domingo, 26 de noviembre de 2023

Películas

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

On individual films

 

(See first under Film directors)

 

 

Series

 

(BFI Films Classics). London: BFI.

 

 (Indiana University Press Filmguide Series, 7). Gen. eds. Harry M. Geduld and Ronald Gottesman. Bloomington: Indiana UP, 1973.*

 

(SpeakUP film booklet). Barcelona: RBA, c. 2000.*

 

 

 

 

(500) Days of Summer

 

García Blasco, Alberto. "Manning Up: The Representation of Masculinity in (500) Days of Summer." TFG dir. Beatriz Oria. Universidad de Zaragoza, Facultad de Filosofía y Letras, 2018.*

 

 

A los gatos, ni tocarlos

 

Hughes. "Amar el cine." (Televerité). ABC. Online on Twitter (Hughes) 31 Dec.  2019.* (A los gatos, ni tocarlos).

         https://twitter.com/hughes_hu/status/1211904683683524609

         2019

 

 

El agente secreto

 

Borges, Jorge Luis. "Dos films." Sur (April 1936). Rpt. in Edgardo Cozarinsky, Borges y el cine (Buenos Aires: Sur, 1974). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 555-56.* (El agente secreto; Los muchachos de antes no usaban gomina).

 

 

 

Alam Ara

 

Alam Ara. 1931. (India's first talkie, dubbed into Hindi and Urdu).

 

 

The Alamo

 

Farnsworth, Rodney. “John Wayne’s Epic of Contradictions: The Aesthetic and Rhetoric of War and Diversity in The Alamo.” Film Quarterly 52.2 (Winter 1998-9): 24-34.

 

 

Alien series

 

Martín, Sara. "Monstrous Business: The Alien Film Series." In Culture and Power: Business. Ed. Matilde Paredes et al. Zaragoza: Departamento de Filología Inglesa, 1999. 141-52.*

 

 

 

Amores perros

 

Heide, Markus. "Cosmopolitics in Border Film: Amores Perros (2000) and Sleep Dealer (2008)." Comparative American Studies: An International Journal 11.1 (2013): 89-108.

 

 

 

 

Angels with Dirty Faces

 

Angels with Dirty Faces. Film. With James Cagney. Warner, 1938.

 

 

 

Asterix aux Jeux Olympiques

 

López Lorca, Hortensia (U de Murcia). "La frase negativa en la película Astérix en los Juegos Olímpicos." Contextos Educativos 18 (2015): 129-41.*

 

 

 

La Aventura del Poseidón

 

La aventura del Poseidón. Based on Paul Gallico's novel. 1972.

 

 

 

 

 

L’Avventura

 

Bohne, Luciana. “The Discourse of Narcissism in L’Avventura.” Film Criticism 9.1 (Fall 1984).

 

 

Babe

 

Brabazon, Tara. "A Pig in Space? Babe and the Problem of Landscape." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 149-58.*

 

 

 

The Barber of Siberia

 

Forbes, Jill, and Sarah Street, eds. Introduction to European Cinema. Houndmills: Macmillan, 2000. (Jean Renoir, La Règle du jeu; Mathieu Kassovitz, La Haine, Hitchcock, The Lodger, Danny Boyle, Trainspotting, Buñuel, Viridiana, Saura, Blood Wedding, Visconti, Ossessione,  Taviani bros., Good Morning Babylon, Eisenstein, Battleship Potemkin;  The Barber of Siberia; Margarethe von Trotta,  The Promise;  Wim Wenders, Alice in the Cities).

 

 

Batman (1989)

 

The Beast from 20.000 Fathoms

 

The Beast from 20.000 Fathoms. Based on Ray Bradbury’s novel. 1953

 

 

 

 

The Beguiled

 

Herring, Gina. “The Beguiled: Misogynist Myth or Feminist Fable?” Literature Film Quarterly 26.3 (1998): 214-219.

 

 

 

 

Ben Hur     (1959)

 

 

 

The Big Reset

 

Video

 

López-Mirones, Fernando. "The Big Reset Movie: Entrevista al biólogo Fernando López-Mirones." Video. Odysee (DESPIERTA es el momento) 30 June 2022.* (PCR tests, Kristian Maria Drosten; Covidianism, Plandemics, Frauds, Vaccines, Whistleblowers; Fauci, Disinformation, Manipulation, Face masks, Virology, Conspiracies, Plandemics, Social engineering; WHO; Thrombosis, Genetic engineering and corrupt science, organized massacre and persecution of dissidents, bribed experts; Eugenics, Globslist elites, Depopulation)

         https://odysee.com/@DespiertaEsElMomento:7/THE-BIG-RESET-MOVIE-Entrevista-al-biologo-Fernando-Lopez-Mirones:6

         2022

 

 

 

The Big Steal

 

Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.* 

 

 

Blade Runner 2049

 

García Landa, José Angel. "We Are the Replicants." In García Landa, Vanity Fea 3 Dec. 2017.*

         https://vanityfea.blogspot.com.es/2017/12/we-are-replicants.html

         2018

 

 

 

Blockade

 

Smith, Greg M. "Blocking Blockade: Partisan Protest, Popular Debate, and Encapsuled Texts." Cinema Journal 36.1 (Fall 1996): 18-38.*

 

 

 

Blood Diamond (1996)

 

Denby, David. "What if? Wishing Things Were Otherwise." New Yorker 4 Dec. 2006. (Rev. of Deja Vu, Stranger than Fiction and Blood Diamond).

http://www.newyorker.com/critics/cinema/articles/061211crci_cinema

 

 

 

El bosque petrificado

 

Borges, Jorge Luis. "El bosque petrificado." Sur 6.24 (Sept. 1936). Rpt. in Edgardo Cozarinsky, Borges y el cine (Buenos Aires: Sur, 1974). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 550-51.* (Film review).

