Crítica creativa

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Creative Criticism

 

Creative criticism

Creative writing and criticism

 

 

Creative criticism

 

Asensi, Manuel. Theoría de la lectura: Para una crítica paradójica. (Libros Hiperión, 98). Madrid: Hiperión, 1987.

Barry, Peter. "Criticism as Writing." The Cambridge Quaterly 22.3.

Bayard, Pierre. Comment améliorer les oeuvres ratées? (Paradoxe). Paris: Minuit, 2000.*

_____. Le plagiat par anticipation. (Paradoxe). Paris: Minuit, 2009.*

Bradbury, Malcolm. "The Bridgeable Gap: Bringing Together the Creative Writer and the Critical Theorist in an Authorless World." TLS 17 January 1992: 7-9.

Cruz, Isagani R. "Kritika bilang Sining, Sining bilang Kritika." ("Criticism as Art, Art as Criticism"). In Cruz, Bukod na bukod:  Mga piling sanaysay. Ed. David Jonathan Y. Bayot. Diliman, Quezon City (Philippines): U of the Philippines P, 2003. 20-24.*

France, Anatole. "The Adventures of the Soul." Trans. Ludwig Lewissohn. In Adams 671. Trans. from La vie littéraire. 1883-1893.

García Landa, José Ángel. "El cristal con que se mira (Diferencias críticas)." In García Landa, Vanity Fea 31 Aug. 2006. (Stanley Fish, critical debate).

         http://garciala.blogia.com/2006/083101-el-cristal-con-que-se-mira-diferencias-criticas-.php

         2006-09-02

_____. "Mañana habrá sido escrito." In García Landa, Vanity Fea 29 Jan. 2008. Rev. of Demain est écrit, by Pierre Bayard.

         http://garciala.blogia.com/2008/012902-manana-habra-sido-escrito.php

         2008

_____. "Tomorrow Will Have Been Written / Mañana habrá sido escrito." Online PDF at Social Science Research Network (October 7, 2008).

         http://ssrn.com/abstract=1279918     

         2008

         Literary Theory & Criticism eJournal:

http://www.ssrn.com/link/English-Lit-Theory-Criticism.html

         2012

_____. "Mañana habrá sido escrito." ResearchGate (Oct. 2008).*

         https://www.researchgate.net/publication/33420136

         2016

_____. "Mañana habrá sido escrito." Academia.edu 13 Feb. 2014.*

         https://www.academia.edu/172360/

         https://www.academia.edu/52233842/

https://www.academia.edu/71071446/

https://www.academia.edu/77912849/

2022

Hartman, Geoffrey. "Crossing Over: Literary Commentary as Literature." Comparative Literature 28 (1976): 257-76.

_____."Literary Commentary as Literature." In Critical Theory since 1965. Ed.. Hazard Adams and Leroy Searle. Tallahasse: UPs of Florida / Florida State UP, 1986. 1990. 345-59.*

_____. "How Creative Should Literary Criticism Be?" New York Times Book Review 5 April 1981: 11, 24-25.

_____. "From Common to Uncommon Reader: Theory and Critical Style." Révue Internationale de Philosophie: Philosophical Aspects of Literary Criticism 41: 398-413.

Hassan, Ihab. "The Critic as Innovator." Amerikastudien 22.1 (Stuttgart: Mezlersche, 1977).

Knight, G. Wilson. "I. On Imaginative Interpretation." In Knight, The Imperial Theme. 1931. London: Methuen, 1979. 1-31.*

Krieger, Murray. "Creative Criticism: A Broader View of Symbolism." Sewanee Review 58 (1950): 36-51.

Lieder, P. R., and Robert Withington. The Art of Literary Criticism. New York, 1941.

Lucy, Niall. "Interpretation as Invention." In Lucy, Postmodern Literary Theory: An Introduction. Oxford: Blackwell, 1997. 82-103.*

Neel, Jasper. "Writing about Literature (or Country Ham)." In Publishing in English Education. Ed Stephen N. Judy. Montclair (NJ), 1981.

O'Hara, Daniel T. "Visionary Criticism: An Introduction." In O'Hara, The Romance of Interpretation: Visionary Criticism from Pater to de Man. New York: Columbia UP, 1985. 1-8.*

_____. "The Poetics of Critical Reading." Poetics Today 11.3 (1990): 661-672.*

O'Neill, Michael. "Poetry as Literary Criticism." In The Arts and Sciences of Criticism. Ed. David Fuller and Patricia Waugh. Oxford: Oxford UP, 1999. 117-36.*

Pope, Rob. Textual Intervention: Critical and Creative Strategies for Literary Studies. London: Routledge, 1994.

_____. "Critical-Creative Re-Writing: A Briefing." European English Messenger 8.2 (1999): 41-44.*

Sell, Roger D. "Interactive Consequences." In Sell, Literature as Communication. Amsterdam: Benjamins, 2000. 177-252. (Ethics of criticism; interpretation; biographical criticism; co-adaptation; politeness; beauty of criticism).

