Gallimard, 1978. 439-74.
Barron, J. P., and P. E. Easterling. "IV. La tradición épica después de Homero y Hesíodo – (1) Los poemas épicos cíclicos." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 124-27.*
Bembeneck, Emily Joy. The Princess is in Another Castle: Multi-Linear Stories in Oral Epic and Video Games. Ph.D. diss. U of Michigan, 2013.
http://deepblue.lib.umich.edu/handle/2027.42/100055
2014
Bender, Karl-Heinz. König und Vasall: Untersuchungen zur Chanson de Geste des XII. Jahrhunderts. Heidelberg, 1967.
Bernstein, Michael André. The Tale of the Tribe: Ezra Pound and the Modern Verse Epic. Princeton: Princeton UP, 1980.
Bloomfield, Morton W. "The Problem of the Hero in the Late Medieval Period." In Concepts of the Hero in the Middle Ages and the Renaissance. Ed. Norman T. Burns and Christopher Reagan. Albany: State University of New York, 1975. 1-26.*
Bouquet, J. Le songe dans l'épopée latine d'Ennius à Claudien. Brussels, 2001.
Boutet, Dominique. La Chanson de geste. Paris, 1993.
Bovet, E. Lyrisme, épopée, drame: Une loi de l'évolution générale. Paris: Colin, 1911.
Bowra, C. M. "Some Characteristics of Literary Epic." In Bowra, From Virgil to Milton. London: Macmillan, 1945. 1-32.*
_____. Heroic Poetry. London, 1952.
Boyle, Anthony James, ed. Roman Epic. London, 1993.
Bramble, J. C. "XXVII. Lucano." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 585-612.*
Burbelo, V. B. "Pro deyaki osoblivosti aktualizatsii kategorii chasu v epichonomu teskti." [On Certain Peculiarities of Tense Category Actualization in Epic Text]. Movoznavstvo 20.2 (1986): 45-49.
Burrow, Colin. Epic Romance: Homer to Milton. Oxford: Clarendon, 1993.*
Charlemagne et l'Epopée Romane. (Société Rencesvals VII). 1978.
Combarieu, Micheline de. "Image et réprésentation du vilain dans les chansons de geste (et dans quelques autres textes médievaux)." Senefiance 5 (1978): 7-26.
_____. L'idéal humain et l'expérience morale chez les héros des chansons de geste. Des origines à 1250. 2 vols. Aix-en-Provence, 1979.
Daniel, Norman. Heroes and Saracens: An Interpretation of the Chansons de Geste. Edinburgh: Edinburgh UP, 1984.*
De Jong, Irene J. F. "Epic." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 138-40.*
Delasanta, Rodney. The Epic Voice. The Hague: Mouton, 1967.
Dembowski, Peter F. "Interpretation des mobiles chez les héros de la chanson de geste." Actele celui de-al XII-lea Congres international de lingvistica si filologie romanica. Bucarest, 1971. 19-28.
Deyermond, A. D. La literatura perdida de la Edad Media castellana: Catálogo y estudio. I. Epica y romances. Salamanca: Universidad de Salamanca, 1995.
Domínguez Caparrós, José. "Capítulo VIII. La épica." In Domínguez Caparrós, Teoría de la Literatura. Madrid: Centro de Estudios Ramón Areces, 2002. 123-34.*
Donaire Fernández, Mª Luisa. "Reflexiones sobre el tiempo en la épica francesa." In Estudios humanísticos en homenaje a Luis Cortés Vázquez. Ed. Roberto Dengler Gassin. Salamanca: Ediciones Universidad de Salamanca, 1991. 1.195-208.*
Dumézil, Georges. Mythe et Épopée. Vol. 1. 1968. 1986. Included in Mythes et dieux des Indo-Européens.
_____. Mythes et dieux des Indo-Européens. Preface by Hervé Coutau-Bégarie. Paris: Flammarion, 1992. (Rpt. in Mythes et dieux des Indo-Européens. Précédé de Loki. Heur et Malheur du guerrier. Ed. Bernard Sergent. (Mille & une pages). Paris: Flammarion, 2011).
Eibl, Karl. "Epische Triaden. Über eine stammesgeschichtlich verwurzelte Gestalt des Erzählens." Journal of Literary Theory 2.2 (2008): 195-206.*
http://www.jltonline.de/index.php/articles/article/view/104/371
2009
Featheringill, R. The Tension Between Divine Will and Free Will in Milton and the Classical Epic Tradition. 1990.
