A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Reading narrative
General
Implied reader. See Readers and Reading. Implied reader.
Suspense
General
Abbott, H. Porter. The Cambridge Introduction to Narrative. Cambridge: Cambridge UP, 2002.* (Interpreting narr.-narrative negotiation).
Adams, Jon-K. "Narrative Theory and the Executable Text." Journal of Literary Semantics 29.3.
Alsop, Derek. The Practice of Reading: Interpreting the Novel. Houndmills: Macmillan, 1999.
Altes, Liesbeth Korthals. Ethos and Narrative Interpretation: The Negotiation of Values in Fiction. Lincoln and London: University of Nebraska Press, July 2014.
Amerika, Mark. Hypertextual Consciousness. (Narrative and hypertext). Internet hypertextual essay. (February 11, 1997 ) http://www.stg.brown.edu/projects/hypertext/landow/111/htc/title.html
Anderson, R. C., R. E. Reynolds, D. L. Schallert and E. T. Goetz. "Frameworks for Comprehending Stories." American Educational Research Journal 14 (1977): 367-81.
Arp, Thomas R., and Greg Johnson. "Reading the Story" In Perrine's Literature: Structure, Sound, and Sense. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002.*
Assmann, Aleida. "13. The Empathetic Listener and the Ethics of Storytelling." In Storytelling and Ethics: Literature, Visual Arts and the Power of Nature. Ed. Hanna Meretoja and Colin Davis. New York and London: Routledge, 2018. 203-18.*
Baroni, Raphaël. "Compétences des lecteurs et schèmes séquentiels." Littérature,137 (2005): 111-126.
_____. "Surprise et compétences intertextuelles des lecteurs." In Vox Poetica:
_____. La Tension narrative: Suspense, curiosité, surprise. (Poétique). Paris: Seuil, 2007.* (Plot, sequences, reading narrative, literary competence, transtextuality, Borges…)
Barthes, Roland. S / Z . Paris: Seuil, 1970.
_____. S/Z. (Points). Paris: Seuil.*
_____. S/Z. Trans. Richard Miller. Preface by Richard Howard. New York: Hill and Wang, 1974.*
_____. S/Z. Trans. Richard Miller. London: Jonathan Cape, 1975.
_____. S/Z. Oxford: Blackwell, 1990.
_____. From S/Z. In A Critical and Cultural Theory Reader. Ed. Antony Easthope and Kate McGowan. Buckingham: Open UP, 1992. 31-34.*
_____. S/Z. Trans. Nicolás Rosa. Madrid: Siglo XXI, 1980.
Baym, Nina. Novels, Readers, and Reviewers: Responses to Fiction in Antebellum America.
_____. "The Triumph of the Novel." From Novels, Readers, and Reviewers. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 779-91.*
Beaugrande, Robert de, and Genevieve W. Miller. "Processing Models for Children's Story Comprehension." Poetics 9 (1980): 181-200.
Beckett, Sandra L., ed. Transcending Boundaries: Writing for a Dual Audience of Children and Adults. (Children's Literature and Culture). Garland, 1999.
Bell, Michael. "How Primordial Is Narrative?" In Narrative in Culture. Ed. Christopher Nash. London: Routledge, 1990. 172-98.*
Bertold, Christian. Fiktion und Vieldeutigkeit: Zur Entstehung moderner Kulturtechniken des Lesens im 18ten Jahrhundert. Tübingen: Niemeyer 1993.
Booth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.*
_____. The Rhetoric of Fiction. 2nd. ed. Chicago: U of Chicago P, 1983.
_____. The Rhetoric of Fiction. 2nd. ed. Harmondsworth: Penguin, 1987.*
_____. La retórica de la ficción. Trans. Santiago Gubern. Barcelona: Bosch, 1974.*
Bordwell, David. Narration in the Fiction Film. Madison: U of Wisconsin P, 1985.
Bortolussi, Marisa, and Peter Dixon. "Prolegomena for a Science of Psychonarratology." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001. 275-87.
_____. Psychonarratology: Foundations for the Empirical Study of Literary Response. New York: Cambridge UP, 2003.
Bower, Gordon. "Experiments on Story Understanding and Recall." Quarterly Journal of Experimental Psychology 28 (1976): 511-34.
Boyer, Alain-Michel. "Le contrat de lecture." In Littérature populaire: peuple, nation, région. Actes du colloque 18-20 mars 1986, "Trames." Limoges: Faculté de Lettres, 1988.
