A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Blacks
General
Miscellaneous
Black women
Blackface
Blacks in Africa
Blacks in America
Blacks in Asia/Oceania
Blacks in Britain / Europe
General
Fanon, Frantz. Peau noire, Masques blancs. (Points). Paris: Seuil.
_____. Black Skin, White Masks. New York: Grove Press, 1967.
_____. Black Skin, White Masks. London: Paladin, 1970.
_____. Black Skin, White Masks. Trans. C. L. Markmann. Foreword by Homi Bhabha "Remembering Fanon: Self, Psyche and the Colonial Condition." London: Pluto, 1986.
_____. "9. The Fact of Blackness." In 'Race', Culture and Difference. Ed. James Donald and Ali Rattansi. London: Sage / Open U, 1992. 220-40.*
_____. "The Fact of Blackness." In The Post-Colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge, 1995. 323-26.*
_____. "The Fact of Blackness." In The Body. Ed. Tiffany Atkinson. Houndmills: Macmillan, 2000.
Gates, Henry Louis, Jr. "Preface to Blackness: Text and Pretext." In Stepto and Fisher, Afro-American Literature. 1979.
_____. "The 'Blackness of Blackness': A Critique of the Sign and the Signifying Monkey." Critical Inquiry 9 (June 1983): 685-723.
_____. "The Blackness of Blackness: A Critique of the Sign and the Signifying Monkey." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
_____. Figures in Black: Words, Signs and the 'Racial Self. New York: Oxford UP, 1987. 1990.
Gilroy, Paul. Small Acts: Thoughts on the Politics of Black Cultures. London and New York: Serpent's Tail, 1993.
Herrera Cubas, Juana. "Negro: El color de una raza alienada." Revista Canaria de Estudios Ingleses 21 (1990): 41-6.*
Miscellaneous
Banaji, Mahzarin R. "The Dark Dark Side of the Mind." On the Human 19 Sept. 2011.*
http://onthehuman.org/2011/09/the-dark-dark-side-of-the-mind/
2012
Barnett, Amy DuBois. "What Are You Anyway?" Brown Alumni Magazine (Sept.-Oct. 2014): 26-33.* (Black identity).
Césaire, Aimé, Léopold Sédar Senghor and Léon-Gontran Damas. L'Étudiant noir.
Cuder-Domínguez, Pilar. "Oblique Kinds of Blackness in Esi Edugyan's Half Blood Blues." Atlantis 39.2 (Dec. 2017): 89-104.*
Garcés Sanagustín, Ángel. "La negra." Heraldo de Aragón 8 jan. 2023.*
https://twitter.com/Sergbar/status/1612159377107984390/photo/1
2022
Hamlet, Janice D. Afrocentric Vision: Studies in Culture and Communication. London: SAGE, 1998.
Du Bois, W. E. B. "Criteria of Negro Art." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
Fanon, Frantz. "The Negro and Psychopathology." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.
Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. London: Verso, 1993.
Hall, Kim F. "Othello and the Problem of Blackness." In A Companion to Shakespeare's Works: Volume 1: The Tragedies. Ed. Richard Dutton and Jean E. Howard. Malden: Blackwell, 2003. 2006. 357-74.*
Harris, Marvin. Theories of Culture in Postmodern Times. California: AltaMira Press, 1989. (race and culture).
_____. Teorías sobre la cultura en la era posmoderna. Trans. Santiago Jordán. (Biblioteca de bolsillo, 108). Barcelona: Crítica, 2004.*
Holdbrook-Smith, Kobna. "What Is Black Theatre? The African-American Season at the Tricycle Theatre." New Theatre Quarterly 23.3 (2007): 241-50.
hooks, bell. "Postmodern Blackness." 1991. In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 341-47.*
_____. "Postmodern Blackness." In The Fontana Postmodernism Reader. Ed. W. T. Anderson. London: HarperCollins-Fontana, 1996. 113-25.*
_____. "Postmodern Blackness." In Postmodern Debates. Ed. Simon Malpas. (Readers in Cultural Criticism). Houndmills: Palgrave, 2001. 128-35.*
Hurston, Zora Neale. "Characteristics of Negro Expression." 1934. In American Literature, American Culture. Ed. Gordon Hutner. New York: Oxford UP, 1999. 258-69.*
Ledent, Bénédicte, and Pilar Cuder-Domínguez, eds. New Perspectives on the Black Atlantic: Definitions, Readings, Practices, Dialogues. Bern: Peter Lang, 2012.
Mask, Mia. Divas on Screen: Black Women in American Film. Urbana and Chicago: U of Illinois P, 2009.
Mercer, Kobena. Welcome to the Jungle: New Positions in Black Cultural Studies. London: Routledge, 1994.
Smith, John David. "W. E. B. Du Bois, Felix von Luschan, and Racial Reform at the Fin de Siècle." Amerikastudien / American Studies 47.1 (2002): 23-38.*
_____, ed. Racial Determinism and the Fear of Miscegenation, Post-1900. Vol. 8 of Anti-Black Thought, 1863-1925. New York: Garland, 1993.
Ugawu, Catherine, ed. Let's Get It On: The Politics of Black Performance. London: ICA Publications, 1995.
Wells, William Charles. "Account of a Female of the White Race of Mankind, parts of whose Skin Resembles That of a Negro, with Some Observations on the Causes of the Differences between the White and Negro Races of men." Paper read before the Royal Society, 1813. In Wells, Two Essays: One upon Single Vison with Two Eyes, the Other on Dew. London: Archibald Constable, 1818.
Dictionaries and encyclopaedias
Afropaedia (1998)
Journals
Afro-Hispanic Review (Spring 2000). (Forthcoming 1999).
Callaloo
A journal of African-American and African Arts and Letters
Editor: Charles H. Rowell
The Johns Hopkins University Press
P.O. Box 19966
Baltimore, MD 21211
USA
Telephone: (410) 516-6987
Fax (410) 516-6968
Vol. 26.1 (2003).
Literature
Blake, William. From Songs of Innocence. ("The Little Black Boy," 1789). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 43-48.*
Browne, Thomas (Sir). "Of the Blackness of Negroes." "Of the Same." Pseudodoxia Epidemica 6.10-11. In The Works of Sir Thomas Browne. Ed. Charles Sayle. Edinburgh: John Grant, 1927. 2.367-80; 380-87.*
_____. "De la negrura de los negros." "De lo mismo." In Browne, Sobre errores vulgares o Pseudodoxia Epidemica. Ed. Daniel Waissbein. Madrid: Siruela, 1994. 259-70, 71-76.*
Bueno, Gustavo. "El Papa negro." Novel. (On a black pope; unpublished and destroyed by the author).