Felson-Rubin, Nancy. "Signposts in Oral Epic: Metapragmatic and Metasemantic Signals." In Fiction Updated: Theories of Fictionality, Narratology, and Poetics. Ed. Calin Andrei Mihailescu and Walid Hamarneh. Toronto: U of Toronto P, 1996. 175-86.*
Fichter, Andrew. Poets Historical: Dynastic Epic in the Renaissance. New Haven: Yale UP, 1982.*
Fiedler, Leslie. The Inadvertent Epic. 1982. (Epic patterns in US lit., Stowe, Haley).
Fischer, Hermann. Romantic Verse Narrative: The History of a Genre. Trans. Sue Bollans. (European Studies in English Literature). 1991.
Foley, John Miles. Traditional Oral Epic: The Odyssey, Beowulf and the Serbo-Croatian Return Song. Berkeley: U of California P, 1990.
_____, ed. A Companion to Ancient Epic. (Blackwell Companions to the Ancient World). Oxford: Blackwell, 2004.
Fox, Robin. "Male Bonding in the Epics and Romances." In The Literary Animal: Evolution and the Nature of Narrative. Ed. Jonathan Gottschall and David Sloan Wilson. Evanston (IL): Northwestern UP, 2005. 126-44.*
Frappier, Jean. Les Chansons de geste du cycle de Guillaume d'Orange. e vols. Paris: SEDES, 1955. 1965. 1983.
Frye, Northrop. "The Rhythm of Recurrence: Epos." In Frye, Anatomy of Criticism. Princeton: Princeton UP, 1957. 251-63.
_____. "Specific Thematic Forms (Lyric and Epos)." In Frye, Anatomy of Criticism 293-303.
García Gual, Carlos. "Degradación de los mitos épicos." In García Gual, Los orígenes de la novela. Madrid: Istmo, 1972. 133-56.
_____. "De la épica a la novela de aventuras." In García gual, Primeras novelas europeas. 2ª ed. Madrid: Istmo, 1988. 57-72.
García Jiménez, Emilia. "La poesía elegíaca medieval: un discurso epidíctico." Cuadernos de Investigación Filológica 19/20 (1993/94): 7-26.*
García Martín, José Luis ("Bernardo Delgado") and Juan José Lanz. "La 'nueva épica'." In Los nuevos nombres: 1975-1990. Ed. Darío Villanueva et al. Vol. 9 of Historia y crítica de la literatura española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1992. 219-22.*
Gold, Penny. "From Actor to Object: Woman in Chanson de Geste and Romance." Olifant 4 (1976-77).
Graham, Colin. Ideologies of Epic: Nation, Empire and Victorian Epic Poetry.
Greene, Thomas M. The Descent from Heaven. New Haven, 1963.
_____. The Light in Troy. New Haven: Yale UP, 1982.
Gregerson, Linda. The Reformation of the Subject: Spenser, Milton, and the English Protestant Epic. Cambridge: Cambridge UP, 1995.
Grossman, Marshall. The Story of All Things: Writing the Self in English Narrative Poetry. (Post-Contemporary Interventions). Durham (NC): Duke UP, 1998.
Hales, J. W. Longer English Poems. 1872.
Hamburger, Käte. "Ficción épica (narración en tercera persona)." In Hamburger, La lógica de la literatura. (2nd ed., 1977). Madrid: Visor, 1995.*
Hammer, Franziska. "wer oder wannen ist diz kint, des site sô rehte schœne sint? Die räumliche Multiplikation der Herkunft im höfischen Roman am Beispiel von Wolframs von Eschenbach Parzival und Gottfrieds von Straßburg Tristan." In Literarische Räume der Herkunft. Ed. Maximillian Benz and Katrin Dennerlein. Berlin and Boston: Walter de Gruyter, 2016. 147-86.*
Henderson, Margaret "Woman in the Medieval French Epic." Diss. New York U, 1965. Dissertation Abstracts 26 (1965-66). 1632-1633A.
