Orígenes de la novela

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Origins of the Novel

 

 

Bakhtin, Mikhail. "Iz predystorii romannogo slova." ("From the prehistory of novel discourse"). In Bakhtin, Voprosy literatury i èstitiki. Moscow, 1975. 408-46.

_____. "Iz predystorii romannogo slova." (In Russkaia i zarubeznaia literatura. (Uchenie zapiski Mordovskogo Universiteta, 61). Saransk, 1967.

_____. "From the Prehistory of Novelistic Discourse." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 41-83.*

_____. "From the Prehistory of Novelistic Discourse." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 124-56.*

_____. "De la préhistoire du discours romanesque." In Bakhtin, Esthétique et théorie du roman. Paris: Gallimard, 1978. 39-438.*

_____. "From the Prehistory of Novelistic Discourse." Trans. Caryl Emerson and Michael Holquist. In Lodge, Modern Criticism and Theory. 1988. 125-56.*

_____. "Epos i roman." ("Epic and Novel"). 1941. In Bakhtin, Voprosy literatury i èstitiki. Moscow, 1975. 447-83.

_____. "Epos i roman." Voprosy Literatury 1 (1970): 95-122.

_____. "Epic and Novel." In Bakhtin, The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin: U of Texas P, 1981. 3-40.*

_____. "Epic and Novel." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 48-69.*

_____. "Récit épique et roman." In Bakhtin, Esthétique et théorie du roman. Paris: Gallimard, 1978. 439-74.

Couturier, Maurice. "The Many Births of the Novel." In Couturier, Textual Communication: A Print-Based Theory of the Novel. London: Routledge, 1991. 93-144.*

Dupeyron, Agathe. "Once upon a time: when did works of fiction appear around the world? Interrogating Seshat to make global historical comparisons." Seshat Databank 12 April 2016.*

         http://seshatdatabank.info/global_fiction

         2016

García Gual, Carlos. "Quéreas y Calírroe, de Caritón de Afrodisia." In García Gual, Los orígenes de la novela. Madrid: Istmo, 1972. 201-24.*

_____. "Las efesíacas o Antía y Habrócomes, de Jenofonte de Efeso." In García Gual, Los orígenes de la novela. Madrid: Istmo, 1972. 225-42.*

_____. "Leucipa y Clitofonte, de Aquiles Tacio." In García Gual, Los orígenes de la novela. Madrid: Istmo, 1972. 243-62.*

_____. Los orígenes de la novela. Madrid: Istmo, 1972.*

_____. "El amor cortés." In García Gual, Primeras novelas europeas. 2nd ed. Madrid: Istmo, 1988. 73-84.*

_____. "El rey Arturo." In García Gual, Primeras novelas europeas. 2nd ed. Madrid: Istmo, 1988. 125-48.* (Geoffrey of Monmouth, Wace).

_____. "Tristán e Isolda." (Béroul, Thomas, Tristan en prose). In García Gual, Primeras novelas europeas. 2nd ed. Madrid: Istmo, 1988. 149-74.*

_____. "El Grial y sus enigmas." In García Gual, Primeras novelas europeas. 2nd ed. Madrid: Istmo, 1988. 57-266.*

_____.  "El Roman de Renard:  carrera de un héroe anticaballeresco."  In García Gual, Primeras novelas europeas.  2nd ed.  Madrid: Istmo, 1988.  277-89.*

_____. Primeras novelas europeas. 2nd ed. Madrid: Istmo, 1988.*

_____. Historia, novela y tragedia. (El Libro de Bolsillo, 5997). Madrid: Alianza Editorial, 2006.*

_____. "De la historia crítica a la biografía novelesca." In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 73-80.* (Thucydides).