Photography
Mapplethorpe, R. Black Males. Amsterdam: Gallerie Jurka, 1983.
_____. The Black Book. Munich: Schirmer / Mosel, 1986.
Black Women
Ackmann, Martha. Curveball: The Remarkable Story of Toni Stone, the First Woman to Play Professional Baseball in the Negro League.
BBC News. "Jessica Krug: George Washington University Professor Says She Lied about Being Black." BBC News 4 Sept. 2020.*
https://www.bbc.com/news/world-us-canada-54008495
2020
_____. "Jessica Krug Will Not Teach This Semester, George Washington University Says." BBC News 5 Sept. 2020.*
https://www.bbc.com/news/world-us-canada-54036637
2020
Bell, Roseann P., Bettye J. Parker, and Beverly Guy-Sheftall, eds. Sturdy Black Bridges: Visions of Black Women in Literature. Garden City (NY): Anchor, 1979.
Carby, Hazel V. "White Woman Listen! Black Feminism and the Boundaries of Sisterhood." In The Empire Strikes Back: Race and Racism in Britain in the Seventies. (Centre for contemporary Cultural Studies). London: Hutchinson, 1972.
Castro Borrego, Silvia. "Black Women's Emergent Discourse: Harriet Jacobs's Incidents in the Life of a Slave Girl and the Black Literary Renaissance." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*
Christian, Barbara T. "Images of Black Women in Afro-American Literature: From Stereotype to Character." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 690-711.*
Christian, Barbara. Black Feminist Criticism: Perspectives on Black Women Writers. New York: Pergamon, 1985.
Collins, Patricia Hill. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. London: Unwin Hyman, 1990.
_____. "Defining Black Feminist Thought." In The Second Wave: A Reader in Feminist Theory. Ed. Linda Nicholson. New York: Routledge, 1997. 241-60.*
The Combahee River Collective. "A Black Feminist Statement." In The Second Wave: A Reader in Feminist Theory. Ed. Linda Nicholson. New York: Routledge, 1997. 63-70.*
Crenshaw, Kimberlé. "Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics." University of Chicago Legal Forum 1 (1989): 139-67.
_____. "Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color." Stanford Law Review 43.6 (1991): 1241-1299.
_____. "Cartografiando los márgenes: Interseccionalidad, políticas identitarias y violencia contra las mujeres de color." 1995. In Intersecciones: Cuerpos y sexualidades en la encrucijada. Ed. R. L. Platero. Barcelona: Bellaterra, 2012. 87-122.
David, Angela. Blues Legacies and Black Feminism. Random House, 1998.
David, Emmanuel, and Ealine Enarson, eds. The Women of Katrina: How Gender, Race, and Class Matter in an American Disaster. Vanderbilt UP, 2012.
Davis, Angela Y. Women, Race, and Class. New York, 1981.
_____. Women, Race and Class. London: Women's Press, 1982.
_____. Women, Culture and Politics. New York: Vintage Books, 1990.
Elfenbein, Anna S. Women on the Color Line: Evolving Stereotypes and the Writings of George Washington Cable, Grace King and Kate Chopin. Charlottesville: UP of Virginia, 1989.
Ellmann, Maud. "The Power to Tell: Rape, Race and Writing in Afro-American Women's Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 32-52.*
Evans, Mari, ed. Black Women Writers (1950-1980): A Critical Evaluation. Garden City (NY): Anchor, 1984.
Fra Molinero, Baltasar. "The Condition of Black Women in Spain during the Renaissance." In Black Women in America. Ed. Kim Marie Vaz. Thousand Oaks (CA): Sage Publications, 1995. 159-178.
Golden, Marita, and Susan Richards Shreve. Skin Deep: Black Women and White Women Write about Race. New York: Doubleday, 1996.
Harris, Trudier. Black Women in the Fiction of James Baldwin. 1985. (1987 College Language Association Creative Scholarship Award).
_____. This Disease Called Strength: The Compensating Construction of Black Female Character. Ms. c. 1998.
Hine, Darlene Clark, Elsa Barkley Brown and Rosalyn Terborg-Penn, eds. Black Women in America: An Historical Encyclopedia. 1993. 2 vols. Bloomington: Indiana UP, 1993.
hooks, bell. Ain't I a Woman: Black Women and Feminism. 1981. London: Pluto, 1989.
_____. Feminist Theory: From Margin to Center. Boston: South End Press, 1984.
_____. Talking Back: Thinking Feminist, Thinking Black. London: Pluto, 1989.
_____. Yearning: Race, Gender and Cultural Politics. New York: Turnaround, 1991.
_____. "Postmodern Blackness." 1991. In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 341-47.*
Hull, Gloria T., Patricia Bell Scott and Barbara Smith, eds. All the Women Are White, All the Blacks Are Men, but some of Us Are Brave: Black Women's Studies. Old Westbury (NY): Feminist Press, 1982.
Hunter, Margaret L. "'If You're Light You're Alright': Light Skin Color as Social Capital for Women of Color." Gender and Society 16.2 (2002): 175-93.
Jacobs, Sylvia M. "Give a Thought to Africa: Black Women Missionaries in Southern Africa." In Western Women and Imperialism: Complicity and Resistance. Ed. Nupur Chaudhuri and Margaret Strobel. Bloomington and Indianapolis: Indiana UP, 1992. 207-28.*
James, Stanlie M, and Abena P. A. Busia, eds. Theorizing Black Feminisms: The Visionary Pragmatism of Black Women. London: Routledge, 1993.
Kadish, Doris Y., and Françoise Massardier-Kenney, eds. Translating Slavery: Gender and Race in Women's Writing, 1783-1823. Kent (OH): Kent State UP, 1994.
Krug, Jessica. (Impostor academic critic posing as Black woman, George Washington U). Fugitive Modernities: Kisama and the Politics of Freedom. 2018.
Lewis, Diane K. "A Response to Inequality: Black Women, Racism, and Sexism." Signs 3 (1977). Rpt. in Abel, The Signs Reader. 169-91.
Lorde, Audre. Sister Outsider: Essays and Speeches. Trumansburg (NY): Crossing Press, 1984.
Manatu, Norma. African American Women and Sexuality in the Cinema. North Carolina: McFarland, 2002.