Branigan, Edward. Narrative Comprehension and Film. London: Routledge, 1992.*
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon Press; New York: Alfred A. Knopf, 1984.*
_____. "Narrative Desire." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 130-37.*
Brunner, Annelen. Automatische Erkennung von Redewiedergabe: Ein Beitrag zur quantitativen Narratologie. (Narratologia, 47). Berlin and Boston: De Gruyter, 2015.*
Caracciolo, Marco. "7. Embodiment, Virtuality, and Meaning in Readers' Reconstruction of Narrative Space." In Caracciolo, The Experientiality of Narrative. Berlin and Boston: De Gruyter, 2014. 155-83.* (From Mental Simulation to Fictionalization; Fictional Anchors: Forster's Deputy Focalizor and 'Strict' Focalization; Virtual Presences: 'Empty Center' and Aperspectival Texts; A Scale of Fictionalization; The Embodied Self and and Beckett's Company).
Chamberlain, Daniel Frank. "Narrative Perspective in the Reading Experience." In Chamberlain, Narrative Perspective in Fiction. Toronto: U of Toronto P, 1990. 161-4.*
Chatman, Seymour. "Introduction: The Pleasures of Reading Fiction." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 1-6.*
_____. Reading Narrative Fiction. With material by Brian Attebery. New York: Macmillan, 1993.* (Short stories: anthology and analysis).
_____. "Authors and Readers: Real and Implied." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 240-72.* (The Real Author; the Implied Author; The Implied Author Is Not the Narrator; Problems Solved by the Notion of Implied Author; The Real Jack London and Two Different Implied 'Jack Londons'; The Real Reader and the Implied Reader; The Implied Reader Is Not the Narratee).
Chevalier, Maxime. Sur le public du roman de chevalerie. Bordeaux, 1968.
Ciccoricco, David. Refiguring Minds in Narrative Media. (Frontiers of Narrative). Lincoln and London: U of Nebraska P, 2015.* (1. Attention and Perception; 2. Memory and Emotion; Attention, Psychology and narrative; reading narrative; videogames).
https://www.nebraskapress.unl.edu/product/Refiguring-Minds-in-Narrative-Media,676387.aspx
2015
Cockcroft, Robert. "Seeing the Sea: Deixis and the Perceptions of Melville's Reader." In The Writer's Craft, the Culture's Technology. Ed. Carmen Rosa Caldas-Coulthard and Michael Toolan. (PALA Papers, 1). Amsterdam and New York: Rodopi, 2005.
Compagnon, Antoine. "Le lecteur." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 147-76.* (genre, resistance, implied reader, open works).
Copland, Sarah (Ohio State U). "Reading in the Blend: Collaborative Conceptual Blending in the Silent Traveller Narratives." Narrative 16.2 (May 2008): 140-62.* (Chiang Yee).
Cornis-Pope, Marcel. Hermeneutic Desire and Critical Rewriting: Narrative Interpretation in the Wake of Poststructuralism. London: Macmillan; New York: St. Martin's, 1992.
Couturier, Maurice. Textual Communication: A Print-Based Theory of the Novel. London: Routledge, 1991.*
Crombet, Hélène. "Le Roman comme un dispositif narratif. Vers une subjectivation du lecteur." Cahiers de Narratologie 30 (2016).*
http://narratologie.revues.org/7535
2016
D'Sonza, Dinesh. "Response." Narrative 2. 3 (1994): 268-269.*
de Beaugrande, Robert, and G. W. Miller. "Processing Models for Children's Story Comprehension." Poetics 9 (1980): 181-200.
de Lauretis, Teresa. "Desire in Narrative." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 262-72.*
D'haen, Theo. Text to Reader: Fowles, Barth, Cortázar and Boon. Amsterdam: Benjamins, 1983.*
Delazari, Ivan. "Voicing the Split Narrator: Readers' Chores in Toni Morrison's 'Recitatif'." In Audionarratology: Interfaces of Sound and Narrative. Ed. Jarmila Mildorf and Till Kinzel. Berlin and Boston: Walter de Gruyter, 2016. 199-216.*
Dennerlein, Katrin. "5. Das mentale Modell des Raumes." In Dennerlein, Narratologie des Raumes. (Narratologia, 22). Berlin and New York: De Gruyter, 2009. 991-14.*
Dijk, T. A. van, and W. Kintsch. "Cognitive Psychology and Discourse: Recalling and Summarizing Stories." In Current Trends in Text Linguistics. Ed. W. U. Dressler. Berlin: De Gruyter, 1978. 61-80.
