A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Reflexivity in narrative; Metafiction
Top ten
Miscellaneous
Top ten
Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975. 1978.*
Christensen, Inger. The Meaning of Metafiction: A Critical Study of Selected Novels by Sterne, Nabokov, Barth and Beckett. Bergen: Universitetsforlaget, 1981.*
Currie, Mark, ed. Metafiction. (Longman Critical Readers). London: Longman, 1995.*
Heath, Stephen. The Nouveau Roman: A Study in the Practice of Writing. London, 1972.
Hutcheon, Linda. Narcissistic Narrative: The Metafictional Paradox. 1980. New York: Methuen, 1984.*
McCaffery, Larry. The Metafictional Muse: The Works of Robert Coover, Donald Barthelme, and William H. Gass. Pittsburgh: U of Pittsburgh P, 1982.*
McHale, Brian. Postmodernist Fiction. London: Methuen, 1987.
Ricardou, Jean. Problèmes du nouveau roman. Paris: Seuil, 1967.
Scholes, Robert. Fabulation and Metafiction. Urbana: U of Illinois P, 1979. 1980.
Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Routledge, 1984.*
Miscellaneous
Adams, Martin. Afterjoyce: Studies in Fiction after Ulysses. New York: Oxford UP, 1977.
Adorno, Theodor W. "La situation du narrateur dans le roman contemporain." In Adorno, Notes sur la littérature. Trans. Sibylle Muller. Paris: Flammarion, 1984. 37-44.*
Aguirre, Manuel. "Some Commonsense Notions on Postmodernist Fiction." In Stvdia Patriciae Shaw oblata. Ed. Santiago González Fernández-Corugedo et al. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1991. 3.3-13.*
Albérès, René Marie. Métamorphoses du roman. Paris: Albin Michel, 1966.
_____. Metamorfosis de la novela. Madrid: Taurus, 1971.*
Albers, Frank. "Metafiction: Theory and Practice." Ph.D. diss. Oxford U, 1986.
Alexander, Marguerite. Flights from Realism: Themes and Strategies in Postmodern British and American Fiction. London: Arnold, 1990.
Altenberg, Tilmann. "Metadiégesis y pseudodiégesis en la narrativa de Juan Valera." In La narración paradójica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 155-69.*
Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975. 1978.*
Arizti Martín, Bárbara. Metafiction in Changing Places. Trabajo de investigación de Tercer Ciclo. Universidad de Zaragoza, 1994.
Astier, Pierre. Encyclopédie du Nouveau Roman. Paris: Debresse, 1968.
Athanasiou-Krikelis, Lissi. "Twisting the Story: Margarita Karapanou's Rien ne va plus and Amanda Michalopoulou's Θα ήθελα as Metaautobiographical Novels." Journal of Modern Greek Studies 34.1 (2016): Online at Project Muse / Internet Archive.*
https://muse.jhu.edu/lockss?vid=11145
https://doi.org/10.1353/mgs.2016.0018
https://web.archive.org/web/20171025235302/https://muse.jhu.edu/article/614437/pdf
2022
_____. "Twisting the Story: Margarita Karapanou's Rien ne va plus and Amanda Michalopoulou's Tha éthela as Metaautobiographical Novels." Journal of Modern Greek Studies 34.1 (May 2016): 103-29. Online at Project Muse.*
https://muse.jhu.edu/article/614437
2016
Baquero Goyanes, Mariano. Estructuras de la novela actual. 1975. Madrid: Castalia, 1989.*
Bareis, J. Alexander, and Frank Thomas Grub. Metafiktion: Analysen zur deutschsprachigen Gegenwartsliteratur. Berlin, 2010.
Barnes, Hazel E. "Modes of Aesthetic Consciousness in Fiction." Bucknell Review 12 (March 1964): 82-93.
Barth, John. "The Literature of Exhaustion". The Atlantic Monthly (August 1967): 29-34.
_____. "The Literature of Exhaustion." In The American Novel since World War II. Ed. Marcus Klein. New York: Fawcett World Library, 1969. 267-79.