Moraga, Cherríe, and Gloria Anzaldúa, eds. This Bridge Called My Back: Writings by Radical Women of Color. Watertown (MA): Persephone, 1981.
Nadal, Marita. "Contemporary African-American Women's Writing and Identity." In Margins in British and American Literature, Film and Culture. Ed. Marita Nadal and Mª Dolores Herrero. Zaragoza: Departamento de Filología Inglesa y Alemana, Universidad de Zaragoza, 1997. 147-59.*
Pineda Hernández, Inmaculada. "Domestic Artists: The Kitchen as a Confining or Liberating Space in African American Women's Literature." In Literature, Gender, Space. Ed. Sonia Villegas-López and Beatriz Domínguez-García Huelva: Servicio de Publicaciones de la Universidad de Huelva, 2004.
Roberts, Diane. The Myth of Aunt Jemima: White Women Representing Black Women. London: Routledge, 1994.
Smith, Barbara. "The Truth that Never Hurts: Black Lesbians in Fiction in the 1980s." 1990. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 784-806.*
_____, ed. Home Girls: A Black Feminist Anthology. New York: Kitchen Table-Women of Color Press, 1983.
Spillers, Hortense J. "Interstices: A Small Drama of Words." (Black women's sexuality). In Pleasure and Danger: Exploring Female Sexuality. Ed. Carole S. Vance. London: Routledge, 1984. 73-100.*
_____. "Mama's Baby, Papa's Maybe; An American Grammar Book." Diacritics 17.2 (1987): 65-81. In American Literature, American Culture. Ed. Gordon Hutner. New York: Oxford UP, 1999. 497-516. (Black women, patriarchy).
Smith, Barbara, ed. Home Girls: A Black Feminist Anthology. New York: Kitchen Table-Women of Color Press, 1983.
Stanton, Lucia. "Those Who Labor for My Happiness": Slavery at Thomas Jefferson's Monticello.
Starck, Kathleen. "'Black and Female Is Some of Who I Am and I Want to Explore It': Black Women's Plays of the 1980s and 1990s." Studies in Theatre and Performance 26.1 (2006): 49-67.
Tally, Justine. "The Black American Woman's Literary Tradition and the Cult of 'True Womanhood'." Revista Canaria de Estudios Ingleses 21 (1990): 47-58.
Tate, Claudia, ed. Black Women Writers at Work. New York: Continuum, 1983
Vidal Grau, María. "The 'New African Woman' Reassessed in Buchi Emecheta's Writings." Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultat de Filología, 1997. 619-26.*
Walker, Alice. In Search of Our Mothers' Gardens: Womanist Prose. New York: Harcourt Brace Jovanovich, 1983.
_____. In Search of Our Mothers' Gardens. London: Women's Press, 1984.
Wall, C. A., ed. Changing Our Own Words: Essays on Criticism, Theory and Writing by Black Women. New Brunswick (NJ): Rutgers UP, 1989.
Wallace, Michele. "A Black Feminist's Search for Sisterhood." Village Voice 28 July 1975.
_____. Black Macho and the Myth of the Superwoman. New York: Dial, 1979.
Washington, Mary Helen. Black Eyed Susans. Midnight birds. New York: Doubleday, 1990.
Willis, Susan. Specifying: Black Women Writing the American Experience. London: Routledge, 1990.
Wisker, Gina. "Black British Women's Writing." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.
_____. "African American Women's Writing." In Wisker, Postcolonial and African American Women's Writing. Houndmills: Macmillan, 2000.
Anthologies
Baraka, Amiri, and Amina Baraka, eds. Confirmation: An Anthology of African American Women. New York, 1983.
Cade, Toni, ed. The Black Woman: An Anthology. New York: New American Library, 1970. (Anthology of literature).
Lerner, Gerda, ed. Black Women in White America: A Documentary History. New York: Vintage Books, 1973.
Mirza, Heidi Safia, ed. Black British Feminism: A Reader. London: Routledge, 1997.
Literature
Butler, Octavia E. Kindred. New York: Doubleday, 1979. (Time-travel fantasy).
Crafts, Hannah. The Bondwoman's Narrative.
Ega, Françoise. Lettres à une noire. Novel.
hooks, bell. Bone Black: Memories of Girlhood
Morrison, Toni. The Bluest Eye. Novel. 1970.
_____. The Bluest Eye. 1970. New York: Washington Square Press, 1972.
_____. The Bluest Eye. London: Triad Grafton, 1981.
_____. The Bluest Eye. Harmondsworth: Penguin, 1994.
_____. Sula. Novel. New York: Knopf, 1973.
_____. Sula. New York: Plume, 1982.
Oates, Joyce Carol. Black Girl / White Girl. 2006.
Schwarz-Bart, André. La Mulâtresse Solitude. Novel. 1972. (Caribbean slaves).
Shange, Ntozake. for colored girls who have considered suicide when the rainbow is enuf. Drama. 1975.
Walker, Alice.The Color Purple. New York: Harcourt, 1982.
_____. The Color Purple New York: Pocket Books, 1982.
_____. El color púrpura. Barcelona: RBA, 1995.
Series
(The Schomburg Library of Nineteenth-Century Black Women Writers). New York: Oxford UP.
See also Morrison, Toni; Walker, Alice.
Blackface
Lhamon, W. T., Jr. Raising Cain: Blackface Performance from Jim Crow to Hip Hop. Cambridge (MA): Harvard UP, 1998.
Blacks in Africa
Appiah, Kwame Anthony. In My Father's House: Africa in the Philosophy of Culture. London: Methuen, 1992.
Brown, Laura. "7. Defoe's 'Black Prince': Elitism, Capitalism, and Cultural Difference." In Defoe's Footprints: Essays in Honour of Maximillian E. Nowak. Ed. R. M. Maniquis and Carl Fisher. Toronto, 2009. 153-69.* Online at Google Books:
https://books.google.es/books?id=q-WK2qGTxb4C
2016
Casely-Hayford, J. E. Ethiopia Unbound: Studies in Race Emancipation. London, 1911.
Crummell, Alexander. "The English Language in Liberia." In The Future of Africa. New York: Scribner, 1862. 7-54.
Fanon, Frantz. Peau noire, Masques blancs. (Points). Paris: Seuil.
_____. Black Skin, White Masks. New York: Grove Press, 1967.
_____. Black Skin, White Masks. Trans. C. L. Markmann. Foreword by Homi Bhabha "Remembering Fanon: Self, Psyche and the Colonial Condition." London: Pluto, 1986.
