A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Narrative Closure; Endings
Abbott, H. Porter. The Cambridge Introduction to Narrative. Cambridge: Cambridge UP, 2002.* (Closure).
_____. "Closure." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 65-66.*
Adams, Martin. Review of Fable's End: Completeness and Closure in Rhetorical Fiction, by David H. Richter. Modern Philology 76 (August 1978): 106-8.
Armstrong, Nancy. "Character, Closure, and Impressionist Fiction." Criticism 19.4 (Fall 1977).
Aucoin, Don. "The End." Boston.com 11 June 2007. (Harry Potter, The Sopranos).
http://www.boston.com/ae/tv/articles/2007/06/11/the_end/?page=1
2007
Benjamin, Craig. "Beginnings and Endings." In Palgrave Advances in World Histories. Ed. Marnie Hughes-Warrington. New York: Palgrave Macmillan, 2005.
Bernstein, Michael André. Foregone Conclusions: Against Apocalyptic History. (Contraversions: Critical Studies in Jewish Literature, Culture, and Society, 4. A Centennial Book). Berkeley: U of California P, 1994.*
Booth, Alison. Famous Last Words: Changes in Gender and Narrative Closure. Charlottesville: UP of Virginia, 1993.
Brooks, Peter. "Freud's Masterplot: Questions of Narrative." Yale French Studies 55/6 (1977): 280-300.
_____. Reading for the Plot: Design and Intention in Narrative. Oxford: Clarendon Press; New York: Alfred A. Knopf, 1984.*
Cadden, Mike. "All Is Well: The Epilogue in Children's Fantasy Fiction." Narrative 20.3 (Oct. 2012): 343-56.*
Chatman, Seymour. "2. Plot." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 20-57.* (Definition of Plot; Closed and Open Plots; Story-Time and Discourse-Time; Narrative Order and Duration: Carson McCullers, 'A Tree- A Rock - A Cloud'; Margaret Atwood, 'The Sin Eater'; Joyce Carol Oates, 'Four Summers').
Compagnon, Antoine. "Le lecteur." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 147-76.* (genre, resistance, implied reader, open works).
Corcoran, Paul. Awaiting Apocalypse. Houndmills: Macmillan; New York: St. Martin's, 2000.* (Time, apocalypse, endings, closure, history, waiting).
Descargues, Madeleine. "Sterne, Nabokov and the Happy (Non)Ending of Biography." In Laurence Sterne in Modernism and Postmodernism. Ed. David Pierce and Peter de Voogd. Amsterdam: Rodopi, 1996. 167-78.*
Douglas, J. Yellowlees. "'How Do I Stop This Thing?' Closure and Indeterminacy in Interactive Narratives." In Hyper/Text/Theory. Ed. George P. Landow. Baltimore: Johns Hopkins UP, 1994. 159-88.*
Dunn, Francis. Tragedy's End: Gestures of Closure in Euripidean Drama. Oxford: Oxford UP, forthcoming 1994.
DuPlessis, Rachel Blau. "Endings and Contradictions." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 282-89.*
Eco, Umberto. Opera aperta: forma e indeterminazione nelle poetiche contemporanee. Milano: Bompiani, 1962. 2nd ed. 1967.
_____. The Open Work. New York: Hutchinson, 1989.
_____. The Open Work. Trans. Anna Cangogni. Cambridge (MA): Harvard UP, 1989.
_____. L'Œuvre ouverte. Paris: Seuil, 1965. (Rpt. Seuil-Points).
_____. Obra abierta. Barcelona: Ariel, 1979. 1990.
_____. Obra abierta. Barcelona: Planeta, 1984.
_____. "From Internet to Gutenberg." 1996.
http://www.hf.ntnu.no/anv/Finnbo/tekster/Eco/Internet.htm
2006-06-15
Eikhenbaum, Boris. "O. Henry and the Theory of the Short Story." 1925. In Readings in Russian Poetics: Formalist and Structuralist Views. Ed. Ladislav Matejka and Krystyna Pomorska. Ann Arbor: U of Michigan P, 1978. 227-70.
Fins de romans: Aspects de la conclusion dans la littérature anglaise. Caen: Presses Universitaires de Caen, 1994.
Gabora, L. "Conceptual Closure: How Memories are Woven into an Interconnected Worldview." Annals of the New York Academy of Sciences 901 (2000). 42-53.