_____. "The Literature of Exhaustion". In Federman, Surfiction. Chicago: Swallow, 1975.
_____. "The Literature of Replenishment". The Atlantic Monthly (January 1980): 65-71.
_____. "La literatura de la plenitud: la novela postmodernista." In La novela postmodernista norteamericana: Nuevas tendencias narrativas. Ed. J. Coy Ferrer and Enrique García Díez. Madrid: SGEL, 1986.
Barthes, Roland. S/Z. Paris: Seuil, 1970.*
_____. S/Z. Trans. Richard Miller. New York: Hill and Wang, 1974.*
_____. S/Z. Trans. Richard Miller. London: Jonathan Cape, 1975.
_____. S/Z. 1970. Oxford: Blackwell, 1990.
_____. S/Z. Trans. Nicolás Rosa. Madrid: Siglo XXI, 1980.
Beebe, Maurice. "Reflective and Reflexive Trends in Modern Fiction." Bucknell Review 22.2 (1976): 13-26.
Bellamy, Joe David. The New Fiction: Interviews with Innovative American Writers. Urbana, 1974.
_____. Superfiction: Or the American Story Transformed. New York, 1975.
Bene, Adrian. "Intertextualité et reflexivité chez Mauriac. Le récit et la vie dans Un adolescent d'autrefois." In Panorama des études françaises en Europe centrale. Ed. Adrian Bene. (Acta Romanica Quinqueecclesiensis). Pecs: Universitas Quinqueeclesiensis, 2017. 45-56. Online at Academia.*
https://www.academia.edu/45586096/
2021
_____, et al. Narratívák 6: Narratív beágyazás és reflexivitás. Budapest: Kijárat Kiadó, 2009.
Bertens, Hans. "Postmodern Characterization and the Intrusion of Language." In Exploring Postmodernism. Ed. Mateo Calinescu and Douwe Fokkema. Amsterdam: Benjamins, 1987. 139-59.
Bishop, Lloyd. "Romantic Irony and the Novel: Friedrich von Schlegel and Mikhail Bakhtin." In Bishop, Romantic Irony in French Literature. Nashville: Vanderbilt UP, 1991. 205-8.*
Bloch-Michel, J. Le Présent de l'indicatif. Paris: Gallimard, 1963.
_____. La 'nueva novela'. Barcelona: Guadarrama.
Boisdeffre, Pierre de. La cafetière est sur la table: Contre le 'nouveau roman'. Paris: La Table Ronde, 1967.
Booth, Wayne C. "The Self-Conscious Narrator in Comic Fiction Before Tristram Shandy." PMLA 67 (March 1952): 163-85.
_____. "The Struggle to Tell the Story of the Struggle to Get the Story Told." Narrative 5.1 (1997): 50-59.
Borges, Jorge Luis. "Nathaniel Hawtorne." 1949. In Borges, Nueva antología personal. Barcelona: Bruguera, 1982. 213-38.* (Reflexivity)
_____. "Nathaniel Hawthorne." In Borges, Otras inquisiciones. 1960. Madrid: Alianza, 1985. 56-75.*
_____. Otras inquisiciones. 1960. Madrid: Alianza, 1985.*
Boyd, Michael. The Reflexive Novel: Fiction as Critique. Lewisburg: Bucknell UP, 1983.*
Bradbury, Malcolm. The Modern American Novel. 1983. Oxford: Oxford UP, 1992.
_____. "Closer to Chaos: American Fiction in the 1980s." TLS 22 may 1992: 17-18.
_____. The Modern British Novel. London: Secker, 1993.*
_____, ed. The Novel Today: Contemporary Writers on Modern Fiction. Glasgow: Fontana, 1977. Rev. ed. 1990.*
Brooke-Rose, Christine. A Rhetoric of the Unreal: Studies in Narrative and Structure, Especially of the Fantastic. Cambridge: Cambridge UP, 1981.*
_____. "Is Self-Reflexivity Mere?" Quarterly West (U of Utah, Dec. 1996).
Burden, Robert. "The Novel Interrogates Itself." In The Contemporary English Novel. Ed. Malcolm Bradbury and David Palmer. London: Arnold, 1979. 1986. 133-57.
