Estructura dramática

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Structure and Form in Drama

 

 

 

Berensmeyer, Ingo. "Twofold Vibration: Samuel Beckett's Laws of Form." Poetics Today (Fall 2004): 465-495.

Biesterfeldt, Peter Wilhelm. Die dramatische Technik Thomas Kyd. Halle /Salle: Max Niemeyer, 1936.

Bobes, Carmen, et al. "Poética clasicista en Italia." In Bobes, et al.  Historia de la Teoría Literaria, II: Transmisores. Edad Media. Poéticas clasicistas. Madrid: Gredos, 1998. (III.I). (Humanism, mimesis, Aristotle, genres, novella, comedy, lyric, dramatic unities).

_____. "Poéticas clasicistas en Francia." In Bobes, et al.  Historia de la Teoría Literaria, II: Transmisores. Edad Media. Poéticas clasicistas. Madrid: Gredos, 1998. (III.II). 281-328.* (Ancients and Moderns, Cid, La Mesnardière, Boileau, Rapin).

Bradbrook, M. C. English Dramatic Form: A History of Its Development. New York: Barnes and Noble, 1963. 1965.

Brooks, Cleanth. "Fiction and Drama: The Gross Structure." In Wimsatt and Brooks, Literary Criticism: A Short History. New York: Knopf, 1957. 681-98.*

Brown, Laura. English Dramatic Form 1660-1760: An Essay in Generic History. New Haven: Yale UP, 1981.

Caine, Cindy S. A. M. "Structure in the One-Act Play." Modern Drama 12 (1970): 390-98.

Corneille, Pierre. "A Discourse on the Purposefulness and the Parts of the Dramatic Poem." 1660. (Selection). Trans. J. H. Smith. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 527-29.*

_____. "Discours des trois unités." 1660.

_____. "Of the Three Unities of Action, Time and Place." In Adams 218-227.

_____. "A Discourse on the Three Unities." (Selection). Trans. J. H. Smith. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 530-31.*

_____. "Discourse on the Three Unities." Trans. Clara W. Crane. Select. in Literary Criticism: From Plato to Dryden. Ed. Gilbert. 57-89.*

_____. "Discourse on the Three Unities." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 210-13.*

_____. "Of the Three Unities of Action, Time and Place." In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 218-227.*

_____. "Of the Three Unities of Action, Time and Place." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 238-48.*

Dollimore, Jonathan. "3. Structure: From Resolution to Dislocation." In Dollimore, Radical Tragedy. 3rd ed. Houndmills: Palgrave, 2004. 53-69.* (Bradley, Archer, Eliot, Brecht).

Doran, Madeline. Endeavors of Art: A Study of Form in Elizabethan Drama. Madison, 1954.

Dryden, John. "Of Dramatic Poesy: An Essay." 1668. In Selected Criticism 17-76.

_____. Essay of Dramatic Poesy. Ed. Thomas Arnold, rev. W. T. Arnold. Oxford, 1903.

_____. "An Essay of Dramatic Poesy." In Literary Criticism: From Plato to Dryden. Ed. Gilbert. 601-58.

_____. "An Essay on Dramatic Poesy." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 214-29.*

_____ An Essay of Dramatic Poesy. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 249-89.*

Freytag, Gustav. Die Technik des Dramas. 1863. Leipzig, 1881.

_____. Technique of the Drama. Chicago: Griggs, 1895.

_____. Technique of the Drama. Trans. Elias J. MacEwan. Chicago, 1908.

Friedland, Louis E. "The Dramatic Unities in England." Journal of English and Germanic Philology 10 (1911).

Fritz, Horst, ed. Montage in Theater und Film. Tübingen: Narr, 1993.

Goetsch, Paul Bauformen des modernen englischen und amerikanischen Dramas. Darmstadt: Wissenschaftliche Buchgesellschaft, 1992.

Hubert, Judd D. "The Interplay of Aesthetics and Theatricality." In Hubert, Metatheater: The Example of Shakespeare. Lincoln: U of Nebraska P, 1991. 131-40.*

Johnson, Samuel, ed. The Plays of William Shakespeare, with Notes, etc. (With the "Preface to Shakespeare"). 8 vols. 1765.

_____. Mr Johnson's Preface to his Edition of Shakespear's Plays. 1765.

_____. "Preface to Shakespeare." In Samuel Johnson, Works (Pafraets ed.) 11.325-340; 12.1-54.

_____. "Preface to Shakespeare" and selections from the Edition of Shakespeare's Works. In Shakespeare Criticism: A Selection 1623-1840. Ed. D. Nichol Smith. London: Oxford UP, 1912. 1964. 77-124.*

_____. "Preface to Shakespeare." Selection. In The Great Critics. Ed. J. H. Smth and E. W. Parks. New York: Norton, 1932.*

_____. "Preface to Shakespeare." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 230-36.*

_____. "Preface to the Plays of William Shakespeare." In Johnson on Shakespeare. Ed. W. K. Wimsatt. Harmondsworth: Penguin, 1969. 57-98.

_____. "Preface to Shakespeare." Select. in Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 329-336.*

_____. "Preface to Shakespeare." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 405-32.*

_____. From the Preface to the Plays of William Shakespeare. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Hodder Headline-Arnold, 1997. 643-45.*

_____. "[The Praise of Variety.]" From The Plays of William Shakespeare. London, 1765. 8.311. In Hamlet. Ed. Cyrus Hoy. 2nd ed. (Norton Critical Edition). New York: Norton, 1992. 148-49.*

_____. "The Preface to Shakespeare." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2725-36..*

Kern, Edith. "Structure in Beckett's Theatre." Yale French Studies (1971): 17-27.

Klotz, Volker. Geschlossene und offene Form im Drama. 2nd ed. Munich, 1962.

Pavel, Thomas G. The Poetics of Plot: The Case of English Renaissance Drama. Minneapolis: U of Minnesota P, 1985.

Polti, G. Les Trente-Six Situations dramatiques. 3rd ed. Paris: Mercure de France, 1924.

Rosenberg, Marvin. "A Metaphor for Dramatic Form." In Perspectives on Drama. Ed. J. L. Calderwood and H. E. Toliver. New York: Oxford UP, 1968. 103-11.*

Souriau, Etienne. Les Deux cent mille situations dramatiques. Paris: Flammarion, 1950.

Shaftesbury. "Treatise VII. viz. A Notion of the Historical Draught or Tablature of the Judgment of Hercules." In Shaftesbury, Characteristicks, Volume III. London, 1714.

Styan, J. L. "9. Breaking the Continuity: The Plough and the Stars, Ardèle." In Styan, The Elements of Drama. Cambridge: Cambridge UP, 1960. 188-204.* (O'Casey, Anouilh).

_____. "6. Ordering the Action: Story, Structure and Theme." In Styan, Drama: A Guide to the Study of Plays. New York: Peter Lang, 2000. 2003. 2004. 65-76.*

 

 

 

See also Plot; Semiotics of drama.