García Landa, José Ángel. "Samuel Johnson's Rasselas: The Duplicity of Choice and the Sense of an Ending." Revista Canaria de Estudios Ingleses 19/20 (1989-1990): 75-99.*
http://webpages.ull.es/users/rceing/Back.html#Nos.%2019-20,%20NOVIEMBRE%201989/ABRIL%201990
2004-11-20
_____. "Samuel Johnson's Rasselas: The Duplicity of Choice and the Sense of an Ending." iPaper at Academia.edu 23 April 2010.*
2010
_____. "Samuel Johnson's Rasselas: The Duplicity of Choice and the Sense of an Ending." Online PDF at Social Science Research Network 23 April 2010.*
http://ssrn.com/abstract=1594819
2010
_____. "Samuel Johnson's Rasselas: The Duplicity of Choice and the Sense of an Ending." ResearchGate 5 Dec. 2013.*
https://www.researchgate.net/publication/49241561
2013
_____. "Samuel Johnson's Rasselas: The Duplicity of Choice and the Sense of an Ending." Humanities Commons 1 April 2018.*
https://hcommons.org/deposits/item/hc:18771/
http://dx.doi.org/10.17613/M6TV9M
2018
_____. "Samuel Johnson's Rasselas: The Duplicity of Choice and the Sense of an Ending." In García Landa, Vanity Fea 1 April 2018.*
http://vanityfea.blogspot.com.es/2018/04/samuel-johnsons-rasselas-duplicity-of.html
2018
_____. "'Silence Once Broken': Metalenguaje y clausura narrativa en Beckett." In Miscel.lània homenatge Enrique García Díez. Ed. Angel López García and Evangelina Rodríguez Cuadros. Valencia: Universitat de València / Consellería de Cultura, Educació i Ciència de la Generalitat Valenciana, 1991. 117-28.*
_____. "Silence Once Broken: Metalenguaje y clausura narrativa en Beckett." Online edition at Net Sight de José Angel García Landa (2004).*
http://www.unizar.es/departamentos/filologia_inglesa/garciala/publicaciones/silence.html
2006
_____. "'Silence Once Broken': Metalenguaje y clausura narrativa en Beckett." Online PDF at Zaguán 9 Oct. 2009.*
http://zaguan.unizar.es/record/4172
2009
_____. "'Silence Once Broken': Metalenguaje y clausura narrativa en Beckett." iPaper at Academia.edu 19 April 2010.*
https://www.academia.edu/229496/
2014
_____. "'Silence Once Broken': Metalenguaje y clausura narrativa en Beckett." Online PDF at Social Science Research Network 19 April 2010.*
http://ssrn.com/abstract=1592117
2010
English & Commonwealth Literature eJournal 19 April 2010:
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2012
Cognition & Culture… eJournal 19 April 2010:
http://www.ssrn.com/link/Cognition-Culture.html
2013
_____. "'Silence once broken': Metalenguaje y clausura narrativa en Beckett." ResearchGate 19 Oct. 2012.*
https://www.researchgate.net/publication/33420399
2012
_____. "Saliendo de la trilogía: El final de The Unnamable." Social Science Research Network 21 Nov. 2014. (Samuel Beckett y la narración reflexiva, 8).*
http://papers.ssrn.com/abstract=2527915
2014
Cognition & the Arts eJournal 21 Nov. 2014.*
http://www.ssrn.com/link/Cognition-Arts.html
2014
English & Commonwealth Literature eJournal 21 Nov. 2014.*
http://www.ssrn.com/link/English-Commonwealth-Lit.html
2014
Aesthetics & Philosophy of Art eJournal 21 Nov. 2014.*
http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html
2014
Continental Philosophy eJournal 21 Nov. 2014.*
http://www.ssrn.com/link/Continental-Philosophy.html
2014
_____. "Saliendo de la trilogía: El final de The Unnamable." In García Landa, Vanity Fea 5 Dec. 2014.*
http://vanityfea.blogspot.com.es/2014/12/saliendo-de-la-trilogia-el-final-de.html
2014
_____. "Saliendo de la trilogía: El final de The Unnamable (Samuel Beckett y la narración reflexiva, 8)." Academia 20 Aug. 2015.*
https://www.academia.edu/15053757/
2015
_____. "Saliendo de la trilogía: El final de The Unnamable (Samuel Beckett y la narración reflexiva, 8)." ResearchGate 20 Aug. 2015.*
https://www.researchgate.net/publication/281106984
2015
_____. "La clausura narrativa." In García Landa, Acción, Relato, Discurso: Estructura de la ficción narrativa. Salamanca: Ediciones Universidad de Salamanca, 1998. 381-84.*