Butler, Christopher. After the Wake: An Essay on the Contemporary Avant-Garde. Oxford: Oxford UP, 1980.*
Butor, Michel. "Le roman comme recherche." 1960. In Butor, Essais sur le roman. Paris: Gallimard, 1992. 7-14.
_____. "The Novel as Research." 1970. In The Novel Today; Contemporary Writers on Modern Fiction. Ed. Malcolm Bradbury. 1977. New ed. London: Fontana, 1990. 45-52.
_____. Essais sur le roman. 1970. Paris: Gallimard, 1992.*
Calvino, Italo. The Literature Machine. London, 1987.*
Caramello, Charles. Silverless Mirrors: Book, Self, and Postmodern American Fiction. Tallahassee, 1983.
Carroll, David. The Subject in Question: The Languages of Theory and the Strategies of Fiction. Chicago: U of Chicago P, 1982.
Castagnino, Raúl. "Cuento-Artefacto" y artificios del cuento. Buenos Aires: Nova, 1977.
Cazzato, Luigi. "Hard Metafiction and the Return of the Author Subject: The Decline of Postmodernism?" In Postmodern Subjects / Postmodern Texts. Ed. Jane Dowson and Steven Earnshaw. Amsterdam: Rodopi, 1995. 25-41.*
Chambers, Ross. Story and Situation: Narrative Seduction and the Power of Fiction. Manchester UP, 1984.*
Chatman, Seymour. "9. Narrative Limits: Experimental and Postmodern Fiction." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 304-47.* (Undermining Conventions; Questioning the Discourse; Attacks on the Discourse by the Story: Julio Cortázar, 'Continuity of Parks'; Filter at Odds with Itself: Jorge Luis Borges, 'The Garden of Forking Paths'; John Barth, 'Lost in the Funhouse'; Julio Cortázar, 'The Idol of the Cyclades').
Chihaia, Matei. "Mögliche Welten als Allegorien der Fiktion: Die Grenzen narrativer Sinnstiftung bei Julio Cortázar." In Welt(en) erzählen: Paradigmen und Perspektiven. Ed. Christoph Bartsch and Frauke Bode. Berlin and Boston: De Gruyter, 2019. 217-34.*
https://doi.org/10.1515/9783110626117-011
2019
Christensen, Inger. The Meaning of Metafiction: A Critical Study of Selected Novels by Sterne, Nabokov, Barth and Beckett. Bergen: Universitetsforlaget, 1981.*
Clark, J. R., and A. L. Motto. "Intrusion, Obstruction, and the Self-Reflexive Narrator in So-called Post-modern Literature." CML (1986): 31-37.
Collado, Francisco. "History and Metafiction: V.' s Impossible Cognitive Quest." Atlantis 15 (1993): 61-78.
Connor, Steven. Samuel Beckett: Repetition, Theory and Text. Oxford: Blackwell, 1988.*
Conrad, Peter. Shandyism: The Character of Romantic Irony. Oxford: Blackwell, 1978.
Cornwell, Neil. The Literary Fantastic: From Gothic to Postmodernism. Hemel Hempstead: Harvester Wheatsheaf, 1990.
Cortázar, Julio. Teoría del túnel. 1947. In Cortázar, Obra crítica I. Ed. Saúl Yurkievich. Madrid: Alfaguara, 1994.
Cropley-Gonzalez, Madelena. "The Birth of Revolt Through Historiographic Metafiction in Salman Rushdie's Midnight's Children and The Satanic Verses." In Historicité et métafiction hdans le roman contemporain des Iles Britanniques. Ed. Max Duperray. Aix-en-Provence: Publications de l'Université de Provence, 1994. 197-206.