_____. "La primera novela." In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 96-116.* (Caritón de Afrodisias).

_____. "Las primeras novelas históricas: Calírroe y Parténope." In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 117-32.*

_____. "¿Por qué el emperador Juliano prohibía leer novelas?" In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 133-39.*

_____. "Elementos novelescos en la Vida de Alejandro del Pseudo Calístenes." In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 140-49.*

_____. "Relaciones entre la novela corta y la novela en la literatura griega y latina." In García Gual, Historia, novela y tragedia. Madrid: Alianza, 2006. 163-85.*

Gilman, Stephen. La novela según Cervantes. Introd. Roy Harvey Pearce. 1989. Trans. Carlos Avila Flores. México: FCE, 1993.*

Moore, John. "View of the Commencement and Progress of Romance." In The Works of Tobias Smollett. 1797.

Robert, Marthe. Roman des origines et origines du roman. Paris: Grasset, 1972.

_____. Roman des origines et origines du roman. Paris: Gallimard, 1993.

_____. Novela de los orígenes y orígenes de la novela. Madrid: Taurus, 1973.

_____. Origins of the Novel. Bloomington: Indiana UP, 1980.

 

 

 

See also Fiction: Ages (Classical, Medieval, Early Modern); Origin of literature.

 

 

 

La Bibliografía, en la LIBRARY OF CONGRESS

Retropost, 2014:

Y yo sin hacerle una foto a esto, hasta la fecha. A veces me puede la modestia—o más bien se me pasan las cosas por alto.



(La sexta entrada de la lista es la que edito yo. Solito, aclaro—desde los años 80).

____

PS, 2024: Hay que decir que diez años despúes ya no figura allí la bibliografía, por reorganización de la página o por lo que sea....

 

Otro enlace en Harvard

—oOo—

Bing-oh

 Retropost, 2014:

A ver, esto es un poco raro. No sé si desagradable, en principio para nada, luego puede que incluso sí, pero raro...

Buscando en Bing "A Bibliography of Literary Theory" no es sólo que mi bibliografía aparezca la primera—es que las dos primeras páginas de resultados vienen prácticamente todos de mi bibliografía. Y hay más gente haciendo esto en la Internet, oigan—47 millones de resultados dice Bing.



¿Too much of a good thing, quizá? Me van a decir que de dónde saco, pa tanto como destaco. Entre yo, y el grupo éste Theory of a Dead Man, nos repartimos el trigo.

 

 

 

Aquí en la Biblioteca del Congreso (Washington)

—oOo—

Ideología y Ficción narrativa

 

    from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Ideology and Narrative Fiction

 

 

Armstrong, Nancy. How Novels Think: The Limits of Individualism from 1719-1900. New York: Columbia University Press, 2005.

Craig, Cairns. "Conclusion: Narrative and the Space of the Nation." In Craig, The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh UP, 1999. 235-41.*

Davies, Lennard J. Resisting Novels: Ideology and Fiction. New York: Methuen, 1987.*

Fiedler, Leslie. "3. Gone with the Wind: The Feminization of the Anti-Tom Novel." In Gender, Language, and Myth: Essays on Popular Narrative. Ed. Glenwood Irons. Toronto, Buffalo, London: U of Toronto P, 1992. 46-62.*

Fludernik, Monika. "Natural Narratology." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 311-75.* (Narratology, def. of narrative, narrative and ideology).

Gunn, Daniel P. "Is Clarissa Bourgeois Art?" Eighteenth-Century Fiction 10 (Oct. 1997): 1–14.

Holquist, Michael. "Ideology, The Sacred, and the Novel." Paper presented at Moscow, June 2015.

_____. "Ideologiia, sakral'noe i roman." Ed. and trans. T. A. Pirusskaia. In Literatura i ideologiia: Vek dvadtsatyi. Ed. O. Yu. Panova and V. M. Tolmachev. Moscow, 2016.