 

 

 

Brigadoon

 

Marías, Javier. "Regreso a Brigadoon." In Marías. Cuando los tontos mandan. Barcelona: Penguin Random House - Alfaguara, 2018. 129-31.*

 

 

 

The Castle

 

Crofts, Stephen. "The Castle: 1997's 'Battlers' and the Ir/Relevance of the Aesthetic." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 159-74.

 

 

 

Chariots of Fire

 

Checa, Begoña. "Sport in Chariots of Fire: Defying and Supporting the Construction of a Global Identity from Within." In Culture & Power: Culture and Society in the Age of Globalisation. Ed. Chantal Cornut-Gentille et al. Zaragoza: Prensas Universitarias de Zaragoza, 2005. 295-302.*

 

 

 

 

Chronicles of Narnia

 

Guthmann, Edward. "Narnia Tries to Appeal to the Religious and Secular." San Francisco Chronicle 11 Dec. 2005.

Hilliard, Juli Cragg. "Hear the Roar." Sarasota Herald-Tribune 9 Dec. 2005. (Chronicles of Narnia: The Lion, the Witch and the Wardrobe, film on C. S. Lewis's novel).

 

 

 

El Cid

 

Criado, Elena. El Cid, del Cantar a la gran pantalla. Madrid: U Complutense, 2016.

 

 

 

 

 

 

La ciudad no es para mí

 

Related works

 

Lázaro Carreter, Fernando. La ciudad no es para mí. Drama. (Published anonymously, also filmed with Paco Martínez Soria).

 

 

Ciutat Morta

 

Albert de Paco, José María. "El caso Salas." Libertad Digital 22 Jan. 2015.* (Rodrigo Lanza).

         http://www.libertaddigital.com/cultura/cine/2015-01-22/jose-maria-albert-de-paco-el-caso-salas-74613/

         2017

 

 

 

 

 

Claire Rayner's Casebook

 

Ackroyd, Peter. Rev. of Claire Rayner's Casebook (BBC 1). The Times 11 March 1983.  Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 182-83.*

 

 

 

Coco

 

Beauregard, Luis Pablo. "Coco arrasa con su fiel retrato del Día de los Muertos de México." El País 29 Nov. 2017.*

         https://elpais.com/cultura/2017/11/29/actualidad/1511985965_233325.html?rel=lom

         2017

 

 

 

The Color of Time (2014)

 

The Color of Time. Cast: Zach Braff, Bruce Campbell, Jessica Chastain, James Franco, Henry Hopper, Mila Kunis. USA, 2014. (On C. K. Williams, Pulitzer Prize poet).

 

 

 

 

Come Back, Africa (1959)

 

Maingard, Jacqueline. "6. Cry, Africa: Social Realism in Cry, the Beloved Country (1951) and Come Back, Africa (1959)." In Maingard, South African National Cinema. London: Routledge, 2007. 106-24.*

 

 

El conejo en la luna

 

El conejo en la luna. Film. (Drug cartels and political corruption in Mexico).

 

 

 

Cry, the Beloved Country        (1951)

 

Maingard, Jacqueline. "6. Cry, Africa: Social Realism in Cry, the Beloved Country (1951) and Come Back, Africa (1959)." In Maingard, South African National Cinema. London: Routledge, 2007. 106-24.*

 

 

The Dark Knight (2008)

 

 

De regreso

 

Borges, Jorge Luis. "De regreso." Sur 7.38 (Nov. 1937). Rpt. in Edgardo Cozarinsky, Borges y el cine (Buenos Aires: Sur, 1974). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 561-62.* (Film review).

 

 

 

 

 

Dead End

 

Dead End. Film. With James Cagney. Warner, 1937.

 

 

 

 

Death in Brunswick

 

Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.* 

 

 

 

Deep Throat

 

Smith, David. "Deep Throat at 50: The Controversial Film that Pushed Porn into Mainstream." The Guardian 10 June 2022.*

         https://www.theguardian.com/film/2022/jun/10/deep-throat-at-50-linda-lovelace-porn-mainstream

         2022

 

 

 

 

 

El Delator

 

Borges, Jorge Luis. "El delator." Sur 5.11 (Aug. 1935). Rpt. in Edgardo Cozarinsky Borges y el cine (Buenos Aires: Sur, 1974). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 545-7.* (Film review).

 

 

Destry Rides Again

 

Loyo, Hilaria. “The Antidote for a ‘Box-Office Poison’: Star and Genre in Destry Rides Again.” In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 713-20.*

 

 

The Devil’s Advocate

 

The Devil’s Advocate. Film. With Keanu Reeves. 1997.

 

 

Dick Tracy

 

Dick Tracy 4-part series. RKO, 1930s.

Dick Tracy (= Dick  Tracy, Detective). RKO, 1945.

Dick Tracy versus Cueball. RKO, 1946.

Dick Tracy’s Dilemma. RKO, 1947.

Dick Tracy Meets Gruesome. RKO, 1947.

Dick Tracy. 1990. see Beatty, Warren.

