A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Immersion
(In literature, film, aesthetic experience…)
Anderson, Joseph D. The Reality of Illusion: An Ecological Approach to Cognitive Film Theory. Carbondale: Southern Illinois UP, 1996.
Andringa, Els, Petra van Horssen, Astrid Jacobs, and Ed Tan. "Point of View and Viewer Empathy in Film." In New Perspectives on Narrative Perspective. Ed. Willie van Peer and Seymour Chatman. Albany: SUNY Press, 2001. 133-58.*
Busselle, Rick, and H. Bilandzic. "Measuring Narrative Engagement." Media Psychology 12.4 (2009): 321-47.
Caracciolo, Marco. "4. Blind Reading: Bodily and Perceptual Responses to Narrative." In Caracciolo, The Experientiality of Narrative. Berlin and Boston: De Gruyter, 2014. 93-109.* (The Enactivist Theory of Experience; Enacting Narrative Space; Enacting Characters' Bodily-Perceptual Experiences; Enacting Qualia through Metaphorical Language).
Chihaia, Matei. Der Golem-Effekt: Orientierung und phantastische Immersion im Zeitalter des Kinos. Bielefeld, 2011.
_____. "Mídia imersiva em Quiroga, Borges e Cortázar: o que as alegorias nos dizem sobre a experiência de transportaçao." In Ficcionalidade: Uma prática cultural e seus contextos. Sâo Paulo: Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de Sâo Paulo, 2018. 231- 51. Online at Academia.*
https://www.academia.edu/38128699/
https://www.academia.edu/38584054/
2021
Dogan, Evinc, and M. Hamdi Kan. "Bringing Heritage Sites to Life for Visitors: Towards a Conceptual Framework for Immersive Experience." Advances in Hospitality and Tourism Research (AHTR) 8.1 (2020): 76-99.*
DOI: 10.30519/ahtr.630783
Akdeniz U Tourism Faculty
Online at Academia.*
https://www.academia.edu/43316812/
2020
Esrock, Ellen J. "Einfühlung as the Breath of Art: Six Modes of Embodiment." In Cognitive Processing. 2017.
_____. "11. Body Forth in Narrative." In Narrative Complexity: Cognition, Embodiment, Evolution. Ed. Marina Grishakova and Maria Poulaki. Lincoln: U of Nebraska P, 2019. 270-90.*
Galbraith, Mary. "Deictic Shift Theory and the Poetics of Involvement in Narrative." In Deixis in Narrative: A Cognitive Science Perspective. Ed. J. F. Duchan, G. A. Bruder and L. E. Hewitt. Hillsdale (NJ): Erlbaum, 1995. 19-59.
García Landa, José Ángel. "Inmersión, interacción, transición imposible." In García Landa, Vanity Fea 31 March 2006.
http://garciala.blogia.com/2006/033101-inmersion-interaccion-transicion-imposible.php
2006-04-07
_____. "Escritura e inmersiones." In García Landa, Vanity Fea 21 July 2008. (Diaries).
http://garciala.blogia.com/2008/072103-escritura-e-inmersiones.php
2008
_____. "Avatar." Rev. of James Cameron's film. In García Landa, Vanity Fea 1 Jan. 2010.*
http://vanityfea.blogspot.com/2010/01/avatar.html
2010
_____. "Implicarse en el juego." In García Landa, Vanity Fea 13 July 2013.*
http://vanityfea.blogspot.com.es/2013/07/implicarse-en-el-juego_1963.html
2013
_____. "Implicarse en el juego: Filosofía del fútbol." Social Science Research Network 19 Feb. 2016.*
http://ssrn.com/abstract=2733852
2016
Cultural Anthropology eJournal 19 Feb. 2016.*
http://www.ssrn.com/link/Cultural-Anthropology.html
2016
Ethics eJournal 19 Feb. 2016.*
http://www.ssrn.com/link/Ethics.html
2016
Continental Philosophy eJournal 19 Feb. 2016.*
http://www.ssrn.com/link/Continental-Philosophy.html
2016
_____. "Implicarse en el juego: Filosofía del fútbol." In García Landa, Vanity Fea 1 March 2016.*
http://vanityfea.blogspot.com.es/2016/03/implicarse-en-el-juego-filosofia-del.html
2016
_____. "Implicarse en el juego: Filosofía del fútbol." Academia 10 Sept. 2017.*
https://www.academia.edu/34526973/
2017
_____. "Implicarse en el juego: Filosofía del fútbol." ResearchGate 14 Sept. 2017.*
https://www.academia.edu/34526973/
2017
_____. "Implicarse en el juego: Filosofía del fútbol." Net Sight de José Angel García Landa 24 July 2023.*
https://personal.unizar.es/garciala/publicaciones/implicarsefutbol.pdf
2023
Gebauer, Carolin. "12. Narrative of Emancipation: Character-Centered Illusion, Cognitive Dissonance, and Narrative Unreliability in Emma Donoghue's Room (2010)." In Gebauer, Making Time: World Construction in the Present-Tense Novel. Boston and Berlin: De Gruyter, 2021. 257-75.* (Focalization, immersion).
https://doi.org/10.1515/9873110708134-012
2021
Goffman, Erving. "Alienation from Interaction." In Goffman, Interaction Ritual.