McAdams, Dan P.  "3. Theme and Ideological Setting." In McAdams, The Stories we Live By. New York: Guilford Press, 1993. 67-90.*

Moretti, Franco. "The Novel, the Nation-State." From Atlas of the European Novel, 1800-1900. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 734-46.*

Phelan, James. (1951). Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Columbus (OH): Ohio State UP, 1996.*

_____, ed. Reading Narrative: Form, Ethics, Ideology. Columbus (OH): Ohio State UP, 1989.

Said, Edward W. "Molestation and Authority in Narrative Fiction." In Aspects of Narrative. Ed. J. Hillis Miller. New York: Columbia UP, 1971. 47-68.

_____. "Consolidated Vision." From Culture and Imperialism. In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 691-715.*

Sclippa, Norbert. Texte et idéologie: Images de la noblesse et de la bourgeoisie dans le roman français, des années 1750 à 1830. New York: Peter Lang, 1987.

Singer, Alan. "The Dis-Position of the Subject: Agency and Form in the Ideology of the Novel." In Singer, The Subject as Action. Ann Arbor: U of Michigan P, 1993. 55-78.*

Slaughter, Joseph. Human Rights, Inc. The World Novel, Narrative Form, and International Law. (René Wellek Prize 2008).

Smith, Steve. "Marxism and Ideology. Joseph Conrad, Heart of Darkness." In Literary Theory at Work: Three Texts. Ed Douglas Tallack. London: B. T. Batsford, 1987. 181-200.*

Suleiman, Susan Rubin. Le Roman à thèse ou l'Autorité fictive. (Ecriture). Paris: PUF, 1983.

_____. Authoritarian Fictions: The Ideological Novel as a Literary Genre. 1983. Princeton (NJ): Princeton UP, 1993.*

Walder, Dennis. The Nineteenth Century Novel: Identities. London: Routledge, 2001.

Wolf, Werner. "Chance in Fiction as a Privileged Index of Implied World-views: A Contribution to the Study of the World-Modelling Functions of Narrative Fiction." In Theorizing Narrativity. Ed. John Pier and José Ángel García Landa. (Narratologia, 12). Berlin and New York: Walter de Gruyter, 2008. 166-210.* (Greene, Pandosto; Hardy, Tess).

 

 

See also Ideology and literature; Ideology; Interdisciplinary narratology.

 

 

 

Futuro de la novela - Muerte de la novela

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Future of Fiction / "Death of the Novel"

 

 

Alas, Leopoldo ("Clarín"). "La novela del porvenir." In Alas, Ensayos y revistas.  1892. Barcelona: Lumen, 1991. 303-8.*

Azuar Carmen, Rafael. "Crisis y aventura del texto literario." In Azuar, Teoría del personaje literario y otros estudios sobre la novela. Alicante: Instituto de Estudios Juan Gil-Albert, 1987. 10-14.*

Castellet, José María. La hora del lector. Edición crítica al cuidado de Laureano Bonet. (Ficciones, 36). Barcelona: Península, 2001.* (authorship, stream of consciousness, narrative technique, reading, future of literature).

Delibes, Miguel. España 1939-1950: Muerte y resurrección de la novela. 2004.

Eastman, Max. "Is the Novel at a Dead End?" In Eastman, The Literary Mind: Its Place in an Age of Science. New York: Scribner's, 1931. 225-37.*

Fiedler, Leslie. "The Death and Rebirths of the Novel: The View from '82." En Innovation / Renovation: New Perspectives on the Humanities. Ed. Ihab Hassan y Sally Hassan. Madison: U of Wisconsin P, 1983. 225-42.

Fowles, John. "Is the Novel Dead?" Books 1 (1970): 2-5.

Fuentes, Carlos. "¿Ha muerto la novela?" In Fuentes, Geografía de la novela. Madrid: Alfaguara, 1993. 11-40.*

The End of the English Novel. Granta 3 (1980).

James, Henry. "The Future of the Novel." 1900. In The Future of the Novel: Essays on the Art of Fiction.  Ed. Leon Edel. New York: Vintage, 1956. 30-42.