 

 

 

The Dish Ran Away with the Spoon

The Dish Ran Away with the Spoon. Cartoon. (Silly Symphonies). 1932.

 

Donnie Darko

 

Powell, Helen. Stop the Clocks! Time and Narrative in Cinema. London and New York: I.B. Tauris, 2012.* (A Matter of Life and Death, Donnie Darko, Interview with a Vampire, Lost Highway, Pulp Fiction)

         http://us.macmillan.com/stoptheclocks/HelenPowell

         2012

 

 

 

Drum  (2004)

 

Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*

 

 

 

Duck Soup

 

Duck Soup.  Film. With the Marx brothers. 1933.

 

 

 

Easter Parade

 

Easter Parade. Film. With Judy Garland and Fred Astaire. 1948.

 

 

 

 

Easy Rider

 

Easy Rider. With Peter Fonda, Denis Hopper. Prod. and co-script. Peter Fonda.1969.

 

 

 

 

Eat, Drink, Man, Woman

 

Luzón Aguado, Virginia, and Luis Cantarero Abad. (U de Zaragoza). “Eating the Cultural Dish: Confrontation and Resolution in Babette’s Feastand Eat, Drink, Man, Woman.” In Culture and Power IV: Cultural Confrontations. Ed. Chantal Cornut-Gentille D’Arcy. Zaragoza, 1999. 215-28.*

 

 

 

 

Enemy

 

Enemy. Canada, 2003.

 

Leiendecker, Bernd. "Taking Split Personalities to the Next Level: Perturbatory Narration in Enemy." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 199-208.* (Canada, 2003)

         http://doi.org/10.1515/9783110566574-012

         2018

 

The Evolution of Darwin

 

Ackroyd, Peter. Rev. of The Evolution of Darwin (Thames TV). The Times 24 Sept. 1982. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 178-79.*

 

 

 

8 1/2

 

Boyd, David. Film and the Interpretive Process: A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. (Ars interpretandi 1). New York: Peter Lang, 1989.*

 

 

Falling Down

 

Dyer, Richard. “Whites Are Nothing: Whiteness, Representation and Death.” In “New” Exoticisms: Changing Patterns in the Construction of Otherness. Ed. Isabel Santaolalla. Amsterdam and Atlanta: Rodopi, 2000. 135-55.* (Falling Down, film, 1993).

_____. White. Routledge, 1997.

 

 

Forrest Gump

 

Byers, Thomas B. “History Re-Membered: Forrest Gump, Postfeminist, Masculinity, and the Burial of Counterculture.” Modern Fiction Studies 42.2 (Summer 1996).*

 

 

The Four Feathers

 

The Four Feathers. Film based on A. E. W. Mason’s novel. 1939.

 

 

 

 

Free Willy   (1993)

 

 

The French Connection (1971)

 

 

 

The French Lieutenant’s Woman

 

Dodson, Mary Lynn. “The French Lieutenant’s Woman: Pinter and Reisz’s Adaptation of Fowles’s Adaptation.” Film Literature Quarterly 26.4 (1998): 296-303.

 

 

From Here to Eternity

 

From Here to Eternity. Cast: Burt Lancaster, Montgomery Clift, Deborah Kerr, Frank Sinatra, Donna Reed. 1953. (8 Oscars).

 

 

 

Frozen

 

Faria, Natasha. "Frozen Is No Feminist Leap for Disney." Business Day Live 7 March 2014.

         http://www.bdlive.co.za/life/entertainment/2014/03/07/frozen-is-no-feminist-leap-for-disney

         2015

Feder, Shira. "Slamming the Door: An Analysis of Elsa (Frozen)." The Feminist Wire 16 Oct. 2014.

         http://www.thefeministwire.com/2014/10/slamming-door-analysis-elsa-frozen/

         2015

García Llop, Verónica María. "'Between Sisters': Female Characters in Frozen (2013)." TFG, dir. María del Mar Azcona Montoliú. Universidad de Zaragoza, Facultad de Filosofía y Letras, 2015.*

Holden, Stephen. "From the Heat of Royal Passion, Poof! It's Perfmafrost: Disney's Frozen, a Makeover of 'The Snow Queen'." New York Times 26 Nov. 2013.

         http://www.nytimes.com/2013/11/27/movies/disneys-frozen-a-makeover-of-the-snow-queen.html

         2016

Linksey, Dorian. "Frozen-Mania: How Elsa, Anna and Olaf Conquered the World." The Guardian 13 May 2014.

         http://www.theguardian.com/film/2014/may/13/frozen-mania-elsa-anna-olaf-disney-emo-princess-let-it-go

         2016

_____. "Let It go to Peer Review: Discussion of Frozen Is Academic at Symfrozium." The Guardian 8 June 2015.

         http://www.theguardian.com/film/filmblog/2015/jun/08/frozen-symfrozium

         2016

Parry, Hannah. "University Dons to Study 'Cultural Impact' of Disney Fairytale Frozen as Princess Elsa and Olaf the Snowman Make It Onto the Syllabus." Daily Mail 8 May 2015.*

         http://www.dailymail.co.uk/news/article-3073218/University-dons-study-cultural-impact-Disney-fairytale-Frozen-Princess-Elsa-Olaf-snowman-make-syllabus.html

         2015

 

 

 

La Fuga

 

Borges, Jorge Luis. "La fuga." Sur 7.35 (Aug. 1937). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 557-58.* (Film).

