jueves, 1 de febrero de 2024

Status narrativo

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

 

Status in narrative

(Fictional / Nonfictional / Hypothetical / Disnarrated / Nonnarrated)

 

 

Albaladejo, Tomás. "La organización de mundos en el texto narrativo. Análisis de un cuento de El Conde Lucanor." Revista de Literatura 48.95 (1986): 5-18.

Anderegg, Johannes. Fiktion und Kommunikation: Ein Beitrag zur Theorie der Prosa. Göttingen, 1977.

Bareis, J. Alexander. "Fictional Truth, Principles of Generation and Interpretation; or: Why It is Fictionally True that Tony Soprano Was Shot Dead." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 165-84.*

Baron, Christine. "Effet métaleptique et statut des discours fictionnels." In Métalepses: Entorses au pacte de la représentation. Ed. John Pier and Jean-Marie Schaeffer. Paris: Éditions de l'École des Hautes Études en Sciences Sociales, 2005.  295-310.*

Baroni, Raphaël. "Histoires vécues, fictions, récits factuels." In Baroni, L'Œuvre du temps: Poétique de la discordance narrative. Paris: Seuil, 2009. 45-94.*

Bartsch, Christoph. "Zeit und Possible Worlds Theory. Eskapismus in 'mögliche Zeiten' in Jack Londons The Star Rover." In Zeiten Erzälen: Ansätze - Aspekte - Analysen. Ed. Antonius Weixler and Lukas Werner. Berlin and Boston: De Gruyter, 2015. 53-78.*

Bessière, Jean. "Récit de fiction, transition discursive, presentation actuelle du passé, ou que le récit de fiction est toujours métaleptique." In Métalepses: Entorses au pacte de la représentation. Ed. John Pier and Jean-Marie Schaeffer. Paris: Éditions de l'École des Hautes Études en Sciences Sociales, 2005.  279-94.*

Bordwell, David. "Film Futures." SubStance 31.1 (2002). (On 'forking path narratives').

Borges, Jorge Luis. "Cuando la ficción vive en la ficción." El Hogar 2 June 1939. Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 1070-72.*

_____. "Cuando la ficción vive en la ficción." 1939. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*

Browse, Sam, Alison Gibbons, and Matti Hatavara. "Real Fictions: Fictionality, Factuality and Narrative Strategies in Contemporary Storytelling." Narrative Inquiry 29.2 (2019): 245-67.

         https://doi.org/10.1075/ni.19025.bro

https://www.jbe-platform.com/content/journals/10.1075/ni.19025.bro

            Online at Trepo (Tampere U).*

         https://trepo.tuni.fi/bitstream/handle/10024/117879/real_fictions_fictionality_factuality_2019.pdf

         2021

Online at Academia.*

         https://www.academia.edu/44355035/

         2021

Bunia, Remigius. "Truth in Fiction." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 113-38.*

Bury, M. "Illness narratives: Fact or Fiction." Sociology of Health and Illness 23 (2001): 263-85.

Cattani, Adelino, and Jesús Alcolea. "Status, teoría de los." In Compendio de Lógica, Argumentación y Retórica. Ed. Luis Vega Reñón and Paula Olmos Gómez. Madrid: Trotta, 2011. 3rd ed. 2016. 572-73.*

Cebik, L. B. Fictional Narrative and Truth: An Epistemic Analysis. Langam (MD): UP of America, 1984.

Champigny, Robert. Ontology of the Narrative. The Hague, 1972.

Cohn, Dorrit. "Signposts of Fictionality: A Narratological Perspective." Poetics Today 11.4 (1990): 775-804.*

_____. The Distinction of Fiction. Baltimore: Johns Hopkins UP, 1999.*

_____. Le Propre de la fiction. (Poétique). Paris: Seuil, 2001.

Dannenberg, Hilary P. "Counterfactual History." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 86.*

_____. "Ontological Plotting: Narrative as a Multiplicity of Temporal Dimensions." In The Dynamics of Narrative Form: Studies in Anglo-American Narratology. ·Ed. John Pier. (Narratologia: Contributions to Narrative Theory / Beiträge zur Erzähltheorie, 4). Berlin and New York: Walter de Gruyter, 2005. 159-89.*

_____. Coincidence and Counterfactuality: Plotting Space and Time in Narrative Fiction. Lincoln: U of Nebraska Press, 2008. (2009 Perkins Prize).