_____. "El futuro de la novela." In James, El futuro de la novela. Ed. and trans. Roberto Yahni. Madrid: Taurus, 1975. 41-54.*

The Pittsburgh Gazette. "La novela desaparecerá pronto." 1902. In Verne, Viaje al centro de la mente: Ensayos literarios y científicos. Trans. and notes Mauro Armiño. Madrid: Páginas de Espuma, 2018. 353-6.* (Jules Verne).

Robbe-Grillet, Alain. "Une voie pour le roman futur." N. R. F. (July 1956).

_____. "Une voie pour le roman futur." 1956. In Robbe-Grillet, Pour un nouveau roman. Paris: Minuit, 1963. 15-23.

_____. "A Future for the Novel." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 467-72.*

Schneider, Peter. "El futuro de la novela". Quimera 72 (1988): 12-17.

Steiner, George. "The Pythagorean Genre." (Death of the novel). 1965. In Steiner, Language and Silence. Harmondsworth: Penguin, 1969. 102-17.

 

 

Crítica y ficción narrativa

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Criticism and Narrative fiction

 

 

Cornis-Pope, Marcel. "Structuralism, Semiotics, and the Novel." From Encyclopedia of the Novel. Ed. Paul Schellinger. Asst. eds. Christopher Hudson and Marijke Rijsberman. Chicago and London: Fitzroy Dearborn, 1998. In Literature Online.* http://lion.chadwyck.co.uk

         5/7/04

Eigner, Edwin M., and George J. Worth, eds. Victorian Criticism of the Novel. Cambridge: Cambridge UP, 1985.*

Ferris, Ina. "From Trope to Code: The Novel and the Rhetoric of Gender in Nineteenth-Century Critical Discourse." In Rewriting the Victorians. Ed. Linda M. Shires. London: Routledge, 1992. 18-30.*

Hazell, Stephen, ed. The English Novel: Developments in Criticism since Henry James. (Casebooks series). Basingstoke: Macmillan, 1978.

Howells, William Dean. Criticism and Fiction. 1891. In Criticism and Fiction and Other Essays. Ed. Clara M. Kirk and Rudolf Kirk. 1959. Newport (CT): Greenwood, 1977.

Jadhav, Kavita Kailas, and Dr. Dnyaneshwar B. Shirode. "Overview of Walter Besant's and Henry James' 'Art of Fiction': Comparison and Its Relevance in the 21^st Century." LangLit 9.3 (2023): 19-23.

         http://www.langlit.org

         Online at ResearchGate.*

         https://www.researchgate.net/publication/376695344

2024

Levenson, Michael. "Criticism of Fiction." In Modernism and the New Criticism. Ed. A. Walton Litz, Louis Menand, and Lawrence Rainey. Vol. 7 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 2000. 468-98.*

Lewes, George Henry. "Criticism in Relation to Novels." 1865. Rpt. in Eigner andWorth 181-92.*

Mallinson, G. J. "Seventeenth-Century Theories of the Novel in France: Writing and Reading the Truth." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 314-21.*

Norton, Glyn P. "Theories of Prose Fiction in Sixteenth-Century France." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 305-13.*

Norton, Glyn P., with Marga Cottino-Jones. "Theories of Prose Fiction and Poetics in Italy: novella and romanzo (1525-1596)." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 322-36.*

Rahv, Philip. "Fiction and the Criticism of Fiction." In Critical Approaches to Fiction. Ed. Shiv Kumar and Keith McKean. New York: McGraw-Hill, 1965.

Robson, W. W. "The Novel: A Critical Impasse?" In Robson, The Definition of Literature and Other Essays. 1982. Cambridge: Cambridge UP, 1984.*

Salzman, Paul. "Theories of Prose Fiction in England: 1558-1700." In The Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge History of Literary Criticism. Cambridge: Cambridge UP, 1999. 2001. 295-304.*

Schwartz, Daniel. Heritage: Critical Theories of the English Novel from James to Hillis Miller. London: Macmillan; Philadelphia: U of Pennsylvania P, 1986.