 

 

 

Garfield Gets Real

 

Garfield Gets Real. Spanish DVD: Garfield en la Vida Real. Madrid: Twentieth Century Fox, 2007.*

 

 

Gaslight

 

Gaslight. 1944.

 

 

Geisha no teodori

 

Geisha no teodori. Documentary. First Japanese film, June 1899.

 

 

 

Geri’s Game. Short animation film. 1997. (Oscar).

 

 

Germinal

 

Germinal. Based on the novel by Emile Zola. France, 1963.

 

 

El Guardián Invisible

 

El guardián invisible. Based on the novel by Dolores Redondo. 2017.

 

 

Hair

 

Music

 

García Landa, José Ángel. "Supreme Visions of Lonely Tunes." In García Landa, Vanity Fea 3 Oct. 2008. (Song from Hair).

         http://garciala.blogia.com/2008/100301-supreme-visions-of-lonely-tunes.php

         2008

 

 

 

Haunted Summer

 

Haunted Summer. Film. 1988. (Byron, Shelleys, Polidori)

 

 

The Heartbreak Kid

 

Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.* 

 

 

 

Heist

 

Heise, Paul A. "Heist: Who Stole the American Dream? Teaching Guide."

         http://www.heist-themovie.com/image/heist_teachingguide.pdf

         2018

 

 

 

 

Hello Dolly

 

Carlson, Erin. "WALL-E: Robot Romance Inspired by Hello, Dolly!" Trib Live 5 July 2008.

         http://triblive.com/x/pittsburghtrib/ae/movies/s_575886.html

         2018

García, Narcisa. "Wall-E desde Dolly: La citación intertextual." Academia.

         http://www.academia.edu/34433313/Wall-E_desde_Dolly._La_citaci%B3n_intertextual

         2018

 

Internet resources

 

 

"Hello Dolly." IMDB.*

         https://www.imdb.com/title/tt0064418/

         2018

 

 

 

 

 

High Sierra

 

Río, Constanza del. High Sierra: Going Back Home.” In Flashbacks. Ed. Celestino Deleyto. Zaragoza: Servicio de Publicaciones de la Universidad de Zaragoza, 1992. 97-120.*

 

 

Holiday

 

Ruiz Pardos, Manuela. “Genre, History and Culture in the Screwball Comedies of the 1930s and Early 1940s: Holiday and The Philadelphia Story.” Proyecto de Investigación de Tercer Ciclo. Universidad de Zaragoza, Departamento de Filología Inglesa y Alemana, 1997.*

_____. Genre, History and Culture in the Screwball Comedies of the 1930s and early 1940s: Holiday and The Philadelphia Story. Ann Arbor: UMI, 1998.

 

 

Hollywood Revue

 

Hollywood Revue.. MGM, 1927.

 

 

Hoodwinked

 

García Landa, José Ángel. "Hoodwinked by Aristotle." In García Landa, Vanity Fea 23 Oct. 2006.

         http://garciala.blogia.com/2006/102301-hoodwinked-by-aristotle.php

         2006-11-01

 

 

 

House of Sand and Fog

House of Sand and Fog (Casa de arena y niebla). With Ben Kingsley. DVD. Barcelona: Filmax Home Video, 2004.

 

 

 

The Hurricane

 

The Hurricane. Based on the autobiography by Rubin "Hurricane" Carter.

 

 

 

 

The Importance of Being Earnest. German film (pre-war). Based on Oscar Wilde’s play.

 

 

 

 

The Incredible Shrinking Man

 

Slusser, George. “Pocket Apocalypse: American Survivalist Fictions from Walden to The Incredible Shrinking Man.” In Imagining Apocalypse. Ed. David Seed. Houndmills: Macmillan; New York: St. Martin’s, 2000. 118-35.*

 

 

Ingagi (1930)

 

Ingagi. USA: Congo Pictures / RKO, 1930.

 

Erish, Andrew. "Illegitimate Dad of King Kong." In Los Angeles Times CalendarLive.com 8 Jan. 2006.

         http://www.calendarlive.com/movies/cl-ca-ingagi8jan08,2,3536535.story

         2006-01-08

 

 

 

Interview with a Vampire

 

Powell, Helen. Stop the Clocks! Time and Narrative in Cinema. London and New York: I.B. Tauris, 2012.* (A Matter of Life and Death, Donnie Darko, Interview with a Vampire, Lost Highway, Pulp Fiction)

         http://us.macmillan.com/stoptheclocks/HelenPowell

         2012

 

 

 

The Invisible World

 

Ackroyd, Peter. Rev. of The Invisible World. BBC 1. The Times 28 Oct. 1982. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 179-80.*

 

 

The Iron Mask

 

The Iron Mask. Based on the novel by Alexandre Dumas. With Douglas Fairbanks. 1929.

 

 

 

 

 

It Came from Outer Space.

 

It Came from Outer Space. Based on Ray Bradbury’s novel. 1953.

 

 

Ivanhoe      (1952)

 

 

 

 

Jane B. par Agnès V.