_____. "Fleshing Out the Blend: the Representation of Counterfactuals in Alternative History in Print, Film, and Television Narratives." In Blending and the Study of Narrative: Approaches and Applications. Ed. Ralf Schneider and Marcus Hartner. Berlin and Boston: De Gruyter,  2012. 121-45.*

_____. "Gerald Prince and the Fascination of What Doesn't Happen." Narrative 22.3 (Dec. 2014): 304-11.*

Dinkler, Michal Beth. "The End of Fact vs. Fiction: Reflexivity in Ancient Narratives." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 88-107.*

         https://doi.org/10.1515/9783110722031-007

         2021

Dolezel, Lubomír. "Fictional and Historical Narrative: Meeting the Postmodernist Challenge." In Narratologies. Ed. David Herman. Columbus: Ohio State UP, 1999. 247-74.*

Even-Zohar, Itamar. "'Reality' and Realemes in Narrative." Poetics Today 11.1 (1990): 207-218.*

García Landa, José Angel. "El status narrativo en la Trilogía (Samuel Beckett y la narración reflexiva, 3)." 1992. Social Science Research Network 10 Oct. 2014.*

         http://papers.ssrn.com/abstract=2507744

         2014

         Cognition & the Arts eJournal 10 Oct. 2014.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2014

         English & Commonwealth Literature eJournal 10 Oct. 2014.*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html

         2014

_____. "El status narrativo en la Trilogía." In García Landa, Vanity Fea 26 Oct. 2014.*

         http://vanityfea.blogspot.com.es/2014/10/el-status-narrativo-en-la-trilogia.html

         2014

_____. "El status narrativo en la Trilogía (Samuel Beckett y la narración reflexiva, 3)." Academia.edu 2015.*

         https://www.academia.edu/11710833/

         2015

_____. "El status narrativo en la Trilogía (Samuel Beckett y la narración reflexiva, 3)." ResearchGate 26 July 2015.*

         https://www.researchgate.net/publication/280444756

         2015

_____. "Enunciación, ficción y niveles semióticos en el texto narrativo." Miscelánea 15 (1994): 263-300.*

         http://www.miscelaneajournal.net/images/stories/articulos/vol15/garcia_landa15.pdf

         Online edition (2004):

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/niveles.htm

2009

_____. "Enunciación, ficción y niveles semióticos en el texto narrativo." In García Landa, Vanity Fea 7 Nov. 2009.*

         http://vanityfea.blogspot.com/2009/11/enunciacion-ficcion-y-niveles.html

         2009

_____. "Enunciación, ficción y niveles semióticos en el texto narrativo." Scribd (Mariana Augelio Ortiz) 17 Sept. 2013.*

         http://es.scribd.com/doc/168966651/ENUNCIACION-FICCION-Y-NIVELES-SEMIOTICOS

         2013

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Miscelánea 17 (1996): 91-121.*

         http://www.miscelaneajournal.net/images/stories/articulos/vol17/GarciaLanda17.pdf

         DISCONTINUED 2020

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Online at Net Sight de José Angel García Landa (2004):

http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/nivel.html

2015 DISCONTINUED 2020 – Online at the Internet Archive:

https://web.archive.org/web/20150921151540/http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/nivel.html

2020

https://personal.unizar.es/garciala/publicaciones/nivel.html

2020

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Online PDF in Zaguán 18 Nov. 2009.*

         http://zaguan.unizar.es/record/4326

         2009

_____. "Nivel narrativo, status, persona, y tipología de las narraciones." iPaper at Academia.edu 9 Feb. 2011.*

         http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/417585/Nivel_narrativo_status_persona_y_tipologia_de_las_narraciones