Dipple, Elizabeth. "A Novel Which Is a Machine for Generating Interpretations." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 221-45.*
Dolezel, Lubomír. Heterocosmica: Fiction and Possible Worlds. (Parallax: Re-Visions of Culture and Society). Baltimore: Johns Hopkins UP, 1998.* (Kafka, fictionality, action, narrative levels, reference, reading narrative, context, intention, literary pragmatics).
Dollerup, Cay. "Concepts of 'Tension', 'Intensity' and 'Suspense' in Short Story Theory." Orbis Litterarum: International Review of Literary Studies. (Copenhagen) 25.
Douglas, J. Yellowlees. "Print Pathways and Interactive Labyrinths: How Hypertext Narratives Affect the Act of Reading." Ph.D. diss. New York U, 1992.
_____. Print Pathways and Interactive Labyrinths: How Hypertext Narratives Affect the Act of Reading. Baltimore: Johns Hopkins UP, forthcoming 1994.
_____. "Understanding the Act of Reading: The WOE Beginner's Guide to Dissection." Writing on the Edge 2.2 (1991): 112-25.
Eco, Umberto. The Role of the Reader: Explorations in the Semiotics of Texts. Bloomington: Indiana UP, 1979.
_____. The Role of the Reader: Explorations in the Semantics of Texts. London: Hutchinson, 1983.
_____. Lector in fabula. Milano: Bompiani, 1979.
_____. Lector in Fabula. Paris: Grasset, 1985.
_____. Lector in Fabula - Le Rôle du lecteur. Paris: Le Livre de Poche.
_____. Lector in fabula. (Palabra en el Tiempo, 142). Barcelona: Lumen, 1981.
_____. Six Walks in the Fictional Woods. (Harvard University Norton Lectures, 1992-1993). Cambridge (MA): Harvard UP, 1994.* (On fictionality; embedding; Nerval; the Protocols of Sion, Racovsky).
_____. Seis paseos por los bosques narrativos: Harvard University, Norton Lectures 1992-1993. Trans. Helena Lozano Miralles. (Palabra en el Tiempo, 241). Barcelona: Lumen, 1996.*
_____. Six Promenades dans les bois du roman et d'ailleurs. Paris: Grasset, 1996.
Eder, Jens. "Narratology and Cognitive Reception Theories." In What Is Narratology? Questions and Answers Regarding the Status of a Theory. Ed. Tom Kindt and Hans-Harald Müller. (Narratologia, 1). Berlin and New York: De Gruyter, 2003. 277-301.*
Emmott, Catherine. Narrative Comprehension: A Discourse Perspective. Oxford: Clarendon Press, 1997. 1999.
Esrock, Ellen J. "11. Body Forth in Narrative." In Narrative Complexity: Cognition, Embodiment, Evolution. Ed. Marina Grishakova and Maria Poulaki. Lincoln: U of Nebraska P, 2019. 270-90.*
Farmer, Frank M. "Not Theory… But a Sense of Theory: the Superaddressee and the Contexts of Eden." In Mikhail Bakhtin. Ed. Michael E. Gardiner. London: SAGE, 2002. Vol. 2.
Fitzgerald, J. "The Relationship between Reading Ability and Expectations for Story Structures." Discourse Processes 53 (1984): 21-41.