Green, Melanie C., and Marcus Appel. "Narrative Transportation: How Stories Shape How We See Ourselves and the World." Advances in Experimental Social Psychology 70.1 (July 2024): 1-82.*
https://doi.org/10.1016/bs.aesp.2024.03.002
Online at ScienceDirect.*
https://www.sciencedirect.com/science/article/abs/pii/S0065260124000145?via%3Dihub
Online at ResearchGate.*
https://www.researchgate.net/publication/381855061
2024
Hakemulder, F., et al., eds. Narrative Absorption. (Linguistic Approaches to Literature, 27). Amsterdam: John Benjamins, 2017.
Holland Norman N, "The Willing Suspension of Disbelief: A Neuro-Psychoanalytic View," PsyArt 22 Jan. 2003,*
http://www.psyartjournal.com/article/show/n_holland-the_willing_suspension_of_disbelief_a_ne
2012
_____. "7. Why Don't We Doubt?" In Holland, Literature and the Brain. Gainesville (FL): PsyArt Foundation, 2009. 59-74.*
_____. Literature and the Brain. Gainesville (FL): PsyArt Foundation, 2009.* (I. The Questions. II. Being Transported. III. Enjoying. IV. The Big Questions).
Horsdal, Marianne. Telling Lives: Exploring Dimensions of Narrative. London: Routledge, 2012.* (Time and plot, Augustine, Emplotment, causality, mirror neurons, vicarious experience, interaction, oral narrative).
Iser, Wolfgang. Der Akt des Lesens: Theorie ästhetischer Wirkung Munich: Fink, 1976.
_____. Der Akt des Lesens: Theorie ästhetischer Wirkung. 4th ed. (UTB). Fink, 2009.
_____. The Act of Reading: A Theory of Aesthetic Response. Baltimore: Johns Hopkins UP, 1978. 1980.
_____. The Act of Reading. London: Routledge, 1978.
Karpf, Anne. "The Pleasure of Immersion: Some Thoughts on How The Singing Detective Sustains Narrative." Journal of Screenwriting (2013). Online at Academia.*
https://www.academia.edu/50183293/
2021
Kelly, Kevin. "As if." The Technium 8 Jan. 2009. (Virtual reality).
http://www.kk.org/thetechnium/archives/2009/01/as_if.php
2009
López Narváez, Julia. Rev. of Storyworld Possible Selves. By María Ángeles Martínez. Miscelánea 61 (2020): 145-49.*
https://www.miscelaneajournal.net/index.php/misc/article/view/707/344
2020
Martínez, M. Angeles. "Storyworld Possible Selves and the Phenomenon of Narrative Immersion: Testing a New Theoretical Construct." Narrative 22.1 (2014): 110-31.*
2024
_____. "Storyworld Possible Selves and the Phenomenon of Narrative Immersion: Testing a New Theoretical Construct." Online at Scribd (2014).*
http://es.scribd.com/doc/226008430/
2014 DISCONTINUED 2024
_____. "Storyworld Possible Selves and the Phenomenon of Narrative Immersion: Testing a New Theoretical Construct." Online at Project Muse.*
https://muse.jhu.edu/article/536493
2024
_____. "Possible Selves and Narrative Immersion." In García Landa, Vanity Fea 19 July 2014.*
http://vanityfea.blogspot.com.es/2014/07/possible-selves-narrative-immersion.html
2014
_____. Storyworld Possible Selves. Berlin and Boston: Walter de Gruyter, 2018. Online preview at Google Books.*
https://books.google.es/books?id=UwNPDwAAQBAJ
2018
McGonigal, Jane. "This Is Not a Game: Immersive Aesthetics and Collective Play." In Proceedings: Digital Arts and Culture 2003. Ed. A. Miles. Melbourne: RMIT University.
http://hypertext.rmit.edu.au/dac/papers/McGonigal.pdf
Miall, David and Don Kuiken. "A Feeling for Fiction: Becoming What We Behold." Poetics 30 (2002): 221-41.