_____. "El fin de la vida, el fin de la vida y el fin de la vida." In García Landa, Vanity Fea 4 July 2006.
http://garciala.blogia.com/2006/070401-el-fin-de-la-vida-el-fin-de-la-vida-y-el-fin-de-la-vida.php
2006-07-28
_____. "Blog departamental / Open endings open up the." In García Landa, Vanity Fea 5 Oct. 2006.
http://garciala.blogia.com/2006/100501-blog-departamental.php
2006-11-01
_____. "Ending and Stopping." In García Landa, Vanity Fea 12 June 2007.
http://garciala.blogia.com/2007/061401-ending-and-stopping.php
2007-07-04
Goldman, S. R. and Kantor, R. J.. "The Limits of Poetic License: When Shouldn't an Ending be Happy?" Poetics 22.1-2 (1993).*
Grausam, David. On Endings: American Postmodern Fiction and the Cold War. UP of Virginia, 2011.
http://www.upress.virginia.edu/books/grausam.html
Gray, Douglas. "Ends and Beginnings in the Earlier Sixteenth-Century Drama." In SEDERI VI. Ed. Ana María Manzanas Calvo. N.p.: SEDERI, 1996. 75-91.*
Harpold, Terence. "Conclusions." (Nonlinearity). In Hyper/Text/Theory. Ed. George P. Landow. Baltimore: Johns Hopkins UP, 1994. 189-222.*
Hodgdon, Barbara. The End Crowns All: Closure and Contradiction in Shakespeare's History. Princeton: Princeton UP, 1990. 1991.
Holland, Norman. "14. Endings." In Holland, Literature and the Brain. Gainesville (FL): PsyArt Foundation, 2009. 164-70.*
Hume, Robert D. "The Conclusion of Defoe's Roxana: Fiasco or Tour de Force?" Eighteenth-Century Studies 3 (1970): 475-90.
Hutcheon, Linda, and Michael Hutcheon. "Narrativizing the End: Death and Opera." In A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 441-50.*
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca: Cornell UP, 1981.*
Kafalenos, Emma. Narrative Causalities. Columbus: Ohio State Universitbioy Press, 2006.
Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. New York: Oxford UP, 1967. Pbk. 1968.*
_____. The Sense of an Ending Oxford and New York: Oxford UP, 2000.
_____. "Sensing Endings." Nineteenth-Century Fiction 33 (1978): 144-58.
Klapp, O. Openings and Closings. New York: Cambridge UP, 1978.
Lang, Anouk. "'The Status Is Not Quo!': Pursuing Resolution in Web-Disseminated Serial Narrative." Narrative 18.3 (October 2010): 367-81.*
Ledesma, Felipe. "Sentido y desenlace: Sobre la vida como género literario." In Congreso Fenomenología y Ciencias Humanas: Santiago de Compostela, 24-28 de Septiembre de 1996. Ed. Mª Luz Pintos Peñaranda and José Luis González López. Santiago de Compostela: U de Santiago de Compostela, 1998. 341-46.*
Lejeune, Philippe. "How Do Diaries End?" Biography 24.1 (2001): 99-112.
Macarthur, Elizabeth J. Extravagant Narratives: Closure and Dynamics in the Epistolary Form. Princeton, NJ: Princeton UP, 1990.
Martín Gaite, Carmen. El cuento de nunca acabar. Barcelona: Destino, 1989.
Miller, D. A. Narrative and Its Discontents: Problems of Closure in the Traditional Novel. Princeton: Princeton University Press, 1981.
_____. "Problems of Closure in the Traditional Novel." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 272-81.*
Miller, J. Hillis. "The Problematic of Ending in Narrative." Nineteenth-Century Fiction 33.1 (1978): 3-7.
_____. "Three: The End of the Line." In Miller, Reading Narrative. Norman: U of Oklahoma P, 1998. 52-56.*
Monteiro, George. "Hemingway, O. Henry, and the Surprise Ending." In Twentieth-Century Literary Criticism. Ed. Dennis Poupard et al Detroit: Gale Research, 1986.
Morson, Gary Saul. Narrative and Freedom: The Shadows of Time. New Haven: Yale UP, 1994.*
Moulthrop, Stuart. "Containing the Multitude: The Problem of Closure in Interactive Fiction." Association for Computers in the Humanities Newsletter 10 (Sumer 1988): 29-46.
Nadal Blasco, Marita. "Freedom and Temporal Openness versus Inevitability and Narrative Closure in Flannery O'Connor's Short Stories." In The Short Story in English: Crossing Boundaries. Ed. María Rosa Cabellos Castilla et al. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, forthcoming 2006.