Jackson, Guida M. Traditional Epics: A Literary Companion. Oxford: Oxford UP, 1994.*
Javitch, Daniel. "Italian Epic Theory." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 205-15.*
Jonin, Pierre. "Le climat de croisade dans les chansons de geste". Cahiers de Civilisation Médievale 7 (1964): 279-288.
Kates, Judith A. "The Revaluation of the Classical Heroic in Tasso and Milton." Comparative Literature 26.4 (1974): 299-317.
Kay, Sarah. The "Chansons de Geste" in the Age of Romance: Political Fictions. Oxford: Clarendon Press, 1995.
Ker, W. P., "13. Metrical Romances, 1200-1500: I." In From the Beginnings to the Cycle of Romance. Vol. 1 (English) of The Cambridge History of English and American Literature. Ed. A. W. Ward and A. R. Waller. Online at Bartleby.com
http://www.bartleby.com/211/index.html
2013
Kinney, Clare Regan. Strategies of Poetic Narrative: Chaucer, Spenser, Milton, Eliot. Cambridge: Cambridge UP, 1992.
Kirk, G. S. Homer and the Epic. Cambridge, 1965.
_____. ""IV. La tradición épica después de Homero y Hesíodo – (2) Los 'Himnos Homéricos'." In Historia de la Literatura Clásica (Cambridge University), I: Literatura Griega. Ed. P. E. Easterling and B. M. W. Knox. Madrid: Gredos, 1990. 128-34.*
Knapp, Fritz Peter. Similitudo: Stil- und Erzählfunktion von Vergleich und Exempel in der lateinischen, französischen und deutschen Grossepik des Hochmittelalters, vol.1. Vienna/Stuttgart, 1975.
Laing. The Sagas of the Norse Kings. London, 1889.
Levy, Dore J. Chinese Narrative Poetry: The Late Han Through the T'ang Dynasties. Durham: Duke UP, 1988.
Lewis, C. S. A Preface to Paradise Lost. 1942. London: Oxford UP, 1965.*
_____. From "The Style of Secondary Epic." From Lewis, A Preface to Paradise Lost. 1943. 43-50. Rpt. in The Critical Perspective: Volume 3: Elizabethan-Caroline. Ed. Harold Bloom. (The Chelsea House Library of Literary Criticism). New York: Chelsea House, 1986. 1705-7.*
Loane, George. Longer Narrative Poems. 1930. Rpt. Century Bookbindery, 1977.
López Férez, J. A., ed. La épica griega y su influencia en la literatura española (Aspectos literarios, sociales y educativos). Actas del III Coloquio Internacional de Filología Griega , UNED, marzo de 1992. Madrid, 1994.
Lord, George DeForest. Trials of the Self: Heroic Ordeals in the Epic Tradition. 1983.
Lukács, Georg. "Die Theorie des Romans". Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 11 (1916): 226 ss.
_____. La Théorie du roman. Trans. Jean Clairevoye. Paris: Gonthier, 1963.
_____. La Théorie du roman. Trans. Jean Clairevoye. Paris: Denoël, 1968.
_____. The Theory of the Novel. Trans. Anna Bostock. Cambridge: MIT Press, 1971. 1983.
_____. Teoría de la novela. Buenos Aires: Siglo XXI, 1966.
_____. La teoría de la novela. Barcelona: Grijalbo, 1975.
_____. Teoría de la novela. Trans. Manuel Sacristán. Introd. Manuel Vázquez Montalbán. (Biblioteca Universal, Ensayo Contemporáneo). Barcelona: Círculo de Lectores, 1999.*
Lord, A. B. The Singer of Tales. Cambridge (MA): Harvard UP, 1964.
MacCallum, M., and E. Home. English Narrative Poems since the Renaissance. 1909. Rpt. Century Bookbindery, 1977.
Magdaleno Santamaría, Miguel. (U of Nebraska-Lincoln). "La poética de Bernardo de Balbuena: Breve estudio de la poética épico-fantástica tras El Bernardo o Victoria de Roncesvalles (1624)." Online at Theses, Dissertations, Student Research: Modern Languages and Literatures (U of Lincoln) paper 33 (2016).
http://digitalcommons.unl.edu/modlangdiss/33
Online at Academia.*
https://www.academia.edu/31036303/
2017
Martindale, Charles. John Milton and the Transformation of Ancient Epic. London: Croom Helm, 1986.