Murray, Janet H. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New York: Free Press, 1997.
_____. Hamlet on the Holodeck: The Future of Narrative in Cyberspace Cambridge (MA): MIT Press, n.d.* (Narrative, Shakespeare, videogames, computers and literature, Internet, virtual reality, immersion).
Nae, Andrei. "Immersion at the Intersection of Technology, Subjectivity, and Culture: An Analysis of Silent Hill 2." Acta Univ. Sapientiae: Film and Media Studies 13 (2016): 7-19.*
DOI: 10.1515/ausfm-2016-0011
http://www.acta.sapientia.ro/acta-film/C13/film13-01.pdf
2021
Online at Academia.*
https://www.academia.edu/45176736/
2021
Parra Bravo, Cristian. "Aesthetics, Engagement, and Narration: Temporal Constraint as an Articulator of Ludo-Narrative Time." Games and Culture (17 Oct. 2023).*
https://doi.org/10.1177/15554120231206429
https://journals.sagepub.com/doi/10.1177/15554120231206429
2023
Pianzola, Federico, Giuseppe Riva, Fabrizia Mantovani and Kari Kukkonen. "Presence, Flow, and Narrative Absorption: An Interdisciplinary Theoretical Exploration with a New Spatiotemporal Integrated Model Based on Predictive Processing." Online at Academia.*
https://www.academia.edu/44029433/
2021
Poulaki, Maria. "12. Between Distancing and Immersion: The Body in Complex Narrative." In Narrative Complexity: Cognition, Embodiment, Evolution. Ed. Marina Grishakova and Maria Poulaki. Lincoln: U of Nebraska P, 2019. 291-313.*
Poulet, Georges. "The Phenomenology of Reading." New Literary History 1.1 (1969): 53-68.
_____. "Phenomenology of Reading." In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.
Rose, Frank. Storytelling and the Art of Immersion.
Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: Johns Hopkins UP, 2001.
_____. La narración como realidad virtual: La inmersión y la interactividad en la literatura y en los medios electrónicos. Barcelona: Paidos, 2004.
_____. La narración como realidad virtual: La inmersión y la interactividad en la literatura y en los medios electrónicos. Barcelona: Paidos, 2004.
Schaeffer, Jean-Marie, and Ioana Vultur. "Immersion." In The Routledge Encyclopedia of Narrative Theory. Ed. David Herman, Manfred Jahn and Marie-Laure Ryan. Abingdon and New York: Routledge, 2005. 237-39.*
Sestir, Mark, and Melanie C. Green. "You are Who you Watch: Identification and Transportation Effects on Temporary Self-concept." Social Influence 5 (2010): 272-288.
Toolan, Michael. "How Does Literary Language Move Us? On Being 'Immersed' and Emotionally Engaged in Literary Narratives." In Con/Texts of Persuasion. Ed. Beatriz Penas et al. Kassel: Edition Reichenberger, 2011. 15-25.*
_____. "Engagement Via Emotional Heightening in 'Passion': On the Grammatical Texture of Emotionally-Immersive Passages in Short Fiction." Narrative 20.2 (May 2012): 210-25.*
Wolf, Werner. Ästhetische Illusion und Illusionsdurchbrechung in der Erzählkunst: Theorie und Geschichte mit Schwerpunkt auf englischem illusionsstörenden Erzählen. Tübingen: Niemeyer, 1993.*
_____. "Is Aesthetic Illusion 'illusion référentielle'? 'Immersion' in (Narrative) Representations and its Relationship to Fictionality and Factuality." Journal of Literary Theory 2.1 (2008): 101-28.*
http://www.jltonline.de/index.php/articles/article/view/19/198
2009
Wolf, Werner, Walter Bernhart, and Andreas Mahler, eds. Immersion and Distance: Aesthetic Illusion in Literature and Other Media. (Studies in Intermediality, 6). Amsterdam and New York: Rodopi, 2013.
Audio
Roberts, Russ. "Frank Rose on Storytelling and the Art of Immersion." Audio interview. EconTalk 10 Oct. 2011.*
https://www.econtalk.org/frank-rose-on-storytelling-and-the-art-of-immersion/
2022
Video
Deleyto, Celestino. "Psychoanalysis and Audiovisual Culture: A Conversation with Professor Caroline Bainbridge." Video interview, 22 April 2021. YouTube (Cosmopolitan Spaces in Cinema Research Project) 2021.* (Videogames, immersion).
2022
See also Absorption; Involvement; Virtual reality; Illusion; Attention; Vicarious experience.
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