Currie, Mark, ed. Metafiction. (Longman Critical Readers). London: Longman, 1995.*
Dällenbach, Lucien. Le Livre et ses Miroirs dans l'œuvre romanesque de Michel Butor. Paris: Minard, 1972.
_____. Le Récit spéculaire: Essai sur la mise en abyme. Paris: Seuil, 1977.*
_____. The Mirror in the Text. Trans. Jeremy Whiteley and Emma Hughes. Oxford: Polity Press/Blackwell, 1989.*
_____. El relato especular. Trans. Ramón Buenaventura. Madrid: Visor, 1977.*
_____. El relato especular. Trans. Ramón Buenaventura. (Visor Literatura y Debate Crítico, 8). Madrid: Visor, 1992.
de Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale UP, 1979.*
Dearlove, Judith E. Accomodating the Chaos: Samuel Beckett's Nonrelational Art. Durham (NC): Duke UP, 1982.*
D'haen, Theo. Text to Reader: Fowles, Barth, Cortázar and Boon. Amsterdam: Benjamins, 1983.*
D'haen, Theo, and Hans Bertens, eds. Postmodern Fiction in Europe and the Americas. Amsterdam: Rodopi, 1988.
_____, eds. History and Post-War Writing. Amsterdam: Rodopi, 1990.*
_____, eds. Postmodern Fiction in Canada. Amsterdam: Rodopi, 1992.*
_____, eds. British Postmodern Fiction. Amsterdam: Rodopi, 1993.*
Díaz, María Eugenia. "La novela postmodernista norteamericana: una aproximación general." Atlantis 9 (1987): 83-94.*
Dickinson, Morris. "Fiction Hot and Kool: Dilemmas of the Experimental Writer." Tri Quarterly 33 (1975).
Dinkler, Michal Beth. "The End of Fact vs. Fiction: Reflexivity in Ancient Narratives." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 88-107.*
https://doi.org/10.1515/9783110722031-007
2021
Dipple, Elizabeth. "A Novel Which Is a Machine for Generating Interpretations." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 221-45.*
Ditsky, John. "The Man on the Quaker Oats Box: Characteristics of Recent Experimental Fiction." Georgia Review 26 (1972): 297-313.
Docherty, Thomas. "Postmodern Characterization: The Ethics of Alterity." In Postmodernism and Contemporary Fiction. Ed. Edmund J. Smyth. London: Batsford, 1991. 169-88.*
Dotrás, Ana Mª. La novela española de metaficción. Madrid: Júcar, 1994.*
Duffy, Maureen. "New Trends in British Fiction." In Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglo-Norteamericanos. Alicante: AEDEAN, 1991. 69-72.*
Duperray, Max, ed. Historicité et métafiction dans le roman contemporain des Iles britanniques. Aix-en-Provence: Publications de l'Université de Provence, 1994.
Eco, Umberto. Obra abierta. Barcelona: Planeta, 1984. Trans. of Opera aperta. Milano: Bompiani, 1962.*
_____. "Postmodernism, Irony, The Enjoyable." Select. from Reflections on The Name of the Rose. Trans. William Weaver. London: Secker, 1985. 65-72. In Modernism/Postmodernism. Ed. Peter Brooker. London: Longman, 1992. 225-8.*
_____. "From Reflections on The Name of the Rose." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 172-80.*
_____. Faith in Fakes. USA, 1986. Published in Britain as Travels in Hyperreality. Trans. William Weaver. London: Picador, 1987.
Egebak, Niels. L'écriture de Samuel Beckett. København: Akademisk Forlag, 1973.*
Elam, Diane. "Postmodern Romance." In Postmodernism Across the Ages. Ed. Bill Readings and Bennet Schaber. Syracuse (NY): Syracuse UP, 1992. New version in Elam, Romancing the Postmodern.
_____. Romancing the Postmodern. London: Routledge, 1992.
Elias, Amy J. "Meta-mimesis? The Problem of British Postmodern Realism." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 9-31.