 

Chinita, Fátima. "Authorial Self-Personalization and Cine-Vision in the Film Jane B. par Agnès V. (1988)." In Fictionality, Factuality, and Reflexivity Across Discourses and Media. Ed. Erika Fülöp et al. Berlin and Boston: de Gruyter, 2021. 152-68.*

         https://doi.org/10.1515/9783110722031-011

         2021

 

 

Jim Comes to Joburg (1949)

 

Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*

 

 

 

The Killing

 

Casadesús Bordoy, Alejandro, and Eva Parra Membrives. "Lo que queda del sueño americano: The Killing y la reinterpretación del modelo social tras el 11-S." In La década del miedo: Dramaturgias audivisuales pos-11 de septiembre. Ed. Marta Fernández Morales. Bern: Peter Lang, 2013. 185-208.*

 

 

 

 

 

King Kong  (1933)

 

Erish, Andrew. "Illegitimate Dad of King Kong." In Los Angeles Times CalendarLive.com 8 Jan. 2006.

         http://www.calendarlive.com/movies/cl-ca-ingagi8jan08,2,3536535.story

         2006-01-08

McGurl, Mark. "Making It Big: Picturing the Radio Age in King Kong." Critical Inquiry 22.3 (Spring 1996): 415-45. *

Picq, Pascal. "King Kong: Le mythe de la découverte de nos origines." Lecture, Les Mardis de L'Espace des Sciences. 2007. YouTube (Espace des Sciences) 24 March 2014.*

         https://youtu.be/cMCf9HlchBo

         2017

 

 

 

The Knights of the Round Table       (1953)

 

 

 

 

Kung Fu Panda 2

 

Guardian. "Kung Fu Panda 2 is sweeter than Honey." The Guardian 14 June 2011.*

http://www.theguardian.com/film/filmblog/2011/jun/14/kung-fu-panda-2-honey

         2011

 

 

 

Lady Windermere’s Fan

 

Lady Windermere’s Fan. Film (voiceless), based on Oscar Wilde’s play. Cast: Ronald Colman, Mae McAvoy. USA.

 

 

Landfall

 

Landfall. Film. 1948. Based on Nevil Shute’s work.

 

 

La lengua de las mariposas

 

La lengua de las mariposas. Based on a story by Manuel Rivas, "La lengua de las mariposas", from ¿Qué me quieres, amor? Warner Sogefilms, 1999.

 

 

 

Legado en los Huesos

 

Legado en los huesos. Based on the novel by Dolores Redondo. 2019.

 

 

Lenny

 

Calvo, J. J. “Lenny subtitulado: el deslinde de un hito.” In Miscel-lània homenatge Enrique García Díez.  Valencia: Universitat de Valencia / Consellería de Cultura, Educació i Ciència de la Generalitat Valenciana, 1991. 483-92.

 

The Life of Oscar Wilde. With Charles Laughton. USA, c. 1946.

 

 

 

 

 

Lily

 

Lili. Film. Based on Paul Gallico's Love of Seven Dolls. 1953.

 

 

Related works

 

Carnival! Musical.

 

 

 

 

 

 

 

El lince perdido

 

El lince perdido. DVD. Spain: Aurum / Alliance / Kandor Moon / Perro verde films, 2009.*

 

Lobo

 

(Spain, 2004. On ETA)

 

García Landa, José Angel. (Lobo, esquizofrénico). In García Landa, Blog de notas 16 Dec. 2004.

http://www.unizar.es/departamentos/filologia_inglesa/garciala/z04.html#actividadesbloguisticas

         2006-07-08

 

 

 

The Longest Day. 1962. (Normandy).

 

 

Lost Highway

 

Powell, Helen. Stop the Clocks! Time and Narrative in Cinema. London and New York: I.B. Tauris, 2012.* (A Matter of Life and Death, Donnie Darko, Interview with a Vampire, Lost Highway, Pulp Fiction)

         http://us.macmillan.com/stoptheclocks/HelenPowell

         2012

 

 

Mapantsula  (1988)

 

Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*

 

 

 

 

The Mark of Zorro

 

Williamson, Catherine. "'Draped Crusaders': Disrobing Gender in The Mark of Zorro." Cinema Journal 36.2 (Winter 1997): 3-16.*

 

 

 

 

 

The Mask (1932)

 

 

 

A Matter of Life and Death

 

Powell, Helen. Stop the Clocks! Time and Narrative in Cinema. London and New York: I.B. Tauris, 2012.* (A Matter of Life and Death, Donnie Darko, Interview with a Vampire, Lost Highway, Pulp Fiction)

         http://us.macmillan.com/stoptheclocks/HelenPowell

         2012

 

 

 

 

Modertjie (1931)

 

Maingard, Jacqueline. "2. Fictions of Nation: The Symbol of Sacrifice (1918), Sarie Marais (1931) and Modertjie (1931)." In Maingard, South African National Cinema. London: Routledge, 2007. 35-52.*

 

 

Los Muchachos de antes no usaban gomina

 

Borges, Jorge Luis. "Dos films." Sur (April 1936). Rpt. in Edgardo Cozarinsky, Borges y el cine (Buenos Aires: Sur, 1974). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 555-56.* (El agente secreto; Los muchachos de antes no usaban gomina).

 

 

 

Murphy’s Romance

 

Thomas, Deborah. “Murphy’s Romance: Romantic Love and the Everyday.” In Terms of Endearment: Hollywood Romantic Comedy of the 1980s and 1990s. Ed. Peter William Evans and Celestino Deleyto. Edinburgh: Edinburgh UP, 1998. 57-74.*

 

 

Mystic River

 

Deleyto, Celestino, Luis M. García Mainar, Virginia Luzón and Juan Tarancón. "Interpretation Unlimited: Mystic River en Contexto(s)." Abstract. In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*

 

 

 

 

Narratage

 

Respati, Bawuk, and Nurbaiti Fitriyani. "Re-Investigation of Cinematic Narrator: An Analysis of Japanese Film Narratage." Paper presented at the Asian Conference on Art and Humanities 2023. Online at IAFOR.