Foster, Frances S., and Olga Barrios, eds. Familia en Africa y la Diáspora Africana: Un Estudio Multidisciplinar/Family in Africa and the African Diaspora: A Multidisciplinary Approach.. Salamanca: Ediciones Almar, Ambos Mundos, 2004.
García Landa, José Angel. "Cleopatra negra." In García Landa, Vanity Fea 26 April 2023.*
https://vanityfea.blogspot.com/2023/04/cleopatra-negra.html
2023
Lewis, Nghana tamu. "31. Race and Ethnicity: Africans." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 315-22.*
Maingard, Jacqueline. "4. Black Audiences 1920s-1950s: Film Culture and Modernity." In Maingard, South African National Cinema. London: Routledge, 2007. 67-89.*
_____. "5. All that Jazz: Representing Black Identities in Zonk! (1950) and Song of Africa (1951)." In Maingard, South African National Cinema. London: Routledge, 2007. 90-105.*
Miller, Christopher. Blank Darkness: Africanist Discourse in French. Chicago: U of Chicago P, 1985.
Molares do Val, Manuel. "Futuro negro." Crónicas Bárbaras 1 Aug. 2016.*
http://cronicasbarbaras.blogs.com/crnicas_brbaras/2016/08/futuro-negro.html
2016
Nwaubani, Adaobi Tricia. "My Nigerian Great-grandfather Sold Slaves." BBC News 19 July 2020.*
https://www.bbc.com/news/world-africa-53444752
2020
Films
A Dry White Season. Dir. Euzhan Palcy, in association with Star Partners II, Ltd. Cast: Donald Sutherland, Janet Suzman Jurgen Prochnow, Zakes Mokae, Susan Sarandon, Marlon Brando. Music by Dave Grusin. Exec. prod. Tim Hampton. Written by Colin Welland and Euzhan Palcy, based on the book by André Brink. Prod. Paula Weinstein. Metro Goslwwyn Mayer, 1989. DVD Metro Goldwyn Mayer 2007.*
Blacks in America
Alkalimat, Abdul, et al. Introduction to Afro-American Studies: A Peoples College Primer. 5th ed. Urbana: U of Illinois Pub., 1984.
Andréu Ocáriz, Juan José. "La esclavitud negra en América." In Suma de Estudios en homenaje al Ilustrísimo Doctor Ángel Canellas López. Zaragoza: Facultad de Filosofía y Letras, Universidad de Zaragoza, 1969. 19-39.*
Aptheker, Herbert. Las revueltas de los esclavos negros norteamericanos. Madrid: Siglo XXI, 1979.
Arendt, Hannah. ""Reflections on Little Rock." Dissent (1959). (Pro Black segregation).
Armengol, Josep M., ed. Men in Color: Racialized Masculinities in U.S. Literature and Cinema. Newcastle upon Tyne: Cambridge Scholars Publishing, 2011.
Baldwin, James. The Fire Next Time. Essay. 1963. Harmondsworth: Penguin / Michael Joseph, 1964.*
Baraka, Amiri. Home: Social Essays. New York: Morrow, 1966.
_____. Creating a Unified Consciousness. Newark, New Jersey: n.p., [1974?].
Barbour, Floyd B., ed. La revuelta del Poder Negro. (Colección Documentos 3). Barcelona: Anagrama.
Bartolomé Leal, Andrés. "Boyz Out of the Hood? Geographical, Linguistic and Social Mobility in John Singleton's Boyz n the Hood." Journal of English Studies 11 (2013): 27-39.*
Bell, Derrick. Faces at the Bottom of the Well: The Permanence of Racism. 1993. (Critical Race Theory).
Benito Sánchez, Jesús. "Afro-American Literary Study: The Quest for Theory." In AEDEAN Select Papers in Language, Literature and Culture: Proceedings of the 17th International Conference. [U of Córdoba, 1993]. Ed. Javier Pérez Guerra. Vigo: AEDEAN, 2000. 311-14.*
_____. "History and Theory as Contrary Forces: The African American Critical Debate." Revista de Estudios Norteamericanos 3 (1994): 97-104.*
Berdie, R. F. B. "Playing the Dozens." Journal of Abnormal and Social Psychology 42 (1947): 120-21. (Black ritual teasing).
Berlin, Ira. Slaves Without Masters: The Free Negro in the Antebellum South. New York: Pantheon, 1974.
Berzon, Judith R. Neither White Nor Black: The Mulatto Character in American Fiction. New York: New York UP, 1978.
Bloom, Joshua, and Waldo E. Martin, Jr. Blacks Against Empire: The History and Politics of the Black Panther Party.
Blount, Marcellus, and George Cunningham, eds. Representing Black Men. London: Routledge, 1995.
Bogle, Donald. Toms, Coons, Mulattoes, Mammies and Bucks: Interpretive History of Blacks in American Films. New York: Bloomsbury, 2001.
Bowlby, Rachel. "Breakfast in America—Uncle Tom's Cultural Histories." In Nation and Narration. Ed. Homi K. Bhabha. London: Routledge, 1990. 2002. 197-212.*
Boyle, Kevin.. Arc of Justice. (National Book Award Winner, 2004).
Brown, Sterling A. "Negro Character as Seen by White Authors." Journal of Negro Education 2 (Jan. 1933): 180-201.
_____. The Negro in American Fiction. Port Washington (NY): Kennikat, 1937.
_____. "The American Race Problem as Reflected in American Literature." Journal of Negro Education 8 (Jul. 1939): 275-90.
Cable, George Washington. The Negro Question. New York: Scribner's, 1903.
_____. The Negro Question: A Selection of Writings on Civil Rights in the South by George Washington Cable. Ed. Arlin Turner. Garden City (NY): Doubleday, 1968.
Carlyle, Thomas. "Occasional Discourse on the Nigger Question." 1849.
Carmichael, Stokely. "Toward Black Liberation." Massachusetts Review 7 (1966). Rpt. in Black Fire: An Anthology of Afro-American Writing. Ed. LeRoi Jones and Larry Neal. New York: Morrow, 1968.
Carpenter, Zoë. "What Is Killing America's Black Infants? Racism Is Fuelling a National Health Crisis." The Nation 15 Feb. 2017.*
https://www.thenation.com/article/whats-killing-americas-black-infants/
2017
Chapman, Abraham, ed. New Black Voices. Ed. Abraham Chapman. New York: New American Library, 1972.