Elliott, Emory, et al., eds. The Columbia History of the American Novel. New York: Columbia UP, 1991.*
Engler, Bernd. "The Cultural Dynamics of Metafictional Discourse in Early American Literature: A Response to Jürgen Wolter." Connotations 5.1 (1995-96): 95-107.*
Engler, Bernd, and Kurt Müller, eds. Historiographic Metafiction in Modern American and Canadian Literature. Paderborn: Schöningh, 1994.
Ermath, Elizabeth Deeds. Sequel to History: Postmodernism and the Crisis of Representational Time. Princeton: Princeton UP, 1991.
Federman, Raymond. "Surfiction: Four propositions in Form of an Introduction." In Federman, Surfiction 5-15.*
_____. "What are Experimental Novels and Why Are There so Many Left Unread?" In Studies in American Literature: Essays in Honor of Enrique García Díez. Ed. Antonia Sánchez Macarro. Valencia: Universitat de València, Facultat de Filologia, 1991. 323-30.*
_____. Critifiction: The Way of Literature. Albany: State U of New York P, 1993.*
_____, ed. Surfiction: Fiction Now and Tomorrow. Chicago: Swallow, 1975.*
Federman, Raymond, and Carl R. Lovitt, eds. Current Trends in American Fiction. Sub-Stance 27 (1980).
Fernández Cardo, J. M. El "nouveau roman" y la significación. Oviedo: Universidad de Oviedo, 1983.
Fitch, Brian T. Dimensions, structures et textualité dans la trilogie romanesque de Beckett. Paris: Minard, 1977.*
Fletcher, John, and Malcolm Bradbury. "The Introverted Novel." In Modernism. Ed. M. Bradbury and J. McFarlane. Harmondsworth: Penguin, 1978. 1991. 394-415.
Fogel, Stanley. "And all the Little Typtopies: Notes on Language Theory in Contemporary Experimental Novel." Modern Fiction Studies 20.2 (Fall 1974): 28-36.
Fokkema, Aleid. "The Linguistic Turn: Metafiction in America." In Fokkema, Postmodern Characters. Amsterdam: Rodopi, 1991. 100-19.*
_____. Postmodern Characters: A Study of Characterization in British and American Postmodern Fiction. Amsterdam: Rodopi, 1991.*
Fowler, Roger. Linguistics and the Novel. 1977. London: Methuen, 1985.*
Friedman, Ellen, and Miriam Fuchs, eds. Breaking the Sequence: Women's Experimental Fiction. Princeton: Princeton UP, 1989.
Fuentes, Carlos. Geografía de la novela. Madrid: Alfaguara, 1993.*
Furst, L. R. Fictions of Romantic Irony. Cambridge (MA): Harvard UP, 1984.
Galván, Fernando. "Postmodernismo: las formas de la heterogeneidad." La página 2 (1992): 33-48.
_____. "Textos y códigos de la metaficción británica." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 39-55.*
_____. "Travel Writing in British Metafiction: A Proposal for Analysis." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 77-86.