Fowler, Roger. "The Referential code and narrative authority." In Fowler, Literature as Social Discourse: The Practice of Linguistic Criticism. Bloomington: Indiana UP, 1981. 96-128.*
Friedman, Susan Stanford. "Spatialization: A Strategy for Reading Narrative."Narrative 1.1 (1993): 12-23. *
_____. "Spatialization: A Strategy for Reading Narrative." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 217-28.*
Fulda, Daniel. "'Selective' History: Why and How 'History' Depends on Readerly Narrativization, with the Wehrmacht Exhibition as an Example." In Narratology beyond Literary Criticism: Mediality-Disciplinarity. Ed. Jan Christoph Meister with Tom Kindt and Wilhelm Schernus. Berlin and New York: Walter de Gruyter, 2005. 173-94.*
García Gual, Carlos. "¿Por qué el emperador Juliano prohibía leer novelas?" In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 133-39.*
García Landa, José Angel. "'And he wondered': Imágenes del lector en la novela de Beckett." From Samuel Beckett y la narración reflexiva. Online at Net Sight de José Angel García Landa. 2004. 2013. 2020.*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/wondered.html
2013 – DISCONTINUED 2020 – Online at the Internet Archive:
2021
https://personal.unizar.es/garciala/publicaciones/wondered.html
2020
_____. "'And he wondered': Imágenes del lector en la novela de Beckett." Social Science Research Network 8 Sept. 2013.*
http://ssrn.com/abstract=2321814
2013
English & Commonwealth Literature eJournal 8 Sept. 2013.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2013
_____. "'And he wondered': Imágenes del lector en la novela de Beckett." Academia 10 Sept. 2013.*
http://www.academia.edu/4446323/
2013
_____. "'And he wondered': Imágenes del lector en la novela de Beckett." ResearchGate 10 Sept. 2013.*
https://www.researchgate.net/publication/256470923
2013
_____. "'And he wondered': Imágenes del lector en la novela de Beckett." Humanities Commons 11 Oct. 2018.*
http://dx.doi.org/10.17613/M6XK84Q2F
https://hcommons.org/deposits/item/hc:21205/
2018
_____. "'And he wondered': Imágenes del lector en la novela de Beckett." In García Landa, Vanity Fea 11 Oct. 2018.*
https://vanityfea.blogspot.com/2018/10/and-he-wondered-imagenes-del-lector-en.html
2018
_____. "'And he wondered': Imágenes del lector en la novela de Beckett." Semantic Scholar.*
2019
_____. "Imágenes del lector (Samuel Beckett y la narración reflexiva, 9). Vanity Fea 16 Dec. 2014.*
http://vanityfea.blogspot.com.es/2014/12/imagenes-del-lector-samuel-beckett-y-la.html
2015
_____. "Imágenes del lector (Samuel Beckett y la narración reflexiva, 9)." Academia 24 Aug. 2015.*
https://www.academia.edu/15139486/
2015
_____. "Imágenes del lector (Samuel Beckett y la narración reflexiva, 9). ResearchGate 28 Sept. 2015.*
https://www.researchgate.net/publication/282249654
2015
_____. Reading 'The Monster': The Interpretation of Authorial Intention in the Criticism of Narrative Fiction. (M. A. diss. Brown U, 1989). Ann Arbor: UMI, 1997.*
_____. Reading 'The Monster': The Interpretation of Authorial Intention in the Criticism of Narrative Fiction. Online PDF at Social Science Research Network 22 March 2014.*
http://ssrn.com/abstract=2412440
2014
Cognition & Culture … eJournal 22 March 2014.*
http://www.ssrn.com/link/Cognition-Culture.html
2014
Cognition & the Arts eJournal 22 March 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
American Literature eJournal 22 March 2014.*
http://www.ssrn.com/link/English-American-Literature.html
2014
Literary Theory & Criticism eJournal 22 March 2014.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2014
_____. "Concretización de la acción en la lectura." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 106-13.*
_____. "Autor textual, obra narrativa, lector textual." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 319-425.*
_____. "Autor textual, obra, lector textual." Section 3.3. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009.*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/3.3.Discurso.html
2009
_____. "Autor textual; Obra; Lector textual (Acción, Relato, Discurso, 3.3) (Textual Author; Work; Textual Reader (Acción, Relato, Discurso, 3.3)). Social Science Research Network 15 March 2014.*
http://ssrn.com/abstract=2408425
2014
Cognition & the Arts eJournal 15 March 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
Literary Theory & Criticism eJournal 15 March 2014.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2014
_____. "Autor textual; Obra; Lector textual (Acción, Relato, Discurso, 3.3). Academia 28 May 2015.*
https://www.academia.edu/12652983/
2015
_____. "Autor textual; Obra; Lector textual (Acción, Relato, Discurso, 3.3). ResearchGate 8 Sept. 2015.*
https://www.researchgate.net/publication/281592297
2015
_____. "El lector textual." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 415-26.* (Concepto - Lector textual, lector proyectado, lector histórico, lector ideal, lector… ¿pero es que existen todos? – La competencia literaria).