Charef, Abdelkader. "The Afro-American Movement in the United States of America." Revue des Langues 10 (1992): 145-56.
Christian, Barbara T. "Images of Black Women in Afro-American Literature: From Stereotype to Character." In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 690-711.*
Church, Joseph. "The Black Man's Part in Crane's Monster." American Imago 45 (1989): 375-88.
Clarke, John Henrik, ed. William Styron's Nat Turner: Ten Black Writers Respond. Boston: Beacon, 1968.
Crummell, Alexander. "The Attitude of the American Mind Toward the Negro Intellectual." The American Negro Academy, Occasional Papers No.3. Washington, DC: The Academy, 1898.
Cruse, Harold. Rebellion or Revolution? New York: Morrow, 1968.
Davis, Angela. "Prison Interviews with Angela Y. Davis." 1970. In If they Come in the Morning: Voices of Resistance. Ed. A. Y. Davis et al. New York: New American Library, 1971.
_____. Angela Davis: An Autobiography. 1974,
_____. Women, Race, and Class. New York, 1981.
_____. Women, Culture and Politics. New York: Vintage Books, 1990.
Davis, A. Y., et al., eds. If they Come in the Morning: Voices of Resistance. New York: New American Library, 1971.
Degler, Carl N. Neither Black Nor White: Slavery and Race Relations in Brazil and the United States. (Pulitzer Prize 1972).
Delany, Martin. From The Condition, Elevation, Emigration, and Destiny of the Colored People of the United States. 1852. In The American Intellectual Tradition: A Sourcebook. Ed. David A. Hollinger and Charles Capper. 4th ed. New York: Oxford UP, 2001. 483-96.*
Della Volpe, Galvano. "9. Los negros de América y las dos democracias." In Della Volpe, Crítica de la ideología contemporánea. Madrid: Alberto Corazón, 1970. 115-22.*
Diedrich, Maria, Carl Pedersen, and Justine Tally, eds. Mapping African America: History, Narrative Formation, and the Production of Knowledge. Hamburg: LIT, 1999.
Din, Gilbert C. "Cimarrones and the San Malo Band in Spanish Louisiana." The Journal of the Louisiana Historical Association 21.3 (1980): 237-62.
_____. Spaniards, Planters, and Slaves: The Spanish Regulation of Slavery in Louisiana, 1763-1803. Texas A&M UP, 1999.
Donnan, Elizabeth, ed. Documents Illustrative of the Slave Trade to America. Washington, DC: Carnegie Institution, 1930.
Douglass, Frederick. "The Meaning of July the Fourth for the Negro." Speech at Rochester, New York, July 5, 1852. In American Literature, American Culture. Ed. Gordon Hutner. New York: Oxford UP, 1999. 102-17.*
_____. "What to the Slave Is the Fourth of July?" 1852. In The American Intellectual Tradition: A Sourcebook. Ed. David A. Hollinger and Charles Capper. 4th ed. New York: Oxford UP, 2001. 498-512.*
Du Tertre, Jean-Baptiste. ("Of the Negro Slaves, Vulgarly Called Moors in France" - in French). In Histoire Générale des Antilles Habitées par les François, vol. 2. Paris, 1667.
DuBois, W. E. B. "Of Alexander Crummell." In DuBois, The Souls of Black Folk. 1903.
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Anthologies
Baraka, Amiri, and Amina Baraka, eds. Confirmation: An Anthology of African American Women. New York, 1983.
The Black Book. Random House, 1974.
Bontemps, Arna and Langston Hughes, eds. The Book of Negro Folklore. Anthology. 1958.
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Audio
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Films
Amistad. Dir. Steven Spielberg. Cast: Morgan Freeman, Anthony Hopkins, Matthew McConaughey, Nigel Hawthorne, Djimon Housou, David Payner, Peter Postlethwaite, Stellan Skarsgård, Anna Paquin, Tomas Milian, Austin Pendleton, Allan Rich, Paul Guilfoyle, Peter Firth, Xander Berkeley, Jeremy Northam, Arliss Howard, Razaaq Adoti, Abu Bakaar Fofanah, Chjwetel Ejiofor, Derrick N. Ashong, Geno Silva. USA, 1997.* (Rebellion on slave-ship and subsequent trial).
Boyz N the Hood. Writer and dir. John Singleton. Cast: Ice Cube, Cuba Gooding, Jr., Morris Chestnut, and Larry Fishburne. Music by Stanley Clarke. Photog. Charles Mills. Prod. Steve Nicolaides. Columbia Pictures, 1991. Special edition 2 DVDs. London: Sony Pictures Home Entertainment, 2006.*
Do the Right Thing. Dir. Spike Lee. With Spike Lee. 1989.
A Fool and His Money. Dir. Alice Guy. 1912. (First all-black production).
Get Out. Dir. Terry Gross. 2017.
The Green Pastures. Dir. William Keighley. Cast: Marc Connelly, Rex Ingram, Oscar Polk, Eddie Anderson, Frnak Wilson, George Reed, Abraham Gleaves, Myrtle Anderson. USA, 1936.
Guess Who's Coming to Dinner. Dir. Stanley Kramer. With Sidney Poitier.
Hairspray. Dir. John Waters. Comedy. Cast: Ricki Lake, Divine, Deborah Harry, Jerry Stiller, Colleen Fitzpatrick, Michael St. Gerard, Leslie Ann Powers, Clayton Prince, Mink Stole, Shawn Thompson, Ric Ocasek, Sonny Bono, Ruth Brown, Pia Zadora, Joann Havrilla. USA, 1988.
Hairspray. Directed by Adam Shankman. Screenplay by Leslie Dixon, based on John Waters's film Hairspray and the musical play by Mark O'Donnell. Cast: Nikki Blonsky, John Travolta, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, James Marsden, Queen Latifah Brittany Snow, Zac Efron, Elijah Kelley, Allison Janney, Taylor Parks, Paul Dooley, Jerry Stiller. Music by Marc Shaiman. Cinematog., Bojan Bazelli. Ed. Michael Tronick. Prod. des. David Gropman. Art dir. Dennis Davenport. Prod. Neil Meron, Craig Zadan. USA: Gabriel Simon / Storyline Entertainment / Ingenious Film Partners / New Line Cinema / Zadan/Meron, 2007.*
Jefferson in Paris. Dir. James Ivory. Written by Ruth Prawer Jhabvala. Cast: Nick Nolte, Greta Scacchi, Jean-Pierre Aumont, Simon Callow, Seth Gilliam, James Earl Jones, , Michael Lonsdale, Nancy Marchand, Thandie Newton, Gwyneth Gwyneth Paltrow, Charlotte de Turckheim, Lambert Wilson. Music by Richard Robbins. Costumes by JennyBeavan, John Bright. Prod. des. Guy-Claude François. Ed. Andrew Marcus, Isabel Lorente Photog. Pierre Lhomme. Coprod. Humbert Balsan. Exec prod. Donald Rosenfeld, Paul Bradley. Prod. Ismail Merchant. Touchstone Pictures / Merchant Ivory Productions, 1995. DVD Buena Vista, n.d.*
Jungle Fever. Dir. Spike Lee. With Spike Lee. 1991.