         DOI: 10.22492/issn.2186-229X.2023.21

         https://papers.iafor.org/submission69510/

         2023

ResearchGate (Aug. 2023).*

         https://www.researchgate.net/publication/372828074

         2023

 

 

 

 

 

'n Nasie Hou Koers (1940)

 

Maingard, Jacqueline. "3. Monuments to Nation: They Built a Nation (1938) and 'n Nasie Hou Koers (1940)." In Maingard, South African National Cinema. London: Routledge, 2007. 53-67.*

 

 

 

Nightmare

 

Borges, Jorge Luis. "Dos films." Rev. of La extraña pasajera, dir. Irving Rapper, and Nightmare. Sur 12.103 (April 1943). Rpt. in Edgardo Cozarinsky, Borges y el cine (Buenos Aires: Sur, 1974). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 567-68.*

 

 

 

 

Nuit et brouillard

 

Lozano Aguilar, A. "Nuit et Brouillard (1955): De la Historia a la Memoria." In La memoria de los campos: El cine y los campos de concentración nazis. Ed. A. Lozano Aguilar. Valencia: Ediciones de la mirada, 1999. 69-92.

 

 

 

A Nymphoid Barbarian in Dinosaur Hell

 

Internet resources

 

"A Nymphoid Barbarian in Dinosaur Hell." Trailer. Vanity Fea 30 July 2012.

         http://vanityfea.blogspot.com.es/2012/07/a-nymphoid-barbarian-in-dinosaur-hell.html

         2012

 

 

 

Octopussy

 

Ackroyd, Peter. Rev. of Octopussy. The Spectator 18 June 1983. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 127-29.*

 

 

 

Ofrenda a la tormenta

 

Ofrenda a la tormenta. Based on the novel by Dolores Redondo. 2020.

 

 

 

 

Omicron

 

Omicron. Italy, 1964.

 

 

Video

 

 

Leicht, Federico "Omicron (1964)." In García Landa, Vanity Fea Nov. 2021.*

         https://vanityfea.blogspot.com/2021/11/omicron-1964.html

         2021

 

 

 

 

 

 

 

Oro

 

Roca Barea, María Emilia. "No es 'Oro' todo lo que reluce." El Mundo 18 Nov. 2017.*

         http://www.elmundo.es/opinion/2017/11/18/5a0f2115268e3eb9528b4629.html

         2017

 

 

 

 

Persona

 

Boyd, David. Film and the Interpretive Process: A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. (Ars interpretandi 1). New York: Peter Lang, 1989.*

 

 

 

 

The Philadelphia Story

 

Ruiz Pardos, Manuela. “Genre, History and Culture in the Screwball Comedies of the 1930s and Early 1940s: Holiday and The Philadelphia Story.” Proyecto de Investigación de Tercer Ciclo. Universidad de Zaragoza, Departamento de Filología Inglesa y Alemana, 1997.*

_____. Genre, History and Culture in the Screwball Comedies of the 1930s and early 1940s: Holiday and The Philadelphia Story. Ann Arbor: UMI, 1998.

 

 

 

 

The Picture of Dorian Gray. French film. Paris, 1920s.

 

 

 

The Picture of Dorian Gray. Hollywood film. Cast: George Sanders, Donna Reed, Hurt Hutfield.

 

 

 

Pixote

 

Pixote. Film. 1981. (Brazilian street children).

 

 

The Portrait of a Lady

 

Music

 

Kilar, Wojciech. The Portrait of a Lady Soundtrack. YouTube (Stribogh) 23 Aug. 2014.*

         https://youtu.be/9RfErql2W04

         2018

 

 

 

Prisioneros de la tierra

 

Borges, Jorge Luis. "Prisioneros de la tierra." Sur 9.60 (Sept. 1939). Rpt. in Edgardo Cozarinsky, Borges y el cine (Buenos Aires: Sur, 1974). From Borges en Sur (1931-1980). Rpt. in Borges, Miscelánea. Barcelona: Random House Mondadori-DeBols!llo, 2011. 563-64.*

 

 

 

A Private Function

 

Ackroyd, Peter. Rev. of A Private Function. Film. The Spectator 8 Dec. 1984. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 132-34.*

 

 

Purge

 

Series: 2013, 2014, 2016, 2018.

 

 

 

Quo Vadis   (1951)

 

Quo Vadis. With Leo Genn.

 

 

 

Rebecca

 

Berenstein, Rhona J. “Adaptation, Censorship and Audiences of Questionable Type: Lesbian Sightings in Rebecca (1940) and The Uninvited (1944).” Cinema Journal 37.3 (Spring 1998): 16-37

 

 

 

 

 

Rebel without a Cause

 

Jacques, Richard, et al. Classic Movies: Rebel Without a Cause. Barcelona: RBA, 1994.

 

The Roaring Twenties

 

The Roaring Twenties. With James Cagney. Warner, 1939.

 

 

 

Rob Roy

 

Oria, Beatriz. "The Globalizing Influence of Hollywood: The Case of Scotland as Seen through Rob Roy (1995)." In Culture & Power: Culture and Society in the Age of Globalisation. Ed. Chantal Cornut-Gentille et al. Zaragoza: Prensas Universitarias de Zaragoza, 2005. 285-94.*

 

 

Safety Last

 

Safety Last. Film. With Harold Lloyd. 1923.

 

 

 

El Salario del Miedo

 

El salario del miedo. Film. (Guatemala).