Galván, Fernando, Aída Díaz Bild, Tomás Monterrey and Manuel Brito. Ensayos sobre metaficción inglesa. Universidad de La Laguna: Secretariado de Publicaciones, 1994. *
García Díez, Enrique, y Javier Coy. La novela post-modernista. Madrid: Sociedad General Española de Librería, 1986.*
García Landa, José Ángel. "La structure narrative dans La Dentellière de Pascal Lainé." Typescript, U of Zaragoza, 1984. Online edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/laine.html
2012
_____. "Narrative Structure in Pascal Lainé's 'La Dentellière' / La structure narrative dans 'La Dentellière' de Pascal Lainé (French)." Online PDF at Social Science Research Network 24 May 2012.*
http://ssrn.com/abstract=2066119
http://dx.doi.org/10.2139/ssrn.2066119
2017
Literary Theory & Criticism eJournal 24 May 2012.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2012
_____. "La structure narrative dans La Dentellière de Pascal Lainé." iPaper at Academia.edu 24 May 2012.*
https://www.academia.edu/1588274/
2014
_____. "La structure narrative dans La Dentellière de Pascal Lainé." ResearchGate 20 June 2013.*
https://www.researchgate.net/publication/239908510
2013
_____. "La structure narrative dans La Dentellière de Pascal Lainé." Humanities Commons 1 Dec. 2017.*
https://hcommons.org/deposits/item/hc:16711/
2017
_____. "La structure narrative dans La Dentellière de Pascal Lainé." In García Landa, Vanity Fea 1 Dec. 2017.*
https://vanityfea.blogspot.com.es/2017/12/la-structure-narrative-dans-la.html
2018
_____. "La structure narrative dans La Dentellière de Pascal Lainé." Semantic Scholar.*
2019
_____. "La subjetividad como máscara en las Nouvelles de Beckett." Miscelánea 7 (Zaragoza, 1986): 125-137.*
http://www.miscelaneajournal.net/images/stories/articulos/vol7/GarciaII7.pdf
2009
Online edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/subjet.html
http://ssrn.com/abstract=2067038
2012
English & Commonwealth Literature eJournal 28 May 2012.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2013
_____. "La subjetividad como máscara en las 'Nouvelles' de Beckett." iPaper at Academia.edu 25 May 2012.*
https://www.academia.edu/1592418/
2014
_____. "La subjetividad como máscara en las 'Nouvelles' de Beckett." ResearchGate 6 July 2013.*
https://www.researchgate.net/publication/245539107
2013
_____. "La subjetividad como máscara en las 'Nouvelles' de Beckett." Humanities Commons 23 Dec. 2017.*
https://hcommons.org/deposits/item/hc:17163/
http://dx.doi.org/10.17613/M6B84H
2017
_____. "'Unnullable Least': La metaficción y el vacío en el Beckett de los ochenta." Paper presented at the 10th AEDEAN Conference (Zaragoza, 1986). Online edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/unnullable.html
_____. "'Unnullable Least': La metaficción y el vacío en el Beckett de los ochenta." In Actas del X Congreso Nacional A.E.D.E.A.N.: Zaragoza, 16-19 de diciembre de 1986: Conmemorativo de su fundación. Zaragoza: A.E.D.E.A.N. (Asociación Española de Estudios Anglo-Norteamericanos), 1988: 321-330.*
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." iPaper at Academia.edu 2 May 2010.*
2010
_____. "'Unnullable Least': Beckett's Minimalism and Metafiction in the 80s / 'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." Online PDF at Social Science Research Network 2 May 2010.*
http://ssrn.com/abstract=1599243
2010
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." Online PDF at Zaguán 3 May 2010.*
http://zaguan.unizar.es/record/4575
2010
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." ResearchGate 2 July 2013.*
https://www.researchgate.net/publication/243972217
2013
_____. "'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta." Humanities Commons 28 Dec. 2017.*
https://hcommons.org/deposits/item/hc:17189/
http://dx.doi.org/10.17613/M6NK0W
2017
_____. "El relato en la trilogía de Beckett Molloy, Malone Dies, The Unnamable." Ph.D. diss. U de Zaragoza, 1988.*
_____. "Theory of Reflexive Fiction." Social Science Research Network 25 June 2012.*
http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2090254
2012
Literary Theory & Criticism eJournal 25 June 2012.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2012