_____. "Autor y lector." Section 3.4. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 427-68.*
_____. "Autor y lector." Section 3.4. of García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Online ed. 2009.*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/ard/3.4.Discurso.html
2009
_____. "Autor y lector - Conclusión." Sections 3.4 and 4 of Acción, Relato, Discurso: Estructura de la ficción narrativa. In García Landa, Vanity Fea 28 March 2014.*
http://vanityfea.blogspot.com.es/2014/03/autor-y-lector-conclusion.html
2015
_____. "Autor y lector - Conclusión." Sections 3.4 and 4 of Acción, Relato, Discurso: Estructura de la ficción narrativa. Social Science Research Network 18 March 2014.*
http://papers.ssrn.com/abstract=2410183
2015
_____. "Autor y lector. Conclusión (Acción, Relato, Discurso; 3.4, 4). Academia 9 Oct. 2015.*
https://www.academia.edu/16605819/
2015
_____. "Autor y lector. Conclusión." (Acción, Relato, Discurso; 3.4, 4). ResearchGate 8 Dec. 2015.*
https://www.researchgate.net/publication/286239292
2015
_____. "El lector." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 443-64.* (El lector real frente al lector textual. La competencia modal del lector. el proceso de recepción. La influencia de la obra sobre el lector. El crítico).
_____. "El proceso de recepción." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 447-53.*
_____. "The Poetics of Subliminal Awareness: Re-reading Intention and Narrative Structure in Nabokov's 'Christmas Story'." EJES (forthcoming 2004).
_____. "Overhearing Narrative." Paper read at the VI Conference of the European Society for the Study of English (ESSE), "Narratology" panel (Strasbourg, Aug. 30 –Sept 2, 2002).
_____. "Overhearing Narrative." In The Dynamics of Narrative Form: Studies in Anglo-American Narratology. Ed. John Pier. (Narratologia: Contributions to Narrative Theory / Beiträge zur Erzähltheorie, 4). Berlin and New York: Walter de Gruyter, 2004. 191-214.*
http://www.degruyter.com/rs/bookSingle.cfm?id=IS-3110183145-1&fg=LI&l=E
_____. "Overhearing Narrative." In "The Dynamics of Narrative Form. (Google Preview Wizard). In García Landa, Vanity Fea 15 Oct. 2008.
http://garciala.blogia.com/2008/101501-the-dynamics-of-narrative-form.php
2008
Online preview at Google Books:
https://books.google.es/books?id=kGPk0FfMLDwC
2018.*
http://personal.unizar.es/garciala/publicaciones/dynamics.html
2019
_____. "Overhearing Narrative." iPaper at Academia.edu 30 June 2011.*
https://www.academia.edu/705948/Overhearing_Narrative
2015
_____. "Overhearing Narrative." Online PDF at Social Science Research Network 2 July 2011.*
http://ssrn.com/abstract=1876084
2011
Cognition and the Arts eJournal 2 July 2011.*
http://www.ssrn.com/link/Cognition-Arts.html
2013
Literary Theory and Criticism eJournal 2 July 2011.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2012
Aesthetics & Philosophy of Art eJournal 2 July 2011.*
http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html
2013
_____. "Overhearing Narrative." ResearchGate 3 May 2013.*
https://www.researchgate.net/publication/228174569
2013
_____. "The Poetics of Subliminal Awareness: Re-reading Intention and Narrative Structure in Nabokov's 'Christmas Story'." European Journal of English Studies 8.1 (2004): 27-48. (Special issue, "Beyond Narratology," ed. Roy Sommer).
_____. "Rereading(,) Narrative(,) Identity(,) and Interaction." In Interculturalism: Between Identity and Diversity. Ed. Beatriz Penas Ibáñez and Mª Carmen López Sáenz. Bern: Peter Lang, 2006. 207-26.*
_____. "Rereading(,) Narrative(,) Identity(,) and Interaction." Online edition. 2006.
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/commintern.html
2006-08-10
_____. "Narración, Identidad, Interacción—Relectura". Online edition. 2006.
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/comminternesp.html
2006-08-10
_____. "Rereading(,) Narrative(,) Identity(,) and Interaction." iPaper at Academia.edu 9 July 2010.*
https://www.academia.edu/259545/
2015
_____. "Narración, Identidad, Interacción: Relectura." Online PDF at Zaguán 24 June 2011.*
http://zaguan.unizar.es/record/6191
2011
_____. "Narración, Identidad, Interacción: Relectura." In Paradojas de la interculturalidad: Filosofía, lenguaje y discurso. Ed. Mª Carmen López Sáenz and Beatriz Penas Ibáñez. (Razón y sociedad). Madrid: Biblioteca Nueva, 2008. 183-202.*