 

Comentario de Textos Narrativos - Guías y manuales

 

     from

A Bibliography of Literary Theory, Criticism and Philology

http://bit.ly/abibliog

by José Ángel García Landa

(University of Zaragoza, Spain)

 

 

Commentary handbooks

and study guides on fiction and narrative

 

 

Bal, Mieke. Narratology: Introduction to the Theory of Narrative. Trans. Christine van Boheemen. Toronto: U of Toronto P, 1985. Trans. of De theorie van vertellen en verhalen. .*

_____ . Teoría de la narrativa: una introducción a la narratología. Madrid: Cátedra, 1985.*

Brooks, Cleanth, and Robert Penn Warren. Understanding Fiction. New York: Appleton-Century-Crofts, 1943.

_____. Understanding Fiction. Englewood Cliffs (NJ): Prentice Hall, 1959.

Burton, S. H. The Criticism of Prose. 1973. London: Longman, 1980.

Chatman, Seymour. Reading Narrative Fiction. With material by Brian Attebery. New York: Macmillan, 1993.* (Short stories: anthology and analysis).

_____. "How to Write about Fiction." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993. 603-24.*

Escobedo, C., and J. L. Caramés. El Comentario de Textos Antropológico-Literario: Análisis de cinco casos representativos de la novela indo-angla contemporánea. Oviedo: Servicio de Publicaciones de la Universidad de Oviedo, 1994.

Fowler, Roger. Linguistics and the Novel. 1977. London: Methuen, 1985.

García Domínguez, Elías. Cómo leer textos narrativos. Madrid: Akal, 1987.*

Hawthorn, Jeremy. “Analysing Fiction.” In Hawthorn, Studying the Novel: An Introduction. 2nd ed. London: Arnold, 1992. 57-117.*

Nünning, Vera, and Ansgar Nünning. "5. An Introduction to the Analysis of Narrative Texts." In Nünning and Nünning, An Introduction to the Study of English and American Literature. Trans. Jane Dewhurst. (Uni-Wissen: Anglistik-Amerikanistik). Stuttgart: Klett, 2004. 101-30.*

Peck, John. How to Study a Novel: A Student’s Guide. Basingstoke: Macmillan, 1983.

_____. How to Study a Novel. 2nd ed. (How to Study series). Houndmills: Macmillan, 1995.

Pozuelo Yvancos, José María. Poética de la ficción. Madrid: Síntesis, 1993.*

Prado Biezma, F. J. del Cómo se analiza una novela. Madrid: Alhambra, 1984.*

_____. Análisis e interpretación de la novela: Cinco modos de leer un texto narrativo. (Teoría de la Literatura y Literatura Comparada). Madrid: Síntesis, 1999.*

Rimmon-Kenan, Shlomith. Narrative Fiction: Contemporary Poetics. New York: Methuen, 1983.

Scholes, Robert, Carl H. Klaus and Michael Silverman, eds. Elements of Literature: Essay, Fiction, Poetry, Drama, Film. New York: Oxford UP, 1973.

Scholes, Robert, Carl H. Klaus, Nancy R. Comley, and Michael Silverman, eds. Elements of Literature. 4th ed. New York: Oxford UP, 1991.

Talens, Jenaro, José Romera Castillo, Antonio Tordera and Vicente Hernández Esteve. Elementos para una semiótica del texto artístico (poesía, narrativa, teatro, cine). 3rd ed. Madrid: Cátedra, 1983.*

Toolan, Michael J. Narrative: A Critical Linguistic Introduction.  London: Routledge, 1988.*

_____. The Stylistics of Fiction: A Literary-Linguistic Approach.  London: Routledge, 1990.*

Villanueva, Darío. El comentario de textos narrativos: La novela.  Gijón: Júcar; Valladolid: Aceña, 1989.*

Weber, Jean-Jacques. Critical Analysis of Fiction. Amsterdam: Rodopi, 1992.*