         2011

_____. "Narrative Level, Status, Person, and the Typology of Narratives  / Nivel narrativo, status, persona, y tipología de las narraciones." Online PDF at Social Science Research Network 9 Feb. 2011.*

          http://ssrn.com/abstract=1758659

         2011

_____. "Nivel narrativo, status, persona, y tipología de las narraciones." ResearchGate 23 Nov. 2011.*

         http://www.researchgate.net/publication/39711150

         2011

_____. "Nivel narrativo, status, persona y tipología de las narraciones." Scribd (Piotr Razin)13 Sept. 2015.*

         https://es.scribd.com/doc/280569093/

         2015

_____. "Pragmática y narración." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 257-64.* (La narratología. El narrar como acto de habla. la narración natural. Narración y ficción [status narrativo]).

_____. "The Dynamics of Narrative Form / Ontological Plotting." In García Landa, Vanity Fea 6 June 2006.

         http://garciala.blogia.com/2006/060602-the-dynamics-of-narrative-form-ontological-plotting.php

         2006-07-02

Genette, Gérard. "Le statut pragmatique de la fiction narrative." Poétique 78 (1989). Rpt. in Fiction et diction.*

_____. "The Pragmatic Status of Narrative Fiction." Style 24.1 (1990).

_____. "Récit fictionnel, récit factuel." In Genette, Fiction et diction. Paris: Seuil, 1991. 65-93.

_____. "Fictional Narrative, Factual Narrative." Poetics Today 11 (1990): 755-74.

_____. Fiction et diction. (Poétique). Paris: Seuil, 1991.*

_____. Fiction et diction. Précédé de Introduction à l'Architexte. (Points; Essais, 511). Paris: Seuil, 2004.*

_____. Fiction and Diction. Trans. Catherine Porter. Ithaca (NY): Cornell UP, 1993.

_____. Ficción y dicción. Barcelona, 1993.

Gervais, Bertrand. "Soif de réalité. Imaginaire contemporain et stratification des régimes de fictionnalité dans Lunar Park de Bret Easton Ellis." In La transmission narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier and Andrée Mercier. Canada: Nota Bene, 2011. 313-32.*

Herman, David. "Hypothetical Focalization." Narrative 2.3 (1994): 230-53.

Hidalgo Andreu, Pilar. "'Fictionality' en The French Lieutenant's Woman." In Actas del IV Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (Salamanca, del 18 al 21 de Diciembre de 1980). Salamanca: Ediciones U de Salamanca, 1984. 83-89.*

Keen, Suzanne. "10. Disguises: Fiction in the Form of Nonfiction Texts." In Keen, Narrative Form. Houndmills and New York: Palgrave Macmillan, 2003. 128-40.*

Lamarque, Peter. "Thought, Make-Believe and the Opacity of Narrative." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 41-60.*

Lavocat, Françoise. Faits et fiction. (Poétique). Paris: Seuil, 2016.*

Law, Richard G. "The Reach of Fiction: Narrative Technique in Styron's Sophie's Choice." Southern Literary Journal 23.1 (Fall 1990).

Leiduan, Alessandro, ed. Nouvelles frontières du récit. Au-delà de l’opposition entre factuel et fictionnel. Cahiers de Narratologie 26. Université Nice Sophia Antipolis, 2014.

Loriggio, Francesco. "Fictionality, Narration, and the Question of Genres." In Fiction Updated: Theories of Fictionality, Narratology, and Poetics. Ed. Calin Andrei Mihailescu and Walid Hamarneh. Toronto: U of Toronto P, 1996. 144-58.*

Löschnigg, Martin. "Narratological Categories and the (Non-)Distinction between Factual and Fictional Narratives." In Recent Trends in Narratological Research. Ed. John Pier. (GRAAT 21). Tours: Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours, 1999. 31-48.*

Margolin, Uri. "Reference, Coreference, Referring, and the Dual Structure of Literary Narrative." Poetics Today 12.3 (1991): 517-542.*