_____. "Reflexivity in the Narrative Technique of As I Lay Dying." English Language Notes 27.4 (Boulder, Colorado, 1990): 63-72.*
http://www.colorado.edu/journals/eln/
_____. "Reflexivity in the Narrative Technique of As I Lay Dying." iPaper at Academia.edu 17 April 2010.*
2010
_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Online PDF at Social Science Research Network 17 April 2010.*
http://ssrn.com/abstract=1591364
2010
_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Online PDF at Zaguán 17 April 2010.*
http://zaguan.unizar.es/record/4547
2010
_____. "Reflexivity in the Narrative Technique of As I Lay Dying." In García Landa, Vanity Fea 17 April 2010.*
http://vanityfea.blogspot.com/2010/04/reflexivity-in-narrative-technique-of.html
2010
_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Online PDF at ResearchGate 3 Oct. 2011.*
2011
_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Humanities Commons 7 April 2018.*
https://hcommons.org/deposits/item/hc:18859/
http://dx.doi.org/10.17613/M67C50
2018
_____. "'Silence Once Broken': Metalenguaje y clausura narrativa en Beckett." In Miscel.lània homenatge Enrique García Díez. Ed. Angel López García and Evangelina Rodríguez Cuadros. Valencia: Universitat de València / Consellería de Cultura, Educació i Ciència de la Generalitat Valenciana, 1991. 117-28.*
_____. "Silence Once Broken: Metalenguaje y clausura narrativa en Beckett." Online edition in the author's website:
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/silence.html
2006-09-29
_____. "'Silence Once Broken': Metalenguaje y clausura narrativa en Beckett." Online PDF in Zaguán 9 Oct. 2009.*
http://zaguan.unizar.es/record/4172
2009
_____. "'Silence Once Broken': Metalenguaje y clausura narrativa en Beckett." iPaper at Academia.edu 19 April 2010.*
2010
_____. "'Silence Once Broken': Metalenguaje y clausura narrativa en Beckett." Online PDF at Social Science Research Network 19 April 2010.*
http://ssrn.com/abstract=1592117
2010
_____. "Lenguaje y différance en El Innombrable." Actas de las II Jornadas de Lengua y Literatura Inglesa y Norteamericana. Ed. Pedro Santana. Logroño: Colegio Universitario de La Rioja, 1993. 69-82.* Online edition (2004):
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/differance.html
2004
http://personal.unizar.es/garciala/publicaciones/differance.html
2019
_____. "Lenguaje y différance en El Innombrable." Dialnet.*
http://dialnet.unirioja.es/servlet/articulo?codigo=555064
2014
_____. "Language and différance in The Unnamable / Lenguaje y différance en El Innombrable." Social Science Research Network 15 June 2011.*
http://ssrn.com/abstract=1851515
2011
Cognition & the Arts eJournal 15 June 2011.*
http://www.ssrn.com/link/Cognition-Arts.html
2013
Literary Theory and Criticism eJournal 15 June 2011.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2012
_____. "Lenguaje y différance en El Innombrable." iPaper at Academia.edu 6 Jan. 2015.*
https://www.academia.edu/10034959/
2015
_____. "Lenguaje y différance en El Innombrable." ResearchGate 25 May 2012.*
http://www.researchgate.net/publication/28208514
2012
_____. "Notes on Metafiction." 1991. Core 1 Jan. 2014.*
DOI: 10.17613/M6R785N7C
https://core.ac.uk/works/10284491
https://core.ac.uk/download/159489596.pdf
2023
_____. "Notes on Metafiction." 1991. SSRN 16 April 2014.*
DOI: 10.2139/ssrn.2425095
http://ssrn.com/abstract=2425095
2014
Literary Theory & Criticism eJournal 16 April 2014.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2014
_____. "Notes on Metafiction." Vanity Fea 19 April 2014.*
http://vanityfea.blogspot.com.es/2014/04/notes-on-metafiction.html
2014
_____. "Notes on Metafiction." In García Landa, Vanity Fea 20 Nov. 2014.*
http://vanityfea.blogspot.com.es/2014/11/notes-on-metafiction-88p.html
2014
_____. "Notes on Metafiction." Academia 23 Nov. 2014.*
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_____. The Loss of the Self in Modern Literature and Art. New York: Vintage, 1962.
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_____. Cómo se hace una novela. Buenos Aires: Alba, 1927.
