A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Sexuality, Gender, Drama
Works
Bloch, Ivan. "Sex Phenomena in the Theatre, Music, Dancing." In Bloch, Sexual Life in England: Past and Present. Royston (Herts.): Oracle, 1996. 591-630.*
Cadden, Michael. The Body Politic / The Body Theatrical. New York: Routledge, forthcoming 1990.
Calbi, Maurizio. Approximate Bodies: Gender and Power in Early Modern Drama. London: Routledge, 2005.
Ceballos Muñoz, Alfonso, and Ramón Espejo Romero, eds. El género del teatro / El teatro del género: Las artes escénicas y la representación de la identidad sexual. Madrid: Fundamentos, 2009.
Clark, Sandra. The Plays of Beaumont and Fletcher: Sexual Themes and Dramatic Representation. Hemel Hempstead: Harvester Wheatsheaf, 1993.
DiGangi, Mario. The Homoerotics of Early Modern Drama. Cambridge: Cambridge UP, 1997.
Ferris, Lesley. Crossing the Stage: Controversies on Cross-Dressing. London: Routledge, 1993.
Goodman, Lizbeth, with J. Ellen Gainor. "Gender and Drama, Text and Performance." In Literature and Gender. Ed. Lizbeth Goodman. London: Routledge / Open U, 1996. 2001. 179-206.*
Griffiths, Viv. Using Drama to Get at Gender: Studies in Sexual Politics. Manchester: Department of Sociology Educational Development Handbook no. 9, 1986.
Innes, Christopher D. "Anthropology, Environmental Theatre and Sexual Revolution." (Eugenio Barba, Schechner, Joe Chaikin, Living Theatre). In Innes, Avant Garde Theatre 1892-1992. London: Routledge, 1993. 167-92.*
Marsden, Jean I. Fatal Desire: Women, Sexuality, and the English Stage, 1660-1720. Ithaca (NY): Cornell UP, 2006.
Morrison, Blake. "A 2,500-year-old Sex Ban." The Guardian 10 Sept. 2007.
Orgel, Stephen. "Nobody's Perfect: or, Why Did the English Stage Take Boys for Women?" South Atlantic Quarterly 88.1 (Winter 1989): 7-29.
_____. "Nobody's Perfect, or Why Did the English Stage Take Boys for Women?" Rev. version in Orgel, Impersonations.
_____. Impersonations: The Performance of Gender in Shakespeare's England. Cambridge: Cambridge UP, 1996. 1997.*
Phelan, Peggy. Unmarked: The Politics of Performance. London: Routledge, 1993.
Rackin, Phyllis. "Androgyny, Mimesis, and the Marriage of the Boy Heroine on the English Renaissance Stage." PMLA 102 (1987): 29-41.*
Rose, Mary Beth. The Expense of Spirit: Love and Sexuality in English Renaissance Drama. Ithaca: Cornell UP, 1988.
Vélez Núñez, Rafael. "Gendering Stages in English Pre-Restoration Theatrical Productions." In Literature, Gender, Space. Ed. Sonia Villegas-López and Beatriz Domínguez-García Huelva: Servicio de Publicaciones de la Universidad de Huelva, 2004.
Vorlicky, Robert. America's Power Plays. (Drama and gender). Forthcoming 1990.
Wandor, Michelene. "Cross-Dressing, Sexual Representation, and the Sexual Division of Labour in the Theatre." In Wandor, Carry On, Understudies: Theater and Sexual Politics. London: Routledge, 1986. 20-35.*
_____. Carry on, Understudies: Theatre and Sexual Politics. London: Routledge, 1986.
Zamorano, Ana. "Chicas con tablas: representación del cuerpo lesbiano en el teatro anglo-norteamericano." In Que sus faldas son ciclones: Representación literaria actual del lesbianismo en lengua inglesa. Ed. Rosa García Rayego and Mª Soledad Sánchez Gómez. Madrid: Editorial Egales, 2008. 205-233.
_____. "El cuerpo como escenario: performances y representación dramática del lesbianismo." In El género del teatro / El teatro del género: Las artes escénicas y la representación de la identidad sexual. Ed. Alfonso Ceballos Muñoz and Ramón Espejo Romero. Madrid: Editorial Fundamentos. Octubre 2009: 163-188.
Zimmerman, Susan. "Disruptive Desire: Artifice and Indeterminacy in Jacobean Comedy." In Erotic Politics: Desire on the Renaissance Stage. Ed. Susan Zimmerman. New York and London: Routledge, 1992.
_____, ed. Erotic Politics: Desire on the Renaissance Stage. New York and London: Routledge, 1992.
Anthologies
Davis, Jill, ed. Lesbian Plays. 2 vols. London: Methuen, 1987, 1989.
Hoffman, William M., ed. Gay Plays: The First Collection. Avon Books, 1979.
See also Women and drama.
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