 

 

Sao Bernardo

 

Burton, Julianne. “The Politics of Aesthetic Distance: The Presentation of Representation in Sao Bernardo.” Screen 24.2  (March-June 1983).

 

 

Sarie Marais (1931)

 

Maingard, Jacqueline. "2. Fictions of Nation: The Symbol of Sacrifice (1918), Sarie Marais (1931) and Modertjie (1931)." In Maingard, South African National Cinema. London: Routledge, 2007. 35-52.*

 

 

 

The Sentimental Bloke

 

The Sentimental Bloke, Australia, 1919.

 

Boyd, David. "The Public and Private Lives of a Sentimental Bloke." Cinema Journal 37.4 (Summer 1998): 3-18.*

 

 

Shark Tale

 

Shark Tale. DVD. Dreamworks Animation, 2005.*

 

 

 

 

Silent Hill

 

Ramos Ibarra, Martha S. Proposal for the Analysis of a Video Game, a Film, and Their Relationship (Silent Hill as a Subject of the Horror Genre). M.A. diss. U Autònoma de Barcelona, 2012. Online at Recercat.*

         http://www.recercat.net/bitstream/handle/2072/203999/MSRITesina2012Imprimir33.pdf?sequence=1

         2013

Online at Dipòsit Digital de Documents de la UAB.*

https://ddd.uab.cat/pub/trerecpro/2012/hdl_2072_203999/MSRITesina2012Imprimir33.pdf

         2022

 

 

 

Singin' in the Rain

 

Chumo, Peter N., II. "Dance, Flexibility, and the Renewal of Genre in Singin' in the Rain." Cinema Journal 36.1 (Fall 1996): 39-54.*

 

 

 

Sleep Dealer

 

Heide, Markus. "Cosmopolitics in Border Film: Amores Perros (2000) and Sleep Dealer (2008)." Comparative American Studies: An International Journal 11.1 (2013): 89-108.

 

 

Smoke

 

Frosh, Paul “Filling the Sight by Force: ‘Smoke’, Photography and the Rhetoric of Immobilization.” Textual Practice 12.2: 323-340.

 

 

 

Song of Africa  (1951)

 

Maingard, Jacqueline. "5. All that Jazz: Representing Black Identities in Zonk! (1950) and Song of Africa (1951)." In Maingard, South African National Cinema. London: Routledge, 2007. 90-105.*

 

 

Star Wars saga

 

Campos, Cristian. "Los últimos Jedi es un insulto a los niños de 2017." El Español 29 Dec. 2017.*

         https://www.elespanol.com/opinion/columnas/20171229/ultimos-jedi-insulto-ninos/273102691_13.html

         2017

 

 

 

Story of a City

 

The Story of a City: New York. Film. Prod. Simmel-Meservey. 1947.

 

 

 

 

Stranger than Fiction

 

Denby, David. "What if? Wishing Things Were Otherwise." New Yorker 4 Dec. 2006. (Rev. of Deja Vu, Stranger than Fiction and Blood Diamond).

http://www.newyorker.com/critics/cinema/articles/061211crci_cinema

 

 

 

Surrender, Dorothy

 

Surrender, Dorothy. TV film. With Diane Keaton. Based on a story by Meg Wolitzer.

 

 

The Symbol of Sacrifice (1918)

 

Maingard, Jacqueline. "2. Fictions of Nation: The Symbol of Sacrifice (1918), Sarie Marais (1931) and Modertjie (1931)." In Maingard, South African National Cinema. London: Routledge, 2007. 35-52.*

 

 

 

Terminator

 

Terminator. With Arnold Schwarzenegger.

Terminator II. With Arnold Schwarzenegger.

 

Arnold, Robert F. “Termination or Transformation? The Terminator Films and Recent Changes in the U.S. Auto Industry.” Film Quarterly 52.1 (Fall 1998): 20-30.

 

 

Thaïs

 

Thaïs. Film based on Anatole France’s novel. With Mary Garden. 1918.

 

 

The Theory of Everything

 

The Theory of Everything. Based on ex wife Jane Wilde's memoir on Stephen Hawking. 2014.

 

 

 

They Built A Nation (1938)

 

Maingard, Jacqueline. "3. Monuments to Nation: They Built a Nation (1938) and 'n Nasie Hou Koers (1940)." In Maingard, South African National Cinema. London: Routledge, 2007. 53-67.*

 

 

 

The Three Burials of Melquiades Estrada

 

Navarro, Sandra. "The Silent Other in Contemporary Border Cinema: The Latino Figure in No Country for Old Men  and The Three Burials of Melquiades Estrada." Latino Studies 15.3 (2017): 309-22.

 

 

Todo esto te daré

 

Todo esto te daré. Based on the novel by Dolores Redondo. Forthcoming 2020.

 

 

 

The Tracey Fragments

 

 

Eckel, Julia. "Disturbance and Perturbation in The Tracey Fragments." In Perturbatory Narration in Film: Narratological Studies on Deception, Paradox and Empuzzlement. Ed. Sabine Schlickers and Vera Toro. Berlin and Boston, 2018. 19-35.* (Film, 2007).

         http://doi.org/10.1515/9783110566574-002

         2017

 

 

 

 

The Trip

 

The Trip. With Peter Fonda and Dennis Hopper. 1967.