_____. "Story Modalised, or the Grammar of Virtuality." In Recent Trends in Narratological Research: Papers form the Naratology Round Table ESSE-4, September 1997, Debrecen, Hungary, and Other Contributions. Ed. John Pier. (GRAAT 21). Tours: Publications des Groupes de Recherches Anglo-Américaines de l'Université François Rabelais de Tours, 1999. 49-62.*

_____. "Of What Is Past, Is Passing, or to Come: Temporality, Aspectuality, Modality, and the Nature of Literary Narrative." In Narratologies. Ed. David Herman. Columbus: Ohio State UP, 1999. 142-66.*

Margolis, Joseph. "The Logic and Structures of Fictional Narrative." Philosophy and Literature 7.2 (1983).

Martín Criado, Antonio. "Ficción y no ficción en la narrativa oral." Revista de Folklore 305 (2006): 170-180.*

         http://funjdiaz.cervantesvirtual.com/rf305.pdf

         2015

Martínez Bonati, Félix. La ficción narrativa (su lógica y ontología). Murcia: Secretariado de Publicaciones de la Universidad de Murcia, 1992.*

Mathieu-Colas, Michel. "Récit et vérité." Poétique 80 (1989).

McDonald, Keith. "Days of Past Futures: Kazuo Ishiguroʻs Never Let Me Go as ʻSpeculative Memoir.ʻ" Biography 30.1 (Winter 2007).

Mihailescu, Calin-Andrei, and Walid Hamarneh, eds. Fiction Updated: Theories of Fictionality, Narratology, and Poetics. Toronto: U of Toronto P, 1996.

Mikkonen, Kai. "Can Fiction Become Fact? The Fiction-to-Fact Transition in Recent Theories of Fiction." Style 40 (2006): 291-313.

Newman, Ira. "Destabilizing Reality: Postmodern Narrative and the Logic of Make-Believe." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 139-54.*

Nørgaard, Nina. "Modality. Commitment, Truth Value and Reality Claims Across Modes in Multimodal Novels."  JLT 4.1 (2010): 63–80.


Otis, Christine. "Mouvance et spécularité des modalités véridictoires dans Les miroirs infinis de Roger Magini." In La transmission narrative: Modalités du pacte romanesque contemporain. Ed. Frances Fortier and Andrée Mercier. Canada: Nota Bene, 2011. 237-50.*

Pettersson, Bo. "6. Other Imaginative Inflections." In Pettersson, How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination. Berlin and Boston: Walter de Gruyter, 2016. 175-207.* (Indirection, Hypothetical Action, Genres).

Preusser, Heinz-Peter. "'This Is Still a Game, Isn't It?': On the Confusing Inability to Decide between the Fictionally Real and Virtual in David Cronenberg's eXistenZ." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 155-77.*

         http://doi.org/10.1515/9783110566574-010

         2018

Prince, Gerald. "Disnarrated, the." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 118.*

Richardson, Brian. "Denarration." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 100-01.*

Ricœur, Paul. "Can Fictional Narratives Be True?" Analecta Husserliana 14 (1983): 3-19.

Riffaterre, Michael. "Fictionality Declared." In Riffaterre, Fictional Truth. Baltimore: Johns Hopkins UP, 1990. 29-52.*

Routley, Richard. "The Semantical Structure of Fictional Discourse." Poetics 8 (1979): 3-30.

Saint-Gelais, Richard. "La fiction à travers l’intertexte: pour une théorie de la transfictionnalité." In Frontières de la fiction. Ed. René Audet and Alexandre Gefen. Québec / Bordeaux, Nota bene, Presses Universitaires de Bordeaux, 2002. 43-75.

_____. Châteaux de pages: La fiction au risque de sa lecture. (Brèches). Editions Hurtebise, 1994.

Sapere, Analía. Vidas griegas de Plutarco: La inclusión de versiones como técnica narrativa y descriptiva. Ph.D. diss. U de Buenos Aires, 2015. Online at FILO: Digital.*

         http://repositorio.filo.uba.ar/bitstream/handle/filodigital/3011/uba_ffyl_t_2015_904557.pdf

         2017

Schaeffer, Jean-Marie. "Fiction, feinte et narration." Critique (June 1987).