McWilliams, John P., Jr. The American Epic: Transforming a Genre, 1770-1860. (Cambridge Studies in American Literature and Culture, 36). Cambridge: Cambridge UP, 1990.
Menéndez Pelayo, Marcelino. "La primitiva poesía heroica." 1902. In Menéndez Pelayo, Antología de estudios y discursos literarios. Ed. Mario Crespo López. Madrid: Cátedra, 2009. 429-44.*
Menéndez Pidal, Ramón. Los godos y la epopeya española. 1956. Madrid: Espasa-Calpe.
_____. "La forma épica en España y en Francia." In Menéndez Pidal, De primitiva lírica española y antigua épica. Madrid: Espasa-Calpe, 1968. 33-42.
_____. La epopeya castellana a través de la literatura española. 1910. Madrid: Espasa-Calpe, 1945. 1974.
Merchant, Paul. The Epic. London: Methuen, 1971. Rpt. Routledge.
Montgomery, Thomas. Medieval Spanish Epic: Mythic Roots and Ritual Language. University Park: Pennsylvania State UP, 1998.
Murari Pires, F. "Prologue historiographique et proème épique: Les principes de la narration en Grèce ancienne." Quaderni di Storia 58 (2003): 73-94.
Nimis, Steve A. Narrative Semiotics in the Epic Tradition: The Simile. Bloomington-Indianapolis, 1987
Nuttall, A. D. Openings: Narrative Beginnings from the Epic to the Novel. Oxford: Clarendon, 1992.*
Olivares, Carmen. "Historias para ser cantadas: Narraciones del cancionero irlandés desde la perspectiva de la gramática del texto." In Actas del IV Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al 21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984. 299-313.*
Parks, W. "Flyting and Fighting: Pathways in the Realization of the Epic Contest". Neophilologus (1986): 292-303.
Pemberton, Henry. Observations on Poetry, Especially the Epic: Occasionesd by the Late Poem upon Leonidas. 1738. London: Routledge, 1994.
Pérez de Ayala, Ramón. "V. La literatura confidencial y el estilo épico." ABC (Madrid) 19 Oct. 1958. In Pérez de Ayala, "Libros," in Más divagaciones literarias. Madrid: Biblioteca Nueva, 1960. 312-16.*
Pérez García, Jesús. "El Kundrun y la problemática en torno al concepto 'épica heroica' como categoría genérica." Revista de Filología (U de La Laguna) 22 (2004): 233-46.
Pirandello, Luigi. "La ironía cómica en la poesía caballeresca." In Pirandello, Ensayos. Madrid: Guadarrama, 1968. 76-133.
Plüss, Theodor. "Das Gleichnis in der erzählenden Dichtung." Festschrift zur 49. Versammlung Deutscher Philologen und Schulmänner in Basel im Jahre 1907.
Powell, Brian, and Geoffrey West, eds. Al que en buena hora nació: Essays on the Spanish Epic and Ballad in Honour of Colin Smith. Liverpool: Liverpool UP, 1996.
Ramsai, M. de. "Discours sur la poésie épique, et sur l'excellence du poème de Télémaque." In François de Salignac de la Motte-Fénélon, Les Aventures de Télémaque, Fils d'Ulysse. [Toulouse?: Doulador?] 1806. iii-xxxvi.
Richthofen, Erich von. "Analogías histórico-legendarias inadvertidas en las tradiciones épicas medievales de España, Francia y los países germánicos." In von Richthofen, Límites de la crítica literaria y Analectas de filología comparada. Barcelona: Planeta, 1976. 123-94.
Riquer, Martín de. Les chansons de geste françaises. Paris: Nizet, 1957.
Rychner, Jean. La Chanson de Geste: Essai sur l'art épique des jongleurs. (Publications Romanes et Françaises, 53). Genève: Droz, 1955, 1975: Lille: Giard, 1955.
Schmitt, Jean-Claude. La raison des gestes dans l'Occident médiéval. Paris: Gallimard, 1990.
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Segre, Cesare. "Épica y lírica en el Romance de Doña Alba." From Segre, "Il sogno di Alda," Medioevo Romanzo 8 (1981-83): 3-9. In Edad Media: Primer suplemento. Ed. Alan Deyermond. Vol 1.1 of Historia y Crítica de la Literatura Española, gen. ed. Francisco Rico. Barcelona: Crítica, 1991. 220-23.*
Siciliano, Italo. Les Chansons de geste et l'épopée: Mythes- Histoires – Poèmes. Geneva: Slatkine, 1981.
