Técnica (artística)

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Technique

 

 

Croce, Benedetto. "The Activity of Externalization: Technique and the Theory of the Arts." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 111-17.*

Hughes, Leo. "Theatrical Conversation in Richardson: Some Observations on a Novelist's Technique." In Restoration and 18th-Century Literature: Essays in Honor of Alan Dugald McKillop. Ed. Carol Camden. Chicago: U of Chicago P, 1963. 239-50.

Langer, Susanne K. "Principles of Art and Creative Devices." In Langer, Problems of Art: Ten Philosophical Lectures. London: Routledge and Kegan Paul, 1957. 108-23.*

Marías, Javier. "Inspiración y artificio." Lecture at the Universidad Complutense de Madrid, Revista de la Universidad Complutense 135 (1983). In JavierMarias.es 27 feb. 2008.

         http://www.javiermarias.es/blog.html

         2008

Schorer, Mark. "Technique as Discovery." Hudson Review 1 (1948): 67-87.

_____. "Technique as Discovery." In The Critical Spectrum. Ed. Gerald Jay Goldberg and Nancy Marmer Goldberg. Englewood Cliffs (NJ): Prentice-Hall, 1962. 70-83.*

_____. "Technique as Discovery." Rpt. in Forms of Modern Fiction. Ed. Wiliam Van O'Connor. Minneapolis: U of Minnesota P, 1948. Rpt. Bloomington: Indiana UP, 1959.

_____. "Technique as Discovery." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 101-14.*

Shaftesbury (Anthony Ashley Cooper, 3rd Earl of). A Notion of the Historical Draught of Hercules. Essay.

_____. "Treatise VII. viz. A Notion of the Historical Draught or Tablature of the Judgment of Hercules." In Shaftesbury, Characteristicks, Volume III. London, 1714. (Painting; Aesthetics; Dramatic unities; Rules of composition)

Shklovksi Viktor. "Isskustvo kak priem." In Sborniki po teorii poeticheskogo iazyka II. Petrograd, 1917. 3-14.

_____. "Art as Technique." 1917. In Russian Formalist Crtiticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis. Lincoln: U of Nebraska P, 1965. 3-24.*

_____. "Art as Technique." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 15-30.*

_____. "Art as Technique." Selection. in Debating Texts. Ed. Rick Rylance. 48-56.*

_____. "Art as Technique." Select. in Twentieth-Century Literary Theory. Ed. K. M. Newton. London: Macmillan, 1988. 23-5.*

_____. "Art as Technique." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 260-72.*

_____. From "Art as Technique." In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 17-21.*

_____. "L'art comme procédé." In Todorov, Théorie de la littérature 76-97.

Stanco, Michele. "'Madness' and 'Technique': Psychological Theories of Beauty and Linguistic Theories of Art." In Inspiration and Technique: Ancient to Modern Views on Beauty and Art. Ed. John Roe and Michele Stanco. Bern: Peter Lang, 2007. 49-81.

 

 

 

 

 

Anthologies

 

 

Roe, John, and Michele Stanco, eds. Inspiration and Technique. Ancient to Modern Views on Beauty and Art. Bern: Peter Lang, 2007.