_____. "Fictional vs. Factual Narration." In Handbook of Narratology. Ed. Peter Hühn et al. Berlin and New York: Walter de Gruyter, 2009. 98-114.*

Scheffel, Michael. "Wer spricht? Überlegungen zur 'Stimme' in fiktionalen und faktualen Erzählungen." In Stimme(n) im Text: Narratologische Positionsbestimmungen. Ed. Andreas Blödorn, Daniela Langer and Michael Scheffel. Berlin and New York: Walter de Gruyter, 2006. 83-99.*

Schmid, Wolf. The Nonnarrated. (Narratologia, 87). Berlin and Boston: De Gruyter, 2023.* (I. Happenings and Story; II. The Nonnarrated in Short Fiction; III. The Nonnarrated in Long Fiction).

         https://doi.org/10.1515/9783111242637

         2023

_____. "2. Omitting." In Schmid, The Nonnarrated. Berlin and Boston: De Gruyter, 2023. 10-19.*

         https://doi.org/10.1515/9783111242637-002

         2023

_____. "11. Modes of Nonnarration in Ernest Hemingway." In Schmid, The Nonnarrated. Berlin and Boston: De Gruyter, 2023. 68-78.*

         https://doi.org/10.1515/9783111242637-011

         2023

_____. "17. Omissions in Robbe-Grillet." In Schmid, The Nonnarrated. Berlin and Boston: De Gruyter, 2023. 114-32.*

         https://doi.org/10.1515/9783111242637-017

         2023

_____. "18. Conclusions: The Effects of Nonnnarrating." In Schmid, The Nonnarrated. Berlin and Boston: De Gruyter, 2023. 133-40.*

         https://doi.org/10.1515/9783111242637-018

         2023

Seltzer, Mark. True Crime.

Skalin, Lars-Åke. Fact and Fiction in Narrative: An Interdisciplinary Approach. Örebro, 2005.

Slugan, Mario. "Deixis in Literary and Film Fiction." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 185-202.*

Sommer, Roy. "Making Narrative Worlds: A Cross-Disciplinary Approach to Literary Storytelling." In Narratology in the Age of Cross-Disciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009. 88-108.*

Valente, José Ángel. "Realidad y sueño: La puerta de paja, de Vicente Risco." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 879-82.* (Novel; Barcelona: Planeta, 1953).

Vargas Llosa, Mario. "VII. El nivel de la realidad." In Vargas Llosa, Cartas a un joven novelista. 1997. Madrid: Alfaguara, 2012. 93-108.*

Vellón Lahoz, Javier. "El proceso de ficcionalidad en la narrativa del siglo XV: la función autor / narrador y la ilusión referencial." RILCE 13.1 (1997): 171-84.*

Walsh, Richard. The Rhetoric of Fictionality: Narrative Theory and the Idea of Fiction. Columbus: Ohio State UP, 2007.

_____. "The Pragmatics of Narrative Fictionality." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 150-64.*

Wolf, Werner. "Is Aesthetic Illusion 'illusion référentielle'? 'Immersion' in (Narrative) Representations and its Relationship to Fictionality and Factuality." Journal of Literary Theory 2.1 (2008): 101-28.*

         http://www.jltonline.de/index.php/articles/article/view/19/198

         2009

Worth, Sarah E. "Narration, Representation, Memoir, Truth, and Lies: How We Diminish the Art of Narrative with Simple Truths." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 95-112.*

Zipfel, Frank. Fiktion, Fiktivität, Fiktionalität: Analysen zur Fiktion in der Literatur und zum Fiktionsbegriff in der Literaturwissenschaft. Berlin, 2001.

_____. "Autofiction." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 36-37.*

 

 

 

See also Fictionality; Hypotheses; Ellipsis; Imaginings.

 

 

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