Stefenelli-Fürst, Friederike. Die Tempora der Vergangenheit in der Chanson de Geste. (Wiener Romanistische Arbeiten, 5). Vienna and Stuttgart: Wilhelm Braunmuller, 1966.
Suard, François. "Le personnage épique." Société Rencesvals: Proceedings of the 5th International Conference. Salford, 1977. 167-76.
_____. "The Epic." In A History of European Literature. Ed. Annick Benoit-Dusausoy and Guy Fontaine. London: Routledge, 2000. 71-75.*
Soubriet Velasco, Beatriz. "El epilio erótico en la poesía inglesa del siglo XVI." MA diss. U Complutense de Madrid, 1993.
Swedenberg, H. T., Jr. The Theory of the Epic in England, 1650-1800. Berkeley and Los Angeles, 1944.
_____. The Theory of the Epic in England, 1650-1800. Rpt.: New York: Russell and Russell, 1972.
La Technique littéraire des chansons de geste. (Actes du Colloque de Liège, 1957). Paris: Les Belles Lettres, 1959.
Tillyard, E. M. W. The English Epic and Its Background. London, 1954.
Tupper, James. Narrative and Lyric Poetry. 1927. Rpt. Scholars Reference Library, 1977.
Uitti, Karl D. Story, Myth, and Celebration in Old French Narrative Poetry: 1050-1200. Princeton: Princeton UP, 1973.
Veselovsky, A. N. "I.4. Las repeticiones épicas como momento cronológico." 1897. In Veselovsky, Poética histórica. Madrid: Akal, 2014. 131-70.*
Vessey, D. W. T. C. "XXVIII. Épica flavia." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 613-52.* (Statius, Valerius, Silius).
Vinaver, Eugène. "From Epic to Romance." Bulletin of the John Rylands Library 49 (1964): 576-503.
Weitbrecht, Julia. "Heterotope Herrschaftsträume in frühhöfischen Epen und ihren Bearbeitungen. König Rother, Herzog Ernst B, D und G." In Literarische Räume der Herkunft. Ed. Maximillian Benz and Katrin Dennerlein. Berlin and Boston: Walter de Gruyter, 2016. 91-120.*
Williams, R. Deryck. "XVIII. La 'Eneida'." In Historia de la literatura clásica (Cambridge University) II: Literatura latina. Ed. E. J. Kenney and W. V. Clausen. Madrid: Gredos, 1989. 372-410.*
Wofford, Susanne Lindgren. The Choice of Achilles: The Ideology of Figure in the Epic. Stanford UP, 1992.
Zielinski, Thaddaeus. "Die Behandlung gleichzeitiger Vorgänge im Antiken Epos." Philologus supplementband 8.
Anthologies
Bernabé Pajares, Alberto, ed. and trans. Fragmentos de épica griega arcaica. (Biblioteca Clásica Gredos, 20). Madrid: Gredos, 1979.*
_____. Ed. and trans. Ciclo épico. Ciclo tebano. Ciclo troyano. (Los Clásicos de Grecia y Roma, 78). Barcelona: Planeta-DeAgostini, 1996.*
Journals
Bulletin bibliographique de la Société Rencesvals. Paris: Nizet, 1958-
Olifant 4 (1976-77).
Literature
Milton, John. From Paradise Lost. 1674. In The Oxford Book of Seventeenth Century Verse. Ed. H. J. C. Grierson and G. Bullough. Oxford: Clarendon Press, 1934. Rpt. 1938, 1942, 1946. 505-33." (Satan and the Fallen Angels - Satan and his Host - Hell - Light - The Atonement - Heaven - New Worlds - Satan's Soliloquy - Paradise - Wedded Love - Invocation to Urania - The Subject of Heroic Song - Eve - Eve Penitent - The Banishment).
Spenser, Edmund. "The Teares of the Muses. By Ed. Sp." In Complaints; Containing sundrie small Poemes of the Worlds Vanitie ... By Ed. Sp. Imprinted for VVilliam Ponsonbie ..., London, 1591.
See also Homer, Hesiod, Statius, Valmiki, Beowulf, Dante, Ariosto, Tasso, Milton, Spenser.
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