Let me out! 2017.
Malcolm X. Dir. Spike Lee. With Spike Lee. 1992.
Mo' Better Blues. Dir. Spike Lee. With Spike Lee. 1990.
Moonlight. Dir. Barry Jenkins. Cast: Trevante Rhodes, Naomie Harris, Mahershala Ali, Ashton Sanders, André Holland, Alex R. Hibbert, Janelle Monáe, Jharrel Jerome, Shariff Earp, Duan Sanderson. USA, 2016.
El sargento negro. Dir. John Ford. Cast: Jeffrey Hunter, Constance Towers, Woody Strode. USA: Warner Bros.
Uncle Tom's Cabin. Dir. Edwin S. Porter. Based on the novel by Harriet Beecher Stowe. 1903.
Us. Dir. Jordan Peele. Cast: Lupita Nyong'o, Elisabeth Moss, Winston Duke, Tim Heidecker, Yahya Abdul-Mateen II, Anna Diop. USA, 2019. Trailer:
http://redaragon.elperiodicodearagon.com/ocio/cine/pelicula.asp?id=34179
2019
Journals
Black Music Reseach Journal 10.2 (1990).
Callaloo
A journal of African-American and African Arts and Letters
Editor: Charles H. Rowell
The Johns Hopkins University Press
P.O. Box 19966
Baltimore, MD 21211
USA
Telephone: (410) 516-6987
Fax (410) 516-6968
Vol. 26.1 (2003).
Negro Digest 18.10 (1969).
Newsletter on Philosophy and the Black Experience. (American Philosophical Association).
Literature
Angelou, Maya. "I Know Why the Caged Bird Sings." All Poetry.*
https://allpoetry.com/I-Know-Why-The-Caged-Bird-Sings
2019
Baldwin, James. Go Tell It On the Mountain. Novel. 1953. (Harlem).
_____. "Sonny's Blues." In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 28-51.*
_____. "Los blues de Sonny." In Antología del cuento norteamericano. Ed. Richard Ford. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2002. 811-45.*
Brown, William Wells. Clotel. Novel. 1853. Ed. Robert Levine. (Case Studies in Contemporary Criticism). Houndmills: Macmillan, 2000.*
Butler, Octavia E. Kindred. New York: Doubleday, 1979. (Time-travel fantasy).
Cable, George Washington. "The Story of Bras-Coupé." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 5-29.*
Chesnutt, Charles W. The Conjure Woman.
_____. "The Goophered Grapevine." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 191-203.*
_____. "Dave's Neckliss." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 203-14.*
_____. "The Passing of Grandison." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 214-29.*
Chopin, Kate. "Désirée's Baby." In American Gothic: An Anthology 1787-1916. Ed. Charles L. Crow. Oxford: Blackwell, 1999. 339-42.*
_____. "Désirée's Baby." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 251-57.*
Cowper, William. "The Negro's Complaint." In Eighteenth-Century Poetry: The Annotated Anthology. Ed. David Fairer and Christine Gerrard. 3rd ed. Chichester: Wiley-Blackwell, 2015. 627-29.*
_____. "The Negro's Complaint." Online at Geneseo.*
https://www.geneseo.edu/~easton/engl313/CowperNC.html
2020
Cullen, Countée. "Incident." Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 832-33.*
Davis, Mollie E. Moore. "A Bamboula." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 174-87.*
Dickerson, Debra. "Who Shot Johnny?" In The Best American Essays: College Edition. Ed. Robert Atwan. 4th ed. Boston: Houghton Mifflin, 2004. 313-18.* (Blacks in America).
Dunbar, Paul Laurence. "Nelse Hatton's Vengeance." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 281-88.*
_____. "The Lynching of Jube Benson." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 289-95.*
Ellison, Ralph. Invisible Man. Novel. 1952.
_____. Invisible Man. Harmondsworth: Penguin, 1965.* 1976.
_____. Invisible Man. New York: Vintage-Random House, 1972.
_____. Invisible Man. New York: Random House-Vintage International.
Elliott, Sarah Barnwell. "The Heart of It." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 232-47.*
Equiano, Olaudah. The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself. 1789.
_____. From The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, Written by Himself. 1789. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.2812-21.*
_____. The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, The African, Written by Himself. Ed. Werner Sollors. (Norton Critical Edition). New York: Norton, 2001.
Everett, Percival. Erasure. Fiction. 2001.
_____. I Am Not Sidney Poitier.
http://www.amazon.com/Am-Not-Sidney-Poitier-Novel/dp/1555975275.
_____. No soy Sidney Poitier.
_____. Los árboles. De Conatus, 2023. (Finalist of the Booker Prize).
Hughes, Langston. "As I Grew Older." Poem. All Poetry.*
https://allpoetry.com/As-I-Grew-Older
2019
_____. "I, too." Poem. Poetry Foundation.*
https://www.poetryfoundation.org/poems/47558/i-too
2019
Johnson, James Weldon. The Autobiography of an ExColoured Man. 1912.
Faulkner, William. Go Down, Moses. Stories / novel. 1942. New York: Random House-Vintage, 1973.
_____. Go Down, Moses. New York: Random House-Vintage International.
Gaines, Ernest J. A Lesson Before Dying. Fiction. 1993.
García Landa, José Ángel. "Hoy tengo sueño." In García Landa, Vanity Fea 10 Dec. 2005. (M. L. King).
http://garciala.blogia.com/2005/121002-hoy-tengo-sueno.php
2005-12-29
Haley, Alex. The Autobiography of Malcolm X: As Told to Alex Haley.