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_____. Cómo se hace una novela. 1925. Ed. Paul R. Olson. Madrid: Guadarrama, 1977.*
Vallina Samperio, Francisco Javier. "La mecánica auto-consciente en Breakfast of Champions de Kurt Vonnegut." Cuadernos de Investigación Filológica 35-36 (2009-2010): 7-26.*
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Warning, Rainer. Illusion und Wirklichkeit in Tristram Shandy und Jacques le Fataliste. Munich: Fink, 1965.
Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Routledge, 1984.*
_____. "What Is Metafiction and Why Are they Saying Such Awful Things about It?" In Metafiction. Ed. Mark Currie. London: Longman, 1995. 39-54.*
_____. Feminine Fictions: Revisiting the Postmodern. New York: Routledge, 1989.
_____. Practising Postmodernism, Reading Modernism. London: Arnold, 1992.
Weinberger, Christopher S. "Critical Desire and the Novel: Ethics of Self-Consciousness in Cervantes and Nabokov." Narrative 20.3 (Oct. 2012): 277-300.*
Wesseling, Elisabeth. Writing History as a Prophet: Postmodernist Innovations of the Historical Novel. Amsterdam: John Benjamins.
Williams, Jeffrey J. Theory and the Novel: Narrative Reflexivity in the British Tradition.. Oxford: Oxford UP, c. 2000.
Wolf, Werner. Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst: Theorie und Geschichte mit Schwerpunkt auf englischem illusionsstörenden Erzählen. Tübingen: Niemeyer, 1993.*
_____, ed. The Metareferential Turn in Contemporary Arts and Media: Forms, Functions, Attempts at Explanation. Amsterdam: Rodopi, 2011.
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2011
Zavarzadeh, Mas'ud. The Mythopoeic Reality: The Postwar American Nonfiction Novel. Urbana: U of Illinois P, 1976.
Zhong, Zhezhou, and Hongbin Dai. "Teaching the Term of 'Metafiction'." 8th International Conference in Education, Management, Information and Management Society (EMIM 2018). (Advances in Social Science, Education and Humanities Research, 250). Atlantis Press. Online at Semantic Scholar.*
2020
Audio
Katz, Stéphanie, and Isabelle Yhuel. "Une vie, une œuvre: Miguel de Cervantès, 1547-1616: La Marche du fou." Audio. (France Culture, 10 April 1997. YouTube (Rien ne veut rien dire) 9 Feb. 2018.*
2018
Bibliography
García Landa, José Ángel. "Metafiction." Bibliographical wiki. International Society for The Study of Narrative 24 June 2010.*
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2010
Films
Dans la maison. Dir. François Ozon. Screenplay by Juan Mayorga and François Ozon. Fabrice Luchini (Germain), Ernst Umhauer(Claude), Kristin Scott Thomas (Jeanne), Emmanuelle Seigner (Esther), Denis Ménochet (Rapha père), Bastien Ughetto (Rapha fils), Jean-François Balmer (directeur), Yolande Moreau (jumelles). France, 2012.*
Stranger than Fiction. Dir. Marc Forster. Screenplay by Zach Helm. Cast: Will Ferrell, Emma Thompson, Dustin Hoffman, Maggie Gyllenhaal, Queen Latifah. Co-prod. Aubrey Henderson, Jim Miller. Music by Britt Daniel,, Brian Reitzell. Ed. Matt Chessé. Prod. des. Kevin Thompson. Photog. Roberto Schaeffer. Exec. prod. Nathan Kahane, Joe Drake, Eric Kopeloff. Prod. Lindsay Doran. USA: Columbia Pictures / Mandate Pictures / Three Strange Angels, 2006.
_____. Más extraño que la ficción. Spanish DVD. Spain: Sony Pictures Home Entertainment, 2007.*
Literature
Barth, John. Lost in the Funhouse: Fiction for Print, Tape, Live Voice. New York: Doubleday-Anchor, 1968. 1988.*
_____. Lost in the Funhouse. Stories. London: Secker, 1969.
_____. Lost in the Funhouse. New York: Bantam, 1969.
Priest, Graham. "A Logue." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 15-25.* (Reflexivity).
https://doi.org/10.1515/9783110722031-002
2021
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