 

 

Tron

 

Bukatman, Scott. Terminal Identity: The Virtual Subject in Postmodern Science-Fiction. Durham (NC): Duke UP, 1993. 1998.*

 

 

 

Tsotsi (2005)

 

Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*

 

 

 

 

 

Tudor Rose

 

Tudor Rose. 1936. (On Lady Jane Grey).

 

 

Ulees Gold

 

Ulees Gold. With Peter Fonda. 1997.

 

 

The Uninvited

 

Berenstein, Rhona J. “Adaptation, Censorship and Audiences of Questionable Type: Lesbian Sightings in Rebecca (1940) and The Uninvited (1944).” Cinema Journal 37.3 (Spring 1998): 16-37

 

 

 

Unplanned

 

Elentir. "Unplanned: una excelente película sobre el mayor engaño de masas de nuestro tiempo." Contando Estrelas 3 July 2020.* (Abby Johnson, abortion).

         https://www.outono.net/elentir/2020/07/03/unplanned-una-excelente-pelicula-sobre-el-mayor-engano-de-masas-de-nuestro-tiempo/

         2020

 

 

Up in the Air

 

Treviño, Isabel "Flying Solo: Mobility in Up in the Air." Atlantis 41.2 (Dec. 2019): 197-211.* (George Clooney film, 2009).

         DOI: http://doi.org/10.28914/Atlantis-2019-41.2.10

         2019

 

 

 

 

The Valley of Gwangi. 1969.

 

 

 

Wall.E

 

García Landa, José Angel. "Wall.E." Rev. of the Disney Pixar film. In García Landa, Vanity Fea 3 Sept. 2008.    

         http://garciala.blogia.com/2008/090301-wall.e.php

         2008

Sobchack, Vivian. "Animation and Automation, or, the Incredible Effortfulness of Being." Screen 50.4 (2009).

         http://academic.oup.com/screen/article-abstract/50/4/375/1641634

         2018

"Technology's Role in Wall-E." Glass Man 26 Nov. 2011.*

         http://cbersin.wordpress.com/2011/11/26/technologys-role-in-wall-e

         2018

Villa Guzmán-Moliner, Elisa. "'I Don't Want to Survive, I Want to Live': WALL-E and the Environment." Undergraduate dissertation, dir. Juan Antonio Tarancón de Francisco. University of Zaragoza, Facultad de Filosofía y Letras, 2018.*

Willman, Chris. "WALL-E: How he Found Hello, Dolly!" Entertainment Weekly 14 July 2008.

         http://ew.com/article/2008/07/14/

         2018

Womack, Sarah. "Disney Films 'Champion Environmental Issues'." The Telegraph 25 March 2008.

         http://www.telegraph.co.uk/news/earth/earthnews/4447122/Disney-films-champion-environmental-issues.html

         2018

Yates, Michelle. "Labor as Nature, Nature as Labor: Stay the Course of Capitalism in WALL-E's Edenic Recovery Narrative." Interdisciplinary Studies in Literature and the Environment (Sept. 2015).

         http://academic.oup.com/isle/article-abstract/22/3/525/2357596

         2018

 

 

 

 

De Voortrekkers (1916)

 

Maingard, Jacqueline. "1. Colonizing ''Nation': De Voortrekkers (1916)." In Maingard, South African National Cinema. London: Routledge, 2007. 16-34.*

 

 

 

Wall.E

 

Burkart, Karl. "The Top 10 Environmental Films of All Time: A Countdown of the Most Important Environmental Films Ever Made." Mother Nature Network 8 Jan. 2010.

         http://www.mnn.com/green-tech/research-innovations/blogs/top-10-environmental-films-of-all-time

         2018

Carlson, Erin. "WALL-E: Robot Romance Inspired by Hello, Dolly!" Trib Live 5 July 2008.

         http://triblive.com/x/pittsburghtrib/ae/movies/s_575886.html

         2018

English, Jennifer A. "WALL-E's Rhetoric: An Ecological Sermon from a Strange Preacher." Digital Commons (2010).

         http://digitalcommons.calpoly.edu/cgi/viewcontent.cgi?article=1008&context=comssp

         2018

García, Narcisa. "Wall-E desde Dolly: La citación intertextual." Academia.

         http://www.academia.edu/34433313/Wall-E_desde_Dolly._La_citaci%B3n_intertextual

         2018

Nguyen, Huy. "WALL-E:  For All Ages, for the Ages." Cinemablography.

         http://www.cinemablography/org/wall-e.html

         2018

 

 

 

White Heat

 

White Heat. With James Cagney. Warner, 1949.

 

 

Wild Angels

 

Wild Angels. With Peter Fonda, Nancy Sinatra, Bruce Dern, Diane Ladd.

 

Wizard of Oz

 

Rushdie.The Wizard of Oz: A Short Text about Magic. London: BFI, 1992.

 

 

Written on the Wind

 

Orr, Christopher. “Closure and Containment: Marylee Hadley in Written on the Wind.” In Imitations of Life: A Reader on Film and Television Melodrama. Ed. Marcia Landy. Detroit: Wayne State UP, 1991. 380-87.

 

Zonk! (1950)

 

Maingard, Jacqueline. "5. All that Jazz: Representing Black Identities in Zonk! (1950) and Song of Africa (1951)." In Maingard, South African National Cinema. London: Routledge, 2007. 90-105.*

 

 

 

Zulu (1964)

 

 

Zulu Love Letter  (2004)

 

Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*

 

 

 

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      from A Bibliography of Literary Theory, Criticism and Philology http://bit.ly/abibliog by José Ángel García L...