_____. Roots.
Harris, Joel Chandler. "Free Joe y el resto del mundo." In Antología del cuento norteamericano. Ed. Richard Ford. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2002. 196-209.*
_____. "Uncle Remus Initiates the Little Boy." "The Wonderful Tar-Baby Story." "How Mr. Rabbit Was Too Sharp for Mr. Fox." "Where's Duncan?". In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002.* 81, 84, 87, 88-90.*
Holman, M. Carl. "Mr. Z." Poem. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 848.*
Hughes, Langston. "The Negro Speaks of Rivers." Poem. 1921.
_____. "El negro habla de ríos", in "Tres poemas." Trans. Jorge Luis Borges. ("Yo también…", "Nuestra tierra", "El negro habla de ríos"). Sur 1.2 (1931). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 440-45.*
_____. Works in The New Negro. Ed. Alain Locke. 1925. New York: Athenaeum, 1968.
_____. The Langston Hughes Reader. 1958.
_____. Mulato. 1962. Trans. Alfonso Sastre. Honrubi: Hiru, 1963.
_____. The Collected Poems of Langston Hughes. Ed. Arnold Rampersand and David Roessel. New York: Vintage Classics, 1994.
_____, ed. The Best Short Stories by Negro Writers. 1967.
Hurston, Zora Neale. Their Eyes Were Watching God. Fiction. 1937.
Jones, Edward P. The Known World. Fiction. 2003. (Black slaves).
McDowell, Deborah E., and Arnold Rampersad, eds. Slavery and the Literary Imagination. Baltimore: Johns Hopkins UP, 1989.
McDowell, Katharine Sherwood Bonner. "Gran'mammy." "Why Gran'mammy Didn't Like Pound-Cake." "Jack and the Mountain Pink." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 65, 67, 71-80.
Morrison, Toni. The Bluest Eye. Novel. 1970.
_____. The Bluest Eye. 1970. New York: Washington Square Press, 1972.
_____. The Bluest Eye. London: Triad Grafton, 1981.
_____. The Bluest Eye. Harmondsworth: Penguin, 1994.
_____. Song of Solomon. Novel. New York: New American Library, 1977.
_____. Song of Solomon. New York: Knopf, 1977.
_____. Sula. Novel. New York: Knopf, 1973.
_____. Sula. New York: Plume, 1982.
_____. Tar Baby. Novel. 1981.
_____. Beloved. Novel. New York: Knopf, 1987.
_____. Beloved. New York: Penguin Books-Plume, 1988.*
_____. Beloved. London: Chatto, 1993.*
_____. Jazz. Novel. London: Chatto and Windus, 1992.
_____. Jazz. London: Picador, 1993.
_____. Jazz. Trans. Jordi Gubern. Barcelona: Ediciones B, 1993.
Murfree, Mary Noailles. (Ps. of Charles Egbert Craddock). "The Star in the Valley." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 103-20.*
Page, Thomas Nelson. "Unc' Edinburgh's Drowndin': A Plantation Echo." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 130-52.*
Roth, Philip. The Human Stain. Novel. New York: Houghton Mifflin; London: Random House-Jonathan Cape, 2000.* (Zuckerman series).
Scarborough, William Sanders. The Autobiography of William Sanders Scarborough: An American Journey from Slavery to Scholarship. Autobiography. Ed. Michele Valerie Ronnick. Foreword by Henry Louis Gates. Detroit: Wayne State UP, 2004.*
Smith, Lillian. Strange Fruit. Novel. New York: Reynal and Hitchcock, 1944. (Blacks in America).
Sowell, Thomas. A Personal Odyssey.
Stowe, Harriet Beecher. Uncle Tom's Cabin. Novel. 1852.
_____. Uncle Tom's Cabin. Ed. Elizabeth Ammons. (Norton Critical Edition). New York: Norton, 1993.
Styron, William. The Confessions of Nat Turner. 1966.
_____. Confessions of Nat Turner. New York: Random House-Vintage International.
Toomer, Jean. Cane. Miscellany (stories, verse and drama). New York: Liveright, 1923. 1951.
_____. Cane. Ed. Darwin T. Turner. (Norton Critical Edition). New York: Norton, 1988.
Twain, Mark. Adventures of Huckleberry Finn. Novel. 1884. many editions.
_____. Adventures of Huckleberry Finn. Ed. Thomas Cooley. 3rd ed. (Norton Critical Edition). New York: Norton, 1999.
_____. Mark Twain: Adventures of Huckleberry Finn: A Case Study on Critical Controversy. Ed. Gerald Graff and James Phelan. New York: Bedford/St.Martins, 1995.
_____. "A True Story, Repeated Word for Word as I Heard It." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 34-38.*
Washington, Booker T. Up from Slavery. Ed. William L. Andrews. (Norton Critical Edition). New York: Norton, 1995.
Wheatley, Phillis. Poems. London, 1773.
Wilson, August Ma Rainey's Black Bottom. Drama. 1982. (Prod. Broadway).
_____. Fences. Drama. 1983. (Prod. Broadway).
_____. Fences. Drama. In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 1321-73.*
_____. Fences. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 1641-1702.*
_____. Jitney. Drama. 1983.
_____. Joe Turner's Come and Gone. Drama. 1984. (Prod. Broadway).
_____. The Piano Lesson. Drama. 1986. (Prod. Broadway).
_____. Two Trains Running. Drama. 1992. (Prod. Broadway).
_____. Seven Guitars. Drama. 1995. (Prod. Broadway).
_____. King Hedley II. Drama. 2000.
_____. Gem of the Ocean. Drama. 2003.
_____. Radio Golf. Drama. 2005. Wilson, Harriet E. Our Nig: Or, sketches from the life of a free black, in a two-story white house, North showing that slavery's shadows fall even there by "our nig". Novel. 1859. Ed. R. J. Ellis. (Trent Editions). Nottingham: Department of English and Media Studies, Nottingham Trent U, c. 1999.
Woolson, Constance Fenimore. "Felipa." In Southern Local Color: Stories of Region, Race, and Gender. Ed. Barbara C. Ewell and Pamela Glenn Menke. Notes by Andrea Humphrey. Athens (GA): Georgia UP, 2002. 42-62.*
Wright, Richard. Black Boy. Novel.
_____. Native Son. Novel. New York: Harper, 1940.
Music
Gershwin, George. Porgy and Bess. Opera. Music by George Gershwin. Lyrics by Du Bose Heyward and Ira Gershwin.
_____. Porgy and Bess. Jazz version by Oscar Peterson and Joe Pass. Pablo, 1976.
_____. Porgy & Bess. Ella Fitzgerald, Louis Armstrong. (Jazz Voice: The Art of Vocal Jazz). Madrid: Universal Music Spain, 2004.* (Selection).