Neill, Michael. "Anxieties of Ending." In Neill, Issues of Death: Mortality and Identity in English Renaissance Tragedy. Oxford: Clarendon Press, 1997. 1998. 201-15.*
Neupert, Richard. The End: Narration and Closure in the Cinema. Detroit: Wayne State UP, 1995.
Nineteenth-Century Fiction, Special Issue: Narrative Endings Vol. 33.1 (June 1978): 1-158.
Rabinowitz, Peter. "Reading Beginnings and Endings." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 300-13.*
_____. "8. End Sinister: Neat Closure as Disruptive Force." From Reading Narrative: Form, Ethics, Ideology. Ohio State UP, 2019. 120-31. Online at Academia.*
https://www.academia.edu/9815750/
2019
Reising, Russell. "Loose Ends: Aesthetic Closure and Social Crisis." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 314-28.*
Revaz, Françoise. "5. The Poetics of Suspended Narrative." In Contemporary French and Francophone Narratology. Ed. John Pier. Columbus: Ohio State UP, 2020. 92-109.*
Richardson, Brian. "Endings in Drama and Performance: A Theoretical Model." In Current Trends in Narratology. Ed. Greta Olson. Berlin and New York: De Gruyter, 2011. 181-99.*
_____, ed. Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. (The Theory and Interpretation of Narrative Series). Columbus: Ohio State UP, 2002.* (Part I: Time; Part II: Plot; Part III: Narrative Sequencing; Part IV: Beginnings and Ends; Part V: Narrative Frames).
Richter, David H. Fable's End: Completeness and Clausure in Rhetorical Fiction. Chicago: U of Chicago P, 1974.
Roberts, Deborah H., M. Dunn and Don Fowler, eds. Classical Closure: Reading the End in Greek and Latin Literature. Princeton (NJ): Princeton UP, 1997.
Rowe, Joyce A. Equivocal Endings in Classic American Novels: The Scarlet Letter; Adventures of Huckleberry Finn; The Ambassadors; The Great Gatsby. 1988 .
Russell, Catherine. "Conclusion: The Senselessness of Ending." In Russell, Narrative Mortality: Death, Closure and New Wave Cinemas. Minneapolis: U of Minnesota P, 1995. 209-26.*
Schegloff, Emanuel A., and Harvey Sacks. "Opening Up Closing." Semiotica 8 (1973): 289-327.
_____. "Opening Up Closings." In The Discourse Reader. Ed. Adam Jaworski and Nikolas Coupland. London: Routledge, 1999. 263-74.*
Schmid, Wolf. "6. Anton Cexov's Open-Ended Stories." In Schmid, The Nonnarrated. Berlin and Boston: De Gruyter, 2023. 41-48.*
https://doi.org/10.1515/9783111242637-006
2023
Sheridan, David. "The End of the World: Closure in the Fantasies of Borges, Calvino and Millhauser." In Postmodern Approaches to the Short Story. Ed. Farthat Iftekharrudin et al. Westport (CT) and London: Praeger, 2003.
Singer, Alan. The Subject as Action: Transformation and Totality in Narrative Aesthetics. Ann Arbor: U of Michigan P, 1993.*
Smith, Barbara Herrnstein. Poetic Closure: A Study of How Poems End. Chicago: U of Chicago P, 1968.
Spence, Nigel, and Leah McGirr. "Unhappy Endings: The Heterosexual Dynamic in Australian Film." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 37-56.*
Sutherland, James. "The Conclusion of Roxana." In Daniel Defoe: A Collection of Critical Essays. Ed. Max Byrd. Englewood Cliffs (NJ): Prentice Hall, 1976. 140-50.
Thackeray, William Makepeace. "De Finibus." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 263-75.*
Torgovnick, Marianna. Closure in the Novel. Princeton (NJ): Princeton UP, 1981.
Verkuyl, Henk J. "Nondurative Closure of Events." In Studies in Discourse Representation and the Theory of Generalized Quantifiers. Ed. Jeron Groenendijk and Martin Stokhof. Dordrecht: Foris, 1987. 87-113.
Walker, Jill. "Rituals of Closure." Jill/txt 19 Sept. 2006.*
2011
Literature
Atwood, Margaret. "Happy Endings." In Sudden Fiction International. Ed. R. Shapard and J. Thomas. New York: Norton, 1989.
_____. "Happy Endings." Online ed.
http://users.ipfw.edu/ruflethe/endings.htm
Baltanás, Enrique. El argumento inacabado. Poetry. 2005.
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