Sparshott, F. E. "Criticism and Performance." In Sparshott, The Concept of Criticism. Oxford: Oxford UP, 1967. 162-77. Rpt. in On Literary Intention. Ed. David Newton-De Molina. Edinburgh: Edinburgh UP, 1976. 104-15.*

Steiner, George. "El arte de la crítica." Interview with Ronald A. Sharp. In Steiner, Los logócratas. Madrid: Siruela, 2006. 89-138.*

Spingarn, Joel Elias. The New Criticism. New York: Columbia UP, 1911.

_____. Creative Criticism. 1917. Rev. ed. New York: Harcourt, 1931.

Torre, Guillermo de. From Literaturas europeas de vanguardia. 1925. ("El sentido de la nueva crítica." "La crítica constructora y creadora." "La comprensión de amor."). In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 322-28.*

Ulmer, Gregory L. "The Object of Post-Criticism." In The Anti-Aesthetic. Ed. Hal Foster. Port Townsend: Bay Press, 1983. 83-110. (Rpt. as Hal Foster, ed. Postmodern Culture. London: Pluto, 1985).

Walser, Martin. "La ilusión de que el crítico es un escritor." In Crítica de la crítica. Ed. Peter Hamm. Barcelona: Barral, 1971. Trans. of Kritik / von wem / für wen / wie? Munich: Carl Hanser, 1968. 13-17.*

Walton, David. "W/B: The Critic as Artist; or, Jouissance: The Vital Impotence of Being Earnest: a One-act Play." In Autor y texto: Fragmentos de una presencia. Ed. Ángeles Sirvent, Josefina Bueno, and Silvia Caporale. Barcelona: PPU, 1996. 325-37.*

_____. "Theme-antics and the the-eerie class: crWit(t)icism in wRap" Miscelánea 19 (1998): 189-203.*

_____. "Consolidating Practice, Heuristic Thinking, Creative Cri-tickle Acts and Further Research." In Walton, Introducing Cultural Studies: Learning through Practice. London: SAGE, 2008. 238-309.*

Wilde, Oscar. "The Critic as Artist." (I and II). The Nineteenth Century (July and September 1890). (Criticism; Artist; Aestheticism; Decadence; Realism; Creativity)

_____. "The Critic as Artist." In Wilde, Intentions. London: James R. Osgood Mc Ilvaine & Co., London, 1891.

_____. "The Critic as Artist." In The Works of Oscar Wilde. Ed. G. F. Maine. London and Glasgow: Collins, 1938. 1957. 948-98.*

_____. "The Critic as Artist." In The Works of Oscar Wilde. Ed. B. Foreman. London: Collins, 1948. 1016-60.

_____. "The Critic as Artist." In Complete Works of Oscar Wilde. London: Collins, 1966. 1009-59.*

_____. "The Critic as Artist." In The Portable Oscar Wilde. Ed. Richard Aldington and Stanley Weintraub. Harmondsworth: Penguin, 1981. 51-137.*

_____. "The Critic as Artist." In Wilde, Literary Criticism.

_____. "The Critic as Artist." In The Works of Oscar Wilde (Golden Heritage series) 948-99.

_____. "The Critic as Artist." In Wilde, Plays, Prose Writings and Poems. 1-60.*

_____. From The Critic as Artist. 1890, 1891. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.1752-60.*

_____. From The Critic as Artist. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "El crítico artista." In Wilde, Obras Completas. Ed. and trans. Julio Gómez de la Serna. Madrid: Aguilar, 1943. 1986. 913-66.* Rpt.. Santillana-Aguilar, 2003. 1.597-652.*

_____. "El crítico artista." In Ensayos. Artículos. Trans. Julio Gómez de la Serna. (Jorge Luis Borges: Biblioteca Personal, 3). Barcelona: Orbis, 1986. 13-100.*

_____. "El crítico como artista (con algunas observaciones sobre la importancia de estar ocioso)." In Wilde, El crítico como artista: Ensayos. (Colección Austral). Madrid: Espasa-Calpe, 1968. 9-52.*

_____. "El crítico como artista (con algunas observaciones sobre la importancia de discutirlo todo)." In Wilde, El crítico como artista: Ensayos. (Colección Austral). Madrid: Espasa-Calpe, 1968. 53-102.*

 

 

 

Series

 

 (Paradoxe). Paris: Minuit, c. 2005.

 

 

 

Creative writing and criticism

 

Cruz, Isagani R. "Kritika bilang Sining, Sining bilang Kritika." ("Criticism as Art, Art as Criticism"). In Cruz, Bukod na bukod:  Mga piling sanaysay. Ed. David Jonathan Y. Bayot. Diliman, Quezon City (Philippines): U of the Philippines P, 2003. 20-24.*

Lodge, David. "Literary Criticism and Literary Creation." In The Arts and Sciences of Criticism. Ed. David Fuller and Patricia Waugh. Oxford: Oxford UP, 1999. 137-52.*

_____."Literary Criticism and Literary Creation." In Lodge, Consciousness and the Novel. 2002. London: Penguin, 2003. 92-113.*