Odetta. "No More Auction Block for Me." Music video. YouTube (Laurent Lévy) 9 Jan. 2015.*
2021
Series
(Forum for European Contributions in African American Studies). Münster: Lit Verlag, 2003.
Societies and Institutions
Schomburg Center for Research in Black Culture, Harlem
See also: Hughes, Langston; Wright, Richard; Ellison, Hurston, Zora Neale; Ralph; Morrison, Toni; Baraka, Amiri; Reed, Ishmael; Gates, H. Louis; Walker, Alice; Wilson, August.
See also: Slavery; Racist works; Black women; Black American art.
See also: Black American English; Black American literature; US fiction (Minorities: Black); US poetry (Minorities: Black); US drama (Minorities: Black).
See also: Martin Luther King; Black Lives Matter; Malcolm X.
Blacks in Asia/Oceania
Internet resources
Lonely Islands: The Negrito People and the Out-of-Africa Story of the Human Race. Website. (George Weber).
2011
Blacks in Britain / Europe
"After Oroonoko: Noble Africans in Europe." In Oroonoko: An Authoritative Text / Historical Backgrounds / Criticism. Ed. Joanna Lipking. (Northwestern U). (Norton Critical Editions). New York: Norton, 1997. 121-58.*
Arana, R. Victoria. 'Black' British Aesthetics Today. Newcastle-upon-Tyne. Cambridge Scholars Press, 2007.
Barthelemy, Anthony G. Black Face, Maligned Race: The Representation of Blacks in English Drama from Shakespeare to Southerne. Baton Rouge: Louisiana State UP, 1987.
Calvo González, José. "II.4. Prejuicio y marginalidad. Guineos y Gitanos. Los 'otros' en la lírica popular del villancico, s. XVII y XVIII." In Implicación, Derecho, Literatura: Contribuciones a una Teoría literaria del Derecho. Ed. José Calvo González. Granada: Comares, 2008.
Cowhig, Ruth. "Blacks in English Renaissance Drama and the Role of Shakespeare's Othello." In The Black Presence in English Literature. Ed. David Dabydeen. Manchester: Manchester UP, 1985. 14-20.
Eslava Galán, Juan. "10. El enigma de las Vírgenes Negras." In Eslava Galán, España insólita y misteriosa: Un viaje por la España de la brujería, las leyendas y los tesoros ocultos. Barcelona: Planeta, 2006. 143-60.*
"A Forum on Black Theatre: The Questions: What Is a Black Play? and/or What Is Playing Black?" Theatre Journal 57 (2005). 571-616.
Fra Molinero, Baltasar. "La formación del estereotipo del negro en las letras hispanas: el caso de tres coplas en pliegos sueltos." Romance Languages Annual 3 (1991): 438-443.
_____. "El negro Zaide: marginación social y textual en el Lazarillo." Hispania 76.1 (1993): 20-29.
_____. La imagen de los negros en el teatro español del siglo XVII. Madrid: Siglo XXI Editores, 1995.
Fra Molinero, Baltasar. Entries on "Portugal," "Spain", "Juan de Pareja," "Juan Latino" and "Sor Teresa Juliana de Santo Domingo." Afropaedia (1998)
Fryer, Peter. Staying Power: The History of Black People in Britain. London: Pluto Press, 1984.
Gilroy, Paul. There Ain't No Black in the Union Jack: The Cultural Politics of Race and Nation. London: Hutchinson, 1987.
_____. The Black Atlantic: Modernity and Double Consciousness. London: Verso, 1993.
_____. Small Acts: Thoughts on the Politics of Black Cultures. London and New York: Serpent's Tail, 1993.
Hand, Felicity. "Black Business." In Culture and Power: Business. Ed. Matilde Paredes et al. Zaragoza: Departamento de Filología Inglesa, 1999. 97-108.* (British immigrants).
Hill, Errol. Shakespeare in Sable: A History of Black Shakespearean Actors. Amherst: UP of Massachusetts, 1984.
Jones, Eldred D. Othello's Countrymen: The African in English Renaissance Drama. Oxford: Oxford UP, 1965.
Manzanas, Ana María. "Conversion Narratives: Othello and Other Black Characters in Shakespeare's and Lope de Vega's Plays." SEDERI VII. Ed. S. G. Fernández-Corugedo et al. Coruña: SEDERI, 1996. 231-36.*
McBride, David, Leroy Hopkins and C. Aisha Blackshire-Belay, eds. Crosscurrents: African Americans, Africa, and Germany in the Modern World. Columbia (SC): Camden House, 1998.
Muñoz Valdivieso, Sofía. "Re-Collecting Black British History in the Fiction of Caryl Phillips and Bernardine Evaristo." In AEDEAN XXX: Proceedings of the 30th International AEDEAN Conference. [Huelva, 2006]. Ed. María Losada Friend et al. Huelva: U de Huelva, 2007.*
Osborne, Deirdre. "'Know Whence You Came': Dramatic Art and Black British Identity." New Theatre Quarterly 23.3 (2007): 253-63.
Peacock, D. Keith. "Black British Drama and the Politics of Identity." In A Concise Companion to Contemporary British and Irish Theatre. Ed. Nadine Holdsworth and Mary Luckhurst. Oxford: Blackwell, 2008. 48-65.
Tokson, Elliot H. The Popular Image of the Black Man in English Drama, 1550-1688. Boston: G. K. Hall, 1982.
Walker, Corey D. B. "Of the Coming of John [and Jane]: African American Intellectuals in Europe, 1888-1938." Amerikastudien / American Studies 47.1 (2002): 7-22.*
Internet resources
Blacknet
2004-12-15
Literature
Dadié, Bernard. Un nègre à Paris. Novel. 1959.
Jonson, Ben. The Masque of Blackness. Acted 1605. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al. New York: Norton, 1999. 1.1294-1303.*
_____. The Masque of Blackness. In The Routledge Anthology of Renaissance Drama. Ed. Simon Barker and Hilary Hinds. London: Routledge, 2002. (Book/eBook)
Mac Orlan, Pierre. Le Nègre Léonard et Maître Jean Mullin. (NRF).
Phillips, Caryl. Cambridge. Novel. London: Bloomsbury, 1991. Rpt. London: Picador, 1992.*
_____. The Nature of Blood. Novel. London: Faber and Faber, 1997. (Othello).
See also Racial representations.
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