_____. "Múltiples lectores implícitos." In García Landa, Vanity Fea 19 Feb. 2008. (Brian Richardson).
http://garciala.blogia.com/2008/021901-multiples-lectores-implicitos.php
2008
_____. "Multiple implied readers / Múltiples lectores implícitos." Online PDF at Social Science Research Network 4 June 2009.*
http://ssrn.com/abstract=1414174
2009
Literary Theory and Criticism eJournal 4 June 2009.*
http://www.ssrn.com/link/English-Lit-Theory-Criticism.html
2009
_____. "Múltiples lectores implícitos." Cuadernos de Investigación Filológica 35-36 (2009-2010): 63-75.*
_____. "Múltiples lectores implícitos." Online at Dialnet (2009-10).*
http://dialnet.unirioja.es/servlet/articulo?codigo=3899494
2012
_____. "Múltiples lectores implícitos." Online at Academia.edu 4 June 2009.*
https://www.academia.edu/1541112/
2015
_____. "Múltiples lectores implícitos." ResearchGate 28 June 2012.*
http://www.researchgate.net/publication/33420343
2012
_____. "Reading as Virtual Reality." In García Landa, Vanity Fea 5 June 2012.* (Polybius, Gottschall).
http://vanityfea.blogspot.com.es/2012/06/reading-as-virtual-reality.html
2012
_____. "Notes on Horst Ruthrof's The Reader's Construction of Narrative." In García Landa, Vanity Fea 27 July 2015.*
http://vanityfea.blogspot.com.es/2015/07/the-readers-construction-of-narrative.html
2015
Gerrig, Richard J. Experiencing Narrative Worlds: On the Psychological Activities of Reading. New Haven: Yale UP, 1993.
_____. "Perspective as Participation." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001. 303-23.*
_____. "Conscious and Unconscious Processes in Readers' Narrative Experiences." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 37-60.*
Gibian, Peter. "Anticipating Aestheticism: The Dynamics of Reading and Reception in Poe." In Short Story Theories: A Twenty-First-Century Perspective. Ed. Viorica Patea. Amsterdam and New York: Rodopi, 2012.
Gibson, Andrew. Reading Narrative Discourse: Studies in the Novel from Cervantes to Beckett. London: Macmillan, 1989.
Gibson, Walker. "Authors, Speakers, Readers, and Mock Readers." College English 11 (1950): 265-269.
_____. "Authors, Speakers, Readers, and Mock Readers." In Reader-Response Criticism. Ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 1980. 1-6.*
_____. "Authors, Speakers, Readers, and Mock Readers." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 155-60.*
Glenn, C. G. "The Role of Episodic Structure and Story Length in Children's Recall of Simple Stories." Journal of Verbal Learning and Verbal Behavior 17 (1977): 229-47.
González García, Javier. "La pregunta como instrumento de lectura de narraciones." Contextos Educativos 16 (2013): 9-24.*
Graesser, Arthur C., Cheryl Bowers, Ute J. Bayen and Xiangen Hu. (Essay on readers' construction of characters' speech and knowledge in narrative). In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. New York: SUNY Press, 2001.
Green, Melanie C., and Timothy C. Brock. "The Role of Transportation in the Persuasiveness of Public Narratives." Journal of Personality and Social Psychology 79.5 (2000): 701-21.
_____. "Persuasiveness of Narratives." Ch. 6 of Persuasion: Psychological Insights and Perspectives. Ed. Timothy C. Brock and Melanie C. Green. Thousand Oaks, London, New Delhi: Sage, 2005. 117-42.*
_____. "This Story Is Not for Everyone: Transportability and Narrative Persuasion." Social Psychological and Personality Science (6 Aug 2010).
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Bibliographies
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Video
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2016
Suspense
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Berliner, Todd. "Expect the Expected: Aesthetics of Planting and Playoff." Narrative 28.2 (May 2020): 174-99.
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2021
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2021
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Todorov, Tzvetan. Poétique de la prose. (Poétique). Paris: Seuil, 1971.
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_____. The Poetics of Prose. Trans. Richard Howard. Ithaca: Cornell UP; Oxford: Blackwell, 1977.
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Vorderer, Peter, and Silvia Knobloch. "Conflict and Suspense in Drama." In Media Entertainment: The Psychology of Its Appeal. Ed. Dolf Zillmann and Peter Vorderer. Mahwah (NJ): Erlbaum, 2000. Digital ed. New York and Abingdon: Routledge, 2009. Online preview at Google Books:
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Whaley, J. F. "Readers' Expectations for Story Structures." Reading Research Quarterly 17 (1981): 90-114.
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Journals
Reading Research Quarterly 17 (1981).
See also Immersion; Absorption; Identification.
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